Hawthorne Famous Quotes

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Proust is famous for his rhapsodies on hawthorns but his book has only three of these, whereas there are thirteen scenes in brothels, one especially detailed episode running to more than forty pages. Few critics mention the brothels but they are more fun than the hawthorns.
Michael Foley (Embracing the Ordinary: Lessons From the Champions of Everyday Life)
With your pardon, sir,” replied Dr. Clarke, a physician and a famous champion of the popular party, “whatever the heralds may pretend, a dead beggar must have precedence of a living queen. King Death confers high privileges.
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne)
It is the rare young writer who does not fall in love with the idea of becoming famous, and Melville was no exception. When he remarked years later to Hawthorne that no man “who is wise, will expect appreciative recognition from his fellows,” he was reproving his younger self for having craved it.
Andrew Delbanco (Melville: His World and Work)
It tastes like you,” he said. The heat rushed into my face. “Uh, yeah, my lip balm…same flavor.” “I think it just became my favorite ice cream.” Ookaay. So was that an endorsement of my kiss? “You say that like you’d never tried it before.” “I hadn’t.” I stared at him. “It’s one of their most famous. How could you not try it?” “I’m not into trends. Just because someone else is doing it, doesn’t mean I want to.” I glanced down at the ice cream melting in the carton. I remembered his taste--root beer. And Mac’s? I really couldn’t say. It was rare when I didn’t delve into ice cream with gusto. “Earlier you said you and Mac had talked about me. What exactly?” “Just usual guy stuff.” “Like what?” “How much he likes you.” My insecurities were circling. “Did he like me before Dave and Bubba’s, before Tiffany put me through the extreme makeover?” “Why wouldn’t he?” He sounded completely baffled, like maybe I’d just asked a Tiffany-style question. “Okay, look, earlier, when I mentioned being honest, I just wanted to say that it was weird kissing Mac in front of you, because I don’t kiss guys in front of people. So, anyway, I just wanted you to know that.” “Consider it known.” “Okay then.” I got up. “Do you want me to leave this with you?” “Sure you don’t mind?” “Nah.” I handed him the carton and spoon. “Enjoy.” My offer wasn’t totally generous. I took perverse pleasure at the thought he’d think about me with each bite. I wondered if maybe he might have been my date tonight if he wasn’t living in my house. Would it be rude to ask him to move out?
Rachel Hawthorne (The Boyfriend League)
these stories of palaces in Venice, yachts on the Mediterranean, and high play at Monte Carlo appealed to his fancy, and he was interested in the triumphs of cash boys who had become famous, though he had no mind for the cash-boy stage.
Paul Negri (Great American Short Stories: Hawthorne, Poe, Cather, Melville, London, James, Crane, Hemingway, Fitzgerald, Bierce, Twain & more (Dover Thrift Editions: Short Stories))
Star quality is hard to define, but I’ve met many young actors before they’ve become famous and they’ve all had it. It’s not exactly physical. It’s not even a force of personality. It’s just a sense of being different; the prescience that one day, quite soon, they’re going to be loved.
Anthony Horowitz (The Twist of a Knife (Hawthorne & Horowitz #4))
After about a minute, we emerged into an estate that could have been described as a kingdom in itself. Moxham Hall was a sprawling, nineteenth-century manor surrounded by perfectly striped lawns reaching as far as a low metal railing. Miles of grassland stretched out on the other side, different shades of green rising and falling over hills and continuing as far as the eye could see. As we swung round an improbable white marble fountain – Neptune holding a trident, fighting off an army of cupids and dolphins – my eyes took in rose gardens, ornamental gardens, vegetable gardens and rockeries. And there was the famous helicopter pad, a white H stamped into a circle of mauve asphalt. My first impression was that the house was beautiful, with its patterned brick and limestone façade, the rows of symmetrical windows, the grey tiles and chimneys. But as we drew closer, I noticed the modern additions: the out-of-scale conservatory, the fake portico around the front door, the glass and steel shell surrounding the swimming pool. There was something a little soulless about Moxham Hall. I could imagine it being rented out as a posh wedding venue. It wasn’t somewhere I would want to live.
Anthony Horowitz (The Twist of a Knife (Hawthorne & Horowitz #4))
I was introduced to haikus when I was at school. I wasn’t a particularly bright child and I remember liking them because they were so short. It was Matsuo Bashō in the seventeenth century who made them famous. An ancient pond / A frog jumps in / The splash of water. It’s one of the few poems I can still quote in its entirety, although in the original Japanese it has five syllables in the first line, seven in the second and then another five in the third. That’s the whole point.
Anthony Horowitz (The Sentence is Death (Hawthorne & Horowitz #2))
The first and still the most famous locked-room mystery is said to be The Murders in the Rue Morgue, written in 1841 by Edgar Allan Poe, the man who inspired Sherlock Holmes. Here, a mother and a daughter are brutally murdered in their flat, the daughter stuffed up a chimney, but the door and the shutters are securely fastened from inside and the flat is four floors up from the street, with no way to climb in. The story has a great ending, but one that doesn’t really play fair. I’m not sure a modern writer would get away with it.
Anthony Horowitz (Close to Death (Hawthorne & Horowitz, #5))