“
Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.
”
”
Madeline Miller (The Song of Achilles)
“
to love life, to love it even
when you have no stomach for it
and everything you've held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
”
”
Ellen Bass
“
The first time he'd held her hand, it felt so good that it crowded out all the bad things. It felt better than anything had ever hurt.
”
”
Rainbow Rowell (Eleanor & Park)
“
Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
He folded his fear into a perfect rose. He held it out in the palm of his hand. She took it from him and put it in her hair.
”
”
Arundhati Roy (The God of Small Things)
“
A virgin," Flaminius smiled deviously. "I'll take her." Instantly, surprised chatter erupted. Mother Guardian held up her hand for silence. "You cannot be serious, Sire." "Oh, but I am," he replied with a smirk.
”
”
Therisa Peimer (Taming Flame)
“
Stop fighting me!" he said, trying to pull on the arm he held.
He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.
“Let go of me!” I yelled back.
But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again.
See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.
I looked him in the eye. "I will always love you."
Then I plunged the stake into his chest.
It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one.
"That’s what I was supposed to say. . .” he gasped out.
Those were his last words.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
She held up her calloused, grimy fingers. Leo couldn't help thinking there was nothing hotter than a girl who didn't mind getting her hands dirty. But of course, that was just a general comment. Didn't apply to Calypso. Obviously.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
”
”
John Green (The Fault in Our Stars)
“
I love you, Savannah, and I always will," I breathed. "You're the best thing that's ever happened to me. You were my best friend and my lover, and I dont regret a single moment of it. You made me feel alive again, and most of all, you gave me my father. I'll never forget you for that. You're always going to be the very best part of me. I'm sorry it has to be this way, but I have to leave, and you have to see your husband." As I spoke, I could feel her shaking with sobs, and I continued to hold her for a long time afterward. When we finally seperated, I knew that it would be the last time I ever held her. I backed away, my eyes holding Savannah's. "I love you, too, John," she said. "Good-bye." I raised a hand.
”
”
Nicholas Sparks (Dear John)
“
He was waving. "Saukerl," she laughed, and as she held up her hand, she knew completely that he was simultaneously calling her a Saumensch. I think that's as close to love as eleven-year-olds can get.
”
”
Markus Zusak (The Book Thief)
“
Souls"
When two souls fall in love, there is nothing else but the
yearning to be close to the other. The presence that is felt
through a hand held, a voice heard, or a smile seen.
Souls do not have calendars or clocks, nor do they understand
the notion of time or distance. They only know it feels right to
be with one another.
This is the reason why you miss someone so much when they
are not there— even if they are only in the very next room.
Your soul only feels their absence— it doesn’t realize the
separation is temporary.
”
”
Lang Leav
“
Murtagh was right about women. Sassenach, I risked my life for ye, committing theft, arson, assault, and murder into the bargain. In return for which ye call me names, insult my manhood, kick me in the ballocks and claw my face. Then I beat you half to death and tell ye all the most humiliating things have ever happened to me, and ye say ye love me." He laid his head on his knees and laughed some more. Finally he rose and held out a hand to me, wiping his eyes with the other.
"You're no verra sensible, Sassenach, but I like ye fine. Let's go.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
One hand was behind his back, and he held it out, presenting a bouquet of white and smoky purple lilies.
“They’re straight from the underworld, by the way. They are everlasting. They won’t die.
”
”
Jess C. Scott (The Devilin Fey (Naked Heat #1))
“
i worried he'd let go, but he didn't. We held hands like this the whole rest of the way home.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word.
He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free.
His hand was shaking as he held it out. "It's messy."
Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU
Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.
"Maybe you can't read it," he said in a small voice. "I can do it over."
She shook her head. "I can read it just fine. It's… beautiful."
"I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
He possessed the power. He held it in his hand. A power stronger than the power of money or the power of terror or the power of death: the invincible power to command the love of mankind. There was only one thing that power could not do: it could not make him able to smell himself.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Ethan: I love you, I whispered in her ear.
She held my face in her hands and leaned back so she could look at me.
Lena: I don't think I could ever love anything the way I love you.
”
”
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
“
Liar. You've loved me since I held your hand at your mother's memorial service when you were five years old.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
I believe
in love at first sight
but I will always believe
that the people
we love
we have loved before.
Many, many, many times before
and when we stumble
through grace and circumstance
and that brilliant illusion of choice
to finally meet them again,
we feel it faster
each time through.
The one glance
that set life alight
is two sets of two eyes
staring through the layers
of lifetimes and stolen glances
and first kisses and hands held;
the brace against the weight
and unrelenting tide
of waiting.
I believe
in love at first sight
but am not burdened with the misconception
that it's a first sight
at all.
”
”
Tyler Knott Gregson
“
Gravitation cannot be held responsible for people falling in love. How on earth can you explain in terms of chemistry and physics so important a biological phenomenon as first love? Put your hand on a stove for a minute and it seems like an hour. Sit with that special girl for an hour and it seems like a minute. That's relativity.
”
”
Albert Einstein
“
Once you’ve held a book and really loved it, you forever remember the feel of it, its specific weight, the way it sits in your hand.
”
”
Erika Swyler (The Book of Speculation)
“
It's just that the thing you never understand about being a mother, until you are one, is that it is not the grown man - the galumphing, unshaven, stinking, opinionated off-spring - you see before you, with his parking tickets and unpolished shoes and complicated love life. You see all the people he has ever been all rolled up into one.
I look at him and see the baby I held in my arms, dewing besotted, unable to believe that I'd created another human being. I see the toddler, reaching for my hand, the schoolboy weeping tears of fury after being bullied by some other child. I saw the vulnerabilities, the love, the history.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
Can I see it?"
She knew what he meant, and had held up her hands before her.
Ribbons and plumes and flowers of red and gold fire danced through his room, bright and glorious and elegant.
Chaol's eyes had been lined with silver when the flames winked out. "it's lovely," he said at last.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Isi, I’m trying to say that you’ve been… no, you’re so, you’re–” He stopped.
"You are,” he said. His hand found hers, and he held her finger tightly, as though he did not dare to do any more than hold her one hand, and look at her, and breathe deeply.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar (...)
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
My knees were weak but he held me with one hand, guiding me with the motion of his hips. I was completely his to do with what he wanted and he knew it.
”
”
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
“
I choose to believe that I owe my very
life to you--ay--smile, and think it an exaggeration if you will.
I believe it, because it adds a value to that life to think--oh,
Miss Hale!' continued he, lowering his voice to such a tender
intensity of passion that she shivered and trembled before him,
'to think circumstance so wrought, that whenever I exult in
existence henceforward, I may say to myself, "All this gladness
in life, all honest pride in doing my work in the world, all this
keen sense of being, I owe to her!" And it doubles the gladness,
it makes the pride glow, it sharpens the sense of existence till
I hardly know if it is pain or pleasure, to think that I owe it
to one--nay, you must, you shall hear'--said he, stepping
forwards with stern determination--'to one whom I love, as I do
not believe man ever loved woman before.' He held her hand tight
in his. He panted as he listened for what should come.
”
”
Elizabeth Gaskell (North and South)
“
This is where you belong, Calla.” He pulled me closer, tilting my chin up. “Be with me. Tell me it’s what you want.”
I couldn’t tear my eyes from his. “What I want?”
“Yes. Anything, everything you need, I’ll give you. Always. I promise. Just tell me one thing.”
“What?”
“That you want this, us.” His voice dropped so low I could barely hear him. “That someday you’ll love me.”
My hands began to tremble where they rested around his neck. “Ren, you know we’re going to be together. We’ve both known that for a long time.”
He gave me a hard look. “That’s not what I’m talking about.”
“Why are you asking me this?” I tried to pull back, but he held me against him.
The glimmer of a smile appeared on his lips. “Why not?”
My temper flared. “Are you trying to say that you love me?”
I meant it as a challenge rather than a serious question, but his eyes seemed to catch fire.
“What do you think?” He touched his lips to mine, softly at first, gradually building pressure, parting them.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
And isn't the whole world yours? For how often you set it on fire with your love and saw it blaze and burn up and secretly replaced it with another world while everyone slept. You felt in such complete harmony with God, when every morning you asked him for a new earth, so that all the ones he had made could have their turn. You thought it would be shabby to save them and repair them; you used them up and held out your hands, again and again, for more world. For your love was equal to everything.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
Her hands crept around his neck, tangling in his hair to keep him closer, even though she knew that beautiful boys with expiration dates couldn't be held, only borrowed for a time.
”
”
Martina Boone
“
Yet losing him seemed unbearable. He was the one she loved, the one she would always love, and as he leaned in to kiss her, she gave herself over to him. While he held her close, she ran her hands over his shoulders and back, feeling the strength in his arms. She knew he’d wanted more in their relationship than she’d been willing to offer, but here and now, she suddenly knew she had no other choice. There was only this moment, and it was theirs.
”
”
Nicholas Sparks (The Last Song)
“
You are brave and loyal and true. You have such a good heart." He held my hand close to his chest and covered it with his other hand. "It is only afraid. But I would take such good care of it, love, if you would give it to me.
”
”
Julianne Donaldson (Blackmoore)
“
You must know that I do not love and that I love you,
because everything alive has its two sides;
a word is one wing of silence,
fire has its cold half.
I love you in order to begin to love you,
to start infinity again
and never to stop loving you:
that’s why I do not love you yet.
I love you, and I do not love you, as if I held
keys in my hand: to a future of joy-
a wretched, muddled fate-
My love has two lives, in order to love you.
-Sonnet XLIV
”
”
Pablo Neruda
“
Miki held up a tennis ball, looked at Sara’s new Pack, and tossed it out into the forest away from the ongoing rave. They all watched it go, then they turned back to Miki.
“Okay. Go…”
Sara and Angelina slapped their hands over their friend’s mouth before the word “fetch” could come out of it.
They pulled her over to one of the food tables.
“Are you out of your ever-loving mind?! Everyone here but us is like Sara.” Angelina snapped.
“And after seeing them in action I’d rather not fuck with them!”
Miki gave that innocent smile. “It was just a little experiment.
”
”
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
When two souls fall in love, there is nothing else but the yearning to be close to the other. The presence that is felt through a hand held, a voice heard, or a smile seen.
Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another.
This is the reason why you miss someone so much when they are not there—even if they are only in the very next room. Your soul only feels their absence—it doesn't realize the separation is temporary.
”
”
Lang Leav (Love & Misadventure)
“
He pulled her back, off balance so that she fell against him, and he took her face in his two hands and held it very still while his eyes looked down into hers. Somber, truthful, painfully honest. "I love you, Chloe," he said. "Which is the most dangerous thing I could do.
”
”
Anne Stuart (Black Ice (Ice, #1))
“
Have you ever really held the hand of someone you love? Not just in passing, a loose link between you - but truly clasped, with the pulses of your wrists beating together and your fingers mapping the knuckles and nails like a cartographer learning a country by heart?
”
”
Jodi Picoult (Salem Falls)
“
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again.
I stood frozen, my back against the door. Even though he was faint, I could see him smirk.
“Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’”
“You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—”
All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.”
My heart was still hammering. “Then what the heck are you?”
Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’”
“Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall.
“No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Noah held my hand and my bag as he escorted me to the third floor - the Women's Pavilion. The elevator bell rang and the doors opened.
"Jesus, Echo, circulation in my hand would be a good thing," said Noah.
"Sorry." I tried to let go, but Noah kept his fingers linked with mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
Can I tell you a boring science fact?" she whispered. "I bet you didn't learn it in Shadowhunter history class."
"If you're trying to distract me from talking about my feelings, you're not being very subtle about it." He touched her face. "You know I make speeches. It's okay. You don't have to make them back. Just tell me you love me,"
"I'm not trying to distract you." She held up her hand and wiggles the fingers. "There are a hundred trillion cells in the human body," she said. "And every single one of the cells of my body loves you. We shed cells, and grow new ones, and my new cells love you more than the old ones, which is why I love you more every day than I did before. It's science. And when I die and they burn my body and I become ashes that mix with the air, and part of the ground and the trees and the stars, everyone who breathes air of sees the flowers that grow out of the ground or looks up at the stars will remember you and love you, because I love you that much," She smiled. "How was that for a speech?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
But why me?
Because, idiot, you... are funny and smart and you have a giant heart that you can't even pretend to hide. And you love your friends and your mum, and you held my hand and made me sing when I was so scared I thought I was going to die. I knew you understood, right from the beginning, this thing inside, the stuff in your head that you need to make real. You get that.... And you wear stupid Superman pyjamas without any irony, and your face lights up when you talk about the movies you love.... And... you protect my dwarf. You always have her back. And you have a dimple when you smile that's so cute I almost died the first time I saw it.
”
”
Melissa Keil (Life in Outer Space)
“
We stood, separated by space, certainly, in identical conditions of pleasant uncertainty and anticipation, and we both held our hearts in our hands, all pink and palpitating and ready for pleasure and pain, and we were about to throw these hearts in each other's face like snowballs, or cricket balls (How's that?) or, more accurately, like great bleeding wounds: 'Take my wound.
”
”
Doris Lessing
“
Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.
”
”
Jim Butcher (Fool Moon (The Dresden Files, #2))
“
Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs."
So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies.
So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne.
"I tell you what," I said, "I'll call it 'The Children's Crusade.'"
She was my friend after that.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model”
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
”
”
Sarah Kay
“
Ian didn't come. He just sat here with you--he said he didn't care what you looked like. He wouldn't let anyone else put a finger on your tank at all, not even me or Mel. But Doc let me watch this time. It was way cool, Wanda. I don't know why you wouldn't let me watch before. They wouldn't let me help, though. Ian wouldn't let anyone touch you but him.' Ian squeezed my hand and leaned in to whisper through all the hair. His voice was so low that I was the only one who could hear. 'I held you in my hand, Wanderer. And you were so beautiful.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
I should have known what you would do,” Jem said in a low voice. “I always know what you will do. I should have known you would put your hands into the fire.”
“And I should have known you would throw that packet away,” said Will, without rancor. “It was—it was a madly noble thing to do. I understand why you did it.”
“I was thinking of Tessa.” Jem drew his knees up and rested his chin on them, then laughed softly. “Madly noble. Isn’t that meant to be your area of expertise? Suddenly I am the one who does ridiculous things and you tell me to stop?”
“God,” said Will. “When did we change places?”
The firelight played over Jem’s face and hair as he shook his head. “It is a very strange thing, to be in love,” he said. “It changes you.”
Will looked down at Jem, and what he felt, more than jealousy, more than anything else, was a wistful desire to commiserate with his best friend, to speak of the feelings he held in his heart. For were they not the same feelings? Did they not love the same way, the same person? But, “I wish you wouldn’t risk yourself,” was all he said.
Jem stood up. “I have always wished that about you.”
Will raised his eyes, so drowsy with sleep and the tiredness that came with healing runes that he could see Jem only as a haloed figure of light. “Are you going?”
“Yes, to sleep.” Jem touched his fingers lightly to Will’s healing hands. “Let yourself rest, Will.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Will gave a short, disbelieving laugh. "It's true," he said. "I am no hero."
"No," Tessa said. "You are a person, just like me." His eyes searched her face, mystified; she held his hand tighter, lacing her fingers with his. "Don't you see, Will? You're a person like me. You are like me. You say the things I think but never say out loud. You read the books I read. You love the poetry I love. You make me laugh with your ridiculous songs and the way you see the truth of everything. I feel like you can look inside me and see all the places I am odd or unusual and fit your heart around them. For you are odd and unusual in the same way." With the hand that was not holding his, she touched his cheek, lightly. "We are the same."
Will's eyes fluttered closed; she felt his lashes against her fingertips. When he spoke again, his voice was ragged but controlled. "Don't say those things, Tessa. Don't say them."
"Why not?"
"You said I am a good man," he said. "But I am not that good a man. And I am—I am catastrophically in love with you.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
I keep my kindness in my eyes
Gently folded around my iris
Like a velvety, brown blanket
That warms my vision
I keep my shyness in my hair
Tucked away into a ponytail
Looking for a chance to escape
On a few loose strands in the air
I keep my anger on my lips
Just waiting to unleash into the world
But trust me; it’s never in my heart
It evaporates into words
I keep my dignity upon my chin
Like a torch held up high
For those who have betrayed me
Radiating a silent, strong message
I keep my gratitude in my smile
A glistening waterfall in the sun
Gently splashing at that person
Who made me happy for some reason
I keep my sensitivity in my hands
Reaching out for your wet cheek
Holding you, with all the love
The love I want to share, and feel
I keep my passion in my writing
My words breathing like fire
Screeching against an endless road
As I continue to be inspired
I keep my simplicity in my soul
Spread over me like a clear sky
Reflecting all that I am
And all that’s ever passed me by
And I hope you will look
Beyond my ordinary face
My simple, tied hair
My ordinary tastes
And I hope you will see me
From everyone...apart
As I keep my beauty
in my heart.
”
”
Sanober Khan
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I had an amazing feeling when I finally held the tape in my hand. I just thought to myself that in the palm of my hand, there was this one tape that had all these memories and feelings and great joy and sadness. Right there in the palm of my hand. And I thought about how many people have loved those songs, And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs, I bed if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
To exemplify that particular situation, we can look to a cool day in late June. Rudy, to put it mildly, was incensed. Who did Liesel Meminger think she was, telling him she had to take the washing and ironing alone today? Wasn’t he good enough to walk the streets with her?
“Stop complaining, Saukerl,” she reprimanded him. “I just feel bad. You’re missing the game.”
He looked over his shoulder.
“Well, if you put it like that.” There was a Schmunzel. “You can stick your washing.”
He ran off and wasted no time joining a team. When Liesel made it to the top of Himmel Street, she looked back just in time to see him standing in front of the nearest makeshift goals. He was waving.
“Saukerl,” she laughed, and as she held up her hand, she knew completely that he was simultaneously calling her a Saumensch. I think that’s as close to love as eleven-year-olds can get.
”
”
Markus Zusak (The Book Thief)
“
The two of them on top of the freezing slide, wordlessly holding hands. Once again they were a ten-year-old boy and girl. A lonely boy, and a lonely girl. A classroom, just after school let out, at the beginning of winter. They had neither the power nor the knowledge to know what they should offer to each other, what they should be seeking. They had never, ever, been truly loved, or truly loved someone else. They had never held anyone, never been held. They had not idea, either, where this action would take them. What they entered then was a doorless room. They couldn't get out, nor could anyone else come in. The two of them didn't know it at the time, but this was the only truly complete place in the entire world. Totally isolated, yet the one place not tainted with loneliness.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.”
Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?”
“Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.”
“Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?”
“One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.”
He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.”
“I already feel that way,” I said quietly.
Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.”
I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
The bed we loved in was a spinning world
of forests, castles, torchlight, clifftops, seas
where we would dive for pearls. My lover’s words
were shooting stars which fell to earth as kisses
on these lips; my body now a softer rhyme
to his, now echo, assonance; his touch
a verb dancing in the centre of a noun.
Some nights, I dreamed he’d written me, the bed
a page beneath his writer’s hands. Romance
and drama played by touch, by scent, by taste.
In the other bed, the best, our guests dozed on,
dribbling their prose. My living laughing love -
I hold him in the casket of my widow’s head
as he held me upon that next best bed.
- Anne Hathaway
”
”
Carol Ann Duffy (The World's Wife)
“
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
”
”
Lise McClendon
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
Sad Songs
Once there was a boy who couldn't speak but owned a music box that held every song in all the world. One day he met a girl who had never heard a single melody in her entire life and so he played her his favorite song. He watched while her face lit up with wonder as the music filled the sky and the poetry of lyrics moved her in a way she had never felt before.
He would play his songs for her day after day and she would sit by him quietly—never seeming to mind that he could only speak to her through song. She loved everything he played for her, but of them all—she loved the sad songs best. So he began to play them more and more until eventually, sad songs were all she would hear.
One day, he noticed it had been a very long time since her last smile. When he asked her why, she took both his hands in hers and kissed them warmly. She thanked him for his gift of music and poetry but above all else—for showing her sadness because she had known neither of these things before him. But it was now time for her to go away—to find someone who could show her what happiness was.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Do you remember the song that was playing the night we met?
No, but I remember every song I have heard since you left.
”
”
Lang Leav (Love & Misadventure)
“
I pushed passed him. He grabbed my hand and swung me back towards him. Then he pushed me against the wall and... he kissed me.
He ran his thumb along my jawline and down my throat, hips pinning me to the wall. He kissed me slowly and with intensity, and once I got over the mind-numbing shock and comprehended what was actually happening, it was incredible. I had never been kissed like that before. We melted together. Every movement of mine was somehow perfectly mirrored by his. My heart was pounding so hard I knew he must be able to feel it and I was sure my legs were giving way, but he held me up, pushed me harder against the wall.
I grabbed a handful of his hair, remembering all the times I'd dreamed of doing it. I let my hand drift down his back and pulled him even closer to me. It all happened so quickly. I heard him make a low kind of growl and lean into me. His hand slid down my leg behind my knee, drawing it to him. I moaned and felt him tense.
”
”
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
“
Sylvie's sort of pregnant. Well not sort of. She is. Pregnant. Actually pregnant with a baby.'
'Oh Dexter! Do you know the father? I'm kidding! Congratulations, Dex. God, aren't you meant to space your bombshells out a bit. Not just drop them all at once?'
She held his face in both hands, looked at it.
'You're getting married?-'
'Yes'
-'And you're going to be a father?'
'I know! Fuck me a father!'
'Is that allowed? I mean will they let you?'
'Apparently'
'I think it's wonderful. Fucking hell, Dexter, I turn my back for one minute...!'
She hugged him once again her arms high round his neck. She felt drunk, full of affection and a certain sadness too, as if something was coming to an end. She wanted to say something along these lines, but thought it best to do this through a joke.
'Of course you've destroyed any chance I had of future happiness, but I'm delighted for you, really.
”
”
David Nicholls (One Day)
“
I love you.” My heart almost stopped beating in my chest.
She hadn’t spoken those words since the last time I held her in my arms.
“And you did leave me. But... but you came back. No one’s ever come back. They leave me and that’s it. They want to leave me. You didn’t. And you came back.” I wanted to stand up and reach across the table and jerk her into my arms but I wasn’t sure I could stand up just yet. I needed to hear everything she had to say.
“Yes, I came back. My heart never left you.”
“I miss you.”
This time I stood up and walked around the table.
“I miss you. Every second of every day,” I whispered. Her eyes followed me until I was inches from her.
“I trust you.”
I needed more than that.
“You trust me,” I repeated.
She nodded and her hand came up and caressed the side of my arm.
“I want to try again.”
Those were the words I needed to hear.
”
”
Abbi Glines (Because of Low (Sea Breeze, #2))
“
[T.J.] Without thinking, I held them out to her. She stopped laughing, and looked at me like she wasn't quite sure what I meant. I waited, and she leaned toward me and opened her mouth. I slid my fingers inside, wondering if my eyes were as big as hers. When she sucked the breadfruit off, my breathing got all messed up.
"More?"
She nodded, just barely, and her breathing didn't sound right either. I scooped up some breadfruit and this time, when I put my fingers in her mouth, she put her hand on my wrist.
I waited for her to swallow and then I lost my shit completely.
I grabbed her face with both hands, and I kissed her, hard. She opened her mouth and I slipped my tongue inside. I could have kissed her for days, and if she told me to stop I wasn't sure I'd be able to.
”
”
Tracey Garvis Graves (On the Island (On the Island, #1))
“
We gather here today,” said Robert, reaching out his arms expansively, “to honor my son, Alexander Gideon Lightwood, who has single-handedly destroyed the forces of the Endarkened and who defeated in battle the son of Valentine Morgenstern. Alec saved the life of our third son, Max. Along with his parabatai, Jace Herondale, I am proud to say that my son is one of the greatest warriors I have ever known.” He turned and smiled at Alec and Magnus. “It takes more than a strong arm to make a great warrior,” he went on. “It takes a great mind and a great heart. My son has both. He is strong in courage, and strong in love. Which is why I also wanted to share our other good news with you. As of yesterday, my son became engaged to be married to his partner, Magnus Bane—”
A chorus of cheers broke out. Magnus accepted them with a modest wave of his fork. Alec slid down in his chair, his cheeks burning. Jace looked at him meditatively.
“Congratulations,” he said. “I kind of feel like I missed an opportunity.”
“W-what?” Alec stammered.
Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.”
“What?” Alec said again.
Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could ...” She gestured between Jace and Alec. “It would be kind of hot.”
“No,” Magnus said. “I am a very jealous warlock.”
“We’re parabatai,” Alec said, regaining his voice. “The Clave would—I mean—it’s illegal.”
“Oh, come on,” said Jace. “The Clave would let you do anything you wanted. Look, everyone loves you.” He gestured out at the room full of Shadowhunters. They were all cheering as Robert spoke, some of them wiping away tears. A girl at one of the smaller tables held up a sign that said, ALEC LIGHTWOOD, WE LOVE YOU.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
My mother, who would always buy her books new, hated it the vintage hardcovers with their cracked spines and threadbare cloth covers. True you couldn't go in there and buy the latest best seller, but when you held one of those volumes in your hands, you were leafing through another person'a life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after that last chapter. The scent was distinctive: a slight damp mildew, a punch of dust. To me, it was the smell of history.
”
”
Jodi Picoult (The Storyteller)
“
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been.
The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it.
Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire.
Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand.
They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Then she laughed for real, and put her hands around my neck. 'I am never, ever going to make things easy for you Seaweed Brain. Get used to it.'
When she kissed me, I had the feeling my brain was melting right through my body.
I could've stayed that way forever, except a voice behind us growled, 'Well it's about time!'
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
'Oh, come on!' I complained. 'Is there no privacy?'
'The lovebirds need to cool off!' Clarisse said with glee.
'The canoe lake!' Conner Stoll shouted.
With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red.
We held hands right up to the moment they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Why do you think I shoved you away? Why do you think I wouldn't speak to you?" She put a hand on her aching chest. "After my father died, after I failed in so many ways- denying myself of you..." She sobbed. "It was my punishment. Don't you understand that?" She could barely see him through her tears. "From the moment I met you, I wanted you more than reason. From the moment I saw you in my house, you were all I could think about. And it terrified me. No one had ever held such power over me. And I am still terrified that if I let myself have you... it will be taken away. Someone will take it away, and if you're dead..." She buried her face in her hands. "It doesn't matter," she whispered. "I do not deserve you, and I never, ever will.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
That's when Sam grabbed my hand. "I love this song!" She led me to the dance floor. And she started dancing. And I started dancing. It was a fast song, so I wasn't very good, but she didn't seem to mind. We were just dancing, and that was enough. The song ended, and then a slow one came on. She looked at me. I looked at her. Then, she took my hands and pulled me in to dance slow. I don't know how to dance slow very well either, but I do know how to sway. Her whisper smelled like cranberry juice and vodka. "I looked for you in the parking lot today." I hoped mine still smelled like toothpaste. "I was looking for you, too." Then, we were quiet for the rest of the song. She held me a little closer. I held her a little closer. And we kept dancing. It was the one time all day that I really wanted the clock to stop. And just be there for a long time.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
I think she's afraid to even hug me now. It's my fault, but I miss it, Andrew. I miss it so much it aches sometimes, you know?'
I do know. I do know, I want to tell him, but I let him talk. And he does, with a gut-wrenching honesty that tears at my heart.
'I want to be held. Is that so wrong? I want to be held, and stroked. I want to know that someone loves me. I want to feel it on my skin.' He looks at the ceiling and exhales, then meets my eyes again. 'But nobody touches me anymore. Not even when I have a fever. Mom just hands me a thermometer now.' He drops his eyes and his ears redden. 'Even when you kiss me, you don't touch me. It's like I'm a leper or something. I can hardly keep my hands off of you, but it's not the same for you, is it?
”
”
J.H. Trumble (Where You Are)
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
She felt as if she had been crying without end for minutes now.
Yet this parting, this final farewell ...
Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other.
“I love you both,” she whispered. “And no matter what may happen, no matter how far we may be, that will never change.”
“We will see you again,” Chaol said, but even his voice was thick with tears.
“Together,” Dorian breathed, shaking. “We’ll rebuild this world together.”
She couldn’t stand it, this ache in her chest. But she made herself pull away and smile at their tear-streaked faces, a hand on her heart. “Thank you for all you
have done for me.”
Dorian bowed his head. “Those are words I’d never thought I’d hear from you.”
She barked a rasping laugh, and gave him a shove. “You’re a king now. Such
insults are beneath you.”
He grinned, wiping at his face.
Aelin smiled at Chaol, at his wife waiting beyond him. “I wish you every happiness,” she said to him. To them both.
Such light shone in Chaol’s bronze eyes—that she had never seen before.
“We will see each other again,” he repeated.
Then he and Dorian turned toward their horses, toward the bright day beyond the castle gates. Toward their kingdom to the south. Shattered now, but not forever.
Not forever.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
”
”
Comte de Lautréamont (Maldoror and the Complete Works)
“
Dear Josh,
Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always
just right. It made sense. You were my home. When I was with you I knew everything would be okay.
You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was
falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet.
Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I
never doubted my worth because you taught me I was worthy.
When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for
another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He
doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me
would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll
always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart
always.
Love,
Your Eva Blue
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
We’ll find that place, then,” he said quietly.
“What?” Her brows narrowed.
“I’ll go with you.” And though he hadn’t asked, they both knew those words held a question. He tried not to think of what she’d said last night—of the shame she’d felt holding him when he was a son of Adarlan and she was a daughter of Terrasen.
“What about being Captain of the Guard?”
“Perhaps my duties aren’t what I expected them to be.” The king kept things from him; there were so many secrets, and perhaps he was little more than a puppet, part of the illusion that he was starting to see through …
“You love your country,” she said. “I can’t let you give all that up.” He caught the glimmer of pain and hope in her eyes, and before he knew what he was doing, he’d closed the distance between them, one hand on her waist and the other on her shoulder.
“I would be the greatest fool in the world to let you go alone.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Two thousand years later, John’s call remains a wilderness call, a cry from the margins. Because we religious types are really good at building walls and retreating to temples. We’re good at making mountains out of our ideologies, obstructions out of our theologies, and hills out of our screwed-up notions of who’s in and who’s out, who’s worthy and who’s unworthy. We’re good at getting in the way. Perhaps we’re afraid that if we move, God might use people and methods we don’t approve of, that rules will be broken and theologies questioned. Perhaps we’re afraid that if we get out of the way, this grace thing might get out of hand. Well, guess what? It already has. Grace got out of hand the moment the God of the universe hung on a Roman cross and with outstretched hands looked out upon those who had hung him there and declared, “Father, forgive them, for they know not what they do.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
One of the secrets of life is to find joy in the journey."
But Grandma, you weren't on *this* journey. It was just crazy--"
Grandma held up her hand. "You have six brothers. You got to spend a whole day in the car with them. You're all healthy, well fed, happy... Someday, when you're a little older, I'll bet you'd give anything to be back in that van of yours with all of your brothers, smelly diapers and all."
I mulled that over.
Well what about Dad?" I pointed out. "He didn't find any joy in the journey. He was yelling at trees."
Grandma sat back, "Your father and mother are masters at finding joy in the journey."
I didn't understand.
Grandma continued, "Do you really think your parents would have had seven kids if they couldn't find joy in the journey?... I would be willing to wager that he'll be laughing about this trip on Monday morning with his friends at work."
Grandma took my hands into hers. "There are a lot of people in this life that will try to convince you that they're selling something that will bring you joy. The simple fact of the matter is that *things* don't bring you joy. You have to find joy in life experience. And if you take along somebody you love, then that journey is going to be all the more enjoyable.
I can promise you right now that both good and bad things are going to happen to you in your life. Good and bad things happen to everybody. Some people are good at finding the miserable things in life, and some are good at finding the joy. No matter what happens to you, what you remember is up to you.
”
”
Matthew Buckley (Chickens in the Headlights)
“
catalyst, n.
It surprised me — surprises me still — that you were the first one to say it.
I was innocent, in a way, expecting those three words to appear boldface with music. But instead, it was such an ordinary moment: The movie
was over, and I stood up to turn off the TV. A few minutes had passed from the end of the final credits, and we’d been sitting there on the couch,
your legs over mine, the side of your hand touching the side of my hand. The video stopped and the screen turned blue. “I’ll get it,” I said, and was
halfway to the television when you said, “I love you.”
I never asked, but I’ll always wonder: What was it about that moment that made you realize it? Or, if you’d known it for awhile, what compelled
you to say it then? It was welcome, so welcome, and in my rush to say that I loved you, too, I left the television on, I let that light bathe us for a little
longer, as I returned to the couch, to you. We held there for awhile, not really sure what would happen next.
”
”
David Levithan (The Lover's Dictionary)
“
So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right?
[Will nods]
Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
”
”
Robin Williams
“
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her.
So I did the opposite.
I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately.
She gazed up at me, wide-eyed but wary.
That hurt.
I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine.
"I'm sorry," I whispered.
"It's okay," Ellie's voice was hoarse with emotion. "You came back."
And because life was too short... "I love you, Ellie Carmichael. You're going to get through this."
I heard her hitch on a sob. "I love you too, Joss.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?”
They were silent. Samuel looked at Lindsey.
“Buckley,” my father called from the adjoining room, “come play Monopoly with me.”
My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.
“See this shoe?” my father said.
Buckley nodded his head.
“I want you to listen to everything I say about it, okay?”
“Susie?” my brother asked, somehow connecting the two.
“Yes, I’m going to tell you where Susie is.”
I began to cry up in heaven. What else was there for me to do?
“This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.”
“Is that a dog?”
“Yes, that’s a Scottie.”
“Mine!”
“Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?”
“The shoe?” Buckley asked.
“Right, and I’m the car, your sister’s the iron, and your mother is the cannon.”
My brother concentrated very hard.
“Now let’s put all the pieces on the board, okay? You go ahead and do it for me.”
Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.
“Let’s say the other pieces are our friends?”
“Like Nate?”
“Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?”
“They can’t play anymore?”
“Right.”
“Why?” Buckley asked.
He looked up at my father; my father flinched.
“Why?” my brother asked again.
My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back.
“Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?”
Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.
My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand.
Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
”
”
Alice Sebold (The Lovely Bones)
“
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath.
There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily.
Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides.
I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection.
Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back.
I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
”
”
Tom Stoppard (The Real Thing)
“
Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones
than go back on any of the words I said
so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say
your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding.
You are fireproof, lionheart and now I am, too.
”
”
Tashie Bhuiyan (Counting Down with You)
“
This poem is very long
So long, in fact, that your attention span
May be stretched to its very limits
But that’s okay
It’s what’s so special about poetry
See, poetry takes time
We live in a time
Call it our culture or society
It doesn’t matter to me cause neither one rhymes
A time where most people don’t want to listen
Our throats wait like matchsticks waiting to catch fire
Waiting until we can speak
No patience to listen
But this poem is long
It’s so long, in fact, that during the time of this poem
You could’ve done any number of other wonderful things
You could’ve called your father
Call your father
You could be writing a postcard right now
Write a postcard
When was the last time you wrote a postcard?
You could be outside
You’re probably not too far away from a sunrise or a sunset
Watch the sun rise
Maybe you could’ve written your own poem
A better poem
You could have played a tune or sung a song
You could have met your neighbor
And memorized their name
Memorize the name of your neighbor
You could’ve drawn a picture
(Or, at least, colored one in)
You could’ve started a book
Or finished a prayer
You could’ve talked to God
Pray
When was the last time you prayed?
Really prayed?
This is a long poem
So long, in fact, that you’ve already spent a minute with it
When was the last time you hugged a friend for a minute?
Or told them that you love them?
Tell your friends you love them
…no, I mean it, tell them
Say, I love you
Say, you make life worth living
Because that, is what friends do
Of all of the wonderful things that you could’ve done
During this very, very long poem
You could have connected
Maybe you are connecting
Maybe we’re connecting
See, I believe that the only things that really matter
In the grand scheme of life are God and people
And if people are made in the image of God
Then when you spend your time with people
It’s never wasted
And in this very long poem
I’m trying to let a poem do what a poem does:
Make things simpler
We don’t need poems to make things more complicated
We have each other for that
We need poems to remind ourselves of the things that really matter
To take time
A long time
To be alive for the sake of someone else for a single moment
Or for many moments
Cause we need each other
To hold the hands of a broken person
All you have to do is meet a person
Shake their hand
Look in their eyes
They are you
We are all broken together
But these shattered pieces of our existence don’t have to be a mess
We just have to care enough to hold our tongues sometimes
To sit and listen to a very long poem
A story of a life
The joy of a friend and the grief of friend
To hold and be held
And be quiet
So, pray
Write a postcard
Call your parents and forgive them and then thank them
Turn off the TV
Create art as best as you can
Share as much as possible, especially money
Tell someone about a very long poem you once heard
And how afterward it brought you to them
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Her room was warm and lightsome. A huge doll sat with her legs apart in the copious easy-chair beside the bed. He tried to bid his tongue speak that he might seem at ease, watching her as she undid her gown, noting the proud conscious movements of her perfumed head.
As he stood silent in the middle of the room she came over to him and embraced him gaily and gravely. Her round arms held him firmly to her and he, seeing her face lifted to him in serious calm and feeling the warm calm rise and fall of her breast, all but burst into hysterical weeping. Tears of joy and relief shone in his delighted eyes and his lips parted though they would not speak.
She passed her tinkling hand through his hair, calling him a little rascal.
—Give me a kiss, she said.
His lips would not bend to kiss her. He wanted to be held firmly in her arms, to be caressed slowly, slowly, slowly. In her arms he felt that he had suddenly become strong and fearless and sure of himself. But his lips would not bend to kiss her.
With a sudden movement she bowed his head and joined her lips to his and he read the meaning of her movements in her frank uplifted eyes. It was too much for him. He closed his eyes, surrendering himself to her, body and mind, conscious of nothing in the world but the dark pressure of her softly parting lips. They pressed upon his brain as upon his lips as though they were the vehicle of a vague speech; and between them he felt an unknown and timid pressure, darker than the swoon of sin, softer than sound or odour.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
Imagine how differently you might approach each day by simply stating: God is good. God is good to me. God is good at being God. And today is yet another page in our great love story. Nothing that happens to you today will change that or even alter it in the slightest way. Lift your hands, heart, and soul, and receive that truth as you pray this prayer: My whole life I’ve searched for a love to satisfy the deepest longings within me to be known, treasured, and wholly accepted. When You created me, Lord, Your very first thought of me made Your heart explode with a love that set You in pursuit of me. Your love for me was so great that You, the God of the whole universe, went on a personal quest to woo me, adore me, and finally grab hold of me with the whisper, “I will never let you go.” Lord, I release my grip on all the things I was holding on to, preventing me from returning Your passionate embrace. I want nothing to hold me but You. So, with breathless wonder, I give You all my faith, all my hope, and all my love. I picture myself carrying the old, torn-out boards that inadequately propped me up and placing them in a pile. This pile contains other things I can remove from me now that my new intimacy-based identity is established. I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
”
”
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.
One day the two came upon each other on the corner of a street.
“This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”
“And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”
They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.
As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?
And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”
“Yes,” she said, “that is exactly what we should do.”
And so they parted, she to the east, and he to the west.
The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.
One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.
They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.
Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.
One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:
She is the 100% perfect girl for me.
He is the 100% perfect boy for me.
But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.
A sad story, don’t you think?
”
”
Haruki Murakami (The Elephant Vanishes)
“
By the following morning, Anthony was drunk. By afternoon, he was hungover.
His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him
in such a state at
their club, were talking far too loudly.
Anthony put his hands over his ears and groaned.Everyone was talking far too loudly.
“Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle
their table and
splitting it open with a viciously loud crack.
Anthony lifted his head just far enough to glare at him.
Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted
him out,” he said to Colin. “Hand me one of those walnuts, will you?”
Colin tossed one across the table. “Do you want the crackers as well?”
Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to
smash them.”
“Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.”
“Ears a bit sensitive this afternoon, are they?”
If Anthony had had a pistol, he would have shot them both, hang the noise.
“If I might offer you a piece of advice?” Colin said, munching on his walnut.
“You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had
been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was
displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered.
Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did,
apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—”
“What the hell is he talking about?” Anthony grumbled.
“I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.”
“Just so!” Colin exclaimed.
Anthony just shook his head wearily. “It’s more complicated than you think.”
“It always is,” Benedict said, with sincerity so false it almost managed to sound sincere.
“When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you
may presume to
offer me advice. But until then ...shut up.”
Colin looked at Benedict. “Think he’s angry?”
Benedict quirked a brow. “That or drunk.”
Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.”
“Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.”
Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle
finger. “God above,”
he muttered. ‘‘What would it take to get you two to leave me alone?”
“Go home, Anthony,” Benedict said, his voice surprisingly gentle.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
”
”
Robert G. Ingersoll
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))