Fiction And Non Fiction Quotes

Fiction has been maligned for centuries as being "false," "untrue," yet good fiction provides more truth about the world, about life, and even about the reader, than can be found in non-fiction.

You are there and to their ears, being a Syrian sounds like you’re unclean, shameful, indecent; it’s like you owe the world an apology for your very existence.

To be prepared against surprise is to be trained. To be prepared for surprise is to be educated.

I am not an atheist preacher. I am not an absolutist or chauvinist whose ways are immune to evolution. My core philosophy is that I might be wrong.

Bias in the workplace is a form of tribalism – you’re either in or out

The old law of an eye for an eye didn’t make them blind to the fact that another man’s terrorist wasn’t their freedom fighter.

Low employee engagement is a symptom of a suboptimal workplace culture

Like a gloomy and sinister paradox since its apparition until now, socialism suffered terrible and terrifying metamorphoses. With the name of the most human doctrine—Socialism—the most ominous and naughty crimes against humanity were done. The National Socialism of Hitler created Auschwitz and Majdanek and the People’s socialism of Stalin — Gulag and Kolima! And both of them buried more than fifty million people! That’s monstrous!

Non-fiction can distort; facts can be realigned. But fiction never lies.

...in real life I always seem to have a hard time winding up a conversation or asking somebody to leave, and sometimes the moment becomes so delicate and fraught with social complexity that I'll get overwhelmed trying to sort out all the different possible ways of saying it and all the different implications of each option and will just sort of blank out and do it totally straight -- 'I want to terminate the conversation and not have you be in my apartment anymore' -- which evidently makes me look either as if I'm very rude and abrupt or as if I'm semi-autistic and have no sense of how to wind up a conversation gracefully...I've actually lost friends this way.

This acute, “a selfdissolving contradiction,” Marx had very precisely seen and foreseen that “it establishes a monopoly in certain spheres and thereby requires state interference.” This contradiction “reproduces a new financial aristocracy” (how much Marx was right!), no matter it will call itself Communist Party of Soviet Union or DuPont Financial Circle. It reproduces “a new variety of parasites . . . , a whole system of swindling and cheating by means of corporation promotion, stock issuance, and stock speculation.

Read everything. Read fiction and non-fiction, read hot best sellers and the classics you never got around to in college.

For some reason, notwithstanding the alienation and utter rejection, I consider myself a global citizen. They say misery calls for company and I’ve always been a man of funerals. The companion of the misfortunate, until they are not!

How well opposed to grand Theft Auto are you?

The blind faith in some half-assed conspiracy theories lines up with the logic of having to believe in something with no questions asked. It gives us peace and comfort. As simple as I was, I found that resorting to this absolute nonsense was the root of all our problems. It was a road of willingly-learned helplessness, for no action could make a difference, thereby no action was needed.

I never knew before, what such a love as you have made me feel, was; I did not believe in it; my Fancy was afraid of it, lest it should burn me up. But if you will fully love me, though there may be some fire, 'twill not be more than we can bear when moistened and bedewed with Pleasures.

I have to stress that my duties towards victims of all sorts, be it helping, taking their side, or caring, ends the moment their status becomes a bargaining chip. The moment the victim becomes a righteous sufferer. For in my short time on this planet, history and on-going affairs are full of those competing in victimhood.

I used to think a drug addict was someone who lived on the far edges of society. Wild-eyed, shaven-headed and living in a filthy squat. That was until I became one...

Before you can kill the monster you have to say its name.

I lay on my floor crying again… shaking. Searching for inner strength and coming up empty. My eyes burned and my mouth was dry as I sucked on air that seemed to keep getting thicker and harder to breathe. I tried to leave again, but ended up leaning my forehead against the door, feeling defeated and wishing the Grim Reaper would come for me in all his silky, black glory.

Non fiction? Non fiction?! Listen, reality is what got me into this mess in the first place.

For I’m neither a submitter nor a hating retaliator, I acknowledge the boundaries of my existence; yet, I still care. I care regardless of the way they choose to reduce me to the brand that is the birthmark of the accident of my conception. I care less about what that brand signifies in terms of my character, potential, and intentions. For the harmed I care. For the real victims. It’s the most basic of my mandatory civil duties. Only in caring, am I a citizen of the world.

On the surface, I was calm: in secret, without really admitting it, I was waiting for something. Her return? How could I have been waiting for that? We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox... Must I go on living here then, among the objects we both had touched, in the air she had breathed? In the name of what? In the hope of her return? I hoped for nothing. And yet I lived in expectation. Since she had gone, that was all that remained. I did not know what achievements, what mockery, even what tortures still awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past.

I’ve been told that I cannot change shit, so I might as well stop torturing myself. My emotions are ridiculed and branded as childish. I have been told that the world has given up on my people. I have been told, and realise that on many occasions, I myself am viewed as an outcast by some of those suffering. I’ve been confronted and my answer is always the same: I care even in my most fucked-up moments. I care even when gates of shit pour open to drown me; I care because I am a citizen of the world.

I am Not, but the Universe is my Self.

As a citizen of the world, it’s my instinct to keep the fallen and the suffering in my thoughts. The human brain fascinates me; its limitless bounds of empathy. You see, in my mind there is logic to it: do no harm, prevent harm, help, support, care for the harmed, face the harmer. My stupid idealist conscience considers sympathy, not pity, at its worst, the most basic and the least negotiable civil duty. Of course as a citizen of the world, I should strive to do more. That said, I am only a man and so I often do the least.

They shared a doom against which virtue was no defense

The problem with fiction, it has to be plausible. That's not true with non-fiction.

What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them.

There seems to be a requirement for just so many people to be in the poor class, just as the need for a middle class exists. One class actually supports the other. The only way to get out of that cycle is to fight your way out. Never pass up an opportunity, and stick your foot into every open door, even if it’s just to see what’s inside. If there’s a possibility of seeing something you never have seen to experiencing something new. Do it. 

A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one’s art. One must accept it. For this reason I speak in a poem of the ancient food of heroes: humiliation, unhappiness, discord. Those things are given to us to transform, so that we may make from the miserable circumstances of our lives things that are eternal, or aspire to be so.

And I went on reading; and, since if you read enough books you overflow, I eventually became a writer.

95% of economics is common sense

I will take a serious approach to a subject usually treated lightly, which is a nerdy thing to do.

We are not always humiliated by failing at things; we are humiliated only if we first invest our pride and sense of worth in a given achievement, and then do not reach it.

No matter how uncertain and unpredictable life gets, some people really do walk next to you for ever.

In the mantra of shared hatred and placing the blame on Israel, our cowardice to face the barbarity of our heads of states was replaced with a divine purpose. Contemplating the manifestation of the eradication of hatred I often concluded, the entirety of the Middle East’s theocracies and dictatorships would be replaced by total anarchy. We would be left with nothing, as our brotherhood of hatred was the only bond known to us. Enculturated in the malarkey of that demagoguery, forces beyond our control and comprehension seem to deceive us into a less harmful and satisfactory logic as opposed to placing some blame on ourselves and thus, having to act to reverse that state of affairs.

To be a mass tourist, for me,...is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.

The non-fiction bestseller lists frequently prove that we all want to know more about everything, even if we didn't know that we wanted to know - we're just waiting for the right person to come along and tell us about it.

What I have learned so far had been an incredible journey and adventure. I remained in my own character even when I was not well liked. I now enter a room looking for people I may like rather than for those who will like me. There are people who change their demeanor between regular people and professional people. Just try to be who you are consistently and let those closest to you see your best, along with those you work with. People around you should not be the cause of change in your personal character.

Combat isn't where you might die -- though that does happen -- it's where you find out whether you get to keep on living. Don't underestimate the power of that revelation. Don't underestimate the things young men will wager in order to play that game one more time.

You want fantasy? Here's one... There's this species that lives on a planet a few miles above molten rock and a few miles below a vacuum that'd suck the air right out of them. They live in a brief geological period between ice ages, when giant asteroids have temporarily stopped smacking into the surface. As far as they can tell, there's nowhere else in the universe where they could stay alive for ten seconds. And what do they call their fragile little slice of space and time? They call it real life.

(about organizing books in his home library, and putting a book in the "Arts and Lit non-fiction section) I personally find that for domestic purposes, the Trivial Pursuit system works better than Dewey.

Make my life my favorite movie. Live my favorite character. Write my own script. Direct my own story. Be my biography. Make my own documentary on me. Non-fiction, live, not recorded. Time to catch that hero I've been chasing. See if the sun will melt the wax that holds my wings or if the heat is just a mirage. Live my legacy now. Quit acting like me. Be me.

If you spend any amount of time doing media analysis, it’s clear that the most frenzied moral panic surrounding young women’s sexuality comes from the mainstream media, which loves to report about how promiscuous girls are, whether they’re acting up on spring break, getting caught topless on camera, or catching all kinds of STIs. Unsurprisingly, these types of articles and stories generally fail to mention that women are attending college at the highest rates in history, and that we’re the majority of undergraduate and master’s students. Well-educated and socially engaged women just don’t make for good headlines, it seems.

That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle--behold, the Running Man. Distance running was revered because it was indispensable; it was the way we survived and thrived and spread across the planet. You ran to eat and to avoid being eaten; you ran to find a mate and impress her, and with her you ran off to start a new life together. You had to love running, or you wouldn't live to love anything else. And like everyhing else we ove--everything we sentimentally call our 'passions' and 'desires' it's really an encoded ancestral necessity. We were born to run; we were born because we run. We're all Running People, as the Tarahumara have always known.

Loose lips sink ships.

One of the paradoxes of writing is that when you write non-fiction everyone tries to prove that it's wrong, and when you publish fiction, everyone tries to see the truth in it.

The thought came over me that never would one full and absolute moment, containing all the others, justify my life, that all of my instants would be provisional phases, annihilators of the past turned to face the future, and that beyond the episodic, the present, the circumstantial, we were nobody.

In light of my distanced telescopic exposure to the mayhem, I refused to plagiarise others’ personal tragedies as my own. There is an authorship in misery that costs more than empathy. Often I’d found myself dumbstruck in failed attempts to simulate that particular unfamiliar dolour. After all, no one takes pleasure in being possessed by a wailing father collecting the decapitated head of his innocent six year old. Even on the hinge of a willing attempt at full empathy with those cursed with such catastrophes, one had to have a superhuman emotional powers. I could not, in any way, claim the ability to relate to those who have been forced to swallow the never-ending bitter and poisonous pills of our inherited misfortune. Yet that excruciating pain in my chest seemed to elicit a state of agony in me, even from far behind the telescope. It could have been my tribal gene amplified by the ripple effect of the falling, moving in me what was left of my humanity.

Perhaps this is the purpose of all art, all writing, on the murders, fiction and non-fiction: Simply to participate.

Jumping to conclusions is efficient if the conclusions are likely to be correct and the costs of an occasional mistake acceptable. Jumping to conclusions is risky when the situation is unfamiliar, the stakes are high and there is no time to collect more information.

Silicon Valley is awash in wooden Montessori toys and shrouded in total screen bans. Parents at work talk about how they don't allow their teens to have mobile phones, which only underscores how well these executives understand the real damage their product inflicts on young minds.

Om is the things, Om is the ingredient, Om is the container and the content of this universe.

Our scientific advances will be merely obscene unless they help the large part of our world's population emerge from miserable uncertainty and debilitating terror.

I think—the hero observes that nothing is so frightening as a labyrinth with no center.

I don't really care for fiction." "How can you not? The best thing about reading is to escape from your life, to be able to live hundreds or even thousands of different lives. Non-fiction doesn't have that power- it doesn't change you like fiction does." "Change you?" He raises his brow. "Yes, change you. If you aren't affected somehow, even in the slightest bit, you aren't reading the right book. I would like to think that every novel I've read has become a part of me, created who I am, in a sense.

More than half the skill of writing lies in tricking the book out of your own head.

Everything bleeds into everything and fiction is just this funny desperate little attempt to staunch the bleeding.

Being a highlighter is about constantly searching for the good in people. When you tell people they are good, they become better. When you search for what’s good, you feel great.

Fear would have told the Wright brothers not to fly. Fear would have told Rosa Parks to change seats. Fear would have told Steve Jobs that people hate touchscreens.

Living a spiritual life may not be easy. It demands total authenticity. It brings you to dance to a unique song that only you can hear fully, and sometimes you dance alone because no others can hear the music.

Far more beguiling than the idea that evil can be destroyed by throwing a piece of expensive jewelry into a volcano is the possibility that evil can be defused by talking. The fantasy of justice is more interesting than the fantasy of fairies, and more truly fantastic.

Escapism isn't good or bad of itself. What is important is what you are escaping from and where you are escaping to. I write from experience, since in my case I escaped to the idea that books could be really enjoyable, an aspect of reading that teachers had not hitherto suggested.

When shall we pass a day alone? I have had a thousand kisses, for which with my whole soul I thank love - but if you should deny me the thousand and first - 'twould put me to the proof how great a misery I could live through.

The Holy Spirit doesn't need to equip you for what you're not going to do, so if you're in rebellion against Jesus and refusing His right to be Lord, He doesn't need to send the Holy Spirit to equip you for service. And, tragically, you miss out on the joy that He brings. So let the Holy Spirit deal with anything that's keeping you from obeying Christ.

By a monstrous act of reductionism, the infinite depth of who you are is confused with a sound produced by the vocal cords." (p. 28)

I'm just capable of entertaining the fantastic idea that, in certain circumstances, Homo sapiens might actually be capable of thinking. It must be worth a go, since we've tried everything else.

Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.

There's a big difference between us. I write non-fiction, you write fiction. I write truths that tell lies. You write lies that tell truths.

His life, measured in space and time, will take up a mere few lines, which my ignorance will abbreviate further.

I never look at a painting and ask, "Is this painting fictional or non-fictional?" It's just a painting.

Nice dress,” Victoria said. “Thank you,” Perpetua said. “Do you mind if I ask you a personal question?” Victoria blinked. “Uh, what?

We are all born as storytellers. Our inner voice tells the first story we ever hear.

When the world is pregnant with lies, a secret long hidden will be revealed.

It can be challenge enough to have to eat with myself.

If you don't feel you have any choice in a situation, self-esteem and confidence plummet. But once you understand that you do have a choice, self-esteem will improve. You aren't a helpless victim anymore. You decide how you deal with a situation. You aren't just reacting to life; you're creating your life.

Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.

But the floor retained an unparalleled measure of excellence with a decorative array of ceramic tiles precisely laid by an anonymous Muslim artisan with limitless patience, pride, or skill.  He left behind an ornate work of art in a short, squat, non-descript building near the most dangerous piece of real estate on the planet.  Silva often wondered how an architect so careless came to work with a craftsman so precise.  Looking at that floor, she often thought that if everyone applied just a fraction of his dedication to their own work, it might cancel out the hatred driving the destruction.

No more looking at a wall and pretending it's a mirror. No more shelving fiction in the non-fiction section. No more thinking I could get away with it.

Fiction can serve in a non-threatening way to open minds and, I hope, hearts to the Word of God.

There's a fine line between fiction and non-fiction and I think I snorted it somewhere in 1979

River smiled sweetly at his tormentors and told them, "If you want to kick my ass, go ahead. Just explain to me why you're doing it." After a confused pause, one of the skinheads said, "Ah, you wouldn't be worth it." "We're all worth it, man," River said with a beatific smile. "We're all worth millions of planets and stars and galaxies and universes.

Next to physical survival, the greatest need of a human being is psychological survival—to be understood, to be affirmed, to be validated, to be appreciated. —Stephen Covey

Life is way too short, so try to enjoy every minute of it with a sense of humor!

We must not be too prodigal with our angels; they are the last divinities we harbor, and they might fly away.

I'd better say at the start that I don't actually believe in magic any more than I believe in astrology, because I'm a Taurean and we don't go in for all that weirdo occult stuff.

There is a physics to the world, which non-fiction has a contract to stand in awe of, otherwise it becomes completely self-centered and ego-driven, which is the death of a memoir.

The nature of life is mess, chaotic, exquisitely beautiful, excruciatingly painful, immensely joy-filled, and unpredictable.

Indeed, many movies about artificial intelligence are so divorced from scientific reality that one suspects they are just allegories of completely different concerns. Thus the 2015 movie Ex Machina seems to be about an AI expert who falls in love with a female robot only to be duped and manipulated by her. But in reality, this is not a movie about the human fear of intelligent robots. It is a movie about the male fear of intelligent women, and in particular the fear that female liberation might lead to female domination. Whenever you see a movie about an AI in which the AI is female and the scientist is male, it’s probably a movie about feminism rather than cybernetics. For why on earth would an AI have a sexual or a gender identity? Sex is a characteristic of organic multicellular beings. What can it possibly mean for a non-organic cybernetic being?

When push comes to shove we can afford to lose an arm or a leg, but I am operating on peoples thoughts and feelings... and if something goes wrong I can destroy that persons character... forever.

In order to survive, I came up with a five-step secret to getting it all done. If you're busy too, feel free to use it: 1. Admit that you can't possibly get it all done.

Habits form much more than our schedules: they form our hearts.

You gotta help me get out of here! They're trying to kill me. I'm gonna die. I've got $35,000 missing. Those two women took it. They're trying to kill me. You gotta help me. Cut me loose! Cut me loose!

When you try to be the same as everyone else, it’s boring. When you try to fit into a mold, you become forgettable. When you try to be “normal,” you become dull. Just be yourself, because no one is like you. If you’re a little weird, own it. The right people will like you for it.

They were engineers. They knew about Murphy. They weren't about to upset no pixie.

When you're conscious of what you're permitting to germinate inside you, the weeds in your life will wither away of their own accord.

It was a time of beautiful brutal illusions.

If I wasn't sure before, I'm sure now that she poisoned him to death. I'm also fairly sure she had help killing him, and by God, I'm going to prove it, if it's the last thing I ever do.

He [Omar Khayyam] is an atheist, but knows how to interpret in orthodox style the most difficult passages of the Koran; for every educated man is a theologian and faith is not a requisite.

The European and the North American consider that a book that has been awarded any kind of prize must be good; the Argentine allows for the possibility that the book might not be bad, despite the prize.

Our sense of identity is held captive by the judgements of those we live among.

Let go of toxic control, in order to regain healthy control.

In art nothing is more secondary than the author's intentions.

Fiction described reality better than non-fiction.

The first story I have to tell is not exactly true, but it isn't exactly false, either.

Living in the kingdom of God is a matter of living with God's action in our lives.

It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting, and fornicating?

I recommend readers to be adventurous and to try things they’ve never heard of or considered reading before. Get out of the comfort zone and discover something new and exciting. If you’d never be caught dead in the mystery section go and read some George Pelecanos, Dennis Lehane, Michael Connelly or many others. If you only read thrillers get deep into the literary fiction aisle and let yourself be seduced. If you only read non-fiction pick up a Ian McDonald novel or a Joyce Carol Oates novel. If you only read comic books, get acquainted with the great Charles Dickens or a certain Monsieur Dumas. Pick up something at random and read a page. Feel the texture of the language, the architecture of the imagery, the perfume of the style… There’s so much beauty, intelligence and excitement to be had between the pages of the books waiting for you at your local bookstore the only thing you need to bring is an open mind and a sense of adventure. Disregard all prejudices, all pre-conceived notions and all the rubbish some people try to make you think. Think for yourself. Regarding books or anything in life. Think for yourself.

The more the LGBT community comes out of the closet, the more Christians are expected to go into the closet. the irony is too absurd to fathom.

I was always an odd child, though I had no idea what odd was, really.

When the guns fired in August 1914, did the faces of men and women show so plain in each other's eyes that romance was killed?

Whether we like to admit it or not, we decide if we like someone, if we trust someone, and if we want a relationship with someone within the first few seconds of meeting them.

I had to become a fool before I could become wise.

All fiction is metaphor. Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life -- science, all the sciences, and technology, and the relativistic and the historical outlook, among them. Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another. The future, in fiction, is a metaphor. A metaphor for what? If I could have said it non-metaphorically, I would not have written all these words, this novel; and Genly Ai would never have sat down at my desk and used up my ink and typewriter ribbon in informing me, and you, rather solemnly, that the truth is a matter of the imagination.

There’s different ways to be impacted by truth. One is to read the scriptures. Another is to read other works by other people who have read the scriptures, non fiction for example. Another is to do studies. Another is to go to a place of worship. Another thing is to sit and listen to someone who’s speaking. There’s all kinds of ways. Another way is to write. About the truth. Discover the struggle through your character.

Not long ago I was invited to a librarians’ event by a lady who cheerfully told me, “We like to think of ourselves as ‘information providers.’” I was appalled by this want of ambition; I made my excuses and didn’t go. After all, if you have a choice, why not call yourselves “Shining Acolytes of the Sacred Flame of Literacy in a Dark and Encroaching Universe”? I admit this is hard to put on a button, so why not abbreviate it to “librarians”?

We envy only those whom we feel ourselves to be like; we envy only members of our reference group. There are few successes more unendurable than those of our close friends.

It follows that the more people we take to be our equals and compare ourselves to, the more people there will be to envy.

A decision is only as strong as the belief standing behind it

You Never Have a Second Chance for a First Good Impression

Make your problems become opportunities instead of obstacles.

Remember, the most common thing about common sense is how uncommon it is.

Think not of the fragility of life, but of the power of books, when mere words can change our lives simply by being next to each other.

إننا لا يصح أن ننشغل بما يقع بعيدًا عن نظرنا وعن متناول أيدينا، بل يجب أن نهتم فقط بما هو موجود بين أيدينا بالفعل

أسوأ سمات القلق أنهُ يدمر قدرتنا على التركيز

Don't cross the boundaries.

أحياناً نقود أنفسنا للطريق المهلك علماً بذلك .. ليس رغبة بالهلاك، بل أملاً بتغيير النتيجة

Hope is putting Faith "on the line" and expecting results! (from Mission Possible - Spiritual Covering)

So many people open a Bible and they are being taught to listen for the voice of God-to try to hear what God is saying to them through their Bible. I will tell you what He is saying to you. 'Put your head down, look at the words and read them'- that's what He is saying!

Belittling others is no pastime for those convinced of their own standing. There is terror behind haughtiness. It takes a punishing impression of our own inferiority to leave others feeling that they aren’t good enough for us.

Psychologically speaking (I’ll only wheel out the amateur psychology just this once, so bear with me), encounters that call up strong physical disgust or revulsion are often in fact projections of our own faults and weaknesses.

Vulnerability is sexy—it shows we are relatable, honest, and real. That is attractive. And the science proves it: “A blunder tends to humanize him and, consequently, increases his attractiveness.”5

Long dismissed as children's stories or 'myths' by Westerners, Australian Aboriginal stories have only recently begun to be taken seriously for what they are: the longest continuous record of historic events and spirituality in the world.

As writers we intend to make a difference, to alter people's lives for the greater good. . .this is why we write, to have an impact on society, to put a personal stamp on history. . .Art and literature are the legacies we leave to succeeding generations. We'll be forgotten, but our books and essays, our stories and poems can survive us. . .

You gotta help me get out of here! Cut me loose! Cut me loose! Well, Jerry, I gotta go to work, but I'll come back this afternoon and if you're not better, then we'll see about ... I'll see what I can do. It'll be too late, Gamble. I'll be dead by then. Cut me loose! You gotta help me. You just gotta help me!

Chamfort, echoing the misanthropic attitude of generations of philosophers before and after him, put the matter simply: ‘Public opinion is the worst of all opinions.

Find YOUR Balance.

Satu-satunya orang yang bisa menghalangimu untuk maju adalah dirimu sendiri

إن أقوى عوامل الإسترخاء والإستجمام هي الإيمان العميق، والنوم، والموسيقى والضحك.

تحيا الحاضر وتنسى أمر الماضي وتتجاهل المستقبل

اللهم ارزقنا خبز يومنا هذا

They inhabited a lost world of splendour and brutality, a world dominated by religious change, in which there were few saints.

Life is but a flash of time, a momentous flicker-- in the life that we know and space we live in on earth.© VW

Thank God! Those prayers were answered!

I did not realize at the time, as I have discovered since, that anyone who attempts any thing original in this world must expect a bit of ridicule." Clarence Birdseye

Lui cercava di nascondere i difetti e non lo sapeva che era di quelli che mi innamoravo ogni giorno.

The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth.

It seems to me that you might create any sort of character in a novel and there would be at least one person in the world just like him. We humans are simply incapable of imagining non-human actions or behavior. It's the writer's fault if we don't believe in his characters as human beings.

I had to keep living as much as I fought against that fact. I quit my job. And I hit the road. I figured I would do nothing but wander, for however long I could manage it, spending a month here and there, wherever. Maybe to relax. Maybe to escape. Maybe to sort through the turmoil within me.

...A person who is headstrong enough to open their eyes and their heart to the full depth and weight of the world is inviting in everything out there - both evil and good, both dark and light, and the sheer bravery of that openness enables them to gain profound insight into the human condition. It also fucks them up. It may even make them more prone to stick their head in an oven than to engage in self-promotional chitchat on Jay Leno.

We have learnt a lesson: words written in books, all of them, are lies. There are no exceptions. Words written on papers are all deceitful. If we put it in a more proper manner, counting non-fiction works, then things like documents, reports, and reviews that are recorded are also deceitful. There’s nothing but deceit. Don’t believe in the for-sale literature.

Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.

We spray our fantasies on the landscape like a dog sprays urine. It turns it into ours. Once we’ve invented our gods and demons, we can propitiate or exorcize them. Once we’ve put fairies in the sinister solitary thorn tree, we can decide where we stand in relation to it; we can hang ribbons on it, see visions under it—or bulldoze it up and call ourselves free of superstition.

In terms of size, mammals are an anomaly, as the vast majority of the world's existing species are snail-sized or smaller. It's almost as if, regardless of your kingdom, the smaller your size & the earlier your place on the tree of life, the more critical is your niche on Earth: snails & worms create soil, & blue-green algae create oxygen; mammals seem comparatively dispensable, the result of the random path of evolution over a luxurious amount of time.

She might not have read many books. But when she reads a book, she swallows the very words. If you open the books on her shelves, you will find that the front and back covers encase white pages.

When you make a film, if you are an insider, you're usually the last person to know that your film is not right. But when you are an outsider, you have a little more objectivity.I think a part of my success is that I am naturally objective. I am not an insider.In many ways, Anupama is the same. Foreword, First Day First Show

As I am sure some of you know, I boast of the fact that for a couple of years I was a volunteer librarian, working weekends for no more reward than a cup of tea, a sweet biscuit, and a blind eye to the enormous number of books that I was taking home.

Writing for children can be completely honest in non-cynical ways. In adult books you're required to be cynical. It embarrasses us to say positive things. You can have affection and hope in children's books, but that is out of fashion in adult fiction.

I imagined there were people out there in the darker shadows, some dragging their feet like the walking dead, some scanning like predators, some cowering like victims. I wanted to absorb it all, suck it down, destroy it—the vision, the scene, the barbarism.

Driving around town, I found myself staring down older teenagers and college-aged boys and young men. Any sign or signal less than mindful obedience to the law, to orderly conduct and my rage ticked up one notch higher.

From the cave to the skyscraper, from the club to weapons of mass destruction, from the tautological life of the tribe to the era of globalization, the fictions of literature have multiplied human experiences, preventing us from succumbing to lethargy, self-absorption, resignation. Nothing has sown so much disquiet, so disturbed our imagination and our desires as the life of lies we add, thanks to literature, to the one we have, so we can be protagonists in the great adventures, the great passions real life will never give us. The lies of literature become truths through us, the readers transformed, infected with longings and, through the fault of fiction, permanently questioning a mediocre reality. Sorcery, when literature offers us the hope of having what we do not have, being what we are not, acceding to that impossible existence where like pagan gods we feel mortal and eternal at the same time, that introduces into our spirits non-conformity and rebellion, which are behind all the heroic deeds that have contributed to the reduction of violence in human relationships. Reducing violence, not ending it. Because ours will always be, fortunately, an unfinished story. That is why we have to continue dreaming, reading, and writing, the most effective way we have found to alleviate our mortal condition, to defeat the corrosion of time, and to transform the impossible into possibility.

القاعدة الثانية هي: إذا كُنت تعاني من مشكلة تُقلق،عليك تطبيق الوصفة السحرية التي طبقها من قبل"ويليس كاريير" وذلك عن طريق القيام بالخطوات الثلاث الآتية: 1- اسأل نفسك: ما أسوأ شيء يمكن أن يحدث؟ 2- قم بإعداد نفسك إذا لزم الأمر 3- ثم حاول بهدوء تحسين الصورة إلى الأفضل

Our true nature is bliss. That bliss is like the sun that always shines. It remains ever present, but the events in life and clouds of worry and even emotions like happiness may obscure it like storm clouds obscure the sun.

Why is it deemed justifiable and appropriate for cops/police officers to kill other cops (friendly–fire) and citizens? Why do cops kill? Are they not taught to maim or slow down someone running or reaching for a weapon? If not, why not? Why do cops kill first and ask questions last? Why are police officers being military trained? What can we as citizens, taxpayers, and voters do to stop these killings and beatings of unarmed people? Why do we let this continue? How many more must die or get beat up before we realize something is wrong and needs to be changed? Will you, a friend, or a family member have to be killed or beaten by a cop before we realize that things have to change? Who's here to protect us from the cops when they decide to use excessive force, shoot multiple shells, and/or murder us?

The lively oral storytelling scene in Scots and Gaelic spills over into the majority English-speaking culture, imbuing it with a strong sense of narrative drive that is essential to the modern novel, screenplay and even non-fiction.

The writing of solid, instructive stuff fortified by facts and figures is easy enough. There is no trouble in writing a scientific treatise on the folk-lore of Central China, or a statistical enquiry into the declining population of Prince Edward Island. But to write something out of one's own mind, worth reading for its own sake, is an arduous contrivance only to be achieved in fortunate moments, few and far in between. Personally, I would sooner have written Alice in Wonderland than the whole Encyclopedia Britannica.

في كل مرة أقول فيها " أحبك"، فإن الكلمة تخرج و كأنها جديدة، أعمق، و أغنى و كأنها كعكة خوخ مع فارق بسيط في الذوق و الملمس. بسبب كل هذا أتساءل، من ناحية المكان و الزمان، كم من الوقت المستمر و الفاصل احتاجه حتى أتمكن من الجلوس في نفس الغرفة معك و القراءة لساعات دون قول كلمة أو مقاطعة التحدث أو المناقشة أو مشاركة شيء معك، أن أقرأ دون ان يتراقص صوتي الداخلي مكرراً:"انت هنا… انت هنا..هنا!

CUSTOMER: Do you have a book with a list of careers? I want to give my daughter some inspiration. BOOKSELLER: Ah, is she applying to university? CUSTOMER: Oh no, not yet. She’s just over there. Sweetheart? (a four year old girl comes over) CUSTOMER: There you are. Now, you talk to the nice lady, and I’m going to find you a book on how to become a doctor or a scientist. What do you think about that? (The girl says nothing) CUSTOMER (to bookseller): Won’t be a sec. (Customer wanders off into non-fiction) BOOKSELLER: So, what’s your name? CHILD: Sarah. BOOKSELLER: Sarah? That’s a beautiful name. CHILD: Thank you. BOOKSELLER: So, Sarah, what do you want to be when you grow up? CHILD: . . . A bumblebee. BOOKSELLER: Excellent.

The management no longer depends upon the talents or skills of its workers---those things are built into the operating systems and machines. Jobs that have been "deskilled" can be filled cheaply. The need to retain any individual worker is greatly reduced by the ease with which he or she can be replaced.

I’m going to be a model of fearlessness. And when people spew fear, I’m going to stand with an invisible shield around me and let their comments zing off my shield, and I will say to myself ‘not in my world!’ because in my world, people do take risks, and people do try to make things better and they never say die!

So, instead, I give tips on how to be a professional boxer. A good diet is essential, of course, as is a daily regime of exercise. Pay attention to your footwork, it will often get you into trouble. Go down to the gym every day – every day of your life that finds you waking up capable of standing. Take every opportunity to watch a good professional fight. In fact watch as many bouts as you can, because you can even learn something from the fighters who get it wrong. Don’t listen to what they say, watch what they do. And don’t forget the diet and the exercise and the roadwork. Got it? Well, becoming a writer is basically exactly the same thing, except that it isn’t about boxing.

The best thing you can do for your kids is to encourage reading for pleasure--it makes required school reading so much easier and deeper and hones grammar, spelling, writing, comprehension, knowledge and imagination ...be it comic books or classics, fiction or non, Lord of the Rings or Lord of the Flies, let them read what they truly like...:)

Lovemaking takes time! It is a myth for lovemaking to be quick and smooth. To find pleasure in each other, both men and women need to take time to explore each other with their hands; their lips and they need to be open to each other in a mutual, consensual, and non-judgmental style. sure

Rather than a tale of greed, the history of luxury could more accurately be read as a record of emotional trauma. It is the legacy of those who have felt pressured by the disdain of others to add an extraordinary amount to their bare selves in order to signal that they too may lay a claim to love.

A female magician named Catherine Trianon, who lived together 'as man and wife' with another cunning-woman, was described as having more learning 'in the tip of her finger' than others acquired in a lifetime. When her house was searched in 1680 twenty-five manuscript volumes on the occult sciences were found.

... by treating nature as exterior and inferior to humans we saw no harm to ourselves in polluting the soil, the plants, the air and the water. We did not notice the effect of our pollution on whatever walked over it, ran across it, climbed up it, flew through it, or swam in it. Now we notice that harming other constituents of our planetary system brings harm to ourselves.

It was language I loved, not meaning. I liked poetry better when I wasn't sure what it meant. Eliot has said that the meaning of the poem is provided to keep the mind busy while the poem gets on with its work -- like the bone thrown to the dog by the robber so he can get on with his work. . . . Is beauty a reminder of something we once knew, with poetry one of its vehicles? Does it give us a brief vision of that 'rarely glimpsed bright face behind/ the apparency of things'? Here, I suppose, we ought to try the impossible task of defining poetry. No one definition will do. But I must admit to a liking for the words of Thomas Fuller, who said: 'Poetry is a dangerous honey. I advise thee only to taste it with the Tip of thy finger and not to live upon it. If thou do'st, it will disorder thy Head and give thee dangerous Vertigos.

The extremists had declared jihad against anyone and anything that challenged their vision of a pure Islamic society, and these artifacts - treatises about logic, astrology, and medicine, paeans to music, poems idealizing romantic love - represented five hundred years of human joy. They celebrated the sensual and the secular, and they bore the explicit message that humanity, as well as God, was capable of creating beauty. They were monumentally subversive.

Well, Montag, take my word for it, I've had to read a few in my time, to know what I was about, and the books say nothing! Nothing you can teach or believe. They're about non-existent people, figments of imagination, if they're fiction. And if they're non-fiction, it's worse, one professor calling another an idiot, one philosopher screaming down another's gullet. All of them running about, putting out the stars and extinguishing the sun. You come away lost.

In those parts of the world where learning and science has prevailed, miracles have ceased; but in such parts of it as are barbarous and ignorant, miracles are still in vogue; which is of itself a strong presumption that in the infancy of letters, learning and science, or in the world's non-age, those who confided in miracles, as a proof of the divine mission of the first promulgators of revelation, were imposed upon by fictitious appearances instead of miracles.

If all Christians simply began to function as the New Testament would have us do, there would be no problem of evangelism confronting the Church. The matter would deal with itself immediately. It is because we are failing as Christian people in our daily lives and deportment and witness that the Church counts for so little and that so few are attracted to God through our Lord Jesus Christ. So for that most urgent reason alone it behoves us to deal with this question.

...the novel had reached its apogee with the marriage plot and had never recovered from its disappearance. In the days when success in life had depended on marriage, and marriage had depended on money, novelists had had a subject to write about. The great epics sang of war, the novel of marriage. Sexual equality, good for women, had been bad for the novel. And divorce had undone it completely. What would it matter whom Emma married if she could file for separation later? How would Isabel Archer’s marriage to Gilbert Osmond have been affected by the existence of a prenup? As far as Saunders was concerned, marriage didn’t mean much anymore, and neither did the novel. Where could you find the marriage plot nowadays? You couldn’t. You had to read historical fiction. You had to read non-Western novels involving traditional societies. Afghani novels, Indian novels. You had to go, literarily speaking, back in time.

He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist.

You frequently state, and in your letter you imply, that I have developed a completely one-sided outlook and look at everything in terms of science. Obviously my method of thought and reasoning is influenced by a scientific training – if that were not so my scientific training will have been a waste and a failure. But you look at science (or at least talk of it) as some sort of demoralizing invention of man, something apart from real life, and which must be cautiously guarded and kept separate from everyday existence. But science and everyday life cannot and should not be separated. Science, for me, gives a partial explanation of life. In so far as it goes, it is based on fact, experience and experiment. Your theories are those which you and many other people find easiest and pleasantest to believe, but so far as I can see, they have no foundation other than they leaf to a pleasanter view of life (and an exaggerated idea of our own importance)... I agree that faith is essential to success in life (success of any sort) but I do not accept your definition of faith, i.e. belief in life after death. In my view, all that is necessary for faith is the belief that by doing our best we shall come nearer to success and that success in our aims (the improvement of the lot of mankind, present and future) is worth attaining. Anyone able to believe in all that religion implies obviously must have such faith, but I maintain that faith in this world is perfectly possible without faith in another world… It has just occurred to me that you may raise the question of the creator. A creator of what? ... I see no reason to believe that a creator of protoplasm or primeval matter, if such there be, has any reason to be interested in our significant race in a tiny corner of the universe, and still less in us, as still more significant individuals. Again, I see no reason why the belief that we are insignificant or fortuitous should lessen our faith – as I have defined it.

Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses on a quirky central character that’s somewhat like Jonathan Safran Foer. 2. You can also name your character Jonathan Safran Foer. 3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer. 4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer. 5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend. 8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.” 9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.” 10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. Not all of us can be Jonathan Safran Foer.

In any dark time, there is a tendency to veer toward fainting over how much is wrong or unmended in the world. Do not focus on that. There is a tendency, too, to fall into being weakened by dwelling on what is outside your reach, by what cannot yet be. Do not focus there. That is spending the wind without raising the sails. We are needed, that is all we can know. And though we meet resistance, we more so will meet great souls who will hail us, love us and guide us, and we will know them when they appear. Didn't you say you were a believer? Didn't you say you pledged to listen to a voice greater? Didn't you ask for grace? Don't you remember that to be in grace means to submit to the voice greater?

Mười sáu là một tuổi cực kỳ rắc rối. Ta lo lắng về những thứ nhỏ nhặt, không xác định được mình ở đâu theo một cách thức khách quan nào cả, trở nên rất chi thành thạo những kỹ năng lạ lùng, vô nghĩa, và nô lệ cho những mặc cảm không thể cắt nghĩa nổi. Dù sao, khi ta lớn hơn, bằng cách thử và sai, ta học cách đạt được cái ta cần và ném đi cái cần phải bỏ. Và ta bắt đầu nhận ra (hay đành chấp nhận thực tế) rằng do lỗi lầm và khiếm khuyết của ta gần như vô tận, tốt nhất ta nên nhận thức ra những ưu điểm của mình và học cách xoay xở với cái mình có.

Q: Do you have any advice for upcoming writers who want to pen weird stories? A: READ, damn it. Fill your brain to the bursting point with the good stuff, starting with writers that you truly enjoy, and then work your way backward and outward, reading those writers who inspired the writers you love best. That was my path as far as Weird/Horror Fiction, starting with Lovecraft, and then working my way backward/outward on the Weird Fiction spiderweb. And don’t limit your reading. Read it all, especially non-fiction and various news outlets. You’d be surprised by how many of my story ideas were born while listening to NPR, perusing a blog, or paging through Vanity Fair. Once you have your fuel squared away, just write what you love, in whatever style and genre. You’ll never have fun being someone you’re not, so be yourself. When a singer opens their mouth, what comes out is what comes out. Also, don’t be afraid to fail, and don’t be afraid to walk away. Writing isn’t for everyone, and that’s totally fine. One doesn’t need to be a writer to enjoy being a reader and overall fan of genre or wider fiction.

The library is dangerous— Don’t go in. If you do You know what will happen. It’s like a pet store or a bakery— Every single time you’ll come out of there Holding something in your arms. Those novels with their big eyes. And those no-nonsense, all muscle Greyhounds and Dobermans, All non-fiction and business, Cuddly when they’re young, But then the first page is turned. The doughnut scent of it all, knowledge, The aroma of coffee being made In all those books, something for everyone, The deli offerings of civilization itself. The library is the book of books, Its concrete and wood and glass covers Keeping within them the very big, Very long story of everything. The library is dangerous, full Of answers. If you go inside, You may not come out The same person who went in.

…I relied on an unpublished report by Jose Fernandez-Partagas, a late-twentieth-century meteorologist who recreated for the National Hurricane Center the tracks of many historical hurricanes, among them the Galveston Hurricane. He was a meticulous researcher given to long hours in the library of the University of Miami, where he died on August 25, 1997, in his favorite couch. He had no money, no family, no friends--only hurricanes. The hurricane center claimed his body, had him cremated, and on August 31, 1998, launched his ashes through the drop-port of a P-3 Orion hurricane hunter into the heart of Hurricane Danielle. His remains entered the atmosphere at 28 N., 74.2 W., about three hundred miles due east of Daytona Beach.

You're just a boy. You don't have the faintest idea what you're talking about. You've never been out of Boston. So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term "visiting hours" didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy.

Odinism is an ancient religion that acknowledges the gods by fostering thought, courage, honor, light, and beauty. Older than history, Odinism is all that was called wisdom when the world was new and fresh.” “…when the gods made man, they made a weapon.” “And a godlike man–a man who is pure force–inaccessible to any compromise–is called a hero.” “In any combat, the hero is the one who renounces advantages.” “Most mortals can wish–only extraordinary mortals can will.” “A man without gods has a desert in his heart.” “Omnipotence is humbuggery. In this universe of hazard and adventure, the gods implement their wills through struggle-not fiat.” “Beware of gods who cannot laugh.” “In the eyes of gods, there are no chosen peoples and no master races.” “Magic is the technology of gods.” “…if you knew the secret of the runes, the knowledge would surprise and terrify.” “Mysteries should not be explained–they should be experienced. That is the way of Odin.” “The future will be a return to the past.” ” When the world is pregnant with lies, a secret long hidden will be revealed.

Disappointed in his hope that I would give him the fictional equivalent of “One Hundred Ways of Cooking Eggs” or the “Carnet de la Ménagère,” he began to cross-examine me about my methods of “collecting material.” Did I keep a notebook or a daily journal? Did I jot down thoughts and phrases in a cardindex? Did I systematically frequent the drawing-rooms of the rich and fashionable? Or did I, on the contrary, inhabit the Sussex downs? or spend my evenings looking for “copy” in East End gin-palaces? Did I think it was wise to frequent the company of intellectuals? Was it a good thing for a writer of novels to try to be well educated, or should he confine his reading exclusively to other novels? And so on. I did my best to reply to these questions — as non-committally, of course, as I could. And as the young man still looked rather disappointed, I volunteered a final piece of advice, gratuitously. “My young friend,” I said, “if you want to be a psychological novelist and write about human beings, the best thing you can do is to keep a pair of cats.” And with that I left him. I hope, for his own sake, that he took my advice.

[Author's note:] When I decided to write this book, I worried that my privilege would make me blind to certain truths, that I would get things wrong, as I may well have. I worried that, as a non-immigrant and non-Mexican, I had no business writing a book set almost entirely in Mexico, set entirely among migrants. I wished someone slightly browner than me would write it. But then I thought, 'If you're a person who has the capacity to be a bridge, why not be a bridge?' So I began. In the early days of my research, before I'd fully convinced myself that I should undertake the telling of this story, I was interviewing a very generous scholar, a remarkable woman who was chair of the Chicana and Chicano studies Department at San Diego State University. Her name is Norma Iglesias Prieto, and I mentioned my doubts to her. I told her I felt compelled, but unqualified, to write this book. She said, "Jeanine. We need as many voices as we can get, telling this story." Her encouragement sustained me for the next four years. I was careful and deliberate in my research. I traveled extensively on both sides of the border and learned as much as I could about Mexico and migrants, about people living throughout the borderlands. The statistics in this book are all true, and though I changed some names, most of the places are real, too. But the characters, while representative of the folks I met during my travels, are fictional.

He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.

The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")

Parent and Teacher Actions: 1. Ask children what their role models would do. Children feel free to take initiative when they look at problems through the eyes of originals. Ask children what they would like to improve in their family or school. Then have them identify a real person or fictional character they admire for being unusually creative and inventive. What would that person do in this situation? 2. Link good behaviors to moral character. Many parents and teachers praise helpful actions, but children are more generous when they’re commended for being helpful people—it becomes part of their identity. If you see a child do something good, try saying, “You’re a good person because you ___.” Children are also more ethical when they’re asked to be moral people—they want to earn the identity. If you want a child to share a toy, instead of asking, “Will you share?” ask, “Will you be a sharer?” 3. Explain how bad behaviors have consequences for others. When children misbehave, help them see how their actions hurt other people. “How do you think this made her feel?” As they consider the negative impact on others, children begin to feel empathy and guilt, which strengthens their motivation to right the wrong—and to avoid the action in the future. 4. Emphasize values over rules. Rules set limits that teach children to adopt a fixed view of the world. Values encourage children to internalize principles for themselves. When you talk about standards, like the parents of the Holocaust rescuers, describe why certain ideals matter to you and ask children why they’re important. 5. Create novel niches for children to pursue. Just as laterborns sought out more original niches when conventional ones were closed to them, there are ways to help children carve out niches. One of my favorite techniques is the Jigsaw Classroom: bring students together for a group project, and assign each of them a unique part. For example, when writing a book report on Eleanor Roosevelt’s life, one student worked on her childhood, another on her teenage years, and a third on her role in the women’s movement. Research shows that this reduces prejudice—children learn to value each other’s distinctive strengths. It can also give them the space to consider original ideas instead of falling victim to groupthink. To further enhance the opportunity for novel thinking, ask children to consider a different frame of reference. How would Roosevelt’s childhood have been different if she grew up in China? What battles would she have chosen to fight there?

The Future is an illusion because, at the most fundamental level, Choice is an illusion. I am a believer in the theory, popular among physicists, that every time there is a Choice, the universe splits: both choices come to pass, but in now-separate universes. And so on, and on, with every choice of every particle, every atom, every molecule, every cell, every being, coming into being. In this universe of universes, everything happens, and every combination of things happens. Our universe is a mote of dust in an ever-growing dust-storm of possibilities, but each mote of dust in that storm is generating its own dust-storm of possibilities every instant, the motes of which in turn... But you get the general impression. Indeed to think of ourselves as single selves, and our universe as a single universe, is to be blinded, by the limitations of our senses and our consciousness, to the infinite-faceted truth: that we are infinite in a universe of universes that are each infinitely infinite..." "An intriguingly intricate view of the world," I said (...) Pat Sheeran nodded. "And it is astonishing how little practical difference it makes," he said. "All my other lives are as inaccessible to me as if they did not exist at all. No doubt in other universes I am a beggar, a revolutionary thinker, an academic, an accountant; a drinker, a thinker, a writer of books; I lose a freckle, gain a mole, shade off into men nothing like me at all; I have sons, fire guns, live forever, die too young. Whenever any particle in this universe changes state, I am split and travel in both directions, multiplied. But here I am, suffering the illusion of unity in this endlessly bifurcating moment. Yet sometimes, I wave my arms for the joy of creating a spray of universes." I said startled at the implications, “Though it may make no practical difference, the implications are nonetheless startling." "Indeed," said Pat Sheeran. "I had immediately to file all the fiction on my shelves under Non-Fiction. For it is an unavoidable corollary of this theory, that Fiction is impossible. For all novels are true histories of worlds as real as ours, but which we cannot see. All stories are possible, all histories have happened. I, billion-bodied, live a trillion lives every quantum instant. Those trillion lives branch out, a quintillion times a second, as every particle in every atom in each mote of dust on land, in sea, and sky, and space, and star, flickering in and out of being in the void, hesitates and decides its next stage. All tragedies, all triumphs, are mine, are yours." "It is a curious and difficult thing, to think that all is possible. No, probable. No, certain," I said, attempting to grasp the largeness of the thought."That nothing is improbable." "It is a comforting thought, some nights, to this version of me, now," said Pat Sheeran, and we roared on.

Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.