Hats Off To Your Efforts Quotes

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Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door. “Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.” As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook. “So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.” Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish. “Curse it, Freddy, put it back,” Maria ordered. “What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.” Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.” “And get myself skewered for the effort? No, thank you. Let the pup have his fun.” Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.” “No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.” Don’t encourage him,” Maria told Oliver. The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life. Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers. When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away. “If you hoped to catch my attention,” he remarked, “you’ve succeeded.” “Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“ “I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Our ongoing Hollywood education included the lesson that moviemaking is not finished once you actually make the movie. After that, you have to promote the movie, because if the audience doesn’t show up, all your hard work is a bit pointless. But before we could sell Crocodile Hunter: Collision Course to audiences, we had to sell it to the theater owners who were going to show it to the public. So the first stop for our promotional efforts was a gathering of movie theater exhibitors called Show West, in Las Vegas. We would team up there with Bruce Willis, who had an interest in producing our movie. Bindi and I had been in Oregon for a few days, visiting family, and we planned to catch up with Steve in Las Vegas. But she and I had an ugly incident at the airport when we arrived. A Vegas lowlife approached us, his hat pulled down, big sunglasses on his face, and displaying some of the worst dentistry I’ve ever seen. He leered at us, obviously drunk or crazy, and tried to kiss me. I backed off rapidly and looked for Steve. I knew I could rely on him to take care of any creep I encountered. Then it dawned on me: The creep was Steve. In order to move around the airport without anyone recognizing him, he put on false teeth and changed his usual clothes. I didn’t recognize my own husband out of his khakis. I burst out laughing. Bindi was wide-eyed. “Look, it’s your daddy.” It took her a while before she was sure. Our Show West presentation featured live wildlife, organized wonderfully by Wes. Bruce Willis spoke. “I sometimes play an action hero myself,” he said, “but you’ll see that Steve is a real-life action hero.” Bindi brought a ball python out on stage. Backstage, she and Bruce hit it off. He has three daughters of his own, and he immediately connected with Bindi. They wound up playing with the lion cubs and the other animals that Wes had organized there.
Terri Irwin (Steve & Me)
But it’s Saturday,” I said. “I mean, don’t people take the day off?” Jackie shook her head with a smile that said I had a lot to learn. “We start shooting Monday morning, Dexter,” she said. “The wardrobe and makeup people have tons of last-minute things to do, and they need us there to do them.” “Oh,” I said, and with an effort I put on my bodyguard hat. “Will the Town Car be here to take us over?” She nodded and sat down, reaching for her cup. “It’ll be in front in ten minutes,” she said. She drained the cup, put it on the table, and said, “I better get ready.” But before she could stand up, her cell phone chimed. She shook her head and said, “It never ends.” But when she picked it up and looked at the screen, she said, “Oh,” with surprise. “It’s your sister.” She touched the screen and held the phone up to her ear.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
Hello, Major,” Lily said, and she went right on scrubbing. Caleb approached. “Put down those long Johns and look at me, Lily. I’ve got something to give you.” She glared resentfully at his perfectly pressed coat, thinking of his plans to escort Sandra back to Tylerville. “Who washed your clothes?” she demanded. “Your competition,” he answered easily. “After all, if I brought my laundry to you, it would be like paying you, wouldn’t it? And I know how you feel about that.” Lily stiffened at having her own logic thrown back in her face, then went on scrubbing. The washboard was rubbing her knuckles raw. “Sandra tells me you’re going to Tylerville with her,” she said, careful not to look at him. “Lily, if you don’t stop that washing and look at me, I swear I’ll throw you over my shoulder and carry you inside like a sack of grain.” Because she knew Caleb wouldn’t be afraid to carry out his threat she stopped working and glared up at him impatiently. He laughed. “You’re a bad-tempered little creature. Maybe it will take me two months to get you in line rather than one.” Lily’s eyes were drawn to the satin box despite valiant efforts to avoid looking at it. “Is that for me?” “Yes.” She reached for the box, knowing it contained her favorite indulgence: chocolate. Caleb withheld the temptation. “Not only bad-tempered,” he teased, “but greedy, too.” Defiantly, Lily went back to her washing, and Caleb immediately hoisted her off her feet. The breath went out of her when her stomach struck his shoulder, but she managed to kick. Caleb gave her a hard swat on the bottom and strode through the maze of clotheslines to the back door, where he stood her summarily on the stoop. The expression snapping in his eyes was not one of mischief when he jammed the box of chocolates into her hands. “I’ve had enough of this nonsense,” he announced. “You’re moving in with me. From now on, you’re going to be my housekeeper.” Lily’s backside was stinging as badly as her cheeks. “I’m staying right here!” she said fiercely. Caleb remained on the ground, his eyes level with Lily’s. “My house is two doors down from the Tibbets’. I’ll expect you to be there waiting when I get home. Preferably with dinner on the table.” Lily would have clouted him over the head with the candy box if not for the distinct possibility that her chocolates would be squashed. She whirled, stormed into her little house, slammed the door closed, and drove the bolt home. “Saturday,” Caleb called to her, and she watched through the window as he put his hat back on and strode out of the yard. Thirty
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
So you’ve run off from him, have you?” Beatrix asked, smoothing the wiry ruff on his head. “Naughty boy. I suppose you’ve had a fine old time chasing rabbits and squirrels. And there’s a damaging rumor about a missing chicken. You had better stay out of poultry yards, or it won’t go well for you in Stony Cross. Shall I take you home, boy? He’s probably looking for you. He--” She stopped at the sound of something…someone…moving through the thicket. Albert turned his head and let out a happy bark, bounding toward the approaching figure. Beatrix was slow to lift her head. She struggled to moderate her breathing, and tried to calm the frantic stutters of her heart. She was aware of the dog bounding joyfully back to her, tongue dangling. He glanced back at his master as if to convey Look what I found! Letting out a slow breath, Beatrix looked up at the man who had stopped approximately three yards away. Christopher. It seemed the entire world stopped. Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus…now a warrior hardened by bitter experience. His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness. How bleak he looked. How alone. She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest. She heard herself speak in a voice that wasn’t quite steady. “Welcome home, Captain Phelan.” He was silent, staring at her without apparent recognition. Dear Lord, those eyes…frost and fire, his gaze burning through her awareness. “I’m Beatrix Hathaway,” she managed to say. “My family--” “I remember you.” The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face. To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn’t aware of it. Her hand moved gently over Albert’s rough fur. “You were absent in London,” she said. “There was a great deal of hullabaloo on your behalf.” “I wasn’t ready for it.” So much was expressed in that spare handful of words. Of course he wasn’t ready. The contrast would be too jarring, the blood-soaked brutality of war followed by a fanfare of parades and trumpets and flower petals. “I can’t imagine any sane man would be,” she said. “It’s quite an uproar. Your picture is in all the shop windows. And they’re naming things after you.” “Things,” he repeated cautiously. “There’s a Phelan hat.” His brows lowered. “No there isn’t.” “Oh, yes there is. Rounded at the top. Narrow-brimmed. Sold in shades of gray or black. They have one featured at the milliner’s in Stony Cross.” Scowling, Christopher muttered something beneath his breath.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))