He Prefers Quotes

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I'll just have them change the entry in the demonology textbook from 'almost extinct' to 'not extinct enough for Alec. He prefers his monsters really, really extinct.' Will that make you happy?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’ Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.
Donna Tartt (The Secret History)
Just because you said dragon demons were extinct—" "I said mostly extinct." Alec jabbed a finger toward him. "Mostly extinct," he said, his voice trembling with rage, "is NOT EXTINCT ENOUGH." "I see," said Jace. "I'll just have them change the entry in the demonology textbook from 'almost extinct' to 'not extinct enough for Alec. He prefers his monsters really, really extinct.' Will that make you happy?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
The truth," he says, "is a painful reminder of why I prefer to live among the lies.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
As my friend, you should either bring me along, or keep me company." "Friend?" he asked. She blushed. "Well, 'scowling escort' is a better description. Or 'reluctant acquaintance', if you prefer.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Man prefers to believe what he prefers to be true.
Francis Bacon
The true hero is flawed. The true test of a champion is not whether he can triumph, but whether he can overcome obstacles - preferably of his own making - in order to triumph.
Garth Stein (The Art of Racing in the Rain)
The Lord prefers common-looking people. That is why he made so many of them.
Abraham Lincoln
Thank you,” Simon said. “It’s a joke, Isabelle. He’s the Count. He likes counting. You know. ‘What did the Count eat today, children? One chocolate chip cookie, two chocolate chip cookies, three chocolate chip cookies . . .’” There was a rush of cold air as the door of the restaurant opened, letting in another customer. Isabelle shivered and reached for her black silk scarf. “It’s not realistic.” “What would you prefer? ‘What did the Count eat today, children? One helpless villager, two helpless villagers, three helpless villagers . . .
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
He [Iggy] started reaching for things around the table, and his hand landed on Total. “You’re black.” “I prefer canine-American,” said Total.
James Patterson (The Final Warning (Maximum Ride, #4))
I hate fighting with you,” he whispers. “Well, stop being such an arse.” He chuckles and the captivating sound reverberates through his chest. He tightens his hold on me. “Arse?” “Ass.” “I prefer arse.” “You should. It suits you.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
What can you say to a man who tells you he prefers obeying God rather than men, and that as a result he's certain he'll go to heaven if he cuts your throat?
Voltaire (Philosophical Dictionary)
Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better appreciate the dark.
Erin Morgenstern (The Night Circus)
Some pirates achieved immortality by great deeds of cruelty or derring-do. Some achieved immortality by amassing great wealth. But the captain had long ago decided that he would, on the whole, prefer to achieve immortality by not dying.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
My mother made a squeaking sound that might of been either "yes" or "help". Poseidon took it as a yes and came in. Paul was looking back and forth between us, trying to read our expressions. Finally he stepped forward. "Hi, I'm Paul Blofis." Poseidon raised an eyebrow and then shook his hand. "Blowfish, did you say?" "Ah, no. Blofis, actually." "Oh, I see," Poseidon said. "A shame. I quite like blowfish. I am Poseidon." "Poseidon? That's an interesting name." "Yes, I like it. I've gone by other names, but I do prefer Poseidon." "Like the god of the sea." "Very much like that, yes" "Well!" My mother interrupted. "Um, were so glad you could drop by. Paul, this is Percy's father." "Ah." Paul nodded, though he didn't look real pleased. "I see." Poseidon smiled at me. "There you are, my boy. And Tyson, hello, son!" "Daddy!" Tyson [shouted]... Paul's jaw dropped. He stared at my mother. "Tyson is..." "Not mine," she promised. "It's a long story.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
You might want to get up," he said. "Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive." He shrugged. "I would, at any rate, but then, I am well known to be remarkably shy.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Ronan did not smoke; he preferred his habits with hangovers.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Will put his hand on Nico's shoulder. "Nico, we need to have another talk about your people skills." "Hey, I'm just stating the obvious. If this is Apollo, and he dies, we're all in trouble." Will turned to me. "I apologize for my boyfriend." Nico rolled his eyes. "Could you not―" "Would you prefer special guy?" Will asked. "Or significant other?" "Significant annoyance, in your case," Nico grumbled
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Dumbledore had not raised his voice, he did not even sound angry, but Harry would have preferred him to yell; this cold disappointment was worse than anything.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
One of the major difficulties Trillian experienced in her relationship with Zaphod was learning to distinguish between him pretending to be stupid just to get people off their guard, pretending to be stupid because he couldn't be bothered to think and wanted someone else to do it for him, pretending to be outrageously stupid to hide the fact that he actually didn’t understand what was going on, and really being genuinely stupid. He was renowned for being amazingly clever and quite clearly was so—but not all the time, which obviously worried him, hence, the act. He preferred people to be puzzled rather than contemptuous.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
You know what, you need to stay out of my bedroom. You have your own.” He smiled. “I know I do. I see it quite often. I just prefer your bed. It smells better.” I made a face. “It smells better? What does your bed smell like? Regret and bad taste?
Jennifer L. Armentrout (Pure (Covenant, #2))
How do you get your information, Mister Brekker?" "You might say I'm a lockpick." "You must be a very gifted one." "I am indeed." Kaz leaned back slightly. "You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute's way, but I prefer a gentler approach - the right pressure applied at the right moment, in the right place. It's a delicate thing." "Do you always speak in metaphors, Mister Brekker?" Kaz smiled. "It's not a metaphor." He was out of his chair before his chains hit the ground.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace. Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa." She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will." "Yes?" Amusement glittered his eyes. With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
The master observes the world but trusts his inner vision. He allows things to come and go. He prefers what is within to what is without.
Lao Tzu
You know," she said, stirring her tea, "the fastest way to get him off your back is to sleep with him. And tell him you love him. Preferably while in bed." I smirked and the tea almost came out of my nose. "He'd run like he was on fire.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
He groaned and I saw his face. "Curran!" I would've preferred a homicidal lunatic. Oh, wait...
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
People fall in and out of love with the rising and setting of the sun. Rather like a boy who loves the color green one day, only to discover on the morrow that he truly prefers blue.
Renée Ahdieh (The Wrath & the Dawn (The Wrath and the Dawn, #1))
He who knows only his own side of the case knows little of that. His reasons may be good, and no one may have been able to refute them. But if he is equally unable to refute the reasons on the opposite side, if he does not so much as know what they are, he has no ground for preferring either opinion... Nor is it enough that he should hear the opinions of adversaries from his own teachers, presented as they state them, and accompanied by what they offer as refutations. He must be able to hear them from persons who actually believe them...he must know them in their most plausible and persuasive form.
John Stuart Mill (On Liberty)
It was not going to be the end of the world. Just the end of the Cullens. The end of Edward, the end of me. I preferred it that way – the last part anyway. I would not live without Edward again; if he was leaving this world, then I would be right behind him.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
His Majesty needs a can-I girl anyway. And I'm not it." "A can-I girl?" Andrea frowned. I leaned back. "'Can I fetch your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I..." It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head. "He's standing behind me, isn't he?" Andrea nodded slowly. "Technically it should be 'may I'," Curran said, his voice deeper than I remembered. "Since you're asking for permission." Why me? "To answer your question, yes, you may kiss my ass. Normally I prefer maintain my personal space, but you're a Friend of the Pack and your services have proven useful once or twice. I strive to accommodate the wishes of persons friendly to my people. My only question is, would kissing my ass be obeisance, grooming, or foreplay?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Speaking it aloud would reveal the absurdity of it, and he preferred the dream.
Anthony Ryan (Blood Song (Raven's Shadow, #1))
Dill was off again. Beautiful things floated around in his dreamy head. He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies.
Harper Lee (To Kill a Mockingbird)
It was a lame excuse, and I knew that wasn't the reason he was canceling. If he wanted to avoid me, I would have preferred he made up something about how he and the other guardians had to up Moroi security or practice top-secret ninja moves.
Richelle Mead (Frostbite (Vampire Academy, #2))
I'd been harboring this secret fantasy that he was only pretending to like her so that he could publicly dump her in the most embarrassing way possible, preferably on national television.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
When I think about the kind of guy I want to marry, I think I might prefer someone who knows where they are going. I mean a prince pretty much has his whole life planned out already, doesn't he? And this is important because I have no idea where I'm going or what I want to do with my life.
Jillian Dodd (That Boy (That Boy, #1))
The central theme of Anna Karenina," he said, "is that a rural life of moral simplicity, despite its monotony, is the preferable personal narrative to a daring life of impulsive passion, which only leads to tragedy." "That is a very long theme," the scout said. "It's a very long book," Klaus replied. [...] "Or maybe a daring life of impulsive passion leads to something else," the scout said, and in some cases this mysterious person was right. A daring life of impulsive passion is an expression which refers to people who follow what is in their hearts, and like people who prefer to follow their head, or follow a mysterious man in a dark blue raincoat, people who lead a daring life of impulsive passion end up doing all sorts of things.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
He who becomes the slave of habit, who follows the same routes every day, who never changes pace, who does not risk and change the color of his clothes, who does not speak and does not experience, dies slowly. He or she who shuns passion, who prefers black on white, dotting ones "it’s" rather than a bundle of emotions, the kind that make your eyes glimmer, that turn a yawn into a smile, that make the heart pound in the face of mistakes and feelings, dies slowly. He or she who does not turn things topsy-turvy, who is unhappy at work, who does not risk certainty for uncertainty, to thus follow a dream, those who do not forego sound advice at least once in their lives, die slowly. He who does not travel, who does not read, who does not listen to music, who does not find grace in himself, she who does not find grace in herself, dies slowly. He who slowly destroys his own self-esteem, who does not allow himself to be helped, who spends days on end complaining about his own bad luck, about the rain that never stops, dies slowly. He or she who abandon a project before starting it, who fail to ask questions on subjects he doesn't know, he or she who don't reply when they are asked something they do know, die slowly. Let's try and avoid death in small doses, reminding oneself that being alive requires an effort far greater than the simple fact of breathing. Only a burning patience will lead to the attainment of a splendid happiness.
Martha Medeiros
Evil is evil, Stregobor,” said the witcher seriously as he got up. “Lesser, greater, middling, it's all the same. Proportions are negotiated, boundaries blurred. I’m not a pious hermit. I haven't done only good in my life. But if I’m to choose between one evil and another, then I prefer not to choose at all.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Wake up, Caitlin, Mr. Lensing had said. But what he didn't under­stand was that this dreamland was preferable, walking through this life half-sleeping, everything at arm's length or farther away.
Sarah Dessen (Dreamland)
Only yesterday I was no different than them, yet I was saved. I am explaining to you the way of life of a people who say every sort of wicked thing about me because I sacrificed their friendship to gain my own soul. I left the dark paths of their duplicity and turned my eyes toward the light where there is salvation, truth, and justice. They have exiled me now from their society, yet I am content. Mankind only exiles the one whose large spirit rebels against injustice and tyranny. He who does not prefer exile to servility is not free in the true and necessary sense of freedom.
Kahlil Gibran
Throw a stick, and the servile dog wheezes and pants and stumbles to bring it to you. Do the same before a cat, and he will eye you with coolly polite and somewhat bored amusement. And just as inferior people prefer the inferior animal which scampers excitedly because someone else wants something, so do superior people respect the superior animal which lives its own life and knows that the puerile stick-throwings of alien bipeds are none of its business and beneath its notice. The dog barks and begs and tumbles to amuse you when you crack the whip. That pleases a meekness-loving peasant who relishes a stimulus to his self importance. The cat, on the other hand, charms you into playing for its benefit when it wishes to be amused; making you rush about the room with a paper on a string when it feels like exercise, but refusing all your attempts to make it play when it is not in the humour. That is personality and individuality and self-respect -- the calm mastery of a being whose life is its own and not yours -- and the superior person recognises and appreciates this because he too is a free soul whose position is assured, and whose only law is his own heritage and aesthetic sense.
H.P. Lovecraft
The conqueror is always a lover of peace; he would prefer to take over our country unopposed.
Carl von Clausewitz (On War)
Like any normal fifth grader, I preferred my villains to be evil and stay that way, to act like Dracula rather than Frankenstein's monster, who ruined everything by handing that peasant girl a flower. He sort of made up for it by drowning her a few minutes later, but, still, you couldn't look at him the same way again.
David Sedaris (When You Are Engulfed in Flames)
Well?” “Well, what?” I waved a hand at the room. “Start genuflecting. Let’s see some knee action.” “You’re serious.” I lifted my brows. He responded in kind, but finally nodded his head, then walked between the couches. He dropped to one knee, then held out his hands. “I’m monumentally sorry for the pain and humiliation that I caused you and your—” “Both knees.” “Pardon?” “I’d prefer to see both knees on the ground. I mean, if you’re going to grovel, be the best groveler you can, right?
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
You were joking about the whole please and thank you thing, right?" "Meant every word." A little light danced in his eyes and he very deliberately said, "Baby." No. He laughed. "You should see your face right now." "Don't call me that." "Would you prefer 'darling'? Or maybe 'cupcake'?" He winked.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
He left her. She was dissatisfied with him. He had preferred to incur her anger rather than cause her pain. He had kept all the pain for himself.
Victor Hugo (The Hunchback of Notre-Dame)
But you're a prisoner," said Thorne. "I prefer damsel in distress," she murmured. One side of Thorne's mouth quirked up, into that perfect half smile he'd had in his graduation photo. A look that was a little bit devious, and all sorts of charming. Cress's heart stopped, but if they noticed her melting into her chair, they didn't say anything.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
You can kiss me if you like," she said. Alex let go of her and turned away. "Thanks, Fiona," he said. "But frankly I'd prefer to kiss the horse.
Anthony Horowitz (Point Blank (Alex Rider, #2))
The great source of both the misery and disorders of human life, seems to arise from over-rating the difference between one permanent situation and another. Avarice over-rates the difference between poverty and riches: ambition, that between a private and a public station: vain-glory, that between obscurity and extensive reputation. The person under the influence of any of those extravagant passions, is not only miserable in his actual situation, but is often disposed to disturb the peace of society, in order to arrive at that which he so foolishly admires. The slightest observation, however, might satisfy him, that, in all the ordinary situations of human life, a well-disposed mind may be equally calm, equally cheerful, and equally contented. Some of those situations may, no doubt, deserve to be preferred to others: but none of them can deserve to be pursued with that passionate ardour which drives us to violate the rules either of prudence or of justice; or to corrupt the future tranquillity of our minds, either by shame from the remembrance of our own folly, or by remorse from the horror of our own injustice.
Adam Smith (The Theory of Moral Sentiments)
In fact, he's never taken an interest in a woman before. I was beginning to to suspect he might prefer one of his male sneaks, but now..." She paused dramatically. "Now, we have the lovely, intelligent Yelena to get Valek's cold heart pumping." "You really should get out of your sewing room more. You need fresh air and a dose of reality," I said knowing better than to believe a word Dilana said, but unable to control the silly little grin on my face. Her sweet, melodious laughter followed me into the hallway. "You know I'm right, " she called.
Maria V. Snyder (Poison Study (Study, #1))
The man who fears to be alone will never be anything but lonely, no matter how much he may surround himself with people. But the man who learns, in solitude and recollection, to be at peace with his own loneliness, and to prefer its reality to the illusion of merely natural companionship, comes to know the invisible companionship of God. Such a one is alone with God in all places, and he alone truly enjoys the companionship of other men, because he loves them in God in Whom their presence is not tiresome, and because of Whom his own love for them can never know satiety.
Thomas Merton (No Man Is an Island)
The Professor never really seemed to care whether we figured out the right answer to a problem. He preferred our wild, desperate guesses to silence, and he was even more delighted when those guesses led to new problems that took us beyond the original one. He had a special feeling for what he called the "correct miscalculation," for he believed that mistakes were often as revealing as the right answers.
Yōko Ogawa (The Housekeeper and the Professor)
I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. [...] Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.
Vladimir Nabokov (Lolita)
Thank you, Soul Catcher.” “Elias,” he says after a moment, the slightest bit of warmth entering those cold gray eyes. “From you I prefer Elias.
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
Having spent time around "sinners" and also around purported saints, I have a hunch why Jesus spent so much time with the former group: I think he preferred their company. Because the sinners were honest about themselves and had no pretense, Jesus could deal with them. In contrast, the saints put on airs, judged him, and sought to catch him in a moral trap. In the end it was the saints, not the sinners, who arrested Jesus.
Philip Yancey (What's So Amazing About Grace?)
I look over at him. He stares straight ahead. "So," I say. "Golem, huh?" "I prefer the term 'Mineral-American.
D.D. Barant (Dying Bites (The Bloodhound Files, #1))
Explain! Tell a man to explain how he dropped into hell! Explain my preference! I never had a preference for her, any more than I have a preference for breathing. No other woman exists by the side of her. I would rather touch her hand if it were dead, than I would touch any other woman's living.
George Eliot (Middlemarch)
I must make two honest confessions to you, my Christian and Jewish brothers. First, I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
Martin Luther King Jr. (Letter from the Birmingham Jail)
I thought you were from a civilized country," he said. "How have you come to look more like Carthya's whipping boy than its king?" "I have a habit of irritating some of our less civilized people," I answered. "But you seem like a civilized...pirate. I'd much prefer it if you didn't have me whipped." "And why shouldn't I?" With some effort, I forced a smile to my face. "Because it will hurt.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
But you are not,” Magnus said. “He is not dead, Will. He lives because you let him go. He would have stayed with you and died, if you had asked it, but you loved him enough to prefer that he live, even if that life is separate from yours. And that above all things proves that you are not Sydney Carton, Will, that yours is not the kind of love that can be redeemed only through destruction. It is what I saw in you, what I have always seen in you, what made me want to help you. That you are not despairing. That you have in you an infinite capacity for joy.” He put one gloved hand under Will’s chin and lifted Will’s face. There were not many people Will had to raise his head to look in the eye, but Magnus was one. “Bright star,” Magnus said, and his eyes were thoughtful, as if he were remembering something, or someone. “Those of you who are mortal, you burn so fiercely. And you fiercer than most, Will. I will not ever forget you.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Look, some people prefer they,” Alex said. “They’re non-binary or mid-spectrum or whatever. If they want you to use they, then that’s what you should do. But for me, personally, I don’t want to use the same pronouns all the time, because that’s not me. I change a lot. That’s sort of the point. When I’m she, I’m she. When I’m he, I’m he. I’m not they. Get it?” “If I say no, will you hurt me?” “No.” “Then no, not really.” She shrugged. “You don’t have to get it. Just, you know, a little respect.” “For the girl with the very sharp wire? No problem.” She must have liked that answer. There was nothing confusing about the smile she gave me. It warmed the office about five degrees.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
You laugh very loud—as if you are the only one in the world,” Despina commented. Shahrzad wrinkled her nose. “That’s funny. My sister says something very similar.” “I assume it makes little difference to you.” “Why? You’d prefer I stop?” she teased. “No,” Khalid said, as he strode into the Grand Portico. “I would not.” “Sayyidi.” Despina bowed. He nodded at her. “I cannot speak for Despina. But you do laugh too loud. And I hope you never stop.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
You have a roommate." "Yeah." He sounds confused. "The, um, picture on your door surprised me." "NO. No. I prefer my women with...fewer carnivorous beasts and less weaponry." He pauses and smiles. "Naked is okay. What she needs are a golden retriever and a telescope. Maybe then it would do it for me." I laugh. "A squirrel and a laboratory beaker?" "A bunny rabbit and a flip chart," I say. "Only if the flip chart has mathematical equations on it." I fake swoon onto his bed. "Too much, too much!
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
At the top of his file was a three-dimensional holograph scanned in from his military graduation. Cress preferred it to the infamous prison photo that had become so popular, the one in which he was winking at the camera, because in the holograph he was wearing a freshly pressed uniform with shiny silver buttons and a confident, one-sided grin. Seeing that smile, Cress melted. Every. Time. "Hello again, Mr. Thorne," she whispered to the holograph.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
He smiled up at me, his eyes twin golden flames. “I do so prefer hand-to-hand combat with you,” he said, catching my other wrist when I swung my fist down. “I like how close it brings us, Princess.” I shrieked my frustration – my irritation – at him. At myself. “There is something so wrong with you!” “Probably, but you know what?” He lifted his head off the ground. “That’s the part you like the most.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
But what he didn't understand was that this dreamland was preferable,walking through this life half-sleeping,everything at arm's length or farther away. I understood those mermaids.I didn't care if they sang to me.All I wanted was to block out all the human voices as they called me name again and again,pulling me upward into light,to drown.
Sarah Dessen (Dreamland)
I believe in an America where the separation of church and state is absolute - where no Catholic prelate would tell the President (should he be Catholic) how to act, and no Protestant minister would tell his parishioners for whom to vote - where no church or church school is granted any public funds or political preference - and where no man is denied public office merely because his religion differs from the President who might appoint him or the people who might elect him. I believe in an America that is officially neither Catholic, Protestant nor Jewish - where no public official either requests or accepts instructions on public policy from the Pope, the National Council of Churches or any other ecclesiastical source - where no religious body seeks to impose its will directly or indirectly upon the general populace or the public acts of its officials - and where religious liberty is so indivisible that an act against one church is treated as an act against all. [Remarks to the Greater Houston Ministerial Association, September 12 1960]
John F. Kennedy
Have you guys been playing in toxic waste again?" Fang asked severely, putting his hands on his hips. Nudge giggled. "No." "Been bitten by a radioactive spider?" Fang went on. "Struck by lightning? Drink a super-soldier serum?" "No, no, no," said Iggy. He started reaching for things around the table, and his hand landed on Total. "You're black." "I prefer canine-American." said Total. "When's that pie coming? I'm starving.
James Patterson (The Final Warning (Maximum Ride, #4))
Shame on you, Crispin. Married how long, and you haven't spanked your wife with a metal spatula yet?" I'd gotten used to Ian's assumption that everyone was as perverted as he was, so I didn't miss a beat. "We prefer blender beaters for our kitchen utensil kink," I said with a straight face. Bones hid his smile behind his hand, but Ian looked intrigued. "I haven't tried that ... oh, you're lying, aren't you?" "Ya think?" I asked with a snort. Ian gave a sigh of exaggerated patience and glanced at Bones. "Being related to her through you is a real trial.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
I prefer sidekick. I tried once for the title of Padawan, but Bubba wigged out saying that mentors are always killed off in books and movies and he’d be damned if he was going to die once he taught me everything I needed to know about killing zombies. (Mark) Then why let you be his sidekick? Isn’t that the same thing? (Nick) Uh, no. In the movies, the sidekicks are the ones who die. (Mark)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
I hate wise men because they are lazy, cowardly, and prudent. To the philosophers' equanimity, which makes them indifferent to both pleasure and pain, I prefer devouring passions. The sage knows neither the tragedy of passion, nor the fear of death, nor risk and enthusiasm, nor barbaric, grotesque, or sublime heroism. He talks in proverbs and gives advice. He does not live, feel, desire, wait for anything. He levels down all the incongruities of life and then suffers the consequences. So much more complex is the man who suffers from limitless anxiety. The wise man's life is empty and sterile, for it is free from contradiction and despair. An existence full of irreconcilable contradictions is so much richer and creative. The wise man's resignation springs from inner void, not inner fire. I would rather die of fire than of void.
Emil M. Cioran (On the Heights of Despair)
Know then thyself, presume not God to scan, The proper study of mankind is Man. Placed on this isthmus of a middle state, A being darkly wise and rudely great: With too much knowledge for the Sceptic side, With too much weakness for the Stoic's pride, He hangs between, in doubt to act or rest; In doubt to deem himself a God or Beast; In doubt his mind or body to prefer; Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little or too much; Chaos of thought and passion, all confused; Still by himself abused or disabused; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurl'd; The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; Go, soar with Plato to th’ empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his followers trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool!
Alexander Pope (An Essay on Man)
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
A massive beast dashed along the mountain apex. Astamur reached for his rifle. “A demon?” “No, not a demon.” I might have preferred one . “That’s my boyfriend.” Atsany and the shepherd turned to look at me. “Boyfriend?” Astamur said. Curran saw us. He paused on a stone crag and roared. The raw declaration of strength cracked through the mountains, rolling down the cliffs like a rockslide. “Yep. Don’t worry. He’s harmless.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Why should a man be scorned, if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using Escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter. just so a Party-spokesman might have labeled departure from the misery of the Fuhrer's or any other Reich and even criticism of it as treachery .... Not only do they confound the escape of the prisoner with the flight of the deserter; but they would seem to prefer the acquiescence of the "quisling" to the resistance of the patriot.
J.R.R. Tolkien (Tolkien On Fairy-stories)
You’re a blackmailer—” “I broker information.” “A con artist—” “I create opportunity.” “A bawd and a murderer—” “I don’t run whores, and I kill for a cause.” “And what cause is that?” “Same as yours, merch. Profit.” “How do you get your information, Mister Brekker?” “You might say I’m a lockpick.” “You must be a very gifted one.” “I am indeed.” Kaz leaned back slightly. “You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute’s way, but I prefer a gentler approach—the right pressure applied at the right moment, in the right place. It’s a delicate thing. “Do you always speak in metaphors, Mister Brekker?” Kaz smiled. “It’s not a metaphor.” He was out of his chair before his chains hit the ground.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Isn't there something in living dangerously?' There's a great deal in it,' the Controller replied. 'Men and women must have their adrenals stimulated from time to time.' What?' questioned the Savage, uncomprehending. It's one of the conditions of perfect health. That's why we've made the V.P.S. treatments compulsory.' V.P.S.?' Violent Passion Surrogate. Regularly once a month. We flood the whole system with adrenin. It's the complete physiological equivalent of fear and rage. All the tonic effects of murdering Desdemona and being murdered by Othello, without any of the inconvenience.' But I like the inconveniences.' We don't,' said the Controller. 'We prefer to do things comfortably.' But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.' In fact,' said Mustapha Mond, 'you're claiming the right to be unhappy. Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer, the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.' There was a long silence. I claim them all,' said the Savage at last. Mustapha Mond shrugged his shoulders. 'You're welcome,' he said.
Aldous Huxley (Brave New World)
Die slowly He who becomes the slave of habit, who follows the same routes every day, who never changes pace, who does not risk and change the color of his clothes, who does not speak and does not experience, dies slowly. He or she who shuns passion, who prefers black on white, dotting ones "it’s" rather than a bundle of emotions, the kind that make your eyes glimmer, that turn a yawn into a smile, that make the heart pound in the face of mistakes and feelings, dies slowly. He or she who does not turn things topsy-turvy, who is unhappy at work, who does not risk certainty for uncertainty, to thus follow a dream, those who do not forego sound advice at least once in their lives, die slowly. He who does not travel, who does not read, who does not listen to music, who does not find grace in himself, she who does not find grace in herself, dies slowly. He who slowly destroys his own self-esteem, who does not allow himself to be helped, who spends days on end complaining about his own bad luck, about the rain that never stops, dies slowly. He or she who abandon a project before starting it, who fail to ask questions on subjects he doesn't know, he or she who don't reply when they are asked something they do know, die slowly. Let's try and avoid death in small doses, reminding oneself that being alive requires an effort far greater than the simple fact of breathing. Only a burning patience will lead to the attainment of a splendid happiness.
Martha Medeiros
Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.
Roberto Bolaño (2666)
Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world.
Virginia Woolf (Orlando)
My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.
John Waters
She still hadn't caught on. Alec sighed. "Change your gown, Jamie, if that's your inclination. I prefer white. Now go and do my bidding. The hour grows late and we must be on our way." He'd deliberately lengthened his speech, giving her time to react to his announcement. He thought he was being most considerate. She thought he was demented. Jamie was, at first, too stunned to do more than stare in horror at the warlord. When she finally gained her voice, she shouted, "It will be a frigid day in heaven before I marry you, milord, a frigid day indeed." "You've just described the Highlands in winter, lass. And you will marry me." "Never." Exactly one hour later, Lady Jamison was wed to Alec Kincaid.
Julie Garwood (The Bride (Lairds' Fiancées, #1))
Now, it is frequently asserted that, with women, the job does not come first. What (people cry) are women doing with this liberty of theirs? What woman really prefers a job to a home and family? Very few, I admit. It is unfortunate that they should so often have to make the choice. A man does not, as a rule, have to choose. He gets both. Nevertheless, there have been women ... who had the choice, and chose the job and made a success of it. And there have been and are many men who have sacrificed their careers for women ... When it comes to a choice, then every man or woman has to choose as an individual human being, and, like a human being, take the consequences.
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they'd been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all others, just ordinary numbers, but for some reason they couldn't do it. This second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies.
Paolo Giordano (The Solitude of Prime Numbers)
The wise man does not expose himself needlessly to danger, since there are few things for which he cares sufficiently; but he is willing, in great crises, to give even his life--knowing that under certain conditions it is not worth while to live. He is of a disposition to do men service, though he is ashamed to have a service done to him. To confer a kindness is a mark of superiority; to receive one is a mark of subordination... He does not take part in public displays... He is open in his dislikes and preferences; he talks and acts frankly, because of his contempt for men and things... He is never fired with admiration, since there is nothing great in his eyes. He cannot live in complaisance with others, except it be a friend; complaisance is the characteristic of a slave... He never feels malice, and always forgets and passes over injuries... He is not fond of talking... It is no concern of his that he should be praised, or that others should be blamed. He does not speak evil of others, even of his enemies, unless it be to themselves. His carriage is sedate, his voice deep, his speech measured; he is not given to hurry, for he is concerned about only a few things; he is not prone to vehemence, for he thinks nothing very important. A shrill voice and hasty steps come to a man through care... He bears the accidents of life with dignity and grace, making the best of his circumstances, like a skillful general who marshals his limited forces with the strategy of war... He is his own best friend, and takes delight in privacy whereas the man of no virtue or ability is his own worst enemy, and is afraid of solitude.
Aristotle (Ethics: The Nicomachean Ethics.)
Let me implore the reader to try to believe, if only for a moment, that God, who made these deserving people, may really be right when He thinks that their modest prosperity and the happiness of their children are not enough to make them blessed: that all this must fall from them in the end, and if they have not learned to know Him they will be wretched. And therefore He troubles them, warning them in advance of an insufficiency that one day they will have to discover. The life to themselves and their families stands between them and the recognition of their need; He makes that life less sweet to them. If God were proud He would hardly have us on such terms: but He is not proud, He stoops to conquer, He will have us even though we have shown that we prefer everything else to Him, and come to Him because there is 'nothing better' now to be had.
C.S. Lewis (The Problem of Pain)
I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season.
Martin Luther King Jr.
We are familiar with people who seek out solitude: penitents, failures, saints, or prophets. They retreat to deserts, preferably, where they live on locusts and honey. Others, however, live in caves or cells on remote islands; some-more spectacularly-squat in cages mounted high atop poles swaying in the breeze. They do this to be nearer God. Their solitude is a self-moritification by which they do penance. They act in the belief that they are living a life pleasing to God. Or they wait months, years, for their solitude to be broken by some divine message that they hope then speedily to broadcast among mankind. Grenouille's case was nothing of the sort. There was not the least notion of God in his head. He was not doing penance or wating for some supernatural inspiration. He had withdrawn solely for his own pleasure, only to be near to himself. No longer distracted by anything external, he basked in his own existence and found it splendid. He lay in his stony crypt like his own corpse, hardly breathing, his heart hardly beating-and yet lived as intensively and dissolutely as ever a rake lived in the wide world outside.
Patrick Süskind (Perfume: The Story of a Murderer)
And it was funny. The silence of him had a bizarre effect on her. Normally, she was the quiet one in situations, preferring to keep her own council and not share her thoughts on anything. But with John's mute presence, she felt curiously compelled to talk. "I'm stuffed," she said, lying back against the pillows. As he cocked a brow and lifted the last Danish, she shook her head. "God...no. I couldn't manage another thing." And it was only then that he began to eat. "You waited for me ?" she said, frowning. When he ducked her gaze and shrugged, she cursed softly. " You didn't have to." Another shrug. As she watched him, she murmured, "You have beautiful table manners." His blush was the color of Valentine's Day and she had to tell her heart to calm the fuck down as it started to beat fast.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
He isn’t like most guys, you know?' I know.' No, but do you really know? I mean here’s the deal, what do most guys want from a woman? I’ll tell you what we want. We want a warm body to sleep next to, preferably one with a nice pair of tits, maybe someone who’ll cook for us and fuck us on a regular basis. Pretty simple, huh? Now, what we don’t want is someone who’s going to come in and disrupt our lives and steal our souls. That’s what we fear most. We call it our freedom, but it’s our souls we’re talking about. You following me?' I nodded. Okay, good. Now forget it. Forget all that,' Pete said. 'Because Jacob’s not like that. He’s never been like that. He’s a damn fool and he wants the exact opposite of all that. He wants someone to obsess over, someone to possess his soul, and those are his corny words, by the way, not mine. It’s what he lives for. It’s what he thinks life’s all about. Do you get what I’m saying?' I nodded again.
Tiffanie DeBartolo (God-Shaped Hole)
Suppose two men at cards with nothing to wager save their lives. Who has not heard such a tale? A turn of the card. The whole universe for such a player has labored clanking to his moment which will tell if he is to die at that man’s hand or that man at his. What more certain validation of a man’s worth could there be? This enhancement of the game to its ultimate state admits no argument concerning the notion of fate. The selection of one man over another is a preference absolute and irrevocable and it is a dull man indeed who could reckon so profound a decision without agency or significance either one. In such games as have for their stake the annihilation of the defeated the decisions are quite clear. This man holding this particular arrangement of cards in his hand is thereby removed from existence. This is the nature of war, whose stake is at once the game and the authority and the justification. Seen so, war is the truest form of divination. It is the testing of one’s will and the will of another within that larger will which because it binds them is therefore forced to select. War is the ultimate game because war is at last a forcing of the unity of existence. War is god.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd.
Hermann Hesse (The Glass Bead Game)
Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world. Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story’s silent twin. There are so many things that we can’t say, because they are too painful. We hope that the things we can say will soothe the rest, or appease it in some way. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold. When we write we offer the silence as much as the story. Words are the part of silence that can be spoken. Mrs Winterson would have preferred it if I had been silent. Do you remember the story of Philomel who is raped and then has her tongue ripped out by the rapist so that she can never tell? I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
Saint Bartleby's School for Young Gentlemen Annual Report Student: Artemis Fowl II Year: First Fees: Paid Tutor: Dr Po Language Arts As far as I can tell, Artemis has made absolutely no progress since the beginning of the year. This is because his abilities are beyond the scope of my experience. He memorizes and understands Shakespeare after a single reading. He finds mistakes in every exercise I administer, and has taken to chuckling gently when I attempt to explain some of the more complex texts. Next year I intend to grant his request and give him a library pass during my class. Mathematics Artemis is an infuriating boy. One day he answers all my questions correctly, and the next every answer is wrong. He calls this an example of the chaos theory, and says that he is only trying to prepare me for the real world. He says the notion of infinity is ridiculous. Frankly, I am not trained to deal with a boy like Artemis. Most of my pupils have trouble counting without the aid of their fingers. I am sorry to say, there is nothing I can teach Artemis about mathematics, but someone should teach him some manners. Social Studies Artemis distrusts all history texts, because he says history was written by the victors. He prefers living history, where survivors of certain events can actually be interviewed. Obviously this makes studying the Middle Ages somewhat difficult. Artemis has asked for permission to build a time machine next year during double periods so that the entire class may view Medieval Ireland for ourselves. I have granted his wish and would not be at all surprised if he succeeded in his goal. Science Artemis does not see himself as a student, rather as a foil for the theories of science. He insists that the periodic table is a few elements short and that the theory of relativity is all very well on paper but would not hold up in the real world, because space will disintegrate before lime. I made the mistake of arguing once, and young Artemis reduced me to near tears in seconds. Artemis has asked for permission to conduct failure analysis tests on the school next term. I must grant his request, as I fear there is nothing he can learn from me. Social & Personal Development Artemis is quite perceptive and extremely intellectual. He can answer the questions on any psychological profile perfectly, but this is only because he knows the perfect answer. I fear that Artemis feels that the other boys are too childish. He refuses to socialize, preferring to work on his various projects during free periods. The more he works alone, the more isolated he becomes, and if he does not change his habits soon, he may isolate himself completely from anyone wishing to be his friend, and, ultimately, his family. Must try harder.
Eoin Colfer
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
Teachers dread nothing so much as unusual characteristics in precocious boys during the initial stages of their adolescence. A certain streak of genius makes an ominous impression on them, for there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A schoolmaster will prefer to have a couple of dumbheads in his class than a single genius, and if you regard it objectively, he is of course right. His task is not to produce extravagant intellects but good Latinists, arithmeticians and sober decent folk. The question of who suffers more acutely at the other's hands - the teacher at the boy's, or vice versa - who is more of a tyrant, more of a tormentor, and who profanes parts of the other's soul, student or teacher, is something you cannot examine without remembering your own youth in anger and shame. yet that's not what concerns us here. We have the consolation that among true geniuses the wounds almost always heal. As their personalities develop, they create their art in spite of school. Once dead, and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. Thus the struggle between rule and spirit repeats itself year after year from school to school. The authorities go to infinite pains to nip the few profound or more valuable intellects in the bud. And time and again the ones who are detested by their teachers are frequently punished, the runaways and those expelled, are the ones who afterwards add to society's treasure. But some - and who knows how many? - waste away quiet obstinacy and finally go under.
Hermann Hesse (Beneath the Wheel)
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)