Heart On Your Sleeve Quotes

We've searched our database for all the quotes and captions related to Heart On Your Sleeve. Here they are! All 100 of them:

sometimes no matter how many eyelashes or dandelion seeds you blow, no matter how much of your heart you tear out and slap on your sleeve, it just ain't gonna happen.
Melissa Jensen (The Fine Art of Truth or Dare)
To wear your heart on your sleeve isn't a very good plan; you should wear it inside, where it functions best.
Margaret Thatcher
This is for girls who have the tendency to stay up at night listening to music that reminds them of their current situation. Who hide their fears, hurt, pain and tears under the smiles, laughs and giggles on a daily basis. The girls who wear their heart on their sleeve. The girls who pray that things will work out just once and they'll be satisfied. The girls who sceam and cry to their pillows because everyone else fails to listen. The girls who have so many secrets but wont tell a soul. The girls who have mistakes and regrets as a daily moral. The girls that never win. The girls that stay up all night thinking about that one boy and hoping that he'll notice her one day. The girls who take life as it comes, to the girls who are hoping that it'll get better somewhere down the road. For the girls who love with all their heart although it always gets broken. To girls who think it's over. To real girls, to all girls: You're beautiful.
Zayn Malik
Never stop. Never stop fighting. Never stop dreaming. And don’t be afraid of wearing your heart on your sleeve - in declaring the films that you love, the films that you want to make, the life that you’ve had, and the lives you can help reflect in cinema. For myself, for a long time… maybe I felt inauthentic or something, I felt like my voice wasn’t worth hearing, and I think everyone’s voice is worth hearing. So if you’ve got something to say, say it from the rooftops.
Tom Hiddleston
... so this is for us. This is for us who sing, write, dance, act, study, run and love and this is for doing it even if no one will ever know because the beauty is in the act of doing it. Not what it can lead to. This is for the times I lose myself while writing, singing, playing and no one is around and they will never know but I will forever remember and that shines brighter than any praise or fame or glory I will ever have, and this is for you who write or play or read or sing by yourself with the light off and door closed when the world is asleep and the stars are aligned and maybe no one will ever hear it or read your words or know your thoughts but it doesn’t make it less glorious. It makes it ethereal. Mysterious. Infinite. For it belongs to you and whatever God or spirit you believe in and only you can decide how much it meant and means and will forever mean and other people will experience it too through you. Through your spirit. Through the way you talk. Through the way you walk and love and laugh and care and I never meant to write this long but what I want to say is: Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody. So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain where no one will ever hear and your very existence will be the most hypnotising scar. Make your life be your art and you will never be forgotten.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
This is your reminder to wear your heart on your sleeve more often.
Siobhan Vivian (Same Difference)
BLUE SWEATER Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating... Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. It was the first day of October. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. You promised to love me forever that night... and boy did you ever! It was the first day of December this time. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. I told you I was three weeks late You said it was fate. You promised to love me forever that night... and boy did you ever! It was the first day of May. I was wearing my blue sweater, although this time the double stitched hem was worn and the strength of each thread tested as they were pulled tight against my growing belly. You know the one. The same one I bought at Dillard’s? The one with holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. The SAME sweater you RIPPED off of my body as you shoved me to the floor, calling me a whore , telling me you didn't love me anymore. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. (There is a long silence as she clasps her hands to her stomach, tears streaming down her face) Do you hear that? Of course you don't. That's the silence of my womb. Because you RIPPED OFF MY SWEATER!
Colleen Hoover (Slammed (Slammed, #1))
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody.
Charlotte Eriksson
A thing resounds when it rings true, Ringing all the bells inside of you, Like a golden sky on a summer eve Your heart is tugging at your sleeve, And you cannot say why... There must be more
Andrew Peterson
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
Jodi Picoult (Handle with Care)
... What do you want, Ash?" "Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her." I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium. "Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin. "This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself." "Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough." "Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die." "Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face. "I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone. "So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?" I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
Julie Kagawa (The Iron King (The Iron Fey, #1))
You wear your heart on your sleeve. Guard it more carefully, lest others see it and pluck it out.
Jay Kristoff (Stormdancer (The Lotus Wars, #1))
It's having hope which requires having guts. So wear your heart on your sleeve and if it bleeds, let it, so long as it still beats.
Juhani Aho (Yksin)
Jesus, holy fuck,” Rivera murmured, coming to a quick halt and looking up at the tall, hulking, tattoo-sleeved Ryker. “Boy, what’d your Mama feed you growin’ up?” he asked. “Newborn babies,” Ryker answered, scowling down at Rivera.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
Then you will find yourself easy prey for the Dark Lord!" said Snape savagely. "Fools who wear their hearts proudly on their sleeves, who cannot control their emotions, who wallow in sad memories and allow themselves to be provoked so easily - weak people, in other words - they stand no chance against his powers! He will penetrate your mind with absurd ease, Potter!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Anything else you want to tell me?” I asked Valek as we stopped a few feet short of the castle’s south entrance. “Did Ari and Janco set me up for Nix’s attack? Do you have another test of loyalty for me up your sleeve? Maybe the next time, I’ll actually fail. A prospect that seems appealing!” I pushed away Valek’s supporting arm. “When you warned me that you would test me from time to time, I thought you meant spiking my food. But it seems there is more than one way to poison a person’s heart, and it doesn’t even require a meal.
Maria V. Snyder (Poison Study (Study, #1))
Seeing with your heart, speaking from your heart, wearing your heart on your sleeve, and sacrificing for your heart will transform you into an extravagant lover. Hard work? Absolutely. But when you're an old woman at the end of your life and you evaluate your time on earth, I believe that there is only one question- beyond that of your salvation- that will really matter: Did I love well?
Sharon A. Hersh (Brave Hearts: Unlocking the Courage to Love with Abandon)
Wrap yourself in the sheets tightly. Feel that? Those are my arms around your waist, my head against yours and my heart beating in time with the thunder of your heart. I’m there baby. Maybe not in body but I am there with you constantly. You carry my heart on your sleeve Layla and it keeps me close to you. No matter where I am, however far apart we are, I carry you with me. You are never too far for my heart. We’re bound together.
Marie Coulson (Bound Together (Bound Together, #1))
Never stop. Never stop fighting. Never stop dreaming. And don't be afraid of wearing your heart on your sleeve - in declaring the films that you love, the films that you want to make, the life that you've had, and the lives you can help reflect in cinema. For myself, for a long time... maybe I felt inauthentic or something, I felt like my voice wasn't worth hearing, and I think everyone's voice is worth hearing. So if you've got something to say, say it from the rooftops.
Tom Hiddleston
Don't be afraid of wearing your heart on your sleeve. For myself, for a long time - maybe I felt inauthentic or something. I felt like my voice wasn't worth hearing. I think everyone's voice is worth hearing. So if you've got something to say... say it from the rooftops! That's what I would say.
Tom Hiddleston
When her soul is on fire. Her head in the clouds. And her heart on her sleeves. She is under no obligations to neither Make any sense to you Nor To put on a different skin in order to owe your heart...
Samiha Totanji
The Million Ways To Fail – Tuesday, June 30, 2015 Here’s how you fail: You fail with your heart on your sleeve. You fail like you mean it with every part of you. You fail attempting the impossible and the ridiculous. You fail in front of others and you fail and they laugh at you and you fail and you feel nothing and regret less. You fail sincerely and earnestly and you risk everything at every opportunity. This is how you fail: You fail beautifully You fail with grace.
Iain S. Thomas (I Wrote This for You, 2007-2017 (I Wrote This For You #1))
Just because I don’t wear my heart on my sleeve—” “You don’t even wear your heart in your chest,
Kim Harrison
The heart you’re ignoring is sitting on your sleeve, bleeding freely.
Heather M. Orgeron (Heartbreak Warfare)
I don't get it - how you can feel like there are no consequences for living with your feelings on your sleeve.
Julie Murphy (Side Effects May Vary)
Wear your heart on your sleeve so the good ones know where to find you.
Broms The Poet (Feast)
Miles had sworn his officer's oath to the Emperor less than two weeks ago, puffed with pride at his achievement. In his secret mind he had imagined himself keeping that oath through blazing battle, enemy torture, what-have-you, even while sharing cynical cracks afterwards with Ivan about archaic dress swords and the sort of people who insisted on wearing them. But in the dark of subtler temptations, those that hurt without heroism for consolation, he foresaw, the Emperor would no longer be the symbol of Barrayar in his heart. Peace to you, small lady, he thought to Raina. You've won a twisted poor modern knight, to wear your favor on his sleeve. But it's a twisted poor world we were both born into, that rejects us without mercy and ejects us without consultation. At least I won't just tilt at windmills for you. I'll send in sappers to mine the twirling suckers, and blast them into the sky.... He knew who he served now. And why he could not quit. And why he must not fail.
Lois McMaster Bujold (The Mountains of Mourning)
So, you’re the last one to fall,” he says. He’s serious all of a sudden. “I never really worried about you. I worried more about Pete, because I knew you had more ability to love than any of the rest of us.” “What makes you say that?” “I don’t know,” he hedges. “You just wore your heart on your sleeve. You love, and you love well and true. That’s one of your strengths.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?' That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?' I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out. Jacks laughed, louder this time. Embarrassment surged through her. 'That's not what I meant to say.' 'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away. She made a sound somewhere between a squeal and a gasp. 'What that really necessary?' 'No, but everyone should have their clothes ripped off at some point.' She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest. Out of the corner of her eye, she thought she saw him smile. And for a second, nothing hurt.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Growing up feels like your skin no longer fits. Like you just want to crawl out of that thinly stretched space and lay down in the grass and sob for hours. Instead, I am in a cafe eating lunch and trying not to scream. Looking around wondering if anyone else in this building is doing the same thing, wondering if they ever have and, if so, how they got through it. Maybe I would calm down if I just had the assurance that other people have looked in the mirror and no longer recognized themselves. Maybe if I could sit across the table from an elderly woman and have her tell me that she lived through days where the covers over her head felt even better than an embrace and weeks where she drank her tears to keep from wetting her shirt sleeves, but that those years shaped her into an iron skeleton with a tender heart. That “worth it” was an understatement. Maybe then I would feel okay.
Kalyn Roseanne Livernois (High Wire Darlings)
If crying made me half as brave as your sister, I'd fill my pockets with handkerchiefs," I told her. "That she wears her heart on her sleeve is one of the things I love about her most.
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
Hey, YOU, the puker and the crier, I think you’re awesome. It’s not an easy task living with your heart on your sleeve. Your heartache might run deep, you might get what’s considered overly excited about things that light you up, you might be a little too passionate at times, but your big heart is the most amazing part of you. Please don’t change it for anyone, ever.
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
Here you are. Still standing. Fierce with the reality of love and loss. Wearing the truth of our hearts on your tattered sleeves. And yes, this one very nearly took you out. And yes, there were days when the darkness was heavy and the climb out of that rabbit hole required you to mine your depths for strength you didn’t even know you had. But here you are. Broken open by hope. Cracked wide by loss. Full of longing and grief and the burn of that phoenix fire. Warrior painted with ashes. Embers from the blaze still clinging to your newborn skin, leaving you forever marked with scars of rebirth. And just look at you. Heart broken but still beating. Arms empty but still open. Face raised to the sky and giving thanks for the light, even when it hurts your eyes. My god, you are beautiful.
Jeanette LeBlanc
Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody. So go create. Take photographs in the woods, run alone in the rain and sing your heart out high up on a mountain where no one will ever hear and your very existence will be the most hypnotising scar. Make your life be your art and you will never be forgotten.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on leaving and arriving)
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He wears his pain on his sleeves, and hides his joys in his heart, because he’s so damn terrified of losing them. And maybe that’s why you clash sometimes, because you’re the opposite, Becca. You only share your joy, while you hide your pain. And, maybe, if you can both find a way to balance that, you’ll find the coast.
Jay McLean (Coast (Kick Push, #2))
You can't put your heart into everything; you've just got to show up. And if your heart is worn all over you, then so be it, but you can't pull it out of you and put it in places, or put it in people's hands. Because you are like this wild and quiet and laughing thing and people are like things that stand there and don't understand what's going on; so when you put your heart into things like that, you're going to feel either stupid, or very hurt, or both. And it's not people's faults that they are just standing there. I mean, you're the different one; they're not different; they're all the same.
C. JoyBell C.
If you do want to wear you're heart on you're sleeve remember not to blow you're nose on it.
Isabella
Well hello,” Caitlin said, eyeing the shepherd. “The last time I saw you, you were wearing your heart on your sleeve. Because I ripped it out and put it there.
Craig Schaefer (A Plain-Dealing Villain (Daniel Faust, #4))
San Franciscans would have sworn on the Golden Gate Bridge that racism was missing from the heart of their air-conditioned city. But they would have been sadly mistaken. A story went the rounds about a San Franciscan white matron who refused to sit beside a Negro civilian on the streetcar, even after he made room for her on the seat. Her explanation was that she would not sit beside a draft dodger who was a Negro as well. She added that the least he could do was fight for his country the way her son was fighting on Iwo Jima. The story said that the man pulled his body away from the window to show an armless sleeve. He said quietly and with great dignity, “Then ask your son to look around for my arm, which I left over there.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
My heart chooses you because you’re feisty and fierce. You’re sarcastic and you know how to clap back at me, and I love those bits of confidence. But I love when you show me your sensitive side, too, and I love that you think you hide it so well but actually wear it on your sleeve.
Becka Mack (Consider Me (Playing For Keeps, #1))
Maybe the little things that you consider your weaknesses are actually the things that people treasure the most about you. Maybe you hate that you care too much…or that you wear your heart on your sleeve, but some people think that’s the best damn thing about you. We all have different little things that make up who we are; we don’t need to change those things, but we can choose who we share them with.
Charlotte Freeman (Everything You’ll Ever Need: You Can Find Within Yourself)
When he reached out with both huge hands to grasp me, I ducked under them and stepped forward, smoothly pulling my knife out of my sleeve. Then, with one quick swipe, I sliced him across the belly. I wasn't certain enough of his anatomy to try stabbing him in the heart. As big as he was, his ribs were probably as thick as my wrist. He stared at me in utter amazement. Then he looked down at the entrails that came boiling out of the gaping wounds that ran from hip to hip across his lower belly. "I think you dropped something there, Grul," I suggested. He clutched at his spilling entrails with both hands, a look of consternation on his brutish face. "'Grat cut Grul's belly," he said. "Make Grul's insides fall out." "Yes, I noticed that. Did you want to fight some more, Grul? I think you could spend your time better by sewing yourself back together. You're not going to be able to move very fast with your guts tangled around your feet." "'Grat is not nice," he accused mournfully, sitting down and holding his entrails in his lap.
David Eddings (Belgarath the Sorcerer)
"Let me share a secret with you, Zach. Men have been telling women things for centuries. Then they've been breaking our hearts." ... "Only way," Mercy continued, "for you to gain her trust might be to forget the pride that seems to come embedded in the Y chromosome. You ready to wear your heart on your sleeve and hope she doesn't crush the life out of it?" He met her gaze. "You got a streak of mean in you, Mercy." "Thank you very much."
Nalini Singh (Wild Invitation (Psy-Changeling, #0.5, #3.5, #9.5, #10.5))
You're not pushing but I'm falling you're soaring and I'm stalling and it's not a secret that my strength is your weakness   the beauty you have inside shines out through your eyes you wear your heart on your sleeve your wings flutter and you leave   and when you fly can I be your blue sky when your heart beats alone let my arms be your home if I say it first will you say it second if I give you this verse will you feel protected   I need you could you need me too...” He
Heidi Hutchinson (Learn to Fly (Double Blind Study, #1))
Then I'm a paunchy guy in a room, with a note pinned to his sleeve: "You were alone in the world," it says, "and did a kindness for someone in need. Good for you. Now post this module, and follow this map to the home of Mrs. Ken Schwartz. Care for her with some big money that will come in the mail. Find someone to love. Your heart has never been broken. You've never done anything unforgivable or hurt anyone beyond reparation. Everyone you've ever loved you've treated like gold.
George Saunders
I'm highly contagious. I'm a tortured soul. I've got your spilt personality. I'm your hard-earned cash. The Mary Jane stash. I'm your blockade. The snow storm in the middle of June. The queen of hearts up my sleeve. I break them. Hearts I mean.
Benny Woith (vast.)
Don’t worry, for now, about how you’ll make money or a career off it. Forget about being an expert or a professional, and wear your amateurism (your heart, your love) on your sleeve. Share what you love, and the people who love the same things will find you.
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon))
As they left, Eve watched him slide the coffee sleeve off the drink and put it in his pocket. After they’d walked a few blocks, she questioned him. “Why’d you keep the sleeve?” Blake pulled out the cardboard and looked down at it. “Just to remember I could do it.” Eve grabbed it from him quickly, ripped it in half, and threw it in a trashcan on the sidewalk. Blake held his hands up and gave her a What the hell? look. “Don’t tie your success to anything other than what’s inside you.” She stepped up to him and gently patted his heart. “You did this, Blake. You. Not the coffee, not me, not Livia. You did this.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
the same time, a relationship with a narcissist is also a cataclysmic rude awakening into the fact that people are rarely who they portray themselves to be. It’s knowledge. It’s experience. It’s insight and wisdom—perhaps the kind you wish you didn’t have. Sometimes, it’s even social capital—enabling you to navigate even more intelligently and with more discernment than ever before. You’re wide-eyed and vigilant. You see what other people don’t see. You learn about boundaries and your values. You recognize the value of authentic people, those rare breeds who wear their hearts on their sleeve and bleed integrity instead of exploit that quality in others. It doesn’t have to be a “waste of time” to have been through this experience—even while validating how painful it is and the fact that no one should ever have to go through it. When you’ve been through something horrific like this, at the very least you are owed the fruits of its wisdom and the drive it provides you to kick some serious ass.
Shahida Arabi (POWER: Surviving and Thriving After Narcissistic Abuse: A Collection of Essays on Malignant Narcissism and Recovery from Emotional Abuse)
My darling, you are not weak for wearing your heart on your sleeve. In fact, there is nothing stronger than that. In a world full of people keeping themselves walled off so they may play it safe, play the field, play it cool. To love with the tenacious passion and fierce vulnerability of a lion is the brave thing to do. Let them hear you roar.
Kirsten Robinson
Yet you are not modest like a Muslim woman. Your dress betrays what is in your heart.” Zuha was wearing a simple long-sleeved shirt with dress pants. No one, except for Abu and his friends, could have had any objections. I was certain, however, that he thought her pants highlighted her legs too much, and her shirt emphasized her waist more than necessary. I was still thinking about what to say when Zuha answered him. She spoke sweetly, but her words had the edge of a knife. “And your gaze betrays what is in yours
Syed M. Masood (The Bad Muslim Discount)
Christ Jesus Eve. The girl's shattered like glass, and it'll take a blood miracle to put her together again. And you're standing here talking about fucking games?" She met fire with ice. "Obviously your heartstrings are playing a tune." "It might be because I have them," he shot back. "Because I'm not so caught up trying to win some shagging game that I consider a young woman a logical choice. She's still alive, Lieutenant. She's not on your side of the board yet." "Why don't you go back to the waiting area. You can all join hands. Maybe hold a prayer meeting. You go ahead and do that while the one who put her in the OR is chuckling up his sleeve. I've got better things to do." She strode away, steeling both her heart and belly against the hurt. It wasn't just the body she thought that could shatter. And it wasn't only fists and pipes and bats that could shatter it.
J.D. Robb (Fantasy in Death (In Death, #30))
Your heart doesn't belong on your sleeve, sunshine. It belongs strapped to your boot next to a six-inch dagger.
Alistair Cross
My heart was on your sleeve, waiting patiently. You shrugged it off. You didn’t care. You didn’t realize.
Calia Read (Every Which Way (Sloan Brothers, #1))
Because it is a thousand pities never to say what one feels, he thought...
Virginia Woolf (Mrs. Dalloway)
Don't wear your heart on a sleeve unless it is covered by a thick coat.
Matshona Dhliwayo
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
There is a notion that men are supposed to be these indestructible pillars of strength. Where it’s frowned upon to show vulnerability and be emotionally expressive. Let us be honest, a large number of people’s perceptions and stereotypes regarding masculinity are bullshit! It does not make you less of a man to have depression, to wear your heart on your sleeve, to admit that you sometimes struggle, to cry yourself to sleep, or to be vulnerable. You are not a wuss, wimp, or weakling. Mental illness has nothing to do with ‘manning’ or toughening up. I have tons of respect and admiration for people who open up about their mental health struggles. It takes an advanced level of bravery, authenticity, and maturity. It takes some serious balls.
K.J. Redelinghuys (Unfiltered: Grappling with Mental Illness)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Be near me now, My tormenter, my love, be near me— At this hour when night comes down, When, having drunk from the gash of sunset, darkness comes With the balm of musk in its hands, its diamond lancets, When it comes with cries of lamentation, with laughter with songs; Its blue-gray anklets of pain clinking with every step. At this hour when hearts, deep in their hiding places, Have begun to hope once more, when they start their vigil For hands still enfolded in sleeves; When wine being poured makes the sound of inconsolable children who, though you try with all your heart, cannot be soothed. When whatever you want to do cannot be done, When nothing is of any use; —At this hour when night comes down, When night comes, dragging its long face, dressed in mourning, Be with me, My tormenter, my love, be near me.
Faiz Ahmad Faiz
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.” “Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away. Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches. He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel. “Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted. The color instantly returned to Evangeline’s cheeks. “We’re in a church.” “What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps. “Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.” “And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?" I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance. Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads? To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations. But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular. So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow. Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power. Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city. When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
Lilichka! (Instead of a letter)" Tobacco smoke eats the air away. The room,-- a chapter from Kruchenykh's Inferno. Recall,-- by the window, that day, I caressed you ecstatically, with fervor. Here you sit now, with your heart in iron armor. In a day, you'll scold me perhaps and tell me to leave. Frenzied, the trembling arm in the gloomy parlor will hardly be able to fit the sleeve. I'll rush out and hurl my body into the street,-- distraught, lashed by despair and sadness. There's no need for this, my darling, my sweet. Let's part tonight and end this madness. Either way, my love is an arduous weight, hanging on you wherever you flee. Let me bellow out in the final complaint all of my heartbroken misery. A laboring bull, if he had enough, will leave and find cool water to lie in. But for me, there's no sea except for your love,-- from which even tears won't earn me some quiet. If an elephant wants to relax, he'll lie, pompous, outside in the sun-baked dune, Except for your love, there's no sun in the sky and I don't even know where you are and with whom. If you thus tormented another poet, he would trade in his love for money and fame. But nothing sounds as precious to me as the ringing sound of your darling name. I won't drink poison, or jump to demise, or pull the trigger to take my own life. Except for your eyes, no blade can control me, no sharpened knife. Tomorrow you'll forget that it was I who crowned you, who burned out the blossoming soul with love and the days will form a whirling carnival that will ruffle my manuscripts and lift them above... Will the dry autumn leaves of my sentences cause you to pause, breathing hard? Let me pave a path with the final tenderness for your footsteps as you depart. (1916)
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
He is the same soul. You are simply seeing another aspect of him. There is a secret core in everyone that not even Gabriel can know by trying to know. Listen now. The intellect derives from the senses, which are limited, and come from the body. The intellect therefore is also limited, and it can never truly know reality, which is infinite and eternal. Khalid wanted to know reality with his intellect, and he can't. Now he knows that, and is downcast. Intellect has no real mettle, you see, and at the first threat, into a hole it scuttles. But love is divine. It comes from the realm of the infinite, and is entrusted to the heart as a gift from God. Love has no calculation in it. 'God loves you' is the only possible sentence! So it's love you must follow to the heart of your father-in-law. Love is the pearl of an oyster living in the ocean, and intellect lives on the shore and cannot swim. Bring up the oyster, sew the pearl onto your sleeve for all to see. It will bring courage to the intellect. Love is the king that must rescue his coward slave.
Kim Stanley Robinson (The Years of Rice and Salt)
You are going to feel like hell if you never write the stuff that is tugging on the sleeves in your heart--your stories, visions, memories, songs: your truth, your version of things, in your voice. That is really all you have to offer us, and it's why you were born.
Anne Lamott
The slasher cycle is a dance, see? Imagine a dance floor in a high school gym, the lights are down, crinkled paper everywhere, spiked punch, fancy handed down jackets and dresses, shoes it's impossible to even walk in, I know you've chaperoned some. Now who the slasher WANTS to dance with is this one quiet girl way on the other side of the gym floor, but he can't cross to her yet, instead he has to work his way across TO her, dancing with this person and then that person, the back of his hand sometimes touching the final girl's sleeve during a slow song, their eyes locking like fate, but he's waiting for the last dance, sir. The slow (MOTION) one. That's the one that matters. You don't go home with who you dance your 3rd dance with. You go home with who you're holding hands with when the music's over.
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
Be happy. Do things that make you happy within the confines of the legal system. Do things that make you feel good and proud. It can be almost anything. Name something. Yes, sure, try that. Contribute to the world. Help people. Help one person. Help someone cross the street today. Help someone with directions unless you have a terrible sense of direction. Help someone who’s trying to help you. Just help. Make an impact. Show someone you care. Say yes instead of no. Say something nice. Smile. Make eye contact. Hug. Kiss. Get naked. Laugh. Laugh as much as you can. Laugh until you cry. Cry until you laugh. Keep doing it even if people are passing you on the street saying, “I can’t tell if that person is laughing or crying but either way they seem crazy, let’s walk faster.” Emote. It’s okay. It shows you are thinking and feeling. Find out who you are and figure out what you believe in. Even if it’s different from what your neighbors believe in and different from what your parents believe in. Stay true to yourself. Have your own opinion. Don’t worry about what people say about you or think about you. Let the naysayers nay. They will eventually grow tired of naying. I don’t mean to tell you what to do or how to live your lives, but those are some of the things that have worked for me. And I believe with all my heart and soul that even if we try the teeniest tiniest bit we can make this world a much happier and healthier one. And if we try even harder, we can do some pretty spectacular things. I know sometimes it seems like a world that has a blanket with sleeves can’t get any better, but I think it can.
Ellen DeGeneres (Seriously...I'm Kidding)
There was a time with his wife on this river or a river just like it, it can't be this river, but in his memory it is this one. A time on a wash just like this where he lay shirtless with her shivering in the August night, jeans pasted dark and wet to his knocking legs, his torso white to glowing in the moonlight. Her hair tendriled and framed about her face like an outlandish black tattoo. Her wet dress like a sleeve of molting skin, which of a sort it had been that whole night in their dancing. Her heart in its red and white cage knocking just inches from his own, like two young prisoners tapping out simpleton Morse I am here I am here I am here. Here I am for your pleasure for you forever. On a river like this where he impregnated her. A river promise too, he said I love you I love you. Seventeen years old. A pleasure so total that even then he knew he had mortgaged years to her and he did not care.
Smith Henderson (Fourth of July Creek)
I appreciate it. It’s the right thing to do.”   “You make it sound as if I’m doing it for you,” Aron says, amused. He studies my face for a moment longer and then releases me.   “Well, aren’t you?” I retort back. “Doing this for me? Unless you were planning on doing it before I said anything out of the goodness of your own heart?”   “No,” he admits with a chuckle. “It did not occur to me.”   “That’s why I’m here,” I tell him sassily, turning back toward the cottage.   “So you can be my heart?” he asks as I start to walk away.   My own heart skips a beat. I smile as I hold my sleeve to my nose and head for the cottage.
Ruby Dixon (Bound to the Battle God (Aspect and Anchor #1))
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
So all I’m saying is take that tiara back out, place it on your head, and prance around like a goddess. Paint your face, paint those pictures, paint the entire world if that’s what you want. Leave your colorful mark in this school, and together, we’ll wear our hearts on our sleeves and make the area explode with spouts of laughter.
Ayla Starr
I was only going to shoot you if he was in one band. And only if it had a name like Uncle Toejam's Acid Crematorium or something. But bluegrass is good, and hey, music is MY life too. Maybe I'll actually like the guy (assuming he's around long enough). Just don't write and tell me you're in the process of stirring up some baby Custard-Mustards.
Ellen Wittlinger (Heart on My Sleeve)
My head says forget it, my heart says I’ll regret it, and what my stomach tells me, I should not ignore. Oh no, I gotta go, give me a leave, not your sleeve! I know this will cease, when I feel peace. So I will help a boy, come to Joy, a risk I shall take, it’s no mistake, my stomach tells me so.” Deetkatu, See the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
Glad to see word reached you. I forgot my phone and somehow throwing pebbles at random windows seemed like a losing strategy." "My roommate thinks I'm running drugs," said Dee flatly. "And that you're my dealer." James blinked. "At least she thought I looked enterprising." "She said you looked homeless." James straightened the sleeves of his orange leather jacket. "It's vintage
Emily Lloyd-Jones (The Hearts We Sold)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
He turned abruptly his great searching eyes from the sea to Stephen's face. --The aunt thinks you killed your mother, he said. That's why she won't let me have anything to do with you. --Someone killed her, Stephen said gloomily. --You could have knelt down, damn it, Kinch, when your dying mother asked you, Buck Mulligan said. I'm hyperborean as much as you. But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you . . . He broke off and lathered again lightly his farther cheek. A tolerant smile curled his lips. --But a lovely mummer, he murmured to himself. Kinch, the loveliest mummer of them all. He shaved evenly and with care, in silence, seriously. Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown grave-clothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.
James Joyce
Be honest with yourself. You were at your lowest and broken down. You were unsure and lost hope. You were hiding your fears until you showed them on your sleeve. You felt like everything and everyone was the hammer and you were the nail as they were beating down on you, and it was never-ending. Their empty threats had you scared and you were always running because your weakness was exposed. You were their prey. You didn’t know who to believe because of their mixed signals. You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chessboard. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’. Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own! Yes, you loved and loved so much. You also lost as well, but you lost hurt, pain, agony, and confusion. You’ve lost interest in wanting to know answers to unanswered questions. You’ve lost the willingness to give a shit about what others think. You’ve surrendered to being fine, that you cannot change the things you have no control over. You’ve lost a lot, but you’ve gained closure. You are now balanced, centered, focused, and filled with peace surrounding you in your heart, mind, body, and soul. Your pride was hurt, but you would rather walk alone and be more willing to give and learn more about the queen you are. You lost yourself in the process, but the more you learn about the new you, the more you will be so much in love with yourself. The more you learn about the new you, the more you will know your worth. The more you learn about the new you, the happier you are going to be, and this time around you will be smiling inside and out! The dots are now connecting. You feel alive! You know now that all is not lost. Now that you’ve cut the cord it is time to give your heart a second chance at loving yourself. Silence your mind. Take a deep breath and close your eyes. As you open your eyes, look at your reflection in the mirror. Aren’t you beautiful, Queen? Embrace who you are. Smile, laugh, welcome the new you and say, “My world is just now beginning.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Here I am, here to please, to knock on your heart, tug on your sleeve, and sir, do you have a moment to discuss your life goals? The state of the economy? The state that wants secession? The recession of hair, of tides? The ceasefire and the forest fire and the brand-new flavor of fire-roasted pretzels? The exegesis of today’s front-page headlines? The story of how the world will end, slash, how the world began, slash, what kind of world is this, anyway, slash, how ‘bout that certain team that plays that certain sport? How about the environment? The economy? The bathroom? As in, can I use yours? Do you like comedy? Would you perhaps consider a list of vintage novelties you played with as a child? A listicle of popsicles you ate as a child? The story of your inner child? The story of the baby and the bathwater? The story of the baby otter and the baby giraffe and their unlikely friendship? “Can you just skip the stories and give me the pamphlet?
Hilary Leichter (Temporary)
Be near me" Be near me now, My tormenter, my love, be near me— At this hour when night comes down, When, having drunk from the gash of sunset, darkness comes With the balm of musk in its hands, its diamond lancets, When it comes with cries of lamentation,                                              with laughter with songs; Its blue-gray anklets of pain clinking with every step. At this hour when hearts, deep in their hiding places, Have begun to hope once more, when they start their vigil For hands still enfolded in sleeves; When wine being poured makes the sound                                              of inconsolable children                       who, though you try with all your heart,                                              cannot be soothed. When whatever you want to do cannot be done, When nothing is of any use; —At this hour when night comes down, When night comes, dragging its long face,                                              dressed in mourning, Be with me, My tormenter, my love, be near me.              Faiz Ahmed Faiz, The True Subject. Translated by Naomi Lazard. (Princeton University Press. 1987)
Faiz Ahmad Faiz (The True Subject: Selected Poems)
The best way to get started on the path to sharing your work is to think about what you want to learn, and make a commitment to learning it in front of others. Find a scenius, pay attention to what others are sharing, and then start taking note of what they’re not sharing. Be on the lookout for voids that you can fill with your own efforts, no matter how bad they are at first. Don’t worry, for now, about how you’ll make money or a career off it. Forget about being an expert or a professional, and wear your amateurism (your heart, your love) on your sleeve. Share what you love, and the people who love the same things will find you.
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon))
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—” “Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.” “The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.” “Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?” Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet. “You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—” “No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.” “It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—” “What were you even doing at the house? I thought you were staying at the Institute.” “I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—” “He did need clothes,” Cordelia agreed. “Nothing he had fit.” “Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—” “So you Tracked me?” “I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—” “That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.” “And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair. “James,” she said. “It was a foolish thing to do, but at no moment did I want to die—” He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—” He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
She found another intriguing object, and she held it up to inspect it. A button. Her brow creased as she stared at the front of the button, which was engraved with a pattern of a windmill. The back of it contained a tiny lock of black hair behind a thin plate of glass, held in place with a copper rim. Swift blanched and reached for it, but Daisy snatched it back, her fingers closing around the button. Daisy's pulse began to race. "I've seen this before," she said. "It was a part of a set. My mother had a waistcoat made for Father with five buttons. One was engraved with a windmill, another with a tree, another with a bridge... she took a lock of hair from each of her children and put it inside a button. I remember the way she took a little snip from my hair at the back where it wouldn't show." Still not looking at her, Swift reached for the discarded contents of his pocket and methodically replaced them. As the silence drew out, Daisy waited in vain for an explanation. Finally she reached out and took hold of his sleeve. His arm stilled, and he stared at her fingers on his coat fabric. "How did you get it?" she whispered. Swift waited so long that she thought he might answer. Finally he spoke with a quiet surliness that wrenched her heart. "Your father wore the waistcoat to the company offices. It was much admired. But later that day he was in a temper and in the process of throwing an ink bottle he spilled some on himself. The waistcoat was ruined. Rather than face your mother with the news he gave the garment to me, buttons and all, and told me to dispose of it." "But you kept one button." Her lungs expanded until her chest felt tight on the inside and her heartbeat was frantic. "The windmill. Which was mine. Have you... have you carried a lock of my hair all these years?
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Anything exciting with your music, dear?” her mom asks. At least she tries to look like she cares. “There’s a big show coming up at the end of the week. I have to prepare an original piece to perform.” Her brow furrows, and I can tell she’s unsure about it. “Sounds exciting,” her mom says with a smile. She tugs on her husband’s sleeve. “Doesn’t it, darling?” He shrugs her hand off his arm. “Sounds like a waste of time.” “Emily’s a talented musician,” I break in. I won’t let them put down her art. “You’ve never even heard her play.” “And you have?” he shoots back. “I might not be able to hear, but I can see the passion in her eyes and feel the joy in her heart when she’s playing, Mr. Madison.” I take a deep breath. “The crowd loves her. And she loves music. So, I love to watch her play.” I lean down and kiss her forehead. “I’ll be at your show, no matter what.” She smiles up at me and lays her head on my arm. “So will we,” her mother declares. I’m not going to hold my breath.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
The traumatic aspect of drinking ayahuasca is that in order to heal yourself, you must first confront the wound; by forcing you to deal with your own inner garbage, ayahuasca shows you things about yourself that you might not want to see. I wish that a whole country could drink ayahuasca—not merely every individual citizen of a country, but the country itself, the spirit of the country. I wish that a flag could drink ayahuasca, that we could just fold the Stars and Stripes into the shape of a cup, pour in the tea, and transport Uncle Sam into another dimension. He’d have to fight his way out of some nightmares, but he’d be cleansed. What would he find? William S. Burroughs wrote that when you drink ayahuasca, “The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indian—new races as yet unconceived and unborn, combinations not yet realized—pass through your body.” When Burroughs drank, he actually saw himself transformed into both a black man and a black woman. What if some freedom-hating narcoterrorists snuck into the Fox News studios and put ayahuasca in Sean Hannity’s coffee, just before he went live? What would be the day’s fair and balanced news for America? If America drank ayahuasca and then withdrew into the filthy pit of its own heart, confronting all its fears and hate and finally purging itself of that negative energy, maybe America would come out Muslim: sucked through a black hole by the Black Mind, young Latter-Day Saint crackers with smooth cheeks, short-sleeved white shirts, and name tags confront nightmarish visions of getting swallowed whole by giant grotesque “Jolly Nigger” coin banks and then find themselves vomited back up as Nubian Islamic Hebrews in turbans and robes selling incense on the subways. The “God Hates Fags” pastor, eyes wild with a new passion for Allah, boards a helicopter to drop thousands of Qur’ans upon the small towns below. I want to see ayahuasca’s vine goddess clean out America’s poison. But what would happen if a religion could drink the vine? What if I poured ayahuasca into my Qur’an?
Michael Muhammad Knight (Tripping with Allah: Islam, Drugs, and Writing)
Jesus Hollywood believed in a lot of things. He believed that the stars in the sky were only ghostly images of dead things. He believed in the grass on the side of the highway as he whipped by. He believed in the sound of a gun cocking. He believed that the heart gave up long before it stopped beating. He believed last words and bedside confessions were only half-assed last-ditch efforts at Redemption signalling imminent death. He believed in lust and rage and that pain is the only proof that one is alive. Jesus Hollywood believed that there was no God, no gods, no Divine Being and he certainly believed that Heaven was only a placating fabrication. He believed Love At First Sight was a myth; that Love was masquerading as Lust. He believed Karma was for those too afraid to be selfish. He believed that Luck and Chance, along with Fate and Destiny, were words the weak used to explain away their inaction. He believed that if you wore a long-sleeved shirt, you could win every game of cards with the right poker face and a few extra cards stashed up your sleeves. Jesus Hollywood certainly did not believe in love. And now, Jesus Hollywood believed he was fucked.
Shannon Noelle Long (Second Coming)
All right,” he said slowly, as if he’d only just made up his mind about something. “You win. I’ve decided to help you.” Serilda’s heart lifted, filling fast with untethered hope. “In exchange,” he continued, “for this.” He pointed a finger at her. His sleeve slipped back toward his elbow, revealing a ghastly knot of scar tissue above his wrist. Serilda gaped at his extended arm, momentarily speechless. He was pointing at her heart. She stepped back and placed a protective hand to her chest, where she could feel her heartbeat thudding underneath. Her gaze lingered on his hand, as if he might reach into her chest and tear out the beating organ at any moment. He didn’t exactly look like one of the dark ones, with their majestic figures and flawless beauty, but he didn’t look half-faded like a ghost either. He seemed harmless enough, but she couldn’t trust anyone in this castle. The boy frowned, confused at her reaction. Then understanding hit him and he dropped his hand with a roll of his eyes. “Not your heart”, he said, exasperated. “That locket.” Oh. That. Her hand shifted to the chain around her neck. She gripped the locket, still hanging open, in her fist. “It will hardly suit you.” “Strongly disagree. Besides, there’s something familiar about her.
Marissa Meyer (Gilded (Gilded, #1))
A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.
Sue Monk Kidd (The Book of Longings)
It took some time for his storm to pass, some time for him to stop shuddering in her arms. But after they stood there locked together awhile, his strong arms began to loosen their grip and his shaking to subside. Encouraged by that, she stretched up to brush soothing kisses over his jaw, his cheek, his lips. He jerked back, and as he searched her face, the dark shadows in his eyes receded a little. “Oh, God, Jane, why did I let you go?” he asked in an aching voice that resonated to her very soul. “I’ve been lost ever since.” The words melted the last corner of ice in her heart, and when he lowered his head to hers, she rose to him like a shoot stretching for the sun. Moaning low in his throat, he devoured her mouth, his kiss pure hot passion, so all-consuming that within moments she had to pull free just to breathe. Then he shifted his kisses to her cheek and ear and jaw, branding everything as his. “I need you,” he said against her throat. “God help me for it, but I do. All these years without you have been hell.” Kissing her neck, he fisted his hands in her sleeves. “I want to strip this gown from you. I want to lay you down in that straw over there and have my way with you.” The words made her exult. “Then do it,” she murmured against his hair. “Now. Tonight. Have your way with me, and I’ll have mine with you.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
I know High Ladies are probably supposed to wear a new dress every day,' I mused, smiling at the gown, 'but I'm rather attached to this one.' He ran his hand down my thigh. 'I'm glad.' 'You never told me where you got it- where you got all my favourite dresses.' Rhys arched a dark brow. 'You never figured it out?' I shook my head. For a moment, he said nothing, his head dipping to study the dress. 'My mother made them.' I went still.' Rhys smiled sadly at the shimmering gown. 'She was a seamstress, back at the camp where she'd been raised. She didn't just do the work because she was ordered to. She did it because she loved it. And when she mated my father, she continued.' I grazed a reverent hand down my sleeve. 'I- I had no idea. His eyes were star-bright. 'Long ago, when I was still a boy, she made them- all your gowns. A trousseau for my future bride.' His throat bobbed. 'Every piece... Every piece I have ever given you to wear, she made them. For you.' My eyes stung as I breathed. 'Why didn't you tell me?' 'He shrugged with one shoulder. 'I thought you might be... disturbed to wear gowns made by a female who died centuries ago.' I put a hand over my heart. 'I am honoured, Rhys. Beyond words.' His mouth trembled a bit. 'She would have loved you.' It was as great a gift as any I'd been given. I leaned down until our brows touched. I would have loved her. I felt his gratitude without him saying a word as we remained there, breathing each other in for long minutes.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Maria managed to avoid Oliver for most of St. Valentine’s Day. It wasn’t difficult-apparently he spent half of it sleeping off his wild night. Not that she cared one bit. She’d learned her lesson with him. Truly she had. Not even the beautiful bouquet of irises he’d sent up to her room midafternoon changed that. Now that she was dressing for tonight’s ball, she was rather proud of herself for having only thought of him half a dozen times. Per hour, her conscience added. “There, that’s the last one,” Betty said as she tucked another ostrich feather into Maria’s elaborate coiffure. According to Celia, the new fashion this year involved a multitude of feathers drooping from one’s head in languid repose. Maria hoped hers didn’t decide to find their repose on the floor. Betty seemed to have used a magical incantation to keep them in place, and Maria wasn’t at all sure they would stay put. “You look lovely, miss,” Betty added. “If I do,” Maria said, “it’s only because of your efforts, Betty.” Betty ducked her head to hide her blush. “Thank you, miss.” It was amazing how different the servant had been ever since Maria had taken Oliver’s advice to heart, letting the girl fuss over her and tidy her room and do myriad things that Maria would have been perfectly happy to do for herself. But he’d proved to be right-Betty practically glowed with pride. Maria wished she’d known sooner how to treat them all, but honestly, how could she have guessed that these mad English would enjoy being in service? It boggled her democratic American mind. Casting an admiring glance down Maria’s gown of ivory satin, Betty said, “I daresay his lordship will swallow his tongue when he sees you tonight.” “If he does, I hope he chokes on it,” Maria muttered. With a sly glance, Betty fluffed out the bouffant drapery of white tulle that crossed Maria’s bust and was fastened in the center with an ornament of gold mosaic. “John says the master didn’t touch a one of those tarts at the brothel last night. He says that his lordship refused every female that the owner of the place brought before him.” “I somehow doubt that.” Paying her no heed, Betty continued her campaign to salvage her master’s dubious honor. “Then Lord Stoneville went to the opera house and left without a single dancer on his arm. John says he never done that before.” Maria rolled her eyes, though a part of her desperately wanted to believe it was true-a tiny, silly part of her that she would have to slap senseless. Betty polished the ornament with the edge of her sleeve. “John says he drank himself into a stupor, then came home without so much as kissing a single lady. John says-“ “John is inventing stories to excuse his master’s actions.” “Oh no, miss! John would never lie. And I can promise you that the master has never come home so early before, and certainly not without…that is, at the house in Acton he was wont to bring a tart or two home to…well, you know.” “Help him choke on his tongue?” Maria snapped as she picked up her fan. Betty laughed. “Now that would be a sight, wouldn’t it? Two ladies trying to shove his tongue down his throat.” “I’d pay them well to do it.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Just last week I was telling a dear friend how I'd rather not exist in a world where toxic thrives. There are so much enmity plaguing this creed, how we hurt others because we think our idea of faith is supreme, how our interpretation of knowledge is above theirs, how every little whisper we turn into a howl. We forget that only He knows. Our existence are but mysteries; who are we to scar, to burn, to leave marks, to solve this enigma for others, to play God. The Friday prayer sermon just this afternoon, spoke to me in such illuminating affirmations. Knowledge, especially in faith, is akin to Light. Light binds, not divides. We seek light not out of fear of the darkness but at a promise to gain clarity. This is our intimate journey, how we move towards that Light is ours to make. Like a blind man, like moths at night, a child yearning, just do not stand in their paths, my friend. Your forehead kisses the same Earth like they do, your knees bend the same curve, and each night, your spine collapses just the same. Do not be the lips that question an arm sleeved with tattoos or hair uncovered by cloth or sins not yours, instead be lips that observes silence, kindness and always, prayers for all. I hope your heart does not make space for words like "Kafir", "infidel", "shirk" and instead be a room with gardens and an ocean of calmness. Even our Beloved won't be a judge for another being; Let God You seek knowledge not to draw boundaries between yourself and others, you seek for this overwhelming gravity of unknowing needs you to always be finding ways to be closer to Him. You seek knowledge to know Him not to make known to others. You have every right to continue seeking, to have your palms heavenwards every night begging to be illuminated. This is your deeper conversation, go on, just you and God.
Noor Iskandar
let my thoughts be bestowed on her who has shown so much devotion for me. Madame de Belliere ought to be there by this time," he said, as he turned towards the secret door. After he had locked himself in, he opened the subterranean passage, and rapidly hastened towards the means of communicating between the house at Vincennes and his own residence. He had neglected to apprise his friend of his approach, by ringing the bell, perfectly assured that she would never fail to be exact at the rendezvous; as, indeed, was the case, for she was already waiting. The noise the superintendent made aroused her; she ran to take from under the door the letter he had thrust there, and which simply said, "Come, marquise; we are waiting supper for you." With her heart filled with happiness Madame de Belliere ran to her carriage in the Avenue de Vincennes, and in a few minutes she was holding out her hand to Gourville, who was standing at the entrance, where, in order the better to please his master, he had stationed himself to watch her arrival. She had not observed that Fouquet's black horse arrived at the same time, all steaming and foam-flaked, having returned to Saint-Mande with Pelisson and the very jeweler to whom Madame de Belliere had sold her plate and her jewels. Pelisson introduced the goldsmith into the cabinet, which Fouquet had not yet left. The superintendent thanked him for having been good enough to regard as a simple deposit in his hands, the valuable property which he had every right to sell; and he cast his eyes on the total of the account, which amounted to thirteen hundred thousand francs. Then, going for a few moments to his desk, he wrote an order for fourteen hundred thousand francs, payable at sight, at his treasury, before twelve o'clock the next day. "A hundred thousand francs profit!" cried the goldsmith. "Oh, monseigneur, what generosity!" "Nay, nay, not so, monsieur," said Fouquet, touching him on the shoulder; "there are certain kindnesses which can never be repaid. This profit is only what you have earned; but the interest of your money still remains to be arranged." And, saying this, he unfastened from his sleeve a diamond button, which the goldsmith himself had often valued at three thousand pistoles.
Alexandre Dumas (Premium Collection - 27 Novels in One Volume: The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The ... Hero of the People, The Queen's Necklace...)
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.” Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.” Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck. We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked. Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked. Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled. “What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn. “You’ll see,” he replied. He definitely had something up his sleeve. I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way. “But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point. “Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.” That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Please. Do this for me one more time and I’ll give you…” A thought struck her and she let out an exalted laugh. “I’ll give you my firstborn child!” He balked. “What?” She gave him a chagrined smile, a helpless shrug. And though the words had been said in jest, she was already beginning to wonder. Her firstborn child. The likelihood that she would ever conceive a child was so minuscule. Ever since the fiasco with Thomas Lindbeck, she’d felt resigned to a future of solitude. And given that the only other boy who had captured her interest was dead… What did it matter if she promised away a nonexistent child? “Assuming I live long enough to birth any children,” she said. “Even you have to admit that’s a good deal. What could possibly be more valuable than a child?” He held her gaze, his expression intense and, she thought, just the tiniest bit saddened. Under the soft fabric of his sleeves, she imagined that she could feel his pulse. But no, it was only her own heartbeat, fluttering in her fingers. And in the sudden silence, she caught the tremulous rhythm of her own shallow breaths. The moments ticking by, too fast. The candle flickering in the corner. The spinning wheel, waiting. Gild shivered and tore his gaze from her face. He looked down at her hands, the pried his arms away. Serilda released him, heart sinking. But in the next moment, he’d taken her fingers into his. His head lowered, avoiding her gaze, as he wrapped his fingers around hers. “You are very persuasive.” Hope skittered inside her. “You’ll do it? You’ll accept that offer?” He sighed, the sound long and drawn out, as if it physically pained him to agree to this. “Yes. I will do this in exchange for…your firstborn child. But” —his grip tightened, squashing the jolt of euphoria that threatened to have her throwing her arms around him— “this bargain is binding and unbreakable, and I fully expect you to stay alive long enough to fulfill your end of it. Do you understand me?” She gulped, feeling the magical pull of the bargain. The air pressing in around her. Stifling, squeezing in against her chest. A magical bargain, binding and unbreakable. A deal struck beneath the Chaste Moon, with a ghostly thing, and unliving thing. A prisoner of the veil. She knew she couldn’t really promise to stay alive. The Erlking would have her killed as soon as it pleased him to do so. And yet, she heard her own words as if whispered from a distant place. “You have my word.” The air shuddered and released. It was done.
Marissa Meyer (Gilded (Gilded, #1))
Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
G-Unit
Then he was striding toward me. His mesmerizing gaze pinned me in place as he cupped my face. When his lips covered mine, I gasped. He took the opportunity to deepen the kiss, groaning into the contact. His hands tightened on my face. His sexy groans made my toes curl, muddling my thoughts. Block that out! I was Aric’s wife. I’d wronged him in the past, had consigned him to misery for hundreds—no, thousands—of years. I needed to make this right. Like penance. There was something vaguely threatening about his words. Misgivings about this arose. Too fast. “If you have feelings for him, fight them,” Aric commanded me. “By going to him, you’d be stoking them once more. Don’t you understand? He can find another woman—I cannot. If you choose him, you’ll be consigning me to a hellish fate. As you’ve done again and again. No, this will be even worse, because I’ve had a greater glimpse of what I’ll be missing.” “I just want to talk to him. I’m leaving this weekend,” I said in an unwavering voice. “No, you will not.” His arrogant demeanor back in place, he said, “Understand me, I’m not surrendering the one woman who was born for me alone. Not to a human, not to anyone.” “You can’t keep me here against my will any longer. What are you going to do? Put that cuff back on me?” I held up my hand to stop him. “I understand why you did it. But I won’t be a prisoner anymore.” He snatched up his shirt, threading his arms into the sleeves. “You say you keep your promises now? You made a vow before gods to be my wife. In this life, you will keep your promises to me—before you ever honor one to him!” “You can’t stop me from leaving. I have my powers back. I earned my powers back.” With a cruel curve of his lips, he said, “You promised never to harm me, Empress. Know that you’ll have to kill me before I would ever let you go.” As he strode out the door, I said, “And know that you’ll have to put that cilice on me to keep me prisoner again.” He whirled around, fury in his expression. “You refused—twice—to beg me for your own life, but you’d beg for his?” I whispered, “Yes.” With a calculating gleam in his eyes, he said, “This isn’t an impossible task you ask of me. I could call in ancient favors, contact old allies. They could be here in mere hours. We’d ride out as one.” “T-truly?” “On one condition: you’ll become my wife in truth, mine in every way. Beginning tonight. Comply, and I’ll take on an army for you.” My lips parted with shock. “How can you do this to me?” “Deveaux is lost to you in one way or another. He’ll either be slaughtered by the Lovers—or saved by my female, by her sacrifice.” He offered his hand. “Come with me, and begin this.” “Don’t, Aric! Don’t destroy what I do feel for you.” “I’ll take”—he seized my hand, yanking me close—“what I can get.” Despite myself, I shivered from the contact, from his husky voice. His hold on me was firm, proprietary. Because he believed I was about to become his. The red witch in me whispered, Death thinks he has you at his mercy. But the Empress doesn’t get collared or caged—or controlled. Take his head and pay the Tower. Shut up! “Please, Aric. I’ll grow to hate you for this. I don’t want to feel that way about you. Never again. Don’t force me to do this.” “Force?” Unmoved, he led me toward his bedroom. “I’m not forcing you to do anything. Just as you can’t force me to save your lover’s life. We each make sacrifices to get what we want.” With my heart pounding, I crossed the threshold into his dark world. Black walls, black ceiling, black night beyond his windows. Yet outside I thought I saw . . . a single fluttering snowflake. Like a sign.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.
Katie Reus (Sworn to Protect (Red Stone Security, #11))