“
Sigh no more, ladies, sigh no more.
Men were deceivers ever,
One foot in sea, and one on shore,
To one thing constant never.
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into hey nonny, nonny.
Sing no more ditties, sing no more
Of dumps so dull and heavy.
The fraud of men was ever so
Since summer first was leafy.
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into hey, nonny, nonny.
”
”
William Shakespeare (Much Ado About Nothing)
“
I love you" I sighed, unable to keep the smile from my face,leaning back and looking at him through heavy-lidded eyes. "I really do".
"I know", he grunted, very pleased with himself. “You can’t live without me. I’m like cheese.
”
”
Mary Calmes (Change of Heart (Change of Heart, #1))
“
I have never said this to anyone before.” Leo’s voice was like ragged velvet. “But the idea of you with child is the most insanely arousing thing I’ve ever imagined. Your belly all swollen, your breasts heavy, the funny little way you would walk … I would worship you. I would take care of your every need. And everyone would know that I’d made you that way, that you belonged to me.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Since you and Crispin are now finished and I have a few hours to kill, how about that shag?” he asked with heavy irony.
“Bite me,” I sighed, gathering up the pages.
He winked. “Of course. My second-favorite thing to do in bed.
”
”
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
“
Jared?” His fingers were playing gently in my curls.
“Yes?” I was more than halfway asleep, perfectly warm and content, back in my own bed. With him.
“Say it for me.”
“You’re heavy.”
“No.”
“You’re a manipulative bastard.”
“No.” He was laughing.
“You’re right.”
He gave one hard tug on my hair. “That’s not it either.”
“I love you?”
He sighed contentedly. “That’s the one.
”
”
Marie Sexton (Promises (Coda, #1))
“
Silence
It has a sound, a fullness.
It's heavy with sigh of tree,
and space between breaths.
It's ripe with pause between birdsong
and crash of surf.
It's golden they say.
But no one tells us it's addictive.
”
”
Angela Long
“
Do ever respond to a question without asking another question?
Does it bother you?
No. But it does confirm my hypothesis.
What hypothesis?
He let out a heavy sigh, and with it, all the residual warmth from our flirty banther evaporated. " You're a shrink," he said. He might as well have accused me of being a traitor or a murder or a Kardeshian.
”
”
Penny Reid (Love Hacked (Knitting in the City, #3))
“
As he closed the door he said over his shoulder, "Because you're a good lass." A heavy sigh. "And I'm no' a good man.
”
”
Karen Marie Moning (The Dark Highlander (Highlander, #5))
“
Ty rolled his eyes. He reached to the small of his back and took out the backup gun he’d taken off one of the bodies, checking it before handing it to Deuce. “Put that under your pillow.” Deuce looked down at it with a heavy sigh but didn’t take it. “Yeah, okay. But you can keep that. My regular schedule doesn’t involve shooting myself in the ass in the morning
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
The Kissing Game goes like this, Shortcake. Press, retreat, tilt, breathe, repeat. Use your hands to angle just right. Loosen up until it’s a slow, wet slide. Hear the drum of blood in your own ears? Survive on tiny puffs of air. Do not stop. Don’t even think about it. Shudder a sigh, pull back, let your opponent catch you with lips or teeth and ease you back into something even deeper. Wetter. Feel your nerve endings crackle to life with each touch of tongue. Feel a new heaviness between your legs. The aim of the game is to do this for the rest of your life. Screw human civilization and all it entails. This elevator is home now. This is what we do now. Do not fucking stop. He
”
”
Sally Thorne (The Hating Game)
“
I sighed, a deep and heavy sigh. If only sighs could carry all my troubles away.
”
”
Denise Grover Swank (Twenty-Eight and a Half Wishes (Rose Gardner Mystery #1))
“
That mountain can grow awfully heavy sometimes,” he sighed, taking a spear and buckler from Rhuarc. “When do you find a chance to put it down awhile?”
“When you die,” Lan said simply
”
”
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
This is a place where books are treasured – books that hold the sweetly magical smell of history; books that crackle when you open them and sigh when you close them; books that weigh heavy in your hands, not just your heart.
”
”
Cassia Leo (Black Box)
“
Don't be sorry, Callie,' he says with a heavy-hearted sigh. 'You have your own sad story.
”
”
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
“
I settled back on the bed with my own heavy sigh. "The point of this reluctant outpouring of all my crap isn't to make you feel guilty. I don't need anyone to be concerned for me. That's my point. Will that change one day? I don't know. I'm not asking it to. But Rhian, when you trusted James with all you baggage you decided that day that you were asking someone to be concerned. You were tired of being alone. Will staying with him be hard? Yes. Will fighting your fears every day be difficult? Yes. But how he feels for you... jeez, Rhian... that's worth it. And telling yourself that it's okay to run way from him to be alone just because I'm alone and okay with it, is bullshit. I'm alone because I just am. You're alone because you made a choice. And it's the wrong fucking choice.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
Does it hurt now?" he asked, his tone rough and seductive.
"No." She shook her head again and sighed, trying to pretend his touch didn't make her uncomfortably wet.
He grinned. "So...what's with the heavy breathing?
”
”
Eden Summers (Sneaking a Peek)
“
I love you,” I sighed, unable to keep the smile from my face, leaning back and looking at him through heavy-lidded eyes. “I really do.”
“I know,” he grunted, very pleased with himself. “You can’t live without me. I’m like cheese.”
It took a second to process his comment. “I’m sorry, cheese?”
“Sure. Air’s overrated. Try living without cheese.”
The man was insane, which, it turned out, was just perfect for me.
”
”
Mary Calmes
“
I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.”
“Even my Peloton?” I ask.
“Great piece of equipment,” he says.
“The fact that I check my email after work hours?”
“Just makes it easier to share Bigfoot erotica without having to walk across the room,” he says.
“Sometimes I wear very impractical shoes,” I add.
“Nothing impractical about looking hot,” he says.
“And what about my bloodlust?”
His eyes go heavy as he smiles. “That,” he says, “might be my favorite thing. Be my shark, Stephens.”
“Already was,” I say. “Always have been.”
“I love you,” he says again.
“I love you too.” I don’t have to force it past a knot or through the vise of a tight throat. It’s simply the truth, and it breathes out of me, a wisp of smoke, a sigh, another floating blossom on a current carrying billions of them.
“I know,” he says. “I can read you like a book.
”
”
Emily Henry (Book Lovers)
“
He sighed profoundly, and flung himself - there was a passion in his movements which deserves the word - on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship - it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stopped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer's evening were woven web-like about his body.
”
”
Virginia Woolf (Orlando)
“
You won't enjoy it," sighed Crowley. "It's been in the car for more than a fortnight." A heavy bass beat began to thump through the Bentley as they sped past Heathrow. Aziraphale's brow furrowed. "I don't recognize this," he said. "What is it?" "It's Tchaikovsky's 'Another One Bites the Dust'," said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd's "We Are the Champions" and Beethoven's "I Want To Break Free." Neither were as good as Vaughan Williams's "Fat-Bottomed Girls.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Why, such is love's transgression.
Griefs of mine own lie heavy in my breast,
Which thou wilt propagate, to have it prest
With more of thine: this love that thou hast shown
Doth add more grief to too much of mine own.
Love is a smoke raised with the fume of sighs;
Being purged, a fire sparkling in lovers' eyes;
Being vex'd a sea nourish'd with lovers' tears:
What is it else? a madness most discreet,
A choking gall and a preserving sweet.
Farewell, my coz.
”
”
William Shakespeare (Romeo and Juliet)
“
The Waystone Inn lay in silence, and it was a silence of three parts.
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained.
Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint.
The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight.
The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things.
The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
She sighed, she snored, not that she was asleep, only drowsy and heavy, drowsy and heavy, like a field of clover in the sunshine this hot July day, with the bees going round and about and the yellow butterflies.
”
”
Virginia Woolf (Mrs. Dalloway)
“
i’ve been holding you
in heavy sighs
and i don’t know if it is
a good thing.
but there is so much
more
to this weight that keeps me
together. keeps me warm
like summer
strolling in
late
but at last.
”
”
Vinati Bhola (Udaari: a collection of poems)
“
The hand that rested on my shoulder rubbed it a bit, comfortingly. Then it gave my shoulder a little squeeze. I leaned into him.
Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin.
"Rory," he said. But it was a quiet protest, and it went nowhere.
For the first few seconds, he didn't move-he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight.
I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn't stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold-now it was warm. Now it was alive.
"So Thorpe says that-Seriously?"
Callum was in the doorway.
Stephen mumbled what I think was a very obscene word right against my mouth.
"You realize I now owe Boo five pounds?" Callum said. "Boo! I owe you five pounds!
”
”
Maureen Johnson (The Madness Underneath (Shades of London, #2))
“
I remember remembering,” she muttered, sitting down with a heavy sigh; she pulled her legs up to wrap her arms around her knees. “Feelings. Emotions. Like I have all these shelves in my head, labeled for memories and faces, but they’re empty. As if everything before this is just on the other side of a white curtain. Including you.
”
”
James Dashner (The Maze Runner (The Maze Runner, #1))
“
There's something wrong inside of me," she said. "I don't know at it is. It feels big and heavy and sometimes it makes it hard to breathe." She lifted her hands eyes. "And tears keep leaking out of my eyes. Is this what sadness feels like?" "That's what it feels like for me." I replied. "It's funny. I've heard about it in a lot of the stories I've collected, but I never knew it felt like this before." She sighed "it's so heavy......"
"I know." I replied "I know.
”
”
Charles de Lint
“
Flopping down in the chair I had been seating in only moments ago, I put my elbows on my knees and dropped my head into my hands. What a fucking mess!
“Women.” A heavy voice sighed from above me. “Who understands them?
”
”
Jocelynn Drake
“
But nothing. The way you’re looking at me right now? This is exactly why I didn’t tell you.” I closed my eyes. “I won’t live like that anymore, Trav. Not even with you.”
“Whoa! Calm down, Pigeon. Let’s not get carried away.” His eyes focused and he walked over to wrap me in his arms. “I don’t care what you were or what you’re not anymore. I just want you.”
“I guess we have that in common, then.”
He led me to the bed, smiling down at me. “It’s just you and me against the world, Pidge.”
I curled up beside him, settling into the mattress. I had never planned on anyone besides myself and America knowing about Mick, and I never expected that my boyfriend would belong to a family of poker buffs. I heaved a heavy sigh, pressing my cheek against his chest.
“What’s wrong?” he asked.
“I don’t want anyone to know, Trav. I didn’t want you to know.”
“I love you, Abby. I won’t mention it again, okay? Your secret’s safe with me,” he said, kissing my forehead.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
The door to the situation room door opened, drawing her attention to a tall, lean man with eyes as sharp as razors.
The sound of a metal chair scraping on the tile floor filled the room as Reed shot to his feet, stood at attention, and saluted crisply.
The man stopped, scowled, and heaved a heavy sigh. "All right you clown. At ease. It hasn't been that long since I've been here."
"Just showing my respect, sir," Reed said with a smart-ass grin. "It's not often we're fortunate enough to be in the company of such greatness.
”
”
Cindy Gerard (With No Remorse (Black Ops Inc., #6))
“
You see, I figured it's probably too much to hope that New Beijing's most renowned mechanic is having trouble with her port, so I figured there must be something wrong with mine." Screwing up his lips, he whapped the corner of is portscreen on the table, then check the screen again with a heavy sigh. "Nope, nothing. Maybe she's been ignoring my comms on purpose.
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
“
When you kill someone, something from that person passes to you - a sigh, a smell or a gesture. I call it "the curse of the victim." It clings to your body and seeps into your skin, going all the way into your heart, and thus continues to live within you. I carry with me the traces of all the men I have killed. I wear them around my neck like invisible necklaces, feeling their presence against my flesh, tight and heavy. In every murderer breathes the man he murdered.
”
”
Elif Shafak (The Forty Rules of Love)
“
With a sigh, Cinder wilted onto a crate, staring down at her mismatched hands. She scrunched her whole face up, like preparing for a blow, and muttered, “I’m Princess Selene.” Thorne snorted and they all turned to him. He blinked. “What, really?” “Really.” The joking smile froze on his lips. A heavy silence was followed by a vibration beneath their feet and Iko’s voice. “I don’t compute.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
If you want to be in Seattle, then I’ll try my hardest to play in Seattle. If you want to move somewhere else, then I’m coming too.” He releases a heavy sigh. “Stevie girl, I’ll follow you anywhere.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?"
The au pair was wary. "What kind of diversion?"
"You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside."
"That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction."
"Maybe you're from out of town," Dan suggested. "Wait–you are from out of town."
Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger."
The Egyptian Mau surveyed the street uncertainly. "Mrrp."
Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready."
The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian."
"Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?"
"More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals."
The clerk stared in perplexity.
Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..."
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start."
"You are a music lover," said the wide-eyed cashier.
"No, I'm a kleptomaniac." And she dashed out the door.
”
”
Gordon Korman (One False Note (The 39 Clues, #2))
“
We go straight". I say again. "If we start making turns, we might not know what direction is what. If we keep going straight, at least we know how to get back to where we came from if we get into trouble. I know it's tiring, but walking uphill is a good thing-every step we take is a step closer to getting out."
"I see shoulders droop, I hear heavy sighs. They don't want to agree with me; they want to go the easier way".
”
”
Scott Sigler (Alive (The Generations Trilogy, #1))
“
There are times like that, Bailey. Times you don't think you can take it anymore. But then you discover that you can. You always do. You're tough. You'll take a deep breath, swallow just a little bit more, endure just a little longer, and eventually you'll get your second wind,” Fern said, her smile wobbly and her teary eyes contradicting her encouraging words.
Bailey nodded, agreeing with her, but there were tears in his eyes too. “But there are times when you just need to acknowledge the shit, Fern, you know?”
Fern nodded, squeezing his hand a little tighter. “Yep. And that's okay, too.”
“You just need to acknowledge it. Face the shit.” Bailey's voice grew stronger, strident even. “Accept the truth in it. Own it, wallow in it, become one with the shit.” Bailey sighed, the heavy mood lifting with his insistence on profanity. Swearing could be very therapeutic.
Fern smiled wanly. “Become one with the shit?”
“Yes! If that's what it takes.
”
”
Amy Harmon (Making Faces)
“
Jared?" His fingers were playing gently on my curls.
"Yes?" I was more than halfway asleep, perfectly warm, back in my own bed. With him.
"Say it for me."
"You're heavy."
"No."
"You're a manipulative bastard."
"No." He was laughing.
"You're right."
He gave one hard tug on my hair."That's not it either."
"I love you?"
He sighed contentedly. "That's the one.
”
”
Marie Sexton (Promises (Coda, #1))
“
That from the very first day you walked into my life, you changed me. That very first time I saw you? You sparked to life something inside of me.” Releasing a heavy sigh, he shrugged again, eyes locked on mine. “And I haven’t been the same since.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
When the president opened her eyes, the Bailey twins were gone. She looked around the Oval Office, but they had vanished into thin air. The president let out a deep sigh and glanced down at the magenta book in her hands. It was heavy in weight and in responsibility.
"And I thought health care would be my greatest hurdle," she said.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
What are you doing here?" I whispered, smiling in the dark.
"I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed.
"I have so much to tell you, Aspen."
"Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you."
And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in.
His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat.
It was a stolen moment.
Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail.
Another reason everyone married young: Waiting is torture.
"I should go," he whispered.
"But I want you to stay." My lips were by his ears. I could smell his soap again.
"America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck."
I sighed and loosened my grip. He was right.
"I love you, America."
"I love you, Aspen."
These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Yea, she hath passed hereby, and blessed the sheaves,
And the great garths, and stacks, and quiet farms,
And all the tawny, and the crimson leaves.
Yea, she hath passed with poppies in her arms,
Under the star of dusk, through stealing mist,
And blessed the earth, and gone, while no man wist.
With slow, reluctant feet, and weary eyes,
And eye-lids heavy with the coming sleep,
With small breasts lifted up in stress of sighs,
She passed, as shadows pass, among the sheep;
While the earth dreamed, and only I was ware
Of that faint fragrance blown from her soft hair.
The land lay steeped in peace of silent dreams;
There was no sound amid the sacred boughs.
Nor any mournful music in her streams:
Only I saw the shadow on her brows,
Only I knew her for the yearly slain,
And wept, and weep until she come again.
”
”
Frederic Manning
“
What did I tell you? Something's happening!' cried Sam. '"The war's going well," said Shagrat; but Gorbag he wasn't so sure. And he was right there too. Things are looking up, Mr. Frodo. haven't you got some hope now?'
'Well, no, not much, Sam,' Frodo sighed. 'That's away beyond the mountains. We're going east not west. And I'm so tired. And the Ring is so heavy, Sam. And I begin to see it in my mind all the time, like a great wheel of fire.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Sighing, she headed back to work. She braced herself to lift the heavy lid of yet another trunk. The sight inside curled a small smile onto her lips, as it had with every trunk she’d pried open this morning.
Books. More beautiful, precious books.
”
”
Catherine LaRoche (Master of Love)
“
The boldest of the three (thieves) moved suddenly, grabbed Angua and pulled her upright. "We walk out of here unharmed or the girl gets it, all right?" he snarled. Someone sniggered.
"I hope you're not going to kill anyone," said Carrot.
"That's up to us!"
"Sorry, was I talking to you?" said Carrot.
"Don't worry, I'll be fine," said Angua. She looked around to make sure Cheery wasn't there and then sighed.
"Come on, gentlemen, let's get this over with."
"Don't play with your food!" said a voice from the crowd.
There were one or two giggles until Carrot turned in his seat, whereupon everyone was suddenly intensely interested in their drinks.
"It's OK," said Angua quietly.
Aware that something was off kilter, but not quite sure what it was, the thieves edged back to the door. No one moved as they unbolted it and, still holding Angua, stepped out into the fog, shutting the door behind them.
"Hadn't we better help," said a constable who was new to the Watch.
"They don't deserve help," said Vimes. there was a clank of armor and then a long, deep growl, right outside in the street. And a scream and then another scream. and a third scream modulated with "NONONOnonononononoNO!...aarghaarghaargh!" Something heavy hit the door.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
Hail Mary, full of grace,” Papaw
said, “please tell Billy to shut his
face.”
“I intend to speak my mind,” Bill
said.
“Oh, Christians,” Papaw said
with a heavy sigh. “Always got to
speak their fucking minds like we
haven’t heard it all a million times
already. They think the sun rises just to
hear them crow. What a bunch of
Christless bastards.
”
”
Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
“
I hope you gaze at cloud art galleries
against azure summer skies
and pause to gasp at rainbows
and watch butterflies fly by;
I hope wildflowers make you happy
and sad songs make you cry
and old books stacked in dusty nooks
are gems you can't pass by;
I hope burnt toast mornings
are little things
you handle with a smile
and midnight talks and starlit walks
keep you up once in awhile;
I hope laundry warm from the dryer
brings a sigh of contentment
and front porch swings on cool evenings
offer rest when you are spent;
I hope your life is light in sorrow
and heavy with laughter
and you greet each season of your life
like a new favorite chapter;
I hope you honor every soul you meet
and always go that extra mile
and when you think of me, my love,
I hope it's with a smile.
”
”
L.R. Knost
“
Eleanor closed her eyes and sighed, feeling and hearing and smelling the house; a flowering bush beyond the kitchen was heavy with scent, and the water in the brook moved sparkling over the stones. Far away, upstairs, perhaps in the nursery, a little eddy of wind gathered itself and swept along the floor, carrying dust. In the library the iron stairway swayed, and light glittered on the marble eyes of Hugh Crain; Theodora’s yellow shirt hung neat and unstained, Mrs. Dudley was setting the lunch table for five. Hill House watched, arrogant and patient. “I won’t go away,” Eleanor said up to the high windows.
”
”
Shirley Jackson (The Haunting of Hill House)
“
She pointed to a chair,then shifted the finger to her son. "You,go. I'll finish with you later."
"I'll be at the stables, doing penance." With a heavy sigh, Patrick rose, then he wrapped his arms around his mother's waist, laid his chin on top of her head. "Sorry."
"Get."
But Brian saw her lay a hand over Patrick's, and squeeze. With a quick grin tossed to the room in general, he bolted.
"That boy's responsible for every other line on my face," Adelia muttered.
"What lines?" Travis asked, and made her laugh.
"That's the right answer.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz.
”
”
William Shakespeare (Romeo and Juliet)
“
I know it must seem a curious analogy, a man with a flower, but sometimes he seemed to me like a lily. Yes. A lily. Possessed of that strange, ominous calm of sentient vegetable, like one of those cobra-headed, funereal lilies whose white sheaths are curled out of flesh as thick and tensely yielding to the touch as vellum. When I said that I would marry him, not one muscle in his face stirred, but he let out a long, extinguished sigh. I thought: Oh! how he must want me! And it was as though the imponderable weight of his desire was a force I might not withstand, not by virtue of its violence, but because of its very gravity...and I began to shudder, like a race horse before a race, yet also with a kind of fear, for I felt both a strange, impersonal arousal at the thought of love and at the same time a repugnance I could not stifle for his white, heavy flesh that had too much in common with the armfuls of arum lilies that filled my bedroom in great glass jars, those undertakers' lilies with the heavy pollen that powders your fingers as if you had dipped them in turmeric. The lilies I always associate with him; that are white. And stain you.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
With a great sigh, Jesper removed the gun belts at his hips. She had to admit he looked less himself without them. The Zemeni sharpshooter was long-limbed, brown-skinned, constantly in motion. He pressed his lips to the pearl handles of his prized revolvers, bestowing each with a mournful kiss.
“Take good care of my babies,” Jesper said as he handed them over to Dirix. “If I see a single scratch or nick on those, I’ll spell forgive me on your chest in bullet holes.”
“You wouldn’t waste the ammo.”
“And he’d be dead halfway through forgive,” Big Bolliger said as he dropped a hatchet, a switchblade, and his preferred weapon—a thick chain weighted with a heavy padlock—into Rotty’s expectant hands.
Jesper rolled his eyes. “It’s about sending a message. What’s the point of a dead guy with forg written on his chest?”
“Compromise,” Kaz said. “I’m sorry does the trick and uses fewer bullets.”
Dirix laughed, but Inej noted that he cradled Jesper’s revolver’s very gently.
“What about that?” Jesper asked, gesturing to Kaz’s walking stick.
Kaz’s laugh was low and humorless. “Who’d deny a poor cripple his cane?”
“If the cripple is you, then any man with sense.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Find your bed, Martise. I’ll be up for some time. This is bandit country, and we’ll each take a watch. Put your blankets with mine. We’ll stay warmer that way. And keep your shoes on. I’ll join you soon.” She’d grown used to him curled against her in sleep. Even the light snores purred into her ear comforted her, and there was always the possibility that when he awakened, he’d want her beneath him. Or atop him. Martise blushed at the sensual images playing in her mind. She prepared their bed as he instructed, crawled under the blankets—with her shoes on—and fell asleep. She woke when Silhara slid beneath the blankets and spooned against her. He laid his arm across her waist and wedged his leg between hers through her heavy skirts. His sigh tickled her ear. “Far better if you were bare, but this will do.
”
”
Grace Draven (Master of Crows (Master of Crows, #1))
“
Sienna gave him a solemn shrug. “Robert, speaking from a purely scientific standpoint—all logic, no heart—I can tell you without a doubt that without some kind of drastic change, the end of our species is coming. And it’s coming fast. It won’t be fire, brimstone, apocalypse, or nuclear war … it will be total collapse due to the number of people on the planet. The mathematics is indisputable.” Langdon stiffened. “I’ve studied a fair amount of biology,” she said, “and it’s quite normal for a species to go extinct simply as a result of overpopulating its environment. Picture a colony of surface algae living in a tiny pond in the forest, enjoying the pond’s perfect balance of nutrients. Unchecked, they reproduce so wildly that they quickly cover the pond’s entire surface, blotting out the sun and thereby preventing the growth of the nutrients in the pond. Having sapped everything possible from their environment, the algae quickly die and disappear without a trace.” She gave a heavy sigh. “A similar fate could easily await mankind. Far sooner and faster than any of us imagine.
”
”
Dan Brown (Inferno, Illustrated Edition (Robert Langdon, #4))
“
I can’t sleep,” he says so quietly that only I can hear. “I can’t sleep. I can’t sleep. I can’t sleep.”
“Nor I.”
“You neither?”
“No.”
“Truly?”
“Yes.”
He sighs a deep sigh, as if he is relieved. “Is this love then?”
“I suppose so.”
“I can’t eat.”
“No.”
“I can’t think of anything but you. I can’t go on another moment like this; I can’t ride out into battle like this. I am as foolish as a boy. I am mad for you, like a boy. I cannot be without you; I will not be
without you. Whatever it costs me.”
I can feel my color rising like heat in my cheeks, and for the first time in days I can feel myself smile. “I can’t think of anything but you,” I whisper. “Nothing. I thought I was sick.”
The ring like a crown is heavy in my pocket, my headdress is pulling at my hair; but I stand without awareness, seeing nothing but him, feeling nothing but his warm breath on my cheek and scenting
the smell of his horse, the leather of his saddle, and the smell of him: spices, rosewater, sweat.
“I am mad for you,” he says.
I feel my smile turn up my lips as I look into his face at last. “And I for you,” I say quietly. “Truly.
”
”
Philippa Gregory
“
a silver statue of a bird that seemed to be twitching. “Poor little thing,” he said, petting it with his large hands. “Someone tried to change it into a real bird, but it got stuck in between. It thinks it’s alive, but it’s much too heavy to fly.” The metal bird cheeped feebly, a dry, clicking noise like an empty pistol. Fogg sighed and put it away in a drawer. “It’s always launching itself out of windows and landing in the hedges.
”
”
Lev Grossman (The Magicians (The Magicians #1))
“
It was night again. The Waystone Inn lay in silence, and it was a silence of three parts.
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music...but no, of course there was no music. In fact there were none of these things, and so the silence remained.
Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint.
The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight.
The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things.
The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle #1))
“
I understand it was Derian who spoiled everything. He purposefully tainted your view of me and forced you to go along with him. I know none of what happened was your idea or your desire, Eena.”
She didn’t get up, but spoke from her curled position. Her voice was weak, still heavy with despair. “Derian didn’t force me to do anything.”
“But if he hadn’t influenced you, we would be enjoying a pleasant dinner again, telling stories and laughing. I’m sure that would be the case. You would be happy……and so would I.”
Eena chuckled without amusement.
“You have to admit we shared some very enjoyable evenings, didn’t we? There’s really no reason we can’t put this whole mess behind us and start from where we left off.” He sounded genuinely serious.
“You forget,” she reminded him, “I heard your conversation with the Ghengats. This isn’t about Derian, it’s about you.”
“Alright,” he admitted with an acquiescent sigh, “so I’m not everything you’d hoped for. But really, what man can ever live up to any woman’s terribly high expectations?”
This got her attention. She almost stood up to face him, but decided it wasn’t worth the effort. Leaning forward, she retorted, “Expecting a man to respect you, to be honest with you, and, oh yes, to not be a shameless murderer—I don’t think those are overly high expectations!”
He shrugged, casually excusing his faults. “Nobody’s perfect.”
“What do you want?” she finally asked, exasperated.
He squatted to her level and stated his desire. “I want you.”
Eena thought the expression on his face—the look in his weary blue eyes—appeared strangely sincere. But there was one thing she had learned from all this: never trust a master of deceit.
”
”
Richelle E. Goodrich (Eena, The Dawn and Rescue (The Harrowbethian Saga #1))
“
In the last week, you’ve nearly showed up everywhere I’ve been. It’s almost like you’re following me.”
“What if I was?”
I almost dropped the stake as my gaze flew to his face. His expression was unreadable and I couldn’t tell if he was being serious or not. “Really?” That’s not creepy or anything.”
His sigh was so heavy I was surprised it didn’t shake the buildings. “You shouldn’t be out here.”
“What do you want from me?” I challenged. “I mean, really? Are we going to have this conversation every five minutes?”
“What do I want from you?” An emotion flickered across his face, parting his lips. “That’s a loaded question.
”
”
Jennifer L. Armentrout (The Prince (Wicked Trilogy, #3.5))
“
I felt like there should have been rainbows and rose petals in their wake or something.
Ugh.That was catty.
Jenna deserved rainbows and rose petals, I reminded myself as I flopped back on my bed, Dad's book bumping painfully against my sternum. After everything she'd been through, Jenna had earned an eternity of nothing but good stuff. So why did seeing her with Vix make me want to brain myself with Demonologies: A History? I looked at the nightstand again and sighed. Then I opened the heavy book and tried to make myself read.
For the next few hours I made a valiant attempt to get through Chapter One.
For a book that was supposedly about fallen angels running around and creating havoc with their super-awesome dark "magycks," it was awfully boring, and all the weird spellings definitely didn't help.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Simple being is a deep sigh of relief that comes from letting go of pretense. It is also the sigh that comes from releasing a heavy burden that results from creating and managing the false selves that are substitute centers for the truth of our being. It is the sigh of release as we exchange complexity for simplicity. It is the sigh of release as we let go of preoccupations, inordinate attachments, and disordered passions. Things in the depths of our beings get aligned when we let go of these things.
”
”
David G. Benner (Presence and Encounter: The Sacramental Possibilities of Everyday Life)
“
...she sat down at the piano and began to run over the first act of the Walkure, the last of his roles they had practiced together; playing listlessly and absently at first, but with gradually increasing seriousness. Perhaps it was the still heat of the summer night, perhaps it was the heavy odors from the garden that came in through the open windows; but as she played there grew and grew the feeling that he was there, beside her, standing in his accustomed place. In the duet at the end of the first act she heard him clearly: "Thou art the Spring for which I sighed in Winter's cold embraces." Once as he sang it, he had put his arm about her, his one hand under her heart, while with the other he took her right from the keyboard, holding her as he always held Sieglinde when he drew her toward the window. She had been wonderfully the mistress of herself at the time; neither repellent nor acquiescent. She remembered that she had rather exulted, then, in her self-control--which he had seemed to take for granted, though there was perhaps the whisper of a question from the hand under her heart. "Thou art the Spring for which I sighed in Winter's cold embraces." Caroline lifted her hands quickly from the keyboard, and she bowed her head in them, sobbing.
”
”
Willa Cather (The Troll Garden: Short Stories)
“
You never told me your name," he says, his voice so hauntingly familiar it causes a rush of heat to blanket my skin.
I sigh,staring blankly down the hall when I say, "Psycho Girl-Psycho Horseback Singing Girl..." I shrug. "I've heard it both ways."
He squints.His hand reaching for my shoulder,then falling away the instant he catches the look of reproach on my face.
"Look," I say,knowing I need to stop him before he can go any further.His kindness will only distract me at a time when I need to stay focused. "I've had a really bad day.And if my calculations are right,I have three hundred and eight more,give or take, before I get to graduate and get the heck out of this place. So,why don't you just call me whatever you want. Everyone else does.It's not like it matters..." My cheeks go hot,my eyes start to sting, and I know I'm rambling like a lunatic,but I cant seem to stop,can't seem to care.The world's most socially inept Seeker-that's me in a nutshell.
"Don't let them reduce you to that," he says,his gaze instense, his voice surprising me with its sincerity, its urgency. "Don't let them define how you see yourself,or your place here. And if you ever need someone to talk to,I'm not hard to find.I'm either in class, reading in the library,or eating lunch in the North hallway."
The second he says it,my gaze flies down the length of him.Slipping past a gray V-neck tee and dark denim jeans,not the least bit surprised when I land on the same heavy,black, thick-soled shoes I spied earlier.
Then before he can say anything more, I'm gone. Trying to ignore the comforting stream of kindness and love that swarms all around me.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
Feeling witless and utterly drained, Lillian let herself collapse over him, her head coming to rest on the center of his chest. His heart pounded and thundered beneath her ear for long minutes before it eased into something approaching a normal rhythm. “My God,” he muttered, his arms sliding around her, then falling away as if even that required too much effort. “Lillian. Lillian.”
“Mmm?” She blinked drowsily, experiencing an overwhelming need to sleep.
“I’ve changed my mind about negotiating. You can have whatever you want. Any conditions, anything that’s in my power to accomplish. Just put my mind at ease and say you’ll be my wife.”
Lillian managed to lift her head and stare into his heavy-lidded eyes. “If this is an example of your bargaining ability,” she said, “I’m rather worried about your corporate affairs. You don’t surrender this easily to your business partners’ demands, I hope.”
“No. Nor do I sleep with them.”
A slow grin spread across her face. If Marcus was willing to take a leap of faith, then she would do no less. “Then to put your mind at ease, Westcliff… yes, I’ll be your wife. Though I warn you… you may be sorry you didn’t negotiate when you learn my conditions later. I may want a board position on the soap company, for example…”
“God help me,” he muttered, and with a deep sigh of contentment, he fell asleep.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
She was only twenty-three, not even a quarter of a century old.She had spent the last five years living exclusively in the human world. Now her wild nature was calling to her. Gregori was touching something untamed in her, something to which she had forbidden herself access. Something wild and unhibited and incredibly sensuous.
Savannah looked up at his dark, handsome face. It was so male. So carnal. So powerful. Gregori. The Dark One. Just looking at him made her go weak with need. One glance from his slashing silver eyes could bring a rush of liquid heat, fire racing through her.She became soft and pliant. She became his.
Gregori's palm cupped her face. "Whatever you are thinking is making you fear me,Savannah," he said softly. "Stop it."
"You're making me into something I'm not," she whispered.
"You are Carpathian, my lifemate. You are Savannah Dubrinsky. I cannot take any of those things from you. I do not want a puppet, or a different woman. I want you as you are." His voice was soft and compelling. He lifted her in his arms,carried her to his bed and tucked the covers around her.
The storm lashed at the windows and whistled against the walls. Gregori wove the safeguards in preparation for their sleep. Savannah as exhausted, her eyes already trying to close. Then he slipped into the bed and gathered her into his arms. "I would never change anything about you,ma patite, not even your nasty little temper."
She settled against his body as if she was made for it.He felt the brush of her lips against his chest and the last sigh of air as it escaped from her lungs.
Gregori lay awake for a long time, watching as the dawn crept forward, pushing away the night. One wave of his hand closed and locked the heavy shutters over the windows. Still he lay awake, holding Savannah close.
Because he had always known he was dangerous, he had feared for mortals and immortals alike at his hand. But somehow,perhaps naively, he had thought that once he was bound to his lifemate, he would become tamer, more domesticated. His fingers bunched in her hair. But Savannah made him wild. She made him far more dangerous than he had ever been. Before Savannah, he had had no emotions. He had killed when it necessary because it was necessary. He had feared nothing because he loved nothing and had nothing to lose. Now he had everything to lose.And so he was more dangerous.For no one, nothing, would ever threaten Savannah and live.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Finn heaves a heavy sigh. “We were all equipped with low-damage bombs, knives, and suicide capsules, though we weren’t planning on having to use any of it. But we discreetly wore our leather armor and had our masks as a precaution in case we needed to fight our way out. And that’s exactly what it came to. An Imperial was the first to set off one of our bombs, not knowing what it was, and that’s when the ballroom broke out into chaos. We tried to escape, but Elites started fighting us, and all we could do was try to fight our way out.” He pauses, swallowing his sorrow. “In the end, we all used the bombs while those who were caught used the suicide capsules.” Leena’s pretty face is pinched with grief, her next words hollow. “Our secrets are too valuable to lose, and they were too loyal to divulge them. They knew they would lose their lives anyway.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
You still out there, Princess?”
My lips parted as my eyes widened at the sound of his voice. It was Hawke. In that room. I couldn’t believe it.
“Or have you fallen to your death?” He continued. I briefly debated the merits of jumping. “I really hope that’s not the case since I’m pretty positive that would reflect poorly on me since I assumed you were in your room.” A pause. ”Behaving. And not on a ledge, several dozen feet in the air, for reasons I can’t even begin to fathom but am dying to learn.”?
“Dammit,” I whispered, looking around as if I could find another escape route. Which was stupid. Unless I suddenly sprouted wings, the only exit point was through the window.
A heartbeat later, Hawke stuck his head out and looked up at me. The soft glow of the lamp glanced off his cheekbone as he raised his brow.
“Hi?” I squeaked.
He stared at me a moment. “Get inside.”
I didn’t move.
With a sigh so heavy it should’ve rattled the walls, he extended his hand toward me. “Now.”
“You could say please,” I muttered.
His eyes narrowed. “There are a whole lot of things I could say to you that you should be grateful I’m keeping to myself.”
“Whatever,” I grumbled. “Move back.”
He waited, but when I didn’t take his hand, he disappeared back into the room, grousing under his breath. “If you fall, you’re going to be in so much trouble.”
“If I fall, I’ll be dead, so I’m not sure how I’d also be in trouble.”
“Poppy,” he snapped, and I couldn’t help it. I grinned.
”
”
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
“
I want you so badly I feel I might go insane if I do not have you at this moment."
She lay her head over his, rubbing his thick mane of golden hair with her chin. "But?"
Julian sighed softly. "I will have to be content with looking at you in adoration." He reluctantly released her and stepped away. "I think I can manage to wait a short time." His golden eyes glittered at her dangerously. "If you do something to distract me."
Desari tilted her head, her long hair sliding like so much silk over her shoulder, partially covering her bare skin from his view. A small, feminine smile curved her soft mouth. Just the sight of it made him groan. "Distract you?" Her voice hummed with promise. "I can think of several interesting things we can try to distract you from thinking of my family." Her smile was sexy, enticing, a promise.
"You are not helping me," he scolded, his body as unrelenting ache.
Desari had slowly merged her mind with his. She saw his terrible need of her, the images of them intertwined. She felt the fire rushing in his blood, the heaviness pooling between his legs. The monster roaring for release, inciting him to take his lifemate with heat and passion and damn the strangers he was trying to be considerate of.
”
”
Christine Feehan (Dark Challenge (Dark, #5))
“
SWIFTLY walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave,--
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear
Which make thee terrible and dear,--
Swift be thy flight!
Wrap thy form in a mantle grey,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out.
Then wander o'er city and sea and land,
Touching all with thine opiate wand--
Come, long-sought!
When I arose and saw the dawn,
I sigh'd for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turn'd to his rest,
Lingering like an unloved guest,
I sigh'd for thee.
Thy brother Death came, and cried,
'Wouldst thou me?'
Thy sweet child Sleep, the filmy-eyed,
Murmur'd like a noontide bee,
'Shall I nestle near thy side?
Wouldst thou me?'--And I replied,
'No, not thee!'
Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled.
Of neither would I ask the boon
I ask of thee, beloved Night--
Swift be thine approaching flight,
Come soon, soon!
”
”
Percy Bysshe Shelley (The Complete Poems)
“
We're not disposable,' I tell him, anger burning away the last of my despair. 'Mortals. You gods toy with us like you think we are.'
Hades lets loose a sigh almost as heavy as I feel. 'The others do because for them, mortals come and go. Blips. If you think about the lifespan of a butterfly from a mortal's perspective, so short compared to yours...' He shrugs. 'You think of it as a beautiful but doomed thing that is here, then gone too fast to get attached.'
...
'You don't think of mortals like that?'
'No.'
'Why not?'
That expression, the lost one, returns. 'Because they all come to me in the end.' Those nine words are so laden with burden, I don't know how they don't crush him.
...
'We're not butterflies to you,' I whisper. 'We're eternity.'
His eyes flare briefly with something savage, but he doesn't speak.
”
”
Abigail Owen (The Games Gods Play (The Crucible, #1))
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?"
As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights.
She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order."
"Suspension?" He took a step closer and heard her breath catch in her throat.
"A little bit stiff." She licked her lips. "I think we're in for a rough ride."
"Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears.
"A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling."
Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation."
She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft.
"Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him.
“How does one court a woman in Japan? Do I need your brothers’ permission?”
She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair.
He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard.
Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right.
Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well.
Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
The rain is colder than I expect—which is ridiculous, since it’s March. My cheeks are freezing by the time we go two blocks, my hair has a sodden weight on my shoulder. My glasses are so wet I need to shove them in a pocket. I threw Mom’s pullover windbreaker over my sweatshirt before leaving the house, thinking it would be waterproof, but I am so wrong.
By the time I make the final turn for the church, I wonder if I’m stupid for being out here. It’s pouring so hard that a haze has formed around the streetlight, and I can barely see anything through the darkness.
My sneakers squish in the grass. I get to the spot where we sat for the last two nights.
And of course he’s not there.
I sigh. Only a complete moron would go meet in the rain.
Then Texy woofs and bounces on her front paws.
I turn, and it’s like I’m in a chick flick. His shadowed figure lopes across the grass.
Okay, maybe the dark and rain make it more like a horror movie than a romantic comedy, BUT STILL.
He draws to a stop in front of me. He had the sense to wear a heavy, waterproof coat over his hoodie, but the hood is soaked and rain drips down his cheeks.
“Hey,” he says, his voice a little loud over the rain.
I’m blushing. I tell my cheeks to knock it off. “Hey.”
“I wasn’t sure you’d show up, but I didn’t have a way to text you …”
“I had the same thought process.
”
”
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
“
For there he stands, the emissary from the kingdom of sighs, the elected favourite of suffering, the apostle of sorrow, the silent friend of pain, the unhappy lover of memory, confounded in his memory by the light of hope, deceived in his hope by the shadows of memory. His head is heavy, his knees are weak, yet he rests on none but himself. He is faint, yet how powerful! His eyes seem not to have shed, but to have drunk, many tears; yet a fire burns in them that could consume the entire world, though not one splinter of the sorrow within his breast. He is bent, yet his youth portends a long life; his lips smile at the world that misunderstands him. Rise, dear Symparanekromenoi, bow before him, sorrow’s witnesses, in this solemn hour! I salute you, great unknown, whose name I do not know; I salute you with your title of honour: The Unhappiest One! Receive a welcome here in your home from the community of the unhappy; welcome at the entrance to the humble and low dwelling which is yet prouder than all the world’s palaces!
”
”
Søren Kierkegaard (Either/Or: A Fragment of Life)
“
I can’t sleep,” he says so quietly that only I can hear. “I can’t sleep. I can’t sleep. I can’t sleep.” “Nor I.” “You neither?” “No.” “Truly?” “Yes.” He sighs a deep sigh, as if he is relieved. “Is this love then?” “I suppose so.” “I can’t eat.” “No.” “I can’t think of anything but you. I can’t go on another moment like this; I can’t ride out into battle like this. I am as foolish as a boy. I am mad for you, like a boy. I cannot be without you; I will not be without you. Whatever it costs me.” I can feel my color rising like heat in my cheeks, and for the first time in days I can feel myself smile. “I can’t think of anything but you,” I whisper. “Nothing. I thought I was sick.” The ring like a crown is heavy in my pocket, my headdress is pulling at my hair; but I stand without awareness, seeing nothing but him, feeling nothing but his warm breath on my cheek and scenting the smell of his horse, the leather of his saddle, and the smell of him: spices, rosewater, sweat. “I am mad for you,” he says. I feel my smile turn up my lips as I look into his face at last. “And I for you,” I say quietly. “Truly.” “Well then, marry me.” “What?” “Marry me. There is nothing else for it.” I give a nervous little laugh. “You are joking with me.” “I mean it. I think I will die if I don’t have you. Will you marry me?” “Yes,” I breathe. “Tomorrow morning, I will ride in early. Marry me tomorrow morning at your little chapel. I will bring my chaplain, you bring witnesses. Choose someone you can trust. It will have to be a secret for a while. Do you want to?” “Yes.” For the first time he smiles, a warm beam that spreads across his fair broad face. “Good God, I could take you in my arms right now,” he says. “Tomorrow,” I whisper. “At nine in the morning,” he says.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
She had other favourite lines. Our gas oven blew up. The repairman came out and said he didn't like the look of it, which was unsurprising as the oven and the wall were black. Mrs Winterson replied, 'It's a fault to heaven, a fault against the dead, and a fault to nature.' That is a heavy load for a gas oven to bear.
She liked that phrase and it was more than once used towards me; when some well-wisher asked how I was, Mrs W looked down and sighed, 'She's a fault to heaven, a fault against the dead, and a fault to nature.'
This was even worse for me than it had been for the gas oven. I was particularly worried about the 'dead' part, and wondered which buried and unfortunate relative I had so offended.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
I have no natural trust in others. I am more inclined to expect them to do ill than to do good. That is the price one has to pay for having a sense of humour. A sense of humour leads you to take pleasure in the discrepancies of human nature; it leads you to mistrust great professions and look for the unworthy motive that they conceal; the disparity between appearance and reality diverts you and you are apt when you cannot find it to create it. You tend to close your eyes to truth, beauty and goodness because they give no scope to your sense of the ridiculous. The humorist has a quick eye for the humbug; he does not always recognize the saint. But if to see men one-sidedly is a heavy price to pay for a sense of humour there is a compensation that has a value too. You are not angry with people when you laugh at them. Humour teaches tolerance, and the humorist, with a smile and perhaps a sigh, is more likely to shrug his shoulders than to condemn. He does not moralize, he is content to understand; and it is true that to understand is to pity and forgive.
”
”
W. Somerset Maugham (The Summing Up)
“
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and I put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin.
“Rory,” he said. But it was a quiet protest, and it went nowhere.
For the first few seconds, he didn’t move—he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight.
“I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn’t stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold—now it was warm. Now it was alive.
”
”
Maureen Johnson (The Madness Underneath (Shades of London, #2))
“
She sat at her dressing table, eyeing her reflection warily. Her hair was loose, spilling over her shoulders, a few shades darker than the dress. She gathered a handful and began to braid.
“I hear you’re going to the ball tonight.”
Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away.
She sighed and continued to braid.
He said, “It’s not a good idea for you to attend the ball.”
“I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?”
The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.”
Heavy locks fell forward to curtain her face. “Lirah usually does my hair,” she muttered. She heard Arin inhale as if to speak, but he didn’t.
Then, quietly, he said, “I could do it.”
“What?”
“I could braid your hair.”
“You?”
“Yes.”
Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It all suddenly made me nervous, and a little, tiny, baby bit worried. Pulling one of the stools at the island back, I plopped into it and simply stared at that discolored, harsh face in unease. “I just want to know whether I need to steal a bat or make a phone call.”
His mouth had been open and poised to argue with me… until he heard the last thing I said. “What?”
“I need to know—”
“What do you need to steal a bat for?”
“Well, no one I know owns one, and I can’t go buy one at the store and have it caught on videotape.”
“Videotape?”
Did he know nothing?
“Aiden, come on, if you beat the shit out of someone with a bat, they’re going to look for suspects. Once they have suspects, they’ll look through their things or their purchases. They’ll see I bought one recently and know it was premeditated. Why are you looking at me like that?”
His mauve-colored eyelids went heavy over the bright whites of his eyes, and the expression on his face was filled such a vast range of emotions, one after another after another, that I wasn’t sure which one I was supposed to hold on to. He switched the icepack to the other side of his bruised jaw and shook his head. “The amount you know about committing crimes is terrifying, Van.” His mouth twitched under the rainbow of whatever he was thinking. “It scares the hell out of me, and I don’t get scared easily.”
I snorted, pretty pleased with myself. “Calm down. I went through this phase when I was into watching a lot of crime TV shows. I’ve never even stolen a pen in my life.”
Aiden’s careful expression didn’t go anywhere.
“I’m not trying to kill anyone… unless we had to,” I joked weakly.
His nostrils flared so slightly I almost missed it. But what I didn’t miss was the way the corners of his mouth tipped up into a tiny smile.
I smiled at him as innocently as possible. “So do you want to tell me who’s going to get the fists of fury?” I hoped I sounded as harmless as I intended, even though I felt the exact opposite as every second passed.
“Fists of fury?”
“Yep.” I held up my hands just a little so he could see them. He had no idea the number of fights I’d gotten into with my sisters over the years. I didn’t always win—I rarely won if I was going to be honest—but I never gave up.
The sigh that came out of him was so long and drawn out, I kind of prepped myself for the half-assed answer that was going to come out of his mouth.
“It’s nothing.” There it was
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Hollin was still sitting with Levitas’s head in his lap, a bucket now beside him; he was squeezing water from a clean cloth into the dragon’s open mouth. He looked at Rankin without bothering to hide his contempt, but then he bent over and said, “Levitas, come along now; look who’s come.”
Levitas’s eyes opened, but they were milky and blind. “My captain?” he said uncertainly.
Laurence thrust Rankin forward and down onto his knees, none too gently; Rankin gasped and clutched at his thigh, but he said, “Yes, I am here.” He looked up at Laurence and swallowed, then added awkwardly, “You have been very brave.” There was nothing natural or sincere in the tone; it was as ungraceful as could be imagined.
But Levitas only said, very softly, “You came.” He licked at a few drops of water at the corner of his mouth. The blood was still welling sluggishly from beneath the dressing, thick enough to slightly part the bandages one from the other, glistening and black. Rankin shifted uneasily; his breeches and stockings were being soaked through, but he looked up at Laurence and did not try to move away.
Levitas gave a low sigh, and then the shallow movement of his sides ceased. Hollin closed his eyes with one rough hand.
Laurence’s hand was still heavy on the back of Rankin’s neck; now he lifted it away, rage gone, and only tight-lipped disgust left. “Go,” he said. “We who valued him will make the arrangements, not you.” He did not even look at the man as Rankin left the clearing.
”
”
Naomi Novik (His Majesty's Dragon (Temeraire, #1))
“
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh.
"Uh, too tight."
He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy.
The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner.
After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust.
He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them.
Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked.
"Archibald's going to love your costume," he initiated.
She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever.
She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
He didn’t know how to help. If Max were anyone else, Jules would sit with him for a while, looking out at the night, and then start to talk. About nothing too heavy at first. Warming up to get into the hard stuff.
Although, maybe, if he tried that now, the man would either open up—Ha, ha, ha! Riotous laughter. Like that would ever happen—or he’d stand up and move outside of talking range, which would put him away from the window with nothing to look at, at which point he might close his eyes for a while.
It was certainly worth a try.
Of course there were other possibilities. Max could put Jules into a chokehold until he passed out.
So okay. Start talking. Although why bother with inconsequential chitchat, designed to make Max relax? And weren’t those words--Max and relax--two that had never before been used together in a sentence?
It wasn’t going to happen, so it made sense to just jump right in.
Although, what was the best way to tell a friend that the choices he’d made were among the stupidest of all time, and that he was, in short, a complete dumbfuck?
Max was not oblivious to Jules’s internal hemming and hawing. “If you have something you need to say, for the love of God, just say it. Don’t sit there making all those weird noises.”
What? “What noises? I’m not making weird noises.”
“Yeah,” Max said. “You are.”
“Like what? Like . . .?” He held out his hands, inviting Max to demonstrate.
“Like . . .” Max sighed heavily. “Like . . .” He made a tsking sound with his tongue.
Jules laughed. “Those aren’t weird noises. Weird noises are like, whup-whup-whup-whup”-- he imitated sounds from a Three Stooges movie—“or Vrrrrrr.”
“Sometimes I really have to work to remind myself that you’re one of the Bureau’s best agents,” Max said.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
Again the king sighed. "That is a different matter."
"Fine," Dragon said promptly. "I shall solve your problem for you." He made to rise.
Rycca did not mask her response. She grabbed hold of his wrist with both her hands and yanked hard. "Sit down," she said emphatically, and then just to soften it, "I pray you,my lord."
After a moment's shock, Alfred laughed. He shook his head ruefully. "You three must know how men envy you? The beauty of your wives is spoken of with awe, yet I am pleased to see they are not lacking in spirit either."
"Mayhap too much spirit," Dragon growled, but he did not look truly angry, merely frustrated.
"Your killing Wolscroft will only cause more trouble," Alfred said. "No, this must be handled within the law."
Slowly, Dragon resumed his seat but he looked in no way pleased about it. Rycca returned her hands to her lap and tried hard to look abashed. He wasn't fooled but he did reach over, take hold of her chair, and haul it up close to his so that he could rest an arm around her shoulders. A rather heavy arm, she thought, reminded of his strength and will.Not that she minded. Above all, she wanted him near her,not off risking his life against her father.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
I wish you would, because I’m not sure how long I can put up with this.”
“I’ll bet you can put up with it a little longer,” I said brightly, desperate to get out from under the heavy subject. “How much do you love college in New York?”
He grinned. “I love college in New York. I love just being in the city. I love my classes. I love the hospital. I wish I weren’t there at two in the morning because I also love sleep, but I do love the hospital. I love Manohar and Brian. In a manly love kind of way, of course.”
“Of course,” I said, the corners of my mouth stretched tight, trying not to laugh. “You get along great with everybody. Because that’s what you do.”
“Because that’s what I do,” he agreed. “Do you love college in New York?”
I sighed, a big puff of white air. “I do love college in New York. Lately I’ve been so busy with work and homework that I might as well be in Iowa, but I remember loving college in New York a month ago. I’m afraid it may be coming to a close, though.”
He leaned nearer. “Seriously.”
“If I got that internship,” I said, “I could hold on. Otherwise I’m in trouble. I wanted so badly to start my publishing career in the publishing mecca. But maybe that’s not possible for me now. I can write anywhere, I guess.” I laughed.
He didn’t laugh. “What will you do, then?”
“I might try California,” I said. “It’s almost as expensive as New York, though. And it’s tainted in my mind because my mother tried it with the worst of luck.”
Hunter’s movement toward me was so sudden that I instinctively shrank back. Then I realized he was reaching for my hand. He took it in his warm hand again, rubbing my palm with his calloused thumb. His voice was smooth like a song as he said, “I would not love college in New York if you weren’t there.”
Suddenly I was flushing hot in the freezing night. “You wouldn’t?” I whispered.
“No. When I said I love it, I listed all these things I love about it. I left you out.” He let my hand go and touched his finger to my lips. “I love you.”
I started stupidly at him. Was he joking again, reciting another line from my story? I didn’t remember writing this.
He leaned in and kissed me. I didn’t respond for a few seconds. My mind lagged behind what my body was feeling.
“Say it,” he whispered against my lips. “I know this is hard for you. Tell me.”
“I love you.” Hearing my own words, I gasped at the rush of emotion.
He put his hands on either side of my jaw and took my mouth with his.
My mind still chattered that something was wrong with this picture. My body stopped caring. I grabbed fistfuls of his sweater and pulled him closer.
”
”
Jennifer Echols (Love Story)
“
You’re like a Boy Scout, huh?”
It’s my attempt at flirting—probably only slightly less effective than Dirty Dancing’s “I carried a watermelon.”
He does the mouth-quirk thing again.
“Not even close.”
There’s a bad-boy edge in the way he says it—a heavy hint of the forbidden—that gets my heart pounding and my jaw eager to drop.
To cover my reaction, I nod vigorously.
“Right, me neither . . . Never been a—”
Too vigorously.
So vigorously that my elbow slips in the flour on the counter and I almost knock myself unconscious. But Logan’s not only big and brawny—he’s quick. Fast enough to catch me by the arm and waist to steady me before I bash the side of my head against the butcher block.
“Are you all right, Ellie?”
He leans down, looking at me intently—a look I’ll see in my dreams tonight . . . assuming I can sleep. And, wow, Logan has great eyelashes. Thick and lengthy and midnight black. I bet they’re not the only part of him that’s thick and lengthy.
My gaze darts down to his promised land, where his pants are just tight enough to confirm my suspicions—this bodyguard may have a service revolver in his pocket, but he’s got a magnum in his pants.
Yum.
“Yeah, I’m good.” I sigh. “Just . . . you know . . . tired. But I’m cool . . . totally cool.”
And I shake it off, like I actually am
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
Sighing, he rose from his desk and walked to the windows to stare out at the Vatican through the rain. What a burden men like Sandoz carried into the field. Over four hundred of Ours to set the standard, he thought, and remembered his days as a novice, studying the lives of sainted, blessed and venerated Jesuits. What was that wonderful line? "Men astutely trained in letters and in fortitude." Enduring hardship, loneliness, exhaustion and sickness with courage and resourcefulness. Meeting torture and death with a joy that defies easy understanding, even by those who share their religion, if not their faith. So many Homeric stories. So many martyrs like Isaac Jogues. Trekking eight hundred miles into the interior of the New World—a land as alien to a European in 1637 as Rakhat is to us now, Giuliani suddenly realized. Feared as a witch, ridiculed, reviled for his mildness by the Indians he'd hoped to gain for Christ. Beaten regularly, his fingers cut off joint by joint with clamshell blades—no wonder Jogues had come to Emilio's mind. Rescued, after years of abuse and deprivation, by Dutch traders who arranged for his return to France, where he recovered, against all odds.
Astonishing, really: Jogues went back. He must have known what would happen but he sailed back to work among the Mohawks, as soon as he was able. And in the end, they killed him. Horribly.
How are we to understand men like that? Giuliani had once wondered. How could a sane man have returned to such a life, knowing such a fate was likely? Was he psychotic, driven by voices? A masochist who sought degradation and pain? The questions were inescapable for a modern historian, even a Jesuit historian. Jogues was only one of many. Were men like Jogues mad?
No, Giuliani had decided at last. Not madness but the mathematics of eternity drove them. To save souls from perpetual torment and estrangement from God, to bring souls to imperishable joy and nearness to God, no burden was too heavy, no price too steep.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?”
“Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size.
“Will you light them, please?” she urged. “I-I can’t see a thing in here.”
“His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.”
Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?”
“I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light.
“Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room.
“Here-on your left.”
Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.”
Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.”
“I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room.
“Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her.
“Saints preserve us!”
With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He smiled and pulled the ugly white fichu from her neck.
She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?"
He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you."
"I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?"
"I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin.
She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap.
And underneath...
"Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free.
"Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair.
He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers.
He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill.
Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist.
"Wonderful," he murmured, taking it in both hands and lifting it.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes.
"You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain.
He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you."
His voice was little more than a whisper.
She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God."
Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that.
He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?"
"Yes." She clutched his hand more tightly between hers. "I meant every word."
His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too."
She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?"
His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot."
His words were starting to slur again; he was slipping back into healing sleep.
Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond.
She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all."
She knew he heard that-his features softened, eased.
As he slid into sleep, he was, very gently, smiling.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage.
But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought.
Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his.
"Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it."
He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite.
"I'm glad to see your stomach is better," he said as she was finishing.
She looked up,startled. "What makes you say that?"
"You haven't seemed able to eat regularly of late."
"Oh,well,you know...so many changes...travel...all that."
He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him.
"Rycca?"
She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?"
"Something...?"
"I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot."
"Not so! You could never be that."
"Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?"
"Some women are not all that regular."
"Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-"
She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?"
"What? Will what? Does that mean-"
"I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more."
Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?"
"I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now."
"Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her.
Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered.
Nine...ten...
"We're going to have a baby."
Not long at all.
She nodded happily. "Yes,we are, and you're going to be a wonderful father."
He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her.
"My God-"
Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen."
"True,but still it's absolutely incredible."
Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby."
Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing.
Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone.
She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted.
He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck.
He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers.
He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch.
"That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip.
She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck.
He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire.
"Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant.
Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast.
With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts.
She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts.
Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her.
But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound.
He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
He got up out of bed, walked across the room, and put his glowing hand to her face with hesitation. On a sigh she leaned into the imprint of his palm and the warmth of his flesh. “Is this you?” he said hoarsely.
She nodded and reached out to his cheeks, which were a little red. “You’ve been crying.”
He captured her hand. “I feel you.”
“Me, too.”
He touched her neck, her shoulder, her sternum. Brought her arm forward and looked at it…well, through it.
“Um…so I can sit on things,” she said for no particular reason. “I mean…while I was waiting out there, I sat on the couch. I also moved a picture on the wall, put a penny back in your change dish, picked up a magazine. It’s a little weird, but all I have to do is concentrate.” Shit. She had no idea what she was saying. “The, ah…the Scribe Virgin said I could eat but I didn’t have to. She said…I could drink, too. I’m not sure how it all works, but she seems to know. Yeah. So. Anyway, I think it’s going to take some time to figure out the drill, but…”
He put his hand into her hair and it felt the same as it had before. Her nonexistent body registered the sensations exactly as it had before. He frowned, then looked downright angry. “She said it required a sacrifice. To bring someone back. What did you give her? What did you bargain with?”
“How do you mean?”
“She doesn’t give things away without demanding something in return. What did she take from you?”
“Nothing. She never asked me for anything.”
He shook his head and seemed like he was going to speak. But then he wrapped his heavy arms around her and held her against his trembling, glowing body. Unlike the other times when she had to concentrate to find solidity, with V it just happened. Against him, she was corporeal with no effort on her part. She could tell he was crying by the way he breathed and the fact that he leaned on her, but she knew that if she made any mention of it, or tried to soothe him with words, he would stop on a dime. So she just held him and let him go. Then again, she was kind of busy holding herself together.
“I thought I would never get to do this again,” he said in a voice that cracked.
-Vishous & Jane
”
”
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))