Hay Farming Quotes

I don't do farm animals. Can't stand hay in your leathers? Or wool in my teeth.

Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken to my joyful tidings Of the golden future time. Soon or late the day is coming, Tyrant Man shall be o'erthrown, And the fruitful fields of England Shall be trod by beasts alone. Rings shall vanish from our noses, And the harness from our back, Bit and spur shall rust forever, Cruel whips shall no more crack. Riches more than mind can picture, Wheat and barley, oats and hay, Clover, beans, and mangel-wurzels, Shall be ours upon that day. Bright will shine the fields of England, Purer shall its water be, Sweeter yet shall blow its breezes On the day that sets us free. For that day we all must labour, Though we die before it break; Cows and horses, geese and turkeys, All must toils for freedom's sake. Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken well and spread my tidings Of the golden future time.

V looked into his best friend’s eyes and realized… yeah, Butch wasn’t going to judge him. They were cool no matter what. With a curse, V rubbed the center of his chest and blinked. He never cried but he felt as if he could at this moment. Butch nodded as if he knew exactly what was doing. “Like I said, my man, it’s whatever. You and me? Same as always, no matter who you screw. Although… if you’re into sheep, that would be tough. Don’t know if I could handle that.” V had to smile. “I don’t do farm animals.” “Can’t stand hay in your leathers?” “Or wool in my teeth.

Hay's for horses, straw is cheaper, grass is free, you live on a farm and you get all three!

In an agricultural society, or during a time of exploration and settlement, or hunting and fathering--which is to say, most of mankind's history--energetic boys were particularly prized for their strength, speed, and agility. [...] As recently as the 1950s, most families still had some kind of agricultural connection. Many of these children, girls as well as boys, would have been directing their energy and physicality in constructive ways: doing farm chores, baling hay, splashing in the swimming hole, climbing trees, racing to the sandlot for a game of baseball. Their unregimented play would have been steeped in nature.

When I reach the end of one row, I continue straight on away from the barn and the farm and the road. I walk until I come to a pile of hay bales and plop myself down. The sun is bright and the air is sharp. In the distance I hear the lowing of cows. It's so peaceful here. "Merry Christmas, " I whisper to myself. "Merry Christmas, Nate.

What to wear on a Minnesota farm? The older farmers I know wear brown polyester jumpsuits, like factory workers. The younger ones wear jeans, but the forecast was for ninety-five degrees with heavy humidity. The wardrobe of Quaker ladies in their middle years runs to denim skirts and hiking boots. This outfit had worked fine for me in England. But one of my jobs in Minnesota will be to climb onto the industrial cuisinart in the hay barn and mix fifty-pound bags of nutritional supplement and corn into blades as big as my body. Getting a skirt caught in that thing would be bad news for Betty Crocker.

Summer is the season of motion, winter is the season of form. In summer everything moves save the fixed and inert. Down the hill flows the west wind, making wavelets in the shorter grass and great billows in the standing hay; the tree in full leaf sways its heavy boughs below and tosses its leaves above; the weed by the gate bends and turns when the wind blows down the road. It is the shadow of moving things that we usually see, and the shadows are themselves in motion. The shadow of a branch, speckled through with light, wavers across the lawn, the sprawling shadow of the weed moves and sways across the dust.

Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; — so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed — him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow — there was nothing to redeem it, forsooth, in his eyes — and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.

A hot dry day was perfect for cutting hay, but Sunday in those days was a true day of rest, and no hay would be taken from the fields, nor any labour done inside or outside of the house.

I envied the sons their life in the country. I wasn’t even jealous of how at home they were in the fields and woods and barns; of how they could do so many things I couldn’t, drive tractors, take apart and fix motors, pluck eggs from under a hen, shove their way into a stall with a stubborn horse pushing back: I just marveled at it all, and wanted it. They and the boys who lived on farms near them were also so enviably at ease in their bodies: what back in the city would be taken as a slouch of disinterest, here was an expression of physical grace. No need to be tense when everything so readily submitted to your efficiently minimal gestures: hoisting bales of hay into a loft, priming a recalcitrant pump … Something else there was as well, something more elusive: perhaps that they lived so much of the time in a world of wild, poignant odors—mown grass, the redolent pines, even the tang of manure and horse-piss-soaked hay. Just the thought of those sensory elations inflicted me with a feeling I still have to exert myself to repress that I was squandering my time, wasting what I knew already were irretrievable clutches of years, now hecatombs of years, trapped in my trivial, stifling life.

Water problems in the western United States, when viewed from afar, can seem tantalizingly easy to solve: all we need to do is turn off the fountains at the Bellagio, stop selling hay to China, ban golf, cut down the almond trees, and kill all the lawyers.

I think the worst thing is the way you lose part of yourself.” I roll on to my back and stare up at the dark, speckled roof. “There’s so much that only Lief knew about me. So many memories that we shared – mostly of things we shouldn’t have been doing – but now I’m the last one who remembers them. Times we woke in the night and stole honeycomb from the jars in the kitchen. Times we used to jump into the hay on the farm. No one will ever know me like that again. And what if I forget things? What happens then?

When I had arrived at the horse farm, I had faith. I believed in rock ’n’ roll, the Western dream, and the equality of man. But most of all I believed in a worldwide dragnet for an Arab fugitive and that temperature checks at every border would keep the pin in the grenade. By the

The next day came bright, sunny and beautiful – a real hay-making day. I started chopping. I went about a hundred yards, and then my hay head quit working. Was I surprised and disappointed! Here I had this large amount of hay down, and I barely get started, and my hay head quits working. Well, I got off the tractor

Montana farmers today who continue to farm into their old age do it in part because they love the lifestyle and take great pride in it. As Tim Huls told me, “It’s a wonderful lifestyle to get up before dawn and see the sunrise, to watch hawks fly overhead, and to see deer jump through your hay field to avoid your haying equipment.

My father saw him one time. We live in mexico, on the farm, and Father went to feed the horses. At night. Little man was standing there giving hay to the horses. And Father watch and he came and he told Mother, 'Jedushka Di Muvedushka feeding the horses'. He don't get scared, nothing. In the morning we go look, the horses' hair all braided. So Beautiful! All their hair braided.

We mark the days by chores that need to be done, the way farm families have always done. Al feeds the hens and horses and pigs, splits wood in the fall, slaughters a pig when the weather turns cold, cuts ice in the winter. I collect eggs from the laying hens and Al drives me into town to sell them. He times the planting so that by the Fourth of July we'll have new peas and by September there's a whole field of corn. Gulls lunge for a feast, ravaging the crop, so Al kills a few and hangs them from poles as warning. During haying season in midsummer, I see him from the dining room window in his visored cap, scything the hay by hand with six hired men walking abreast, forking the newly mown hay onto the hayrack. They haul the hay to the barn, where a block-and-tackle hoist lifts it into the mow.

This is stupendous, Maggie,” he said. “Exquisite!” He caught me looking at him. “You and Caleb taught me about words.” I nodded. Grandfather couldn’t read when he had come back to the farm. All the years of his life he couldn’t read. Until Caleb taught him. “This cake is magnificent,” said Grandfather. “Tasty, lovely, glorious, stunning! Could I have another piece?” “Don’t forget we have more haying to do,” said Matthew. “This cake can only help,” said Grandfather.

That remark by Tim illustrates one reason for the rise and fall of Montana farming: the lifestyle was highly valued by older generations, but many farmers’ children today have different values. They want jobs that involve sitting indoors in front of computer screens rather than heaving hay bales, and taking off evenings and weekends rather than having to milk cows and harvest hay that don’t take evenings and weekends off. They don’t want a life forcing them to do literally back-breaking physical work into their 80s, as all three surviving Hirschy brothers and sisters are still doing.

These haymeadow days were the Arcadian age for marsh dwellers. Man and beast, plant and soil lived on and with each other in mutual toleration, to the mutual benefit of all. The marsh might have kept on producing hay and prairie chickens, deer and muskrat, crane-music and cranberries forever. The new overlords did not understand this. They did not include soil, plants, or birds in their ideas of mutuality. The dividends of such a balanced economy were too modest. They envisaged farms not only around, but in the marsh. An epidemic of ditch-digging and land-booming set in. The marsh was gridironed with drainage canals, speckled with new fields and farmsteads.

It didn't matter whether your farm was large or small. It didn't matter if you had a farm at all. Cause everyone was affected when water didn't run. The snow and frost continued without the warming sun. One day in June it got real hot and leaves began to show. But after that it snowed again and wind and cold did blow. The cows and horses had no grass, no grain to feed the chicks. No hay to put aside that time, just dry and shriveled sticks. The sheep were cold and hungry and many starved to death, Still waiting for the warming sun to save their labored breath. The kids were disappointed, no swimming, such a shame. It was in 1816 that summer never came.

Harvest Do not let a woman with a sexy rump deceive you with wheedling and coaxing words; she is after your barn. -Hesiod Shall we gather the sunset pluck what is ripe harness the cicada's song? Even if this isn't the season of new love let us remember the buds and reap what we can. No crop is too small. No harvest too lean. The grain will yield. So scatter and slash call in the cows and let us milk them all dry. Plow as you will. Bulldoze away. Why not make every season our season each day our day to till and tease to clear and seed to plant and replant as we please. Come my sweet smell of hay do not be deceived by Hesiod. He says that I am after your barn. I want the whole fucking farm!

There was something very poetic about lying on the hay, beneath the polythene roof. This was how we had spent our first night, on the hay next to the bull in Harry Mann’s barn. During the 18 days in-between we had slept in a posh hotel, a canal boat, a student house, a pub, a tent in a car park, a hitman’s sitting room, an elderly lady’s spare bedroom, a hostel, a bunk house, a farm house, our own self-contained flat, our own house, and now we were back on the hay. We had gone full circle. Out of all of the different types of accommodation, our two nights on the hay were undoubtedly our most comfortable. Next time you hear the nativity story, don’t feel sorry for Mary and Joseph; they had it very lucky indeed.

Jake opened one eye and blinked confusedly at the sunlight pouring through the window high above. Disoriented, he rolled over on a lumpy, unfamiliar bed and found himself staring up at an enormous black animal who flattened his ears, bared his teeth, and tried to bite him through the slats of his stall. “You damned cannibal!” he swore at the evil-tempered horse. “Spawn of Lucifer!” Jake added, and for good measure he aimed a hard kick at the wooden slats by way of retaliation for the attempted bite. “Ouch, dammit!” he swore as his bootless foot hit the board. Shoving himself to a sitting position, he raked his hands through his thick red hair and grimaced at the hay that stuck between his fingers. His foot hurt, and his head ached from the bottle of wine he’d drunk last night. Heaving himself to his feet, he pulled on his boots and brushed off his woolen shirt, shivering in the damp chill. Fifteen years ago, when he’d come to work on the little farm, he’d slept in this barn every night. Now, with Ian successfully investing the money Jake made when they sailed together, he’d learned to appreciate the comforts of feather mattresses and satin covers, and he missed them sorely. “From palaces to a damned cowshed,” he grumbled, walking out of the empty stall he’d slept in. As he passed Attila’s stall, a hoof punched out with deadly aim, narrowly missing Jake’s thigh. “That’ll cost you an early breakfast, you miserable piece of living glue,” he spat, and then he took considerable pleasure in feeding the other two horses while the black looked on. “You’ve put me in a sour mood,” he said cheerfully as the jealous horse shifted angrily while the other two steeds were fed. “Maybe if it improves later on, I’ll feed you.

The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.

Todos los animales son iguales, pero hay unos que son más iguales que otros.

hay farms, scrub forest, and some bald-looking areas of

I’m sorry. About earlier.” I took another bite. Another sip. “You’ve nothing to be sorry for.” Yet I wondered what he meant. Three quick bites and my pie disappeared, my fork clattering into the empty pan. “It’s not any of my business what you do with your life.” “No, it isn’t.” I wrapped one hand around my warm cup and lifted it to my lips. “But do you mind if I ask what you intend to do with it?” Uncertainty colored his voice. Was he afraid to hear my answer or afraid he couldn’t restrain comment on it? I cleared my throat, uncomfortable now, even with the cover of night over our faces. Yet something in me needed to talk. And Frank might understand. He’d lost his love, even if part of his dream remained intact. “I’m not sure, exactly. I thought God had made it very plain. Now I don’t know.” Quiet filled the room. Then his chair creaked. I took a deep breath. “I’ve lived on a farm my whole life. But I’ve always wanted to live somewhere else. Somewhere big, with lots going on. My brother, Will, he got to see the world, to do something important. Like you did. I want the same opportunity.” More silence. “The world is changing so fast. I don’t want to miss it.” His boots shuffled against the floor. “I can see how you’d feel that way. But I guess it depends on how you define ‘important.’ ” I shrugged. “Same as everyone, I guess. Something big. Something lasting.” His shadow leaned against the Wilson cabinet now. “I think tending my farm and raising my children are the most worthwhile things I can do. So did Clara. That’s why we agreed I should go to France. To make the world a safer place for them.” My insides jiggled. Perhaps a late-night snack hadn’t been such a good idea. I pushed back my chair. “I’d better get some sleep. The children will be up early.” “I’ll be praying for you, Rebekah.” His voice rumbled from nearby. I could feel the heat from his body, smell the scent of fresh hay on his clothes. He took the dishes from my hand. “I’ll clean up.” I nodded, even though I doubted he could see my response.

Focusing on the romance arc does not excuse you from having an external plot altogether, though. I prefer to frame this plotline as external goals. What do your characters want? This might change as the book goes on, but they should always have an agenda, and if you want a page turner, it should conflict with the external goal of the other main character. Examples of how external goals change: Dorothy wants to run away from the farm, and then spends the rest of the movie trying to get back to it.

Finally, Stevie sat down with Nate at the farm table for five hours and side by side, passing the computer back and forth, they assembled ten pages of script. The scene opened in a tunnel, with Hayes reading the Truly Devious letter. Then it went to the scene of the ransom drop, with Hayes playing Albert Ellingham. How Hayes was going to play Albert Ellingham, a man thirty years his senior, was not their problem.

The houses were left vacant on the land and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming were alive, and they were alive with metal and gasoline and oil, discs of the plows shining. The tractors had lights shining, for there is no day and night for a tractor, and the discs turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn, there is a life and vitality left. There is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn and the heat and smell of life, but when the motor of a tractor stops it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy, that the wonder goes out of work. So efficient, that the wonder goes out of land, the working of it, and with the wonder, the deep understanding and the relation. And in the tractor man the grows the contempt that comes only to a stranger who has little understanding and no relation, for nitrates are not the land, nor phosphates, and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt, water, nor calcium. He is all these, but he is much more, much more. And the land is so much more than its analysis. The man who is more than his chemistry walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch, that man who is more than his elements knows the land that is more than it's analysis. But the machine man, driving a dead tractor on land he does not know and love understands only chemistry, and he is contemptuous of the land and of himself. When the corrugated iron doors are shut he goes home, and his home is not the land.

Feeding the urban fleet of horses hay and grain supported many thousands of farmers. An idle riding horse in New York City required about 9,000 calories of oats and hay per day. A draft horse in the same city working in construction required almost 30,000 calories of the same feeds. Annually, each draft horse consumed about 3 tons of hay and 62.5 bushels (1 ton) of oats. It took roughly four acres of good farmland to supply a working city horse that year’s worth of feed.9 At the beginning of the nineteenth century, when cities in America were limited largely to the East Coast, farmers seldom transported bulky loose hay more than twenty to thirty miles to city markets.10 The commercialization of the hay press in the 1850s, operated by hand or by horse-powered sweep, reduced the bulk and thus lowered the cost of shipping hay, while the opening of the Midwest’s tallgrass prairies to settlement and farming in the intervening years met the increasing demand for horse feed. By 1879, national hay production totaled 35 million tons, a figure that had nearly tripled to 97 million tons by 1909. More than half the land in New England was devoted to hay by 1909 as well, and at least twenty-two states harvested more than a million acres a year of hay and forage.11 The mechanization of American agriculture with horse-drawn or horse-powered machinery supported this vast expansion.

Etymologically, paroikia (a compound word from para and oikos) literally means “next to” or “alongside of the house” and, in a technical sense, meant a group of resident aliens. This sense of “parish” carried a theological context into the life of the Early Church and meant a “Christian society of strangers or aliens whose true state or citizenship is in heaven.” So whether one’s flock consists of fifty people in a church which can financially sustain a priest or if it is merely a few people in a living room whose priest must find secular employment, it is a parish. This original meaning of parish also implies the kind of evangelism that accompanies the call of a true parish priest. A parish is a geographical distinction rather than a member-oriented distinction. A priest’s duties do not pertain only to the people who fill the pews of his church on a Sunday morning. He is a priest to everyone who fills the houses in the “cure” where God as placed him. This ministry might not look like choir rehearsals, rector’s meetings, midweek “extreme” youth nights, or Saturday weddings. Instead, it looks like helping a battered wife find shelter from her abusive husband, discretely paying a poor neighbor’s heating oil bill when their tank runs empty in the middle of a bitter snow storm, providing an extra set of hands to a farmer who needs to get all of his freshly-baled hay in the barn before it rains that night, taking food from his own pantry or freezer to help feed a neighbor’s family, or offering his home for emergency foster care. This kind of “parochial” ministry was best modeled by the old Russian staretzi (holy men) who found every opportunity to incarnate the hands and feet of Christ to the communities where they lived. Perhaps Geoffrey Chaucer caught a glimpse of the true nature of parish life through his introduction of the “Parson” in the Prologue of The Canterbury Tales. Note how the issues of sacrifice, humility, and community mentioned above characterize this Parson’s cure even when opportunities were available for “greater” things: "There was a good man of religion, a poor Parson, but rich in holy thought and deed. He was also a learned man, a clerk, and would faithfully preach Christ’s gospel and devoutly instruct his parishioners. He was benign, wonderfully diligent, and patient in adversity, as he was often tested. He was loath to excommunicate for unpaid tithes, but rather would give to his poor parishioners out of the church alms and also of his own substance; in little he found sufficiency. His parish was wide and the houses far apart, but not even for thunder or rain did he neglect to visit the farthest, great or small, in sickness or misfortune, going on foot, a staff in his hand… He would not farm out his benefice, nor leave his sheep stuck fast in the mire, while he ran to London to St. Paul’s, to get an easy appointment as a chantry-priest, or to be retained by some guild, but dwelled at home and guarded his fold well, so that the wolf would not make it miscarry… There was nowhere a better priest than he. He looked for no pomp and reverence, nor yet was his conscience too particular; but the teaching of Christ and his apostles he taught, and first he followed it himself." As we can see, the distinction between the work of worship and the work of ministry becomes clear. We worship God via the Eucharist. We serve God via our ministry to others. Large congregations make it possible for clergy and congregation to worship anonymously (even with strangers) while often omitting ministry altogether. No wonder Satan wants to discredit house churches and make them “odd things”! Thus, while the actual house church may only boast a membership in the single digits, the house church parish is much larger—perhaps into the hundreds as is the case with my own—and the overall ministry is more like that of Christ’s own—feeding, healing, forgiving, engaging in all the cycles of community life, whether the people attend

Outside, the sweet smell of freshly cut alfalfa hay was a welcome change from the odours of sweat and cheap cologne on the dance floor.

Pumpkins are just like everything else in nature,” said Papa Bear as he and the cubs finished weeding the pumpkin patch. “No two of them are exactly alike.” “That’s for sure,” agreed Brother Bear. “Look at that funny flat one and that lumpy one over there.” Then there was The Giant, which is what Papa had named one that just seemed to be getting bigger and bigger. “Why is it that no two things are exactly alike?” asked Sister Bear. “It’s just the way nature is,” answered Papa. “Time to wash up for supper!” called Mama Bear from the tree house steps. “What about Queenie McBear’s twin brothers?” asked Sister. “They certainly look a lot alike,” said Papa. “But I’ve noticed that Mrs. McBear can tell them apart quite easily.” “In you go,” said Mama, shooing her family into the house. But Sister didn’t go right in. She stood on the stoop for a moment and looked out over Bear Country. It was well into fall, so the days were getting shorter. Halloween had come and gone. Pretty soon the Bears would start thinking about Christmas. But right now Bear Country was aglow in the setting sun. Farmer Ben’s well-kept farm looked especially fine, with its baled hay, corn shocks, and pumpkins casting long shadows. “I guess nature’s pretty amazing,” Sister said as she looked out over the beautiful scene. “It’s the most amazing thing there is,” said Mama.

Charles, a footman who had once worked on his father's farm and who loved animals, appeared and came over to help her prepare dishes of boiled chicken and brown rice for the cats and dogs waiting eagerly at their feet. When guests were staying, Charles often assisted with the care of her furry brood. Without asking, he set to work, even taking a few moments to gather fresh meat scraps for Aeolus, her wounded hawk, and cut-up apple and beetroots for Poppy, a convalescing rabbit who had an injured leg. He gave her several more apple quarters for the horses, who got jealous if she didn't bring them treats as well. Once all her cats and dogs were fed, Esme set off for the stables, laden pail in hand, Burr trotting at her heels. She stopped along the way to chat with the gardener and his assistant, who gave her some timothy grass, comfrey and lavender to supplement the hay she regularly fed Poppy.

It's when you have a roll in the hay that you inadvertently discover the needle in the haystack.

Meanwhile life was hard. The winter was as cold as the last one had been, and food was even shorter. Once again all rations were reduced, except those of the pigs and the dogs. A too rigid equality in rations, Squealer explained, would have been contrary to the principles of Animalism. In any case he had no difficulty in proving to the other animals that they were NOT in reality short of food, whatever the appearances might be. For the time being, certainly, it had been found necessary to make a readjustment of rations (Squealer always spoke of it as a “readjustment,” never as a “reduction”), but in comparison with the days of Jones, the improvement was enormous. Reading out the figures in a shrill, rapid voice, he proved to them in detail that they had more oats, more hay, more turnips than they had had in Jones’s day, that they worked shorter hours, that their drinking water was of better quality, that they lived longer, that a larger proportion of their young ones survived infancy, and that they had more straw in their stalls and suffered less from fleas. The animals believed every word of it.

Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken to my joyful tidings Of the golden future time. Soon or late the day is coming, Tyrant Man shall be o’erthrown, And the fruitful fields of England Shall be trod by beasts alone. Rings shall vanish from our noses, And the harness from our back, Bit and spur shall rust forever, Cruel whips no more shall crack. Riches more than mind can picture, Wheat and barley, oats and hay, Clover, beans, and mangel-wurzels Shall be ours upon that day. Bright will shine the fields of England, Purer shall its waters be, Sweeter yet shall blow its breezes On the day that sets us free. For that day we all must labour, Though we die before it break; Cows and horses, geese and turkeys, All must toil for freedom’s sake. Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken well and spread my tidings Of the golden future time.

Around the time of the summer solstice, when the sun shines brightest on our little corner of the world, field after field of hay is cut, baled and carted away in a non-stop parade of wagons, up and down the rural routes.

Agricultural education is still overwhelmingly about change and innovation, and "disruption," not what is sustainable and what will work in the long run. From the modernizing perspective, the student in my hay meadow was right. The current economics of farming are such that almost no genuinely sustainable farming is profitable at present. Farming for nature is economic suicide. Produce meat at a greater cost than intensively produced chicken or pork and you are considered an anachronism on the supermarket shelf.     I have to ignore my accounts in this bid for good husbandry and hope the rest of the world comes to its senses someday soon. Of course this is no basis for a sound system, but I decided years ago that if I had to work off the farm to top up our income, to enable me to look after our land properly, than I would. There is nothing new in having to adapt and earn a crust away from the farm. I know that if we are too proud, too stubborn, and too unbending, then we will be finished.

And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence of education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.

And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old-fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence or education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.

Josie's favorite spot on the farm was the big red hip roof barn. Eighty years old, it greeted Josie each morning with its broad red face. Its nose the hayloft door, its eyes the widely spaced upper windows, and its mouth the entry large enough to drive a truck through. The barn smelled of sun-warmed sweet hay and tractor oil. It smelled of dust motes and goats. Josie filled the wooden feed bunks that ran down the center of the barn with feed. Josie filled a small bucket with pellets while Becky ran from corner to corner, searching for the mama cat and her kittens. They were squirreled away somewhere, nowhere to be found. Josie and Becky walked back outside to where the barn opened up into a fenced area where the thirty-odd goats spent the day. When they heard the bucket bumping against her leg, the goats came running on their spindly legs. Josie and Becky reached into the bucket for the pellets and slid their hands through the fence, their palms laid flat. Becky laughed at their black caterpillar-shaped eyes and humanlike bellows.

Josie got to the final bunker and started pouring in the grain when a putrid odor filled her nose. She covered her face with her hand. Goats had a strong scent, especially the billy goats, but that wasn't what she smelled. It was a distinctive odor. Animals were always dying on the farm. Whether it be a goat, chicken, or a nighttime visitor like a possum or raccoon, animals died, and their stink was unmistakable. Josie knew that she couldn't let the goats feed from bunks that contained a carcass. She was carefully pawing through the three feet of hay that lined the bottom of the bunk in search of the animal when she saw it. The deep indigo of denim. Josie paused. It was so out of place, so foreign a sight, it took a moment for her to register what she was seeing.

When my father's younger brother Jim was demobbed from the war, he helped to build up the farm with a new cowshed and a barn for the hay. My first memories are of the enormous backsides of the cows, the collecting of bantam eggs and the warm safety of the kitchen where Grandma Bunyan baked bread in the big black cast-iron cooking range, and churned the butter. I always imagined this was her way of life, only later realising that she was recreating scenes from her own childhood - as I would go on to do from these moments in mine.

splash of my signature perfume: it had notes of mud, manure, hay, and sweat. The

Hardys set off for the Morton farm at five o’clock. When they arrived, the group learned that Chet had piled hay into his father’s truck, so they could all go on an old-fashioned hayride to the amusement park. “Len is going to drive us,” Iola announced. A big cheer went up from the boys. Len Wharton, a good-natured former cowboy, had recently come to work at the Morton place. Len grinned. “Shucks, I figured that if I was seventeen I sure wouldn’t want to be stuck with the drivin’” Zigzagging through the back-country roads, Len stretched the trip to Elkin

Glancing in the rearview mirror, Hanna saw her walking back to the house with a spring in her step. It had only been a few minutes spent with an acquaintance but the human contact and the prospect of a couple of books to read and chat about had obviously made her day. No matter how isolated the scattered farms and villages on the peninsula might seem, there was a web of personal and communal relationships that linked people together, offering mutual support.

Publishers Weekly, September 9, 2022 The Donkey’s Song: A Christmas Nativity Story "The humble donkey that transported Mary to the Bethlehem stable describes the sights, smells, and sounds it experiences in this peaceful imagining of Jesus’s birth. Using short rhyming stanzas and reiterative phrasing (“A bit of a manger,/ a bit of snug hay,/ a bit of a soft, silent night”), debut author Kellum creates an understated tone matched by Hanson’s pastoral scenes, which are gently washed in light. Friendly-faced farm animals—including the large-headed donkey and a kind, sprightly mouse—fill most of the spreads, leading in closing pages to the donkey’s moving song: “I lifted my head/ above His hay bed...// ...and sang of this morning of grace.” A sweet and gentle introduction to the nativity story". Ages 3–7. (Oct.) - Publishers Weekly

carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of

new people who help her. Will Anna adjust to living in a farm house with the minimum of amenities?

The narrative and theological force of this story is analogous to that of the saying, “Truly I tell you, the tax collectors and the prostitutes are going into the kingdom of God ahead of you” (Matt. 21:31); just as that saying does not necessarily commend extortionate tax-farming and prostitution as continuing practices, so these stories about centurions cannot be read as endorsements of military careers for Christians.

century ago, the typical Iowa farm raised more than a dozen different plant and animal species: cattle, chickens, corn, hogs, apples, hay, oats, potatoes, cherries, wheat, plums, grapes, and pears. Now it raises only two: corn and soybeans.

Water problems in the western United States, when viewed from afar, can seem tantalizingly easy to solve: all we need to do is turn off the fountains at the Bellagio, stop selling hay to China, ban golf, cut down the almond trees, and kill all the lawyers.

Next I met Lionel Robard, the farm’s other full-time employee. He proved an acerbic towheaded man a few years younger than myself. Lean and weathered and handsome like a guy who should’ve made it onto the silver screen but never did. Definitely an ex-soldier. Something in the flick of his cold glance, how he appraised me without seeming to, hinted at Special Forces. He was pitching hay when we came across him.

I long for time," he lamented in his journal, "to study agricultural chemistry and make experiments with soils and forces." Garfield finally got his wish during his presidential campaign. Although he argued that he should "take the stump and bear a fighting share in the campaign," traveling from town to town and asking for votes was considered undignified for a presidential candidate. Abraham Lincoln had not given a single speech on his own behalf during either of his campaigns, and Rutherford B. Hayes advised Garfield to do the same. "Sit crosslegged," he said, "and look wise." Happily left to his own devices, Garfield poured his time and energy into his farm.