Helicopter Movie Quotes

Imagine this: You’re driving. The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star. so smile for the camera, it’s your big scene, you know your lines. I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have. Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die in your best friend’s arms. And you play along because it’s funny, because it’s written down, you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along. Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily. I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath. 'Planet of Love

She’d just watched Tristan McLean, her cool suave movie star dad, reduced to near insanity. Leo could barely stand to watch that, but for Piper—Wow, Leo couldn’t even imagine. He figured that would make her insecure about herself, too. If weakness was inherited, she’d be wondering, could she break down the same way her dad did? “Hey, don’t worry,” Leo said. “Piper, you’re the strongest, most powerful beauty queen I’ve ever met. You can trust yourself. For what it’s worth, you can trust me too.” The helicopter dipped in a wind shear, and Leo almost jumped out of his skin. He cursed and righted the chopper. Piper laughed nervously. “Trust you, huh?” “Ah, shut up, already.” But he grinned at her, and for a second, it felt like he was just relaxing comfortably with a friend. Then they hit the storm clouds.

   The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star. So smile for the camera, it’s your big scene, you know your lines.   I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have.       Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die in your best friend’s arms. And you play along because it’s funny, because it’s written down, you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along.       Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily. I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath. - 'Planet of Love

I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.

Within the U.S. military, members of Special Ops were considered a breed apart, an elite warrior class that carried out the most difficult missions under the most dangerous circumstances—the guys in the movies rappelling from helicopters into enemy territory or making amphibious landings under cover of darkness.

McVeigh had been thinking about the movie Clear and Present Danger, which was based on the novel by Tom Clancy. “In the movie, the bad guys deliver a bomb with a helicopter, but they drop it on a truck, to make it look like it was a truck bomb,” McVeigh told Nigh. “We could say someone did the same thing here—that it was really a helicopter bomb.

the Godzilla brand was soon losing its bite. One online discussion group even included a list of 63 fundamental flaws within the movie (typical example: ‘Godzilla can outrun helicopters but he can’t keep up with a taxicab’).

There’s more!! In addition to your $400,000/year salary, you also get: • A no-questions-asked $50,000 expense account—in other words, you’re not required to provide receipts to get reimbursed. But if you don’t spend it all, you have to give what’s left back to the Treasury Department every year. • To live rent-free in a nice big house that includes a bowling alley, putting green, jogging track, billiard room, tennis courts, swimming pool, and movie theater (with various contacts in Hollywood providing all first-run movies for free). • Five full-time chefs who are standing by to prepare the food you paid for (see above). A nice, secluded, 180-acre vacation home in Maryland called Camp David that includes numerous cabins for the president and guests, a heated pool, tennis, horseshoes, bowling, a three-hole golf course, an archery range, and a trout stream. • The presidential version of “public” transportation: limos, helicopters, and your own personal jets. • Up to one million dollars you can spend every year for “unanticipated needs,” in case you ever go over budget somewhere else.

I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?

Hulking piece of rust,” she grumbled, then gave it a little pat on the wheel well as she scooted out between her truck and Hannah’s car. “Can’t let the car gods hear you dis their minions,” she said when she caught Cooper’s amused look. “They’ll strand you in the desert as sure as look at you. Besides, she might be a hulking piece of rusted metal but she’s my hulking piece.” She stopped when she reached her sister and gave her a one-armed hug. “And to what do I owe this pleasure? Cross-examining my afternoon date, are we?” “Maybe,” Hannah said, hugging her back. “Oh, good.” Kerry grinned, rubbing her hands together. “What did you learn?” “Hey, now,” Cooper said, chuckling. “What makes you think I’d give anything up?” “Oh, she’s good,” Kerry told him. “She once talked a tribal chief in Papua New Guinea, out of marrying me to his youngest son.” Cooper looked at Hannah, who just raised an arched brow but didn’t refute the statement. “Well, then, I suppose I’m even more in your debt,” he told Kerry’s oldest sister. “Unless of course the tribe believes in polygamy.” Kerry looked affronted. “You’d share me? Well, well, good to know.” She folded her arms. “So glad we’re having this little chat.” “Oh, no, Starfish, no such luck. You’d be stuck making do with only me. You see, I know a guy who could fly us out of there on his helicopter, and I’m guessing your erstwhile tribal spouse wouldn’t go anywhere near one of those flying birds. I’d spirit you off and--” “And leave my poor first husband brokenhearted and alone? Do I get a say in this?” She looked to her sister. “You’re drawing up my pre-nup, right?” Cooper brightened and clapped his hands together, which earned him an arched brow from Kerry. “Well, while I’m not too thrilled about your attachment to Number One, speaking as Number Two, I will say I’m happy to hear we’re in the negotiation phase.” “Husband Number One is a lot younger,” she said consideringly. “And while he doesn’t have as many head of cattle as you do, he does come with an entire village, and if something happens to his other six brothers, he’ll be chief one day.” She smiled sweetly. “Just saying.” Cooper flashed her a smile that might have been a little too private with her sister standing right there, but what the hell. “Keep in mind, Number Twos traditionally try harder. So I have that going for me.” Hannah looked from Cooper to Kerry, then at both of them, before finally looking at Kerry. “Seriously, marry him before he wises up.” “Hey,” Kerry replied, mock wounded. “And why do you say that?” “You speak the same language.” “Says the woman who communicates with her husband using old movie quotes that nobody gets but the two of you.” Hannah smiled, really smiled, and it transformed her often more serious expression into something truly radiant. “Yes, that’s exactly who’s saying that.” She looked at Cooper. “I have a feeling you and Calder will become fast friends.” “Thank you,” Cooper said, “for both sentiments.

When you have an unexpected crush on your childhood best friend, you spend a lot of time imagining the way you might kiss him one day. The fantasies I entertained of this moment were ridiculous cliches, based on movies and TV shows, and the romance novels I used to find in the pool clubhouse at Grandma Clark's condo. These scenarios often involved a helicopter over the Grand Canyon, a ski lift in Colorado, the top of the Eiffel Tower amid fireworks, or an unspecified beach in California.

La DolceVita. The movie opens with a panorama of Rome’s magnificent skyline, the grand dome of St. Peter’s in the center. A helicopter carrying a large object appears in the distance. The camera zooms in; the object is a statue of Christ being hauled away from a downtown square. The camera then focuses on a group of young sunbathers who, distracted from their pleasure by the whirring blades, laugh mockingly. Why shouldn’t Jesus take the bus like everyone else? The helicopter flies on to discard its outdated cargo on a trash pile, and the youngsters return to their sun worship.

Aedus reached into the center console and pulled out a pair of sunglasses. There was hardly a cloud in the sky. He drove for ten minutes before the helicopter came in sight, gradually descending towards the airport in his opposite direction. He looked around for a place to make a U-turn, but there was no legal turn available. Aedus sighed. The things a good guy has to do. He made a turn onto a side road and looped back around, tires squealing. In an action movie he’d just make a U-turn wherever, speed down the road, and weave in and out of traffic. Alas, this wasn’t an action movie and he wasn’t a certain Jason Bour—no time to think about that. The airport was coming up quick and as bustling as ever.

My threshold for being respectful to this lucky, absent bastard was evaporating. I was going to make a move on her. If I didn’t, I’d never forgive myself for not trying. If there was even the slightest chance she might be into me, I had to try. But how? Should I just try to kiss her? Would she tell me to go to hell? Probably. What if I slid my hand over hers? Would she yank it away? She would. I knew she would. I needed something else. Something less. More subtle. Something that could go either way to test the waters. Something that could lead to something else. “Hey, I give a decent foot massage if your feet hurt.” I nodded to the center console where her heels still sat after being dropped through the sunroof. To my surprise, she pivoted until her back was against the door, and she swung her legs over into my lap. She put an arm behind her head and leaned back. “Go for it. Those heels were killing me today.” I grinned inwardly that my strategy worked and put my back to the door while I took her tiny foot in my hand. “I’m a foot massage master. ‘I don’t be tickling or nothing,’” I said, giving her a Pulp Fiction line. She snorted. “I’m exfoliated and pedicured. Someone should touch them.” I thought about what Vincent Vega says in the movie, that foot massages mean something. That men act like they don’t, but they do and that’s why they’re so cool. This meant something, and I knew she knew it. She was as familiar with that movie as I was. She had to be making the connection. And she’d allowed it. I reveled in the chance to touch her and at the unspoken meaning behind her letting me do it. “So, Foot Massage Master, what other tricks do you have in your bag?” she asked, giving me a sideways smile. I pressed a thumb into her arch and circled it around with a smirk. “I’m not giving you my trade secrets.” What if I need them? She scoffed. “Your gender doesn’t have any secrets that every woman hasn’t already seen by the time they’re twenty.” I arched an eyebrow. “Ever heard of the naked man?” She rolled her eyes. “Oh God, the naked man. That one’s the worst.” I laughed. “Why? Because it works?” She scrunched up her face. “I have to admit it has worked on me in the past. I mean, the guy’s naked. Half the work is done for you already. It’s kind of hard to say no. But when it doesn’t work, it’s so cringey.” I tipped my head from side to side. “It’s risky. I’ll give you that. You have to know your audience. But big risks can reap big rewards.” “Waiting for your girlfriend to leave the room and then stripping naked to surprise her when she gets back is so unoriginal though. You men have no new material. I swear you could go back twenty thousand years and peek into a cave and find cavemen drawing penises on everything and doing the naked man and the helicopter.” I pulled her foot closer and laughed. “Hey, don’t knock the helicopter. It’s the first move we learn. It can be a good icebreaker.” “The helicopter should be banned over the age of eight. I’m just going to spare you the illusion right now. No woman is sitting around with her girlfriends going, ‘Gurl, it was the sexiest helicopter I’ve ever seen. Totally broke the ice.’” I chuckled and ran my hand up her smooth calf, rubbing the muscle. I pictured that delicate ankle on my shoulder where I could kiss it, run my palm down the outside of her thigh, pull down those light-blue lace panties…