Heartbeat Baby Quotes

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What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for (at some forty-five hundred heartbeats an hour). I know, however, of a young chronophobiac who experienced something like panic when looking for the first time at homemade movies that had been taken a few weeks before his birth. He saw a world that was practically unchanged-the same house, the same people- and then realized that he did not exist there at all and that nobody mourned his absence. He caught a glimpse of his mother waving from an upstairs window, and that unfamiliar gesture disturbed him, as if it were some mysterious farewell. But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.
Vladimir Nabokov (Speak, Memory)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer
I wish that every baby everywhere could land in a family that wanted that baby as much as we want ours.
Sharon Creech (Heartbeat)
What horror to face, to choose the moment of your child’s death, to see the machines whir to a stop, the monitors to beep, the line of the heartbeat to go flat. No one really recovers from that. It must be easier to harden your heart, close the recesses of pain, and live life more simply and with calm deliberation.
Deanna Roy (Baby Dust)
And the way I loved her was like nothing else. This, I decided, was the love all other loves were measured against. They say girls look to marry their fathers, but I decided after having Maxie that we all, every one of us, were looking to marry our mothers. Sitting on the sofa with her wrapped in a soft blanket in my arms, I’d think, ‘This baby has it so good.’ It just seemed that the love I’d been searching and hoping for all my life was what Maxie already had right now: two big arms and a lap, a warm blanket, the background music of a heartbeat and a pair of lungs, food at a moment’s notice, sleep at every urge, and a person totally obsessed with her, whose every moment—waking or otherwise—was totally devoted to her comfort and care. Was that so much to ask for?
Katherine Center
When I tell people this story, they assume the miracle I am referring to during that long-ago blizzard was the birth of a baby. True, that was astonishing. But that day I witnessed a greater wonder. As Christina held my hand and Ms. Mina held Mama's, there was a moment- one heartbeat, one breath- where all the differences in schooling and money and skin color evaporated like mirages in a desert. Where everyone was equal, and it was just one woman, helping another. That miracle, I've spent thirty-nine years waiting to see again.
Jodi Picoult (Small Great Things)
The baby bean with its strong heartbeat disappears and reappears on the screen, like a picture coming in and out of focus. But the third time it happens, there’s something else on the screen too, next to our baby bean. In fact, it looks like nothing more than a second baby bean, suspended upside down in Livia’s belly, thinking little, silent baby bean thoughts.
Laurelin Paige (Hot Cop)
I dreamed you a field of running horses, Selah. For you, Bianca, a balloon the size of the sky, my body a kite you can throw into the air. Pull me by string and horse. Tell me everything won't end in death. That everything doesn't end with February. Dead wildflowers wrapped around a crying baby's throat. I've slowed my heartbeat to three beats a minute. I've redrawn the clouds into birds, a fox chasing them into the mountains. I'm going to move my hand today. I vomit ice cubes. There's a ghost next to me. Get up, Dad. (Light Boxes)
Shane Jones
(Aiden) “Sam, honey, I can smell your scent when you’re at the other end of your house, on a different floor. I can feel your heartbeat in my head. Your blood … it’s in me, Sam, enriched from the meals I cook for you with my own hands. Believe me, baby, I’ll know you’re there. And I will never hurt you.
Norah Wilson (Nightfall)
I like looking at your body,” she said. “Thank you. I like looking at you, period,” I responded. She removed her shirt. She asked for help with her bra. We embraced. Our skins touched. I felt her heart beat against my chest. I felt my heart beating. Our heartbeats became one. One heartbeat. We became one. Time passed. I looked at my watch. 10:10. I stood. She remained on the bed, defining beauty. “It’s getting close to eleven, baby. You should probably get up,” I said, looking for my shirt. I ran my hands through my hair. “Stand right there,” she said. “Don’t move.” I stood. She reached to the side of the bed, and got her phone from her purse. She held it at arm’s length. “Don’t move,” she said. “I heard you,” I responded. I stood. She took three photos. “I wish I could paint a picture of you,” I said. “Do you paint?” she asked. “No,” I responded, “But I wish I could. I would paint a picture of you right now, lying there without your shirt. I could stand here, Britney, and admire you for all of what is forever. You make me want to cry. But. That part of me is broken.
Scott Hildreth (Broken People)
The dagger pin is all I have left. It is comfort and pain, both, because it reminds me of all I’ve had, held, and had taken from me. It is my pen, too. With it, I write my story, again and again, in the walls. So I don’t forget. So it becomes real. I think of: Conrad’s hands, Rachel’s dark hair, Lena’s rosebud mouth, how when she was an infant, I used to sneak into her bedroom and hold her while she slept. Rachel never let me—from birth, she screamed, kicked, would have woken the household and the street. But Lena lay still and warm in my arms, submerged in some secret dreamland. And she was my secret: those nighttime hours, that twin heartbeat space, the darkness, the joy.
Lauren Oliver (Annabel (Delirium, #0.5))
I want you alongside So near to each other For I could listen to your heartbeats I want to stare at you I know this makes me super shy But baby I will try
Jyoti Patel (The Curved Rainbow)
When she felt the baby turn in her underwater world she remembered Quietly. The future was unfathomable, but with every heartbeat she carried her daughter towards it.
Diane Setterfield (Once Upon a River)
The women looked from one to the other, knowing what the men didn’t know. We knew the heartbeat and interior graces, compensation for our own clumsiness; the beatitude as we renounced our bodies, our noble little parasites the higher calling. We knew, without saying, the watery rollover, tremor, seismic shudders, the steadiness of the baby’s hiccups, the reliable stab from a kick to the kidney
Naomi Levy (To Begin Again: The Journey Toward Comfort, Strength, and Faith in Difficult Times)
out. I had to sit down when the baby’s heartbeat dropped and they brought in this vacuum thing and literally sucked the squirt out. The nurses made me put my head between my knees and brought me orange juice.
Kelly Oram (A Is for Abstinence (V Is for Virgin #2))
How fragile life was, how fleeting their days on earth, and how fickle was Death, claiming the young as often as the old, the healthy as often as the ailing, cruelly stealing away a baby’s first breath, a mother’s fading heartbeat.
Sharon Kay Penman (Lionheart (Plantagenets, #4; Richard the Lionheart #1))
He lifted his gaze to hers. "I have a lot of other things I should be doing, but I'm here." He stared into her eyes for several heartbeats before he returned his attention to the big box. "I've tried to stay away. After you threw me out of the house, I thought it was probably for the best. You're a distraction, and I don't need a distraction right now." He handed the screwdriver back to her and ripped the box open with his big hands. "I've got tapes I need to review, and plays I need to go over in my head before today's practice, yet here I am. Putting baby furniture together for you because I can't get you out of my head. I plug in a tape, and all I do is think about you." He peeled back the cardboard and reached for the instruction sheet that had fallen to the floor. "But the thing is, Adele, I'm not really sure whether you want me to be here or not." His polo shirt pulled out of the waistband of his Levi's and slid up the tan muscles of his back. He straightened and looked at her over the top of the instructions. "I don't know what you want.
Rachel Gibson (Not Another Bad Date (Writer Friends, #4))
No one love you like I love ya Never cheat, never lie Never put no one above ya I gave you space and time And now you're telling me you miss it And I'm still on your mind We were one in a million And love is hard to find When you're running, who you run to? Where do you go to hide? When she ain't giving you enough to get you through the night Won't be caught up in the middle Of your highs and your lows Baby, 'long as you're not with me, you'll always be alone Do you stay up late, just so you don't dream? Every time your lips touch another I want you to feel me I want you to feel me Every time you dance with somebody I want you to feel me I want you to feel me Do your days get a little bit longer? Nights get a little bit colder? Heartbeat a little bit louder? Days get a little bit longer? Nights get a little bit colder? Heartbeat a little bit louder?
EJR
At three fingers, he moans loud enough to wake the dead, and I release his erection to press my palm to his mouth. “Quiet, baby.” “Wes…” He’s squirming now, pushing his ass against my probing fingers. Every time I connect with his prostate, he pants out a breath. “I need more.” He’s beautiful. Goddamn beautiful. And I’m so hard it hurts. My heartbeat takes off like it’s on a breakaway as I tear open the condom packet with my teeth. I cover myself with one hand, then pour lube on the condom to get the latex even slicker. My fingers continue to torment Jamie’s ass. “You ready for it?” I rasp. His lips part on a shaky breath. He nods.
Sarina Bowen (Him (Him, #1))
The first music I ever heard was only one hundred and sixty days after I was conceived. Da dum Da dum Da dum Have you ever heard the sound a blessing makes? This is it. The first thing I ever saw was only one hundred and eighty days after I was conceived. It was a bright light soft like clouds warm like candles. Have you ever seen the colour of a blessing? This is it. The first time I ever suffered was in the three thousand and sixty seconds after I was born. I listened for her heartbeat. I searched for her light. I cried for the first time until she was born. Have you ever known a blessing? A twin is it.
Kamand Kojouri
She overheard one of them shout, “This is Dr. Hartt’s daughter!” Eve had no idea why those words came back to her at night. Over and over her brain repeated, “This is Dr. Hartt’s daughter!” Not “Eve, we aren’t showing a heartbeat on the baby.” Not “David Statford was pronounced dead at the scene.” Not “We can’t stop the bleeding. She’s hemorrhaging.” Not “If the infection continues, we’re not going to have any choice. Eve, we’re recommending a hysterectomy.” Maybe it was because she’d still had hope when she heard those words. Maybe because she’d thought she’d be protected since her father was a surgeon at the hospital where the ambulance took her.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time...the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Night, my handsome little prince,’ she whispered and tiptoed out of the nursery she had so carefully prepared for the birth of her baby, with soft toys all lined up at the head of the cot and a large white toy box in the corner, Alfie’s name spelt out in large letters on it. The heartbeat continued, strong and comforting –a protective force like a mother’s love.
Carol Wyer (Last Lullaby (Detective Natalie Ward, #2))
Against his chest he felt the baby’s heartbeat, just under twice the rate of his own. Their pulses fell in and out of phase, but one day they would be always out. They would never be this close. He would know him less well, then even less. Others would know Lawrence better than he did, where he was, what he was doing and saying, growing closer to this friend, then this lover. Crying sometimes, alone. From his father, occasional visits, a sincere hug, catch up on work, family, some politics, then goodbye. Until then, he knew everything about him, where he was in every minute, in every place. He was the baby’s bed and his god. The long letting go could be the essence of parenthood and from here was impossible to conceive.
Ian McEwan (Lessons)
I started dating somebody else. Well, sort of.” “That doesn’t’ sound serious.” She crossed her arms. “It’s personal.” “He turned fully her way then, his eyes darkening. “I took your virginity, baby. We are personal.” … “I believe I took yours, too,” she sputtered. His grin transformed his rugged face from deadly to charming in less than a heartbeat. “That you did. Nicely done, too.
Rebecca Zanetti (Pivot (Deep Ops, #2.5; The Brodies of Alaska, #0.5))
I put the Sonicaid probe onto a mum’s abdomen in antenatal clinic and turn it on, waiting for the familiar SWOOSH SWOOSH SWOOSH of baby’s heartbeat. Nothing. Bloody batteries. I flick the on/off switch a couple more times, then apologize to the patient. ‘Sorry, I think this one’s dead.’ As the mum’s face collapses like a bouncy castle at closing time, I urgently clarify: ‘The Sonicaid! The Sonicaid!
Adam Kay (Twas The Nightshift Before Christmas)
She lifted her hand and placed it on his chest, the exquisite little heartbeat radiating through her touch. Helen smiled, realizing she had found in this soft bundle something strong—unconquerable, even. Something greater than any obstacle they might face as they made their way through the dark night. It was his soul, the unspoken words inside him that he wasn’t quite ready to tell her, but oh, they were there.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
What does our baby think of the cord sprouting into the whoosh whoosh of my wife’s heartbeat? And does Ramon imagine the lines of seaweed are kite strings stretching into a heaven of water? I see Ramon and our baby looking up, up where stretched-out skin, the roof of the world, lets in the light of day, up where the sun is a ballet of burning coins. The heart — a kite like a bucking bronc straining to break into sky.
Vince Gotera
But I felt it now. Something was wrong, right here, very horribly wrong. I could picture Bob Nash sitting on the edge of Ann’s bed, trying to remember the last thing he said to his daughter. I saw Natalie’s mother, crying into one of her old T-shirts. I saw me, a despairing thirteen-year-old sobbing on the floor of my dead sister’s room, holding a small flowered shoe. Or Amma, thirteen herself, a woman-child with a gorgeous body and a gnawing desire to be the baby girl my mother mourned. My mother weeping over Marian. Biting that baby. Amma, asserting her power over lesser creatures, laughing as she and her friends cut through Natalie’s hair, the curls falling to the tile floor. Natalie, stabbing at the eyes of a little girl. My skin was screaming, my ears banged with my heartbeat. I closed my eyes, wrapped my arms around myself, and wept.
Gillian Flynn (Sharp Objects)
Okay, okay . . . where do you hear it coming from?” “Around here somewhere.” “Always in this spot?” “No. Not always. You are going to think I am even more insane, but I swear it is following me around.” “Maybe it is my new powers. The power to drive you mad.” She wriggled her fingers at him theatrically as if she were casting a curse on him. “You already drive me mad,” he teased, dragging her up against him and nibbling her neck with a playful growling. “Ah hell,” he broke off. “I really am going mad. I cannot believe you cannot hear that. It is like a metronome set to some ridiculously fast speed.” He turned and walked into the living room, looking around at every shelf. “The last person to own this place probably had a thing for music and left it running. Listen. Can you hear that?” “No,” she said thoughtfully, “but I can hear you hearing it if I concentrate on your thoughts. What in the world . . . ?” Gideon turned, then turned again, concentrating on the rapid sound, following it until it led him right up to his wife. “It is you!” he said. “No wonder it is following me around. Are you wearing a watch?” He grabbed her wrist and she rolled her eyes. “A Demon wearing a watch? Now I have heard everything.” Suddenly Gideon went very, very still, the cold wash of chills that flooded through him so strong that she shivered with the overflow of sensation. He abruptly dropped to his knees and framed her hips with his hands. “Oh, Legna,” he whispered, “I am such an idiot. It is a baby. It is our baby. I am hearing it’s heartbeat!” “What?” she asked, her shock so powerful she could barely speak. “I am with child?” “Yes. Yes, sweet, you most certainly are. A little over a month. Legna, you conceived, probably the first time we made love. My beautiful, fertile, gorgeous wife.” Gideon kissed her belly through her dress, stood up, and caught her up against him until she squeaked with the force of his hug. Legna went past shock and entered unbelievable joy. She laughed, not caring how tight he held her, feeling his joy on a thousand different levels. “I never thought I would know this feeling,” he said hoarsely. “Even when we were getting married, I never thought . . . It did not even enter my mind!” Gideon set her down on her feet, putting her at arm’s length as he scanned her thoroughly from head to toe. “I cannot understand why I did not become aware of this sooner. The chemical changes, the hormone levels alone . . .” “Never mind. We know now,” she said, throwing herself back up against him and hugging him tightly. “Come, we have to tell Noah . . . and Hannah! Oh, and Bella! And Jacob, of course. And Elijah. And we should inform Siena—” She was still rattling off names as she teleported them to the King’s castle.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
When I tell people this story, they assume the miracle I am referring to during that long-ago blizzard was the birth of a baby. True, that was astonishing. But that day I witnessed a greater wonder. As Christina held my hand and Ms. Mina held Mama’s, there was a moment—one heartbeat, one breath—where all the differences in schooling and money and skin color evaporated like mirages in a desert. Where everyone was equal, and it was just one woman, helping another.
Jodi Picoult (Small Great Things)
Pressing a palm against the new mother’s tummy, Eena closed her eyes and let the dragon’s soul kindle. Her mind sensed the fetus, picturing a disproportionately large head and little appendages still developing. She identified a rapid heartbeat pumping vital blood and nutrients throughout the body. She felt breathing-like movements and uncontrolled twitches that the mother could not yet perceive. She was aware of the massive reproduction of cells taking place, forming intricate, detailed anatomy. Here was a life-form. A young boy. He was healthy. So was his mom. It was remarkable.
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
TO MY BELOVED, Its neither a piece of paper nor a letter, rather it's my small heart which I'm gifting it to you darling.It seems time stood still without ur presence around me. My days and nights have gone worthless. All my heart could do is to recall the memories of time which we have spend together. My heart gets rejoiced whenever your beautiful face comes before my eyes. Your mesmerizing eyes drive me to another world. Your flowing hair looks tantalizing and your rosy lips seems to be meant only for saying lovely words. While having a cup of coffee yesterday, numerous moments striked my heart. Our first meeting, when you were looking like a fairy in white salwar-suit. Still fresh in my mind, your pretty smile and bowing your head down to laugh with your hand on your lips. I confess that your every action was stealing my heart and I couldn't withdraw myself from lookig you. The gift you presented me on my birthday gives me a sigh of relief that you are always there with me. Sweetheart, In the classroom, I cracked useless jokes and PJ's just to see your charming smile. Kept gazing your lips, just to heat some golden words. You had stolen my heart. Dedicated '' I don't know when and how you arrived in my life, Don't know when my heart star beating for you, day n night.... My eyes kept staring the window pane, Wishing one day u'll come in my lane.... Darling you're the only one whom I admire, It's you whom my heart desperately desires... Being with you is my only need, You are now the medicine of my heartbeat... I Craved your name on my heart, The day when I decided not to loose you ever, And I promise you sweetheart that, I love you & i'll love you for ever, ever n ever...... It's true my baby that, i love you like anything. Miss you from very morning 2 the night. MY senses are active to feel you, to hear you, to see you, to taste every sorrow and happiness of your life. Jaana, get embedded in me, in my soul so that i can live with you, for you........ Dying to have your reply..... Truly Your's PK
Prabhat Kumar
I love you,” I whispered brokenly against his lips. Tears leaked out at the corners of my eyes. He pushed the hair off my face, clearing me for his view. Our noses touched, we were so close. His fingers trailed over my face, drying the tears from my cheeks as quickly as they fell. “Don’t cry, baby. I love you. I love you, Emerson.” He pronounced the words slowly, like he was savoring them. Or maybe he just wanted me to absorb them. Maybe he wanted them to sink in so that I would feel them as clearly and completely as I felt his hands on my face, his lips against mine . . . his heartbeat vibrating from his chest into my body. So that I would believe in them. Believe in him. And I did. I felt them. I believed in them. I believed in us.
Sophie Jordan (Tease (The Ivy Chronicles, #2))
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone’s heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone’s hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don’t really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn’t have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
You see, if a baby is born alive, it’s alive and you and nobody else has the right to take some kind of a step to kill it, whether it’s twenty-three weeks, twenty-four weeks, nineteen weeks, whatever it is,” she said. “You’re a doctor. You have to do the minimal to keep that baby alive. If the baby is alive and you don’t want it to be, that doesn’t mean you have the right to take a pair of scissors and plunge it into its neck and sever its spinal cord, what they did on an everyday basis.” “They called it snipping, and he told all those workers that it was okay. Well, it’s not okay. It’s not okay in this state and in any other state. If a baby is born outside of its mother’s womb, you can’t kill it. If it moves or breathes or has a pulsating umbilical cord or heartbeat for a second, a minute, you can’t kill it. That’s murder.
Ann McElhinney (Gosnell: The Untold Story of America's Most Prolific Serial Killer)
Family is everything to him. When he was a young boy, he lost his mother and four sisters to scarlet fever, and was sent away to boarding school. He grew up very much alone. So he would do anything to protect or help the people he cares about." She hefted the album into Keir's lap, and watched as he began to leaf through it dutifully. Keir's gaze fell to a photograph of the Challons relaxing on the beach. There was Phoebe at a young age, sprawling in the lap of a slender, laughing mother with curly hair. Two blond boys sat beside her, holding small shovels with the ruins of a sandcastle between them. A grinning fair-haired toddler was sitting squarely on top of the sandcastle, having just squashed it. They'd all dressed up in matching bathing costumes, like a crew of little sailors. Coming to perch on the arm of the chair, Phoebe reached down to turn the pages and point out photographs of her siblings at various stages of their childhood. Gabriel, the responsible oldest son... followed by Raphael, carefree and rebellious... Seraphina, the sweet and imaginative younger sister... and the baby of the family, Ivo, a red-haired boy who'd come as a surprise after the duchess had assumed childbearing years were past her. Phoebe paused at a tintype likeness of the duke and duchess seated together. Below it, the words "Lord and Lady St. Vincent" had been written. "This was taken before my father inherited the dukedom," she said. Kingston- Lord St. Vincent back then- sat with an arm draped along the back of the sofa, his face turned toward his wife. She was a lovely woman, with an endearing spray of freckles across her face and a smile as vulnerable as the heartbeat in an exposed wrist.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.
Alix E. Harrow (The Once and Future Witches)
Every night, I sit in the rocking chair in the nursery when I give Willow her bedtime bottle. Tonight, I burped her halfway through her feeding like always. Then I sat her on my knees facing me and made funny faces. She looked right into my eyes. And she smiled. She’s ten weeks old and she just gave me her very first smile. I wish I’d taken a picture. I’m probably supposed to be documenting everything better for her baby book or whatever. She’s going to have a terrible baby book. But at least she’ll have a father who loves her. Because when she smiled at me tonight, I finally felt it. Love. A rush of love. I was so blown away by it I laughed, which made her smile at me even more. Then I hugged her small body and breathed in the smell of her Johnson’s baby shampoo. I could feel her heartbeat. Up until tonight, I was pretty sure Willow didn’t like me, and I understood why she didn’t. I didn’t blame her for resenting the idiot, bumbling guy who started doing for her all the things her gorgeous, familiar mother had done before. But tonight . . . tonight my little girl smiled at me. She gave her very first smile to me because I’m her person now. I’m her daddy and, in her way, I think she might love me, too. When I laid her against the inside of my elbow to feed her the rest of her bottle, her hand made a fist in the fabric of my shirt. She watched me as she drank down her formula. I’m tired and lonely. Parenting is far more difficult than I understood when I was a son and not yet a father. I miss my freedom and my friends and the life I had before Sylvie told me she was pregnant. I miss who I used to be. But tonight my daughter, a tiny girl in pink pajamas, smiled at me. Because I’m her person. Letter
Becky Wade (Then Came You (A Bradford Sisters Romance, #0.5))
My own heartbeat was slowing under my hand, under the deep rose silk, the color of a baby’s sleep-flushed cheek. When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
The ghost was not a ghost at all, or so it claimed - it claimed to be a psychic energy baby, birthed in some ethereal dimension, and pulled into the phone by the powerful magnetism of phone signals. It remembered with perfect clarity how it came to be - remembered coalescing from the membranous surface of the world, streaked with reflected light, humming with surface tension under the pressure of emptiness underneath. The Psychic Energy Baby found form among the emanations of people's minds and the susurrus of their voices, it found flesh in the shapes of their lips and eyes made, the surprise of 'o's and the sibilations of 's's; its skin stretched taut like a soap bubble, forged from the wet sound of lips touching; its thoughts were the musky smells and the nerves twined around the transparent water balloons of the muscles like stems of toadflax, searching restlessly for every available crevice, stretching along cold rough surfaces. Its veins, tiny rivers, pumped heartbeats striking in unison, the dry dallying of billions of ventricular contractions. And it spoke, spoke endlessly, it spokes words that tasted of dark air and formic acid. It could speak long before it took it's final shape. And when it happened, when all the sounds and smells and words in the world, when all the thoughts had aligned so that it could become - then it found itself pulled into the wires, surrounded by taut copper and green and red and yellow insulation; twined and quartered among the cables, rent open by millions of voices that shouted and whispered and pleaded and threatened, interspersed with the rasping of breaths and tearing laughter. It traveled through the criss-crossing of the wires so fast that it felt itself being pulled into a needle, head spearing into the future while its feet infinitely receded into the past, until it came into a dark quiet pool of the black rotary phone, where it could reassemble itself and take stock.
Ekaterina Sedia (The House of Discarded Dreams)
. . .In a heartbeat, you will fall right into that novel, that poem, the story that you are most in love with right now. When you learn to be able to decide in the moment to take breaks from your internal voices—even though it’s only for a split second—you will be taking your first baby steps toward the full-out exhilaration of living in the midst of the wholly realized writer’s life. Then all the negatives—yes, even your cherished writer’s block ego trip—will fade into background noise, then you will find silence, and your story will take over. Before you know it, you will be working calmly and clearly for hours, rather than for a couple minutes. 1 hour, not 1 second, 2 hours, not 2 seconds, 3 hours, 4 hours, 5 hours of allowing your mind to come to rest from the horrid, every day, mental chatter we lock ourselves up with—a time to anchor within the natural spaciousness that you already know instinctively, know from deep within will make you feel full inside. . . .
Terry Kennedy (The Zen of Marketing Kindle Ebooks: The Publishing Guide To Selling Ebooks On Amazon (The Zen of Indie Books #1))
Ryder’s in jeans and his shirt from last night, and he’s staring at the fridge. When I pad closer, I see he’s not just staring at the door. I’ve hung my various ultrasound pictures to the silvery surface, and he’s studying them. His index finger is poised over my recent twenty-week one, and he’s tracing the outline of the baby’s legs. “Hi,” I say, clearing my throat. He straightens and then smiles. It’s a sheepish look, as if he’s been caught. “Just checking out Papaya.” I love that the name Papaya has stuck. That must be a sign he feels the same. I gesture to the thirteen-week picture, when I first heard the heartbeat. “I think Papaya was a fig in that one. Funny thing—when I was so sick, Papaya was only a kidney bean.” “Kidney beans are known to be troublemakers.” He steps closer, drops a strangely chaste kiss to my forehead, and sets his hands on my belly. “And I think Papaya is almost a mango now, right?” I nod. “How did you know?” “I might have googled pregnancy-to-fruit comparisons. Papaya will be an eggplant in a little while.” I blink. Holy shit. He really knows his pregnancy fruits. Better than I do.
Lauren Blakely (The Knocked up Plan (One Love, #3))
Listen to Me in the truth of your soul. Listen to Me in the feelings of your heart. Listen to Me in the quiet of your mind. Hear Me, everywhere. Whenever you have a question, simply know that I have answered it already. Then open your eyes to your world. My response could be in an article already published. In the sermon already written and about to be delivered. In the movie now being made. In the song just yesterday composed. In the words about to be said by a loved one. In the heart of a new friend about to be made. My Truth is in the whisper of the wind, the babble of the brook, the crack of the thunder, the tap of the rain. It is the feel of the earth, the fragrance of the lily, the warmth of the sun, the pull of the moon. My Truth—and your surest help in time of need—is as awesome as the night sky, and as simply, incontrovertibly, trustful as a baby’s gurgle. It is as loud as a pounding heartbeat—and as quiet as a breath taken in unity with Me. I will not leave you, I cannot leave you, for you are My creation and My product, My daughter and My son, My purpose and My…Self. Call on Me, therefore, wherever and whenever you are separate from the peace that I am. I will be there. With Truth. And Light. And Love.
Neale Donald Walsch
she whipped around and placed the bouquet in my hand. Looking at her crazy, I tried to hand it back but, instead, she forcefully turned me around. On his knees, there was Hood with his hand extended with a beautiful diamond ring. Dropping the flowers, tears immediately formed in my eyes as I realized what was going on. Looking around the room, I saw both my mother and father nod their heads in approval and all of our family in friends either smiling or shedding happy tears. I looked back to Hood, who was nervously smiling before he began to speak. “Rhythm, from day one, my heart’s tune changed into a beat that only you could hear. You know we’ve had our ups and we’ve had our downs, but baby, none of it would have been worth it if it was not for you. The love we share is so rare that I make sure to pray twice a day that the Lord sees fit for me to have you and hold you for the rest of my life. Baby, you a nigga heartbeat, will you be my wife?” Pausing for a moment, all the good and bad flashed through my memory before I was able to answer. I guess I was taking too long because someone in the audience yelled out, “Girl, you better tell that fine ass man yes!” and everyone started to laugh. “Yes, Hood, yes!” I yelled, as he slipped the beautiful ring on my finger before standing and grabbing me in a tight hug. Our lips locked in a passionate kiss as everyone clapped and whistled, congratulating us. “Congrats the two of you.” I felt my father’s hand on my shoulder after Hood and I let go of each other. “Thanks
Niqua Nakell (Rhythm & Hood (A STAND ALONE NOVEL): A Dope Boy's Heartbeat)
Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away. It was like being inside the space shuttle on take-off. Phoebe might not have any personal experience with space flight, but she could imagine. The powerful force between them left her weak and clinging to his broad shoulders. She trembled and needed and ached with equal intensity. His tongue brushed against hers again. He tasted of coffee and mint and something wonderfully sensual and sweet. His mouth seemed designed for kissing. Maybe it was all that non-conversation. Maybe talking too much undermined a man’s ability to kiss. She didn’t know and didn’t care. All that mattered was the way he stroked her, touched her, teased her. He cupped her head with one hand and ran his other up and down her back. If only this moment would never end. But it did. A sharp bark from somewhere in the distance brought Phoebe back to earth with a rude thunk. She suddenly became aware of being pressed up against a really good-looking stranger, kissing in front of a goat pen. Apparently Zane got a similar wake-up call, because he stepped back at the same second she did. At least the man was breathing hard. She would hate to think she was the only one who had been affected. “Okay, then,” she said when she realized that all feelings to the contrary, she still could breathe. Zane continued to stare at her. She swallowed. “Did you want to say something?” Anything would be fine. Just any old reaction. As long as he wasn’t going to say it was all a mistake. That would really annoy her. Or maybe she was making a big deal out of nothing. Maybe he kissed lots of women out here by the goat pens. “I have to get back to work. Can you find your way to the house?” She blinked at him. That was it? Okay. Fine. As long as she didn’t try to walk on legs that were still trembling, she could pretend nothing had happened. “Sure,” she muttered. “No problem.” He nodded, then bent down and picked up his hat. She frowned. When exactly had that fallen off? He straightened, opened his mouth, then closed it. She wasn’t even surprised when he turned and left without saying a word. It was just so typical. When she was alone, Phoebe tried to work up a case of righteous indignation. When that didn’t work, she went for humor. If nothing else, she had to give Maya credit for the promised distraction. Oh. She also had to remember that as soon as she found out what constituted a treat on the baby-goat food hit list, she would be sure to send a thank-you gift.
Susan Mallery (Kiss Me (Fool's Gold, #17))
There are moments in life that contain instant knowledge. The first time expectant parents hear their baby's heartbeat and realize the world into only about them anymore. The moment when a runner can see the finish line and knows they're going to win. The instant death is inevitable when your parachute doesn't open. And the moment when you look into another person's eyes and know that tonight, or for a few hours, you're the only two people in the world. Their eyes met. Their lips touched. No more hedging or evading. She was ready to dance.
Vivian Lane (Nothin' But Trouble)
If your baby’s distressed, hold her close to you and pat her back in the rhythm of a heartbeat
aidie London: Seffie Wells, MSc (How To Support Your Newborn Baby's Development: A Step-by Step guide from pregnancy throughout your babys first year (Raising Babies Book 1) Kindle Edition)
Studies show that when babies sleep close to their mothers it regulates heartbeat and reduces the stress hormone in both mum and baby
aidie London: Seffie Wells, MSc (How To Support Your Newborn Baby's Development: A Step-by Step guide from pregnancy throughout your babys first year (Raising Babies Book 1) Kindle Edition)
To calm baby in distress, hold her swaddled against your body and gently tap her back in the rhythm of a heartbeat, while playing white noise. You will notice baby relaxing much more easily because of the positive neurological effect of the heartbeat rhythm and her proximity to you. She receives the message that she's back in the safety of the womb. Her sympathetic nervous system sends signals throughout her body to switch off the stress response because she's safe. Her heart beat slows, her breathing calms and her muscles relax
aidie London: Seffie Wells, MSc (How To Support Your Newborn Baby's Development: A Step-by Step guide from pregnancy throughout your babys first year (Raising Babies Book 1) Kindle Edition)
A baby’s first lullaby is its mother’s heartbeat in the womb, a powerful rhythm that we try to re-create with gentle sounds and rocking in their first weeks, months, and even years. You can always recognize a new mother or father, can’t you, even when they’re away from their baby? They’re the ones in the grocery store line, or at the bus stop, gently (and unconsciously) swaying back and forth. Whether babes in arms or toddlers on their fathers’ knees, little ones crave that motion … the rocking motion. The tempo is echoed in their breath, the beating of their hearts. Rocking is also the surest path to sleep, a rhythmic road of harmony and calm.
Lisa M. Ross (Simplicity Parenting: Using the Extraordinary Power of Less to Raise Calmer, Happier, and More Secure Kids)
That’s it . . . my baby? That’s my baby?” I whispered the questions as if in the presence of something holy and sacred. These heartbeats echoed my heart and Wyatt’s heart. At that moment I understood what it meant to be blessed. To be granted something beyond measure, beyond deserving, beyond myself.
Christa Allan (Since You've Been Gone)
An unborn baby's heartbeat is the most beautiful Heavenly Choir in the universe.
Sunny S. L
At least now, if they think my arrest serves a higher purpose, they’ll raise hell, as folks would expect, but not bust me out.” “They’d do that?” Stu chuckled. “In a heartbeat. My mother might rule us with an iron paw and sturdy spoon, but no one hurts her babies.” “I’m glad I followed my gut then.” “So, I’m going to jail. Why me?
Eve Langlais (Freakn' Cougar (Freakn' Shifters, #6))
While Telly was all enthralled into the shoes, she did not notice that I was behind her on one knee. When she turned around quickly and saw the ring in my hand, she immediately dropped the shoes and covered her face. “Baby,” I cleared my throat. I grabbed her hand as she used the other to wipe away her tears. “Shantel, everything about us feels so right. Since the first day that we decided we were going to be together, it’s been us against the world. I never had to question your love for me and I know that I give you no reason to question mine. We’ve recently experienced some rough patches, but it’s nothing that we cannot get past. I want to spend the rest of my life with you. Will you marry me?” I asked with tears pouring from my eyes. “Yes! Yes, baby! I would love to be your wife!” she yelled as I placed the ring on her finger. Standing up, we shared a passionate kiss that escalated real fast. “Baby,
Niqua Nakell (Rhythm & Hood (A STAND ALONE NOVEL): A Dope Boy's Heartbeat)
It’s like he blamed her for Carter’s death and she knew that he did because she blamed herself too. Farren was doing entirely too much flying and being around tons of smoke in her third trimester, but she didn’t think all of that would affect her baby’s heartbeat. It
Nako (The Connect's Wife 4)
Most of the time, I’m kind of numb,” she replied. “You know, I think every mom out there can relate to the fact of how long it takes to create a baby, those nine months that you watch every ultrasound and every heartbeat. And it takes nine months to create a human being, and it takes seconds for an AR-15 to take that away from the surface of this Earth. And it wasn’t just my son. It was 25 other souls that left this Earth that day because that weapon fell into the hands of a tormented soul. And that haunts me.
Elizabeth Williamson (Sandy Hook: An American Tragedy and the Battle for Truth)
Manor laid his head straight on the beating heart. His lips searched for the gently swelling mound above the heart, which was set in motion by the heartbeat. There Manor began to suckle, longing and thirsting, like a baby on a mother’s breast.
Karl Heinrich Ulrichs (Horror Historia Red: 31 Essential Vampire Tales (Horror Historia))
Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.
Angie Sijun Lou (All We Ask is You to be Happy)
Livia’s song flows from my lips easily. I have known her since she was a baby. I held her, cuddled her, loved her. I sing of her strength. I sing of the sweetness and humor that I know still live within her, despite the horrors she has endured. I feel her body strengthening, her blood regenerating. But as I knit her back together, something is not right. I move down from her heart to her belly. My consciousness flinches back. The baby. He—and my sister is right, it is a he—sleeps now. But there is something wrong with him. His heartbeat, which instinct tells me should sound like the gentle, swift thud of a bird’s wings, is too slow. His still-developing mind too sluggish. He slips away from us. Skies, what is the child’s song? I do not know him. I know nothing about him except that he is part Marcus and part Livia and that he is our only chance for a unified Empire. “What do you want him to be?” the Nightbringer asks. At his voice, I jump, so deep in healing that I forgot he was here. “A warrior? A leader? A diplomat? His ruh, his spirit, is within, but it is not yet formed. If you wish him to live, then you must shape him from what is there—his blood, his family. But know that in doing so, you will be bound to him and his purpose forever. You will never be able to extricate yourself.” “He is family,” I whisper. “My nephew. I wouldn’t want to extricate myself from him.” I hum, searching for his song. Do I want him to be like me? Like Elias? Certainly not like Marcus. I want him to be an Aquilla. And I want him to be a Martial. So I sing my sister Livia into him—her kindness and laughter. I sing him my father’s conviction and prudence. My mother’s thoughtfulness and intelligence. I sing him Hannah’s fire. Of his father, I sing only one thing: his strength and skill in battle—one quick word, sharp and strong and clear—Marcus if the world had not ruined him. If he had not allowed himself to be ruined. But there is something missing. I feel it. This child will one day be Emperor. He needs something deeply rooted, something that will sustain him when nothing else will: a love of his people. The thought appears in my head as if it’s been planted there. So I sing him my own love, the love I learned in the streets of Navium, in fighting for my people, in them fighting for me. The love I learned in the infirmary, healing children and telling them not to fear. His heart begins to beat in time again; his body strengthens. I feel him give my sister an almighty kick, and, relieved, I withdraw.
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
Turned louder, the baby’s heartbeat fills the room, reverberating against the walls in a perfect rhythm. The most life-altering, exquisite sound.
Hannah Bonam-Young (Out on a Limb)
You’re shivering.” “It’s not from cold.” “I know, baby. Time to sit on my face.” My eyes fly open. “Pardon?” “You heard me. And from now on, I expect you to obey an order the first time I give it.” My heartbeat surges. I lie still with my mind going a million miles an hour until I venture hesitantly, “I want to ask you something, but I don’t want you to think I’m being, um, disobedient. I’m just trying to figure out the rules.
J.T. Geissinger (Pen Pal)
Being at the breast reminds the baby of being in the womb: there’s that familiar heartbeat and soothing voice, as well as the warmth and comfort. And that makes the transition to the outside world a little easier.
Jack Newman (Dr. Jack Newman's Guide to Breastfeeding: updated edition)
In the final years of his life, Francis spent most days on the back porch, eyeing his tomato patch with good-natured suspicion, listening to his teams lose on the radio, and smoking his pipe. He did these things, and he held Brianne. Right against his chest. Francis had nothing cute or remotely entertaining to offer babies; he didn’t say anything to them at all. Instead he gave them his heartbeat. Put their little heads on his chest and went about his day. Even the fussiest babies seemed to know better than to cut short their time with Francis via undue crying or excessive pooping.
Angela Flournoy (The Turner House)
What’s going to happen to Wes?” She lifted her eyes steadily to her brother’s, but she didn’t answer at once. “I don’t know. He’s admitted himself into a drug treatment program.” “Why?” Bud asked. Again she paused. “For drug treatment. It’s not unusual for some of those traders to get hooked on... You know... Uppers?” It was stated as a question. And Preacher thought, it was meth. It wasn’t a little bitty innocent drug. “And you couldn’t do anything about that?” “Like what, Bud?” she returned. “I don’t know. Like help him with that. I mean, what did you have to do?” Paige put down her fork and glared into her brother’s eyes. “No, Bud. I couldn’t help with that. It was completely beyond my control.” Bud tilted his eyes toward his lettuce, stabbed a piece with his fork and muttered, “Maybe you could’ve kept your stupid mouth shut.” Preacher’s fork went down sharply. And Preacher, who rarely used profanity and only in the most heated moments, said, “You’re fucking kidding me, right?” Bud’s eyes snapped up to Preacher’s face. His jaw ground and he scowled. “She tell you she had six thousand square feet and a pool?” Preacher glanced at Paige, Paige glanced at Preacher and then swiveled her eyes slowly to Bud. She spoke to Preacher while she looked at Bud and said, “My brother doesn’t understand. The size of the house you live in has nothing to do with anything.” “The hell,” Bud said. “I’m just saying, there are times to keep your mouth shut, that’s all I’m saying. You had it fucking made.” It took every red blood cell in Preacher’s body to stay in his chair. He wanted to shout, He beat her up in the street in front of me! He killed their baby with his foot! He was squeezing and releasing his fork with such tension, he was unaware he was bending it. It wasn’t his right to speak out; he was a guest. He didn’t see himself as Bud’s guest, he was Paige’s guest. He got a sick feeling in his stomach at the thought he could’ve dropped her here for a visit, alone. He felt his blood pressure going up; his temples were pulsing. “Bud, he was abusive.” “Jesus Christ, you had a few problems. The guy was loaded, for Christ’s sake!” Preacher thought he might explode, his heated blood was expanding so fast. He could hear his own heartbeat. And he felt a small, light hand on top of his coiled fist. He raised his eyes and met the dull, nervous stare of Paige’s mother, pleadingly looking at him from across the table. “Bud doesn’t mean exactly that,” she said. “It’s just that we’ve never had a divorce in the family. I raised the kids to understand, you have to try to get beyond the problems.” “Everyone has problems,” Gin said, nodding. Those same eyes. Begging. Preacher didn’t think he could do it. Sit through it. He was pretty sure he’d never get to the steak without shoving Bud up against the wall and challenging him to keep his mouth shut through something like his fists. The struggle was, that was like Wes. Get mad, take it to the mat. Beat the living shit out of someone. Someone you could beat into submission real easy. “They weren’t problems,” Paige said insistently. “He was violent.” “Aw, Jesus Christ,” Bud said, lifting his beer. A
Robyn Carr (Shelter Mountain (Virgin River, #2))
What’s the news?” she said, foregoing a greeting for the obvious. That’s Georgia—take the bull by the horns. It was one of the things I loved most about her, one of the things that had saved us when our own love story took a few tragic turns. The phrase awakened a memory and instead of answering I said, “Do you know that Tag actually grabbed a bull by the horns once? I saw him do it.” Georgia was silent for a heartbeat before she pressed me again. “Moses? What are you talking about, baby? What’s going on with Tag?” “We were in Spain. In San Sebastian. It’s Basque country, you know. Did you know there are blond Spaniards? I didn’t. I kept seeing blond women and they all reminded me of you. I was in a horrible mood so Tag got this bright idea that we should go to Pamplona for the Running of the Bulls. He said a shot of adrenaline was just what I needed to cheer me up. Pamplona isn’t that far from San Sebastian. Just an hour south by bus. I knew Tag had a death wish. At least he did at Montlake. And I knew he was a little crazy. But he actually waited for the bull to run past him. And then he chased the bull. When the bull turned on him, he grabbed it by its horns and did one of those twist and roll things that cowboys do at rodeos.” “Steer wrestling?” Georgia still sounded confused, but she was listening. “Yeah. Steer wrestling. Tag tried to wrestle a bull. The bull won, but Tag got away without a scratch. I still don’t know how. I was screaming so loud I was hoarse for a week. Which was fine. Because I didn’t talk to Tag for two. That son-of-a-bitch. I thought he was going to die.” I stopped talking, emotion choking off my ability to speak. But Georgia heard what I couldn’t say.
Amy Harmon (The Song of David (The Law of Moses, #2))
So, young lady, you want to hear this baby’s heartbeat. Well, let’s just see what we can find. How about that?” He used a strange thick wand over her tummy, turning it this way and that. Then, just when she thought she wouldn’t hear it, a heartbeat echoed through the room. Then a second heartbeat kicked up a rhythm almost as fast as the first. Shannon gasped and almost bolted upright. “Is that my heartbeat too?” Dr. Wehrum blinked, then a slow grin cracked his face. “No, I believe that’s a second baby.” Shannon’s mouth dropped open in shock and she looked at John. Her big, strong, tough as nails former Marine looked like he’d just been mule-kicked. “Did you say two babies?” His voice was too quiet. John didn’t speak that quietly unless he was really out of his depth. “You have two babies. This kind of steps up your care. Let’s see if we can get our ultrasound tech in here to get some pictures. I know it’s a little early but let’s see what we can see.” Shannon
J.M. Madden (Embattled Ever After (Lost and Found #5))
I don’t understand what just happened. This was supposed to be a heartbeat check for one baby, not two.” John had lost a little of his dazed look, and he kept glancing down at the papers in his hand. Rolling forward he held them out to her. “Here’s the proof. And they look very different. It’s not the same baby reversed. Look. This one has his little hand up.” Shannon felt the tears start again, then John’s arms were around her. Shannon met him half way, stunned at how quickly the path of her life had changed.
J.M. Madden (Embattled Ever After (Lost and Found #5))
If she could switch roles with Asia, she would in a heartbeat. Asia has always been more of the motherly, nurturing one. Cedes on the other hand could barely change a diaper the correct way. She even hated hearing babies cry.
Ms. Brii (Love And A Thug 2: A Hitta's Love Story (Love And A Thug: A Hitta's Love Story))
Charles ventured into the room — and saw then that Gareth was not alone.  Cradled in his left arm and smiling adoringly up at him was the little girl he'd glimpsed last night, the little girl that he, Charles, had sired — and who would grow up calling Gareth "Papa" instead of him. Dear God.  Dear God, above.  His gaze flashed to the door. Gareth noted the direction of his suddenly unsure gaze. "Want to hold her?" Charles swallowed, hard.  "I . . . I am not sure." "Charlotte," murmured Gareth, and Charles saw his own uncertainty reflected in his brother's eyes.  "Charlotte, this is … this is, uh … your uncle, Charles." The child turned her guileless blue gaze on Charles.  The smile that dimpled her cheeks abruptly faded. "Here."  Gareth stood up and walked around the table, the little girl securely in his arms.  "Say hello." After all, if things had gone differently, she'd have been yours. Charles tensed as his brother placed the toddler in his lap.  He looked down into eyes as blue, at hair as blond, as his own, and was assailed by a hundred different emotions, none of which he could name, none of which he could, in his current state of mind, of heart, understand.  Panic assailed him.  This was too much.  Too fast.  Too unexpected, and too damned awkward.  He looked helplessly up at Gareth, and in that moment Charlotte, unsure, and now fearful, screwed up her face and began to cry.  Struggling in Charles's arms, she reached for Gareth in a desperate plea to be rescued by the only man she would ever know as her father. Gareth all but grabbed the child from him, making a lame and embarrassed comment about "having to get used to them first," while Charles retreated, stiff-backed, rejected, and confused. "Uncle," he murmured, softly. "Yes, and that is how it must remain," Gareth said, with a level look that brooked no dispute.  "I am her father, Charles.  Not you." "Yes … yes, you are." His heartbeat was returning to normal, but it was too painful to look at the toddler, this solid and unmistakable evidence of a "mistake" that he had once made, a mistake that his own brother had taken it upon himself to fix.  In time, maybe he would come to regard little Charlotte with affection.  With love.  He certainly hoped so.  But right now … right now, his heart was too raw, his guilt too great.  It had been like holding a stranger's child, not his own flesh and blood.  She might look like him, but the baby was Gareth's, not his.  She would always be Gareth's. What
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
It focused on those unexpected details and triggered Darlene’s sense of alarm. The other nurse, in contrast, didn’t have a strong picture in her head of what she expected to see, and so her spotlight focused on the most obvious details: The baby was eating. Her heartbeat was strong. She wasn’t crying. The other nurse was distracted by the information that was easiest to grasp. People
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive)
John was laying on his front, arm draped over her thighs as he explored her tiny baby bump, pressing kisses here and there. “I can’t believe we’re having a kid. I mean, I’m excited but it’s one of those things that I never thought would happen to me.” “Well, maybe you never thought it would happen, but I did. I know what a wonderful man you are, and what a great father you’ll be.” John’s dark eyes got a little misty and he rested his ear against her tiny bump, as if to listen for a heartbeat. “We
J.M. Madden (Embattled Ever After (Lost and Found #5))
Baby steps." she said aloud, "Heartbeat by heartbeat, minute by minute, hour by hour, I will get through this.
Pamela Murdaugh-Smith (G.G.S.: Good Gaelic Souls (A Biker Saga, #1))
Her little head rested against his undervest, and for the first time since he’d galloped at full speed out of Forestville, his heartbeat finally slowed to a steady rhythm. He lowered his head and, through the layers of wet garments, kissed Gretchen’s head. Finally Sophie’s cries came to a halt, replaced by her hungry gulps. Carl wished he could bend and press a kiss against the baby’s soft head too. He loved them. He loved them just as if they were his own flesh and blood. The revelation sent a swell of emotion through his chest so strong it threatened to engulf him. And he loved Annalisa. Desperately.
Jody Hedlund (A Noble Groom (Michigan Brides, #2))
Nah, you crazy, my baby.” He went to looking cool and calm, to savage in a heartbeat. “I was up in you without a care in the fuckin’ world. I gave you too many of my fuckin’ kids. Matter fact, you as good as pregnant. What we gon’ name our first child? Memphis?” He smoothed his hand over his beard. “Yeah, that can work for my son or daughter.
M Monique (THE HOOD FLOWER GIRL: A NOVELLA)
Whenever I think about you, there is a big smile on my face. That is the kind of magic, that is the kind of love that I have for you. When you look into my eyes, you will see yourself there. When you listen to my heartbeat, you will find yourself there. When you are with me, it feels like an ecstasy. Baby I love you more than I can ever express it to you. Baby I am so in love with you, and it will never really change in life. Baby I love you so much.
Scarlett Johansson
dragons are nothing more than defective looms or broken carts. As if baby dragons just need a little prodding and fixing to be useful. The shadow again, this time casting them into darkness for long enough that Luna wondered if that was the end of the human story. But at length it lifted again. Now she was in a field of tall green plants. All around her, humans picked interestingly small tomatoes and peapods, filling baskets and chatting as they worked. The blue sky soared overhead, sunlit and peaceful. Dusky lifted his snout and took a deep breath; through their scales, she could feel his heartbeat slow a little bit, despite all the humans around them. Then a terrifying roar split the air, a wordless howl of fury that felt like all of Luna’s worst days rolled together and set on fire. Three dragons burst out of the forest. They flew low to the ground,
Tui T. Sutherland (The Flames of Hope)
To treat the lives lost on that cold South Dakota day in 1890 as merely symbolic is to disrespect those loves. It is also to disrespect the more than 200 Lakota who survived Wounded Knee and lived on to experience the pain of loss, yes, but much else as well. They survived to live and grow, to get married, and have babies. They survived to hold on to their Lakota ways, or convert to Christianity and let those ways recede. They survived to settle on the reservation and later, to move to cities. They survived to go to school, and to college, and to work. They survived to make mistakes and to recover from them. They survived to make history, to make meaning, to make life. This book is about them; and it is about Indians of other communities and tribes around the country who survived their own holocausts and went on to make their own lives and histories and in so doing, to make and remake the story of the country itself.
David Treuer (The Heartbeat of Wounded Knee: Native America from 1890 to the Present)
So Cassian asked, “Is your magic … The power’s really gone?” The brisk spring wind whipped her golden-brown hair across her face. “I gave it back to the Cauldron in exchange for the knowledge of how to save them.” She swallowed. “But a little remains. I think something else—someone else—stopped the Cauldron from taking all of it. And I made some changes of my own.” The Mother. The only being who would see the sacrifice Nesta had made and give a little back. Perhaps it was she who had peered out at them through the Mask. “What did you change?” Nesta rested a hand on her abdomen. “I changed myself a little, too. So none of us will have to go through this again.” For a heartbeat, Cassian had no words. “You … You’re ready for a baby?” Nesta barked a laugh. “No. Gods no. I’ll be drinking my contraceptive tea for a while yet.” She laughed again. “But I adjusted myself to match what the Cauldron did for Feyre. For when the time is right.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
I had with me a small battery-operated Sony system that I used to record thoughts and melodies, and I busied myself making a recording of the baby’s heartbeat, a low but significant rhythm being picked up by ultrasound. Maybe I’d write a song to the heartbeat one day. A creative thought designed to hold off my growing terror.
Bono (Surrender: 40 Songs, One Story)
This isn’t just about Tess and me anymore. It’s about the life taking shape, the tiny heartbeat that echoes within her. It’s a responsibility and a gift and a connection that goes beyond anything I’ve ever known. As I continue to touch her baby bump, Tess’s hand covers mine, her touch warm and reassuring. Our eyes meet, and at that moment, it’s as if all the complications and uncertainties fade away. There’s a sense of unity between us, a shared understanding that we’re in this together, no matter what lies ahead.
Sara Ney (How to Score Off Field (Campus Legends, #3))
I’m yours, Baby.” His hips flex, putting that pressure right where I need him. “Just as much as you’re mine.” The truth of his words mixed with another roll of his hips is all I need to explode. From one heartbeat to the next, my orgasm grips me, pulling me under the wave of sensation.
S.J. Tilly (Smoky Darling (Darling, #1))
I’m so fucking grateful for his existence, for being my brother, my true family. Now’s not the place in my story for this but shit, damnit, fuckit, when he started writing lyrics over my bass lines his artistry gave me new life. My heart grew a couple of sizes. The color of his words, the sharp sound of the syllables cracking together. Both his lyrics and my bass lines pulsed together, same as the heartbeat of our friendship. It was the conversation we’d started in the Fairfax gymnasium translated into music. When his words met my grooves they flowed together unconsciously, like they’d always been together, like baby wolf twins bursting out of the dark den of their infancy, joyfully embracing the infinite light of the outside world for the first time. When he wrote “Green Heaven,” a long and dynamic rap narrative over our hard funk, I was on the phone for hours, trembling with emotion, calling everyone I knew and excitedly reciting the entire song.
Flea (Acid for the Children: A Memoir)
heartbeat of brain development, is a baby’s relationship with a caring, responsive adult.
Dana Suskind (Thirty Million Words: Building a Child's Brain)
Watching musicians caught in a riff, or dancers swept up in a rhythm, you might be tempted to believe that music is joyful because it is so free and unfettered. But underlying the pleasure of music are layers of order: the repetition of sounds, the sequence of beat and rhythm, and, at the deepest level, the quivering oscillations of the sound waves themselves. Our first experience with a beat is in utero, and even outside the womb babies are comforted by the sound of their mother’s heartbeat, repetitive sounds, and rhythmic rocking movements.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
As the first failed pregnancies turned into several, people stopped asking though she never stopped announcing, hopeful that collective faith would carry her flailing belief in the power of her body, and in God’s will. Eventually, she lost count of how many children abandoned her after the first heartbeat, or how many times she’d wake up with blood soaking her backside.
Morgan Jerkins (Caul Baby)
It’s all right, baby, it’s over. You’re safe now. Everything’s going to be fine.” She could feel his heartbeat, his pulse racing nearly as fast as her own. She swallowed, fought back tears of relief. “Will they…will they be able to find us?” “They know where we are. They’ll send a search plane or a chopper. I’ve got flares in my emergency gear.” She nodded, pressed herself tighter against him, felt his arms tighten in return. “Call?” He eased back a little, cradled her cheek in one of his big, tanned hands. “What is it, baby?” “I think I’m going to cry but I don’t want you to think I’m a sissy.” He smoothed back her hair, looped it over her ear. “I won’t think you’re a sissy. You were great up there. Terrific. I wouldn’t want to crash my plane with anyone else.” She did start crying then and Call just held her, letting her cry against his shoulder. His wool shirt felt rough and warm beneath her cheek and the smell of smoke seeped up from the fabric. It felt good just to be standing there in the circle of his arms. She cried herself out in a couple of minutes, sniffed a little, and wiped her eyes on the tail of his shirt. “Thanks for the shoulder.” “Considering I’m the guy who got you here, it’s the least I could do.” She managed a wobbly smile. “You were great, Call. I think you saved our lives.” He shrugged, looked a little embarrassed. “I just did what I’ve been taught to do.” She didn’t argue, but she thought that under the same circumstances someone else might not have done half so good a job. And less than half wouldn’t have been nearly enough.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
The room whirled around me. I couldn’t catch up to it. Pregnant. Me. Me and Josh. When the doctor finally left the room after I’d asked all my questions and I got to see the baby again on the ultrasound and hear the heartbeat, Josh and I sat hugging. “It was that night,” I said. “The night of Sloan’s party.” He laughed and wiped a wet strand of hair off my cheek. “The first time. It was the only time we didn’t use condoms back then. One shot and I knocked you up.” I snorted. “It was your super sperm. Thank God you made an honest woman out of me. Dragged me right down for a civil ceremony, befitting my scandalous condition.
Abby Jimenez
Not right now, baby,” he whispered, brushing his lips along my jaw and down my neck. “But one day I will have you just like this, with your gorgeous body spread across my car, in nothing but those sexy as fuck stiletto heels you were wearing the night we met, while I worship every inch of you.
Maureen Mayer (Unforeseen Heartbeat (Second Chances, #2))
To calm the Touchy baby, you have to re-create the womb. Swaddle him tightly, snuggle him into your shoulder, whisper a rhythmic sh … sh … sh sound (like the splashing of fluid in the womb) close to his ear, and pat his back gently, mimicking a heartbeat. (This, by the way, will calm most babies, but it works especially well with a Touchy baby.) When you have a Touchy baby, the quicker you learn his cues and his cries, the simpler life is. These babies love structure and predictability—no hidden surprises, thank you.
Tracy Hogg (Secrets of the Baby Whisperer)