Helen Burns Quotes

But you, Helene Aquilla, are no swift-burning spark. You are a torch against the night - if you dare to let yourself burn.

Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity, or registering wrongs." - Helen Burns

Apollo had said he knew what this kind of love was capable of. And I finally understood why Paris had risked his country and his blood for Helen. Selfish, yes, but I understood. I would burn the world if that meant Alex would be safe.

Why should I blame her that she filled my days With misery, or that she would of late Have taught to ignorant men most violent ways, Or hurled the little streets upon the great, Had they but courage equal to desire? What could have made her peaceful with a mind That nobleness made simple as a fire, With beauty like a tightened bow, a kind That is not natural in an age like this Being high and solitary and most stern? Why, what could she have done, being what she is? Was there another Troy for her to burn?

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

His eyes are unfathomably sad as he lifts my chin. "Most people," Cain says, "are nothing but glimmers in the great darkness of time. But you, Helene Aquilla, are no swift-burning spark. You are a torch against the night -- if you dare to let yourself burn.

If Clytemnestra's rage was a fire, Helen's was a lamp; warm and thin in the darkness, but burning if you came too close.

The boy's eyes went to him, and a shock passed through Magnus. They were not Will's eyes, the eyes Magnus remembered being as blue as a night sky in Hell, eyes Magnus has seen both despairing and tender. This boy has shining golden eyes, like crystal glass filled brimful with crisp white wine and held up to catch the light of a blazing sun. If his skin was luminous, his eyes were radiant. Magnus could not imagine these eyes as tender. The boy was very, very lovely, but his was a beauty like that of Helen of Troy might have had once, disaster written in every line. The light of his beauty made Magnus think of cities burning.

It never leaves, not with someone we love. Their presence burns too vivid in our memories. Happen that is as it should be, for otherwise we would too easy forget.

Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.

Her body faded away so far, she almost lost her connection to it. Utter blackness enveloped her, shutting off all warmth. All light. All love. All support. All hope. She was pinned, alone, naked, and freezing before a beast so terrifying she struggled to avert her gaze but could not. Horns arose from the top of what had to be a head. Fangs protruded obscenely from a frowning hole that must have been a mouth. Unsheathed claws threatened instant evisceration. Horrifying eyes. Two cesspits of black fury in which red flames churned like burning blood. They bore down on Helen, intensifying the pressure on her to the point of agony. Inside her head a message played over and over. You are helpless. Helen’s fragmented thoughts spun wildly. What to do? How to stop this nightmare? The wretched voice roared again, like nails clashing against slate. “Give me the stone! Now!

Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards.

I had only to remember that centuries before, men fell in battle for the daughter of Troy, that passions carried greater weight than decorum. It took so little to prove that human life and property are devastatingly temporary. All she had to do was lie down for a prince. They burned the city to the ground.

It is better to be happy for a moment and be burned up with beauty than to live a long time and be bored all the while.

He's a clever little thing, isn't he?" She leaned in to drop a kiss on the kitten's soft head, reaching to move him off Griffin's chest. He reached for her hand, stopping her. "And what about me?" he asked, his eyes burning into hers. "What about you?" "Am I not clever enough for a kiss?" His voice was gruff. She favored him with a shy smile. "You're more than clever enough, Griffin Channing.

Sometimes a reckoning comes of all the lives we have lost, and sometimes we take it upon ourselves to burn them to ashes.

Why, what could she have done, being what she is? Was there another Troy for her to burn?

If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends.' -Helen Burns Page#87

(T)he world is full of people busily making things into how they think the world ought to be, and burning huge parts of it to the ground, utterly and accidentally destroying things in the process without even knowing they are doing so. And that any of us might be doing that without knowing it, any of us, all the time.

It took burning out for many of us to arrive at this point. But the new millennial refrain of “Fuck passion, pay me” feels more persuasive and powerful every day.

It’s not a spark. It’s an eternal fire that burns from deep within my heart and reaches out to you.

Resurgam

Helen Burns’s shoulder, my arms round her neck.  I was asleep, and Helen was—dead.

It is weak and silly to say you cannot bear what it is your fate to be required to bear.” -Helen Burns Page# 73

Menelaus, if you are really going to kill her, \ Then my blessing go with you, but you must do it now, \ Before her looks so twist the strings of your heart \ That they turn your mind; for her eyes are like armies, \ And where her glances fall, there cities burn, / Until the dust of their ashes is blown \ By her sighs. I know her, Menelaus, \ And so do you. And all those who know her suffer.

Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence... and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness — to glory?

I was so jealous it burned, and I knew I had to let it alone or I'd break something inside me.

Most people,” Cain says, “are nothing but glimmers in the great darkness of time. But you, Helene Aquilla, are no swift-burning spark. You are a torch against the night—if you dare to let yourself burn.

Look—my feet don’t hit the marble! Like breath or a balloon, I’m rising, I hover six inches in the air in my blazing swan-egg of light. You think I’m not a goddess? Try me. This is a torch song. Touch me and you’ll burn.

You need to find your mate, Kel,” I finally manage. “Dance with someone who you feel a spark—” “It’s not a spark. It’s an eternal fire that burns from deep within my heart and reaches out to you.” Ferocity flickers in Kel’s gaze. “And every moment I am not touching you, it eats my soul inside out, tearing me apart, until merely looking at you is an anguish I would only wish upon my worst enemy.

There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm “the untidy badge;” scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd’s can only see those minute defects, and are blind to the full brightness of the orb.

What is your name beside Burns? Helen

...la vida es demasiado corta para pasarla fomentando la mala voluntad y recordando agravios." - Helen Burns

A fire burned in his belly with Helen's words, her challenge laid bare. Are you a king worthy of great glory, or a pretender clamoring for attention at the edge of the world? One look to Menelaus was all the reminder Agamemnon needed of how much he detested that comparison.

Miss Temple gently assisted me to his very feet, and I caught her whispered counsel— “Don’t be afraid, Jane, I saw it was an accident; you shall not be punished.” The kind whisper went to my heart like a dagger. “Another minute, and she will despise me for a hypocrite,” thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns.

The age of heroes had truly passed, and Tisamenus could not be one even if he burned for it. A great bronze wall had been erected around those old heroes, it descended from the sky, and no one could lift it or trespass there. Each age bestowed its own glory, but the age of my grandson could not be the age of Menelaus.

day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns’s shoulder, my arms round her neck. I was asleep, and Helen was—dead.

Is it that our needs grew smaller?” asked Hugh. “Or is it just that the fear and deprivation makes one appreciate simple things more?” “I think our ability to be happy gets covered up by the years of petty rubbing along in the world, the getting ahead,” said Daniel. “But war burns away all the years of decay, like an old penny dropped into vinegar.

And the dagger?" "Is that really -?" "Katoptris," Piper said proudly. "Belonged to Helen of Troy." I yelped. "You have Helen of Troy's dagger? Where did you find it?" Piper shrugged. "In a shed at camp." I felt like pulling out my hair. I remembered the day Helen received that dagger as a wedding present. Such a gorgeous blade, held by the most beautiful woman ever to walk the earth. (No offence to the billions of other women out there who are also quite enchanting; I love you all.) And Piper had found this historically significant, well-crafted, powerful weapon in a shed? Alas, time makes bric-a-brac of everything, no matter how important.

Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.

His eyes are unfathomably sad as he lifts my chin. “Most people,” Cain says, “are nothing but glimmers in the great darkness of time. But you, Helene Aquilla, are no swift-burning spark. You are a torch against the night—if you dare to let yourself burn.” “Just

if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled?

I thought how money was like food. The smell, the way it came in portions, how badly you needed it. How hungry you got for it, that acidic longing which burned and sickened in your stomach. Firm muscular control was needed over food and money. Money could kill you, wanting and needing it and fighting its power.

The spell by which I had been so far supported began to dissolve; reaction took place, and soon, so overwhelming was the grief that seized me, I sank prostrate with my face to the ground. Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards.

I'm not lying, I was a killer Helen Burns. I stepped out on to that stage like I was the Great Esquimaux Curlew. When Jane Eyre came to look at my book-- which happened to be Our Town -- I handed it to her just right. When Miss Scatchard told me I never cleaned my nails, I was about as quiet and innocent as a Large-Billed Puffin. When she hit me a dozen times with a bunch of twigs, I was the Brown Pelican: I didn't bat an eye -- and you try getting hit a dozen times with a bunch of twigs. And when I had to die, people were crying. Really. And you know why? Because I was the Black-Backed Gull, and so people cried like Helen Burns was their best friend.

The hawk was a fire that burned my hurts away. There could be no regret or mourning in her. No past or future. She lived in the present only, and that was my refuge. My flight from death was on her barred and beating wings. But I had forgotten that the puzzle that was death was caught up in the hawk, and I was caught up in it too.

What a smile!  I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel.  Yet at that moment Helen Burns wore on her arm “the untidy badge;” scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out.  Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd’s can only see those minute defects, and are blind to the full brightness of the orb. CHAPTER

What thought engendered the spirit of Circe, or gave to a Helen the lust of tragedy? What lit the walls of Troy? Or prepared the woes of an Andromache? By what demon counsel was the fate of Hamlet prepared? And why did the weird sisters plan ruin to the murderous Scot? Double, double toil and trouble, Fire burn and cauldron bubble. In a mulch of darkness are bedded the roots of endless sorrows - and of endless joys. Canst thou fix thine eye on the morning? Be glad. And if in the ultimate it blind thee, be glad also! Thou hast lived.

If Clytemnestra’s rage was a fire, Helen’s was a lamp, warm and thin in the darkness, but burning if you came too close.

When I look at you, I see the opposite of a monster. In my heart, I feel the opposite of fear, the opposite of hate. I feel love, Helene, just pure love burning inside me.

Some women nodded, others shook their heads. I would have killed myself before I let one of them move into my house. Would you Helen? Would you really?

I have autism

You can burn my books and the books of the best minds in Europe, but the ideas in them have seeped through a million channels and will continue to quicken other minds.

That man burns for you, Wren. The sooner you both catch alight the better, lest you set the whole world ablaze.

I haven’t stopped burning for you,’ he growled. ‘And I never will.

He was fucked. Well and truly fucked. Because the way he burned for her… No vows, no notion of duty – nothing – could stop it.

Furies save him, her touch set him alight, and he’d never stop burning for her.

How I burn for you.

How I burn for you. You lit an inferno within me and it won’t stop. I can’t

There was no end to the wanting of her, the loving her. It was in his blood, etched in his bones, and it burned through him like wildfire.

You have no idea how much I want you. How I burn for you. You lit an inferno within me and it won’t stop. I can’t stop —

Then the world will know that if they hurt him, I’ll burn them all to the ground.

Most people,' Cain says, 'are nothing but glimmers in the great darkness of time. But you, Helene Aquilla, are no swift-buring spark. You are a torch against the night - if you dare to let yourself burn.

JENNET: They also say that I bring back the past; For instance Helen comes Brushing the maggots from her eyes, And, clearing here throat of the dust of several thousand years She says "I loved ..."; but cannot any longer Remember names. Sad Helen. Or Alexander, wearing His imperial cobwebs and breastplate of shining worms Wakens and looks for his glasses, to find the empire Which he knows he put beside his bed.

Cu un ceas mai înainte o auzisem pe domnișoara Scatcherd pedepsind-o ca a doua zi să mănânce numai pâine goală și apă, fiindcă pătase cu cerneală foaia caietului, pe când transcria un exercițiu. Așa-i alcătuită biata fire omenească! Pete ca cele ale lui Helen Burns se află pe discul celei mai curate planete, dar ochi ca ai domnișoarei Scatcherd nu pot zări decât aceste nimicuri și rămân orbi în fața desăvârșitei străluciri a globului întreg.

Ändå bar Helen Burns just då armbindeln som utpekar "den slarviga". En knappt timme tidigare hade jag hört hur miss Scatcherd dömde henne till middag på vatten och bröd följande dag, därför att hon hade råkat göra en bläckplump i texten hon skrev. Sådan är den ofullkomliga mänskliga naturen! Sådana fläckar finns på ytan också hos den klaraste planet, och ögon som miss Scatcherds ser bara dess små brister och är blind för himlakroppens fulla glans (s. 76).

Familiar with this feeling, journalist Anne Helen Petersen described the phenomenon as “errand paralysis” in her conversation-shifting BuzzFeed article “How Millennials Became the Burnout Generation.” “Why can’t I get this mundane stuff done?” she asked. “Because I’m burned out. Why am I burned out? Because I’ve internalized the idea that I should be working all the time. Why have I internalized that idea? Because everything and everyone in my life has reinforced it—explicitly and implicitly—since I was young.

My brother used to get overstimulated just like this. He’s autistic.” Her chest constricted at his words. She shouldn’t have used the word overstimulated. Most people didn’t use it. Why would they? When he narrowed his eyes, she could almost see the connections being made in his mind, the question forming there. She held her breath and hoped he wouldn’t ask. She could withhold the truth, but she’d never learned how to lie. “Are you?” Her shoulders slumped, and her throat burned with shame. She made herself nod.

I stretched out on the bed and slept. It was twilight when I awakened and turned on the light. I felt better, no longer tired. I went to the typewriter and sat before it. My thought was to write a sentence, a single perfect sentence. If I could write one good sentence I could write two and if I could write two I could write three, and if I could write three I could write forever. But suppose I failed? Suppose I had lost all of my beautiful talent? Suppose it had burned up in the fire of Biff Newhouse smashing my nose or Helen Brownell dead forever? What would happen to me? Would I go to Abe Marx and become a busboy again? I had seventeen dollars in my wallet. Seventeen dollars and the fear of writing. I sat erect before the typewriter and blew on my fingers. Please God, please Knut Hamsun, don’t desert me now. I started to write and I wrote: “The time has come,” the Walrus said, “To talk of many things: Of shoes—and ships—and sealing wax— Of cabbages—and kings—” I looked at it and wet my lips. It wasn’t mine, but what the hell, a man had to start someplace.

I believe this movement will prevail. I don’t mean it will defeat, conquer, or create harm to someone else. Quite the opposite. I don’t tender the claim in an oracular sense. I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives. My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different. We have the heart, knowledge, money and sense to optimize out social and ecological fabric. It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers. “We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus. Armed with that growing realization, we can address all that is harmful externally. What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.

It’s not a spark. It’s an eternal fire that burns from deep within my heart and reaches out to you.” Ferocity flickers in Kel’s gaze. “And every moment I am not touching you, it eats my soul inside out, tearing me apart, until merely looking at you is an anguish I would only wish upon my worst enemy.

To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.

There is a fantasy that sustains you when you’re on active service. It’s the dream that sustains every soldier when he's stuck in some godforsaken dustbowl being shot at and shouted at. It’s the fantasy that there’s something better waiting for you at home. In this fantasy, your girl is keeping the home fires burning, hankering for your return.

Awh hell," muttered Drake, "do you do that to all the human women?" "No, usually they've started taking their clothes off by now. She's beginning to hurt my feelings." (Logan) "We need to get you a paper bag or a scar or something. (Drake) "Yeah," he said in a dry tone. "I'll get right to work on that." (Helen spellbound-meeting Logan the Vampire for the first time)

He says she’ll not be here long.” This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire—a necessity to see her; and I asked in what room she lay. “She is in Miss Temple’s room,” said the nurse. “May I go up and speak to her?” “Oh no, child! It is not likely; and now it is time for you to come in; you’ll catch the fever if you stop out when the dew is falling.

Homer's epic does not tell of such seemingly essential events as the abduction of Helen, for example, nor of the mustering and sailing of the Greek fleet, the first hostilities of the war, the Trojan Horse, and the sacking and burning of Troy. Instead, the 15,693 lines of Homer's Iliad describe the occurrences of a roughly two-week period in the tenth and final year of what had become a stalemated siege of Troy.

Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken gray eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm "the untidy badge;" scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow, because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those miniature defects, and are blind to the full brightness of the orb.

The German puts strength before beauty, and truth before convention, both in life and in literature. There is a vehement, sledge-hammer vigour about everything that he does. When he speaks, it is not to impress others, but because his heart would burst if he did not find an outlet for the thoughts that burn in his soul. Then, too, there is in German literature a fine reserve which I like; but its chief glory is the recognition I find in it of the redeeming potency

See the man they are fitting into the bottom slot. He is coughing badly. No, not pneumonia. Not tuberculosis. Nothing so picturesque. Gently, gently, stretcher-bearers… he is about done. He is coughing up clots of pinky-green filth. Only his lungs, Mother and Mrs. Evans-Mawington. He is coughing well to-night. That is gas. You’ve heard of gas. Haven’t you? It burns and shrivels the lungs to… to the mess you see on the ambulance floor there. He’s about the age of Bertie, Mother. Not unlike Bertie, either, with his gentle brown eyes and fair curly hair. Bertie would look up pleading like that in between coughing up his lungs… The son you have so generously given to the War. Cough, cough, little fair-haired boy. Perhaps somewhere your mother is thinking of you… boasting of the life she has so nobly given… the life you thought was your own, but which is hers to squander as she thinks fit. ‘My boy is not a slacker, thank God.’ Cough away, little boy, cough away. What does it matter, providing your mother doesn’t have to face the shame of her son’s cowardice?

I’m talking about women’s matters.” “Women’s--” “And the moon. What I mean is the time each month when--” “I know, I know!” I exclaimed, stopping her before she could say any more. My cheeks burned. “My nurse, Ione, told my sister and me all about that when we were ten years old. Mother repeated all of it right before my sister left Sparta to marry. They both told us that this isn’t something for men to hear.” I nodded at Milo. He looked disappointed. “Men know more about women than you think,” Eunike said. “But since you’re already so knowledgeable, how are you going to manage to hide it when you’re on the road and you--” “I won’t,” I said sharply. “It hasn’t happened to me yet. I don’t know why. My sister, my twin, she’s been a woman for at least two years. I’m still a girl.” I hated recalling how Clytemnestra had lorded it over me when she’d changed and I’d stayed the same. Worse, every month after that she made it a point to ask me whether “it” had happened to me yet, and every month I had to say no. Ione told me not to fret, that every woman walked the same path eventually, that it would come to me before I knew it. I was still waiting. “Hmmm.” The Pythia was silent for a time, then said, “This may be a blessing for you, Helen. It might even be an omen, a sign from the gods to let you know they want you to succeed.” “Do you really think so?” I asked eagerly. About time my monthly humiliation did me some good! I thought.

For decades afterwards, I punished myself with images of Sofia standing naked in the snow, shivering, clutching a chunk of cement that a guard had told her was soap, in the worst winter Poland has ever known. But as I stared at the empty train tracks and thought of the stationmaster making the schoolyard slash across his throat, I had no idea what he was talking about. I could not have conjured up the kind of man who would be willing to design an oven that would be economically fueled by the fat of the men, women and children it was burning. I would not have believed that these same engineers would find other men willing to carry out their monstrous plans. I, too, would have dismissed it as propaganda, that one kind of human being could industriously collect and kill six million of another kind of human being. Somewhere along the line, there would have to be someone who said no. Forgive me, Sofia. Forgive me, Isaiah. I did not know.

Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,—the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man—perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest—a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end.

He swore sharply, David Jones’s still-so-familiar voice coming out of that stranger’s body. “Do you have any idea how unbelievably hard it’s been to get you alone?” Had she finally started hallucinating? But he took off his glasses, and she could see his eyes more clearly and . . . “It’s you,” she breathed, tears welling. “It’s really you.” She reached for him, but he stepped back. Sisters Helen and Grace were hurrying across the compound, coming to see what the ruckus was, shading their eyes and peering so they could see in through the screens. “You can’t let on that you know me,” Jones told Molly quickly, his voice low, rough. “You can’t tell anyone—not even your friend the priest during confession, do you understand?” “Are you in some kind of danger?” she asked him. Dear God, he was so thin. And was the cane necessary or just a prop? “Stand still, will you, so I can—” “No. Don’t. We can’t . . .” He backed away again. “If you say anything, Mol, I swear, I’ll vanish, and I will not come back. Unless . . . if you don’t want me here—and I don’t blame you if you don’t—” “No!” was all she managed to say before Sister Helen opened the door and looked from the mess on the floor to Molly’s stricken expression. “Oh, dear.” “I’m afraid it’s my fault,” Jones said in a British accent, in a voice that was completely different from his own, as Helen rushed to Molly’s side. “My fault entirely. I brought Miss Anderson some bad news. I didn’t realize just how devastating it would be.” Molly started crying. It was more than just a good way to hide her laughter at that accent—those were real tears streaming down her face and she couldn’t stop them. Helen led her to one of the tables, helped her sit down. “Oh, my dear,” the nun said, kneeling in front of her, concern on her round face, holding her hand. “What happened?” “We have a mutual friend,” Jones answered for her. “Bill Bolten. He found out I was heading to Kenya, and he thought if I happened to run into Miss Anderson that she would want to know that a friend of theirs recently . . . well, passed. Cat’s out of the bag, right? Fellow name of Grady Morant, who went by the alias of Jones.” “Oh, dear,” Helen said again, hand to her mouth in genuine sympathy. Jones leaned closer to the nun, his voice low, but not low enough for Molly to miss hearing. “His plane went down—burned—gas tank exploded . . . Ghastly mess. Not a prayer that he survived.” Molly buried her face in her hands, hardly able to think. “Bill was worried that she might’ve heard it first from someone else,” he said. “But apparently she hadn’t.” Molly shook her head, no. News did travel fast via the grapevine. Relief workers tended to know other relief workers and . . . She could well have heard about Jones’s death without him standing right in front of her. Wouldn’t that have been awful?

Humanity came to its gods by accepting the reality of the symbol, that is, it came to the reality of thought, which has made man lord of the earth. Devotion, as Schiller correctly conceived it, is a regressive movement of libido towards the primordial, a diving down into the source of the first beginnings. Out of this there rises, as an image of the incipient progressive movement, the symbol, which is a condensation of all the operative unconscious factors—“living form,” as Schiller says, and a God-image, as history proves. It is therefore no accident that he should seize on a divine image, the Juno Ludovici, as a paradigm. Goethe makes the divine images of Paris and Helen float up from the tripod of the Mothers99—on the one hand the rejuvenated pair, on the other the symbol of a process of inner union, which is precisely what Faust passionately craves for himself as the supreme inner atonement. This is clearly shown in the ensuing scene as also from the further course of the drama. As we can see from the example of Faust, the vision of the symbol is a pointer to the onward course of life, beckoning the libido towards a still distant goal—but a goal that henceforth will burn unquenchably within him, so that his life, kindled as by a flame, moves steadily towards the far-off beacon. This is the specific life-promoting significance of the symbol, and such, too, is the meaning and value of religious symbols. I am speaking, of course, not of symbols that are dead and stiffened by dogma, but of living symbols that rise up from the creative unconscious of the living man.

That is why the girl who was me when I was small loved watching birds. She made herself disappear, and then in the birds she watched, took flight. It was happening now. I had put myself in the hawk’s wild mind to tame her, and as the days passed in the darkened room my humanity was burning away.

Danny flicks an ashless cigarette and bounces in place on the couch, occasionally checking the door leading to the kitchen. Crates are stacked along the wall, magazines piled on the floor. I smell fish and char. “You baking?” He frowns. “Nah.” I’m undermining him if I check, but the smell of burning thickens. We enter the kitchen, where hundreds, maybe thousands of reminders blink in the occasional ocean breeze. I never escape the sensation I’m being surveilled, except instead of a penetrating gaze they are commands, observations. DON’T FORGET RICE. PETER IS THE COUSIN WHO STEALS. AN HOUR IS SIXTY MINUTES. CLOVER HATES LILIES. TAKE SHOWER. Some are so old the paper has become cloth soft. Danny plucks one from the wall. SALMON IN THE OVEN. “Damn.” He opens the oven door, releasing smoke. “Oven mitt,” I warn when he is about to barehand the rack.

It is cold, and a loose wind blows through the darkness. But then, from the lower edge of the blank, black disc of the dead sun, bursts a perfect point of brilliance. It leaps and burns. It’s unthinkably fierce, unbearably bright, something (I blush to say it, but here it comes) like a word. And thus begins the world again. Instantly. Joy, relief, gratitude; an avalanche of emotion. Is all made to rights, now? Is all remade? From a bay tree, struck into existence a moment ago, a spectacled bulbul calls a greeting to the new dawn.

About Damn Time” by Lizzo, yes, she’s brilliant. I love that song; I love all her songs.’ Maggie nodded. ‘Me too, she’s like a breath of fresh air and I think we should all be more Lizzo.

You need to find your mate, Kel,” I finally manage. “Dance with someone who you feel a spark—” “It’s not a spark. It’s an eternal fire that burns from deep within my heart and reaches out to you.” Ferocity flickers in Kel’s gaze. “And every moment I am not touching you, it eats my soul inside out, tearing me apart, until merely looking at you is an anguish I would only wish upon my worst enemy.” I stare stupidly at him before I burst out laughing. “Just because I called you funny one time doesn’t mean you can make jokes like that now.

When we'd arrived in Céreste, our neighbor Arnaud said we should go to the Musée de Salagon, in Mane. In addition to its twelfth-century church and Gallo-Roman ruins, the museum has a wonderful medieval garden. The monks used these herbs to heal as well as to flavor. I've met many people in Provence who use herbal remedies, not because it's trendy, but because it's what their grandmothers taught them. My friend Lynne puts lavender oil on bug bites to reduce the swelling; I recently found Arnaud on his front steps tying small bundles of wild absinthe, which he burns to fumigate the house. Many of the pharmacies in France still sell licorice root for low blood pressure. We drink lemon verbena herbal tea for digestion. I also like the more poetic symbolism of the herbs. I'm planting sage for wisdom, lavender for tenderness (and, according to French folklore, your forty-sixth wedding anniversary), rosemary for remembrance. Thyme is for courage, but there is also the Greek legend that when Paris kidnapped Helen of Troy, each tear that fell to the ground sprouted a tuft of thyme. All things being equal, I prefer courage to tears in my pot roast.

Oh my god!” Helen pushed through the guys on the patio, knocking one off his skateboard as she made her way to us. “Didn’t I tell you to stay away from this bitch? Now you’re over here making her blush like a little girl?

What I failed to recognize, at least until it became impossible not to, is how the kind of intense anger that burned inside Clare justified its own set of rules. Or just how much it would come to mirror my own.

Caine, Philip D. Aircraft Down! Evading Capture in WWII Europe. Virginia: Potomac Books, 1997. Champlain, Héléne de. The Secret War of Helene De Champlain. Great Britain: Redwood Burn, Ltd., 1980. Chevrillon, Claire. Code Name Christiane Clouet: A Woman in the French Resistance. Texas: Texas A&M University Press, 1995. Coleman, Fred. The Marcel Network: How One French Couple Saved 527 from the Holocaust. Virginia: Potomac Books, 2013. Eisner, Peter. The Freedom Line: The Brave Men and Women Who Rescued Allied Airmen from the Nazis During World War II. New York: HarperCollins, 2004. Fitzsimons, Peter. Nancy Wake: A Biography of Our Greatest War Heroine. New York: HarperCollins, 2001. Foot, M.R.D., and J.M. Langley. MI9: Escape and Evasion, 1939–1945. Boston: Little Brown, 1979. Humbert, Agnés. Résistance: A Woman’s Journal of Struggle and Defiance in Occupied France. New York: Bloomsbury USA, 2004. Jackson, Julian. France: The Dark Years, 1940–1944. New York: Oxford University Press, 2001. Litoff, Judy Barrett. An American Heroine in the French Resistance. The Diary and Memoir of Virginia d’Albert-Lake. New York: Fordham University Press, 2006. Long, Helen. Safe Houses Are Dangerous. London: William Kimber, 1985. Moorehead, Caroline. A Train in Winter: An Extraordinary Story of Women, Friendship, and Resistance in Occupied France. New York: HarperCollins, 2011. Neave, Airey. Little Cyclone. London: Coronet Books, 1954. Ideas for Book Groups Dear Readers, I truly believe in book groups.

Every act of altruism, kindness and generosity is helping you to burn more karma and have access to better stages of life. If you still stagnate in your existence, look closer if and how your actions benefit all living beings. Our general evolution and ascension depends deeply on the level of commitment to assist and help all the others. The egoic driven actions and intentions are the main obstacle in one's material and spiritual progress.

Hatter brought his head closer toward hers as his eyes heated into pools of deep honey. Alora’s eyes slowly slid closed, and as she felt the whispers of a kiss touch her awaiting lips, he pulled away.

My arse is killing me; I can’t stand up for an hour. I fell off my niece’s scooter last night and I think I broke something inside my buttock.

It was indeed a hand, one she hoped wasn’t going to come to life and skitter across the floor on its fingertips like Thing in The Addams Family.

The edges were blackened with fingers of soot spreading around the wall. It looked like something from the Upside Down – Morgan had just binge-watched all of Stranger Things and it was still on her mind.

Cain patted her on the back. ‘You did it again, super cop Brookes, don’t you go and pass out on us because of a bit of blood.

Little Lamby might be a snob. Thinks she’s too good to hang out at the Palisades.” “I don’t think that,” I whispered. Tristan’s arm pressed on my chest like an iron bar as his hand inched down to the curve of my breast. My nails dug into my thighs, my mind racing with ideas of how to get out of here. If I could get my voice to work, I’d scream, but my throat was too tight from fear. At the same time Tristan squeezed my breast, the screen door flew open. Helen stood in the doorway like an avenging angel, her hair flowing in the breeze, tapping a bat against her palm. “Knock, knock, boys. I seem to have a problem. I have batting practice, but I don’t have a ball.” Her red lips fell open, and she pointed to each of the guys with her bat. “Oh, wait, I see three pairs of balls my bat would just love to smash. Who volunteers to go first?