Headlines Funny Quotes

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Headline?" he asked. "'Swing Set Needs Home,'" I said. "'Desperately Lonely Swing Set Needs Loving Home,'" he said. "'Lonely, Vaguely Pedophilic Swing Set Seeks the Butts of Children,'" I said.
John Green (The Fault in Our Stars)
I had to admit it was adorable. You know, in a unicorns-farting-out-rainbows kind of way that made me want to hurl.
Gemma Halliday (Hollywood Scandals (Hollywood Headlines, #1))
Do you ever tell the truth?" "Once. In fourth grade. It was overrated.
Gemma Halliday (Hollywood Scandals (Hollywood Headlines, #1))
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
New Rule: If one of your news organization's headlines is about who got kicked off Dancing with the Stars last night, you're no longer a news organization. Sort of like, if you were on Dancing with the Starslast night, you're no longer a star.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
It’s what they’ve got planned for this whole town, a big Disneyland imitation of itself. Wholesome family fun, kiddies in the casinos, Go Fish with a table limit of ten cents, Pat Boone for a headliner, nonunion actors playing funny mafiosi, driving funny old-fashioned cars, making believe rub each other out, blam, blam, ha, ha, ha. LasfuckinVegasland.
Thomas Pynchon (Inherent Vice)
Perception is a funny little thing. In a split second, with a passing comment or a provocative headline, something you would never have assumed about a person becomes fact in your mind’s eye. And for this perception to change it must be replaced with something else. The more that perception is supported, validated and perpetuated, the harder it becomes to change and the more cemented it becomes in your belief system.
Patrick Hutchinson (Everyone Versus Racism: A Letter to My Children)
New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
still remember how bravely we learned to read the new daily newspaper "Radianska Bukovina" (Red Bukovina), just trying to make out the headlines and slowly braving to comprehend the articles. By the beginning of September, barely two months from the occupation, we delved into the study of the History of the Party, meaning the communist party, according to the direction of the Stalin line, the official party line. The teacher was faced with an unusual task, namely, teaching a class, at a university, where practically nobody understood him or the textbook. After every few sentences he stopped to ask: Sie verstehen, Genossen? (Do you understand, comrades?) This was the extent of his knowledge of German. Most of us just picked up single words and wrote them down in the improvised dictionary. It was unusual, but not funny at all.
Pearl Fichman (Before Memories Fade)
The play was made quite famous by a headline misprint in Variety reading OBSCENE PLAY ATTRACTS MASSIVE CROW.
Steve Aylett (Lint)
About 41 percent of mothers are primary breadwinners and earn the majority of their family’s income. Another 23 percent of mothers are co-breadwinners, contributing at least a quarter of the family’s earnings.30 The number of women supporting families on their own is increasing quickly; between 1973 and 2006, the proportion of families headed by a single mother grew from one in ten to one in five.31 These numbers are dramatically higher in Hispanic and African-American families. Twenty-seven percent of Latino children and 51 percent of African-American children are being raised by a single mother.32 Our country lags considerably behind others in efforts to help parents take care of their children and stay in the workforce. Of all the industrialized nations in the world, the United States is the only one without a paid maternity leave policy.33 As Ellen Bravo, director of the Family Values @ Work consortium, observed, most “women are not thinking about ‘having it all,’ they’re worried about losing it all—their jobs, their children’s health, their families’ financial stability—because of the regular conflicts that arise between being a good employee and a responsible parent.”34 For many men, the fundamental assumption is that they can have both a successful professional life and a fulfilling personal life. For many women, the assumption is that trying to do both is difficult at best and impossible at worst. Women are surrounded by headlines and stories warning them that they cannot be committed to both their families and careers. They are told over and over again that they have to choose, because if they try to do too much, they’ll be harried and unhappy. Framing the issue as “work-life balance”—as if the two were diametrically opposed—practically ensures work will lose out. Who would ever choose work over life? The good news is that not only can women have both families and careers, they can thrive while doing so. In 2009, Sharon Meers and Joanna Strober published Getting to 50/50, a comprehensive review of governmental, social science, and original research that led them to conclude that children, parents, and marriages can all flourish when both parents have full careers. The data plainly reveal that sharing financial and child-care responsibilities leads to less guilty moms, more involved dads, and thriving children.35 Professor Rosalind Chait Barnett of Brandeis University did a comprehensive review of studies on work-life balance and found that women who participate in multiple roles actually have lower levels of anxiety and higher levels of mental well-being.36 Employed women reap rewards including greater financial security, more stable marriages, better health, and, in general, increased life satisfaction.37 It may not be as dramatic or funny to make a movie about a woman who loves both her job and her family, but that would be a better reflection of reality. We need more portrayals of women as competent professionals and happy mothers—or even happy professionals and competent mothers. The current negative images may make us laugh, but they also make women unnecessarily fearful by presenting life’s challenges as insurmountable. Our culture remains baffled: I don’t know how she does it. Fear is at the root of so many of the barriers that women face. Fear of not being liked. Fear of making the wrong choice. Fear of drawing negative attention. Fear of overreaching. Fear of being judged. Fear of failure. And the holy trinity of fear: the fear of being a bad mother/wife/daughter.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
What’s an ... unexpected / obvious / helpful / interesting / funny / convenient / comforting / amazing / wild / beautiful / exciting / weird ... … benefit of the benefit?
Dan Nelken (A Self-Help Guide for Copywriters: A resource for writing headlines and building creative confidence)
Start by stopping. • Stop using too many words in a headline or subject line. Limit yourself to 6 words, tops. • Stop being funny. Or ironic. Or cryptic. It’s confusing, not clever. • Stop using fancy SAT words or business-speak. ➋ Once you kick the bad habits, start new, healthy ones. • In 10 words or less, write the reason you’re bothering to write something in the first place. • Write it in the most provocative yet accurate way possible. • Short words are strong words. A general rule: A one-syllable word is stronger than a two-syllable word is stronger than a three-syllable word. • Strong words are better than soft and soggy ones. • Active verbs ALWAYS.
Jim Vandehei (Smart Brevity: The Power of Saying More with Less)
In April 2012, The New York Times published a heart-wrenching essay by Claire Needell Hollander, a middle school English teacher in the New York City public schools. Under the headline “Teach the Books, Touch the Heart,” she began with an anecdote about teaching John Steinbeck’s Of Mice and Men. As her class read the end together out loud in class, her “toughest boy,” she wrote, “wept a little, and so did I.” A girl in the class edged out of her chair to get a closer look and asked Hollander if she was crying. “I am,” she said, “and the funny thing is I’ve read it many times.” Hollander, a reading enrichment teacher, shaped her lessons around robust literature—her classes met in small groups and talked informally about what they had read. Her students did not “read from the expected perspective,” as she described it. They concluded (not unreasonably) that Holden Caulfield “was a punk, unfairly dismissive of parents who had given him every advantage.” One student read Lady Macbeth’s soliloquies as raps. Another, having been inspired by Of Mice and Men, went on to read The Grapes of Wrath on his own and told Hollander how amazed he was that “all these people hate each other, and they’re all white.” She knew that these classes were enhancing her students’ reading levels, their understanding of the world, their souls. But she had to stop offering them to all but her highest-achieving eighth-graders. Everyone else had to take instruction specifically targeted to boost their standardized test scores. Hollander felt she had no choice. Reading scores on standardized tests in her school had gone up in the years she maintained her reading group, but not consistently enough. “Until recently, given the students’ enthusiasm for the reading groups, I was able to play down that data,” she wrote. “But last year, for the first time since I can remember, our test scores declined in relation to comparable schools in the city. Because I play a leadership role in the English department, I felt increased pressure to bring this year’s scores up. All the teachers are increasing their number of test-preparation sessions and practice tests, so I have done the same, cutting two of my three classic book groups and replacing them with a test preparation tutorial program.” Instead of Steinbeck and Shakespeare, her students read “watered-down news articles or biographies, bastardized novels, memos or brochures.” They studied vocabulary words, drilled on how to write sentences, and practiced taking multiple-choice tests. The overall impact of such instruction, Hollander said, is to “bleed our English classes dry.” So
Michael Sokolove (Drama High: The Incredible True Story of a Brilliant Teacher, a Struggling Town, and the Magic of Theater)
It took me quite a while to begin to recover physically from Everest. The thick, rich air of sea level, in comparison to the ultrathin air of Everest, was intoxicating--and at times it felt like too much. Several times I fainted and had quite bad nosebleeds. As if from oxygen overload. Above all, I slept like a baby. For the first time in years, I had no fear, no doubts, no sense of foreboding. It felt amazing. Everest had taken all my heart, soul, energy, and desire, and I was spent. The way I was after SAS Selection. Funny that. Good things rarely come easy. Maybe that is what makes them special. I didn’t feel too guilty about taking a little time off to enjoy the British summer and catch up with my friends. It just felt so great to be safe. I also did my first-ever newspaper interview, which carried the headline: “What Makes a Scruffy 23-Year-Old Want to Risk It All for a View of Tibet?” Nice. Before I left I would have had a far slicker reply than I did afterward. My reasons for climbing seemed somehow more obscure. Maybe less important. I don’t know. I just knew that it was good to be home. The same journalist also finished up by congratulating me on having “conquered” Everest. But this instinctively felt so wrong. We never conquer any mountain. Everest allowed us to reach the summit by the skin of our teeth, and let us go with our lives. Not everyone had been so lucky. Everest never has been, and never will be, conquered. This is part of what makes the mountain so special. One of the other questions I often got asked when we returned home was: “Did you find God on the mountain?” The real answer is you don’t have to climb a big mountain to find faith. It’s simpler than that--thank God. If you asked me did He help me up there, then the answer would be yes. Every faltering step of the way.
Bear Grylls (Mud, Sweat and Tears)
But when we asked Chao if she ever doubted her abilities during those years in office, she was wonderfully candid, and funny. "Constantly," she replied. "I'm Asian American, are you kidding? My fear was that the newspapers would have blaring headlines like: 'Elaine Chao Failed, Disgraced Whole Family.
Katty Kay (The Confidence Code for Girls: Taking Risks, Messing Up, and Becoming Your Amazingly Imperfect, Totally Powerful Self)