Heels Lover Quotes

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You have had me spinning for days, for I am drunk off the words that flow endlessly from your deep red lips that taste of wine.
Karen Quan (Write like no one is reading 2)
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
I love these geese. They make my chest tight and full and help me believe that things will be all right again, that I will pass through this time as I have passed through other times, that the vast and threatening blank ahead of me is a mere specter, that life is lighter and more playful than I’m giving it credit for. But right on the heels of that feeling, that suspicion that all is not yet lost, comes the urge to tell my mother, tell her that I am okay today, that I have felt something close to happiness, that I might still be capable of feeling happy. She will want to know that. But I can't tell her. That's the wall I always slam into on a good morning like this. My mother will be worrying about me, and I can't tell her that I'm okay. The geese don't care that I'm crying again. They're used to it.
Lily King (Writers & Lovers)
First impression is not the last reflection of a true friend, so if you are head over heels for someone who just bought you a cake, you'd better think twice before devouring your misery.
Michael Bassey Johnson
I'm going to fall in love with him. I'm going to be head over heels and my stomach is going to hurt every time he walks into a room. I'm going to worry about him whenever he isn't there, and there are going to be times where I'll hate him. Because that's what love is. It's a kaleidoscope of emotions, all sorts of different colors blending together into one.
C.M. Stunich (Losing Me, Finding You (Triple M, #1))
He obviously wanted to leave on a snappy comeback, but couldn’t think of one. I suppose he wasn’t ever called on to produce them in the ordinary course of things. After a moment of struggle, he just scowled and stalked out. I’m delighted to report my repaired door slammed shut on his heels beautifully.
Naomi Novik (A Deadly Education (The Scholomance, #1))
The bitch-goddess, as she is called, of Success, roamed, snarling and protective, round the half-humble, half-defiant Michaelis’ heels, and intimidated Clifford completely: for he wanted to prostitute himself to the bitchgoddess, Success also, if only she would have him.
D.H. Lawrence (Lady Chatterley’s Lover: Unexpurgated edition)
But right on the heels of that feeling, that suspicion that all is not yet lost, comes the urge to tell my mother, tell her that I am okay today, that I have felt something close to happiness, that I might still be capable of feeling happy. She will want to know that. But I can’t tell her. That’s the wall I always slam into on a good morning like this. My mother will be worrying about me, and I can’t tell her that I’m okay.
Lily King (Writers & Lovers)
Marissa laughed, utterly delighted with her mate. "Later. Food first." Butch settled back immediately, like she'd called his lust to a heel and it behaved because it wanted to be a good boy. As she left, the cop's eyes followed her with rank hunger and adoration. V shook his head. "You are a total sap.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Believe me when I say: 'Out of all those around, she’s the best locksmith in town.' Her stethoscope ears know when the dials of your heart click into place. She’s been cutting keys for years. You don’t stand a chance with that flimsy case. Alas, no matter how you lock your heart— bolt, fixture, and key— she’s got nimble fingers that pick locks for free. Padlocks and deadbolts are all in vain. Why do you even bother with that chain? She’s way too smart. Along with ours, she’ll have your heart. And you will see that the best locksmith in town is she.
Kamand Kojouri
A woman never thoroughly cares for her lover until he has ceased to care for her; and it is not until you have snapped your fingers in Fortune's face and turned on your heel that she begins to smile upon you.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
Tears welled in Penelope's eyes, making the blue even darker. Then she reeled back and slapped him hard enough that his cheek stung. "That is for what you did to me. Not in the dark, Jeremy. Not as the faceless lover. Not even for today when you made love to me... or perhaps we should call it 'fucking', since there was nothing loving about it, only manipulation". Her voice shook as hard as her hands as she turned on her heel and headed for the door. "It's for betraying my friendship".
Jess Michaels (Something Reckless (Albright Sisters, #2))
Ah, Lyon: the Achilles’ heel of this family. She had forgotten about Lyon, and about disappearing Redmonds.
Julie Anne Long (Like No Other Lover (Pennyroyal Green, #2))
Helen opened her eyes and gazed into the luminous blue of the sky. Was it crazy, she wondered, to be as grateful as she felt now, for moments like this, in a world that had atomic bombs in it—and concentration camps, and gas chambers? People were still tearing each other into pieces. There was still murder, starvation, unrest, in Poland, Palestine, India—God knew where else. Britain itself was sliding into bankruptcy and decay. Was it a kind of idiocy or selfishness, to want to be able to give yourself over to the trifles: to the parp of the Regent’s Park Band; to the sun on your face, the prickle of grass beneath your heels, the movement of cloudy beer in your veins, the secret closeness of your lover? Or were those trifles all you had? Oughtn’t you, precisely, to preserve them? To make little crystal drops of them, that you could keep, like charms on a bracelet, to tell against danger when next it came?
Sarah Waters (The Night Watch)
What happened felt more like chemistry than a kiss. Pure liquid heat on my lips, dissolving into me, trailing a hot line down my chest and pooling in my stomach. My heels rose off the floor. All of me rose, unanchored, held down only by his weight pressing me to the chilly slab of the door. We kissed as we could not have done until now—like lovers.
Leah Raeder (Unteachable)
Come unto me. Come unto me, you say. All right then, dear my Lord. I will try in my own absurd way. In my own absurd way I will try to come unto you, a project which is in itself by no means unabsurd. Because I do not know the time or place where you are. And if by some glad accident my feet should stumble on it, I do not know that I would know that I had stumbled on it. And even if I did know, I do not know for sure that I would find you there. … And if you are there, I do not know that I would recognize you. And if I recognized you, I do not know what that would mean or even what I would like it to mean. I do not even well know who it is you summon, myself. For who am I? I know only that heel and toe, memory and metatarsal, I am everything that turns, all of a piece, unthinking, at the sound of my name. … Come unto me, you say. I, … all of me, unknowing and finally unknowable even to myself, turn. O Lord and lover, I come if I can to you down through the litter of any day, through sleeping and waking and eating and saying goodbye and going away and coming back again. Laboring and laden with endless histories heavy on my back.
Frederick Buechner (The Alphabet of Grace)
The surpluses will have to be expended somehow, and trust the oligarchs to find a way. Magnificent roads will be built. There will be great achievements in science, and especially in art. When the oligarchs have completely mastered the people, they will have time to spare for other things. They will become worshippers of beauty. They will become art-lovers. And under their direction and generously rewarded, will toil the artists. The result will be great art; for no longer, as up to yesterday, will the artists pander to the bourgeois taste of the middle class. It will be great art, I tell you, and wonder cities will arise that will make tawdry and cheap the cities of old time. And in these cities will the oligarchs dwell and worship beauty
Jack London
The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
Stephanie Danler (Sweetbitter)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
So if I asked you to wear my skirt and juggle my high heels, you would?” I joked. I could only see Andrew's face in profile, but a grin overtook his earlier grim expression, and he laughed. “I draw the line at wearing women’s clothing.” “Are you sure?” I whispered seductively, nibbling on his earlobe. “That’s cheating,” he said, his breath hitching. I kissed down his neck. “If all else fails, I’ll never rule out using my womanly wiles.” “I refuse to be used as a pawn by my devious lover,” he countered, grinning. I abruptly pulled away from him. “Ah, well, it never hurts to try.
Laura Kreitzer (Fallen Legion (Timeless, #4))
I had a dream about you. We were married and I walked into the room to see you in my new black dress and high heels and I said "That's not what I meant when I said I bought them for you".
Georgia Saratsioti (Dreaming is for lovers)
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
Michel Tremblay
Make love to me. Make me forget every moment of my life before you." "Oh, God." Ross released her with a savage groan and left the bed as if it were a torture rack. "I want you more than I can bear. Don't make this even more difficult." Sophia knew that she should help him in his resolve, but she couldn't seem to keep herself from saying recklessly, "Come lie with me. We won't sleep together, if that is what you want. Just hold me for a while." He growled in frustration and headed to the door. "You know what would happen if we tried that. In about five minutes I would have you on your back with your heels in the air." The crude image caused her stomach to tighten deliciously. "Ross-" "Lock the door behind me," he muttered, opening the door and crossing the threshold, without a backward glance.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
A lover can always manage Fear and Shame, who are helpless if once Venus comes to his aid. The real enemy who cannot be flattered or overcome, who must be kept asleep because, if he wakes, your only course is to take to your heels, the ever-present dread of lovers and the stoutest defence of virgins, is Danger.
C.S. Lewis (THE ALLEGORY OF LOVE)
I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.
Victoria Laurie (Sense of Deception (Psychic Eye Mystery, #13))
No judgment, no mockery, no grudge, no assumption - just fall. Fall head over heels for the world, like you did for your first love. Remember the loss of appetite, remember the sleeplessness, remember the constant desire to see them - once you feel that kind of intense attachment to the world, that day the world will have a true lover - that day the society will have a high voltage human.
Abhijit Naskar (High Voltage Habib: Gospel of Undoctrination)
Randy young couples in Naples don’t even bother with lovers’ lanes they simply park on any street and paste the windows with newspaper. A daughter with an encyclopaedic knowledge of current affairs is not something a Neapolitan father brags about. To ensure the undivided attentions of their partner some men prefer to paste the windows with the sports newspaper. Maybe that’s why La Gazzetta dello Sport is pink—to enhance the mood.
Chris Harrison (Head over Heels)
I knew that his God—for each man has his own God—let him wander there sometimes, perhaps with the ghost of one of the many dogs that had kept him company through his life yapping at his heels, flushing the birds from the rushes and chasing them for the joy of it. My grandfather used to say that if God did not allow a man to be reunited with his dogs in the next life He was no God worth worshipping; that if a dog did not have a soul, then nothing had.
John Connolly (The Lovers (Charlie Parker, #8))
One Whisper of the Beloved Lovers share a sacred decree – to seek the Beloved. They roll head over heels, rushing toward the Beautiful One like a torrent of water In truth, everyone is a shadow of the Beloved – Our seeking is His seeking, Our words are His words. At times we flow toward the Beloved like a dancing stream. At times we are still water held in His pitcher. At times we boil in a pot turning to vapor – that is the job of the Beloved. He breathes into my ear until my soul takes on His fragrance. He is the soul of my soul – How can I escape? But why would any soul in this world want to escape from the Beloved? He will melt your pride making you thin as a strand of hair, Yet do not trade, even for both worlds, One strand of His hair. We search for Him here and there while looking right at Him. Sitting by His side we ask, "O Beloved, where is the Beloved?" Enough with such questions! – Let silence take you to the core of life. All your talk is worthless When compared to one whisper of the Beloved.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
He peered up at the house. “I know you’re finished in there, Blake. May as well come out.” I breathed a silent sigh. Blake strolled onto the deck wearing low-slung skater shorts and flip-flops. Being shirtless must’ve been mandatory in California. I kind of wished they’d get dressed so I could focus properly when I told them about the prophecy. Blake joined us beside the pool. “So . . . ,” said Blake, rocking back on his heels. “Lover’s quarrel over?” “We’re not lovers,” Kaidan and I said together. “What’s stopping you?” Blake smiled. “What’s stopping you and Ginger?” Kaidan asked. “An ocean, man. Fu—” He glanced at me. “Uh . . . eff you.” “Eff me?” Kaidan asked, grinning. “No, eff you, mate.” Blake put a fist over his mouth when he caught what must have been a seething look on my face, and he laughed, punching Kaidan in the arm. “Told you, man! She’s pissed about the cursing thing! Ginger was right.” I shook my head. I wouldn’t look at them. I was too humiliated to deny it. “Girl, all you have to do is say the word, and Mr. Lusty McLust a Lot here will be happy to whisper some dirty nothings in your ear.” Kaidan half grinned, sexuality rolling off him as wild as the Pacific below us. I took a shaky breath. “I don’t appreciate when people are fake with me.” I pointed this statement at Kaidan. Okay, calling him a fake was overboard, especially if he was just being respectful. But my feelings were bruised and battered. If Kai wasn’t going to forgive me or be willing to talk, I couldn’t hang around and deal with his bad attitude. It hurt too much, and the unfairness frustrated me to no end. “If you guys will sit down and shut up for a minute, I’ll tell you what I came here to say, and then I’m out of here. You two can find someone else to make fun of.” They both wiped the smiles from their faces. I pulled a padded lawn chair over and sat. They moved a couple of chairs closer, giving me their attention. 
Wendy Higgins (Sweet Peril (Sweet, #2))
Thank you, V, he thought as he jumped out himself. Balz stayed tight on her heels as she hit a little walkway with a long stride, and about halfway to her front door, he realized how ridiculous he looked: He was still nakie with a sheet wrapped around his hey-nannies, and he had a gun down at one thigh and a duffle bag full of click-click-bang-bang hanging off his other shoulder. Too bad this wasn’t Halloween for the humans. He could have called himself a flasher-assassin and maybe gotten away with it. Plus, hey, guy shows up on your trick-or-treat doorstep with a forty caliber in his palm, you were likely to dump your bowl of candy wherever he told you to put the stuff. So he’d clean up and Rhage would be psyched.
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
First, I assessed their combat skills. Aeneas performed surprisingly well for a son of Aphrodite; I expected him to be a lover, not a fighter, and yet he actually knew how to use his sword as a sword rather than as a fashion accessory. The other demigods had some work to do. Atalanta seemed to think all training matches had to be fought to the death. She also referred to her classmates as dirty, stupid men, which made team-building difficult. Achilles spent his entire time in combat defending his right heel, an unusual manoeuvre that baffled me until I found out about his childhood dip in the River Styx. I tried to tell the boy to wear iron-shod boots rather than sandals, but he simply wouldn’t listen. As for Asclepius, in one-on-one melees he had an off-putting habit of darting in and feeling his opponent’s forehead for signs of fever.
Rick Riordan (Camp Half-Blood Confidential (Percy Jackson and the Olympians))
You're beautiful." The words dropped from his lips before he could stop them. She was wearing a cherry red dress with white polka dots that hugged all her curves and dipped low at the top, giving him a delicious glimpse of the soft swell of her breasts. "Thank you." Her gaze dropped and she pulled her phone out of a small red purse that matched her shoes. Liam had never thought much about a woman's shoes before, but Daisy's shoes demanded to be noticed. Curvy and round with bows on top and a big, graceful heel that made his mouth water, they were sweet and sexy all at once---the kind of shoes a man could admire when his lover was bent over his table in her fancy dress, skirt flipped up, and... fuck, why had he locked his helmet to his bike? Shrugging off his leather jacket, he held it discreetly in front of him and forced his mind back to the conversation because, holy hell, when had he ever let his Daisy fantasies get this out of control?
Sara Desai (The Dating Plan (Marriage Game, #2))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
Once the wedding gift was out of the way, Marlboro Man and I had to check one last item off our list before we entered the Wedding Zone: premarital counseling. It was a requirement of the Episcopal church, these one-hour sessions with the semiretired interim priest who led our church at the time. Logically, I understood the reasoning behind the practice of premarital discussions with a man of the cloth. Before a church sanctions a marriage union, it wants to ensure the couple grasps the significance and gravity of the (hopefully) eternal commitment they’re making. It wants to give the couple things to think about, ideas to ponder, matters to get straight. It wants to make sure it’s not sending two young lovers into what could be an avoidable domestic catastrophe. Logically, I grasped the concept. Practically, however, it was an uncomfortable hour of sitting across from a sweet minister who meant well and asked the right questions, but who had clearly run out of juice in the zest-for-marriage department. It was emotional drudgery for me; not only did I have to rethink obvious things I’d already thought about a thousand times, but I also had to watch Marlboro Man, a quiet, shy country boy, assimilate and answer questions put to him by a minister he’d only recently met on the subject of love, romance, and commitment, no less. Though he was polite and reverent, I felt for him. These were things cowboys rarely talked about with a third party.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Helene was a person who had never been able to ask for help, and she couldn't ask for help now. She turned north and started walking toward her home, many miles away in San Rafael. It took her almost eight hours to reach there. After a short time her feet began to hurt, so she took off the heels and throw them away. As she walked on, her nylons tore and her feet began to bleed. She passed buildings that had collapsed, stumbled over rubble, waded through streets filled with filthy water from the fire-fighting efforts. Dirty, sweaty, and disheveled, she walked down the Marina to the Golden Gate Bridge and crossed it into the next county. She reached her home sometime after midnight and knocked on her own front door. It was opened by her fiance, who had never before seen her with her hair uncombed. Without a word, he took her into his arms, kicked the door closed, covered her dirty, tearstained face with kisses, and made love to her right there on the floor. Helene is a very intelligent person but she could not understand why she had never met this ardent lover before. When she asked him, he said simply, 'I was always afraid of smearing your lipstick.' She tells me that now when she begins to relapse into her former perfectionism, she remembers the look of love in her fiance's eyes when he opened the door. She had been looked at by men all of her life but she had never seen that expression in a man's eyes before. At the heart of any real intimacy is a certain vulnerability. It is hard to trust someone with your vulnerability unless you can see in them a matching vulnerability and know that you will not be judged. In some basic way it is our imperfections and even our pain that draws others close to us.
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
They won’t do it, Ian,” Jordan Townsende said the night after Ian was released on his own recognizance. Pacing back and forth across Ian’s drawing room, he said again, “They will not do it.” “They’ll do it,” Ian said dispassionately. The words were devoid of concern; not even his eyes showed interest. Days ago Ian had passed the point of caring about the investigation. Elizabeth was gone; there had been no ransom note, nothing whatever-no reason in the world to continue believing that she’d been taken against her will. Since Ian knew damned well he hadn’t killed her or had her abducted, the only remaining conclusion was that Elizabeth had left him for someone else. The authorities were still vacillating about the other man she’d allegedly met in the arbor because the gardener’s eyesight had been proven to be extremely poor, and even he admitted that it “might have been tree limbs moving around her in the dim light, instead of a man’s arms.” Ian, however, did not doubt it. The existence of a lover was the only thing that made sense; he had even suspected it the night before she disappeared. She hadn’t wanted him in her bed; if anything but a lover had been worrying her that night, she’d have sought the protection of his arms, even if she didn’t confide in him. But he had been the last thing she’d wanted. No, he hadn’t actually suspected it-that would have been more pain than he could have endured then. Now, however, he not only suspected it, he knew it, and the pain was beyond anything he’d ever imagined existed. “I tell you they won’t bring you to trial,” Jordan repeated. “Do you honestly think they will?” he demanded, looking first to Duncan and then to the Duke of Stanhope, who were seated in the drawing room. In answer, both men raised dazed, pain-filled eyes to Jordan’s, shook their heads in an effort to seem decisive, then looked back down at their hands. Under English law Ian was entitled to a trial before his peers; since he was a British lord, that meant he could only be tried in the House of Lords, and Jordan was clinging to that as if it were Ian’s lifeline. “You aren’t the first man among us to have a spoiled wife turn missish on him and vanish for a while in hopes of bringing him to heel,” Jordan continued, desperately trying to make it seem as if Elizabeth were merely sulking somewhere-no doubt unaware that her husband’s reputation had been demolished and that his very life was going to be in jeopardy. “They aren’t going to convene the whole damn House of Lords just to try a beleaguered husband whose wife has taken a start,” he continued fiercely. “Hell, half the lords in the House can’t control their wives. Why should you be any different?” Alexandra looked up at him, her eyes filled with misery and disbelief. Like Ian, she knew Elizabeth wasn’t indulging in a fit of the sullens. Unlike Ian, however, she could not and would not believe her friend had taken a lover and run away. Ian’s butler appeared in the doorway, a sealed message in his hand, which he handed to Jordan. “Who knows?” Jordan tried to joke as he opened it. “Maybe this is from Elizabeth-a note asking me to intercede with you before she dares present herself to you.” His smile faded abruptly. “What is it?” Alex cried, seeing his haggard expression. Jordan crumpled the summons in his hand and turned to Ian with angry regret. “They’re convening the House of Lords.” “It’s good to know,” Ian said with cold indifference as he pushed out of his chair and started for his study, “that I’ll have one friend and one relative there.
Judith McNaught (Almost Heaven (Sequels, #3))
A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
He brought the horse closer, reining in sharply so his muscled thigh was scarcely a handsbreadth from my face, knowing that the heavy log at my heels prevented any retreat. “I’ve told you once I would not force you to my will,” he reminded me, drawing one finger along my upturned jawline. “When we become lovers, it will be because you desire it as much as I.” His finger brushed my lips, the fleeting phantom of a kiss, before he raised his hand to his hat and bid me a polite good day.
Susanna Kearsley (Mariana)
Do you sleep in your suits, too?" He dragged his gaze from the sweater she held up to her and completed a slow perusal starting at her totally reasonable three-and-a-half-inch metallic silver heels, up her bare calves, across the fitted pear-green pencil skirt, over her winter-white cashmere sweater and stopping briefly on her lips before reaching her eyes. She'd been stark naked, pressed up against a sixteenth-floor window, having one of the best orgasms of her life from a lover-s tongue and hadn't been as turned on as she was at that moment. Fire licked its way across her skin, flicking at all of her sensitive spots until her entire body vibrated. "Do I sleep in my suits? Do you really want to know?" he asked, his voice low with just enough dominating arrogance in it to make her shiver.
Avery Flynn (His Undercover Princess (Tempt Me, #1))
I don't tell my lover i write poetry He might expect a dedication
Margaret Webb (Desire High Heels Red Wine)
Come for me, Kane." The command ground out between gritted teeth as Avery's hips pistoned wildly in and out of his lover's body. Kane threw his head back, his mouth open in a silent scream as he came. Damn, he was so beautiful to watch. His release wasn't an earthshattering roar, but more the quiet elegance he'd learned was just Kane's way. Avery drove himself harder and deeper into Kane. The prickling spiral of heat gathering in the base of his spine spread quickly to his balls, causing his thrusts to falter. Kane was indeed Avery's perfect gentleman. That thought and the scent of his lover's climax combined with the contracting of Kane's muscles was entirely too much to endure and sent him toppling over the edge. "I'm gonna…" He screwed his eyes shut as his orgasm burst from his body, shooting deep inside Kane's ass, staking his claim with his seed. This moment was too good, too right, and the bliss overwhelmed him, his arm gave out, and he fell down on Kane's body, satiated. And completely head over heels in love.
Kindle Alexander (Always (Always & Forever #1))
Gingerly, he shifted and leaned over to brush his lips over Sloane’s, smiling at the faint moan he received. Wanting to ease his lover’s unrest, Dex moved stealthily, roaming his hands over Sloane’s body, caressing hard muscle, soft skin, until he got to Sloane’s flaccid cock. With a smile, Dex stroked him, watching Sloane’s face, the way he tilted his head back and moaned. Moving the duvet, Dex delivered kisses to Sloane’s thigh as he continued to stroke Sloane’s hardening cock, enjoying the feel of his lover in this docile state, his heart squeezing at every tiny murmur or sharp intake of breath. “Mm…. Gabe.” What the…? Dex sat back on his heels and ran a hand over his face. Well, that was certainly one way to kill the mood. He climbed off the bed with care and made his way downstairs, where he turned on the TV, the glow helping him locate his boxer briefs that he slipped back on.
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Sorting Laundry" Folding clothes, I think of folding you into my life. Our king-sized sheets like tablecloths for the banquets of giants, pillowcases, despite so many washings, seems still holding our dreams. Towels patterned orange and green, flowered pink and lavender, gaudy, bought on sale, reserved, we said, for the beach, refusing, even after years, to bleach into respectability. So many shirts and skirts and pants recycling week after week, head over heels recapitulating themselves. All those wrinkles To be smoothed, or else ignored; they're in style. Myriad uncoupled socks which went paired into the foam like those creatures in the ark. And what's shrunk is tough to discard even for Goodwill. In pockets, surprises: forgotten matches, lost screws clinking the drain; well-washed dollars, legal tender for all debts public and private, intact despite agitation; and, gleaming in the maelstrom, one bright dime, broken necklace of good gold you brought from Kuwait, the strangely tailored shirt left by a former lover… If you were to leave me, if I were to fold only my own clothes, the convexes and concaves of my blouses, panties, stockings, bras turned upon themselves, a mountain of unsorted wash could not fill the empty side of the bed.
Elisavietta Ritchie
Ah, yes, this is the way of it, eh? A heathen and his woman?” His face twisted in a sneer as he rolled her sensitive flesh between his finger and thumb, sending shocks of sensation shooting into her belly. “Hunter, the one who rapes and tortures? That is me.” Abandoning her breast, he rocked back on his heels and jerked up her skirt. “This is very good, Blue Eyes. The animal in me likes having you tied.” With that, he stretched out beside her. Even in her turmoil, Loretta heard an echo in every word he spoke. Looking into his eyes, she knew how deeply her leaving had hurt him. Propping himself up on an elbow, he planted a hand on her abdomen and lowered his head to brush his lips across her temple. Her belly convulsed as his fingers began a subtle manipulation, charging her senses, making her skin tingle, in a relentless path toward her breasts. “I will be cruel, yes? And make you weep rivers of tears while I play my games. It will be good, very good.” His mouth touched hers, teasingly light. His hand cupped her breast. Silhouetted against the moon-silvered sky, he was a black outline, his broad shoulders a threatening wall, his long hair drifting in a silken curtain around her. Nightmare or dream? He continued to whisper--saying terrible things, cruel things, taunting her with what was yet to come, living up to all her worst expectations. But his touch was that of a lover, as sweet and magical, as patient and gentle, as the last time they had been together. She knew he had tied her only to prove a point, that no matter what the circumstances, no matter how angry he might become, he would never harm her. “Oh, Hunter, I’m sorry,” she said on the crest of a sob. “I didn’t mean to hurt you like this. I didn’t mean to hurt you.” “You rip my heart out and it should not hurt?” His teeth closed on her earlobe, nipping lightly, sending shivers over her skin. “You spit upon all that I am, and it should not hurt? You abandon me, you dishonor me, and it should not hurt?
Catherine Anderson (Comanche Moon (Comanche, #1))
They ... help me believe that things will be all right again, that I will pass through this time as I have passed through other times, that the vast and threatening blank ahead of me is a mere specter, that life is lighter and more playful than I'm giving it credit for. But right on the heels of that feeling, that suspicion that all is not yet lost, comes the urge to tell my mother, tell her that I am okay today, that I have felt something close to happiness, that I might still be capable of feeling happy. She will want to know that. But I can't tell her. That's the wall I always slam into on a good morning like this. My mother will be worrying about me, and I can't tell her that I'm ok.
Lily King (Writers & Lovers)
And that's when the doorbell rings. Marcus freezes. As do I. "That must be your friend," I somehow manage to say, even though my throat is trying to close. Marcus is clearly torn between remaining immobile and opening the door. The bell rings again. "Want me to get it?" "No," he says. "No." I stand, not knowing what to do while he slowly springs open the door. Not surprisingly, Marcus's old schoolfriend is a petite and extraordinarily pretty brunette. She steps into the apartment and kisses Marcus full on the lips. "Hello, darling," she says. Marcus recoils slightly and casts a worried glance in my direction which his friend follows. "Hi," I say, extending my hand as I try to force my face into a smile. She takes it. Her hand is cool and delicate, as slender as the rest of her. "I'm Lucy," I continue brightly. "Marcus's girlfriend." Now it's her turn to recoil. "This is my friend, Joanne," Marcus says tightly. I look at my lover. "An old schoolfriend. That's what you said, isn't it?" I turn back to Joanne. "Which school did you go to with Marcus? Primary? Grammar? Or maybe it was the harsh school of life?" His old schoolfriend looks at him blankly. "I don't know quite what's going on here, Marcus," she says. "But I don't think that I want to be a part of it." She turns away from him, spinning on her heel toward the door. "Jo," Marcus pleads as he catches her sleeve. "Don't go." And I think that's my cue to leave. "Oh, Marcus," I say sadly. "Do you have so little respect for me?" "I can explain," he says, and I notice that he's still looking at Jo rather than at me. "You're welcome to stay and listen to it," I say to Jo. "I'll be the one to leave." Marcus does nothing to stop me, so I hitch up my gym bag once more and move toward the door. "It's been nice meeting you," I say to Marcus's new love. "You'll enjoy your dinner. It smells wonderful. It even covers the smell of a rat. The chocolates are great, by the way. I hope you both choke on them.
Carole Matthews (The Chocolate Lovers' Club)
Twain, however, was not as enamored with the legend behind the lake’s name as he was with the region itself. “Connected with White-bear Lake is a most idiotic Indian legend …” he wrote. It is a perplexing business. First, she fell down out of the tree—she and the blanket; and the bear caught her and fondled her—her and the blanket; then she fell up into the tree again—leaving the blanket; meantime the lover goes war-whooping home and comes back “heeled,” climbs the tree, jumps down on the bear, the girl jumps down after him—apparently, for she was up the tree—resumes her place in the bear’s arms along with the blanket, the lover rams his knife into the bear, and saves—whom? The blanket? No—nothing of the sort. You get yourself all worked up and excited about that blanket, and then all of a sudden, just when a happy climax seems imminent, you are let down flat—nothing saved but the girl! Whereas, one is not interested in the girl; she is not the prominent feature of the legend. Nevertheless, there you are left, and there you must remain; for if you live a thousand years you will never know who got the blanket. A dead man could get up a better legend than this one.
Barry Siegel (A Death in White Bear Lake: The True Chronicle of an All-American Town)
To love, you cannot think clear, To think clear, you mustn't love.
Abhijit Naskar (Aşk Mafia: Armor of The World)
There was nothing like stepping into a fabulous pair of heels for the first time.
E.V. Hewitt (Stilettos For Me, Please!)
Bud Light?” she asks in a distasteful tone. “Did you think you would be getting a microbrew? It’s a college house.” “Still”—she takes a sip and cringes—“I thought you’d have a little more class.” “You’re giving me too much credit.” I nod my head toward the corner of the loft where there are less people. When she doesn’t initially follow me, I turn back around, grab her hand like I had to in class, and pull her across the loft until we’re settled in the corner. I lean against the wall and prop one leg behind me. She eyes me, giving me a full once-over. I do the same. She’s damn hot, and I’m regretting my actions last Saturday, passing out mid grope. Finally she says, “You seem to have lost your shirt.” She motions with her finger over my bare chest. I look down at her legs and reply, “Must be where the other half of your skirt is.” “Think they’re making out in a laundromat somewhere?” She takes a sip of her beer and cringes again. A few more sips and she’ll get used to it; always happens for me. “If they are, I hope they use the gentle cycle.” Her brow pulls together. “Not sure if that makes sense.” “Oh, because half of a skirt and a shirt making out in a laundromat does?” “In children’s books, sure.” “What kind of perverted children’s books did you read growing up?” I counter. “You know, the classics,” she answers causally. “One Fish, Two Fish, Red Fish, Blue Fish and Skirt and Shirt, Lovers for Life.” “Ah, yes, I forgot about that passionate yet eye-opening youth literature that took the New York Times by storm.” “I have five signed first-edition copies in a box in my parents’ attic. Banking on them to clear out my student loans.” She sips her beer, flips her hair behind her shoulder, glances at my chest again. “Five?” I answer sarcastically. “Damn, forget college loans, you’re set for life.” “You think?” She glances around. “What the hell am I doing here then?” “To see me of course,” I answer with a smile. She rolls her eyes. “More like dragged to this party because my roommate has a crush on one of your freshmen.” “Yeah, which one?” I look over her head, eyeing all the partygoers. “No idea, but apparently he has amazing blue eyes.” “Amazing, huh? Has to be Gunner. I was even stunned by his eyes when he was recruited.” No joke, the dude won the lottery for irises. I’m even jealous with how . . . aqua they are. “Not ashamed to admit that?” she asks, shifting on her heels. “Not even a little.
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
I want you too.” Her words are no more than a whisper “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief. With how close I am to her, the move has my face coming dangerously close to her own. “You want me?” “Why?” I ask. But I already know the answer. Because no one knows where Astarte’s arrow will strike, but when she aims, she strikes true. Because the gods are cruel and love to toy with their half-mortal children even more than they love to play with the mortals. Because Adrienne’s fate is somehow woven with mine and Jadi’s. Jadi told me that, he told me, and –fool that I am – I ignored him. “I’m sorry,” I say, trying to soften my voice. To curb the mocking, defensive bite in my words. “I just don’t see how you could. Not after how I’ve treated you.” Adrienne gives me a lopsided grin, then reaches over to lightly pat my shoulder. “You not that bad.” Her smile falls, expression growing serious. “I don’t know how explain it. I just feel… it feels…” she trails off, brow furrowing in frustration. She tucks her hands under her chin, and without thinking about it, I grasp them in my own. “I know.” The words come out in a low rumble. “I know. You don’t have to explain.” Because I feel it too. The pull towards her. It’s more than a physical attraction. More than desire – though that is certainly part of it. And now that I’m looking at her, with her mouth close to my own and her hands in mine and the heat of her body mixing with my own beneath the blankets. It feels right, and there’s no room for hesitation. Only action. I lean forward, slowly enough that she has time to object, my eyes never leaving her own. My nose brushes against hers for a brief moment, and then she’s pushing forward, her lips pressing against mine with a raw urgency that has fire racing through my veins and lust clouding my vision. It’s too much. Too much. I pull back, angling my body over hers, keeping my weight on my elbows as I cup her face in one hand, my thumb stroking the underside of her jaw, fingers tangling in her loose hair. I stare down at her – at her dilated pupils and sleep-mussed hair. At her parted lips and the delicate line of her throat. I can see her pulse thundering beneath the skin, and the rosy flush spreading down her neck. She’s so delicate. I’m torn between wanting to worship her and devour her. Carefully, I brush my mouth against hers, then trace the shape of her lips with my teeth and tongue. My hands tremble where they grip her face, keeping her from chasing my teasing kisses. It’s almost embarrassing, the way I’m quaking like an autumn leaf above her. She lets out a frustrated whimper, and I deepen the kiss, swallowing up the sound as I tangle my tongue with her own. When her own kisses become more insistent, I pull back, waiting for her to retreat before delving forward again. “Good,” I murmur, my thumb stroking her pulse point when she relaxes beneath me. “There’s no rush.” I’m speaking more to myself than to her. Because more than anything, I want to feel myself buried deep inside her. I want to push the fabric between us aside and feel her wet and clenching around me. I want to bury my head between her thighs and taste her, to turn those faint whimpers into wild, throaty cries. But now isn’t the time for that. I kiss her again, slowly this time. Deep. Controlled. I need to be controlled. Take this slow. Her thighs part, long limbs twining with mine, the heels of her feet pressing against the backs of my legs. Pulling me towards her, until my cock is pressed against her core and I can practically feel the heat of her, even with our clothes between us. She rocks against me, her faint mewling cry swallowed up by my mouth, and it’s like something in me snaps. Something primal and hungry and dark. Something that’s only come out with Jadi.
Elisha Kemp (Burn the Stars (Dying Gods, #2))
I love these geese. They make my chest tight and full and help me believe that things will be all right again, that I will pass through this time as I have passed through other times, that the vast and threatening blank ahead of me is a mere specter, that life is lighter and more playful than I’m giving it credit for. But right on the heels of that feeling, that suspicion that all is not yet lost, comes the urge to tell my mother, tell her that I am okay today, that I have felt something close to happiness, that I might still be capable of feeling happy. She will want to know that. But I can’t tell her. That’s the wall I always slam into on a good morning like this. My mother will be worrying about me, and I can’t tell her that I’m okay.
Lily King (Writers & Lovers)
The perfectionist is a frightened, competitive individual who wants always to win and be secure. He mistakenly believes that he is a lover of the truth for its own sake. But the reality is that he only wants to be above criticism and, therefore, superior to those who are less perfect. He is constantly comparing himself with others. He feels exposed to danger if any error is allowed to creep into his own activity. He is seldom aware of his hostile downgrading of those whom he regards as less perfect than he; he belittles their standards and their personal value in order to exalt his own. The perfectionist is a faultfinder, and nothing is ever good enough for him. He disrupts situations by his belittling of others and disturbs cooperation in a group by trying to exalt and impose his standards on them. He sees only the hole in the doughnut and insists on others condemning it along with him. The perfectionist loves to collect and tabulate evidence against others to prove their inferiority as human beings and thus put himself in a clear light of superiority. He is proud of his ability to find the Achilles heel and the imperfections of other people-to expose them. Perfectionism is a side-show activity which destroys the spontaneity and creative power he might otherwise bring to the solution of his own problems. He flees from reality into a search for ideal solutions and thus isolates himself from effective contact with confronting problems; he blinds and deafens himself to the What Is in his illusions of What Should Be.
Willard Beecher (Beyond Success and Failure: Ways to Self-Reliance and Maturity)
Ever since I saw you wearing those heels, I’ve dreamed about tying your wrists with red silk. It has to be silk so it doesn’t mark your skin. And then I’d stretch you out on the bed and tie you down, so I had free rein to do whatever I wanted to your body.
J.R. Jenner (One Week With You (London Lovers, #1))
I've seen and loved every version of you. Always. I loved pink converse Lizzie, and I loved when you cut your hair short, and I love your hair long, and I love you in sweaty workout shirts and prom dresses and flats and sparkly heels. You never have to change who you are for me to love you, because I always have.
Bryce Oakley (Every Version (I Heart SapphFic Pride Collection, #8))
If it is the will of love, I'll convert a thousand religions. If it is the will of love, I'll disown a thousand ancestors. If it is the will of love, I'll change a thousand nationalities. You just command, my sweet, Love's wish is life's theology.
Abhijit Naskar (Amor Apocalypse: Canım Sana İhtiyacım)
How there's no going back to whatever version of me existed before ... I read Marguerite Duras's account of a river and its current, a girl, a lover, a mother, of memory's weakness for women and gold lame heels. Or when I was woken up by the news and this planet's despairing chorus-how it dislocates the heart and coaxes cynics and makes a mass out of individuals. Or whatever version of me existed before I met that boy whom I loved for one winter and well into spring, when the magnolias in early bloom looked not just pink but elaborate, ambient, and grand, like my insides were seeable-flowering so forcefully, like nature cautioning me: Durga, this won't last.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
It was because he wanted to kiss her so much that he stopped himself, bent over her hand, clicking his heels together, then let her go. "Adios, Isabella. Good luck. Please be careful. Stay safe." "Goodbye, Finlay. May God protect you and keep you from harm.
Marguerite Kaye (The Soldier's Rebel Lover (Comrades in Arms, #2))
knew that his God—for each man has his own God—let him wander there sometimes, perhaps with the ghost of one of the many dogs that had kept him company through his life yapping at his heels, flushing the birds from the rushes and chasing them for the joy of it. My grandfather used to say that if God did not allow a
John Connolly (The Lovers (Charlie Parker, #8))
How’d she take it.” Sean thought for a second. “Truthfully? She wasn’t that impressed. She knew her daddy had a plane and she wants a ride. She took it right in stride, like she’d been expecting me to show up any second.” “And you?” Aiden asked. “You take it in stride?” “Aw, hell, it wore me out so bad I fell asleep on her little bed. Slept until the sun was down. After spending about three hours with her—eating her imaginary chicken and broccoli, reading books, picking up toys, talking about bikes and dogs and playmates at school—I was shot. She has these high heels she wears. She took some to school so her friend Jason could wear them, too.” He grumbled. “While I was asleep, she painted my face with magic markers…” Aiden whooped with laughter. “Yeah, you laugh. I’ll turn her loose on you.” “I’d love that,” Aiden said. “When can I meet her?” “Gimme some time, Aiden. I’m way behind the power curve here. I don’t know anything about kids, and there is so much to know. You have no idea.” “She’s just a kid, Sean. Don’t overthink it. Enjoy her.” “Did you know that when a little kid poops, you have to check their little butt to make sure they wiped it clean? Did you know that?” Aiden chuckled. “Yes, Sean, I knew that.” “Where the hell do you learn something like that?” “I dated a woman with a couple of little kids. Haven’t you? Ever dated a single young mother?” Sean was quiet for a moment. “Not really.” “How can you not really date a young mother?” “I’ve gone out with women with kids before, yeah. But I’ve never been around the kids. I have friends with kids, but I never paid attention to that stuff. I’m in way over my head.” “Franci will help you with all that. How is Franci?” “Cautious. I told her I thought we should get married and she told me to slow down—she wants to be sure it’s the right move.” “Bullshit. She wants to be sure you’re in love with her. That you can be a lover and a family man. Don’t you know anything about women?” “Not as much as I thought I did,” Sean admitted. “My little brother the playboy,” Aiden said. “Time to take life a little more seriously, huh? I want to meet her. Rosie. Let me know the minute I can. And I’d love to see Franci again.” “You know, just because Rosie took me in stride doesn’t mean the entire Riordan clan won’t be a little overwhelming for her,” Sean said. “Let’s not throw her in the deep end of the pool, huh?” “Red hair and green eyes, I hear,” Aiden said. “Like Mom and Paddy and half our cousins. That must have been a shock.” “The second I saw her, I knew. Plus, it couldn’t be anyone else’s kid—Franci and I were tight.” He paused. “Till we weren’t.” “Well,
Robyn Carr (Angel's Peak (Virgin River #10))
The Gondola Experience When the performance ended, we returned to the comfort of the Count's gondola, and celebrated the beauty of the evening with more champagne. By now, I was head over heels in love, bewildered by beauty. What had been an enchanted day turned into an unfathomable evening. The organza curtains were drawn, shielding us from the departing theatre crowds. Romantic candles burned as we began, again, the love dance left incomplete, on Lido. Mario’s expert hands blissfully caressed every inch of my smooth body as Andy lowered his expert mouth on my growing organ. I wanted both the Count and Andy, together, at the same moment. As the gondola sailed out into the wide expanse of the Grand Canal, both lovers were inside me, moving in tandem with the rhythmic sounds of waves lapping against the Love-Boat. I surrendered myself wholly to indescribable sexual ecstasy, rocking to the motion of their sliding cocks filling me to the brim. I wanted them and I desired every drop of their precious seed to feed my deepest center. I was awakened by the chirping sounds of two love birds perched on the gondola's window. My lovers lay in deep slumber, their arms draped around my naked body. I gently lifted their arms, and sat up. I saw the majestic steeples of Saint Mark's Cathedral. The singing larks turned long enough to look at me with knowing smiles. I had been to heaven; I did not want my night's pleasures to end.
Young (Initiation (A Harem Boy's Saga Book 1))
what she ought to have done as soon as she discovered that Lady Webb was not in London to help her. She was going to find the Earl of Durbury if he was still in town. If he was not, she was going to find out where the Bow Street Runners had their headquarters and go there. She was going to write to Charles. She was going to tell her story to anyone who would listen. She was going to embrace her fate. Perhaps she would be arrested and tried and convicted of murder. Perhaps that would mean a hanging or at the very least transportation or lifelong imprisonment. But she would not give in meekly. She would fight like the very devil to the last moment—but not by running away and hiding. She was going to come out into the open at last and fight. But not just yet. That was the agreement she made with herself as she pulled weeds from about the rosebushes and turned the soil until it was a richer brown. A definite time limit must be set so that she would not continue to procrastinate week after week, month after month. She was going to give herself one month, one calendar month, starting today. One month to be Jocelyn’s mistress, his love, though he would not be aware of the latter, of course. One month to spend with him as a person, as a friend in the den, if he ever returned there, as a lover in the bed upstairs. One month. And then she was going to give herself up. Without telling him. There might be scandal for him, of course, when it became known that he had harbored her at Dudley House for three weeks, or if anyone knew that she had been his mistress here. But she would not worry about that. His life had been one scandal after another. He appeared to thrive on them. She thought he would probably be rather amused by this particular one. One month. Jane leaned back on her heels to inspect her work, but Phillip was approaching from the direction of the house. “Mr. Jacobs sent me, ma’am,” he said, “to tell you that a new pianoforte just arrived and an easel and other parcels too. He wants to know where you want them put.” Jane got to her feet, her heart soaring, and followed him back to the house. One glorious month, in which she would not even try to guard her feelings. One month of love. There followed a week during
Mary Balogh (More Than a Mistress (Mistress Trilogy #1))
I was never good at the future. I grew up with girls whose chief occupation was the future—designing it, instigating it. They could talk about it with so much confidence that it sounded like the past. During those talks, I had contributed nothing. I had visions, too abstract and flat for me to hang on to. For years I saw a generic city lit up at night. I would use those remote, artificial lights to soothe myself to sleep. One day I was quitting my job with no sense of exhilaration, one day I was leaving a note for my father, pulling out of his driveway, slightly bewildered, and two days later I was sitting in front of Howard. That was the way the future came to me. The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn’t look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn’t call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
Stephanie Danler (Sweetbitter)
Alcohol was my best friend because it never wanted to talk about itself. It was just always there, the mute dog at my heel, gazing up at me, always ready to go on a walk. It took away so much of the pain, including the fact that when I was alone, I was lonely, and that when I was with people, I was lonely, too.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
She’s staring after Nero like he’s a Birkin bag and a Louboutin heel all rolled into one.
Sophie Lark (Savage Lover (Brutal Birthright, #3))