Swift Escape Quotes

so i sneak out to the garden to see you, we keep quiet 'cause we're dead if they knew, so close your eyes, escape this town for a little while.

There has always been, for me, this other world, this second world to fall back on--a more reliable world in so far as it does not hide that its premise is illusion.

People read books, didn’t they, to get away from themselves, to escape the troubles of their lives?

Fire and hope are connected, just so you know. The way the Greek told it, Zeus put Prometheus and Epimetheus in charge of creating life on earth. Epimetheus made the animals, giving out bonuses like swiftness and strenght and fur and wings. By the time Prometheus made man, all the best qualities had been given out. He settled for making them walk upright, and he gave them fire. Zeus, pissed off, took it away. But prometheus saw his pride and joy shivering and unable to cook. He lit a torch from the sun and brought it to man again. To punish Prometheus, Zeus had him chained to a rock, where an eagle fed on his liver. To punish man, Zeus created the first woman-Pandora-and gave her a gift, a box she was forbidden to open. Pandora's curiosity got the best of her, and one day she opened that box. Out came plagues and misery and mischief. She managed to shut the lid tight before hope escaped. It's the only weapon we have left to fight the others.

This dead man is bound up with my life, therefore I must do everything, promise everything in order to save myself; I swear blindly that I mean to live only for his sake and his family, with wet lips I try to placate him--and deep down in me lies the hope that I may buy myself off in this way and perhaps even get out of this; it is a little stratagem: if only I am allowed to escape, then I will see to it. So I open the book and read slowly:--Gerard Duval, compositor. With the dead man's pencil write the address on an envelope, then swiftly thrust everything back into his tunic. I have killed the printer, Gerard Duval. I must be a printer, I think confusedly, be a printer, printer...

You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]

It is not death which is difficult to escape, gentlemen; no, it is far more difficult to escape wickedness, which pursues us more swiftly.

Dreams are strange curiosities,” he said, eyes still on the balloon. “Sure, everyone possesses the ability to lay their heads down and imagine, but to do so without limitations or doubt? That is something else entirely. Dreams are boundless, shapeless things. Given strength and form from individual imaginations. They’re wishes.” He looked at me, then reached out and removed my hatpin. “All it takes is one shard of doubt to wedge itself into them”—he swiftly stuck the balloon with my pin, and the air whooshed out as it descended to the ground—“and they deflate. If you can dream without limits, you can soar to great heights. Let the magic of your imagination set you free.

I define hope as a narcotic. It courses through our veins, igniting ideas and feelings and emotions that all work in collaboration to produce a better tomorrow, while leaving today but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiating grace. The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again. I am thankful to call myself a true addict to hope's mind altering panacea. Its blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind its true magic. To the hope that resides in the depths of my being, thank you.

Nastes and Amphimachus, the illustrious sons of Nomion - but Nastes, chilldish fool that he was, Went into battle decked out in gold like a girl. But gold could not help him escape a horrible death at the hands of Aeacus' grandson, the swift Achilles, In the bed of the river, and Achilles, fierce ad fiery, Took care of all his gold.

It was one of those nonsense things that people said, like “It’s not you, it’s me” and “You’re too good for me.” It meant, “I would like to very politely and very swiftly escape this relationship, like a Victorian gentleman in a rocket.

I had as I before observed, one private pocket, which escaped their search, wherein there was a pair of spectacles (which I sometimes use for the weakness of mine eyes,) a pocket perspective, and some other little conveniences; which, being of no consequence to the emperor, I did not think myself bound in honour to discover, and I apprehended they might be lost or spoiled if I ventured them out of my possession. ,

What is hope? Is it the ambition of discovering for the first time what the carnal definition of physical love is without understanding the concept of true passion? Or is it imagination running wild and free fueled by the dram that tonight will last forever and tomorrows will always come as you are blinded by the brilliance of another's smile? Is it a theory of inevitability that relies on fate or destiny bringing two souls together for their one shot at true and unbridled happiness? Or is it a plea to erase a past that used to hold the potential for limitless smiles and endless laughs? I define hope as a narcotic. It courses through our veins, igniting ideas and feelings and emotions that all work in collaboration to produce a better tomorrow, while leaving today, but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiating grace. The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again. I am thankful to call myself a true addict to hope's mind altering panacea. It's blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind it's true magic. To the hope that resides in the depths of my being, thank you.......

He was perfectly astonished with the historical account gave him of our affairs during the last century; protesting “it was only a heap of conspiracies, rebellions, murders, massacres, revolutions, banishments, the very worst effects that avarice, faction, hypocrisy, perfidiousness, cruelty, rage, madness, hatred, envy, lust, malice, and ambition, could produce.” His majesty, in another audience, was at the pains to recapitulate the sum of all I had spoken; compared the questions he made with the answers I had given; then taking me into his hands, and stroking me gently, delivered himself in these words, which I shall never forget, nor the manner he spoke them in: “My little friend Grildrig, you have made a most admirable panegyric upon your country; you have clearly proved, that ignorance, idleness, and vice, are the proper ingredients for qualifying a legislator; that laws are best explained, interpreted, and applied, by those whose interest and abilities lie in perverting, confounding, and eluding them. I observe among you some lines of an institution, which, in its original, might have been tolerable, but these half erased, and the rest wholly blurred and blotted by corruptions. It does not appear, from all you have said, how any one perfection is required toward the procurement of any one station among you; much less, that men are ennobled on account of their virtue; that priests are advanced for their piety or learning; soldiers, for their conduct or valour; judges, for their integrity; senators, for the love of their country; or counsellors for their wisdom. As for yourself,” continued the king, “who have spent the greatest part of your life in travelling, I am well disposed to hope you may hitherto have escaped many vices of your country. But by what I have gathered from your own relation, and the answers I have with much pains wrung and extorted from you, I cannot but conclude the bulk of your natives to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.

How I would love to spend a day on your observant brain. Well, at least until your maddening methodicalness and irritating exactitude drove me to escape screaming

Death comes upon us more swiftly than fire or flood. There is no escaping it.

Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements.

I looked at Hayle. “I’m yours, you’re right. I started with you, you end with me,” the voice said. “I wonder who you are, then,” Hayle said. “Because I’m not positive you’re Sylvester.” “I’m not. I’m every monster I’ve ever fought. Every enemy I’ve defeated. I’m Sylvester and I’m not. I’m the Noble that Sylvester will become.” A frown creased the space between his eyes. “The Noble you describe sounds like a monstrous one.” “Isn’t it?” the voice asked. “What a mistake you’ve made.” We stuck a knife between his ribs, and swiftly backed away, bringing the knife with us, so the wound could bleed freely, air escaping his lungs.

I define hope as a narcotic. It courses through our vei s, igniti.g ideas and feelings and emotions that all work in collaboration to produce a better to.orrow, while leaving today but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiati g grace. The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again. I am thankful to call myself a true addict to hope's mind altering panacra. Its blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind its true magic. To the hope that resides in the depths of my being, thank you.

O where are you going with your love-locks flowing On the west wind bellowing along this valley track?” “The downhill path is easy, come with me an it please ye, We shall escape the uphill by never turning back.” So they two went together in glowing August weather, The honey-breathing heather lay to their left and right; And dear she was to doat on, her swift feet seemed to float on The air like soft twin pigeons too sportive to alight. “Oh, what is that in heaven where grey cloud-flakes are seven, Where blackest clouds hang riven just at the rainy skirt?” “Oh, that’s a meteor sent us, a message dumb, portentous, An undeciphered solemn signal of help or hurt>” “Oh, what is that glides quickly where velvet flowers grow thickly, Their scent comes rich and sickly?” “A scaled and hooded worm.” ”Oh, what’s that in the hollow, so pale I quake to follow?” “Oh, that’s a thin dead body which waits the eternal term.” “Turn again, O my sweetest,--turn again, false and fleetest: This beaten way thou beatest, I fear is hell’s own track.” “Nay, too steep for hill mounting; nay, too late for cost counting: This downhill path is easy, but there’s no turning back.

The Empire is in chaos. As the old order crumbles, the fledgling New Republic seeks a swift end to the galactic conflict. Many Imperial leaders have fled from their posts, hoping to escape justice in the farthest corners of known space.

After that, Lily was recuperating and then dealing with significant financial hardships. The birth was described to me by Lily and also by her obstetrician, who I spoke to myself yesterday. The doctor, in his own words, remembers what he describes as that ‘hideous day’ like it was yesterday. The labour, intense and excruciating, lasted for days. In the end, in extreme distress at the length of the labour, the baby nearly died. Lily did die. She was flatline for two minutes and thirty-eight –” Alistair didn’t get the opportunity to finish his grand statement because Nate surged out of his chair so fast, it flew on its wheels and shot across the room, slamming into the wall. “Mr. McAllister…” Alistair said warningly but Nate was coming swiftly around the table, coming at her. At this sight, Lily, too, jumped out of her chair in a panic, her numbness not that complete, and backed away in self-defence as Nate came at her, came at her with purposeful, long strides. She backed up jerkily, one hand behind her, one hand in front, retreating until she hit the wall. Before she knew what he was about, his hard chest came up against her hand, pushing it back and his body pressed against hers. Terrified and confused at this sudden change, she looked to the right and to the left, anywhere for escape, anywhere but at Nate. And to her shock, his hands caught her face, resting one on either side, gently trying to force her to look into his impossibly dark eyes. “I didn’t know,” he whispered and the absolute ache dripping from his first words said to her since she found out he was alive cut through her thin shield of numbness like a razor. She attempted to pull her face free but his hands tightened. “Lily, I didn’t know,” he repeated, and she caught his eyes and they were glittering dark with something that she couldn’t read, something hideously painful and she had to get away from it. Was desperate to get away from it. She needed to flee. She tried to look over his shoulder but he was too tall, too close. Things were happening in the room, there was urgent talk, maybe even a tussle. But all she could see was Nate.

Is there security? Is there permanency which man is seeking all the time? As you notice for yourself, your body changes, the cells of the body change so often. As you see for yourself in your relationship with your wife, with your children, with your neighbor, with your state, with your community, is there anything permanent? You would like to make it permanent. The relationship with your wife—you call it marriage, and legally hold it tightly. But is there permanency in that relationship? Because if you have invested permanency in your wife or husband, when she turns away, or looks at another, or dies, or some illness takes place, you are completely lost…. The actual state of every human being is uncertainty. Those who realize the actual state of uncertainty either see the fact and live with it there or they go off, become neurotic, because they cannot face that uncertainty. They cannot live with something that demands an astonishing swiftness of mind and heart, and so they become monks, they adopt every kind of fanciful escape. So you have to see the actual, and not escape in good works, good action, going to the temple, talking. The fact is something demands your complete attention. The fact is that all of us are insecure; there is nothing secure.

Our genus, Homo, arose two and a half million years ago, and for more than ninety-nine percent of human existence, we all lived like Onwas, in small bands of nomadic hunter-gatherers. Though the groups may have been tight-knit and communal, nearly everyone, anthropologists conjecture, spent significant parts of their lives surrounded by quiet, either alone or with a few others, foraging for edible plants and stalking prey in the wild. This is who we truly are. The agricultural revolution began twelve thousand years ago, in the Fertile Crescent of the Middle East, and the planet was swiftly reorganized into villages and cities and nations, and soon the average person spent virtually no time alone at all. To a thin but steady stream of people, this was unacceptable, so they escaped. Recorded history extends back five thousand years, and for as long as humans have been writing, we have been writing about hermits. It’s a primal fascination. Chinese texts etched on animal bones, as well as the clay tablets containing the Epic of Gilgamesh, a poem from Mesopotamia dating to around 2000 B.C., refer to shamans or wild men residing alone in the woods. People

Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed realisation of ideas". In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside. Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene. Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.

He tried to escape he could not Cut the binding cord of human love [...] Sweet venom His arrivals were swift And his departures sudden I couldn't understand how He lifted the shower door Right off its hinges [...] Love you he coughed and kissed me See you next week he was out The door like a thousand other times [...] Most reckless of reckless angels

It was history’s first co-operative international scientific venture, and almost everywhere it ran into problems. Many observers were waylaid by war, sickness or shipwreck. Others made their destinations but opened their crates to find equipment broken or warped by tropical heat. Once again the French seemed fated to provide the most memorably unlucky participants. Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements. Unluckier

In general, I find that reasonably sensitive and intelligent people will pass their whole life without taking the step they know they should. Would anyone with a fire close behind him choose to pause before fleeing? In a matter of life and death, one casts aside shame, abandons riches and runs. Does mortality wait on our choosing? Death comes upon us more swiftly than fire or flood. There is no escaping it.

He was perfectly astonished with the historical Account I gave him of our Affairs during the last Century, protesting it was only a Heap of Conspiracies, Rebellions, Murders, Massacres, revolutions, Banishments, the very worst effects that Avarice, Faction, Hypocrisy, Perfidiousness, Cruelty, Rage, Madness, Hatred, Envy, Lust, Malice, or Ambition could produce... 'As for yourself,' continued the King, 'who have spent the greatest Part of your Life in Travelling, I am well disposed to hope you may hitherto have escaped many Vices of your Country. But by what I have gathered from your own relation, and the Answers I have with much Pain wringed and extorted from you, I cannot but conclude the Bulk of your Natives to be the most pernicious race of odious little Vermin that Nature ever suffered to crawl upon the surface of the Earth

Dreams are strange curiosities . . . Everyone possesses the ability to lay their heads down and imagine, but to do so without limitations or doubt? That is something else entirely. Dreams are boundless, shapeless things. Given strength and form from individual imaginations. They're wishes . . . All it takes is one shard of doubt to wedge itself into them" -- he swiftly stuck the ballon with my pin, and that air whooshed out as it descended to the ground -- "and they deflate.

Nightweed. Barely mentioned because it is illegal in the Empire, even for Masks. It was outlawed a century ago, after it was used to assassinate an Emperor. Always deadly, though in higher doses, it kills swiftly. In lower doses, the only symptoms are severe seizures. Three to six months of seizures, I remember. Then death. There is no cure. No antidote. Finally, I understand why the Commandant let us escape from Serra, why she didn’t bother slitting my throat. She didn’t have to. Because she’d already killed me.

Like many boys unhappy at school Lear built an inner life and learned that one way to be accepted was to make people laugh, to become an amiable buffoon. While he fretted about being ‘half-educated’ he was glad, he said later, to have escaped the straitjacket of conventional teaching, as so many of those who had been laboriously and expensively educated lost their learning, ‘& remain like Swift’s Stullbruggs – cut & dried for life, making no use of their earlier-gained treasures: – whereas I seem to be on the threshold of knowledge’.

What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into

Homer's Hymn to Venus Published by Garnett, "Relics of Shelley", 1862; dated 1818. Verses 1-55, with some omissions. Muse, sing the deeds of golden Aphrodite, Who wakens with her smile the lulled delight Of sweet desire, taming the eternal kings Of Heaven, and men, and all the living things That fleet along the air, or whom the sea, Or earth, with her maternal ministry, Nourish innumerable, thy delight All seek ... O crowned Aphrodite! Three spirits canst thou not deceive or quell:— Minerva, child of Jove, who loves too well Fierce war and mingling combat, and the fame Of glorious deeds, to heed thy gentle flame. Diana ... golden-shafted queen, Is tamed not by thy smiles; the shadows green Of the wild woods, the bow, the... And piercing cries amid the swift pursuit Of beasts among waste mountains,—such delight Is hers, and men who know and do the right. Nor Saturn's first-born daughter, Vesta chaste, Whom Neptune and Apollo wooed the last, Such was the will of aegis-bearing Jove; But sternly she refused the ills of Love, And by her mighty Father's head she swore An oath not unperformed, that evermore A virgin she would live mid deities Divine: her father, for such gentle ties Renounced, gave glorious gifts—thus in his hall She sits and feeds luxuriously. O'er all In every fane, her honours first arise From men—the eldest of Divinities. These spirits she persuades not, nor deceives, But none beside escape, so well she weaves Her unseen toils; nor mortal men, nor gods Who live secure in their unseen abodes. She won the soul of him whose fierce delight Is thunder—first in glory and in might. And, as she willed, his mighty mind deceiving, With mortal limbs his deathless limbs inweaving, Concealed him from his spouse and sister fair, Whom to wise Saturn ancient Rhea bare. but in return, In Venus Jove did soft desire awaken, That by her own enchantments overtaken, She might, no more from human union free, Burn for a nursling of mortality. For once amid the assembled Deities, The laughter-loving Venus from her eyes Shot forth the light of a soft starlight smile, And boasting said, that she, secure the while, Could bring at Will to the assembled Gods The mortal tenants of earth's dark abodes, And mortal offspring from a deathless stem She could produce in scorn and spite of them. Therefore he poured desire into her breast Of young Anchises, Feeding his herds among the mossy fountains Of the wide Ida's many-folded mountains,— Whom Venus saw, and loved, and the love clung Like wasting fire her senses wild among.

My little friend Grildrig, you have made a most admirable panegyric upon your country; you have clearly proved that ignorance, idleness, and vice are the proper ingredients for qualifying a legislator; that laws are best explained, interpreted, and applied by those whose interest and abilities lie in perverting, confounding, and eluding them. I observe among you some lines of an institution, which in its original might have been tolerable, but these half erased, and the rest wholly blurred and blotted by corruptions. It doth not appear, from all you have said, how any one perfection is required towards the procurement of any one station among you; much less that men are ennobled on account of their virtue, that priests are advanced for their piety or learning, soldiers for their conduct or valor, judges for their integrity, senators for the love of their country, or counsellors for their wisdom. As for yourself, continued the king, who have spent the greatest part of your life in travelling, I am well disposed to hope you may hitherto have escaped many vices of your country. But by what I have gathered from your own relation, and the answers I have with much pains wrung and extorted from you, I cannot but conclude the bulk of your natives to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.

As you entered the room the thing drew your eyes: you turned sharply as to a sound, expecting movement. But it was marble, it could not move. And when you tore your eyes away and turned your back on it at last, you got again untarnished and high and clean that sense of swiftness, of space encompassed; but on looking again it was as before: motionless and passionately eternal — the virginal breastless torso of a girl, headless, armless, legless, in marble temporarily caught and hushed yet passionate still for escape, passionate and simple and eternal in the equivocal derisive darkness of the world. Nothing to trouble your youth or lack of it: rather something to trouble the very fibrous integrity of your being.

Don’t you get it, Claire? Khomeini’s thugs have the entire embassy. They have the vaults. They have the files. They know who I am, and they’re going to want information I can give them. Right now they’re taking a roll call of every employee. When they find we’re missing, they’re going to look up our address. If it’s been destroyed, they’re going to put a gun to the head of Liz Swift. If she doesn’t give us up, they’re going to kill her in front of everyone else. Then they’re going to ask Mike Metrinko. If he doesn’t give us up, they’re going to kill him. Then they’re going to turn to John Limbert. And they’re going to keep killing people until someone breaks. I don’t know who it will be. But someone’s going to give them our address, and then they’re coming for us.

I'm sure we'll need some- oof!" She was never to finish the thoughts she was startled by a creature that came bounding swiftly around the side of the carriage. A glimpse of floppy ears and jolly brown eyes filled her vision before the enthusiastic canine pounced so eagerly that she toppled backward from her squatting position. She landed on her rump, the impact knocking her hat to the ground. A swath of hair came loose and slid over her face, while a young tan-and black retriever leapt around her as if he were on springs. She felt a huff of dog breath on at her ear and the swipe of a tongue on her cheek. "Ajax, no," she heard Ivo exclaim. Realizing what a mess she'd become, all in a matter of seconds, Pandora experienced a moment of despair, followed by resignation. Of course this would happen. Of course she would have to meet the duke and duchess after tumbling on the drive like a half-witted carnival performer. It was so dreadful that she began to giggle, while the dog nudged his head against hers. In the next moment, Pandora was lifted to her feet and caught firmly against a hard surface. The momentum threw her off balance, and she clung to St. Vincent dizzily. He kept her anchored securely against him with an arm around her back. "Down, idiot," St. Vincent commanded. The dog subsided, panting happily. "He must have slipped past the front door," Ivo said. St. Vincent smoothed Pandora's hair back from her face. "Are you hurt?" His gaze ran over her swiftly. "No... no." Helpless giggles kept bubbling up as her nervous tension released. She tried to smother the giddy sounds against his shoulder. "I was... trying so hard to be ladylike..." A brief chuckle escaped him, and his hand moved over her upper back in a calming circle. "I would imagine it's not easy to be ladylike in the midst of a dog mauling.

It seemed that out of the battle I escaped Down some profound dull tunnel, long since scooped Through granites which Titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then, as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands as if to bless. And by his smile, I knew that sullen hall, By his dead smile, I knew we stood in Hell. With a thousand pains[3]that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. "Strange, friend," I said, "Here is no cause to mourn." "None," said the other, "Save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour, And if it grieves, grieves richlier than here. For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled. Or, discontent, boil bloody, and be spilled. They will be swift with swiftness of the tigress, None will break ranks, though nations trek from progress. Courage was mine, and I had mystery, Wisdom was mine, and I had mastery; To miss the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels I would go up and wash them from sweet wells, Even with truths that lie too deep for taint. I would have poured my spirit without stint But not through wounds; not on the cess of war. Foreheads of men have bled where no wounds were. I am the enemy you killed, my friend. I knew you in this dark; for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now. . . .

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

After a long moment Bowman ventured, “Would it really be so terrible having Daisy for a wife? You’ll have to marry sometime. And she comes with benefits. The company, for example. You will be given controlling interest in it upon my death.” “You’ll outlive us all,” Matthew muttered. Bowman let out a pleased laugh. “I want you to have the company,” he insisted. It was the first time he had ever spoken this frankly on the subject. “You’re more like me than any of my sons. The company will be far better off in your hands than anyone else’s. You have a gift…an ability to enter a room and take it over…you fear no one, and they all know it, and they esteem you for it. Marry my daughter, Swift, and build my factory. By the time you come home, I’ll give you New York.” “Could you throw in Rhode Island? It’s not very large.” Bowman ignored the sardonic question. “I have ambitions for you beyond the company. I am connected with powerful men, and you have not escaped their notice. I will help you achieve anything your mind can conceive…and the price is a small one. Take Daisy and sire my grandchildren. That’s all I ask.” “That’s all,” Matthew repeated dazedly.

She broke off abruptly as she heard her name being called, and glanced over her shoulder, fearing that St. Vincent had discovered her escape. Her entire body stiffened in battle readiness. But there was no sign of St. Vincent, no betraying gleam of golden-amber hair. She heard the voice again, a deep sound that penetrated to her soul. “Lillian.” Her legs quivered beneath her as she saw a lean, dark-haired man coming from the front entryway. It can’t be, she thought, blinking hard to clear her vision, which must surely have been playing tricks on her. She stumbled a little as she turned to face him. “Westcliff,” she whispered, and took a few hesitant steps forward. The rest of the room seemed to vanish. Marcus’s face was pale beneath its tan, and he stared at her with searing intensity, as if he feared she might disappear. His stride quickened, and as he reached her, she was seized and caught in a biting grip. He wrapped his arms around her, pulling her hard against him. “My God,” he muttered, and buried his face in her hair. “You came,” Lillian gasped, trembling all over. “You found me.” She couldn’t conceive how it was possible. He smelled of horses and sweat, and his clothes were chilled from the outside air. Feeling her shiver, Marcus drew her tightly inside his coat, murmuring endearments against her hair. “Marcus,” Lillian said thickly. “Have I gone mad? Oh, please be real. Please don’t go away—” “I’m here.” His voice was low and shaken. “I’m here, and I’m not going anywhere.” He drew back slightly, his midnight gaze scouring her from head to toe, his hands searching urgently over her body. “My love, my own… have you been hurt?” As his fingers slid along her arm, he encountered the locked manacle. Lifting her wrist, he stared at the handcuffs blankly. He inhaled sharply, and his body began to shake with primitive fury. “G**damn it, I’ll send him to hell—” “I’m fine,” Lillian said hastily. “I haven’t been hurt.” Bringing her hand to his mouth, Marcus kissed it roughly, and kept her fingers against his cheek while his breath struck her wrist in swift repetitions. “Lillian, did he…” Reading the question in his haunted gaze, the words he couldn’t yet bring himself to voice, Lillian whispered scratchily, “No, nothing happened. There wasn’t time.” “I’m still going to kill him.” There was a deadly note in his voice that made the back of her neck crawl. Seeing the open bodice of her gown, Marcus released her long enough to pull off his coat and place it over her shoulders. He suddenly went still. “That smell… what is it?” Realizing that her skin and clothes still retained the noxious scent, Lillian hesitated before replying. “Ether,” she finally said, trying to form her trembling lips into a reassuring smile as she saw his eyes dilate into pools of black. “It wasn’t bad, actually. I’ve slept through most of the day. Other than a touch of queasiness, I’m—” An animal growl came from his throat, and he pulled her against him once more. “I’m sorry. I’m so sorry. Lillian, my sweet love… you’re safe now. I’ll never let anything happen to you again. I swear it on my life. You’re safe.” He took her head in his hands, and his mouth slid over hers in a kiss that was brief, soft, and yet so shockingly intense that she swayed dizzily. Closing her eyes, she let herself rest against him, still fearing that none of this was real, that she would awaken to find herself with St. Vincent once more. Marcus whispered comforting words against her parted lips and cheeks, and held her with a grip that seemed gentle but could not have been broken by the combined efforts of ten men.

It was simple: we are the storytellers. Imagination in Ireland was beyond the beyond. It was out there. It was Far Out before far out was invented in California, because sitting around in a few centuries of rain breeds these outlands of imagination. As evidence, think of Abraham Stoker, confined to bed until he was eight years old, lying there breathing damp Dublin air with no TV or radio but the heaving wheeze of his chest acting as pretty constant reminder that soon he was heading Elsewhere. Even after he was married to Florence Balcombe of Marino Crescent (she who had an unrivalled talent for choosing the wrong man, who had already given up Oscar Wilde as a lost cause in the Love Department when she met this Bram Stoker and thought: he seems sweet), even after Bram moved to London he couldn’t escape his big dark imaginings in Dublin and one day further down the river he spawned Dracula (Book 123, Norton, New York). Jonathan Swift was only settling into a Chesterfield couch in Dublin when his brain began sailing to Lilliput and Blefuscu (Book 778, Gulliver’s Travels, Jonathan Swift, Penguin, London). Another couple of deluges and he went further, he went to Brobdingnag, Laputa, Bainbarbi, Glubbdubdrib, Luggnagg and . . . Japan, before he went furthest of all, to Houyhnhnms. Read Gulliver’s Travels when you’re sick in bed and you’ll be away. I’m telling you. You’ll be transported, and even as you’re being carried along in the current you’ll think no writer ever went this Far. Something like this could only be dreamt up in Ireland. Charles Dickens recognised that.

And then in a swift, calculating move, Rothbury sprang forward, covering her body with his own. For a second her breath felt trapped in her chest and she was instantly immobile underneath his weight. His warm, hard thigh sat heavy between hers. Panting from exertion, a shameful lick of heat ignited deep in her belly. Effortlessly, he joined her wrists together, holding them above her head with only one hand while the long, blunt-tipped fingers of the other trailed a silky path down her cheek. "Who are you?" he whispered. Her breath hitched at the explosion of feeling and thought thrumming through her. He looked so dominant above her, so beautiful, like he was created specifically for seduction. None of her wicked imaginings had prepared her for the plethora of sensations he sparked with only his fingertips upon her face. Belatedly, she realized her body refused to listen to her mind. She had quit squirming. In fact, she had begun to relish the intoxicating feel of his long, lean-muscled body atop hers. His warm, bare chest pressed onto her bodice, his solid thigh planted firmly against her sex. Her eyes dipped to his mouth, which was partially open, baring his straight white teeth. All she would have to do was arch her neck and her mouth would fasten to his. She shivered, surprised and ashamed at the way her body reacted to him. She needed to escape before he discovered her identity. But her mind warred between what was right and what felt wonderful. In the end, years of dire warnings from her pious father about the sins of the flesh returned at least some of her good sense. "Get off of me," she demanded, albeit weakly. "Absolutely not," he growled, his breath feathering hotly against her mouth, her cheek, her neck. "I'll not let you get away now. Not before I find out who you are. Wanted a taste, did you?

Tell me, Princess Olivia... why do you have to stay in your tower?" The soft entreaty made Livia feel as if she were melting inside. She laughed unsteadily, wishing for a moment that she dared to trust him. But the habit of independence was too strong. Shaking her head, Livia approached him, expecting him to back away from the doorway. He retreated half a step, his hands still grasping the edges of the doorway, so that she couldn't help but walk into an open-armed embrace. The bonnet ribbons slipped from her fingers. "Mr. Shaw-" she began, making the mistake of looking up at him. "Gideon," he whispered. "I want to know your secrets, Olivia." A bitter half smile touched her lips. "You'll hear them sooner or later from other people." "I want to hear them from you." As Livia began to retreat into the glasshouse, Shaw deftly caught the little cloth belt of her walking dress. His long fingers hooked beneath the reinforced fabric. Unable to back away from him, Livia clamped her hand over his, while a hectic blush flooded her face. She knew that he was toying with her, and that she once might have been able to manage this situation with relative ease. But not now. When she spoke, her voice was husky. "I can't do this, Mr. Shaw." To her amazement, he seemed to understand exactly what she meant. "You don't have to do anything," he said softly. "Just let me come closer... and stay right there..." His head bent, and he found her mouth easily. The coaxing pressure of his lips made Livia sway dizzily, and he caught her firmly against him. She was being kissed by Gideon Shaw, the self-indulgent, debauched scoundrel her brother had warned her about. And oh, he was good at it. She had thought nothing would ever be as pleasurable as Amberley's kisses... but this man's mouth was warm and patient, and there was something wickedly erotic about his complete lack of urgency. He teased her gently, nudging her lips apart, the tip of his tongue barely brushing hers before it withdrew. Wanting more of those silken strokes, Livia began to strain against him, her breath quickening. He nurtured her excitement with such subtle skill that she was utterly helpless to defend against it. To her astonishment, she found herself winding her arms around his neck and pressing her breasts against the hard plane of his chest. His hand slid behind her neck, tilting her head back to expose her throat more fully. Still gentle and controlled, he kissed the fragile skin, working his way down to the hollow at the base of her throat. She felt his tongue swirl in the warm depression, and a moan of pleasure escaped her. Shaw lifted his head to nuzzle the side of her cheek, while his hand smoothed over her back. Their breaths mingled in swift puffs of heat, his hard chest moving against hers in an erratic rhythm.

He reached out his hand and moved her heavy mane of hair away from her neck, stroking her, and he shifted his chair closer, so that his leg pressed against hers through the heavy layers of black silk. His fingers slid lower, brushing against the neckline of her dress, drifting against the swell of breasts. "Stop it," she hissed, trying to keep all expression from her face. "What will people think?" "Exactly what I want them to think, my pet," he said. She tried to scoot her chair away from him, but beneath the flow of her skirts, he'd managed to hook one foot around her chair leg, effectively trapping her against him. In the distance the soprano screeched, the accompanist pounded, and Emma felt uncharacteristically close to tears. "You said you were doing it for Darnley," she shot back. "He isn't even here." "But he'll be well informed." He slid his hand up her neck and caught her chin. The strength in those long, pale fingers was palpable, but he wasn't hurting her. Shaming her, arousing her, tormenting her. But there was no brute force in his touch. In a way, that almost made it worse, Emma thought. Cruelty, brutality, pain could be dealt with, shut out, endured. They were straightforward, something you could fight. But the velvet caress, the banked glance, the knowledge that it was all an elaborate game and she was nothing more than a convenient pawn, a toy to be moved back and forth on the chessboard, made the situation unbearable. She couldn't help it. A stifled murmur of misery escaped her before she could stop it, and Killoran suddenly stilled. His fingers still cupped her chin, but they were no longer stroking her. He simply stared at her, and for once there was no mockery, no wickedness, in his dark green eyes. He stared at her as if seeing for the first time, and if she didn't know better, she would have thought it was his conscience making a belated appearance. And then the moment passed, so swiftly it might have never existed. He leaned forward and put his mouth against the swell of her breast. His hand caught hers, holding her there, and her eyes fluttered closed as she felt the shocking caress. He used his tongue.

Spanish Admiral Pascual Cervera y Topete’s fleet had been blockaded in Santiago harbor for two months. On July 3, 1898 four cruisers and two destroyers steamed out of Santiago de Cuba. As the Spanish warships attempted to escape by steaming along the coast, Commodore Winfield Schley led the pursuit on board the USS Brooklyn. Admiral Cervera’s flagship, Infanta Maria Theresa, gallantly engaged the Brooklyn in a delaying action in order to give the other ships a chance to escape, but in vain. The naval battles that ensued, starting with the first shot being fired by the USS Oregon, The United States Navy effectively destroyed one ship at a time, as the Spanish Fleet continued to steam out of Santiago harbor. The only Spanish ship to break the blockade was the cruiser Cristobal Colón which headed west along the Cuban coast. This final survivor was chased for 50 miles by the swift battleship USS Oregon before it was overrun. Colón’s captain scuttled his ship in shallow water to avoid the futile loss of life.

However, he hadn’t been this close to an agent from the MSS, China’s intelligence organization, since his CIA cover had been blown and he was forced to escape back to the United States. As a wanted fugitive, he’d been sentenced to death in absentia, with his face well known to China’s authorities. If Zhong Lin even suspected who he was, he would be whisked out of Vietnam in shackles to Beijing for a swift execution. His current disguise was meant to prevent that from happening. The real David Yao was a member of the Ghost Dragon triad, one of Taiwan’s most notorious gangs. Yao was suspected of being responsible for numerous extortion, racketeering, and murder plots, but his mutilated body had been found floating

Roman engineering The Romans accomplished amazing feats of engineering as they built roads, bridges, and aqueducts (bridges for water conduits) across their empire. This 2,000-year-old Roman aqueduct at Segovia, in central Spain, has 128 arches. No mortar was used to cement the large blocks of granite together. Good roads were one of the reasons for the success of the Roman Empire. They allowed troops and supplies to be moved swiftly, before the enemy could either attack or escape.

Another uplifting development was Amy’s recovery from her ordeal. Loretta could scarcely believe how quickly the child was regaining her former gaiety, and she soon realized Swift Antelope was the cause. The young warrior clearly adored Amy and spent hours roaming the river with her, forging a friendship that set Amy’s cheeks aglow. Hunter, quite the opposite of Loretta, found this same period of time a trial. While Swift Antelope made steady progress with Amy, he couldn’t see himself making any headway with Loretta. She still went to great lengths to avoid sleeping beside him, choosing instead to share Amy’s far less comfortable pallet. To complicate matters further there was Bright Star’s campaign to make Hunter take notice of her. It seemed to Hunter that every time he turned around, Bright Star hovered nearby, fluttering her lashes and blushing, making such an obvious play for Hunter’s affections that he knew it couldn’t escape his wife’s notice for long. Hunter didn’t want to shame Bright Star by scorning her. At the same time, he didn’t want Loretta to believe he was encouraging the girl. He already had enough problems. While he mulled the situation over, trying to think of a kind way to discourage Bright Star, the young maiden intensified her campaign, and, as Hunter had feared, Loretta at last realized what was going on. When she did, Hunter took the brunt. “Who is that girl?” Loretta demanded one evening. “What girl?” Hunter felt heat rising up his neck and avoided meeting his wife’s flashing blue gaze. “That girl, the one who seems to have something in her eye.” Hunter obliged Loretta by giving Bright Star a bored glance. “She is sister to my woman who is dead.” He bent back over the arrowhead he was sharpening. “She is called Bright Star.” “She doesn’t look very bright. Is that a tic, or does she always blink that way?” Hunter smothered a snort of laughter. “She makes eyes, yes?” “At you?” He straightened and lifted a dark brow. “You think she makes eyes for you?

She has touched me. My hatred for her has gone the way of the wind. She saved my life.” He quickly related the tale about the rattlesnake and how she had broken her silence to warn him. “You would prefer that she live for always away from you?” Hunter’s gut contracted. In that instant he realized how much he wanted the woman beside him. “I would prefer that my eyes never again fall upon her than to see her die.” His mouth twisted. “She has great heart for one so small. She makes war with nothing, and wins.” Many Horses nodded. “Huh, yes, Warrior and Swift Antelope have already told me.” “I would take my woman back to her land,” Hunter said. “I know the words of the prophecy, eh? And I would not displease the Great Ones, but I see no other path I might walk.” Hunter’s mother rose to her knees. “My husband, I request permission to speak.” Many Horses squinted into the shadows. “Then do it, woman.” She moved forward into the light, her brown eyes fathomless in the flickering amber. “I would but sing part of the song, so we might hear the words and listen.” She tipped her head back and clasped her hands before her. In a singsong voice, she recited, “‘When his hatred for the White Eyes is hot like the summer sun and cold like the winter snow, there will come to him a gentle maiden from tosi tivo land.’” “Yes, wife, I know the words,” Many Horses said impatiently. “But do you listen?” Woman with Many Robes fixed her all-seeing gaze on her eldest son. “Hunter, she did not come to you, as the prophecy foretold. You took her by force.” “Pia, what is it you’re saying? That she would have come freely?” A breath of laughter escaped Hunter’s lips. “The little blue-eyes? Never.” His mother held up a hand. “I say she would have, and that she shall. You must take her to her wooden walls. The Great Ones will lead her in a circle back to you.” Hunter glanced at his father. Many Horses set his pipe aside and gazed for a long while into the flames. “Your mother may be right. Perhaps we have acted wrongly, sending you to fetch her. Perhaps it was meant for her to come of her own free will.” Hunter swallowed back an argument. Though he didn’t believe his little blue-eyes would ever return to Comancheria freely, his parents had agreed that he should take her home, and that was enough. “What will lead her back to me, pia?” Woman with Many Robes smiled. “Fate, Hunter. It guides our footsteps. It will guide hers.

He had almost made his escape when he happened to see the gentle face and lovely form of the woman who had become far more precious to him than he deserved. And she saw him. Though he did not allow his attention to rest on her for even a moment as he passed by, he still soaked in the sight of her parted lips and widened eyes when she noticed his swift passing. His stomach clenched as tightly as his fists. God, how he wanted to go to her and draw her softness against his body in a desperate attempt to distract him from the pain he felt inside.

Even so, dozens of blacks did escape each year. They established rogue settlements in the mountains, where they grew crops, raised families, practiced their religions, and trained bands of swift and effective jungle warriors to raid the plantations, free slaves, and kill Englishmen. In their capital, Nanny Town, the runaways were said to be led by an ancient and powerful witch, Granny Nanny, who protected her warriors with magical spells.

You have heard how we have conquered a vast empire and have purified the earth of the disorders that tainted it,” Hülagü wrote. “You cannot escape from the terror of our armies. Where can you flee? What road will you use to escape us? Our horses are swift, our arrows sharp, our swords like thunderbolts, our hearts as hard as the mountains, our soldiers as numerous as the sand. Fortresses will not detain us, nor armies stop us. Your prayers to God will not avail against us. We are not moved by tears nor touched by lamentations. Only those who beg our protection will be safe.

As he left home on 12 July, a hot Sunday of the Madrid summer, Castillo was shot dead by four men with revolvers, who swiftly escaped into the crowded streets.24

If another Juvenal or Swift could rise up among us to-morrow, he would be hunted down. If you have any knowledge of our literature, and can give me the name of any man, American born and bred, who has anatomised our follies as a people, and not as this or that party; and has escaped the foulest and most brutal slander, the most inveterate hatred and intolerant pursuit; it will be a strange name in my ears, believe me.

While the race is not always to the swift, or the battle to the strong, that is the way to bet.

After a long moment Bowman ventured, “Would it really be so terrible having Daisy for a wife? You’ll have to marry sometime. And she comes with benefits. The company, for example. You will be given controlling interest in it upon my death.” “You’ll outlive us all,” Matthew muttered. Bowman let out a pleased laugh. “I want you to have the company,” he insisted. It was the first time he had ever spoken this frankly on the subject. “You’re more like me than any of my sons. The company will be far better off in your hands than anyone else’s. You have a gift…an ability to enter a room and take it over…you fear no one, and they all know it, and they esteem you for it. Marry my daughter, Swift, and build my factory. By the time you come home, I’ll give you New York.” “Could you throw in Rhode Island? It’s not very large.” Bowman ignored the sardonic question. “I have ambitions for you beyond the company. I am connected with powerful men, and you have not escaped their notice. I will help you achieve anything your mind can conceive…and the price is a small one. Take Daisy and sire my grandchildren. That’s all I ask.” “That’s all,” Matthew repeated dazedly.

Daisy pulled away from Swift’s grasp. “You’ve changed,” she said, trying to collect herself. “You haven’t,” he replied. It was impossible to tell whether the remark was intended as compliment or criticism. “What were you doing at the well?” “I was…I thought…” Daisy searched in vain for a sensible explanation, but could think of nothing. “It’s a wishing well.” His expression was solemn, but there was a suspicious flicker in his vivid blue eyes as if he were secretly amused. “You have this on good authority, I take it?” “Everyone in the local village visits it,” Daisy replied testily. “It’s a legendary wishing well.” He was staring at her the way she had always hated, absorbing everything, no detail escaping his notice. Daisy felt her cheeks turn blood-hot beneath his scrutiny. “What did you wish for?” he asked. “That’s private.” “Knowing you,” he said, “it could be anything.

He knew the symptoms well enough. First there was a period of general uneasiness about nothing in particular, and then a growing illusion of being hemmed in, followed by a desire to escape, and finally an indescribable sense of loneliness mingled with a sort of deep self-pity which he particularly hated. He wished he had not mentioned Jessica Lovell, as she was always a part of the shadows which surrounded him suddenly and swiftly when he was in that mood. The only thing to do was to tell himself to behave, that he would be better in a little while. It was also time to consider the dangers of inheritance, and to remember his father.

NOTHING CAN GO FASTER THAN LIGHT Of course the idea that there is an ultimate speed limit seems absurd. While the speed of light is very high by earthly standards, the magnitude is not the point; any kind of speed limit in nature doesn't make sense. Suppose, for example, that a spaceship is traveling at almost the speed of light. Why can't you fire the engine again and make it go faster-or if necessary, build another ship with a more powerful engine? Or if a proton is whirling around in a cyclotron at close to the speed of light, why can't you give it additional energy boosts and make it go faster? Intuitive explanation. When we think of the spaceship and the proton as made of fields, not as solid objects, the idea is no longer ridiculous. Fields can't move infinitely fast. Changes in a field propagate in a "laborious" manner, with a change in intensity at one point causing a change at nearby points, in accordance with the field equations. Consider the wave created when you drop a stone in water: The stone generates a disturbance that moves outward as the water level at one point affects the level at another point, and there is nothing we can do to speed it up. Or consider a sound wave traveling through air: The disturbance in air pressure propagates as the pressure at one point affects the pressure at an adjacent point, and we can't do anything to speed it up. In both cases the speed of travel is determined by properties of the transmitting medium- air and water, and there are mathematical equations that describe those properties. Fields are also described by mathematical equations, based on the properties of space. It is the constant c in those equations that determines the maximum speed of propagation. If the field has mass, there is also a mass term that slows down the propagation speed further. Since everything is made of fields - including protons and rocketships - it is clear that nothing can go faster than light. As Frank Wilczek wrote, One of the most basic results of special relativity, that the speed of light is a limiting velocity for the propagation of any physical influence, makes the field concept almost inevitable. - F. Wilczek ("The persistence of Ether", p. 11, Physics Today, Jan. 1999) David Bodanis tried to make this point in the following way: Light will always be a quick leapfrogging of electricity out from magnetism, and then of magnetism leaping out from electricity, all swiftly shooting away from anything trying to catch up to it. That's why it's speed can be an upper limit - D. Bodanis However, Bodanis only told part of the story. It is only when we recognize that everything, not just light, is made of fields that we can conclude that there is a universal speed limit.

NOTHING CAN GO FASTER THAN LIGHT Of course the idea that there is an ultimate speed of light is very high by earthly standards, the magnitude is not the point; any kind of speed limit in nature doesn't make sense. Suppose, for example, that a spaceship is traveling at almost the speed of light. Why can't you fire the engine again and make it go faster-or if necessary, build another ship with a more powerful engine? Or if a proton is whirling around in a cyclotron at close to the speed of light, why can't you give it additional energy boosts and make it go faster? Intuitive explanation. When we think of the spaceship and the proton as made of fields, not as solid objects, the idea is no longer ridiculous. Fields can't move infinitely fast. Changes in a field propagate in a "laborious" manner, with a change in intensity at one point causing a change at nearby points, in accordance with the field equations. Consider the wave created when you drop a stone in water: The stone generates a disturbance that moves outward as the water level at one point affects the level at another point, and there is nothing we can do to speed it up. Or consider a sound wave traveling through air: The disturbance in air pressure propagates as the pressure at one point affects the pressure at an adjacent point, and we can't do anything to speed it up. In both cases the speed of travel is determined by properties of the transmitting medium- air and water, and there are mathematical equations that describe those properties. Fields are also described by mathematical equations, based on the properties of space. It is the constant c in those equations that determines the maximum speed of propagation. If the field has mass, there is also a mass term that slows down the propagation speed further. Since everything is made of fields - including protons and rocketships - it is clear that nothing can go faster than light. As Frank Wilczek wrote, One of the most basic results of special relativity, that the speed of light is a limiting velocity for the propagation of any physical influence, makes the field concept almost inevitable. - F. Wilczek ("The persistence of Ether", p. 11, Physics Today, Jan. 1999) David Bodanis tried to make this point in the following way: Light will always be a quick leapfrogging of electricity out from magnetism, and then of magnetism leaping out from electricity, all swiftly shooting away from anything trying to catch up to it. That's why it's speed can be an upper limit - D. Bodanis However, Bodanis only told part of the story. It is only when we recognize that everything, not just light, is made of fields that we can conclude that there is a universal speed limit.

We begin to die with our first breath. Death is inside us, ticking closer, closer, with every beat of our heart. It is the end no man can escape. Yet we cling to life, we worship it despite its transience. Or perhaps, because of it. But all the while, we wonder of death. We build monuments to it, revere it with our rituals. What will our death be? we ask ourselves. Will it be sudden and swift, long and lingering? Will there be pain? Will it come after a long, full life, or will we be cut off—violently, inexplicably—in our prime? When is our time? For death is for all time. We create an afterlife because we cannot rush through our days chased by the specter of an end. We make gods who guide us, who will greet us at golden gates to lead us into an eternal land of milk and honey.

The Ego is swept up like a leaf in a gale, and in the swiftness of the indeterminable, that which is always about to happen becomes truth to the Ego. Things that were obscure now become self- evident, as the Ego pleases itself by its own will. This is the end of the duality of the consciousness: it is the negation of all faith by simply living. In place of belief is a positive death state, and all that remains of belief is sleep, a negative state. This sleep is the dead body of all we believe. The Ego, which was previously subjected to law, now seeks stillness in sleep and death. The Death Posture and its alternative reality represent freedom from law, and ascension from duality. In the final cataclysm, the universe may be reduced to ashes, and noone will be sorry, but the Ego will escape the Judgement! In that final freedom there is nothing that is ‘necessary’ – dare I say more? I would rather commit a sin than compromise myself.

About the last thing I said yesterday,” Jared said. “I’m sorry, and I didn’t mean to upset you. I was just surprised. I didn’t realize you thought about it that way.” “Okay, thanks for that,” said Kami, and began to walk determinedly down the passage away from him. “Kami,” Jared said behind her. “I’m—I’m honored that you did.” Which was not, Kami noted, “Let’s be together, then.” It was one of those nonsense things that people said, like “It’s not you, it’s me” and “You’re too good for me.” It meant, “I would like to very politely and very swiftly escape this relationship, like a Victorian gentleman in a rocket.

For the thought came to her, a swift warning If he hits you once, he will hit you again. It will be the end. Badly she wanted to turn and run from the room, and out of the house—she had her own car, she could drive away. . . . The marriage had been a mistake: she must escape. But she knew she must not turn her back on this furious man, she must not insult him further. Though she’d never had any experience quite like this in her life she understood that Austin’s fury had to run its course, like wildfire. If she did nothing further to provoke it, but maintained her attitude of abject apology and regret, the fit would subside, eventually.

It happens fast when it comes for you, the callous quickening, the blood stilling, the breath falling swift as a swallow. I held you tight then, bound you petrified to a life withering and anchored in silence, but you escaped me and a quiet calm embraced the room, a kindness drawing you close and letting you go. The passage of a gentleman.

militia. As they passed a field of broom-corn several men suddenly disappeared, their swift course through the cane being easily followed by the swaying of the tassels. The militia were met by rumors that the village was in ashes. Morgan did not set fire to the village, but his men found time to explore the village store, and to search the Fisher house, in the second story of which they found a flag. Morgan's men were hardly out of sight on the Richmond road when Colonel Collier and the militia appeared. They formed line of battle on a

For a few moments after their first ejaculations neither Tom nor Ned knew what to do.

He started toward the door. I drew a ragged breath. I was very nearly at the end of my strength. “Don’t you understand, Chade? What you feel is the pull all Skill students are warned against! You venture into the Skill current at your own peril. If we lose you, the strength of the whole coterie is diminished. If you take Thick with you, the coterie is destroyed.” His hand was on the latch. He did not turn to look back at me. “You need your rest, Fitz, not to work yourself up like this. When you are feeling better, then we will discuss this again. You know I am a cautious man. Trust me in this.” And then he was gone, closing the door behind him. He moved swiftly, like a child hurrying out of the room to escape a scolding. Or a man fleeing a truth he did not want to hear. I sagged back into the chair. My throat and mouth were dry, my head pounding. I lifted my hands to shut out the light from my eyes. Into that small darkness, I asked, “Have you ever suddenly realized that there was someone you loved, but presently did not like very much?” “Strange you should ask me that,” the Fool observed dryly from close behind me. Then I heard him walk away.

Multiple Warning Survivors Anonymous Please don’t warn me of things that won’t happen, Like: the man who just sold me some land Might in fact have a vat Of the plague in his hat And a new black death minutely planned. Please don’t mention unlikely disasters That you think I’d be wise to avoid: Getting stalked in a tent, Or inhaling cement... Yes, my life could be swiftly destroyed But it won’t be, so no need to summon Your great ally, the spectre of doom – Babies, injured or dead! Dearest friend, axe in head! – While I’m safe, sitting still in a room. I am sure I’ll avoid strangulation By a dangling invisible thread, But my life’s in bad shape If I cannot escape From these horrors you plant in my head. Can I tell you what I think is likely? And I hope this is not out of line: Yes, there is a small chance I’ll be stabbed by Charles Dance But I strongly suspect I’ll be fine, Or I would be, if only you’d zip it. No, I won’t wear a bullet-proof vest When I go to Ikea.Don’t troll me with fear. Here’s a warning: just give it a rest Or I’ll certainly spend most of Sunday Thinking you’re an assiduous scourge – Sure as peas grow in pods. Please consider those odds When you next feel the dread-warning urge. If one day I am crushed by a hippo Then my agent will give you a ring. If you like you can mourn me, But please, please – don’t warn me. Your warning’s my only bad thing.

The consumer society and its harassed citizens had other things to think of. Although it was a month to Christmas, the advertising orgy had begun and the buying hysteria spread as swiftly and ruthlessly as the Black Death along the festooned shopping streets. The epidemic swept all before it and there was no escape. It ate its way into homes and apartments, poisoning and braking down everything and everyone in its path. Children were already howling from exhaustion and fathers of families were plunged into debt until their next vacation. The gigantic legalized confidence trick claimed victims everywhere. The hospitals had a boom in cardiac infractions, nervous breakdowns, and burst stomach ulcers. The police stations downtown had frequent visits from the outriders of the great family festival, in the shape of Santa Clauses who were dragged blind drunk out of doorways and public urinals. . .two exhausted patrolmen dropped a drunken Father Christmas in the gutter when they tried to get him into a taxi.

The first Colditz prisoners were the cream of their nations’ professional armed forces, new graduates from Sandhurst and Saint-Cyr, as well as veterans of the First World War. Marching off to war in 1939, they had been told to expect a swift victory. None had seriously contemplated the possibility of being captured, let alone herded into Germany and locked up indefinitely in a dismal fortress. Laying down their lives for king and country was one thing; risking, and losing, their liberty was quite another, and most were entirely unprepared for captivity.

Maybe Sparrow can't walk as far as Chicken, but he can walk well enough to fill his belly. And maybe he can't fly as quickly as Swift, but he can fly fast enough to escape the fox and keep from being enslaved by man. Remember Sparrow. He's not excellent at anything, but just good enough at everything.

Muldoon worried even more about the velociraptors. They were instinctive hunters and they never passed up prey. They killed even when they weren't hungry. They killed for the pleasure of killing. They were swift; strong runners and astonishing jumpers. They had lethal claws on all four limbs; a swipe of a forearm would disembowel a man, spilling his guts out. And they had powerful tearing jaws that ripped flesh instead of biting it. They were far more intelligent than the other dinosaurs and they seemed to be natural cage-breakers. Every zoo expert knew that certain animals were especially likely to get free of their cages. Some, like monkeys and elephants, could undo cage doors. Some, like wild pigs, were unusually intelligent and could life gate fasteners with their snouts. But who would suspect that the giant armadillo was a notorious cage-breaker? Or the moose? Yet a moose was almost as skillful with its snout as an elephant with its trunk. Moose were always getting free; they had a talent for it. And so did velociraptors. Raptors were at least as intelligent as chimpanzees and like chimpanzees, they had agile hands that enabled them to open doors and manipulate objects. They could escape with ease. And when, as Muldoon had feared, one of them finally escaped, it killed two construction workers and maimed a third before being recaptured.

The world was awash in hues of dark blue, interrupted only by shafts of buttery light escaping from the shuttered windows of our dilapidated cottage. It was like striding through a living painting- a fleeting moment of stillness, the blues swiftly shifting to solid darkness.

down the hallway to their room. Lauren softly closed the door. As she turned, Nick stepped forward and swiftly scooped her up in his arms. She wrapped her legs around his waist as he pinned her against the wall, his mouth hot on her neck. A surprised yelp escaped her lips as he sucked on her sensitive skin. He carried her to the bed

The more you use the ingredients of the Slow Fix—admitting mistakes, pausing to think, joining the dots, sweating the small stuff, taking the long view—the better you come to understand whatever it is you do and the more likely you are to develop the intuition needed to deal with problems swiftly in the future. “When you have years and years of practice and knowledge behind you, nothing escapes your notice,” says Hodgman. “Whatever the time constraints, you will spot the problem and find a way to fix it.

O Artemis and your virgin girls, come to us. Run swiftly to escape the hunter Alpheus.

CHORUS: Many are the wonders, the terrors,*28 and none is more wonderful, more terrible than man. He makes his way, this prodigy, over the dim gray sea, riding the blast of the south wind, the swells of the deep cleaving before him; he wears away the Earth, mightiest of gods, imperishable, unwearied— his plows turn her over and over, year 340 after year his mules plod on and on. antistrophe 1 And he has cast his nets about the race of lighthearted birds and the tribes of wild beasts and the swarms bred in the depths of the sea— gathers them all in his woven coils, over-clever man! And his inventions master the beast of field 350 and crag—the shaggy-maned horse and weariless mountain bull bow beneath his yoke. strophe 2 And now he’s taught himself language and thought swift as the wind, and how to live in cities, shunning exposure on the open hills, the rain spearing down from heaven; he’s ready 360 for anything—nothing finds him unready. Death alone he will not escape. And yet he has contrived ways to defeat intractable disease. antistrophe 2 With his ingenious art, clever beyond hope, he presses on now to evil, now to good. Allowing the laws of the land and the sworn justice of the gods their place in the scheme 370 of things, he is high in his city. But he whose daring moves him to evil has no city at all. May he never share my hearth, never share my thoughts, a man who acts this way!

Her hands wandered lower, moved across his flat belly, dipped over the ridge of his hipbones. Raven felt his swift intake of breath, the tensing of every muscle. A low growl rumbled deep in his throat, sent darts of fire leaping in her blood. Her fingers sought the hard evidence of his arousal, teased and enticed, her fingertips dancing intriguingly, her palm sliding, and gripping, testing the weight of him. He groaned at the effort it took to control himself. This time she was going to participate in the ritual. There would be no way she could argue that she had not known what she was doing. He spread his legs wider to support his trembling body as she touched his shoulder with her tongue, followed a droplet of water that ran in a bead from his neck to his chest. Raven’s body clenched, grew heavy, ached, and burned. Her tongue slid over his heart in a lazy, sensual pattern. Her blood leaped and sang to match his. All the time her hands caressed, teased, promised. Her long hair, masses of silk, brushed his body as she followed little beads of water, lower, lower still. She felt him shudder as she tasted him, his body thrusting to meet her silken mouth. The feeling of power was incredible. His hands bunched in her hair; low, aggressive growls escaped from deep in his throat. She found his thighs with her nails, raking lightly, driving him wild, wanting him crazy for her, wanting him mindless with passion. Mikhail dragged her up, closer. His hands found the firm muscles of her bottom, cupped, massaged. “I claim you as my lifemate.

The lamb and the lion keep a delicate balance, interacting at the margin. If lions were suddenly more swift, they would catch prey that now escape. If lambs suddenly grew wings, lions would starve.

ECAPE OF THE LOVELY LADY JULIA DE GONZAGA Stories that he heard on his progress of the lovely Julia Gonzaga, Duchess of Trajetto and Countess of Fondi, next tempted him to an exploit of a somewhat different character. The young widow was the most famous beauty in Italy; no fewer than two hundred and eight Italian poets had written verses in her honour and the device emblazoned on her shield was the Flower of Love. It occurred to the corsair that she would make an excellent token of his devotion to his new lord, Suleyman the Magnificent. The lady was at Fondi. Thither the pirate travelled, swiftly and by night. But the fame of his presence preceded him and the lady had just time to leap from her bed and gallop off on horseback dressed in the flimsiest of night garments and accompanied by one male attendant. She managed to escape, and afterwards condemned the attendant to death because, she alleged, he had been unduly familiar during that desperate nocturnal ride. Kheyr-ed-din, annoyed at the escape of his sultan’s fair prize, gave over the town of Fondi to a terrible four hours’ punishment at the hands of his men.

Edgerton/Assassins of Dreamsongs 174 Their escape was immediately hampered by a confrontation with a huge Knight, as he rose from the ground, to challenge them. Garish buried both fists into the giant's stomach, in hammering blows and then bore his powerfully bulk up over his head. He quickly hurled the Knight into an onrushing mob of tormented soldiers. They all collapsed like multicolored dominoes, in a neat pile, as the three adventurers raced by. "Come on friends and don't stumble!" Garish rushed forward, throwing a crushing blow into the face of another rising Knight. He then filled his arms with the golden Armor Of His Father, which he deposited equally into the reluctant arms of the two bumblers, so he was free to fight, to defend their escape. A swift blow to the chin of a burly, rising Knight and they were at the edge of the camp, making good their escape. "You d-d-don't has to tell us tw-tw-twice not to stumble, oh great Lord!" Humphrey stammered, nearly dropping pieces of the golden armor. He quickly caught up with the others, in trembling, stumbling steps. A mere shoddy group of warriors alarmed by the escape amidst the confusion, were able to arm themselves, and take up pursuit behind the escaping nobleman and his two bumbling friends. The fiery furies continued to dance around the heels and the bare legs of the pursuing Knights, as they ran in torment after them. Edgerton/Assassins of Dreamsongs 175 Brawn however, was not strength enough to overcome the tiny, irritating furies that persisted in their incessant torture of the poor, pursuing, panic stricken Knights. Mammoth swords of steel did not great fly swatters make, as the Knights swung at the fiery furies in their anger, while in pursuit of the giant Nobleman and two trembling bumblers. A frosty wind suddenly began to filter throughout the forest filled with a sparkling, rainbow energy. The currents of the wind seemed to whisper magical words from a small Wizard, hidden deep within the forest: “Danser-silvarum-shadow-ala-sancta!” Within moments, all of the dark shadows within the thick forest seemed to be doing a quaint, little fairy dance, creating a mysterious woodland, filled with darting shadows and dancing shapes. The pursuing Knights were soon filled with uncertainty of which shadows they should chase after. Panic ridden and tormented beyond their endurance, the trail was soon left forgotten by them! The tortured group of tattered warriors instead turned towards the river, like deserting mice. All too eagerly, they plunged into its’ welcome freezing depths; the only real escape from the torment of the relentless “fairy fire bees”. They were soon joined by a host of other warriors, seeking a release from the torment of a Wizard’s vengeful magical touch. Garish's flying feet left deep impressions in the soft, moist forest earth as he ran. Edgerton/Assassins of Dreamsongs 176 The blond Nobleman’s fluid muscles were alive with the act of escape and revitalized at the promise of an extended life. He slowed his pace for a moment and sucked in the frosty night air, waiting for the others to catch up. Humphrey and Godfrey soon collapsed together in an exhausted pile at his feet, panting and wheezing. "Well, we have made good our escape!" Godfrey gasped. "Oh Master, I hope so!" Humphrey whimpered. "I couldn't stagger another struggling step, unless of course we must! Oh, my aching corns and throbbing feet!" A soft voice whispered from somewhere in the trees, “Perhaps that would be a blessing for us all if you didn't." Arkin's voice was like a beautiful melody to their ears. A broad, mischievous smile crept over the face of the tall Nobleman. He again looked into the eyes of the man who had been like a father to him, as well as a friend. Arkin stood, poised like an ancient forgotten statue on a limb of a giant tree, a golden aura surrounding him, to keep out the cold.

Edgerton/Assassins of Dreamsongs 174 He quickly hurled the Knight into an onrushing mob of tormented soldiers. They all collapsed like multicolored dominoes, in a neat pile, as the three adventurers raced by. "Come on friends and don't stumble!" Garish rushed forward, throwing a crushing blow into the face of another rising Knight. He then filled his arms with the golden Armor Of His Father, which he deposited equally into the reluctant arms of the two bumblers, so he was free to fight, to defend their escape. A swift blow to the chin of a burly, rising Knight and they were at the edge of the camp, making good their escape. "You d-d-don't has to tell us tw-tw-twice not to stumble, oh great Lord!" Humphrey stammered, nearly dropping pieces of the golden armor. He quickly caught up with the others, in trembling, stumbling steps. A mere shoddy group of warriors alarmed by the escape amidst the confusion, were able to arm themselves, and take up pursuit behind the escaping nobleman and his two bumbling friends. The fiery furies continued to dance around the heels and the bare legs of the pursuing Knights, as they ran in torment after them. Edgerton/Assassins of Dreamsongs 175 Brawn however, was not strength enough to overcome the tiny, irritating furies that persisted in their incessant torture of the poor, pursuing, panic stricken Knights. Mammoth swords of steel did not great fly swatters make, as the Knights swung at the fiery furies in their anger, while in pursuit of the giant Nobleman and two trembling bumblers. A frosty wind suddenly began to filter throughout the forest filled with a sparkling, rainbow energy. The currents of the wind seemed to whisper magical words from a small Wizard, hidden deep within the forest: “Danser-silvarum-shadow-ala-sancta!” Within moments, all of the dark shadows within the thick forest seemed to be doing a quaint, little fairy dance, creating a mysterious woodland, filled with darting shadows and dancing shapes. The pursuing Knights were soon filled with uncertainty of which shadows they should chase after. Panic ridden and tormented beyond their endurance, the trail was soon left forgotten by them! The tortured group of tattered warriors instead turned towards the river, like deserting mice. All too eagerly, they plunged into its’ welcome freezing depths; the only real escape from the torment of the relentless “fairy fire bees”. They were soon joined by a host of other warriors, seeking a release from the torment of a Wizard’s vengeful magical touch. Garish's flying feet left deep impressions in the soft, moist forest earth as he ran. Edgerton/Assassins of Dreamsongs 176 The blond Nobleman’s fluid muscles were alive with the act of escape and revitalized at the promise of an extended life. He slowed his pace for a moment and sucked in the frosty night air, waiting for the others to catch up. Humphrey and Godfrey soon collapsed together in an exhausted pile at his feet, panting and wheezing. "Well, we have made good our escape!" Godfrey gasped. "Oh Master, I hope so!" Humphrey whimpered. "I couldn't stagger another struggling step, unless of course we must! Oh, my aching corns and throbbing feet!" A soft voice whispered from somewhere in the trees, “Perhaps that would be a blessing for us all if you didn't." Arkin's voice was like a beautiful melody to their ears. A broad, mischievous smile crept over the face of the tall Nobleman. He again looked into the eyes of the man who had been like a father to him, as well as a friend. Arkin stood, poised like an ancient forgotten statue on a limb of a giant tree, a golden aura surrounding him, to keep out the cold.

She was just about to run out through the gates, surprised but pleased to see them open, when a man dropped to the ground right in front of her. A soft screech escaped her as she stumbled back a step, even as she frantically looked around in a vain attempt to see where he had come from. “Greetings, lass,” the man said in a deep, rough voice. “Ye probably dinnae remember me. I am Raibeart. I drove your wee bonnie cart back here after we saved ye from those thieving swine.” “Ah, weel, I thank ye. Now, if ye will just excuse me,” she tried to dart around him, but the man swiftly put himself in her path. “Now, ye dinnae really want to go out there. Tis dark, aye? Too dangerous for such a wee lass.” “Ye arenae going to let me leave, are ye?” She cursed when he shook his head. “The laird wants ye to stay here.” “I dinnae care what he wants. He isnae my laird. He isnae my kinsmon, either.” Bridget could feel panic clawing at her insides and struggled to push it aside. “I wish to go to my cousin’s and none of ye have the right to stop me.” She felt a light touch upon her shoulder. Blindly, she turned and struck out, raking her nails across the face of the man who stood behind her. As her fingernails scored soft flesh the feeling pulled her free of the tight grasp fear had upon her. She looked in horror at the bloody furrows she had left upon Jankyn’s cheek. He touched a hand to the cuts as he stared at her, his gaze holding more intense consideration than shock. Mumbling a heartfelt apology, Bridget pulled a square of daintily embroidered linen from a pocket in the lining of her cloak. However, by the time she reached toward Jankyn, intending to clean the blood from his wounds, there was no need for such care. “Your wounds appear to be closing,” she whispered. “Aye. They were only shallow cuts,” he said. “Ye have verra sharp nails, lass.” Keeping his gaze fixed upon her face, he slowly licked the blood from his fingers. “Oh, it needed only that.” Bridget closed her eyes, took a deep breath to calm herself, then scowled at Jankyn. “That was a strange thing to do, lass,” murmured Raibeart as he moved to stand beside her. It was, but Bridget would never admit it. “Nay, it wasnae. I felt a touch and thought I was in danger. Jankyn also crept up behind me when I was feeling agitated.” She abruptly made a dash for the gate, not surprised when both men quickly appeared to block her way. “That could become verra annoying.” “E’en

A fire devours before them, and behind them a flame burns; the land is like the Garden of Eden before them, and behind them a desolate wilderness; surely nothing shall escape them. Their appearance is like the appearance of horses; and like swift steeds, so they run. With a noise like chariots over mountaintops they leap, like the noise of a flaming fire that devours the stubble, like a strong people set in battle array. Before them the people writhe in pain; all faces are drained of color. They run like mighty men, they climb the wall like men of war; every one marches in formation, and they do not break ranks. They do not push one another; every one marches in his own column. Though they lunge between the weapons, they are not cut down. They run to and fro in the city, they run on the wall; they climb into the houses, they enter at the windows like a thief. The earth quakes before them, the heavens tremble; the sun and moon grow dark, and the stars diminish their brightness.  (Joel 2:3-10)