“
Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
“No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.”
My mouth drops open. Fuck hard! Holy shit, that sounds so… hot. But why are we looking at a playroom? I am mystified.
“You want to play on your Xbox?” I ask. He laughs, loudly.
“No, Anastasia, no Xbox, no Playstation. Come.”… Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
“You can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. It’s fine whatever you decide.”
“Just open the damn door, Christian.”
He opens the door and stands back to let me in. I gaze at him once more. I so want to know what’s in here. Taking a deep breath I walk in.
And it feels like I’ve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
A ruby-encrusted orb popped its top and helicopter blades unfolded. Leo was glad Buford the table wasn't here-he would've fallen in love.
”
”
Rick Riordan
“
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather
box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch.
Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum
or white gold—I don’t know, but it’s absolutely enchanting. Attached to it
are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie
Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream
cone? I look up at him, bemused.
“Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course.
“Christian, this is beautiful. Thank you. It’s yar.” He grins.
My favorite is the heart. It’s a locket.
“You can put a picture or whatever in that.”
“A picture of you.” I glance at him through my lashes. “Always in my heart.”
He smiles his lovely, heartbreakingly shy smile.
I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to
use his first name. I smile at the thought. And finally, there’s a key.
“To my heart and soul,” he whispers.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
Imagine this:
You’re driving.
The sky’s bright. You look great.
In a word, in a phrase, it’s a movie,
you’re the star.
so smile for the camera, it’s your big scene,
you know your lines.
I’m the director. I’m in a helicopter.
I have a megaphone and you play along,
because you want to die for love,
you always have.
Imagine this:
You’re pulling the car over. Somebody’s waiting.
You’re going to die
in your best friend’s arms.
And you play along because it’s funny, because it’s written down,
you’ve memorized it,
it’s all you know.
I say the phrases that keep it all going,
and everybody plays along.
Imagine:
Someone’s pulling a gun, and you’re jumping into the middle of it.
You didn’t think you’d feel this way.
There’s a gun in your hand.
It feels hot. It feels oily.
I’m the director
and i’m screaming at you,
I’m waving my arms in the sky,
and everyone’s watching, everyone’s
curious, everyone’s
holding their breath.
'Planet of Love
”
”
Richard Siken (Crush)
“
I know loving me isn’t easy – the all-night
helicopter parties, the glow-in-the-dark haircuts, but when I look at you
it’s like praying with my eyes. I know it’s stupid to not own a gun yet have
so many triggers, but in some other world gigantic seashells hold humans
to their ears and listen to the echo of machines.
”
”
Jeffrey McDaniel
“
Helicopter parents. Before I started at Pirriwee Public, I thought it was an exaggeration, this thing about parents being overly involved with their kids. I mean, my mum and dad loved me, they were, like, interested in me when I was growing up in the nineties, but they weren't, like, obsessed with me.
”
”
Liane Moriarty (Big Little Lies)
“
Emma gasped. "You drank faerie wine? Cristina! That's how you black out and wake up the next day under a bridge with a tattoo that says I LOVE HELICOPTERS.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
I don't suppose you have a rocket powered helicopter hidden in your bra?
”
”
Jackie Williams (Tinted Lenses)
“
Vietnam, me love you long time. All day, all night, me love you long time.
(...)
Dropping acid on the Mekong Delta, smoking grass through a rifle barrel, flying on a helicopter with opera blasting out of loudspeakers, tracer-fire and paddy-field scenery, the smell of napalm in the morning.
Long time.
”
”
Alex Garland (The Beach)
“
In her defense, her helicoptering tended to revolve around making sure that Dee could take care of herself. LEARN HOW TO TAKE OUT THE TRASH OR I WILL KILL YOU. LOVE MOM.
”
”
Karin Slaughter (Pretty Girls)
“
I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be.
”
”
Joey Comeau (We all got it coming)
“
Some kids tell me their parents are never at home. How I wish. I never have a minute to myself, except in my room. Our back yard is no escape. Every time I sit by the pool, Mom is at the kitchen window doing this and that. Always watching.
”
”
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
“
The days seemed to stretch out toward infinity, blank and humid, without purpose, and at night I was kept awake by the endless drone of mosquitoes and helicopters. (Why wars must be contested under such conditions I shall never understand. Is not death sufficient?)
”
”
Tim O'Brien (Tomcat in Love)
“
If I had to do it over again, I would have danced like Buenos Aires.
I'd be a helicopter leaf, a snowflake falling. I would have stayed there spinning wild and lonely across the dark, lonely sky.
”
”
Addie Zierman (When We Were on Fire: A Memoir of Consuming Faith, Tangled Love, and Starting Over)
“
She feels like the first drags of fresh cigaretter but last crunches of cherry suckers.
She feels like final coats of nail polish.
She feels like lines of coke.
She feels like knuckles you crack after a long day.
She feels like Miami rain.
She feels like empty football fields.
She feels like full stadiums.
She feels like absinthe.
She feels like dangling from a helicopter.
She feels like classical music.
She feels like standing on a motorcycle.
She feels like train tracks.
She feels like frozen yogurt.
She feels like destroying a piano.
She feels like rooftops.
She feels like fleeing from cops.
She feels like stitches.
She feels like strobe lights.
She feels like blue carnival bears.
She feels like curbs at 2 am.
She feels like Cupid's Chokehold.
She feels like running through Chicago.
She feels like 1.2 million dollars.
She feels like floors.
She feels like everything he's ever wanted in life.
[…] “I love you more than I planned.
”
”
Julez (Duplicity)
“
she simply wasn’t one of those adrenaline junkies who got all jazzed up over rappelling out of a helicopter, or parachuting into shark-infested waters in the middle of a hurricane, or hiding out in a muddy ditch with a sniper rifle while wearing one of those camouflage helmets with a little bush attached to it.
”
”
Julie James (The Thing About Love)
“
The behaviour of the English people I had run into was making it very difficult to nail down a theory that the reason my trip so far had been such a bizarre success, was that Irish people were crazy. One Englishman had spent a morning on the telephone trying to organise a helicopter to take me out to an island, when a boat was leaving only a few yards away, and here was another, making a two-hour round trip for no reason other than to lend a helping hand. Two of the more eccentric pieces of behaviour hadn't been performed by the Irish, but by my fellow countrymen. However, both Andy and Tony had embraced wholeheartedly a love of the Irish way of living life.
”
”
Tony Hawks (Round Ireland with a Fridge)
“
She feels like the first drags of fresh cigarettes but last crunches of cherry suckers.
She feels like final coats of nail polish.
She feels like lines of coke.
She feels like knuckles you crack after a long day.
She feels like Miami rain.
She feels like empty football fields.
She feels like full stadiums.
She feels like absinthe.
She feels like dangling from a helicopter.
She feels like classical music.
She feels like standing on a motorcycle.
She feels like train tracks.
She feels like frozen yogurt.
She feels like destroying a piano.
She feels like rooftops.
She feels like fleeing from cops.
She feels like stitches.
She feels like strobe lights.
She feels like blue carnival bears.
She feels like curbs at 2 am.
She feels like Cupid's Chokehold.
She feels like running through Chicago.
She feels like 1.2 million dollars.
She feels like floors.
She feels like everything he's ever wanted in life.
[…] “I love you more than I planned.
”
”
Julez (Duplicity)
“
When people thought of mothers, they smelled cookies baking and chocolate melting. But actual mothers got shit for giving their kids too much sugar. When people thought of mothers, they thought soft and warm and cuddly. But actual mothers went to great lengths to eradicate their soft warm cuddly bits. When people thought of mothers, they thought of mama bears and cheerleaders–fierce love and unconditional support–but actual mothers were accused of coddling and helicoptering.
”
”
Laurie Frankel (Family Family)
“
Palmdale was a far cry from the old place. No hustle, no bustle. No corner stores, no helicopters, no laughing teens running wild. Just arid suburbia with a coarse, plain face. It was boring here, and Shawn had come to love the bland peace of it over the years.
”
”
Steph Cha (Your House Will Pay)
“
Strangely, though, I like helos. During this workup, my platoon worked with MH-6 Little Birds. Those are very small, very fast scout-and-attack helicopters adapted for Special Operations work. Our versions had benches fitted to each side; three SEALs can sit on each bench. I loved them. True, I was scared
”
”
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
“
So between critiques, the camera flew around on its arm like some sort of drunk helicopter, getting reaction shots from each contestant, and then from the judges. They asked us to hold our reactions as best we could until they got to us. Ever smile for a photograph for someone who doesn't know how to work their camera? Twenty times longer than that. My mouth started to tremble from trying to hold a smile. During one of these awkward frozen moments, one of the contestants grinned at me and mouthed the words "I love you," and I tried as best I could to communicate my thanks while also maintaining my frozen face.
”
”
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
“
They're arguing for giving homework and tests to all young children, or separating them into winners and losers, because these tykes need to get used to such things -- as if exposure itself will inoculate them against the negative effects they would otherwise experience later. If we were interested in helping children to anticipate and deal with unpleasant experiences, it might make sense to discuss the details with them and perhaps guide them through role-playing exercises. But why would we subject kids to those experiences? After all, to teach children how to handle a fire emergency, we talk to them about the dangers of smoke inhalation and advise them where to go when the alarm sounds. We don't actually set them on fire. But the key point is this: From a developmental perspective, BGUTI [Better-Get-Used-To-It worldview] is flat-out wrong. People don't get better at coping with unhappiness because they were because they were deliberately made unhappy when they were young On the contrary, what best prepares children to deal with the challenges of the real world is to experience success and joy, to feel supported and respected, to receive loving guidance and unconditional care and the chance to have some say about what happens to them.
”
”
Alfie Kohn (The Myth of the Spoiled Child: Coddled Kids, Helicopter Parents, and Other Phony Crises)
“
landing a helicopter aboard a ship reminded him of two porcupines making love. It wasn’t lack of willingness; it was just that you couldn’t afford any mistakes. They
”
”
Tom Clancy (Debt of Honor (Jack Ryan, #7; Jack Ryan Universe, #8))
“
There is literally no way to prepare for parenthood. You can read all the books and make a schedule and love that little person more than you ever thought possible, but being a parent will still gut you. Your kid will say they hate you, they’ll projectile vomit in your face, they’ll have friends you don’t like or they won’t have enough friends and you’ll worry. You’ll never be sure if you should push them harder or whether you need to back off. You won’t know whether to follow your instincts or do what everyone else is doing. You will never be fully relaxed again.
”
”
Elyssa Friedland (Last Summer at the Golden Hotel)
“
I do admire the new breed of fictional female PI's. The ones who'll survive a throttling, a kidnapping, a punch in the kidneys from a Mafia goon and then wind up the evening making love to a helicopter pilot. In the helicopter. I think I need more time at the gym.
”
”
Cynthia Lawrence (Take-Out City)
“
As I sat next to him on the piano bench, I said, “What if I’d never walked into the music store . . .”
Sam smiled gently and looked at me as he played the keys on the piano ever so softly. And then he said, “But you did.”
I decided that was my answer to questions of fate. I could go around asking myself what if x hadn’t happened, and the answer would always be, “But it did.”
What if Jesse hadn’t gotten on that helicopter?
But he did.
I decided to no longer wonder what would have happened if things had worked out differently. And instead, I would focus on what was in front of me. I would focus on reality instead of asking myself questions about fictions.
”
”
Taylor Jenkins Reid (One True Loves)
“
IT WAS A HOT AND MUGGY DAY AS I looked up in the powder blue sky that covered the Port of San Pedro. The Bell helicopter circled above like a dragonfly in my Grandma Cholé's rose garden. I don't know if it was the unbearable humidity or the whoop- whoop- whoop of the chopper's rotor blades as they sliced through the air, but something was affecting me.
”
”
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
“
I decided that was my answer to questions of fate. I could go around asking myself what if x hadn’t happened, and the answer would always be, “But it did.” What if Jesse hadn’t gotten on that helicopter? But he did. I decided to no longer wonder what would have happened if things had worked out differently. And instead, I would focus on what was in front of me. I would focus on reality instead of asking myself questions about fictions.
”
”
Taylor Jenkins Reid (One True Loves)
“
I decided that was my answer to questions of fate. I could go around asking myself what if x hadn’t happened, and the answer would always be, “But it did.” What if Jesse hadn’t gotten on that helicopter? But he did. I decided to no longer wonder what would have happened if things had worked out differently. And instead, I would focus on what was in front of me. I would focus on reality instead of asking myself questions about fictions. I
”
”
Taylor Jenkins Reid (One True Loves)
“
Being Tully’s sister required a very specific skill set. You had to be an animated conversationalist (Tully was easily bored) but also a calming influence. You had to be fully invested in whatever she was talking about but be prepared for the fact that Tully would lose interest five minutes later. You had to love her with your whole heart but do so from arm’s length. Getting close to her was like trying to get close to a helicopter—you always ended up windswept and breathless…and occasionally you lost your head.
”
”
Sally Hepworth (The Younger Wife)
“
One member of Paley's preschool class is 'The Boy Who Would Be a Helicopter.' He is probably vaguely autistic, high-functioning, yet solitary to a degree considered irregular. His playmates invite him into their games (which are ongoing, morphing narratives), but he stubbornly resists. He loves his helicopter. He would like to be a helicopter himself so that he could fly with his friend, the machine, and have adventures. Machine adventures. Rescue missions, yet with rotors, so that, perhaps, there wouldn't be hugging involved. (Antonya Nelson)
”
”
Tin House Books (The Writer's Notebook: Craft Essays from Tin House)
“
You remind me of the man that lived by the river. He heard a radio report that the river was going to rush up and flood the town, and that the all the residents should evacuate their homes.
But the man said, "I'm religious. I pray. God loves me. God will save me." The waters rose up. A guy in a rowboat came along and he shouted, "Hey, hey you, you in there. The town is flooding. Let me take you to safety." But the man shouted back, "I'm religious. I pray. God loves me. God will save me."
A helicopter was hovering overhead and a guy with a megaphone shouted, "Hey you, you down there. The town is flooding. Let me drop this ladder and I'll take you to safety." But the man shouted back that he was religious, that he prayed, that God loved him and that God will take him to safety.
Well... the man drowned. And standing at the gates of St. Peter he demanded an audience with God. "Lord," he said, "I'm a religious man, I pray, I thought you loved me. Why did this happen?"
God said, "I sent you a radio report, a helicopter and a guy in a rowboat. What the hell are you doing here?
He sent you a priest, a rabbi and a Quaker. Not to mention his son, Jesus Christ. What do you want from him?
”
”
Aaron Sorkin
“
But now Max wanted Gina to look out the window.
“The cavalry had arrived,” he told her.
Someone was standing directly in front of the tank. Whoever he was—a boy, dressed like a surfer, on crutches—was holding one hand out in front of him like a traffic cop signaling halt.
The tank, of course, had rolled to a stop.
And Gina realized this was no ordinary surfer, this was Jules Cassidy.
Jules was alive!
And here she’d thought she was all cried out.
Max laughed as he peered out through the slit that passed as a windshield for the tank. “He has no idea that we’re in here,” he said.
Damn, Jules looked like he’d been hit by a bus.
“Jesus, he has some balls.” Jules turned to the interpreter, who still didn’t quite believe that they weren’t going to kill him. “Open the hatch.”
“Yes, sir.” He poked his head out.
“Do you speak English?” Max could hear Jules through the opening.
“Yes, sir.”
“Tell your commanding officer to back up. In fact, tell him to leave the area. I’m in charge of this situation now. My name is Jules Cassidy and I’m an American, with the FBI. There are Marine gunships on their way, they’ll be here any minute. They have armor-penetrating artillery—they’ll blow you to hell, so back off.”
“Tell him Jones wants to know if the gunships are really coming, or if that’s just something he learned in FBI Bullshitting 101.”
The interpreter passed the message along.
As Max watched, surprise and relief crossed Jules’s face.
“Is Max in there, too?” Jules asked.
“Yes, sir,” the interpreter said.
“Well, shit.” Jules grinned. “I should’ve stayed in the hospital.”
“I hear helicopters!” Gina’s voice came through the walkie-talkie. “I can see them, too! They’re definitely American!”
Max took a deep breath, keyed the talk button. And sang. “Love me tender, love me sweet, never let me go . . .
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Concord Academy. Since leaving home, John’s sister had decided that she, too, wished to take to the skies. “People always think of John running up to welcome his father’s helicopter,” Pierre Salinger said. “They forget Caroline was on the White House lawn waiting for Daddy, too.” Moreover, JFK’s campaign plane was named after her—something she took considerable pride in as a little girl. “Caroline had been flying for years before John was even born,” George Plimpton said. “Flying was second nature to her, and it made perfect sense that she’d want to give it a try.” As enthusiastic as John was about aviation, it was their stepbrother who took them up in planes
”
”
Christopher Andersen (The Good Son: JFK Jr. and the Mother He Loved (A Kennedy Family Biography))
“
War means endless waiting, endless boredom. There is no electricity, so no television. You can't read. You can't see friends. You grow depressed but there is no treatment for it and it makes no sense to complain — everyone is as badly off as you. It's hard to fall in love, or rather, hard to stay in love. If you are a teenager, you seem halted in time.
If you are critically ill — with cancer, for instance — there is no chemotherapy for you. If you can't leave the country for treatment, you stay and die slowly, and in tremendous pain. Victorian diseases return — polio, typhoid and cholera. You see very sick people around you who seemed in perfectly good health when you last saw them during peacetime. You hear coughing all the time. Everyone hacks — from the dust of destroyed buildings, from disease, from cold.
As for your old world, it disappears, like the smoke from a cigarette you can no longer afford to buy. Where are your closest friends? Some have left, others are dead. The few who remain have nothing new to talk about. You can't get to their houses, because the road is blocked by checkpoints. Or snipers take a shot when you leave your door, so you scurry back inside, like a crab retreating inside its shell. Or you might go out on the wrong day and a barrel bomb, dropped by a government helicopter, lands near you.
Wartime looks like this.
”
”
Janine Di Giovanni (The Morning They Came for Us: Dispatches from Syria)
“
My huge generalities touched on millennials’ oversensitivity, their sense of entitlement, their insistence that they were always right despite sometimes overwhelming proof to the contrary, their failure to consider anything within its context, their joint tendencies of overreaction and passive-aggressive positivity—incidentally, all of these misdemeanors happening only sometimes, not always, and possibly exacerbated by the meds many this age had been fed since childhood by overprotective, helicopter moms and dads mapping their every move. These parents, whether tail-end baby boomers or Gen Xers, now seemed to be rebelling against their own rebelliousness because they felt they’d never really been loved by their own selfish narcissistic true-boomer parents, and who as a result were smothering their kids and not teaching them how to deal with life’s hardships about how things actually work: people might not like you, this person will not love you back, kids are really cruel, work sucks, it’s hard to be good at something, your days will be made up of failure and disappointment, you’re not talented, people suffer, people grow old, people die. And the response from Generation Wuss was to collapse into sentimentality and create victim narratives, instead of grappling with the cold realities by struggling and processing them and then moving on, better prepared to navigate an often hostile or indifferent world that doesn’t care if you exist.
”
”
Bret Easton Ellis (White)
“
and were willing to suffer pain if necessary.” A young woman in the spring and summer of 1967 was walking toward a door just as that door was springing open. A stage was set for her adulthood that was so accommodatingly extreme—so whimsical, sensual, and urgent—that behavior that in any other era would carry a penalty for the daring was shielded and encouraged. There was safety in numbers for every gorgeous madness; good girls wanting to be bad hadn’t had so much cover since the Jazz Age. San Francisco—glowing with psychedelic mystique, the whole city plastered with Fillmore and Avalon posters of tangle-haired goddess girls—was preparing for a convocation (of hapless runaways from provincial suburbs, it would turn out), the Summer of Love, through which the term “flower children” would be coined, while in harsh, emotion-sparking contrast, helicopters were dropping thousands of U.S. boys into the swamps of Vietnam.
”
”
Sheila Weller (Girls Like Us: Carole King, Joni Mitchell, Carly Simon--And the Journey of a Generation)
“
The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star.
So smile for the camera, it’s your big scene, you know your lines.
I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have.
Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die
in your best friend’s arms. And you play along because it’s funny, because it’s written down,
you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along.
Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily.
I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath.
- 'Planet of Love
”
”
Richard Silken
“
Sitting on the poop deck with my infinitely beloved wife who has acquired an even greater weight of love. I keep on mentally looking around to make sure she's there. For why this new and massive re-affirmation of adoration and worship and a promise to myself that I shall never be nasty to her ever again? I will tell you for why. For because for about three minutes this afternoon I thought that I was about to be killed instantaneously and at once, without time to re-tell her how much I love her, to apologize for breaking my contract to look after her forever, for letting her down with a bang (hysterical pun intended) and for having no time to tell her the million things yet to be told and for not realizing and demonstrating my full potential as a husband, provider, lover, and all. (He goes on to describe how he was in a helicopter with others going to a film location in some mountainous area in Sarajevo in the fog and the came right up to some mountains and barely swerved just in time, this went of for a full three minutes of desperate danger) He goes on to say, "There was one blazing mental image that seemed to last right through the enormity. it was E lying in bed on the yacht with a book open at the page where she'd stopped reading with the title front cover and publisher's blurb on the other face up on the bed near her right hand which was out of the covers. She was wearing one of my favorite nightgowns, a blue thing and shorty which she may have been wearing this morning when I said goodbye to her. (I just asked her and she was) She had one leg bent and the other straight. On another level I was telling her over and over again that I loved her, I loved her...The mind is a remarkable instrument. If I wrote down everything I could remember from those interminable seconds it would be a million words....A shorter catastrophe of this kind happened to me before when I was perhaps 19-20 years old but I hadn't learned to love then and to love obsessively.
”
”
Richard Burton (The Richard Burton Diaries)
“
They work with feverish haste, even though the country road they’re on is silent except for birdsong. They take their cue from Parks, who is grim-faced and urgent, speaking in monosyllables, chivvying them along. “Okay,” he says at last. “We’re good to go. Everybody ready to move out?” One by one they nod. It’s starting to sink in that a journey you could do in half a day on good roads has just become a four- or five-day trek through terra completely incognita, and Justineau presumes that that’s as hard for the rest of them to come to terms with as it is for her. She was brought to the base by helicopter, directly from Beacon–and she lived in Beacon for long enough that it became her status quo. Thoughts from before that time, from the Breakdown, when the world filled with monsters who looked like people you knew and loved, and every living soul went scrambling and skittering for cover like mice when the cat wakes up, have been so deeply suppressed, for so long, that they’re not memories at all–they’re memories of memories. And
”
”
M.R. Carey (The Girl With All the Gifts)
“
Europeans do not understand North America but for the varying news outlets they read, most of which are in their own languages. Filled with their own cultural bias or lacklustre understanding, their analysis of the average North American lacks the most basic feeling. Simply because we can ride helicopters to our villas in the country or accumulate vast amounts of wealth and buy houses in Europe they think we care for nothing but money. The British especially, seeing their so-called brutish empire now long dead have only their incomprehensible accents to hold dear and berate the North American for not speaking true English. Yet it’s another sign of status and of money. But North Americans don’t care for money in the slightest. Most of us spend it the moment we acquire it whether in intelligence or not. Money is nothing to us but the idol and ideal of success. We are the true idealists. Of course we have set our ideal on the wrong idol; the only true idol for a man ought to be his passion, and a passion cannot be money since it is tangible and sensible.
”
”
Bruce Crown (The Romantic and The Vile)
“
What is the future of men who have
lost sight of the past?
Earl Hollsopple lived on the edge of civilization in a deserted shack for nearly forty years. His life was one beautiful night of stargazing after another, until a helicopter flies overhead, and exposing his meager world. It is a sign; it is time for him to return to civilization.
Unknowingly, Earl’s journey parallels another he had deeply repressed, and that is his return from the Vietnam War. The lone survivor of a plane crash, Earl waits for rescue that never came. He is left to find his way home alone.
On both his quests, old Earl and young Earl learn lessons of survival, overcoming isolation and handling conflicts; his travels teach him not just about himself, but humankind. Reaching pivotal points in both journeys, Earl meets fateful loves, leading to destinies that are ultimately intertwined.
Everything in life circles until we are able to answer the riddles that plaque man and humanity. Only until we take the journey, solve the problems of our own existence, do we find our way home.
”
”
Jennifer Ott (Serendipidus)
“
The great German philosopher Schopenhauer, in a magnificent essay on “The Foundation of Morality,” treats of this transcendental spiritual experience. How is it, he asks, that an individual can so forget himself and his own safety that he will put himself and his life in jeopardy to save another from death or pain—as though that other’s life were his own, that other’s danger his own? Such a one is then acting, Schopenhauer answers, out of an instinctive recognition of the truth that he and that other in fact are one. He has been moved not from the lesser, secondary knowledge of himself as separate from others, but from an immediate experience of the greater, truer truth, that we are all one in the ground of our being. Schopenhauer’s name for this motivation is “compassion,” Mitleid, and he identifies it as the one and only inspiration of inherently moral action. It is founded, in his view, in a metaphysically valid insight. For a moment one is selfless, boundless, without ego.3 And I have lately had occasion to think frequently of this word of Schopenhauer as I have watched on television newscasts those heroic helicopter rescues, under fire in Vietnam, of young men wounded in enemy territory: their fellows, forgetful of their own safety, putting their young lives in peril as though the lives to be rescued were their own. There, I would say—if we are looking truly for an example in our day—is an authentic rendition of the labor of Love.
”
”
Joseph Campbell (Myths to Live By)
“
More helicopters hovered to the south, and a large troop carrier lifted off the ground a mile ahead. These weren’t the same helicopters Rick had left behind in Tennessee. These were new ones from North Carolina. They must have had a plan, but Rick wasn’t in any hurry to run to his doom. He slowed down to seventy miles per hour and looked at Renee.
“I love you, too,” he said.
Renee’s heart lurched into her throat. The reserved look on his face was something she wasn’t used to seeing. “Do you think this is it?”
“I don’t know.” He looked again at the fuel gauge.
She put her hand over the gauge, covering it from his view. “Do you remember what you told me once?”
Rick smiled. “That, sometimes, it’s best not to know.”
“Just don’t quit on me. Don’t make this a worthless gesture.” Renee forced him to look at her.
Rick feared running out of fuel in the middle of these mountains. He feared the fury of the Firebird’s losing power, rolling to a stop, becoming helpless, and giving all these patrolmen a chance to catch up to them and gun them down like Bonnie and Clyde. Surely, they would use lethal force and nothing else.
But as long as that engine ran and Rick was behind the wheel, they had a chance to live. And every second of life mattered.
“OK, just hang on,” he said, meeting her gaze. He reached over and kissed her gently.
Renee relished the kiss, closing her eyes and then opening them wide to take in the mountains. Did it hurt, getting shot? She wondered if she’d know when the last drop of blood flowed out of her body. What would happen to Rick? Would he be with her? Would they know each other without bodies? The mountains sure were beautiful.
”
”
Rich Hoffman (Tail of the Dragon)
“
Thanks again, sir.” Jules shook his hand again.
“You’re welcome again,” the captain said, his smile warm. “I’ll be back aboard the ship myself at around nineteen hundred. If it’s okay with you, I’ll, uh, stop in, see how you’re doing.”
Son of a bitch. Was Jules getting hit on? Max looked at Webster again. He looked like a Marine. Muscles, meticulous uniform, well-groomed hair. That didn’t make him gay. And he’d smiled warmly at Max, too. The man was friendly, personable. And yet . . .
Jules was flustered.
“Thanks,” he said. “That would be . . . That’d be nice. Would you excuse me, though, for a sec? I’ve got to speak to Max, before I, uh . . . But I’ll head over to the ship right away.”
Webster shook Max’s hand. “It was an honor meeting you, sir.” He smiled again at Jules.
Okay, he hadn’t smiled at Max like that.
Max waited until the captain and the medic both were out of earshot. “Is he—”
“Don’t ask, don’t tell.” Jules said. “But, oh my God.”
“He seems nice,” Max said.
“Yes,” Jules said. “Yes, he does.”
“So. The White House?”
“Yeah. About that . . .” Jules took a deep breath. “I need to let you know that you might be getting a call from President Bryant.”
“Might be,” Max repeated.
“Yes,” Jules said. “In a very definite way.” He spoke quickly, trying to run his words together: “I had a very interesting conversation with him in which I kind of let slip that you’d resigned again and he was unhappy about that so I told him I might be able to persuade you to come back to work if he’d order three choppers filled with Marines to Meda Island as soon as possible.”
“You called the President of the United States,” Max said. “During a time of international crisis, and basically blackmailed him into sending Marines.”
Jules thought about that. “Yeah. Yup. Although it was a pretty weird phone call, because I was talking via radio to some grunt in the CIA office. I had him put the call to the President for me, and we did this kind of relay thing.”
“You called the President,” Max repeated. “And you got through . . .?”
“Yeah, see, I had your cell phone. I’d accidently switched them, and . . . The President’s direct line was in your address book, so . . .”
Max nodded. “Okay,” he said.
“That’s it?” Jules said. “Just, okay, you’ll come back? Can I call Alan to tell him? We’re on a first-name basis now, me and the Pres.”
“No,” Max said. “There’s more. When you call your pal Alan, tell him I’m interested, but I’m looking to make a deal for a former Special Forces NCO.”
“Grady Morant,” Jules said.
“He’s got info on Heru Nusantra that the president will find interesting. In return, we want a full pardon and a new identity.”
Jules nodded. “I think I could set that up.” He started for the helicopter, but then turned back. “What’s Webster’s first name? Do you know?”
“Ben,” Max told him. “Have a nice vacation.”
“Recovering from a gunshot wound is not a vacation. You need to write that, like, on your hand or something. Jeez.”
Max laughed. “Hey, Jules?”
He turned back again. “Yes, sir?”
“Thanks for being such a good friend.”
Jules’s smile was beautiful. “You’re welcome, Max.” But that smile faded far too quickly. “Uh-oh, heads up—crying girlfriend on your six.”
Ah, God, no . . . Max turned to see Gina, running toward him.
Please God, let those be tears of joy.
“What’s the verdict?” he asked her.
Gina said the word he’d been praying for. “Benign.”
Max took her in his arms, this woman who was the love of his life, and kissed her.
Right in front of the Marines.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Rebel
[Verse 1]
I don't give a fuck my brudda, I never have
I'm straight from the gutter my brudda, we never had
We living on a budget - holes in the rooftop
Room full of buckets, it's getting bad
Things could be worse I suppose, school trips, school kids
Cursing my clothes, is it the same in every house
When the curtains are closed? (daydreamin')
I'm in a world of my own (I ain't leavin')
It must be because I hate my reality
That's why I'm on the verge of embracing insanity
Put me in a padded room
Throw away the key and let me escape the anarchy
I can't take it, I turn my back on the world
I can't face it, Ray-Ban gang fam
Can't see my eyes cause I'm on my dark shades shit (Ray Charles)
[Bridge]
Black everything, you can ask David
Cameron if we're living in the dark ages
Black everything, you can ask David
Black everything, you can ask David
Black everything, you can ask David
Cameron if we're living in the dark ages
[Hook]
(It's a living hell) I'm a rebel
Always have been
Where I'm come from it's a mad ting
(It's a living hell) Standing in my Stan Smiths
Stamping on the canvas for action
(It's a living hell) All I acquired from the riot
Is people are sick and tired of being quiet
(It's a living hell) Dying to be heard
That's why there's fire in my words
[Verse 2]
I don't give a fuck my brudda, I never will
Straight from the gutter my brudda, rare real
We been living life like "fuck it", living life like there's nothing
To live for but the money, I'mma keep it 100
The hunger inside is what drives us
That's why there's youngers inside who are lifers
They say love is blind so you might just
Fall in love with them crimes that'll blind us
And I'd be lying if I said I wasn't out late
Around H, scales out, another ounce weighed
More pounds made, sounds great
Salts under my tongue, my mouth's laced
So many feds chasing me down, the ground shakes
Helicopters, bikes and cars chasing
So many officers behind, my heart's racing
[Bridge]
[Hook x2]
”
”
Ghetts
“
In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm.
My goodness, that was a beautiful prospect.
Somehow I had to get on that chopper with him.
I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting.
One chance.
What the heck.
Neil shook his head at me, smiling.
“God, you push it, Bear, don’t you?” he shouted over the noise of the rotors.
“You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.)
The pilot shouted that two people would be too heavy.
“I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly.
The pilot looked back at me, then at the white cross on my sleeve.
He agreed to drop Neil somewhere down at a lower altitude, and then come back for me.
“Perfect. Go. I’ll be here.” I shook his hand firmly.
Let’s just get this done before anyone thinks too much about it, I mumbled to myself.
And with that the pilot took off and disappeared from view.
Mick and Henry were laughing.
“If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling.
“Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added.
Thanks to the pilot’s big balls, he was wrong.
The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air.
The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier.
I was out of there--and Mick was busy taking his socks off.
As we descended, I spotted, far beneath us, this lone figure sat on a rock in the middle of a giant boulder field. Neil’s two white “beacons” shining bright.
I love it. I smiled.
We picked Neil up, and in an instant we were flying together through the huge Himalayan valleys like an eagle freed.
Neil and I sat back in the helicopter, faces pressed against the glass, and watched our life for the past three months become a shimmer in the distance.
The great mountain faded into a haze, hidden from sight. I leaned against Neil’s shoulder and closed my eyes.
Everest was gone.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
I love money because money is power, the power to invite my friends for lunch and pay the bill without expecting anything in return, the power to give twenty dollars to a beggar just because I can, the power to offer an expensive remote control helicopter to children and create a huge smile in them, the power to wait for the ones you love to love you back just because you don’t need to waste your time like they do.
”
”
Robin Sacredfire
“
The following is an advertisement for The Marine Corps(e): Join The Marine Corps(e)! Thousands of new positions are available because all our current recruits are "on leave" while we order their prosthetic limbs. After one hour in our coffee and donuts lounge, we put you and any other sign-on recruits into our helicopter out back, and fly you straight to the Middle East. If you survive one week, without weapons, in the heart of recent terrorist activity, your training is done. Compensation: You will be paid on commission every February 29th. The main benefit of being paid once every 4 years is... 4 years of saving! Imagine how happy your family will be when you come home with every dime you earned! And if you really love them, why not try your luck with our on-base casinos. DOUBLE OR NOTHING BABY!
”
”
Mike Sov (I Like Poop)
“
Emma found Stevie Ray Vaughan's Tightrope on the Bluetooth from her phone and eased back for the drive. She loved those Texas blues Stevie Ray belted out. Fantastic guitar player. She had fallen in love with his music long after the singer's untimely death in a helicopter crash. What is it with musicians and aircraft? she thought.
”
”
Louis Tridico (The Magicians (The Emma Eaton series Book 4))
“
Let me think. In love with an adorable Texan lawman who's also a medic and the first one to dive into anything dangerous. He's been shot at a couple of times lately, and he jumped into a hovering helicopter to save me. Tace Justice was also named well.
”
”
Rebecca Zanetti (Winter Igniting (Scorpius Syndrome #5))
“
If you are able, save for them a place inside of you and save one backward glance when you are leaving for the places they can no longer go. “Be not ashamed to say you loved them, though you may or may not have always. Take what they have taught you with their dying and keep it with your own. “And in that time when men decide and feel safe to call the war insane, take one moment to embrace those gentle heroes you left behind.” This
”
”
Phil Marshall (Helicopter Rescues Vietnam Vol II)
“
I can’t remember any time the Americans have delivered a worse mess than this. You know what they’re doing?” He bent forward and dropped his voice to a whisper—that’s what I loved about Louis, life was a Le Carré novel to him. “They’re still backing the warlords. The CIA never cut the assistance, even after the clerics kicked the warlords’ ass, despite all those briefcases of cash. You know the assholes the CIA was backing? Qanyare? Abdi Qeybdiid? Hussein Aidid? They were the same assholes who shot down your helicopters during Black Hawk Down. You Americans”—he waved his lit cigarette at me—“you’re so tragic at history.
”
”
Jeffrey Gettleman (Love, Africa: A Memoir of Romance, War, and Survival)
“
For so long I thought the only real meaning my life held was in seeking revenge for what Troy Memphis did to my family,” I said to her in a low voice, not even certain she could hear me over the roar of the helicopter. “But I was so fucking wrong. So, so wrong, Tatum. Because fearing for your life almost destroyed me. It made me realise that I have so much more to live for than some vendetta. I love you. I love you with everything I am and everything I’ll ever be
”
”
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
“
You know Jules loves you. If you have to propose, then propose. Just buy a ring that looks nothing like the ones you got for Bonnie or Mel Honeycook—”
“Oh my fucking god!”
“—and take her on a helicopter ride.”
“Julia’s afraid of heights.”
“—or maybe a hot air balloon ride.”
“What did I just say?
”
”
Eve Dangerfield (Open Hearts (Bennett Sisters #2))
“
Head squirrels were the ancient enemies of human concentration, Nige assured me. Without my being aware of it they’d taken up residence in my consciousness. More devious than the hover monkeys, he said, they were also far more dangerous. The only way to get rid of head squirrels, Nige insisted, was iron discipline. A helicopter is easily mastered, but the head takes more time and more patience. Time and patience, I thought impatiently. I don’t have much of either, Nige, so let’s crack on… It also takes a kind of self-love, Nige said, and this manifests as confidence. Confidence, Lieutenant Wales. Believe in yourself—that’s everything.
”
”
Prince Harry (Spare)
“
Well, that just sucks!” His eyebrows go up. “Excuse me?” “The first time I ever ride in a helicopter, and I’m unconscious the whole freaking time.” I huff. “Just my luck.” He grins and shakes his head at me.
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
I love money because money is power, the power to invite my friends for lunch and pay the bill without expecting anything in return, the power to give twenty dollars to beggar just because I can, the power to offer an expensive remote control helicopter to children and create a huge smile in them, the power to wait for the ones you love to love you back just because you don’t need to waste your time like they do.
”
”
Robin Sacredfire
“
We spent twenty days and endured three thousand miles of jolting, pounding, off-road bush driving. But we had a hard-won sense of accomplishment when we pulled up on the stunning cliff-side view of the Great Australian Bight, a huge open bay carved out of the southern coastline. We had made it.
Below us, three hundred feet down a sheer rock face, was the Southern Ocean. A pod of southern right whales passed by, their calves following along with them. Steve and I and the crew watched the family dramas of the whales play out below us.
A calf felt naughty and went darting away from his mother’s side. Come back, the mother called, come back, come back, you naughty little whale. When she was under the water, we couldn’t hear anything, but as she surfaced we could actually hear the whale song from our perch three hundred feet in the air.
Mama scolded the calf, and we saw the young whale come dutifully shooting back over to follow his mother for a while. Sometimes the calf would approach his mama for a drink of milk and nurse for a few minutes. Then he would escape once more, and the whole scenario played itself out all over again.
We watched the whales for hours. That night around the campfire, we discussed whaling, how sad and cruel and horrible it was.
“If we killed cows the way we killed whales, people wouldn’t stand for it,” Steve said. “Imagine if you drove a truck with a torpedo gun off the back. When you saw a cow you fired at it, and then you either electrocuted it over the course of half an hour or the head of the torpedo blew up inside of it, rendering it unable to walk or move until it finally bled to death.”
“We’ve got to get that message out,” I said to Steve. But his idea was to bring the beauty and joy of the whales to people, so that they would naturally fall in love with them and not want to hurt them. He didn’t want to dwell on images that would make people sad and upset.
Steve remained thoughtful and silent as the fire died. The ocean sounded against the cliffs below. The games of the whale families played over and over in our minds.
In spite of our extensive searching, we never saw a live dingo down the whole line of our journey. It was time to try a different approach. The next morning the helicopter pilot arrived early. Going up with him, Steve actually finally spotted some dingoes from the air.
The beautiful, ginger-colored dogs played along the fence, jumping over it or skirting under it with effortless ease.
”
”
Terri Irwin (Steve & Me)
“
On one occasion, after a particularly long spell away from home, I got Shara to fly into the mountains we were filming in.
“Bring the boys, my love, I miss you.”
That night, I hitched a lift with the crew, jumped into the helicopter that was extracting them back to base, and went to the lodge they were staying in.
Shara was there, waiting.
I spent the night in my family’s arms and went back to film the next day. Reckless, I know.
But the press got wind of it, as they do, and they went for the jugular. It made for a killer headline. I totally understood. But who hasn’t made the odd mistake?
In hindsight, it was more than reckless--it was an error, and it opened a can of worms for the papers to feed on.
But, for the record, it had been total heaven to see Shara and the boys.
So which do I value more--being a hero or being a father?
There’s a third option, Bear. It is called patience.
I know. It is never my strong point.
So this was another moment that could have sunk the show, but Channel 4 and Discovery backed me. They knew all too well how hard I work and the risks I take every day.
And the best response to the critics was the show’s subsequent runaway success.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
…my loved one was a bee and a butterfly and knew how to cut with her claws and her tongue, and I tried too … we learned from each other what was good for the other, and that made both of us stronger … running, and the earth turned beneath us, running by graves and leaping across them, avoiding the bones and glassy stares and empty eyesockets … of wolf skulls … and steering clear of traps and snares, we had experience … with falling stakes and poisoned meat … we made it without harm through the red pack's territory … and met the last of the white wolves, they were wracked with disease … and the big black wolves chased us, but we escaped … we, the gray wolves of the Carpathians, had an age-old war with them, they were surprised we fled, their jaws snapping shut on empty air, they had a hunch it was their turn next, the helicopters were on the way … we ran side by side, our bodies touching … running over the earth as it turned, with the wind whistling in our ears like a lament for every dead pack … and the clicking of our claws made the earth's motion accelerate … we ran over the earth, a mass grave, running away …
”
”
Jáchym Topol (City Sister Silver)
“
Learning to love unconditionally sometimes means that we must let go to allow God to guide the situation and love through us, especially when we don't know what to do, even if we don't like the consequence.
”
”
Eve M. Harrell (Confessions of a Helicopter Mom)
“
We have a Creator, a Father who is hands-on and loves us unconditionally!
”
”
Eve M. Harrell (Confessions of a Helicopter Mom)
“
Taking time to create memories will stamp moments that will forever be etched on your heart and on the hearts of your children.
”
”
Eve M. Harrell (Confessions of a Helicopter Mom)
“
To minimize the sense of confinement, one of our video channels provided a breathtaking view of our journey, as seen from a helicopter flying low over the landscape, following our exact route on a lovely spring day. The photographic sequence had been speeded up so that each view corresponded in real-time to a point directly above our location deep underground in the floater tunnel. That was, I concluded, a rather easy trick technically, because all the photographic information obtained in the original helicopter flight was stored electronically for easy recall.
”
”
Gerard K. O'Neill (2081)
“
No healthy relationship should have us compromise our worth or what we feel we deserve—and I’m not speaking of jewels or helicopter dates, but of decency, respect, and trust. And, especially, no relationship should ever make us put aside self-love in order to be able to love our partner.
”
”
Kate Rose (You Only Fall in Love Three Times: The Secret Search for Our Twin Flame)
“
The woman was considered medically dead three times. Twice on the way to the hospital—once while waiting for the helicopter, once in transit—and her longest flatline took place on the operating table. The medical staff wanted to call her death, but the doctor who’d been working on her refused to stop trying to bring her back—he was thinking of her two daughters being stitched up just a few rooms away. She was considered medically dead for longer than acceptable to have a decent prognosis if revived—to ever fully function again—but the doctor tried one last time and brought her back.” The chapel fills with a misty pink hue as I relay the rest. “She had significant brain damage, had to learn to walk and talk again, read and write, but she made a full recovery.” I turn to Delphine and see she’s hanging on every word. “And do you know what her only complaint was?” She gives a subtle shake of her head. “That they brought her back.” I grin. “She’d seen what was waiting on the other side and didn’t want a damn thing to do with the world anymore.” Simmering tears fill her eyes. “She claimed that in the time she was down, she experienced enough of the afterlife that she never wanted to exist anywhere else. That for the entirety of the time she spent there, she was enveloped in a perpetual state of love—nothing like the human love we experience, but magnified by a billion and then some. That every being there reverberates that love, and the second you brush against them or pass through them, you know every single thing about them, every detail of their lives. That the first time it happens, you become part of a collective consciousness. There’s no judgment, no shame, no suffering, regret, or pain. Nothing but an inconceivable type of feeling no human mind could ever begin to comprehend. She swore that no living soul should ever worry about the question of an afterlife.
”
”
Kate Stewart (One Last Rainy Day (Ravenhood Legacy #1))
“
BARTON CENTRE, 912, 9th Floor, Mahatma Gandhi Rd,
Bengaluru, Karnataka - 560 001
Phone Number
+91 8884400919
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”
”
Dubai Tour Package From Bangalore
“
Heidi was coming up the hill. It must be her thousandth trip. She looked as if she needed a tow rope this time. She was carrying her own blankets back from the helicopter, having traded them for the blankets on board. She had obviously fallen in the mud. Both she and her blankets looked as if they had been mining for coal.
Patrick found himself grinning. Possessively, as if Heidi were a part of him, and he of her.
Patrick's father said to him, "You could do worse."
"Huh?"
"The girl. She's a cutie."
"You just think that because she doesn't fall apart in a crisis."
"I like that in a person," said his father.
”
”
Caroline B. Cooney
“
You had to love her with your whole heart but do so from arm’s length. Getting close to her was like trying to get close to a helicopter—you always ended up windswept and breathless … and occasionally you lost your head.
”
”
Sally Hepworth (The Younger Wife)
“
An American Special Forces guy greets me at the airport. If you liked Beirut, he says, you’re gonna love Mogadishu. I only half understand the reference and the implication. There’s so much fighting in the city today, he says, that we have to shuttle incoming UN staff from the airport to the office compound via Black Hawk helicopter. Jump on, son, welcome to Somalia.
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Kenneth Cain (Emergency Sex (And Other Desperate Measures): True Stories from a War Zone)
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Today, I give myself to you in marriage. I hope to encourage you, inspire you, laugh with you, and comfort you in times of sorrow. I’ll love you from here to the end of time, and I promise to put your needs ahead of my own. I really can’t wait to be your husband.
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Elana Johnson (The Helicopter Pilot's Bride (Brides & Beaches Romance #1))
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You came into my life when I didn’t want you there. You sprayed me with water, were living in my house, and stole my heart when it wasn’t even whole yet.” She gave him a wobbly smile, and Dawson squeezed her hands. “You gave me time when I needed it. Love when it was hard to give. Comfort when I pushed you away. I love you for all of that, and for being the man that you are. I promise to love, cherish, and honor you forever.” She glanced out at the small crowd and back at him. “And I really can’t wait to be your wife.
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Elana Johnson (The Helicopter Pilot's Bride (Brides & Beaches Romance #1))
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Experiencing trauma, abuse, or bullying may all be triggers that bring on both obsessive thoughts and compulsive behaviors. Teenagers and young adults who were raised by anxious parents may learn obsessive compulsive behaviors. Teenagers and young adults who were raised by “helicopter” parents may find it difficult to cope in the world and may develop OCD to try and cope with the stress of adult life. Prolonged exposure to stress and the resultant anxiety seems to be quite a prominent OCD trigger. A sudden accident or trauma like a car accident or accidental death of a loved
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CROSS BORDER BOOKS (LIVING WITH OCD: Triumph over Negative Emotions, Obsessive Thoughts, and Compulsive Behaviors (The OCD Breakthrough Series))
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But along with the importance of work, he also believed in the magic of flight. He was a helicopter pilot, after all, so he particularly loved seeing me steer these jets over the marshy flats at ungodly speeds.
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Prince Harry (Spare)
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You could keep all the fancy flowers and cars wrapped up in bows and surprise helicopter trips that millionaires and film stars gave out to their paramours. Nothing could compete with this moment for either of them. This was love.
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Milly Johnson (The Yorkshire Pudding Club)
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Here we are, sir,’ Blake said as we rolled onto the bumpy track that constituted the airport car park. It all felt oddly familiar, the chauffeur-driven car, the dark-haired brooding male, the name check of sir. And as the aeroplane came into view, I suddenly understood why it all felt so familiar. Oh, fuck. Drew was Christian Grey…but far less controlling. This felt surreal. I was expecting to hear the first bars of ‘Love Me Like You Do’ blaring out at any second. ‘Trust me?’ Drew asked as he opened my door. ‘Are you taking me to your playroom?’ I asked biting my lip for good measure. He raised his eyebrow in question. ‘Drew, you couldn’t be more Christian Grey!’ ‘I’m pretty sure he had a helicopter,’ he replied smiling. ‘He does, but we’ll let that slip.’ ‘Absolutely not,’ he replied. ‘Real romance heroes fly fucking planes.
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Lynsey M. Stewart (A Novel Christmas: A Friends to Lovers / Christmas Themed Contemporary Romance)
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May they soar with the angels on wings of eagles; may they watch over those they loved and those who loved them; may they rest in peace until we all gather for the final formation.
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Matt Jackson (Undaunted Valor: An Assault Helicopter Unit in Vietnam (Undaunted Valor #1))
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Another visitor was aviator Tommy Sopwith who flew to Brookfield in his helicopter. Grabbing white sheets from the bedrooms, we laid them out as markers in the field when we hear the choppers engines roar above us. Tommy invited us aboard for a joy ride and suggested playing a surprise visit to some friends only three or four miles away. But a navigational error on Dad's part brought us into a stranger's back garden. An elderly couple having afternoon tea were astonished at the sight of Peter Sellers climbing out of a helicopter on their lawn aking for directions.
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Michael Sellers (P.S. I love you: Peter Sellers, 1925-1980)
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Grip.” Bristol bends over the rail up on the landing. Her dark hair hangs a little wild and completely free down her back. She rushes down the stairs and hurls herself into my arms. I stumble back, laughing with an armful of my girl. God, yes. This. Parker can have his billions and his hotels and his helicopters. This is all I want. I squeeze Bristol so tightly our hearts converse through our clothes. I lean into her, sliding my hands down to her waist and kissing her. “Are you hungry?” she asks against my lips. She’s wearing a simple black dress with short sleeves. She’s barefoot and has on no makeup. I could eat her for dinner she looks so good. Or actual food and then just make love to her afterwards. I like that option even better. “Starving.” I peck her lips and squint toward the take out menus under magnets on the refrigerator. “We can order whatever you want, just make it fast.
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Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
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For those who worked at the reactor or in close proximity to it, what was most seriously affected – and this is very similar to the problems of those who work with missiles – was the genito-urinary system. Their masculinity. But Slavs just do not talk about these things. It’s unacceptable. I once accompanied an English journalist who had prepared some interesting questions on this very topic. He wanted to investigate the human dimension of the problem. When it’s all over, what happens to the human being when he goes back home, to his everyday life, to his sex life? He could find no one prepared to talk openly about it. For instance, he asked to meet the helicopter crews, to talk man-to-man. They duly came, some already retired at thirty-five or forty. One was brought along who had a broken leg caused by senile osteoporosis, because exposure to radiation causes bones to become brittle. The Englishman asked them how they were getting on in their families, with their young wives? The helicopter crews fell silent. They had come to talk about how they had flown five sorties a day, and here someone was asking them about their wives? About … He decided to try talking to them individually, in private. They all replied that their health was fine, the state valued them, and they had loving families. Not one of them would speak frankly. They left, and I could see he was distraught. ‘Now you see,’ he said to me, ‘why nobody trusts you. You deceive even yourselves.
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Svetlana Alexievich (Chernobyl Prayer: Voices from Chernobyl (Penguin Modern Classics))
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The Primary Act. As they entered the cinema, Dr Nathan confided to Captain Webster, ‘Talbert has accepted in absolute terms the logic of the sexual union. For him all junctions, whether of our own soft biologies or the hard geometries of these walls and ceilings, are equivalent to one another. What Talbert is searching for is the primary act of intercourse, the first apposition of the dimensions of time and space. In the multiplied body of the film actress - one of the few valid landscapes of our age - he finds what seems to be a neutral ground. For the most part the phenomenology of the world is a nightmarish excrescence. Our bodies, for example, are for him monstrous extensions of puffy tissue he can barely tolerate. The inventory of the young woman is in reality a death kit.’ Webster watched the images of the young woman on the screen, sections of her body intercut with pieces of modern architecture. All these buildings. What did Talbert want to do - sodomize the Festival Hall?
Pressure Points. Koester ran towards the road as the helicopter roared overhead, its fans churning up a storm of pine needles and cigarette cartons. He shouted at Catherine Austin, who was squatting on the nylon blanket, steering her body stocking around her waist. Two hundred yards beyond the pines was the perimeter fence. She followed Koester along the verge, the pressure of his hands and loins still marking her body. These zones formed an inventory as sterile as the items in Talbert’s kit. With a smile she watched Koester trip clumsily over a discarded tyre. This unattractive and obsessed young man - why had she made love to him? Perhaps, like Koester, she was merely a vector in Talbert’s dreams.
Central Casting. Dr Nathan edged unsteadily along the catwalk, waiting until Webster had reached the next section. He looked down at the huge geometric structure that occupied the central lot of the studio, now serving as the labyrinth in an elegant film version of The Minotaur . In a sequel to Faustus and The Shrew , the film actress and her husband would play Ariadne and Theseus. In a remarkable way the structure resembled her body, an exact formalization of each curve and cleavage. Indeed, the technicians
had already christened it ‘Elizabeth’. He steadied himself on the wooden rail as the helicopter appeared above the pines and sped towards them. So the Daedalus in this neural drama had at last arrived.
An Unpleasant Orifice. Shielding his eyes, Webster pushed through the camera crew. He stared up at the young woman standing on the roof of the maze, helplessly trying to hide her naked body behind her slim hands. Eyeing her pleasantly, Webster debated whether to climb on to the structure, but the chances of breaking a leg and falling into some unpleasant orifice seemed too great. He stood back as a bearded young man with a tight mouth and eyes ran forwards. Meanwhile Talbert strolled in the centre of the maze, oblivious of the crowd below, calmly waiting to see if the young woman could break the code of this immense body. All too clearly there had been a serious piece of miscasting.
‘Alternate’ Death. The helicopter was burning briskly. As the fuel tank exploded, Dr Nathan stumbled across the cables. The aircraft had fallen on to the edge of the maze, crushing one of the cameras. A cascade of foam poured over the heads of the retreating technicians, boiling on the hot concrete around the helicopter. The body of the young woman lay beside the controls like a figure in a tableau sculpture, the foam forming a white fleece around her naked shoulders.
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J.G. Ballard (The Atrocity Exhibition)
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Thirty minutes later, Chrysander escorted her out to the helipad, and as soon as the helicopter lifted off, he turned and strode back into the house.
His anger and uncertainty evaporated when he entered the bedroom and found Marley sitting on the bed, wrapped only in a towel, her expression sad and distant.
He knelt in front of her and touched her cheek. “What is it, agape mou? Are you all right?”
She smiled, though it didn’t reach her eyes. Her beautiful blue eyes that had sparkled just a short time ago with laughter. He wanted them to sparkle again. He wanted that stolen moment at the pool back. Before Roslyn had arrived and given him news that could very well change everything between him and Marley. Again.
“I’m in an impossible situation,” she confessed.
His brow wrinkled in confusion. He didn’t like the sadness in her tone. The resignation.
“What do you mean?” he asked softly as he trailed a finger down the silken curve of her cheek.
She looked into his eyes. “I don’t like the way she has free rein in our lives. This is our home. We should be able to make love, have fun together, without fear of being caught in a compromising situation by a stranger. But if I voice this, if I say I don’t like her and I don’t want her here, it makes me a catty bitch. There is no way for me to come out the winner and every way for me to be the loser in this.
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Maya Banks (The Tycoon's Pregnant Mistress (Anetakis Tycoons, #1))
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Judging by how the Bible behaves, God is not a stressed-out helicopter parent, living through his or her children, nervously and fretfully hovering over us in the form of the Bible to make sure we stick to the script, so it all works out. God is a wise parent, prodding us toward spiritual maturity in a secure atmosphere of unconditional love and acceptance, so we can learn to navigate life well. That’s what good parents do.
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Peter Enns (How the Bible Actually Works: In Which I Explain How An Ancient, Ambiguous, and Diverse Book Leads Us to Wisdom Rather Than Answers—and Why That's Great News)
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I was inspired by Maleficent from Sleeping Beauty, her elegance. I love how the helicopter tail drags behind the bot mode of the character. I felt like she was wearing a long dress. -Jose Lopez on Airachnid
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Jim Sorenson (Transformers: Art of Prime)
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I will need some time if you identify as a helicopter now.
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Camilla Evergreen (Falling in Love with the Man of My Nightmares (That's [Para]Normal #4))