Haul Quotes

Or maybe a person is just made up of a lot of people,” I say. “Maybe we’re accumulating these new selves all the time.” Hauling them in as we make choices, good and bad, as we screw up, step up, lose our minds, find our minds, fall apart, fall in love, as we grieve, grow, retreat from the world, dive into the world, as we make things, as we break things.

We are not going to die." Butters stared up at me, pale, his eyes terrified. "We're not?" "No. And do you know why?" He shook his head. "Because Thomas is too pretty to die. And because I'm too stubborn to die." I hauled on the shirt even harder. "And most of all because tomorrow is Oktoberfest, Butters, and polka will never die.

Stop fighting me!" he said, trying to pull on the arm he held. He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me. “Let go of me!” I yelled back. But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again. See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free. I looked him in the eye. "I will always love you." Then I plunged the stake into his chest. It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one. "That’s what I was supposed to say. . .” he gasped out. Those were his last words.

Let me love you," he says hoarsely. "Yes," I answer, and turning, he hauls me into his arms, his lips seeking mine, beseeching me, worshipping me, cherishing me...loving me.

Life is never going to be boring with Christian, and I’m in this for the long haul. I love this man: my husband, my lover, father of my child, my sometimes Dominant……my Fifty Shades.

Forgiveness doesn't sit there like a pretty boy in a bar. Forgiveness is the old fat guy you have to haul up a hill.

Oh, I can never get enough," he said. "Which, incidentally, is what your sister said to me when - " The carriage door flew open. A hand shot out, grabbed Will by the back of the shirt, and hauled him inside. The door banged shut after him, and Thomas, sitting bolt upright, seized reins of the horses. A moment later the carriage had lurched forth into the night, leaving Gabriel staring, infuriated, after it.

The cord, a familiar voice said. Remember your lifeline, dummy! Suddenly there was a tug in my lower back. The current pulled at me, but it wasn't carrying me away anymore. I imagined the string in my back keeping me tied to the shore. "Hold on, Seaweed Brain." It was Annabeth's voice, much clearer now. "You're not getting away from me that easily." The cord strengthened. I could see Annabeth now- standing barefoot above me on the canoe lake pier. I'd fallen out of my canoe. That was it. She was reaching out her hand to haul me up, and she was trying not to laugh. She wore her orange camp T-shirt and jeans. Her hair was tucked up in her Yankees cap, which was strange because that should have made her invisible. "You are such an idiot sometimes." She smiled. "Come on. Take my hand." Memories came flooding back to me- sharper and more colorful. I stopped dissolving. My name was Percy Jackson. I reached up and took Annabeth's hand.

Raphael snapped, "This isn't funny." "That's why no one's laughing." Jace stood, hauling Raphael upright, jamming the tip of his knife between Raphael's shoulder blades.

He would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds . . .

Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Roosevelt’s eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they haven’t time to read.

I didn't know this before, but as it turns out, Tyrannosaurs can really haul ass.

We let off a Dungbomb in the corridor and it upset him for some reason—" "So he hauled us off to his office and started threatening us with the usual—" "—detention—" "—disembowelment—

Those who make us believe that anything’s possible and fire our imagination over the long haul, are often the ones who have survived the bleakest of circumstances. The men and women who have every reason to despair, but don’t, may have the most to teach us, not only about how to hold true to our beliefs, but about how such a life can bring about seemingly impossible social change.

I spent most of my youth hauling sides of beef and pork to my father's shop. Carrying you is far more enjoyable." "How sweet," Annabelle mumbled sickly, her eyes closed. "Every woman dreams of being told that she's preferable to a dead cow.

Oh, I can never get enough," he said. "Which, incidentally, is what your sister said to me when-" The carriage door flew open. A hand shot out, grabbed Will by the back of the shirt, and hauled him inside.

His feelings for Adam were an oil spill; he’d let them overflow and now there wasn’t a damn place in the ocean that wouldn’t catch fire if he dropped a match. <...> “Headlights? That’s hardcore, Parrish.” Ronan held out his hand; Adam took it. Ronan hauled him up, his mind all palm against palm, thumb crossed over thumb, fingers pressed into wrist bone – and then Adam was facing him and he released his hand. The ocean burned.

Will tossed the bloody cloth aside. “And you wonder why we aren’t friends.” “I just wondered,” Gabriel said, in more subdued voice, “if perhaps you have ever had enough.” “Enough of what?” “Enough of behaving as you do.” Will crossed his arms over his chest. His eyes glistening dangerously. “Oh, I can never get enough,” he said. “Which, incidentally, is what your sister said to me when─” The carriage door flew open. A hand shot out, grabbed Will by the back of his shirt, and hauled him inside.

A loving soul was always more beautiful over the long haul, but actual prettiness was fleeting.

He wasn't into one-night stands, he wasn't into scoring just to see if he could, he wasn't into acting just charming enough to get what he wanted before cutting loose in favor of someone new and attractive. He just wasn't like that. He would never be like that. When he met a girl, the first question he asked himself wasn't whether she was good for a few dates; it was whether she was the kind of girl he could imagine spending time with in the long haul.

Jacks’s chest was heaving, his clothes were soaked, his hair was a mess across his face—yet in that moment, Evangeline knew he would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls had died from his lips. If Jacks hadn’t betrayed her, if he hadn’t set her up for murder, she might have been a little bewitched by him.

I guess we'd better move the trash. We can start with the Dumpster." He pointed at it, looking distinctly unenthusiastic. "You'd rather face a ravening horde of demons, wouldn't you?" Clary said. "At least they wouldn't be crawling with maggots. Well," he added thoughtfully, "not most of them, anyway. There was this one demon, once, that I tracked down to the sewers under Grand Central—" "Don't." Clary raised a warning hand. "I'm not really in the mood right now." "That's got to be the first time a girl's ever said that to me," Jace mused. "Stick with me and it won't be the last." The corner of Jace's mouth twitched. "This is hardly the time for idle banter. We have garbage to haul.

I haul around and slap him. It’s a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning.

My daddy always told me to just do the best you knew how and tell the truth. He said there was nothin to set a man’s mind at ease like wakin up in the morning and not havin to decide who you were. And if you done somethin wrong just stand up and say you done it and say you’re sorry and get on with it. Don’t haul stuff around with you.

Nico had proven himself in other ways. He'd kept the camps' secrets for the best of reasons, because he feared a war. He had plunged into Tartarus alone, voluntarily, to find the Doors of Death. He'd been captured and imprisoned by giants. He had led the crew of the Argo II into the House of Hades…and now he had accepted yet another terrible quest: raking himself to haul the Athene Parthenos back to Camp Half-Blood.

November 20. Andrius's birthday. I had counted the days carefully. I wished him a happy birthday when I woke and thought about him while hauling logs during the day. At night, I sat by the light of the stove, reading Dombey and Son. Krasivaya. I still hadn't found the word. Maybe I'd find it if I jumped ahead. I flipped through some of the pages. A marking caught my eye. I leafed backward. Something was written in pencil in the margin of 278. Hello, Lina. You've gotten to page 278. That's pretty good! I gasped, then pretened I was engrossed in the book. I looked at Andrius's handwritting. I ran my finger over this elongated letters in my name. Were there more? I knew I should read onward. I couldn't wait. I turned though the pages carefully, scanning the margins. Page 300: Are you really on page 300 or are you skipping ahead now? I had to stifle my laughter. Page 322: Dombey and Son is boring. Admit it. Page 364: I'm thinking of you. Page 412: Are you maybe thinking of me? I closed my eyes. Yes, I'm thinking of you. Happy birthday, Andrius.

What welcome?” Magnus asked. “I’d say it was a pleasure to meet you, but it wasn’t. Not that you aren’t all fairly charming, and as for you—” He dropped a glittery wink at Alec, who looked astounded. “Call me?” Alec blushed and stuttered and probably would have stood there all night if Jace hadn’t grasped his elbow and hauled him toward the door, Isabelle at their heels.

I guess we're even,Sadie.First,Walt and I rushed off to save you in London.Then,you and Walt rushed off to save me.The only one who got shafted on both deals was Walt.Poor guy gets hauled all over the world pulling us out of trouble

Will nodded toward Hadrian. “Look at the swords he’s carrying. A man wearing one—maybe he knows how to use it, maybe not. A man carries two—he probably don’t know nothing about swords, but he wants you to think he does. But a man carrying three swords—that’s a lot of weight. No one’s gonna haul that much steel around unless he makes a living using them.

Ever consider what pets must think of us? I mean, here we come back from a grocery store with the most amazing haul - chicken, pork, half a cow. They must think we're the greatest hunters on earth!

I once heard a story about a girl who requested something so vile from her paramour that he told her family and they had her hauled her off to a sanatorium. I don’t know what deviant pleasure she asked for, though I desperately wish I did. What magical thing could you want so badly they take you away from the known world for wanting it?

Curiosity can bring guts out of hiding at times, maybe even get them going. But curiosity usually evaporates. Gust have to go for the long haul. Curiosity's like a fun friend you can't really trust. It turns you on and then it leaves you to make it on your own - with whatever guts you can muster

Keep a journal, and don't assume that your work has to accomplish anything worthy: artists and peace-workers are in it for the long haul, and not to be judged by immediate results.

This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping. And I do believe that if your culture or tradition doesn't have the specific ritual you are craving, then you are absolutely permitted to make up a ceremony of your own devising, fixing your own broken-down emotional systems with all the do-it-yourself resourcefulness of a generous plumber/poet.

If you want to stay in for the long haul, and lead a life that is free from illusions either propagated by you or embraced by you, then I suggest you learn to recognize and avoid the symptoms of the zealot and the person who knows he is right. For the dissenter, the skeptical mentality is at least as important as any armor of principle.

I am a sailor, you're my first mate We signed on together, we coupled our fate Hauled up our anchor, determined not to fail For the heart's treasure, together we set sail With no maps to guide us, we steered our own course Rode out the storms when the winds were gale force Sat out the doldrums in patience and hope Working together, we learned how to cope. Life is an ocean and love it a boat In troubled waters it keeps us afloat When we started the voyage there was just me and you Now gathered round us we have our own crew Together we're in this relationship We built it with care to last the whole trip Our true destination's not marked on any chart We're navigating the shores of the heart

He was handsome, like Po, and confident, like Po, and so much more authoritative in his bearing than Po could ever be. But - this Katsa came gradually to understand - he was not drunk on his power. He might never dream of helping a sailor to haul a rope, but he would stand with the sailor interestedly while the sailor hauled the rope, and ask him questions about the rope, about his work, his home, his mother and father, his cousin who spent a year once in the lakes of Nander. It struck Katsa that there was a thing she'd never encountered: a king who looked at his people, instead of looking over their heads, a king who saw outside himself.

Fairy tales are full of girls who wait, who endure, who suffer. Good girls. Obedient girls. Girls who crush nettles until their hands bleed. Girls who haul water for witches. Girls who wander through deserts or sleep in ashes or make homes for transformed brothers in the woods. Girls without hands, without eyes, without the power of speech, without any power at all. But then a prince rides up and sees the girl and finds her beautiful. Beautiful, not despite her suffering, but because of it.

I’m only doing this,” he said, “because I really love hiding in haunted Eldren buildings on dark and creepy nights.” “You’re a liar,” said Jean, slowly. “I’m only doing this because I’ve always wanted to see Bug get eaten by an Eldren ghost.” “Liar,” said Calo. “I’m only doing this because I fucking love hauling half a ton of bloody coins up out of a vault and packing them away on a cart.” “Liar!” Galdo chuckled. “I’m only doing this because while you’re all busy elsewhere, I’m going to go pawn all the furniture in the burrow at No-Hope Harza’s.” “You’re all liars,” said Locke as their eyes turned expectantly to him. “We’re only doing this because nobody else in Camorr is good enough to pull this off, and nobody else is dumb enough to get stuck doing it in the first place.” “Bastard!” They shouted in unison, forgetting their surroundings for a bare moment.

for how many years have you gone through the house shutting the windows, while the rain was still five miles away and veering, o plum-colored clouds, to the north away from you and you did not even know enough to be sorry, you were glad those silver sheets, with the occasional golden staple, were sweeping on, elsewhere, violent and electric and uncontrollable-- and will you find yourself finally wanting to forget all enclosures, including the enclosure of yourself, o lonely leaf, and will you dash finally, frantically, to the windows and haul them open and lean out to the dark, silvered sky, to everything that is beyond capture, shouting i'm here, i'm here! now, now, now, now, now.

Sometimes it feels as if everything in life is just something we haul into the grave.

If you bleed all over my floors trying to escape, I'll be forced to track you down and haul you back here to clean them." I blink. It's so close to what I was thinking that it's almost eerie. "You are the strangest man I've ever met." Now it's his turn to give me a wary look. "What?" "Exactly. What? What kind of threat is that? You're worried about your floors?" "They're nice floors.

Forgiveness is this act of love where you say to someone, ‘You’re an imperfect being and I still love you.’ You want to have this energy of ‘We’re not giving up on each other; we’re in this for the long haul. You hurt me. And, yes, I hurt you. And I’m sorry, but you’re still mine.’ 

Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach.

All right ... anyone who gets into one of these cars outside is in it for the long haul … If you even think you’re not ready to put your life on the line for everyone here, then you stay behind. If you screw us out there, I will end you.” He flashed a rather charming smile. “And I will probably enjoy it.

Writing is an affair of yearning for great voyages and hauling on frayed ropes.

Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.

I blinked at the haul. "Are you planning to go to war? Sure you don't want to pack an assault riffle as well?" He looked up from the bag. "You have met yourself, right?" "So should I get a gun too?" "I'd fear the day.

I ejaculated about ten minutes ago and the stuff was black. So everything is not normal." Silence greeted that happy little announcement. Man, if he had hauled off and sucker-punched V, he would have gotten less of a shocked-out reaction.

She didn't dare to look up, but she could feel their frightened eyes hanging onto her as she hauled the words in and breathed them out. A voice played the notes inside her. This, it said, is your accordion.

We’re all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world

Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up.

Nope.' He sat back. 'Just been there, done that. Done that getting hauled to the police station thing because of it, too.I appreciate your quest and everything, but I have to draw the line somewhere.' 'Wait,' I said, holding up my hand. 'My quest?' He turned to look at me. We were at a red light, no other cars were anywhere in sight. 'Yeah,' he said. 'You know, like in Lord of the Rings, or Star Wars. You're searching for something you lost or need. It's a quest.' I just looked at him. 'Maybe it's a guy thing,' he said. 'Fine, don't call it a quest. Call it chicken salad, I don't care. My point is, I'm in, but within reason. That's all I'm saying.

Aelin ran for Manon, leaping over the fallen stones, her ankle wrenching on loose debris. The island rocked with her every step, and the sunlight was scalding, as if Mala were holding that island aloft with every last bit of strength the goddess could summon in this land. Then Aelin was upon Manon Blackbeak, and the witch lifted hate-filled eyes to her. Aelin hauled off stone after stone from her body, the island beneath them buckling. "You're too good a fighter to kill," Aelin breathed, hooking an arm under Manon's shoulders and hauling her up. The rock swayed to the left-but held. Oh, gods. "If I die because of you, I'll beat the shit out of you in hell." She could have sworn the witch let out a broken laugh as she got to her feet, nearly dead weight in Aelin's arms.

Dex was taller than me, and as he pressed me against him, he actually hauled me up on my tiptoes. His arm was around my waist, his other hand plunged into my hair, and he was kissing me. I mean, really, really kissing me. I was kissing him back. And I was good at it.

Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.

Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.

How you are in this place that has been sealed since the time of Caesar Augustus?" one of the archaeologists demanded in amazement. "I was looking for my sister," Dan quipped. "Your sister?" "Oh—here she is." Dan reached through the opening and hauled out an equally grubby Amy.

Rhys said, “We will walk onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today …” His chin lifted. “The great joy and honor of my life has been to know you. To call you my family. And I am grateful—more than I can possibly say—that I was given this time with you all.

Yes, and the body has memory. The physical carriage hauls more than its weight. The body is the threshold across which each objectionable call passes into consciousness—all the unintimidated, unblinking, and unflappable resilience does not erase the moments lived through, even as we are eternally stupid or everlastingly optimistic, so ready to be inside, among, a part of the games.

Now I want you to listen to me," he said in a low voice, taking her chin in his hand and forcing her to look at him. "And listen carefully, because I'm only going to say this once. You are going to marry me before this week is out. Since you have conveniently run off to Scotland, we don't need a special license. You're just lucky I don't haul you off to a church right this instant. Get yourself a dress and get yourself some flowers, because, sweeetheart, you're getting yourself a new name.

Or maybe a person is just made up of a lot of people,” I say. “Maybe we’re accumulating these new selves all the time.” Hauling them in as we make choices, good and bad, as we screw up, step up, lose our minds, find our minds, fall apart, fall in love, as we grieve, grow, retreat from the world, dive into the world, as we make things, as we break things. He grins. “Each new self standing on the last one’s shoulders until we’re these wobbly people poles?” I die of delight. “Yes, exactly! We’re all just wobbly people poles!

Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it.

Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it." Showing her teeth, she began to roll up her sleeves. "What," Roarke asked from the doorway that connected their work areas, "is that?" "The former bane of my existence. The Antichrist of technology. Do we have a hammer?" Studying the pile on the floor, he walked in. "Several, I imagine, of various types." "I want all of them. Tiny little hammers, big, wallbangers, and everything in between." "Might one ask why?" "I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip." "Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?" "Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good." Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open. "Hey! Hey! What're you doing?" "I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired." When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it." "Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research." "No. Uh-uh. I have to bust it apart. What if it breeds?

I stood beside the U-Haul, and I just watched her. I stared at her while she looked on with the saddest look in her eyes. I wanted to know what she was thinking about, what was going on in her head. What had mad her so sad? I wanted to hug her so bad. When she finally got out of the U-Haul and I introduced myself to her, it took all I had to let go of her hand. I wanted to hold on to it forever. I wanted to let her know that she wasn't alone. Whatever burden it was that she was carrying around, I wanted to carry it for her. I wish I could, Lake. I wish I could take it all away. Unfortunately, that's not how it works. It doesn't just go away.

But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin.

I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.

Man's wobbly little mind isn't equipped for hauling around the great unknowns. Very few people realize, there's no point chasing after answers to life's important questions. They all have fickle, highly whimsical minds of their own. Nevertheless. If you're patient, if you don't rush them, when they're ready, they'll smash into you. And don't be surprised if afterward you're speechless and there are cartoon Tweety Birds chirping around your head.

It's a long haul bringing up our children to be good; you have to keep doing that — bring them up — and that means bringing things up with them: Asking, telling, sounding them out, sounding off yourself — finding, through experience, your own words, your own way of putting them together. You have to learn where you stand, and make sure your kids learn [where you stand], understand why, and soon, you hope, they'll be standing there beside you, with you.

I want a riot laser," Eve snapped at Peabody. "Full body armor." She yanked a six-inch combat knife from its leather sheath and watched with glee, as its wicked serrated edge caught the sunlight through her little window. Peabody's eyes popped. "Sir?" "I'm going down to maintenance, and I'm going locked and loaded. I'm taking those piss-brain sons of bitches out, one by one. Then I'm going to haul what's left of the bodies into my vehicle and set it on fire." "Jesus, Dallas, I thought we had a red flag." "I've got a red flag. I've got one." Her eyes wheeled to Peabody. "I've got under fifty miles on my ride since those lying, cheating, sniveling shitheads said it was road ready. Road ready? Do you want me to tell you about road ready?" "I would like that very much, Lieutenant. If you'd sheathe that knife first.

Kids didn't have huge backpacks when I was their age. We didn't have backpacks at all. Now it seemed all the kids had them. You saw little second-graders bent over like sherpas, dragging themselves through the school doors under the weight of their packs. Some of the kids had their packs on rollers, hauling them like luggage at the airport. I didn't understand any of this. The world was becoming digital; everything was smaller and lighter. But kids at school lugged more weight than ever.

You’re too visible, Albert,” Hadrian explained. “Can’t afford to have our favorite noble hauled to some dungeon where they cut off your eyelids or pull off your fingernails until you tell them what we’re up to.” “But if they torture me, and I don’t know the plan, how will I save myself?” “I’m sure they’ll believe you after the fourth nail or so,” Royce said with a wicked grin.

And you snap out of it. Or are snapped out of it. Never again will you lay a hand against yourself, not as long as there are plums to eat and somebody--anybody--who gives enough of a damn to haul them to you. So long as you bear the least nibblet of love for any other creature in this dark world, though in love portions are never stingy. There are no smidgens on pinches, only rolling abundance. That's how you acquire the resolution for survival that the upcoming years are about to demand. You don't give it. You earn it.

Les, muttering wrathfully, hauled the bedclothes off the recumbent Larry and used them to smother the flames. Larry sat up indignantly. 'What the the hell is going on?' he demanded. 'The room is on fire, dear.' 'Well, I don't see why I should freeze to death... why tear all the bedclothes off? Really, the fuss you all make. It's quite simple to put out a fire.' 'Oh, shut up!' snapped Leslie, jumping up and down on the bedclothes.

Until you guys own your own souls you don't own mine. Until you guys can be trusted every time and always, in all times and conditions, to seek the truth out and find it and let the chips fall where they may—until that time comes, I have the right to listen to my conscience, and protect my client the best way I can. Until I'm sure you won't do him more harm than you'll do the truth good. Or until I'm hauled before somebody that can make me talk.

Who built Thebes of the seven gates? In the books you will find the name of kings. Did the kings haul up the lumps of rock? And Babylon, many times demolished. Who raised it up so many times? In what houses Of gold-glittering Lima did the builders live? Where, the evening that the Wall of China was finished Did the masons go? Great Rome Is full of triumphal arches. Who erected them? Over whom Did the Caesars triumph? Had Byzantium, much praised in song, Only palaces for its inhabitants? Even in fabled Atlantis The night the ocean engulfed it The drowning still bawled for their slaves.

Yes! I did [grow up on a Christmas Tree farm], so this is a good season for me. I was too young to help with the hauling of the trees up the hills and putting them onto cars. So, it was my job to pull off the preying mantis pods off of the Christmas trees. The problem with that is if you leave them on there, people bring them into their house. I forgot to check one time and they hatched all over these people’s house. And there were hundreds of thousands of them. And they had little kids, and they couldn’t kill of them because that’d be a bad Christmas.

She pulled open the reception area door, bright sunshine causing her to pause, momentarily blinding her. Her eyes adjusted and she saw Josh, Peta and Daryl in deep conversation at an outdoor table. Saskia retreated, holding the door open. She saw Daryl lunge out of his bench, reach across the table, grab the front of Josh’s shirt and haul him close. Daryl’s mouth worked in angry lines and Josh’s head bowed, shaking back and forth slowly. Peta glanced nervously over her shoulder and towards the door of the administration building. She laid a hand on Daryl’s arm, leaning towards him. Daryl let Josh loose, sinking back into his seat. Josh also sat back, tugging his shirt into place.

I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear? I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own. I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.

The kid pulled a Buck knife out of his pants pocket. "How about giving me your purse, bitch?" Sally hiked up his skirt, reached into his briefs and pulled out a Glock. "How about using that knife to slice off your balls?" Lula whipped a gun out of her red satin purse and Grandma hauled out her .45 long-barrel. "Day my make, punk," Grandma said. "Hey, I don't want any trouble," the kid said. "We were just having some fun." "I want to shoot him," Sally said. "Nobody'll tell, right?" "No fair," Lula said. "I want to shoot him." "Okay," Grandma said. "On the count of three, we'll all shoot him.

We don’t talk about it. There’s never so much as a knowing look. We sit here in silence, eating our lunch. But I know we are all here for the same reason. We’re all searching for a piece of home, or a piece of ourselves. We look for a taste of it in the food we order and the ingredients we buy. Then we separate. We bring the haul back to our dorm rooms or our suburban kitchens, and we re-create the dish that couldn’t be made without our journey. What we’re looking for isn’t available at a Trader Joe’s. H Mart is where your people gather under one odorous roof, full of faith that they’ll find something they can’t find anywhere else.

The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.

Cooking without remuneration" and "slaving over a hot stove" are activities separated mostly by a frame of mind. The distinction is crucial. Career women in many countries still routinely apply passion to their cooking, heading straight from work to the market to search out the freshest ingredients, feeding their loved ones with aplomb. [...] Full-time homemaking may not be an option for those of us delivered without trust funds into the modern era. But approaching mealtimes as a creative opportunity, rather than a chore, is an option. Required participation from spouse and kids is an element of the equation. An obsession with spotless collars, ironing, and kitchen floors you can eat off of---not so much. We've earned the right to forget about stupefying household busywork. But kitchens where food is cooked and eaten, those were really a good idea. We threw that baby out with the bathwater. It may be advisable to grab her by her slippery foot and haul her back in here before it's too late.

Books are completely disappearing. Remember in Fahrenheit 451 where the fireman's wife was addicted to interactive television and they sent fireman crews out to burn books? That mission has been largely accomplished in middle-class America and they didn't need the firemen. The interactive electronics took care of it without the violence,

AFTER THEIR FALL INTO TARTARUS, jumping three hundred feet to the Mansion of Night should have felt quick. Instead, Annabeth’s heart seemed to slow down. Between the beats she had ample time to write her own obituary. Annabeth Chase, died age 17. BA-BOOM. (Assuming her birthday, July 12, had passed while she was in Tartarus; but honestly, she had no idea.) BA-BOOM. Died of massive injuries while leaping like an idiot into the abyss of Chaos and splattering on the entry hall floor of Nyx’s mansion. BA-BOOM. Survived by her father, stepmother, and two stepbrothers who barely knew her. BA-BOOM. In lieu of flowers, please send donations to Camp Half-Blood, assuming Gaea hasn’t already destroyed it. Her feet hit solid floor. Pain shot up her legs, but she stumbled forward and broke into a run, hauling Percy after her.

A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-

You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.

As soon as she releases me, Galen grabs my hand and I don't even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them. I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. "What are you doing?" I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running. He stops us in between the dunes. "I'm doing something that is none of anyone else's business." Then he jerks me up against him and crushes his mouth on mine. And I see why he didn't want an audience for this kiss. I wouldn't want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come. When he pulls away I feel drunk and excited and nervous and filled with a craving that I'm not sure can ever be satisfied. And Galen looks startled. "Maybe I shouldn't have done that," he says. "That makes it about fifty times harder to leave, I think.

Well … when we were in our first year, Harry — young, carefree, and innocent —” Harry snorted. He doubted whether Fred and George had ever been innocent. “— well, more innocent than we are now — we got into a spot of bother with Filch.” “We let off a Dungbomb in the corridor and it upset him for some reason —” “So he hauled us off to his office and started threatening us with the usual —” “— detention —” “— disembowelment —” “— and we couldn’t help noticing a drawer in one of his filing cabinets marked Confiscated and Highly Dangerous.” “Don’t tell me —” said Harry, starting to grin. “Well, what would you’ve done?” said Fred. “George caused a diversion by dropping another Dungbomb, I whipped the drawer open, and grabbed — this.” “It’s not as bad as it sounds, you know,” said George. “We don’t reckon Filch ever found out how to work it. He probably suspected what it was, though, or he wouldn’t have confiscated it.” “And you know how to work it?” “Oh yes,” said Fred, smirking. “This little beauty’s taught us more than all the teachers in this school.” “You’re winding me up,” said Harry, looking at the ragged old bit of parchment. “Oh, are we?” said George. He took out his wand, touched the parchment lightly, and said, “I solemnly swear that I am up to no good.

Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about—love. But they allowed me this one clear look at it. It blazed from them. And then they left.

Trippers and askers surround me, People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.

Van Eck folded his soiled handkerchief twice, tucked it away. He nodded to the boy and the girl. “Do whatever you have to. The auction starts in less than an hour, and I want answers before then.” “Hold him up,” the stout boy said to the girl. She hauled Wylan to his feet, and the boy slipped a pair of brass knuckles from his pocket. “He’s not going to be so pretty after this.” “Who is there to care?” Van Eck said with a shrug. “Just make sure you keep him conscious. I want information.” The boy eyed Wylan skeptically. “You sure you want to do it this way, little merch?” Wylan summoned every bit of bravado he’d learned from Nina, the will he’d learned from Matthias, the focus he’d studied in Kaz, the courage he’d learned from Inej, and the wild, reckless hope he’d learned from Jesper, the belief that no matter the odds, somehow they would win. “I won’t talk,” he said. The first punch shattered two of his ribs. The second had him coughing blood. “Maybe we should snap your fingers so you can’t play that infernal flute,” Van Eck suggested. I’m here for her, Wylan reminded himself. I’m here for her. In the end, he was not Nina or Matthias or Kaz or Inej or Jesper. He was just Wylan Van Eck. He told them everything.

The idea that girls are somehow responsible for 'provoking' harassment from boys is shamefully exacerbated by an epidemic of increasingly sexist school dress codes. Across the United States, stories have recently emerged about girls being hauled out of class, publicly humiliated, sent home, and even threatened with expulsion for such transgressions as wearing tops with 'spaghetti straps,' wearing leggings or (brace yourself) revealing their shoulders. The reasoning behind such dress codes, which almost always focus on the girls' clothing to a far greater extent than the boys', is often euphemistically described as the preservation of an effective 'learning environment.' Often schools go all out and explain that girls wearing certain clothing might 'distract' their male peers, or even their male teachers....in reality these messages privilege boys' apparent 'needs' over those of the girls, sending the insidious message that girls' bodies are dangerous and provoke harassment, and boys can't be expected to control their behavior, so girls are responsible for covering up....his education is being prioritized over hers.

The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.

I went down not long ago to the Mad River, under the willows I knelt and drank from that crumpled flow, call it what madness you will, there's a sickness worse than the risk of death and that's forgetting what we should never forget. Tecumseh lived here. The wounds of the past are ignored, but hang on like the litter that snags among the yellow branches, newspapers and plastic bags, after the rains. Where are the Shawnee now? Do you know? Or would you have to write to Washington, and even then, whatever they said, would you believe it? Sometimes I would like to paint my body red and go into the glittering snow to die. His name meant Shooting Star. From Mad River country north to the border he gathered the tribes and armed them one more time. He vowed to keep Ohio and it took him over twenty years to fail. After the bloody and final fighting, at Thames, it was over, except his body could not be found, and you can do whatever you want with that, say his people came in the black leaves of the night and hauled him to a secret grave, or that he turned into a little boy again, and leaped into a birch canoe and went rowing home down the rivers. Anyway this much I'm sure of: if we meet him, we'll know it, he will still be so angry.

Bit by bit, I found myself relaxing into the conversation. Kitty had a natural talent for drawing people out of themselves, and it was easy to fall in with her, to feel comfortable in her presence. As Uncle Victor had once told me long ago, a conversation is like having a catch with someone. A good partner tosses the ball directly into your glove, making it almost impossible for you to miss it; when he is on the receiving end, he catches everything sent his way, even the most errant and incompetent throws. That’s what Kitty did. She kept lobbing the ball straight into the pocket of my glove, and when I threw the ball back to her, she hauled in everything that was even remotely in her area: jumping up to spear balls that soared above her head, diving nimbly to her left or right, charging in to make tumbling, shoestring catches. More than that, her skill was such that she always made me feel that I had made those bad throws on purpose, as if my only object had been to make the game more amusing. She made me seem better than I was, and that strengthened my confidence, which in turn helped to make my throws less difficult for her to handle. In other words, I started talking to her rather than to myself, and the pleasure of it was greater than anything I had experienced in a long time.

I turn away from him and walk, swiftly and completely directionless through the garden. He runs after me, grabbing my arm. I haul around and slap him. Its a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning. ¨I didnt mean to hurt you.¨ He grabs my hand,possibly to keep me from hitting him again. Our fingers lace together. ¨No, it not that, not exactly. I didnt think I could hurt you. And i never thought you would be afraid of me.¨ ¨And did you like it?¨"I ask. He looks away from me then, and I have my answer. Maybe he doesnt want to admit to that impulse, but he has it. ¨Well, I was hurt, and yes, you scare me.¨ Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. ¨You´ve always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the court of shadows. I was afraid of you when i had a knife to your throat. And i am scared of you now.¨ Cardan looks more suprised then he did when I slapped him. He was always a symbol of everything about Elfhame that I couldnt have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armor, and without it, I am afraid I am going to be entirely exposed. But i keep talking anyway, as though I no longer have control of my tongue. ¨You despised me. When you said you wanted me, it felt like the world has turned upside down. Page 160-161

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.

With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.

She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her. It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.