Heavy Hitting Quotes

There was an electric anger in his gaze, and a sort of challenge that made Simon long to hit him with something heavy. Like a pickup truck.

Well, what? Sophie-" "I hit her on the head with a mirror," Sophie said hopelessly. "One of those silver-backed ones, so it was quite heavy. She went down just like a stone, miss. So I...I tied her to the bed and I came looking for you.

Michael rose to his feet and padded down the last few steps silently, came up behind Kim, and leaned over her to say, “I vant to drink your blood” in a heavy, fake-Dracula accent. She shrieked, flailed, and a zombie ate her brains on-screen. You sabotaged me!” Kim yelled, dropped the controller, and smacked him hard on the chest. “I can’t believe you just totally sabotaged me!” Can’t let him lose,” Michael said, as Shane hit the high score and the victory music sounded. “Gotta live with the dude.” They high-fived. You’re seriously going to take that as a win,” Kim said. “When he totally cheated for you.” Yes,” Shane said. “I seriously am.

One of the heavy marble busts that lined the higher shelves had slid free and was falling toward her; she ducked out of its way, and it hit the floor inches from where she'd been standing, leaving a sizable dent in the floor. A second later Jace's arms were around her and he was lifting her off her feet. She was too surprized to struggle as he carried her over to the broken window and dumped her unceremoniously out of it.

Oh. Yeah, um…” I was pretty sure I matched a fire truck. “He’s a heavy sleeper.” “I’m sure he is.” Dominic stepped back. “If you wish to join your uncle, I’ll be waiting outside. You should have time to get ready. Your uncle is a…heavy sleeper, also.” Whaaaa…and then it hit me. Ew. Ew. Ew.

I want you to hit the pedal heavy metal, show me you care.

Bran grabbed my hand,pulled me to a chest, and swung the heavy lid open. A white cloth covered the contents. He jerked it aside. Human heads filled the chest. "Oh God." He scooped a mummified head from the chest by a scalp lock and thrust it at me. "All of them are mine." This was officially the weirdest version of "come down to my place and I'll show you some etchings" I've ever been hit with.

...she's leaving now. ... Janis attacks the back door of the school gym and finds herself in a heavy cloud of smoke. She realizes she's found the Goths' hangout. Who knew? "Oof," someone says. She keeps walking, muttering, "sorry" to whomever it was she hit with the flying door. *** Cabel: ... That was the Goth stage where I decided I'd never get the girl of my dreams because of my scars. Not to mention the hairstyle. (pause) But then she slammed a door handle into my gut. And, when a girl does that to a boy, it means she likes him.

For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

I went there anyway-knowingly, willingly-because I wanted a number one hit. I wanted what Metallica had, even if it meant selling a piece of my soul to the devil.

All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.

The human mind is an amazing thing. It protects us when we can't protect ourselves. Sometimes when we're holding pain and it gets to be too heavy or goes too deep, we have to give in to it, let it knock us over and pull us all the way down. Once we hit bottom, we rest in a quiet place for a while. Then, when the pain eases and we're ready to face the world again, we come right back up.

What had her life been like in Venda? Or maybe, more precisely, what had they done to her? She was not the result of happy, content parents. It was like she’d been held prisoner in a cellar her whole life. She flinched at sun and an open sky. As soon as we hit the Heethe plateau, she kept her eyes straight ahead on some distant point, her focus like steel, her shoulders rigid, like she carried a heavy pack on her back.

Don’t play, baby.” “Tell me I am,” I rasp. When his brows dip, I continue. “Your baby.” My eyes hit his. “For reals, not for fakes. For keeps, not for now.” The heavy thump of his heart beats against my hand, and I flatten my palm there, not wanting to miss the way it’s climbing. “Pixie.” He leans in, brushing his lips over mine. “You are. You’ve been,” he stresses. “Even when you had no fuckin’ clue... you were my baby.

You always, I notice, feel the same when you are under heavy fire - not so much afraid of being hit as afraid because you don't know where you will be hit. You are wondering all the while just where the bullet will nip you, and it gives your whole body a most unpleasant sensitiveness.

I stand and grab a hefty bottle of perfume from the bathroom shelf and return to the bedroom door. It’s not much of a weapon, I know, but it’s heavy and square, and hitting someone over the head with a glass brick has got to be better than bitch-slapping them.

[..]... "What does he look like?" Valkyrie asked. "Black hair, pretty pale. Ugly scar on his face. Looks like a vamp." "You should get back inside," Skulduggery said. "Lock the doors." "You got it, Kemo sabe. I'll keep my crucifix close." "Vampires aren't scared of a crucifix, Finbar." "I don't plan to wave it at him, I plan to hit him with it. It's really heavy. I figure I can do some considerable damage to his head." He Stepped back and closed the door.

I’d felt this before, when my granddad was in the hospital before he died. We all camped out in the waiting room, eating our meals together, most of us sleeping in the chairs every night. Family from far-flung places would arrive at odd hours and we’d all stand and stretch, hug, get reacquainted, and pass the babies around. A faint, pale stream of beauty and joy flowed through the heavy sludge of fear and grief. It was kind of like those puddles of oil you see in parking lots that look ugly until the sun hits them and you see rainbows pulling together in the middle of the mess. And wasn’t that just how life usually felt—a confusing swirl of ugly and rainbow?

Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.

On May 26th, 2003, Aaron Ralston was hiking, a boulder fell on his right hand, he waited four days, he then amputated his own arm with a pocketknife. On New Year’s Eve, a woman was bungee jumping, the cord broke, she fell into a river and had to swim back to land in crocodile-infested waters with a broken collarbone. Claire Champlin was smashed in the face by a five-pound watermelon being propelled by a slingshot. Mathew Brobst was hit by a javelin. David Striegl was actually punched in the mouth by a kangaroo. The most amazing part of these stories is when asked about the experience they all smiled, shrugged and said “I guess things could’ve been worse.” So go ahead, tell me you’re having a bad day. Tell me about the traffic. Tell me about your boss. Tell me about the job you’ve been trying to quit for the past four years. Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher. Tell me the alarm clock stole the keys to your smile, drove it into 7 am and the crash totaled your happiness. Tell me. Tell me how blessed are we to have tragedy so small it can fit on the tips of our tongues. When Evan lost his legs he was speechless. When my cousin was assaulted she didn’t speak for 48 hours. When my uncle was murdered, we had to send out a search party to find my father’s voice. Most people have no idea that tragedy and silence often have the exact same address. When your day is a museum of disappointments, hanging from events that were outside of your control, when you feel like your guardian angel put in his two weeks notice two months ago and just decided not to tell you, when it seems like God is just a babysitter that’s always on the phone, when you get punched in the esophagus by a fistful of life. Remember, every year two million people die of dehydration. So it doesn’t matter if the glass is half full or half empty. There’s water in the cup. Drink it and stop complaining. Muscle is created by lifting things that are designed to weigh us down. When your shoulders are heavy stand up straight and call it exercise. Life is a gym membership with a really complicated cancellation policy. Remember, you will survive, things could be worse, and we are never given anything we can’t handle. When the whole world crumbles, you have to build a new one out of all the pieces that are still here. Remember, you are still here. The human heart beats approximately 4,000 times per hour and each pulse, each throb, each palpitation is a trophy, engraved with the words “You are still alive.” You are still alive. So act like it.

One fast more or I'm gone', I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision-producing Ayahuasca you drink, or Mescaline you take, or Peyote goop up with-- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it--The face of yourself you see in the mirror with its expression of unbearable anguish so hagged and awful with sorrow you can't even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs' 'Stranger' suddenly appearing in your place in the mirror- Enough! 'One fast move or I'm gone' so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street...I've got to escape or die...

Three heavy blows boxed him low in the back. He saw a splash of red hit the door and had time to think, 'We should have remembered the body armor.' Then he crumpled, still holding onto the knob with one hand as the world rushed away from him. Everything he was and everything he'd ever known diminished to a single burning-bright point of light. Then it went out. His hand slipped off the knob. He died on his knees, leaning against the door.

The Gray Man stood in the doorway behind Maura, his gray suitcase in one hand and a gray jacket slung over the other. He set them both down and straightened. There was that heavy silence that sometimes happens when a hit man enters a room.

I turn away from him and walk, swiftly and completely directionless through the garden. He runs after me, grabbing my arm. I haul around and slap him. Its a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning. ¨I didnt mean to hurt you.¨ He grabs my hand,possibly to keep me from hitting him again. Our fingers lace together. ¨No, it not that, not exactly. I didnt think I could hurt you. And i never thought you would be afraid of me.¨ ¨And did you like it?¨"I ask. He looks away from me then, and I have my answer. Maybe he doesnt want to admit to that impulse, but he has it. ¨Well, I was hurt, and yes, you scare me.¨ Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. ¨You´ve always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the court of shadows. I was afraid of you when i had a knife to your throat. And i am scared of you now.¨ Cardan looks more suprised then he did when I slapped him. He was always a symbol of everything about Elfhame that I couldnt have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armor, and without it, I am afraid I am going to be entirely exposed. But i keep talking anyway, as though I no longer have control of my tongue. ¨You despised me. When you said you wanted me, it felt like the world has turned upside down. Page 160-161

Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.

When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.

It was a heavy, so it only took one hit. If Andrew gave you the p-card, that means the police are keeping my racquet, aren't they?" "Would you want it back?" Betsy asked. "Do you have any idea how much it cost?" Neil asked. "Yes, I want it back." "It wouldn't bother you that it was used as a murder weapon?" "It didn't kill anyone important.

In your life, you will inevitably: misspeak, trust the wrong person, underreact, overreact, hurt the people who didn't deserve it, overthink, not think at all, self sabotage, create a reality where only your experience exists, ruin perfectly good moments for yourself and others, deny any wrongdoing, not take the steps to make it right, feel very guilty, let the guilt eat at you, hit rock bottom, finally address the pain you caused, try to do better next time, rinse, repeat. These mistakes will cause you to lose things. But, losing things doesn't just mean losing. A lot of the time, when we lose things, we gain things too. Life can be heavy, especially if you try to carry it all at once. Part of growing up and moving into new chapters of your life is about catch and release; you can't carry all things, decide what is yours to hold and let the rest go. Oftentimes, the good things in your life are lighter anyway, so there's more room for them. NEVER BE ASHAMED OF TRYING.

How can it not exist? What does that—” A tiny grey body shot in front of the Land Rover. “Squirrel!” Mad Rogan swerved to the side, trying to avoid the suicidal beast. The SUV hit a curb and jumped. For a terrifying second, we almost flew, weightless. My heart leaped into my throat. The heavy vehicle landed back on the pavement with a thud. The squirrel leapt into the grass on the other side. I remembered to breathe. “Thank you for not killing the squirrel.” “You’re welcome, although now I want to go back and strangle it.

I want them housebroken; absolutely no beginners. Either they know what they’re doing, and I mean really know, or they can hit the door.

There are 1,013,900 words in the English language, and none of them accurately portray how badly I want to hit you over the head with a chair. A heavy Amish chair.” Gavin…

No." Chaol thought he had not heard it, the word that cleaved through the air just before the guard's sword did. One blow from that mighty sword. That was all it took to sever Sorscha's head. The scream that erupted out of Dorian was the worst sound that Chaol had ever heard. Worse even than the wet, heavy thud of her head hitting the red marble. Aedion began roaring—roaring and cursing at the king, thrashing against his chains, but the guards hauled him away, and Chaol was too stunned to do anything other than watch the rest of Sorscha's body topple to the ground. And then Dorian, still screaming, was scrambling through the blood toward it—toward her head, as if he could put it back. As if he could piece her together.

The sun was just beginning to rise when we reached the corn mill, which surprised me until I remembered that A) England has freakishly early sunrises in the summer, and B) we'd been gone nearly two hours. I was pretty sure I'd never been so wiped out in my entire life. I felt hollow and exhausted, and as I looked at Archer, almost unbearably sad. I tried to tell myself that it was just because I'd been nearly squished by the space-time continuum,but I knew that wasn't it. I think Archer was feeling something similar, because his hands shook slightly as he lifted the chain from around our necks. It hit the floor with a heavy thump, sending up a cloud of dust motes. They sparkled in the shaft of pale pink light that fell between us, looking surprisingly pretty for dirt. Archer's face was streaked with sweat, and there was a smudge above his left eyebrow, as well as a dark stain on his torso that was probably ghoul blood. I had a feeling I looked just as rough. "Well," he said at last, his voice slightly hoarse. "That was the worst first date I've ever been on.

Last week, our picture window Produced a half-word, Heavy and hollow, Hit by a brown bird. We stood and watched her gape like a rattlesnake And pant and labor over every intake. I said a sort of prayer for some rare grace, Then thought i ought to take her to a higher place. Said, “dog nor vulture nor cat shall toy with you, And though you die, bird, you will have a fine view.

A friend, Scott Egleston, who is a professional in the mental health field, told me a therapy fable. He heard it from someone, who heard it from someone else. It goes: Once upon a time, a woman moved to a cave in the mountains to study with a guru. She wanted, she said, to learn everything there was to know. The guru supplied her with stacks of books and left her alone so she could study. Every morning, the guru returned to the cave to monitor the woman's progress. In his hand, he carried a heavy wooden cane. Each morning, he asked her the same question: " Have you learned everything there is to know yet?" Each morning, her answer was the same. "No." she said, " I haven't." The guru would then strike her over the head with its cane. This scenario repeated itself for months. One day the guru entered the cave, asked the same question, heard the same answer, and raised his cane to hit her in the same way, but the woman grabbed the cane from the guru, stopping his assault in midair. Relieved to end the daily batterings but fearing reprisal, the woman looked up at the guru. To her surprise, the guru smiled. " Congragulations." he said, " you have graduated ". You know now everything you need to know." " How's that"? the woman asked. " You have learned that you will never learn everything there is to know," he replied. " And you have learned how to stop the pain".

The boldest of the three (thieves) moved suddenly, grabbed Angua and pulled her upright. "We walk out of here unharmed or the girl gets it, all right?" he snarled. Someone sniggered. "I hope you're not going to kill anyone," said Carrot. "That's up to us!" "Sorry, was I talking to you?" said Carrot. "Don't worry, I'll be fine," said Angua. She looked around to make sure Cheery wasn't there and then sighed. "Come on, gentlemen, let's get this over with." "Don't play with your food!" said a voice from the crowd. There were one or two giggles until Carrot turned in his seat, whereupon everyone was suddenly intensely interested in their drinks. "It's OK," said Angua quietly. Aware that something was off kilter, but not quite sure what it was, the thieves edged back to the door. No one moved as they unbolted it and, still holding Angua, stepped out into the fog, shutting the door behind them. "Hadn't we better help," said a constable who was new to the Watch. "They don't deserve help," said Vimes. there was a clank of armor and then a long, deep growl, right outside in the street. And a scream and then another scream. and a third scream modulated with "NONONOnonononononoNO!...aarghaarghaargh!" Something heavy hit the door.

There was no water at my grandfather’s when I was a kid and would go for it with two zinc buckets. Down the path, past the cow by the foundation where the fine people’s house was before they arranged to have it burned down. To the neighbor’s cool well. Would come back with pails too heavy, so my mouth pulled out of shape. I see myself, but from the outside. I keep trying to feel who I was, and cannot. Hear clearly the sound the bucket made hitting the sides of the stone well going down, but never the sound of me.

And when it hit him then, something settled in Walker. Settled deep. Something weighty but not heavy. Something warm. Something welcome. This

Scrambling through the drifts, Blay rushed over and landed on his knees. Qhuinn was sprawled on the ground, his long, heavy legs stretched out, his upper body in John’s lap. The male just stared at him with those mismatched eyes, unmoving, unspeaking. “Is he paralyzed?” Blay demanded, looking over at John. “Not that I’m aware of,” Qhuinn replied dryly. I think he’s got a concussion, John signed. “I do not—” He went flying off the hood of his car and hit this tree— “I mostly missed the tree—” And I’ve had to hold him down ever since. “Which is pissing me off—

Then viselike fingers clenched my throat, the stake was wrenched from my hand, and a sharp stabbing pain shot up my right thigh as I landed on the ground with a thump that knocked the breath out of me. And as if that wasn’t bad enough, once I landed, something hard and heavy—his knee, I thought—hit me right in the sternum. You know, just in case there was one last breath left in my lungs. The point of the stake scraped the sensitive skin just under my chin. I looked up, wheezing, into Archer’s face.

Strawberries were too delicate to be picked by machine. The perfectly ripe ones bruised at even too heavy a human touch. It hit her then that every strawberry she had ever eaten—every piece of fruit—had been picked by calloused human hands. Every piece of toast with jelly represented someone's knees, someone's aching back and hips, someone with a bandanna on her wrist to wipe away the sweat. Why had no one told her about this before?

I could feel the weight of everything then --- the weight of loneliness, of everything that had gone wrong. I felt heroic, going up those last few flights to the top of the building, dragging that weight along with me. Jumping felt like the only way to get rid of it, the only way to make it work for me instead of against me; I felt so heavy that I knew I'd hit the street in no time. I'd beat the world record for falling off a tower block.

He’s barely finished himself inside me when my release hits. My thighs tense. The breath stalls in my lungs, and then I kick back my head and let out the loudest, throatiest, and most breathless moan in the history of all history, going boneless in a blissful rush. “Gods, I missed you,” Griffin rasps, holding me as I throb around him. The high-impact tremors fade into sweet, lingering aftershocks. I look up at him with heavy-lidded eyes. My lips part, but no words come out. Even the drag of frosty air over my kiss-swollen lips is almost too sensual to bear. Griffin quirks a dark eyebrow, looking smug. “That was easy.” I grin, falling in love with him all over again. “Then do it again.

The men digging in on both sides of me cursed the stench and the mud. I began moving the heavy, sticky clay mud with my entrenching shovel to shape out the extent of the foxhole before digging deeper. Each shovelful had to be knocked off the spade, because it stuck like glue. I was thoroughly exhausted and thought my strength wouldn’t last from one sticky shovelful to the next. Kneeling on the mud, I had dug the hole no more than six or eight inches deep when the odor of rotting flesh got worse. There was nothing to do but continue to dig, so I closed up my mouth and inhaled with short shallow breaths. Another spadeful of soil out of the hole released a mass of wriggling maggots that came welling up as though those beneath were pushing them out. I cursed and told the NCO as he came by what a mess I was digging into. ‘You heard him, he said put the holes five yards apart.’ In disgust, I drove the spade into the soil, scooped out the insects, and threw them down the front of the ridge. The next stroke of the spade unearthed buttons and scraps of cloth from a Japanese army jacket in the mud—and another mass of maggots. I kept on doggedly. With the next thrust, metal hit the breastbone of a rotting Japanese corpse. I gazed down in horror and disbelief as the metal scraped a clean track through the mud along the dirty whitish bone and cartilage with ribs attached. The shoved skidded into the rotting abdomen with a squishing sound. The odor nearly overwhelmed me as I rocked back on my heels. I began choking and gagging as I yelled in desperation, ‘I can’t dig in here! There’s a dead Nip here!’ The NCO came over, looked down at my problem and at me, and growled, ‘You heard him; he said put the holes five yards apart.

You first, Carl," said Dave. "Why me?" said Carl. "I'm not jumping down into that dark pit. " "It has to be you first as you're the heaviest," said Dave. "We don't want you landing on the rest of us." "How rude," said Carl, but he jumped down into the darkness nonetheless. "Waaaaaaaa!" Carl screamed, then THOOM, there was the sound of something heavy hitting the ground. "I'm okay!" Carl called up. "Oww," groaned Milo. "I'm not." "Carl!" said Dave. "Did you land on Milo?!" "I didn't mean to," said Carl.

Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd. "All right, folks," Mr. Summers said. "Let's finish quickly." Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box. Mrs. Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up." Mrs. Dunbar had small stones in both hands, and she said, gasping for breath, "I can't run at all. You'll have to go ahead and I'll catch up with you." The children had stones already, and someone gave little Davy Hutchinson a few pebbles. Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him. "It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.

theres a heavy silence between us it settles in the creases on your jacket and seeps into the fur on my hood. i know your middle name and i know your birthday and i know you look more like your dad but you wish you looked like your mom. i watch your back and for the first time in my life im genuinely terrified. "whats my birthday?" i ask and you dont look at me because you never do you never look me in the eye you never say my name and god its hitting me. its hitting me that maybe maybe it was all for nothing i know you inside and out i know you better than i know myself and maybe thats all for nothing. "it’s in december, right?" you ask but its not a question and if i were anyone else if i werent love-sick if i wasnt absolutely fucking blinded by you i would punch you in the fucking mouth. my birthday is may fifth.

The sky breaks open the moment we hit the porch. Great, heavy raindrops that sparkle like a shower of light in the sun. We look at one another in surprise, then break into a run. We screech and laugh our way across the field, only stopping to taste the rain off each other's skin.

When a parent interferes with a child's anger response in these heavy-handed ways [ridiculing, ignoring, isolating, goading, punishing, distracting, hitting, joking], the anger increases and is redirected at the parent: now the parent is the one who's violating the child's sense of well-being by interfering with a natural and necessary outlet of emotion. Most parents stifle this secondary outburst of anger, too, only this time with more force. [...] Instead of allowing the anger to flow through the child's system the first time it's expressed, the parent unwittingly fans the anger, then dams it up. The anger becomes trapped in the little girl's stomach, muscles, and jaw, and becomes an enduring wound.

Victor stepped away from the spy hole of the door opposite and raised his gun. He fired, squeezing the trigger ten times in rapid succession, emptying the magazine of exactly half its ammunition. The hotel door was thick, solid pine, but the bullets in the FiveseveN were shaped like rifle rounds and cut through it with barely any loss in velocity. Two heavy objects hit the carpet, one thud after the other. The door creaked in front of him.

My personal view (and not the view of the LAS by any means) would be to prohibit alcohol, but legalise cannabis. Not only would it cut our workload by, at my estimate, 60-70%, but I’ve never had anyone high on cannabis try to hit me. Cannabis users are very rarely violent, tend to be generally easier to handle and seldom get loud and annoying. It’s true that there are long-term health consequences, and that heavy ‘stoners’ can waste their life away, but the same holds true of alcohol and alcoholics.

I asked him about work, and he sent me to a guy and the guy asked me if I thought I could handle loading hindquarters. Three days a week I was going to the gym and hitting the heavy bag, the speed bag, lifting weights, and playing handball. Plus I was teaching dancing, so I picked up a hindquarter like it was a pork chop, and I got the job. The

There was that heavy silence that sometimes happens when a hit man enters a room.

I expected to be happy, but let me tell you something. Anticipating happiness and being happy are two entirely different things. I told myself that all I wanted to do was go to the mall. I wanted to look at the pretty girls, ogle the Victoria's Secret billboards, and hit on girls at the Sam Goody record store. I wanted to sit in the food court and gorge on junk food. I wanted to go to Bath and Body Works, stand in the middle of the store, and breathe. I wanted to stand there with my eyes closed and just smell, man. I wanted to lose myself in the total capitalism and consumerism of it all, the pure greediness, the pure indulgence, the pure American-ness of it all. I never made it that far. I didn't even make it out of the airport in Baltimore with all its Cinnabons, Starbucks, Brooks Brothers, and Brookstones before realizing that after where we'd been, after what we'd seen, home would never be home again.

Companies also pay a heavy price for imposing a long-hours culture. Productivity is notoriously hard to measure, but academics agree that overwork eventually hits the bottom line. It is common sense: we are less productive when we are tired, stressed, unhappy or unhealthy. According to the International Labour Organization, workers in Belgium, France and Norway are all more productive per hour than are Americans. The British clock up more time on the job than do most Europeans, and have one of the continent’s poorest rates of hourly productivity to show for it. Working less often means working better.

It was one of those August afternoons that Montana does just right, with heavy gray thunderheads crowding out the movie-blue sky and the feeling of a guaranteed downpour just beginning to change the touch of the air, the color of the sunlight. We were right in the middle of the maybe twenty minutes before the storm would hit, when it was only just promised, and every single thing in its path—from the strings of multicolored turn flags over the pool to the sheen of the oily puddles in the parking lot to the smell of fried foods wafting over from the Burger Box on the corner—was somehow more alive within that promise.

She’d heard of black American Express cards before, because famous people had them, and now she was holding one with her name on it. The card was cool against her skin, like it was made out of metal instead of plastic, and it was thick and heavy, so it didn’t bend like a normal credit card. Would it even slide through a swipe machine? She hit it against her palm, surprised by the echo of the metal. Rock-solid, it felt indestructible.

You ever listen to that heavy metal music?” He painted such a vivid thumbnail that I was momentarily lost in it, groundless. “What? Oh, yeah, some. You know.” “I never liked it,” said Jorgensen. Pause for me to construct a mental image of Jorgensen sitting down all cozy with a Black Sabbath greatest hits disc. A taste of Mudhoney thrash. Perhaps a jot of some Norwegian speed-metal band’s idea of meltdown. “Know why? It sounds like combat, that’s why.

Ever since they had grounded he had felt, in a way, reprieved. When they had grounded he had felt the heavy bump of the ship as though he were hit himself. He knew it was not rocky as she hit. He could feel that in his hands and through the soles of his feet. But the grounding had come to him as a personal wound. Then, later, had come the feeling of reprieve that a wound brings. He still had the feeling of the bad dream and that it all had happened before.

You got it, kemo sabe. I’ll keep my crucifix close.” “Vampires aren’t scared of a crucifix, Finbar.” “I don’t plan to wave it at him, I plan to hit him with it. It’s really heavy. I figure I can do some considerable damage to his head.

On the day Charles Barrett died, James MacNally closed the door to his study, sat down in his chair, and laid his head on the thick edge of his desk so he could weep. His wife, Nan, did not knock to be let in, though his rough, heavy sobs hit her like stones. She knew James’s own death would wring the same sounds from her, if he went first and left her adrift in the world, unmoored. Nan knew, full well, that life was a series of bereavements and each stole from her one load-bearing beam, one bone. Nan almost always believed, as her father had, that even deep wounds could be repaired, that God healed all parts of us like skin: no matter how sharp the cut, it would someday knit itself back together and leave only a scar.

Oh, and I’m supposed to say what, ‘Gee, Heather, you know that story I told you when you asked me to be your baby’s father, well it was a lie.’” “Yeah. For starters.” Tyson frowned. “And then you hope she doesn’t hit you in the head with a heavy object.

In moments when you feel that life is unbearably heavy, surrender yourself to the circumstances for a while! When life hits you hard and makes you fall down, take a rest on the ground for a while! Momentaneous non-resistance will give you time to gather your strength!

The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.

Tom felt his darkness. His father was beautiful and clever, his mother was short and mathematically sure. Each of his brothers and sisters had looks or gifts or fortune. Tom loved all of them passionately, but he felt heavy and earth-bound. He climbed ecstatic mountains and floundered in the rocky darkness between the peaks. He had spurts of bravery but they were bracketed in battens of cowardice. Samuel said that Tom was quavering over greatness, trying to decide whether he could take the cold responsibility. Samuel knew his son’s quality and felt the potential of violence, and it frightened him, for Samuel had no violence—even when he hit Adam Trask with his fist he had no violence. And the books that came into the house, some of them secretly—well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands. John Steinbeck. East of Eden (Kindle Locations 4766-4770). Viking.

(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)

Spring time in Florida is not a matter of peeping violets or bursting buds merely. It is a riot of color, in nature—glistening green leaves, pink, blue, purple, yellow blossoms that fairly stagger the visitor from the north. The miles of hyacinths are like an undulating carpet on the surface of the river and divide reluctantly when the slow-moving alligators push their way log-like across. The nights are white nights as the moon shines with dazzling splendor, or in the absence of that goddess, the soft darkness creeps down laden with innumerable scents. The heavy fragrance of magnolias mingled with the delicate sweetness of jasmine and wild roses.

I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has...quite literally altered me.” For a few long seconds, he just stared at me. There were new things to discover in his face still, even after so long spent in close company. Faint shadows under his cheekbones. The scar that ran through his eyebrow. “You don’t know what to call it?” he said, when he finally spoke again. His armor hit the ground with a clatter, and he reached for me. Wrapped an arm around my waist. Pulled me against him. Whispered against my mouth: “Sivbarat. Zethetet.” One Shotet word, one Thuvhesit. Sivbarat referred to a person’s dearest friend, someone so close that to lose them would be like losing a limb. And the Thuvhesit word, I had never heard before. We didn’t quite know how to fit together, lips too wet, teeth where they didn’t belong. But that was all right; we tried again, and this time it was like the spark that came from friction, a jolt of energy through my body. He clutched at my sides, pulled my shirt into his fists. His hands were deft from handling carving knives and powders, and he smelled like it, too, like herbs and potions and vapor. I pressed into him, feeling the rough stairwell wall against my hands, and his quick, hot breaths against my neck. I had wondered, I had wondered what it was like to go through life without feeling pain, but this was not the absence of pain I had always craved, it was the opposite, it was pure sensation. Soft, warm, aching, heavy, everything, everything. I heard, echoing through the safe house, a kind of commotion. But before I let myself pull away so we could see what it was, I asked him quietly, “What does it mean, ‘zethetet’?” He looked away, like he was embarrassed. I caught sight of that creeping blush around the collar of his shirt. “Beloved,” he said softly. He kissed me again, then picked up his armor and led the way toward the renegades. I couldn’t stop smiling.

At the nurses’ station the night-shift RNs cluster on chairs, looking like birds wanting to shove their tired heads under a free wing. Their lined faces and heavy-lidded eyes show how hard it is to stay awake and alert for an entire night. I don’t work a lot of nights, but when I do I feel it. I hit a wall at 2:00 a.m., then again at 4:00. The hospital’s strong tea, bad coffee, Diet Coke from the vending machine—they all help, but nothing non-pharmaceutical will really make me feel awake for the entire night, and I’m not going down the pharmacologic road. The day after, even if I sleep all morning and afternoon, it feels as though I’m seeing the world through gauze.

Nicki keeps her eyes focused entirely on watching the trainer wrap her foot. But her next words are aimed squarely at me. “I don’t think you’ve ever understood what I can do. What I am doing.” “I do,” I say. “I see it.” “I am better than you,” she says. “Give me a break, Nicki.” “You think that if this was 1982, I wouldn’t stand a chance against you,” Nicki continues. “I know that if this was 1982, you wouldn’t stand a chance against me,” I say. “Because it’s 1995, and you don’t stand a chance against me.” Nicki scoffs. “You just can’t see it.” “How good you are?” I say. “I see how good you are.” “You don’t respect what I’ve done for tennis the way I respect what you’ve done.” “What have you done that I haven’t done?” Nicki turns and looks at me. Her gaze is heavy. “I’m the first Asian woman to ever win Wimbledon. The first woman like me to do almost any of the things I’ve done in tennis—hitting these records. Because we both know tennis doesn’t make it easy for those of us who aren’t blond and blue-eyed.” “Yes,” I say, nodding. “Absolutely.

Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken. ‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?

When you cleaned out this house of anything valuable,” Harry began, but Mundungus interrupted him again. “Sirius never cared about any of the junk--” There was the sound of pattering feet, a blaze of shining copper, an echoing clang, and a shriek of agony: Kreacher had taken a run at Mundungus and hit him over the head with a saucepan. “Call ’im off, call ’im off, ’e should be locked up!” screamed Mundungus, cowering as Kreacher raised the heavy-bottomed pan again. “Kreacher, no!” shouted Harry. Kreacher’s thin arms trembled with the weight of the pan, still held aloft. “Perhaps just once more, Master Harry, for luck?” Ron laughed. “We need him conscious, Kreacher, but if he needs persuading you can do the honors,” said Harry. “Thank you very much, Master,” said Kreacher with a bow, and he retreated a short distance, his great pale eyes still fixed upon Mundungus with loathing.

soon as they reached the first archway, the polecat Gale found them. She scurried up Hazel’s side and curled around her neck, chittering crossly as if to say: Where have you been? You’re late. “Not the farting weasel again,” Leo complained. “If that thing lets loose in close quarters like this, with my fire and all, we’re gonna explode.” Gale barked a polecat insult at Leo. Hazel hushed them both. She could sense the tunnel ahead, sloping gently down for about three hundred feet, then opening into a large chamber. In that chamber was a presence…cold, heavy, and powerful. Hazel hadn’t felt anything like it since the cave in Alaska where Gaea had forced her to resurrect Porphyrion the giant king. Hazel had thwarted Gaea’s plans that time, but she’d had to pull down the cavern, sacrificing her life and her mother’s. She wasn’t anxious to have a similar experience. “Leo, be ready,” she whispered. “We’re getting close.” “Close to what?” A woman’s voice echoed down the corridor: “Close to me.” A wave of nausea hit Hazel so hard her knees buckled. The whole world shifted. Her sense of direction, usually flawless underground, became completely unmoored. She and Leo didn’t seem to move, but suddenly they were three hundred feet down the corridor, at the entrance of the chamber. “Welcome,” said the woman’s voice. “I’ve looked forward to this.” Hazel’s

The Dangers of Dating There is a new phenomenon that has hit our society. It is called dating, and everyone is doing it. Dating has turned into a huge money-maker. Now, we have television shows dedicated to dating. We have internet dating sites, speed dating, and music that encourages it all over the world. Unfortunately, the Bible doesn’t say anything about dating. I realize there are many happily married couples whose marriages are a result of dating, but I want you to understand that there is great danger in dating. I’m not referring to courting or a betrothal. I’m referring to worldly dating, which consists of premarital sex, deep emotional connections, a great deal of kissing, and heavy petting, etc. This system of dating is recreational in nature, and it has no real purpose besides fulfilling lust, loneliness, and perversion. Never forget that it’s satan who convinces us to fill a legitimate need, illegitimately. Nonetheless, let’s examine some of these dangers now.

It is very hard to break armored infantry groups without artillery or machines,” Darrow explained as if detailing how to clean a rifle. “So you don’t target them. You target their psyche. You target their groupthink. “First you send in a man like Sev or Valdir with their best ghouls—that’s what we call them. If you can’t plant the ghouls ahead of time, they should sneak deep as possible into the enemy ranks before hunkering down. “Then you kill a scout on the outskirts. Badly. The more screaming the better. That’ll draw curiosity and a heavy squad. The squad will investigate. If you can, make them disappear in silence. You want the rest of them using their imagination. You want the commander wondering if he should send another squad, maybe even a century. “Then you confirm their worst fear. Give them a death chant—we carry recordings when we don’t have Obsidians. You want anticipation. You want them preparing to face a known fear, physically, mentally. That’s when your ghouls awaken and start killing the command chain. “Then you have your main force close in silence at a fast pace and hit them as hard as you possibly can. Groups can hold a line together. Groups will make last stands. But alone, rarely. It’s very hard for the human mind to accept dying alone. No matter their number, if you summon enough chaos they will feel alone. Especially with anonymity, especially in the dark. Once the first breaks, the rest will feel like they have permission to follow.

By the time they were pulling into the parking lot of the A&P, the mood was fading, the moment gone. Amy could feel it go. Perhaps it was nothing more than the two doughnuts expanding in her stomach full of milk, but Amy felt a heaviness begin, a familiar turning of some inward tide. As they drove over the bridge the sun seemed to move from a cheerful daytime yellow to an early-evening gold; painful how the gold light hit the riverbanks, rich and sorrowful, drawing from Amy some longing, a craving for joy.

Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start." My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me." His smile was sin and promise. "You like that, honey?" "Yes." He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?" "There is..." My breath caught. He pushed in, long strong fingers filling me. "Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it. I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good." He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me." The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out. With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips. I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me. I couldn't take it. It was too much. I came again, writhing against his mouth. "That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth." Oh, hell. I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.

The front is a cage, and you have to wait nervously in it for whatever happens to you. Here we lie under a criss-cross of shell trajectories, and we live in the tension of uncertainty. Chance is hovering over us. If there is a shot, all I can do is duck; I don’t know for sure and I can’t influence where it is going to come down. It’s awareness of chances that makes us so indifferent. A few months ago, I was playing cards in a dugout; after a bit I got up and went out to go talk to some men I knew in another dugout. When I got back, there was nothing left of the first one, a direct hit from a heavy shell had flattened it. I went back to the other dugout and got there just in time to help dig the men out. While I was away it had been buried. It is simply a matter of chance whether I am hit or whether I go on living. I can be squashed flat in a bomb-proof dugout, and I can survive ten hours in the open under heavy barrage without a scratch. Every soldier owes the fact that he is still alive to a thousand lucky chances and nothing else. And every soldier believes in and trust to chance.

When you were born, you could have been anybody. So quick and malleable, your parents could look at your face and see a future president. They tried to mold you as you grew, but they could only work with what they had. And when their tools stopped working, they gradually handed them off to you, asking, “What do you want to be when you grow up?” There’s a certain art to becoming who you are. There’s no standard kit you can use to assemble yourself, swapping out parts as needed. Instead, it feels more like a kind of stretching, a teasing out at the edges, like a glassblower standing at the furnace. A teenage personality is a delicate medium, its emotions almost too heavy to handle. You had to figure out a way to keep yourself together and tease out the good parts without falling out of balance or stretching yourself too thin. You couldn’t stop everything to try to fix your flaws, but you couldn’t just ignore them either. Luckily, you were nothing if not flexible, softened by the heat of youth, which kept you warm on a dingy couch or a night in the wilderness. You knew that you weren’t just you, you were also the person you would one day become. So even when you failed, you could still be whatever you wanted to be. As long as you kept moving. Inevitably you got hit, and you got hurt. You prided yourself on how well you absorbed the blow, bouncing back as if nothing had happened. But the pain changed you, in little chips and cracks that might take you years to notice. Over time you learned how to position yourself in very specific ways, protecting the most vulnerable parts of your psyche, even as you knew they were still a crucial part of the real you. Gradually you became more and more reluctant to move from that position. Growing a little harder, a little more brittle.

I didn't mean to hurt you.' He grabs my hand, possibly to keep me from hitting him again. Our fingers lace together. 'No, it's not that, not exactly. I didn't think I could hurt you. And I never thought you would be afraid of me.' 'And did you like it?' I ask. He looks away from me then, and I have my answer. Maybe he doesn't want to admit to that impulse, but he has it. 'Well, I was hurt, and yes, you scare me.' Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. 'You've always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the Court of Shadows. I was afraid of you when I had a knife to your throat. And I am scared of you now.' Cardan looks more surprised than he did when I slapped him. He was always a symbol of everything about Elfhame that I couldn't have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armour, and without it, I am afraid I am going to be entirely exposed. But I keep talking anyway, as though I no longer have control over my tongue. 'You despised me. When you said you wanted me, it felt like the world had turned upside down. 'But sending me into exile, that made sense.' I meet his gaze. 'That was an entirely right-side-up Cardan move. And I hated myself for not seeing it coming. And I hate myself for not seeing what you're going to do to me next.' He closes his eyes. When he opens them, he releases my hand and turns so I can't see his face. 'I can see why you thought what you did. I suppose I am not an easy person to trust. And maybe I ought not to be trusted, but let me say this: I trust you.

The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow. We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat. The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens. Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine. "You're a madman," he whispered. "An utter madman." "Perhaps," I allowed. "But it worked." The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured. The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want." A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question. It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk. Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with. And yet the very thought felt like dying. I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough... Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return. There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder. "My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come." "Y-Yes." It was amazing I managed that much coherence. He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?" Was he asking...? "Yes." Oh, God, yes. His lips curved into a smile.

Ladislav gave the wrong answer.” The tutor lifted his arm, fingers heavy with thick rings, and backhanded Radu sharply across his face. Radu’s head snapped to the side and he fell out of his chair with a cry of shock and pain. Lada would kill him. She would cut this man’s hand from his body for striking her brother; she would— She composed herself before the tutor looked at her, his chest heaving and his eyes bright. Waiting for her reaction. If she killed him, they would kill her, and no one would be here to protect stupid, fragile Radu. Her stupid, fragile Radu. And if she got angry, the tutor would know—they would all know—how to control her. The same way they had known to control her father. The same way the Janissaries had known to hurt her by taking Bogdan away. She raised her eyebrows impassively. “What are the five pillars of Islam?” he asked as Radu got back into his chair, tears in his eyes and a shocked expression on his face. Lada smiled and shook her head. The tutor hit Radu again. Radu stayed on the ground, gasping out the answer, his words garbled by a split and swiftly swelling lip, but Lada did not look away from the tutor’s face. She kept a pleasant smile on her own, kept her hands loosely folded in her lap, kept control. Control was power. No one would make her lose it. And eventually the tutor would realize that she would let him hit Radu over, and over, and over. And only then would Radu be safe.

I had to pass that bear, to get home. I thought that if I could scare him, he might get out of the road and let me go by. So I took a deep breath, and suddenly I shouted with all my might and ran at him, waving my arms. “He didn’t move. I did not run very far toward him, I tell you! I stopped and looked at him, and he stood looking at me. Then I shouted again. There he stood. I kept on shouting and waving my arms, but he did not budge. “Well, it would do me no good to run away. There were other bears in the woods. I might meet one any time. I might as well deal with this one as with another. Besides, I was coming home to Ma and you girls. I would never get here, if I ran away from everything in the woods that scared me. “So at last I looked around, and I got a good big club, a solid, heavy branch that had been broken from a tree by the weight of snow in the winter. “I lifted it up in my hands, and I ran straight at that bear. I swung my club as hard as I could and brought it down, bang! on his head. “And there he still stood, for he was nothing but a big, black, burned stump! “I had passed it on my way to town that morning. It wasn’t a bear at all. I only thought it was a bear, because I had been thinking all the time about bears and being afraid I’d meet one.” “It really wasn’t a bear at all?” Mary asked. “No, Mary, it wasn’t a bear at all. There I had been yelling, and dancing, and waving my arms, all by myself in the Big Woods, trying to scare a stump!” Laura said: “Ours was really a bear. But we were not scared, because we thought it was Sukey.” Pa did not say anything, but he hugged her tighter. “Oo-oo! That bear might have eaten Ma and me all up!” Laura said, snuggling closer to him. “But Ma walked right up to him and slapped him, and he didn’t do anything at all. Why didn’t he do anything?” “I guess he was too surprised to do anything, Laura,” Pa said. “I guess he was afraid, when the lantern shone in his eyes. And when Ma walked up to him and slapped him, he knew she wasn’t afraid.” “Well, you were brave, too,” Laura said. “Even if it was only a stump, you thought it was a bear. You’d have hit him on the head with a club, if he had been a bear, wouldn’t you, Pa?” “Yes,” said Pa, “I would. You see, I had to.

She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.

On the next floor below are the abdominal and spine cases, head wounds and double amputations. On the right side of the wing are the jaw wounds, wounds in the joints, wounds in the kidneys, wounds in the testicles, wounds in the intestines. Here a man realizes for the first time in how many places a man can get hit. Two fellows die of tetanus. Their skin turns pale, their limbs stiffen, at last only their eyes live—stubbornly. Many of the wounded have their shattered limbs hanging free in the air from a gallows; underneath the wound a basin is placed into which drips the pus. Every two or three hours the vessel is emptied. Other men lie in stretching bandages with heavy weights hanging from the end of the bed. I see intestine wounds that are constantly full of excreta. The surgeon’s clerk shows me X-ray photographs of completely smashed hipbones, knees and shoulders. A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, one single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is. I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?

She’s got him so pussy-whipped.” A half-full bottle of water hit Chad high on his back, jolting him off stride. Only natural athleticism kept him from landing in a heap at the bottom of the treadmill. He slapped the red button on the console and looked around. “Fuck you, Lowell.” Chad laughed when he saw Gunny Palmer sitting in his sport chair a few feet away, dressed in workout clothes. “Well, you are. Did I see you carrying her fabulous, bejewelled purple purse the other day?” Palmer clamped his heavy jaw, dark eyes narrowing. “Yes, you did. I’ll carry the damn thing everywhere she goes if she wants me to. You know why?” “Why?” Chad asked, laughing. “Because I get to go home and crawl into bed with her at the end of the day. And if she’s fucking happy, so am I.” Duncan punched Chad on the shoulder. “I think he’s got a point.” Chad

Break the bond. The bargain, the- the mating bond. He- he made me do it, made me swear it-' 'No,' Rhysand said. I ignored him, even as my heart broke, even as I knew that he hadn't meant to say it- 'Do it,' I begged the king, even as I silently prayed he wouldn't notice his ruined wards, the door I'd left wide open. 'I know you can. Just- free me. Free me from it.' 'No,' Rhysand said. But Tamlin was staring between us. And I looked at thim, the High Lord I had once loved, and I breathed. 'No more. No more death- no more killing.' I sobbed through my clenched teeth. Made myself look at my sisters. 'No more. Take me home and let them go. Tell him it's part of the bargain and let them go. But no more- please.' Cassian slowly, every movement pained, stirred enough to look over a shredded wing at me. And in his pain-glazed eyes, I saw it- the understanding. The Court of Dreams. I had belonged to a court of dreams. And dreamers. And for their dreams... for what they had worked for, sacrificed for... I could do it. Get my sisters out, I said to Rhys one last time, sending it into that stone wall between us. I looked to Tamlin. 'No more.' Those green eyes met mine- and the sorrow and tenderness in them was the most hideous thing I'd ever seen. 'Take me home.' Tamlin said flatly to the king, 'Let them go, break her bond, and let's be done with it. Her sisters come with us. You've already crossed too many lines.' Jurian began objecting, but the king said, 'Very well.' 'No,' was all Rhys said again. Tamlin snarled at him, 'I don't give a shit if she's your mate. I don't give a shit if you think you're entitled to her. She is mine- and one day, I am going to repay every bit of pain she felt, every bit of suffering and despair. One day, perhaps when she decides she wants to end you, I'll be happy to oblige her.' Walk away- just go. Take my sisters with you. Rhys was only staring at me. 'Don't.' But I backed away- until I hit Tamlin's chest, until his hands, warm and heavy, landed on my shoulders. 'Do it,' he said to the king. 'No,' Rhys said again, his voice breaking. But the king pointed at me. And I screamed. Tamlin gripped my arms as I screamed and screamed at the pain that tore through my chest, my left arm. Rhysand was on the ground, roaring, and I thought he might have said my name, might have bellowed it as I thrashed and sobbed. I was being shredded, I was dying, I was dying- No. No, I didn't want it, I didn't want to- A crack sounded in my ears. And the world cleaved in two as the bond snapped.

As we walk through Savignio, the copper light of dusk settling over the town's narrow streets, we stop anyone we can find to ask for his or her ragù recipe. A retired policeman says he likes an all-pork sauce with a heavy hit of pancetta, the better for coating the pasta. A gelato maker explains that a touch of milk defuses the acidity of the tomato and ties the whole sauce together. Overhearing our kitchen talk below, an old woman in a navy cardigan pokes her head out of a second-story window to offer her take on the matter: "I only use tomatoes from my garden- fresh when they're in season, preserved when it gets cold." Inspired by the Savignio citizenry, we buy meat from the butcher, vegetables and wine from a small stand in the town's piazza, and head to Alessandro's house to simmer up his version of ragù: two parts chopped skirt steak, one part ground pancetta, the sautéed vegetable trio, a splash of dry white wine, and a few canned San Marzano tomatoes.

I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.

I see bacon, green peppers, mushrooms... those are all found in Napolitan Spaghetti. I guess instead of the standard ketchup, he's used curry roux for the sauce? The noodles look similar to fettuccini." "Hm. I'm not seeing anything else that stands out about it. Given how fun and amusing the calzone a minute ago was... ... the impact of this one's a lot more bland and boring..." W-what the heck? Where did this heavy richness come from? It hits like a shockwave straight to the brain! "Chicken and beef stocks for the base... with fennel and green cardamom for fragrance! What an excellent, tongue-tingling curry sauce! It clings well to the broad fettuccini noodles too!" "For extra flavor is that... soy sauce?" "No, it's tamari soy sauce! Tamari soy sauce is richer and less salty than standard soy sauce, with a more full-bodied sweetness to it. Most tamari is made on Japan's eastern seaboard. " "That's not all either! I'm picking up the mellow hints of cheese! But I'm not seeing a single shred of any kind of cheese in here. Where's it hiding?" "Allow me to tell you, sir. First, look at the short edge of a noodle, please." ?! What on earth?! This noodle's got three layers!" "For the outer layers, I kneaded turmeric into the pasta dough. But for the inner layer, I added Parmesan cheese!" "I see! It's the combination of the tamari soy sauce and the parmesan cheese that gives this dish its incredible richness!" "Yeah, but wait a minute! If you go kneading cheese right into the noodles, wouldn't it just melt back out when you boiled them?" No... that's why they're in three layers! With the cheese in the middle, the outer layers prevented it from melting out! The deep, rich curry sauce, underscored with the flavor of tamari soy sauce... ... and the chewy noodles, which hit you with the mellow, robust taste of parmesan cheese with every bite! Many people are familiar with the idea of coating cream cheese in soy sauce... ... but who would have thought parmesan cheese would match this well with tamari soy sauce!

Lachlan frowned as he misjudged the distance and his forehead hit Cormag's head with a bump. He wrapped his arms around his neck to steady himself, two big hands reaching up to hold onto his arms as if to offer extra support. “You,” he began, talking quietly into his ear, “are so beautiful,” he confessed, resting his heavy skull against Cormag's for a moment. He meant it as well. Cormag was stunning. He was taller and broader than he was, very much the fine figure of hotness. His dark hair was well kept, but a little messy, he had amazing bone structure; the type that made him look more like a model than a museum manager. A chiselled jaw, nicely defined cheekbones and a rugged quality that made him so appealing. He had never noticed how handsome a male face could be until those eyes drew him in. “And so are you,” his companion chuckled, “but we discussed this…I've ruined every relationship I've ever had. I get needy, possessive and my baggage gets in the way. Besides,” he lowered his voice to a whisper and brushed his hand over his upper arm, “You're not gay,” he protested, reminding him yet again that they were different. “Nope. Not gay,” he agreed with that, nodding his head as he pulled back a little to see him better. “But that doesn't make you any less beautiful. Why is it wrong that I can see how special you are?” he asked, having difficulty understanding why part of his brain was telling him he was being a drunken idiot and that the man before him wasn't attractive. But the rest of his brain – about ninety-eight percent of it – was telling him that he was the most attractive person he'd ever seen. “It's not, Lachlan. It really isn't.” “But it's somehow wrong for me to tell you?” Lachlan wondered, glancing across the bar to see Matteo smiling at him. He didn't know what it meant. Cormag cupped his face, capturing his undivided attention again. “No. Not that either. But it makes it hard for me to keep my distance. You're stunning. Inside and out,” he claimed, with chocolatey eyes that said he meant every word.

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.

Once I reached the door, I paused with my hand near the sensor, listening. At first, all I heard were heavy breaths that turned into sobs. Then Akos screamed, and there was a loud crash, followed by another one. He screamed again, and I pressed my ear to the door to listen, my lower lip trapped between my teeth. I bit down so hard I tasted blood when Akos’s screams turned to sobs. I touched the sensor, opening the door. He was sitting on the floor in the bathroom. There were pieces of shattered mirror all around him. He had ripped the shower curtain from the ceiling and the towel rack from the wall. He didn’t look up at me when I came in, or even when I walked carefully across the fragments of glass to reach him. I knelt among the shards, and reached over his shoulder to turn the shower on. I waited until the water warmed up, then tugged him by his arm toward the spray. I stood in the shower with him, fully clothed. His breaths came in sharp bursts against my cheek. I put my hand on the back of his neck and pulled his face toward the water. He closed his eyes and let it hit his cheeks. His trembling fingers sought mine, and he clutched my hand against his chest, against his armor. We stood together for a long time, until his tears subsided. Then I turned the water off, and led him into the kitchen, scattering mirror pieces with my toes as I walked. He was staring into middle distance. I wasn’t sure that he knew where he was, or what was happening to him. I undid the straps of his armor and guided it over his head; I pinched the hem of his shirt and peeled the wet fabric away from his body; I unbuttoned his pants and let them drop to the floor in a soaking-wet heap. I had daydreamed about seeing him this way, and even about one day undressing him, taking away some of the layers that separated us, but this was not a daydream. He was in pain. I wanted to help him.

Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.

Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.

His back tightened, then he began to move deeply, surely, possessively. She moaned and lifted herself to meet him as the glorious rhythm reigned. She was so ready, the friction quickly pushed her over the edge. Without warning, her body convulsed on a sunbright peak. For a small eternity, rapture blasted her, turned the air around her incandescent with pleasure. She tasted the salt of her tears on her lips. Aftershocks still quivered through her. Tenderly, she ran her hands down his lean hips to knead his firm buttocks. Part of her clung to the ecstasy even as the blaze subsided to a gentle glow. The physical delight hadn't faded. If anything, it was sharper, deeper, more profound. Matured through suffering and loss and deprivation. She expected him to finish but he wasn't satisfied yet. Implacably, he tilted her hips and continued to ravish her. Shocked, she realized he hadn't found release in that shivering culmination. She'd been too lost in her own pleasure to register his responses. Before her last climax subsided, another more shattering crises ripped through her. She raised her hand to her mouth and bit down hard to muffle a scream. Uncontrollable ecstasy gripped her in claws of flame. It was as though the dragons on the doors had breathed their fire into her lover. Still he didn't relent. Almost roughly, he reached down to stroke the swollen folds between her legs and this time she did scream. She arched up to kiss him using teeth and tongue. Her touch held no tenderness. Although in her heart, she felt an endless lake of tenderness for this man she loved so dearly. Another wave hit her and she shuddered, blind with the violent onslaught of sensation. Time itself was suspended as she lost herself in ultimate pleasure. Matthew groaned from deep in his throat as he at last gave himself up. While liquid heat spilled into her womb, she clutched his shaking body. Slowly, inevitably, she made the dazzling descent from heaven. She closed her eyes and let pleasure ebb through velvety, electric darkness. He lay on top of her, heavy, beloved, welcome.

When I threw the stick at Jamie, I hadn't intended to hit him with it. But the moment it left my hand, I knew that's what was going to happen. I didn't yet know any calculus or geometry, but I was able to plot, with some degree of certainty, the trajectory of that stick. The initial velocity, the acceleration, the impact. The mathematical likelihood of Jamie's bloody cheek. It had good weight and heft, that stick. It felt nice to throw. And it looked damn fine in the overcast sky, too, flying end over end, spinning like a heavy, two-pronged pinwheel and (finally, indifferently, like math) connecting with Jamie's face. Jamie's older sister took me by the arm and she shook me. Why did you do that? What were you thinking? The anger I saw in her eyes. Heard in her voice. The kid I became to her then, who was not the kid I thought I was. The burdensome regret. I knew the word "accident" was wrong, but I used it anyway. If you throw a baseball at a wall and it goes through a window, that is an accident. If you throw a stick directly at your friend and it hits your friend in the face, that is something else. My throw had been something of a lob and there had been a good distance between us. There had been ample time for Jamie to move, but he hadn't moved. There had been time for him to lift a hand and protect his face from the stick, but he hadn't done that either. He just stood impotent and watched it hit him. And it made me angry: That he hadn't tried harder at a defense. That he hadn't made any effort to protect himself from me. What was I thinking? What was he thinking? I am not a kid who throws sticks at his friends. But sometimes, that's who I've been. And when I've been that kid, it's like I'm watching myself act in a movie, reciting somebody else's damaging lines. Like this morning, over breakfast. Your eyes asking mine to forget last night's exchange. You were holding your favorite tea mug. I don't remember what we were fighting about. It doesn't seem to matter any more. The words that came out of my mouth then, deliberate and measured, temporarily satisfying to throw at the bored space between us. The slow, beautiful arc. The spin and the calculated impact. The downward turn of your face. The heavy drop in my chest. The word "accident" was wrong. I used it anyway.

It was a charming and delightful day at Lord's as Ford and Arthur tumbled haphazardly out of a space-time anomaly and hit the immaculate turf rather hard. The applause of the crowd was tremendous. It wasn't for them, but instinctively they bowed anyway, which was fortunate because the small red heavy ball which the crowd actually had been applauding whistled mere millimetres over Arthur's head. In the crowd a man collapsed. They threw themselves back to the ground which seemed to spin hideously around them. "What was that?" hissed Arthur. "Something red," hissed Ford back at him. "Where are we?" "Er, somewhere green." "Shapes," muttered Arthur. "I need shapes." The applause of the crowd had been rapidly succeeded by gasps of astonishment, and the awkward titters of hundreds of people who could not yet make up their minds about whether to believe what they had just seen or not. "This your sofa?" said a voice. "What was that?" whispered Ford. Arthur looked up. "Something blue," he said. "Shape?" said Ford. Arthur looked again. "It is shaped," he hissed at Ford, with his brow savagely furrowing, "like a policeman." They remained crouched there for a few moments, frowning deeply. The blue thing shaped like a policeman tapped them both on the shoulders. "Come on, you two," the shape said, "let's be having you." These words had an electrifying effect on Arthur. He leapt to his feet like an author hearing the phone ring and shot a series of startled glanced at the panorama around him which had suddenly settled down into something of quite terrifying ordinariness. "Where did you get this from?" he yelled at the policeman shape. "What did you say?" said the startled shape. "This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where did you find it, how did you get it here? I think," he added, clasping his hand to his brow, "that I had better calm down." He squatted down abruptly in front of Ford. "It is a policeman," he said, "What do we do?" Ford shrugged. "What do you want to do?" he said. "I want you," said Arthur, "to tell me that I have been dreaming for the last five years." Ford shrugged again, and obliged. "You've been dreaming for the last five years," he said. Arthur got to his feet. "It's all right, officer," he said. "I've been dreaming for the last five years. Ask him," he added, pointing at Ford, "he was in it.