Hearts Are Meant To Be Broken Quotes

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Perhaps this is what the stories meant when they called somebody heartsick. Your heart and your stomach and your whole insides felt empty and hollow and aching.
Gabriel García Márquez
I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
Kristan Higgins (All I Ever Wanted)
My dad had limitations. That's what my good-hearted mom always told us. He had limitations, but he meant no harm. It was kind of her to say, but he did do harm.
Gillian Flynn (Gone Girl)
April is the cruelest month, T.S. Eliot wrote, by which I think he meant (among other things) that springtime makes people crazy. We expect too much, the world burgeons with promises it can't keep, all passion is really a setup, and we're doomed to get our hearts broken yet again. I agree, and would further add: Who cares? Every spring I go out there anyway, around the bend, unconditionally. ... Come the end of the dark days, I am more than joyful. I'm nuts.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
But alas, hearts are meant to be broken, aren’t they, bard?” “If they must break,” Jack said, “then they break and remake themselves into stronger vessels.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
You made me feel worthwhile…. like for once it mattered if I was here or not because I actually meant something to someone…. because I meant something to you. I miss that feeling.
Ranata Suzuki
My father gave me a ruined boy to compensate for the fact that he does not love me. The boy is fragile, broken—broke himself—broke everything. I asked him why he did it. He said because the world was unlivable. He said it was unlovable, but I think he meant himself. I think he meant that loneliness is sometimes painful. I curl against him, tuck my head beneath his chin and listen to his heart. It says stay and wait. It says regret. He knows what it is to want love, a love so fierce you grow roots. I hear his heart say please. He went looking for angels and found me instead, girl of the sorrows, sad but not sorry. I waited for a sign, a star to fall. He reached for a knife and drew branches.
Brenna Yovanoff
Toxic relationships are dangerous to your health; they will literally kill you. Stress shortens your lifespan. Even a broken heart can kill you. There is an undeniable mind-body connection. Your arguments and hateful talk can land you in the emergency room or in the morgue. You were not meant to live in a fever of anxiety; screaming yourself hoarse in a frenzy of dreadful, panicked fight-or-flight that leaves you exhausted and numb with grief. You were not meant to live like animals tearing one another to shreds. Don't turn your hair gray. Don't carve a roadmap of pain into the sweet wrinkles on your face. Don't lay in the quiet with your heart pounding like a trapped, frightened creature. For your own precious and beautiful life, and for those around you — seek help or get out before it is too late. This is your wake-up call!
Bryant McGill
We modern people think of miracles as the suspension of the natural order, but Jesus meant them to be the restoration of the natural order. The Bible tells us that God did not originally make the world to have disease, hunger, and death in it. Jesus has come to redeem where it is wrong and heal the world where it is broken. His miracles are not just proofs that he has power but also wonderful foretastes of what he is going to do with that power. Jesus' miracles are not just a challenge to our minds, but a promise to our hearts, that the world we all want is coming.
Timothy J. Keller (The Reason for God: Belief in an Age of Skepticism)
Poets are not so scrupulous as you are. They know how useful passion is for publication. Nowadays a broken heart will run to many editions." "I hate them for it," cried Hallward. "An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty. Some day I will show the world what is it; and for that the world shall never see my portrait of Dorian Gray.
Oscar Wilde (The Picture of Dorian Gray)
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.
Erin Morgenstern (The Starless Sea)
Hearts aren't meant to be broken an infinite amount of times.
Akemi Dawn Bowman (Starfish)
I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was your true love. But now I don’t care if fate is real—because I don’t need it to decide for me. I don’t need it to make this choice. I’ve made my decision, Jacks. It’s you. It will always be you, until the end of time. And I’ll fight fate or anyone else who tries to tear us apart- including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
I used to think that loving somebody meant sacrificing anything for them. I thought it meant writing them a blank cheque. I thought it meant that you would die without each other. But it turns out that death and a broken heart are not he same. These days, I think that love is not so dramatic as all that. Maybe loving somebody means simply they bring out the best in you, and you bring out the best in them - so that together, you are always the best possible versions of yourselves.
Leila Sales (Tonight the Streets Are Ours)
You cannot bubble wrap and protect your heart from life, and why should you? It is meant to be used, and sometimes broken. Use it up, wear it out, leave nothing left undone or unsaid to the people you love. Let it get banged up and busted if it needs to. That’s what your heart is there for.
Nora McInerny (No Happy Endings: A Memoir)
She meant to say, For tonight, I'm yours, but all that came out was "I'm yours
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I love you, Jacks. I used to wonder if fate was real. I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was true love. But now I don't care if fate is real--because I don't need it to decide for me. I don't need it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart--including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
You brought the needle & I brought the thread. We meant to mend our two broken hearts, but we ended up stitching them together.
Amanda Lovelace
the churches here were like vampires—they weren’t meant for worship, they were designed to entice and entrap.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
S.E. Hinton (The Outsiders)
When I wake up in the morning… I don’t think, wow, how can I make her love me more? How can I have my way with her? I, I, I? Not in my vocabulary. In fact, I’m a big fan of the letter u. I eat, I think of you. I drink, I drink to you. I cry, so you don’t have to. I’d die, for you to live. And I’d survive with a broken heart only if it meant mending yours.” - Nixon
Rachel Van Dyken (Elect (Eagle Elite, #2))
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?' That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?' I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out. Jacks laughed, louder this time. Embarrassment surged through her. 'That's not what I meant to say.' 'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away. She made a sound somewhere between a squeal and a gasp. 'What that really necessary?' 'No, but everyone should have their clothes ripped off at some point.' She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest. Out of the corner of her eye, she thought she saw him smile. And for a second, nothing hurt.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones than go back on any of the words I said so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding. You are fireproof, lionheart and now I am, too.
Tashie Bhuiyan (Counting Down with You)
What about those Promises of yours to never leave me? she asked, stammering too much this time. His cruel smirk was as gut-wrenching as his words— Promises are meant to be broken, sweetheart.
Khadija Rupa (Unexpressed Feelings)
There was a time when I prayed to saints. What I liked about them were their humble beginnings: they were human, once, and so you knew that they just got it in a way Jesus never would. They understood what it meant to have your hopes dashed or your promises broken or you feelings hurt.
Jodi Picoult (Change of Heart)
Whoever had done it had meant business. Dead men are heavier than broken hearts.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
I eat, I think of you. I drink, I drink to you. I cry, so you don’t have to. I’d die, for you to live. And I’d survive with a broken heart only if it meant mending yours.
Rachel Van Dyken (Elect (Eagle Elite, #2))
Oh, many a shaft at random sent Finds mark the archer little meant! And many a word at random spoken May soothe, or wound, a heart that's broken!
Walter Scott (Lord of the Isles)
She still believed in love at first sight, but she no longer believed it meant forever love.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
and I'm not meant to be a saviour" "You're wrong. Tonight, you saved me" "no, I stopped you from dying. That's not the same thing.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
What happens to the wolf if his drüskelle is killed?” Matthias was silent for a time. He did not want to think about this. Trass had been the creature of his heart. “They are returned to the wild, but they will never be accepted by any pack.” And what was a wolf without a pack? The isenulf were not meant to live alone. When had the other drüskelle decided Matthias was dead? Had it been Brum who had taken Trass north to the ice? The idea of his wolf left alone, howling for Matthias to come and take him home, carved a hollow ache in his chest. It felt like something had broken there and left an echo, the lonely snap of a branch too heavy with snow.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Heartache is good. Accept it joyously. Allow it, don’t repress it. The natural tendency of the mind is to repress anything that is painful. By repressing it you will destroy something that is growing. The heart is meant to be broken. It’s purpose is to melt into tears and and evaporate. When the heart has evaporated exactly in the same place where the heart was, you come to know the deeper heart.
Osho
he shewed himself so intimately acquainted with all the tenderest songs of the one poet, and all the impassioned descriptions of hopeless agony of the other; he repeated, with such tremulous feeling, the various lines which imaged a broken heart, or a mind destroyed by wretchedness, and looked so entirely as if he meant to be understood, that she ventured to hope he did not always read only poetry; and to say, that she thought it was the misfortune of poetry, to be seldom safely enjoyed by those who enjoyed it completely; and that the strong feelings which alone could estimate it truly, were the very feelings which ought to taste it but sparingly...she ventured to recommend a larger allowance of prose in his daily study.
Jane Austen (Persuasion)
Evangeline stopped shaking his shoulder and smoothed back a lock of golden hair that had fallen across his sleeping face... it felt incredibly soft against her thawing fingers as she ran them through- Jacks' hand covered hers, cold and firm atop her fingers. 'Bad... idea...,' he murmured. She snatched her hand away. She hadn't meant to touch him like that. Jacks was not a thing to idly touch. He wasn't even a thing she liked. Although, as soon as she had the thought, she knew it wasn't true. Not anymore.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
She felt their envy and this broke her. The story ended, she couldn’t tell the rest, they’d hate her, she had to stop, she wasn’t any good, shut up you bad, bad, bad ugly girl and you don’t deserve any of this and so the spell was broken and she ran home through a tangle of words where the letters jumbled and made no sense and meant nothing, and the words were ugly and she was not to be heard or seen, she was blemished and too fat, too thin, not smart, too smart, not good, not a storyteller, not a creator, not a woman, not, not, not. All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts have not meant to break. And besides, if the sisters are gone and only the beloved remains with his dense curls and his lips, how safe are you then? You have to have him or you will die if the sisters are gone with their listening ears and their feet to rub and their bodies to dress and their shared loneliness.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
Everything between them felt as fragile as a raindrop that would cease to exist when it touched the ground. But the Hollow also felt like the sort of place where raindrops never touched the ground. Jacks slowly ran a hand up and down her spine. 'Have you decided to stay.' 'I thought you already heard what I was thinking?' she whispered. 'I want you to say it out loud.' His words were low and quiet; she wouldn't have heard them if she hadn't been so close. And it struck her how intimate words could be, how they could be spoken only once , for only one person, and they would never be heard again, they would disappear like a moment, gone almost as soon as you realised they were there. ... She meant to say, For tonight, I'm yours, but all that came out was 'I'm yours.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
The collapse of the state in this large swathe of Africa meant that its people either relied on the charity of outsiders or took to violence. I must have looked bit dejected because Louise tried to lighten my mood. 'From my point of view as a church worker,it's great.'she said.When I go on leave back to the UK and I go into a church on Sunday,I am the youngest person there by a long way. But here in the Congo,I am always the oldest.
Tim Butcher (Blood River: A Journey to Africa’s Broken Heart)
There’s a time in every broken relationship when you face the ugly question of wondering how much you really meant to a person, if you’ll be the only one with the broken heart.
Dannika Dark (Five Weeks (Seven, #3; Mageriverse #9))
If they were truly meant for each other, shouldn’t it have been easier?
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Life is not a kind storyteller. And I’m not meant to be a savior.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.' Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?' Something new and terrible knotted up inside her. 'No, that's not what I'm saying.' 'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss. 'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.' 'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.' 'You also like daylight.' Evangeline reminded him. 'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.' Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite. Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
On the right side-panel of the verbose and somewhat tautological box of Cheerios, it is written, If you are not satisfied with the quality and/or performance of the Cheerios in this box, send name, address, and reason for dissatisfaction—along with entire boxtop and price paid—to: General Mills, Inc., Box 200-A, Minneapolis, Minn., 55460. Your purchase price will be returned. It isn’t enough that there is a defensive tone to those words, a slant of doubt, an unappetizing broach of the subject of money, but they leave the reader puzzling over exactly what might be meant by the “performance” of the Cheerios. Could the Cheerios be in bad voice? Might not they handle well on curves? Do they ejaculate too quickly? Has age affected their timing or are they merely in a mid-season slump? Afflicted with nervous exhaustion or broken hearts, are the Cheerios smiling bravely, insisting that the show must go on?
Tom Robbins (Fierce Invalids Home from Hot Climates)
It's hard to believe now, Johanna, but love gets easier once the heart is broken. It's a casting away of the shell. Of course it hurts. It's meant to. But broken things are always the beginning of better things. A plant could not grow without first the ground being broken. The most plentiful yields come from a field ravaged by a plow.
Michelle Griep (The Innkeeper's Daughter (The Bow Street Runners, #2))
My memories unveil. Of Neo, my poet bruised by people meant to protect him, my poor little boy who should’ve spent his years growing under the sun rather than under exam lights. Of Sony. My flame so determined to burn, whose mother was taken too soon and whose childhood should’ve gone on forever. Of C. My heart-broken bear of a boy, so aloof yet so gentle, so willing to be kind.
Lancali. (I Fell in Love with Hope)
But the main reason was that waking her would’ve meant telling her good-bye, and telling someone good-bye when you’re planning on walking into hell would’ve felt kind of…final. It was the same reason I hadn’t gone into the hut to find Mom, and why I’d skirted around Archer’s tent. I’d been nearly to the shore when I’d heard him softly call, “Mercer.” Kneeling in the doorway of his tent, his hair a mess, his Hex Hall uniform ridiculously wrinkled, he’d nearly broken my heart. And when I ran to him as soundlessly as I could and practically dove on top of him, I’d told myself that our kiss was just your normal boyfriend/girlfriend saying good morning thing. Even when he pulled me inside, the tent warm and cozy and smelling like him, I hadn’t let myself think that might be the last time I’d see him. And when he’d pulled me closer and murmured, “Mercer, I love-“ I had covered his mouth with my hand. “Don’t say that. Not now. Say it sometime when there is absolutely no chance of death on the horizon, okay?” He mumbled something beneath my palm, and I rolled my eyes as I pulled it away from his mouth. He dropped a kiss on the tip of my nose. “All I was going to say was that I love this tent you made for me. But I guess I can tell you again later. When you get back.” Curling my hand around the back of his neck, I’d pulled him down to me. “You better.” A blush creeping up my neck from the memory, I swung my gaze away from his tent and back toward the lake. I was coming back. I was going to be fine, and getting down into the Underworld to collect demonglass wouldn’t be hard at all. Maybe I’d make it back before lunch. Of course, I couldn’t make it back if I never left.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Stanley’s Congo expedition fired the starting gun for the Scramble for Africa. Before his trip, white outsiders had spent hundreds of years nibbling at Africa’s edges, claiming land around the coastline, but rarely venturing inland. Disease, hostile tribes and the lack of any clear commercial potential in Africa meant that hundreds of years after white explorers first circumnavigated its coastline, it was still referred to in mysterious terms as the Dark Continent, a source of slaves, ivory and other goods, but not a place white men thought worthy of colonisation. It was Leopold’s jostling for the Congo that forced other European powers to stake claims to Africa’s interior, and within two decades the entire continent had effectively been carved up by the white man. The modern history of Africa – decades of colonial exploitation and post-independence chaos – was begun by a Telegraph reporter battling down the Congo River.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.
Kristen Ashley (Three Wishes)
Maybe, we're just two souls meant to share memories together but, not forever.
Verliza Gajeles
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.” “Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away. Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches. He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel. “Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted. The color instantly returned to Evangeline’s cheeks. “We’re in a church.” “What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps. “Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.” “And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Getting your heart broken is the privilege of being human, Eden used to say. I didn’t know what she meant then. My heart had been broken lots of times, and I was supposed to say thank you? Now, all these years later, I’m at least starting to see that she was really talking about the whole journey. That it’s impossible to be alive and not get hurt sometimes, not if you’re doing it right.
Paula McLain (When the Stars Go Dark)
Take my hand and join me on this journey, please. If you are a Christian and you are struggling with sexual sin, this book is meant to equip and encourage you in your daily walk of faith with Jesus. If you are not yet a Christian, my hope is that I can reach through the pages of this book, take your hand, and put it in the hand of our Savior.             If you call yourself a Christian, but you do not believe that you need to repent of the sin that claims your identity, heart, and perhaps body, my prayer is that this book sounds a serious alarm to you. Your soul is at stake, and I will take the risk of offending you to help. Salvation is a gift, offered to all who have a broken and contrite heart (Ps. 51:17). God promises tenderness to the brokenhearted: “I will seek the lost, bring back the scattered, bind up the broken and strengthen the sick,” but judgment for those who defend the right to their sin: “but the fat and the strong I will destroy. I will feed them with judgment” (Ezek. 34:16). A humble and a broken heart is a gift from God. Pray for a heart that breaks on the rock of Christ. Pray for a tender conscience about sin, even your deepest, most primal sin.
Rosaria Champagne Butterfield (Openness Unhindered: Further Thoughts of an Unlikely Convert on Sexual Identity and Union with Christ)
I want no fate other than what is written by her, For I believe in her providence. And even if my heart is meant to be broken, I want her to do that honour, For I pray to her to grant me a warm ending…
Piyush Rohankar (Narcissistic Romanticism)
It was time for me to spread my broken wings, to let in the fear and the possibility of heartache. My heart knew what it meant to be broken. It wasn’t breaking my heart I was afraid of. It was healing.
R.K. Ryals (Hawthorne & Heathcliff)
FIDDLER JONES The earth keeps some vibration going There in your heart, and that is you. And if the people find you can fiddle, Why, fiddle you must, for all your life. What do you see, a harvest of clover? Or a meadow to walk through to the river? The wind's in the corn; you rub your hands For beeves hereafter ready for the market; Or else you hear the rustle of skirts. Like the girls when dancing at Little Grove. To Cooney Potter a pillar of dust Or whirling leaves meant ruinous drouth; They looked to me like Red-Head Sammy Stepping it off, to Toor-a-Loor. How could I till my forty acres Not to speak of getting more, With a medley of horns, bassoons and piccolos Stirred in my brain by crows and robins And the creak of a will-mill – only these? And I never started to plow in my life That some one did not stop in the road And take me away to a dance or picnic. I ended up with forty acres; I ended up with a broken fiddle – And a broken laugh, and a thousand memories, And not a single regret.
Edgar Lee Masters (Spoon River Anthology)
Song for the Last Act Now that I have your face by heart, I look Less at its features than its darkening frame Where quince and melon, yellow as young flame, Lie with quilled dahlias and the shepherd's crook. Beyond, a garden. There, in insolent ease The lead and marble figures watch the show Of yet another summer loath to go Although the scythes hang in the apple trees. Now that I have your face by heart, I look. Now that I have your voice by heart, I read In the black chords upon a dulling page Music that is not meant for music's cage, Whose emblems mix with words that shake and bleed. The staves are shuttled over with a stark Unprinted silence. In a double dream I must spell out the storm, the running stream. The beat's too swift. The notes shift in the dark. Now that I have your voice by heart, I read. Now that I have your heart by heart, I see The wharves with their great ships and architraves; The rigging and the cargo and the slaves On a strange beach under a broken sky. O not departure, but a voyage done! The bales stand on the stone; the anchor weeps Its red rust downward, and the long vine creeps Beside the salt herb, in the lengthening sun. Now that I have your heart by heart, I see.
Louise Bogan (Collected Poems 1923-1953)
This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.
David Berman
If loving a man meant this pain and anguish and sickness, she wanted none of it. It did away with sanity and composure and made havoc of courage. She was a babbling child now when once she had been indifferent and strong.
Daphne du Maurier (Jamaica Inn)
Evangeline's heart was still racing, and she wondered now if it wasn't scared or nervous but if it was just trying to catch up to all the moments before they disappeared-before he disappeared. She knew it would happen; it always did, Jacks always left, which made this even more foolish, and yet right now, she didn't want to be smart. She just wanted to be his. She meant to say, 'For tonight, I'm yours,' but all that came out was "I'm yours.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
When you are in pursuit of a mended heart, the Holy Spirit will gently peel away one layer of brokenness at a time. It’s a merciful and exquisite process that gradually reveals the healed and whole person you are meant to be.
Suzanne Eller (The Mended Heart: God's Healing for Your Broken Places)
Wren?' he says. 'Talk to me.' I don't reply. What would be the point? I know he will twist me around his finger with words. I know that if I give him half the chance, love-starved creature that I am, I will be under his spell again. With him, I am forever a night-blooming flower, attracted and repelled by the heat of the sun. 'Let me explain,' he calls to me. 'Let me atone.' I bite the tip of my tongue to keep myself from snapping at him. He meant to keep me ignorant. He tricked me. He lied with every smile. With every kiss. With the warmth in his eyes that should have been impossible to fake. I'd know what he was capable of. Over and over, he'd shown me. And over and over, I believed there would be no more tricks. No more secrets. Not anymore. 'You have good cause to be furious. But you couldn't have lied, had you known the truth. I was afraid you'd have to lie.' He waits, and when I say nothing, rolls into a sitting position. 'Wren?' I can see the leather straps running across his cheeks. If he wears the bridle long enough, he'll have scars. 'Talk to me!' he shouts, standing and coming to the bars. I see the gold of his hair, the sharp lines of his cheekbones, the glint of his fox eyes. 'Wren! Wren!' Coward that I am, I flee. My heart thundering, my hands shaking. But I can't pretend that I don't like the sound of him screaming my name.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Isn’t that what being twenty is all about?” “Being an idiot?” “No.” She grinned, looking all impish and twinkly. “I meant, falling for unsuitable people. Breaking hearts and having your heart broken. Living the stories that are worth telling.
Alexis Hall (How to Bang a Billionaire (Arden St. Ives, #1))
She knew it would happen; it always did, Jacks always left, which made this even more foolish, and yet right now, she didn’t want to be smart. She just wanted to be his. She meant to say, For tonight, I’m yours, but all that came out was “I’m yours.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
You left me as quickly as you told me you loved me, all in one breath. When I told you I was hard to love, you asked me not to be scared; I believed you. Because even after you swore you weren’t like the others, I didn’t realise you meant you were worse.
Insha Juneja (Imperfect Mortals : A Collection of Short Stories)
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars. You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing? I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance. And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
Lang Leav (Memories)
Once let down, I never fully recovered. I could never forget, and the break never mended. Like a glass vase that you place on the edge of a table, once broken, the pieces never quite fit again. However the problem wasn’t with the vase, or even that the vases kept breaking. The problem was that I kept putting them on the edge of tables. Through my attachments, I was dependent on my relationships to fulfill my needs. I allowed those relationships to define my happiness or my sadness, my fulfillment or my emptiness, my security, and even my self-worth. And so, like the vase placed where it will inevitably fall, through those dependencies I set myself up for disappointment. I set myself up to be broken. And that’s exactly what I found: one disappointment, one break after another. Yet the people who broke me were not to blame any more than gravity can be blamed for breaking the vase. We can’t blame the laws of physics when a twig snaps because we leaned on it for support. The twig was never created to carry us. Our weight was only meant to be carried by God. We are told in the Qur’an: "…whoever rejects evil and believes in God hath grasped the most trustworthy hand-hold that never breaks. And God hears and knows all things." (Qur’an, 2: 256) There is a crucial lesson in this verse: that there is only one hand-hold that never breaks. There is only one place where we can lay our dependencies. There is only one relationship that should define our self-worth and only one source from which to seek our ultimate happiness, fulfillment, and security. That place is God. However,
Yasmin Mogahed (Reclaim Your Heart: Personal insights on breaking free from life's shackles)
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.” “Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder. “Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?” As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?” “Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes. “You might have broken your neck. Why can’t you leave these things to the proper authorities?” “I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!” “How was I supposed to do that when you never left the house alone?” “But you could have come at any time. I was waiting for you!” Er Lang was incensed. “Is this the thanks I get?” If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him. I meant to break away at once, but he caught me, his hand behind my head. “Are you going to complain about this?” he demanded. Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look. “Open your mouth then.” “Why?” “I’m going to put my tongue in.” That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
Yangsze Choo (The Ghost Bride)
I lied when I said I didn’t want to know what it felt like to be normal; I’d give anything. Maybe I’ll end up giving everything. But tonight I just want to know what it feels like to be someone else. And if it breaks my heart, maybe it was always meant to be broken.
Suki Fleet (Foxes)
Say!” Benedict exclaimed. “Why don’t you save her, Hastings?” Simon took one look at Lady Bridgerton (who at that point had her hand firmly wrapped around Macclesfield’s forearm) and decided he’d rather be branded an eternal coward. “Since we haven’t been introduced, I’m sure it would be most improper,” he improvised. “I’m sure it wouldn’t,” Anthony returned. “You’re a duke.” “So?” “So?” Anthony echoed. “Mother would forgive any impropriety if it meant gaining an audience for Daphne with a duke.” “Now look here,” Simon said hotly, “I’m not some sacrificial lamb to be slaughtered on the altar of your mother.” “You have spent a lot of time in Africa, haven’t you?” Colin quipped. Simon ignored him. “Besides, your sister said—” All three Bridgerton heads swung round in his direction. Simon immediately realized he’d blundered. Badly. “You’ve met Daphne?” Anthony queried, his voice just a touch too polite for Simon’s comfort. Before Simon could even reply, Benedict leaned in ever-so-slightly closer, and asked, “Why didn’t you mention this?” “Yes,” Colin said, his mouth utterly serious for the first time that evening. “Why?” Simon glanced from brother to brother and it became perfectly clear why Daphne must still be unmarried. This belligerent trio would scare off all but the most determined— or stupid— of suitors. Which would probably explain Nigel Berbrooke. “Actually,” Simon said, “I bumped into her in the hall as I was making my way into the ballroom. It was”— he glanced rather pointedly at the Bridgertons—“ rather obvious that she was a member of your family, so I introduced myself.” Anthony turned to Benedict. “Must have been when she was fleeing Berbrooke.” Benedict turned to Colin. “What did happen to Berbrooke? Do you know?” Colin shrugged. “Haven’t the faintest. Probably left to nurse his broken heart.” Or broken head, Simon thought acerbically. “Well, that explains everything, I’m sure,” Anthony said, losing his overbearing big-brother expression and looking once again like a fellow rake and best friend. “Except,” Benedict said suspiciously, “why he didn’t mention it.” “Because I didn’t have the chance,” Simon bit off, about ready to throw his arms up in exasperation. “In case you hadn’t noticed, Anthony, you have a ridiculous number of siblings, and it takes a ridiculous amount of time to be introduced to all of them.” “There are only two of us present,” Colin pointed out. “I’m going home,” Simon announced. “The three of you are mad.” Benedict, who had seemed to be the most protective of the brothers, suddenly grinned. “You don’t have a sister, do you?” “No, thank God.
Julia Quinn (The Duke and I (Bridgertons, #1))
were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay. Chapter 7
S.E. Hinton (The Outsiders)
The world is broken. Our bodies break eventually. Our minds and hearts can break as well. We lose things in this life. We lose relationships. We lose people. And so a lot of folks live with a lot of pain. Much is mystery but God asks us to love, not just when it’s easy and not just when a certain Scripture fits. What does it look like to love someone who lives in a place you’ve never been? When there are no words? Or what about allowing someone to love you when you feel completely alone, like no one can relate? Beyond that, maybe it’s better not to fake it, not to offer something cheap. For the rest of us still here, with air in our lungs and tears in our eyes, perhaps we are meant to simply meet one another in the questions. Though the price will be the heartache of loss – for we can’t control when or how an ending comes – what a privilege that God allows us to connect with other people in this life, to be known and to be loved so we do not walk alone. Perhaps friendship – the deep kind, the best kind – perhaps it is a miracle.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
The most beautiful among us all seem to be slightly broken, women especially. The ones worth knowing are beyond repair. She’ll always be slightly off centered. A clock, never set perfectly, but you knew could still sing beautifully. And fools we are for attempting to fix her. Just read her, learn her, love her. Don’t try to make sense of her past, or dare predict her future. Who she was, is not who she is, and is certainly not who she would be. You’re not meant to understand her entirely. Because she’s not sure who she is exactly. Let her sing her song. Watch her dance wildly to it. It’s her time. Repairing that would only break her heart. And I’d rather be ripped apart from her than rip a part from her.
J Raymond
We both look at that leg and see so much more than new skin. We see Jesus. He met us right there on the cold, hard cement floor of my sunroom with our festering wounds and our messy hearts. He took two broken people and showed us the scars on His hands and whispered that it was okay if we had our scars too, because the scars were always meant to draw us into His glory.
Katie Davis Majors (Daring to Hope: Finding God's Goodness in the Broken and the Beautiful)
Shhh, Eena, it’s going to be okay. I promise, you’ll get through this.” She didn’t fight him, but grabbed onto his shirt, weeping softly into it as before. He began to hum faintly, a familiar Earth tune. Soon he was singing the words in that deep, consoling voice of his. The song itself was meant to be comforting, and his tender manner made it that much more effectual. Eena recognized the song. She fell asleep to the soothing lyrics. Abide with me fast falls the eventide. The darkness deepens. Lord with me abide. When other helpers fail and comforts flee, Help of the helpless, O abide with me. He went on to sing the other verses, hoping to ease her broken heart. Until her grief finally healed, no matter how long it took, he’d be there for her.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
i have to believe that pain doesn't just wear our hearts out; that it stretches them with purpose, that it's meant to give us a pulse… in breakdown, we are broken open; in hurt, we find humility, passion is stirred from our aches, and empathy is a muscle that grows the more we feel… and so we come out brighter from our darkness. maybe if we let it… our pain can have beautiful purpose
butterflies rising
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic,” the voice continues. “Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were Time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate wove together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually,” the storyteller continues, “Fate and Time found each other again.
Erin Morgenstern (The Starless Sea)
Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.
Lauren Oliver (Requiem (Delirium, #3))
I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the while of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith. I became loyal to these sense impressions even before I knew what they meant or what they were for. It is my heart that commands me so. I feel at home in a Hindu temple. I am aware of Presence, not personal the way we usually presence, but something larger. My heart still skips a beat when I catch sight of the murti, of God Residing, in the inner sanctum of the temple. Truly I am in a sacred cosmic womb, a place where everything is born, and it is my sweet luck to behold its living core. My hands naturally come together in reverent worship.
Yann Martel (Life of Pi)
Immanuelle stared at him—this man who’d used his lies to make himself a martyr. He thought he was the one who made the true sacrifice, but he couldn’t be more wrong. It was not the Prophet who bore Bethel, bound to his back like a millstone. It was all of the innocent girls and women—like Miriam and Leah—who suffered and died at the hands of men who exploited them. They were Bethel’s sacrifice. They were the bones upon which the Church was built. Their pain was the great shame of the Father’s faith, and all of Bethel shared in it. Men like the Prophet, who lurked and lusted after the innocent, who found joy in their pain, who brutalized and broke them down until they were nothing, exploiting those they were meant to protect. The Church, which not only excused and forgave the sins of its leaders but enabled them: with the Protocol and the market stocks, with muzzles and lashings and twisted Scriptures. It was the whole of them, the heart of Bethel itself, that made certain every woman who lived behind its gate had only two choices: resignation, or ruin. No more, Immanuelle thought. No more punishments or Protocols. No more muzzles or contrition. No more pyres or gutting blades. No more girls beaten or broken silent. No more brides in white gowns lying like lambs on the altar for slaughter. She would see an end to all of it.
Alexis Henderson (The Year of the Witching (Bethel, #1))
So the spell was broken and she ran home through a tangle of words where the letters jumbled and made no sense and meant nothing, and the words were ugly and she was not to be heard or seen, she was blemished and too fat, too thin, not smart, too smart, not beautiful, not a woman not not not. All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts they have not meant to break.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
Life is not a kind storyteller. And I'm not meant to be a saviour.' Jacks turned to go. 'You're wrong.' Evangeline reached out and grabbed his hand. Her grip wasn't as strong as she would have liked. Exhaustion was starting to take a deeper hold on her, but she held as tight as she could. She wanted to remind him that he'd held her as she'd cried, he'd carried her as she'd bled, he'd bandaged her wounds. But her head was growing so heavy, all she managed to say was. 'Tonight, you saved me.' No, I stopped you from dying. That's not the same thing.' Jacks pulled away and abruptly left.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I used to wonder if fate was real,” she said gently. “I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was your true love. But now I don’t care if fate is real—because I don’t need it to decide for me. I don’t need it to make this choice. I’ve made my decision, Jacks. It’s you. It will always be you, until the end of time. And I’ll fight fate or anyone else who tries to tear us apart—including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
A Letter To Say, "I'll See You Later" I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces. I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy! I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter. I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again. I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.” I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket. I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.” I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.” I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time. I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home. I remember just like it was yesterday having my heart broken but you helped me mend it. I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock. I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl. I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up. I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way. I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness. I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time. I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.” I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
Amanda Strong
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
The Choir And Music Of Solitude And Silence - Silence is a great blue bell Swinging and ringing, tinkling and singing, In measure’s pleasure, and in the supple symmetry of the soaring of the immense intense wings glinting against All the blue radiance above us and within us, hidden Save for the stars sparking, distant and unheard in their singing. And this is the first meaning of the famous saying, The stars sang. They are the white birds of silence And the meaning of the difficult famous saying that the sons and daughters of morning sang, Meant and means that they were and they are the children of God and morning, Delighting in the lights of becoming and the houses of being, Taking pleasure in measure and excess, in listening as in seeing. Love is the most difficult and dangerous form of courage. Courage is the most desperate, admirable and noble kind of love. So that when the great blue bell of silence is stilled and stopped or broken By the babel and chaos of desire unrequited, irritated and frustrated, When the heart has opened and when the heart has spoken Not of the purity and symmetry of gratification, but action of insatiable distraction’s dissatisfaction, Then the heart says, in all its blindness and faltering emptiness: There is no God. Because I am hope. And hope must be fed. And then the great blue bell of silence is deafened, dumbed, and has become the tomb of the living dead.
Delmore Schwartz
DAKRTSI DIOISO POTMON ‘APOTMON. Oh! there are spirits of the air, And genii of the evening breeze, And gentle ghosts, with eyes as fair As star-beams among twilight trees: — Such lovely ministers to meet    5 Oft hast thou turned from men thy lonely feet. With mountain winds, and babbling springs, And moonlight seas, that are the voice Of these inexplicable things, Thou didst hold commune, and rejoice    10 When they did answer thee; but they Cast, like a worthless boon, thy love away. And thou hast sought in starry eyes Beams that were never meant for thine, Another’s wealth: — tame sacrifice To a fond faith! still dost thou pine?    15 Still dost thou hope that greeting hands, Voice, looks, or lips, may answer thy demands? Ah! wherefore didst thou build thine hope On the false earth’s inconstancy?    20 Did thine own mind afford no scope Of love, or moving thoughts to thee? That natural scenes or human smiles Could steal the power to wind thee in their wiles? Yes, all the faithless smiles are fled    25 Whose falsehood left thee broken-hearted; The glory of the moon is dead; Night’s ghosts and dreams have now departed; Thine own soul still is true to thee, But changed to a foul fiend through misery.    30 This fiend, whose ghastly presence ever Beside thee like thy shadow hangs, Dream not to chase; — the mad endeavour Would scourge thee to severer pangs. Be as thou art. Thy settled fate, Dark as it is, all change would aggravate.    35
Percy Bysshe Shelley (Percy Bysshe Shelley)
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tear- ing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
Elie Wiesel (Night (The Night Trilogy, #1))
How about going into town for lunch? My treat.” “With you? No.” “This may surprise you,” he said, a teasing lilt in his voice, “but I’m not my grandfather.” Shelby gazed at the broken swing. “Uncle Richard told me you’ve owned this house about five or six years.” “Six.” “What exactly did you do different than your grandfather?” A wounded frown replaced AJ’s amiable smile, and his eyes brimmed with pain. Regret gripped Shelby’s heart. She’d meant the words to sting a little, but not to cut. She opened her mouth to apologize, but he turned on his heel and headed toward his Jeep before she could say a word. Opening the driver’s door, he glared at her over the roof. “See you at the signing.” “I didn’t mean—” “I think you did.” He disappeared into the Jeep and started the ignition. As the vehicle bounced down the lane, Shelby’s heart jolted. It was as if she were fourteen again, as lonely and abandoned as the house behind her.
Johnnie Alexander (Where She Belongs (Misty Willow #1))
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I supposeyou'dsay that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
Dear—Prince,” she started haltingly. She’d never prayed to a Fate, and she didn’t want to get it wrong. “I’m here because my parents are dead.” Evangeline cringed. That was not how she was supposed to start. “What I meant to say was, my parents have both passed away. I lost my mother a couple of years ago. Then I lost my father last season. Now I’m about to lose the boy that I love. “Luc Navarro—” Her throat closed as she said the name and pictured his crooked smile. Maybe if he’d been plainer, or poorer, or crueler, none of this would have happened. “We’ve been seeing each other in secret. I was supposed to be in mourning for my father. Then, a little over two weeks ago, on the day that Luc and I were going to tell our families we were in love, my stepsister, Marisol, announced that she and Luc were getting married.” Evangeline paused to close her eyes. This part still made her head spin. Quick engagements weren’t uncommon. Marisol was pretty, and although she was reserved, she was also kind—so much kinder than Evangeline’s stepmother, Agnes. But Evangeline had never even seen Luc in the same room as Marisol. “I know how this sounds, but Luc loves me. I believe he’s been cursed. He hasn’t spoken to me since the engagement was announced—he won’t even see me. I don’t know how she did it, but I’m certain this is all my stepmother’s doing.” Evangeline didn’t actually have any proof that Agnes was a witch and she’d cast a curse on Luc. But Evangeline was certain her stepmother had learned of Evangeline’s relationship with Luc and she’d wanted Luc, and the title he’d someday inherit, for her daughter instead. “Agnes has resented me ever since my father died. I’ve tried talking to Marisol about Luc. Unlike my stepmother, I don’t think Marisol would ever intentionally hurt me. But every time I try to open my mouth, the words won’t come out, as if they’re also cursed or I’m cursed. So I’m here, begging for your help. The wedding is today, and I need you to stop it.” Evangeline opened her eyes. The lifeless statue hadn’t changed. She knew statues didn’t generally move. Yet she couldn’t help but think that it should have done something—shifted or spoken or moved its marble eyes. “Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
And when the day closes, I shall know I have done my part. To every soul, who feels that there's a bunch of dreams left unrealised, remember that as long as the Life remains, the possibility to dream remains. Remember that sometimes some dreams that we paint in our hearts are not meant to grow us in our journey of Life and then while we walk along the path, even the detours and broken dreams pave way to a whole lot of waking dreams that only the heart of gratitude can see and feel. I have seen and felt, that sometimes some souls have to go through a lot of trials and tribulations, lessons and sufferings, and even then they never fail to wear kindness and grace simply because they know that what happens around them should not intrude upon what is inside their heart. To know that we are here for a purpose and to not live idly, to know that the purpose is as simple as to stay kind and open to every possibility is as beautiful as the sky who knows no matter how dark the night is the stars would always lit her face. In a world where everything comes at a price, if you're choosing to stay kind, if you're choosing to value your dignity and your integrity, if your choosing to understand and embrace the smile of Solitude, if you're choosing to employ your faculties to understand the real questions of Life, then you're alive, much more alive than your human dreams could have made you feel. Because no matter what, when sunset hits the night, and the day comes to a close you know you've done your part, you know you have embraced one more day with gratitude and grace, with a formidable zeal for Life and an invincible spirit of human understanding that stands firm pillared with Hope and Faith. And then no matter how many voices shrill your mind, the echo of your soul would pierce through your heart and enlighten every inch of your mind, body and soul, and you would know how proud the Universe must be to see the faithfulness, the strength and resilience in your soul, the very mould that was shaped in the fire of the Stardust that shines upon the sky, sometimes becoming a beacon to others while sometimes lying beautifully hidden but always there, always alive. And so each time, I look at the sky with a bunch of stars, I know I am alive, burning with all that Life is made up of. And someday when the day closes for another dawn altogether, I shall know that I have done my part, pretty well.
Debatrayee Banerjee
Consider also how love affects the family. Children who grow up without feeling loved leave the house and start searching for love in all the wrong places. They go from broken relationship to broken relationship and from foolish thing to foolish thing, breaking their hearts and others’ time and time again. They were never raised to understand true love and thus must learn it through the school of hard knocks. A truly loving parent should not only meet the needs of a child’s physical life but also of their spiritual and emotional life as well. A loving parent should teach their child how to love, how love works, and how to use it to approach God and others. This God-given duty is on the shoulders of the parents and not the Sunday school teacher. A child should learn the true meaning of love and God daily through the ones they’re closest to, not once a week from someone they hardly know. If they don’t learn from their parents, they’ll think their parents don’t agree with what they’re being taught. Why? Because they don’t experience it daily from their parents. They know that if it meant that much to Mom and Dad, they would practice it daily and take the time to teach their children these principles.
Adam Houge (NOT A BOOK: The 7 Habits That Will Change Your Life Forever)
Until you spoke to her the other day, and until I saw in you a looking-glass that showed me what I once felt myself, I did not know what I had done. What have I done! What have I done!' And so again, twenty, fifty time over, what had she done! 'Miss Havisham,' I said, when her cry had died away, 'you may dismiss me from you mind and conscience. But Estella is a different case, and if you can ever undo any scrap of what you have done amiss in keeping a part of her right nature away from her, it will be better to do that, than to bemoan the past through a hundred years.' 'Yes, yes, I know it. But, Pip - my Dear!' There was an earnest womanly compassion for me in her new affection. 'My dear! Believe this: when she first came to me, I meant to save her from misery like my own. At first I mean no more.' 'Well, well!' said I. 'I hope so.' 'But as she grew, and promised to be very beautiful, I gradually did worse, and with my praises, and with my jewels, and with my teachings, and with this figure of myself always before her, a warning to back and point my lessons, I stole her heart away and put ice in its place.' 'Better,' I could not help saying, 'to have left her a natural heart, even to be bruised or broken.
Charles Dickens (Great Expectations)
The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
One letter was addressed to me personally in large, shaky handwriting with little circles over the i's instead of dots. [...] It was from Sid. Dear Debbie [Nancy's mother], Thank you for phoning me the other night. It was so comforting to hear your voice. You are the only person who really understands how much Nancy and I love each other. Every day without Nancy gets worse and worse. I just hope that when I die I go the same place as her. Otherwise I will never find peace. Frank [Nancy's father] said in the paper that Nancy was born in pain and lived in pain all her life. When I first met her, and for about six months after that, I spent practically the whole time in tears. Her pain was just too much to bear. Because, you see, I felt Nancy's pain as though it were my own, worse even. But she said that I must be strong for her or otherwise she would have to leave me. So I became strong for her, and she began to stop having asthma attacks and seemed to be going through a lot less pain. [Nancy had had asthma since she was a child.] I realized that she had never known love and was desperately searching for someone to love her. It was the only thing she really needed. I gave her the love that she needed so badly and it comforts me to know that I made her very happy during the time we were together, where she had only known unhappiness before. Oh Debbie, I love her with such passion. Every day is agony without her. I know now that it is possible to die from a broken heart. Because when you love someone as much as we love each other, they become fundamental to your existence. So I will die soon, even if I don't kill myself. I guess you could say that I'm pining for her. I could live without food or .water longer than I'm going to survive without Nancy. Thank you so much for understanding us, Debbie. It means so much to me, and I know it meant a lot to Nancy. She really loves you, and so do I. How did she know when she was going to die? I always prayed that she was wrong, but deep inside I knew she was right. Nancy was a very special person, too beautiful for this world. I feel so privileged to have loved her and been loved by her. Oh Debbie, it was such a beautiful love. I can't go on without it. When we first met, we knew we were made for each other, and fell in love with each other immediately. We were totally inseparable and were never apart. We had certain telepathic abilities, too. I remember about nine months after we met, I left Nancy for a while. After a couple of weeks of being apart, I had a strange feeling that Nancy was dying. I went straight to the place she was staying and when I saw her, I knew it was true. I took her home with me and nursed her back to health, but I knew that if I hadn't bothered she would have died. Nancy was just a poor baby, desperate for love. It made me so happy to give her love, and believe me, no man ever loved a woman with such burning passion as I love Nancy. I never even looked at others. No one was as beautiful as my Nancy. Enclosed is a poem I wrote for her. It kind of sums up how much I love her. If possible, I would love to see you before I die. You are the only one who understood. Love, Sid XXX.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
The heart is the center of the human microcosm, at once the center of the physical body, the vital energies, the emotions, and the soul, as well as the meeting place between the human and the celestial realms where the spirit resides. How remarkable is this reality of the heart, that mysterious center which from the point of view of our earthly existence seems so small, and yet as the Prophet has said it is the Throne (al-‘arsh) of God the All-Merciful (ar-Rahmân), the Throne that encompasses the whole universe. Or as he uttered in another saying, “My Heaven containeth Me not, nor My Earth, but the heart of My faithful servant doth contain Me.” It is the heart, the realm of interiority, to which Christ referred when he said, “The kingdom of God is within you” (Lk 17:21), and it is the heart which the founders of all religions and the sacred scriptures advise man to keep pure as a condition for his salvation and deliverance. We need only recall the words of the Gospel, “Blessed are the pure in heart, for they shall see God” (Mt 5:8) […] In Christianity the Desert Fathers articulated the spiritual, mystical, and symbolic meanings of the reality of the heart, and these teachings led to a long tradition in the Eastern Orthodox Church known as Hesychasm, culminating with St Gregory Palamas, which is focused on the “prayer of the heart” and which includes the exposition of the significance of the heart and the elaboration of the mysticism and theology of the heart. In Catholicism another development took place, in which the heart of the faithful became in a sense replaced by the heart of Christ, and a new spirituality developed on the basis of devotion to the Sacred Heart of Jesus. Reference to His bleeding heart became common in the writings of such figures as St Bernard of Clairvaux and St Catherine of Sienna. The Christian doctrines of the heart, based as they are on the Bible, present certain universal theses to be seen also in Judaism, the most important of which is the association of the heart with the inner soul of man and the center of the human state. In Jewish mysticism the spirituality of the heart was further developed, and some Jewish mystics emphasized the idea of the “broken or contrite heart” (levnichbar) and wrote that to reach the Divine Majesty one had to “tear one’s heart” and that the “broken heart” mentioned in the Psalms sufficed. To make clear the universality of the spiritual significance of the heart across religious boundaries, while also emphasizing the development of the “theology of the heart” and methods of “prayer of the heart” particular to each tradition, one may recall that the name of Horus, the Egyptian god, meant the “heart of the world”. In Sanskrit the term for heart, hridaya, means also the center of the world, since, by virtue of the analogy between the macrocosm and the microcosm, the center of man is also the center of the universe. Furthermore, in Sanskrit the term shraddha, meaning faith, also signifies knowledge of the heart, and the same is true in Arabic, where the word îmân means faith when used for man and knowledge when used for God, as in the Divine Name al-Mu’min. As for the Far Eastern tradition, in Chinese the term xin means both heart and mind or consciousness. – Seyyed Hossein Nasr (Chapter 3: The Heart of the Faithful is the Throne of the All-Merciful)
James S. Cutsinger (Paths to the Heart: Sufism and the Christian East)
The heart is the center of the human microcosm, at once the center of the physical body, the vital energies, the emotions, and the soul, as well as the meeting place between the human and the celestial realms where the spirit resides. How remarkable is this reality of the heart, that mysterious center which from the point of view of our earthly existence seems so small, and yet as the Prophet has said it is the Throne (al-‘arsh) of God the All-Merciful (ar-Rahmân), the Throne that encompasses the whole universe. Or as he uttered in another saying, “My Heaven containeth Me not, nor My Earth, but the heart of My faithful servant doth contain Me.” It is the heart, the realm of interiority, to which Christ referred when he said, “The kingdom of God is within you” (Lk 17:21), and it is the heart which the founders of all religions and the sacred scriptures advise man to keep pure as a condition for his salvation and deliverance. We need only recall the words of the Gospel, “Blessed are the pure in heart, for they shall see God” (Mt 5:8) […] In Christianity the Desert Fathers articulated the spiritual, mystical, and symbolic meanings of the reality of the heart, and these teachings led to a long tradition in the Eastern Orthodox Church known as Hesychasm, culminating with St Gregory Palamas, which is focused on the “prayer of the heart” and which includes the exposition of the significance of the heart and the elaboration of the mysticism and theology of the heart. In Catholicism another development took place, in which the heart of the faithful became in a sense replaced by the heart of Christ, and a new spirituality developed on the basis of devotion to the Sacred Heart of Jesus. Reference to His bleeding heart became common in the writings of such figures as St Bernard of Clairvaux and St Catherine of Sienna. The Christian doctrines of the heart, based as they are on the Bible, present certain universal theses to be seen also in Judaism, the most important of which is the association of the heart with the inner soul of man and the center of the human state. In Jewish mysticism the spirituality of the heart was further developed, and some Jewish mystics emphasized the idea of the “broken or contrite heart” (levnichbar) and wrote that to reach the Divine Majesty one had to “tear one’s heart” and that the “broken heart” mentioned in the Psalms sufficed. To make clear the universality of the spiritual significance of the heart across religious boundaries, while also emphasizing the development of the “theology of the heart” and methods of “prayer of the heart” particular to each tradition, one may recall that the name of Horus, the Egyptian god, meant the “heart of the world”. In Sanskrit the term for heart, hridaya, means also the center of the world, since, by virtue of the analogy between the macrocosm and the microcosm, the center of man is also the center of the universe. Furthermore, in Sanskrit the term shraddha, meaning faith, also signifies knowledge of the heart, and the same is true in Arabic, where the word îmân means faith when used for man and knowledge when used for God, as in the Divine Name al-Mu’min. As for the Far Eastern tradition, in Chinese the term xin means both heart and mind or consciousness. – Seyyed Hossein Nasr (Chapter 3: The Heart of the Faithful is the Throne of the All-Merciful)
James S. Cutsinger (Paths to the Heart: Sufism and the Christian East)
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)