Hatred Game Quotes

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Anger, resentment and jealousy doesn't change the heart of others-- it only changes yours.
Shannon L. Alder (300 Questions to Ask Your Parents Before It's Too Late)
That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Cruel people offer pity when they no longer feel threatened. However, kind people offer compassion and understanding regardless.
Shannon L. Alder
Accomplishments don’t erase shame, hatred, cruelty, silence, ignorance, discrimination, low self-esteem or immorality. It covers it up, with a creative version of pride and ego. Only restitution, forgiving yourself and others, compassion, repentance and living with dignity will ever erase the past.
Shannon L. Alder
Somewhere between love and hate lies confusion, misunderstanding and desperate hope.
Shannon L. Alder
But his arms are there to comfort me, and eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him "Real.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Playing the victim role: Manipulator portrays him- or herself as a victim of circumstance or of someone else's behavior in order to gain pity, sympathy or evoke compassion and thereby get something from another. Caring and conscientious people cannot stand to see anyone suffering and the manipulator often finds it easy to play on sympathy to get cooperation.
George K. Simon Jr. (In Sheep's Clothing: Understanding and Dealing With Manipulative People)
You can be bit in the leg by a rattlesnake and seek help to heal your wound, or you can run after it and let the poison take your leg. The same is true with love.
Shannon L. Alder
Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him, "Real.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
People's behaviors are messages, not a diagnosis because I can no longer discern the world's version of insanity.
Shannon L. Alder
And here, finally here in this place, in these circumstances, I will really have to kill him. And Snow will win. Hot, bitter hatred courses through me. Snow has won too much already today. It's a long shot, it's suicide maybe, but I do the only thing I can think of. I lean in and kiss Peeta full on the mouth. His whole body starts shuddering, but I keep my lips pressed to his until I have to come up for air. My hands slide up his wrists to clasp his. "Don't let him take you from me." Peeta's panting hard as he fights the nightmares raging in his head. "No. I don't want to..." I clench his hands to the point of pain. "Stay with me." His pupils contract to pinpoints, dilate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The hatred I feel for him, for the phantom girl, for everything, is so real and immediate it chokes me. Gale is mine. I am his. Anything else is unthinkable. Why did it take him being whipped within an inch of his life to see it?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It's to the Capitol's advantage to have us divided among ourselves. Another tool to cause misery in our district. A way to plant hatred between the starving workers [of the Seam] and those who can generally count on supper and thereby ensure we will never trust one another.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
God told us to love everyone. However, when you don’t like someone then you need to walk away and focus not on him or her, but the hatred you’re harboring. Otherwise, you will allow your piety to take over. Before you know it, you’re using the gospel as a sword to slice other religious people apart, which have offended you. From your point of helplessness, it will be is easy to recruit people that will mistake your kindness as righteousness, when in reality it is a hidden agenda to humiliate through the words of Christ. This game is so often used by women in the Christian faith, that it is the number one reason why many people become inactive. It is a silent, unspoken hypocrisy that is inconsistent with the teachings of the gospel. If you choose not to like someone, then avoid them. If you wish to love them, the only way to overcome your frustrations is through empathy, prayer, forgiveness and allowing yourself time to heal through distance. Try focusing on what you share as sisters in the gospel, rather than the negative aspects you dislike about that person.
Shannon L. Alder
Long standing hatred between a man and a woman is just unspoken attraction that has bruised egos.
Shannon L. Alder
Heaven has no rage like love to hatred turned, nor Hell a fury like a woman scorned.
Jim Butcher (Skin Game (The Dresden Files, #15))
Hating you shall be a game Played with cool hands And slim fingers. Your heart will yearn For the lonely splendor Of the pine tree While rekindled fires In my eyes Shall wound you like swift arrows. Memory will lay its hands Upon your breast And you will understand My hatred.
Gwendolyn B. Bennett
The new living flesh was replicating the old in a game, we were a chain of shadows who had always been on the stage with the same burden of love, hatred, desire, and violence.
Elena Ferrante (Those Who Leave and Those Who Stay)
I am,” I said slowly, “a girl with music in her soul. I am a sister, a daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am … me.
S. Jae-Jones (Wintersong (Wintersong #1))
never believed in demons or monsters lurking under my bed. But lately I’ve started to wonder if evil hasn’t in fact infiltrated this world, slithering streets and sidewalks, wearing what- ever disguise suits its immediate purpose. When a choirboy is molested, is it by the devil in a priest costume? Or does Satan play a more clever game to get what he wants? To win the contest, accomplish his goals, might the prince of hatred mask himself as love?
Ellen Hopkins (Tricks)
Sometimes, Arin almost understood what Kestrel had done. Even now, as he felt the drift of the boat and didn't fight its pull, Arin remembered the yearning in Kestrel's face whatever she'd mentioned her father. Like a homesickness. Arin had wanted to shake it out of her. Especially during those early months when she had owned him. He had wanted to force her to see her father for what he was. He had wanted her to acknowledge what she was, how she was wrong, how she shouldn't long for her father's love. It was soacked in blood. Didn't she see that? How could she not? Once, he'd hated her for it. Then it had somehow touched him. He knew it himself. He, too, wanted what he shouldn't. He, too, felt the heart chooses its own home and refuses reason. Not here, he'd tried to say. Not this. Not mine. Never. But he had felt the same sickness. In retrospect, Kestrel's role in the taking of the eastern plains was predictable. Sometimes he damned her for currying favor with the emperor, or blamed her playing war like a game just because she could. Yet he thought he knew the truth of her reasons. She'd done it for her father. It almost made sense. At least, it did when he was near sleep and his mind was quiet, and it was harder to help what entered. Right before sleep, he came close to understanding. But he was awake now.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Religious guilt will never grow the kind of love you want in someone.
Shannon L. Alder
Others determined the morality. Others had the hatred. Others turned his work into victories. He did as he was told, expertise his trade mark. The soldier in his army.
Gerald Seymour (Harry's Game)
Political identity is fair game for hatred,” he says. “Racial identity is not. Gender identity is not. You cannot express negative sentiments about social groups in this day and age. But political identities are not protected by these constraints. A Republican is someone who chooses to be Republican, so I can say whatever I want about them.”27
Ezra Klein (Why We're Polarized)
like a game of musical chairs, where the chairs are rooms in this house and the music is hatred and it’s a game no one’s enjoying, but none of us can stop playing.
Malorie Blackman (Checkmate)
Vick learned long ago that might have is a game with no winners. Few games do have winners, in the end.
Joe Abercrombie (A Little Hatred (The Age of Madness, #1))
To Learn is to create. Learning- whether it is programming, mathematics, art, music, poetry, biology, or chemistry- is all about breaking down walls and freeing the one thing that kept us alive: knowledge. Knowledge expands freedom in all its forms. Knowledge breaks down walls. It liberates the oppressed. We are committed to knowledge. Knowledge as a hammer against classism, against sexism, against racism, against gender discrimination, against slavery, against bigotry, against war, against hatred. If there is darkness in the world, we will light it up.
Leopoldo Gout (Genius: The Game (Genius, 1))
I am always amazed when I hear people saying that sport creates goodwill between the nations, and that if only the common peoples of the world could meet one another at football or cricket, they would have no inclination to meet on the battlefield. Even if one didn't know from concrete examples (the 1936 Olympic Games, for instance) that international sporting contests lead to orgies of hatred, one could deduce it from general principles ... There cannot be much doubt that the whole thing is bound up with the rise of nationalism — that is, with the lunatic modern habit of identifying oneself with large power units and seeing everything in terms of competitive prestige.
George Orwell (Facing Unpleasant Facts: Narrative Essays)
Nothing makes us believe more than fear, the certainty of being threatened. When we feel like victims, all our actions and beliefs are legitimized, however questionable they may be. Our opponents, or simply our neighbors, stop sharing common ground with us and become our enemies. We stop being aggressors and become defenders. The envy, greed, or resentment that motivates us becomes sanctified, because we tell ourselves we're acting in self-defense. Evil, menace -- those are always the preserve of the other. The first step for believing passionately is fear. Fear of losing our identity, our life, our status, or our beliefs. Fear is the gunpowder and hatred the fuse. Dogma, the final ingredient, is only a lighted match.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
Love is a two-way game, you cannot truly love one who does not love you, and neither can you force them to love you, better look past the hurtful deeds and search for the one who truly loves you and that will be right with you.
Oscar Auliq-Ice
I am..." Who was I? Daughter, sister, wife, queen, composer,; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes. "I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
S. Jae-Jones (Wintersong (Wintersong, #1))
Don't hate me. Hate the people who toy with lives like it's a game. Hate how unjust life is for those who were born different. Hate this world that forced me to live this life. Don't hate me, the product of this cruel and twisted equation.
Natsuri Ayuko (Black Equation: The Forgotten Ones)
Denying or attempting to utterly control emotion, Revan felt, was a fool’s game. Jealousy was actually the result of ill-prepared Jedi being overwhelmed by feelings they had never learned to face. Revan believed Jedi could be taught to use positive emotions like love and happiness to strengthen their connection to the Force in the same way that hatred and anger gave power to those who followed the dark side.
Drew Karpyshyn (Revan (Star Wars: The Old Republic Book 3))
That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Never let critics pour misery into your cup. Never let doubters place hesitation in your steps. Never let cheaters plant suspicion in your heart. Never let bullies provoke fear in your chest. Never let evil pierce hatred in your soul. Never let rivals play games in your head. Never let slackers pull taut on your reins. Never let hardships put worry in your rest.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
GamerGate wasn’t really about video games at all so much as it was a flash point for radicalized online hatred that had a long list of targets before, and after, my name was added to it. The movement helped solidify the growing connections between online white supremacist movements, misogynist nerds, conspiracy theorists, and dispassionate hoaxers who derive a sense of power from disseminating disinformation. This patchwork of Thanksgiving-ruining racist uncles might look and sound like a bad joke, but they became a real force behind giving Donald Trump the keys to the White House.
Zoe Quinn (Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate)
The Cold War is a psychological game, that is dangerous and counterproductive in the extreme - it does not lead to a benevolent understanding among states - just hatred and discord, in this case, will be sown.
Kristian Goldmund Aumann
The hatred I feel for him, for the phantom girl, for everything, is so real and immediate that it chokes me. Gale is mine. I am his. Anything else is unthinkable. Why did it take him being whipped within an inch of his life to see it?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
We often forget that we are as we are until we're not. We are the same until we're changed. We can move that a bit further by putting into place healthy habits and to show up to our lives in a way that fosters growth, but we can't game timing. Timing is the one thing that we often forget to surrender to. Things are dark until they're not. Most of our unhappiness stems from the belief that our lives should be different than they are. We believe we have control -- and our self-loathing and self-hatred comes from this idea that we should be able to change our circumstances, that we should be richer or hotter or better or happier. While self-responsibility is empowering, it can often lead to this resentment and bitterness that none of us need to be holding within us. We have to put in our best efforts and then give ourselves permission to let whatever happens to happen--and to not feel so directly and vulnerably tied to outcomes. Opportunities often don't show up in the way we think they will. You don't need more motivation or inspiration to create the life you want. You need less shame around the idea that you're not doing your best. You need to stop listening to people who are in vastly different life circumstances and life stages than you tell you that you're just not doing or being enough. You need to let timing do what it needs to do. You need to see lessons where you see barriers. You need to understand that what's right now becomes inspiration later. You need to see that wherever you are now is what becomes your identity later. Sometimes we're not yet the people we need to be in order to contain the desires we have. Sometimes we have to let ourselves evolve into the place where we can allow what we want to transpire.
Jamie Varon
That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
That’s what it should be. But that’s what a I slowly grokked* it rarely was. Instead it was indifference, and acts mechanically performed, and rape, and seduction as a game no better than roulette but with poorer odds and, prostitution, and celibacy by choice and by no choice, and fear, and guilt, and hatred, and violence, and children brought up to think that sex was ‘bad’ and ‘shameful’ and ‘animal,’ and something to be hidden and always distrusted. This lovely perfect thing, male-femaleness, turned upside down and inside out and made horrible.
Robert A. Heinlein (Stranger in a Strange Land)
Rauschning’s testimony, in other words, was that the Nazi game plan aimed to disunite the United States by tearing at the weakest political and cultural seams in American society: the divide between haves and have-nots, fear and hatred of immigrants, white supremacist race hate, and antisemitism.
Rachel Maddow (Prequel: An American Fight Against Fascism)
Is it the interest of any man to steal, to game, to waste his health and mental faculties by drunkenness, to lie, forswear himself, indulge hatred, seek desperate revenge, or do murder? No. All these are roads to ruin. And why, then, do men tread them? Because such inclinations are among the vicious qualities of mankind.
Charles Dickens (The Complete Works of Charles Dickens)
what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Perhaps the main reason that we are such poor practitioners of the art of being human; why we so often teeter on a tight-rope between self-hatred and despair is that we don’t pray. We pray so little, so rarely, and so poorly. For everything else we have adequate leisure time. Visits, get-togethers, movies, football games, concerts, an evening with friends, an invitation we can’t decline—and these are good because it is natural and wholesome that we come together in community. But when God lays claim on our time, we balk. Do we really believe that He delights to talk with His children? If God had a face, what kind of face would He make at you right now? —Souvenirs of Solitude
Brennan Manning (Dear Abba: Morning and Evening Prayer)
Narcissistic Supply (noun)-- He liked her but was too ashamed to admit it because she was off limits. So he ran her name down in the mud and made sure everyone would believe that he never cared. However, he kept one foot in her life because that is what obsession is like for a narcissist. They can't let you go, but they won't let others know that they are being immoral. If they can't have you then everyone will think your crazy and no one will ever believe your story. Obsession runs in their veins and they will never give you up. You have become their dirty little secret, their narcissistic supply. They like the rivalry and jealousy they created because it means they are desired by everyone. It doesn't matter if they divorced their ex and got a new woman in their life. That person will be told the same lie about you and they will continue with this obsession that you still care about them. When in reality you loathe their very existence. At the very heart of narcissistic supply is obsession and this deep seeded feeling that they are missing out.
Shannon L. Alder (The Narcissistic Abuse Recovery Bible: Spiritual Recovery from Narcissistic and Emotional Abuse)
They were pretending to be a mother and father with their baby, but it wasn’t peaceful: they were pretending to have a fight. I stopped. Dede instructed Mirko: You have to hit me, understand? The new living flesh was replicating the old in a game, we were a chain of shadows who had always been on the stage with the same burden of love, hatred, desire, and violence.
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
I can't give up on anyone either, even someone who's burned every bridge like Drake Schultz. Getting him to deal with his insecurities and whatever it is he's trying to hide. It's this never-ending cycle of self-hatred that I have to address before I can even think about doing anything else with him. I have to put him to the test. Just how far gone is he? How good of a liar has he become?
Collette West (Inside Game (New York Kings, #4))
In time, the witchers' steel swords earned the name of "swords for men." A foul moniker, though not one conjured out of thin air. A good steel blade is indeed our first line of defense against mankind's hatred, stupidity, or greed. The world is full of those who would happily kill a witcher - out of resentment toward our trade, for fame, or simply to profit by snatching up our hard-earned coin. So the witchers, fully aware of the situation, never hesitated to relieve this world of the burden of dolts who were so thick headed as to threaten their lives. For that reason, in my day we called our steel swords "swords for fools." Unfortunately, seeing as how mendacious the two-faced scoundrels of bitches seem to rule this world, a great many fools have been apparently spared this selection process.
Marcin Batylda (The World of the Witcher: Video Game Compendium)
That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
When two totaltarian powers makes war on each other, the anger and hatred that arise can be appeased only by the death of one or the other. More than this, such killing is profoundly satisfying. Anger and hatred are fulfilled in destrusction insofar as such emotion know satiety. The more lives the soldier succeeds in accounting for, the prouder he is likely to feel. To war is in no sense a game or dirty mess. It is a mission
J. Glenn Gray
I love him, and he loves me. I never expected my love to match my hatred for him. I thought the game of who can destroy the other was what would us in. But love? That’s the deadliest kind of drug. I realized that day in his room after we got back from the Cathedral that his love for me can force him to do things against his will. It gives me more power than I ever had. Apart, we were our own worst enemy, but together? Were explosive. An unbeatable team.
Shantel Tessier (Sabotage (L.O.R.D.S., #4))
For the first time, I reverse our positions in my head. I imagine watching Gale volunteering to save Rory in the reaping, having him torn from my life, becoming some strange girl’s lover to stay alive, and then coming home with her. Living next to her. Promising to marry her. The hatred I feel for him, for the phantom girl, for everything, is so real and immediate that it chokes me. Gale is mine. I am his. Anything else is unthinkable. Why did it take him being whipped within an inch of his life to see it?
Suzanne Collins (The Hunger Games Trilogy)
When Radha and I were children, we used to play a game. She would ask, “What is the true color of the world, Didi?” And I would say, “Green.” “Why green?” “Because the trees are green. Grass is green. The new buds on the plants are green. Even the parrots are green. Green is the color of the world.” “But, Didi,” Radha would argue, “the wheat stalks are brown. My body is brown. The field mice are brown. No, the world is brown.” “What about blue?” I would say. “The sky is blue. And it covers the whole world, like a mother who loves and embraces all her children. Radha would fall silent, and I would remember that she had known our mother’s love for even fewer years than I did. So I would take her in my arms and hold her, to make her know what it feels like to be loved. Today I know the truth: The true color of the world is black. Anger is black. Shame and scandal are black. Betrayal is black. Hatred is black. And a roasted, smoking body is Black, Black, Black. The world, after witnessing such cruelty, goes black. The waking up to a changed world is black.
Thrity Umrigar (Honor)
I am..." Who was I? Daughter, sister, wife, queen, composer; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes. "I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
S. Jae-Jones (Wintersong (Wintersong, #1))
He has his own games, his own bits of mischief, whose foundation consists of hatred for the bourgeois; his peculiar metaphors: to be dead is to eat dandelions by the root; his own occupations, calling hackney-coaches, letting down carriage-steps, establishing means of transit between the two sides of a street in heavy rains, which he calls making the bridge of arts, crying discourses pronounced by the authorities in favor of the French people, cleaning out the cracks in the pavement; he has his own coinage, which is composed of all the little morsels of worked copper which are found on the public streets.
Victor Hugo (Complete Works of Victor Hugo)
Blind Heart’s. In the circle of life, a sorrowful tale, Where death and life dance an endless wail. Hungry eyes search for morsels to devour, Survival's cruel game with each passing hour. Angst and fear grip hearts, cold and bleak, Aching souls yearning for solace they seek. In a world that lacks fairness, unjust and unkind, Tears fall like rain, leaving scars behind. Hatred and love, a twisted embrace, In this nature of existence, a bitter chase. For when darkness looms, Love hides in despair, Yet hate finds its mark, leaving hearts threadbare. We, people who turn blind eyes to the cries, As if suffering and anguish were mere lies. Ignoring the plight that surrounds us all, Humanity's downfall, a deafening fall. But what of the animals, creatures so dear? Caught in this cycle, their voices unclear. Silently they suffer, their pain left unheard, In nature's cruel script, an unspoken word. Children on ground, black and white Dying, Drying while survival trying. Scars defining not body, but soul Oh light, forgive us Lord. The circle spins on, in sorrow it turns, A tragic symphony, where hope rarely burns. In this poem of life, where sadness takes hold, Let us open our eyes, let compassion unfold.
Astivan Mirza
Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Nothing makes us believe more than fear, the certainty of being threatened. When we feel like victims, all our actions and beliefs are legitimized, however questionable they may be. Our opponents, or simply our neighbors, stop sharing common ground with us and become our enemies. We stop being aggressors and become defenders. The envy, greed, or resentment that motivates us becomes sanctified, because we tell ourselves we’re acting in self-defense. Evil, menace—those are always the preserve of the other. The first step for believing passionately is fear. Fear of losing our identity, our life, our status, or our beliefs. Fear is the gunpowder and hatred is the fuse. Dogma, the final ingredient, is only a lighted match.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
Seconds turn into minutes and minutes into hours. It is all still the same. Or it no longer is. If I were to ask what has changed, perhaps nothing, but conceivably everything would be the befitting reply. I no longer feel the same. Loss preceded me, alienating my soul from the body. I feel I am gliding through an alley making a journey from the known towards the unknown. There is a deep abyss inside where sometime back, my heart used to beat and a noisy, rusty old machine has replaced my mind; solitarily creating useless noise. I don’t remember what day it is and since when have I been lying here. It must have been yesterday… or was it day before. I cannot recollect anything except the dull throbbing pain inside my brain. I can see the time, almost 9: 45, difficult to say which time of the day it is. The bigger hand is soon going to overshadow the smaller hand. It looks like a game of cat and mouse; the bigger hand chasing the smaller one. Anyone stronger in terms of physical appearance, money, power, fame or name tramples upon the weak ones - that is the rule of the world. There are only two possible reasons behind it, love or hate. When you love someone you want to control everything that person does and hence, sometimes, knowingly or unknowingly you squash them like melons. While on the other hand in the case of hate, there is no need to specify the reason for walking over someone like that. Hate is a strong reason in itself. I am confused as to what crushed me, was it love or hate? I somehow don’t like the sound of it – love, it in itself smells of treachery, for love is not a pure emotion. Lust and hatred are the only pure emotions. Love is camouflaged, for needs and desires. Desires – they are magical in their own way. They can be innocent. They can be monstrous. But they exist, no matter what, and many such needs and desires make us helpless slaves of the same. We hide these desires either in the realms of our mind or in the dusty corners of our hearts for we are scared…what if someone finds out what we desire. We give them identities so as to not let the real thing show. The only thing visible on the front is a mask we wear to deceive people or that’s what I thought. For I was deceived while I believed I am the deceiver. Or was I not? I debated as my mind once again tried to enter a sleep-induced trance.
Namrata (Time's Lost Atlas)
Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, 'You love me. Real or not real?' I tell him, 'Real.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
And with this, there is something that I have not formulated clearly enough up to now: Christ is our scapegoat, but—and here I am in complete agreement with you—the positive effect doesn’t come any more from the fact that once more we have found a scapegoat; the positive effect only comes from the fact that Christ transforms violence and hatred and falsehood into love, and that he sends us the Spirit of Truth and Love. The sacrificial mechanism, as such, no longer has any positive effect! But the overcoming of sacrifice does not begin outside of the sacred. For a start, Christ completely accepts [Le Christ accepte d’abord totalement] “the old game,” in an acceptance that is not merely a game, but very real. The death of Christ has a salvific effect only in the sense that it transforms and reverses the sacrificial mechanism, but by entering totally into this mechanism, or by allowing himself to be captured by the mechanism!
Scott Cowdell (René Girard and Raymund Schwager: Correspondence 1974-1991 (Violence, Desire, and the Sacred))
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
He felt it. Misery, we must insist, had been good to him. Poverty in youth, when it succeeds, is so far magnificent that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty strips the material life entirely bare, and makes it hideous; thence arise inexpressible yearnings towards the ideal life. The rich young man has a hundred brilliant and coarse amusements, racing, hunting, dogs, cigars, gaming, feasting, and the rest; busying the lower portions of the soul at the expense of its higher and delicate portions. The poor young man must work for his bread; he eats; when he has eaten, he has nothing more but reverie. He goes free to the play which God gives; he beholds the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams again, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the numberless enjoyments which nature offers, gives, and gives lavishly to open souls, and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred goes out of his heart in proportion as all light enters his mind. And then is he unhappy? No. The misery of a young man is never miserable. The first lad you meet, poor as he may be, with his health, his strength, his quick step, his shining eyes, his blood which circulates warmly, his black locks, his fresh cheeks, his rosy lips, his white teeth, his pure breath, will always be envied by an old emperor. And then every morning he sets about earning his bread; and while his hands are earning his living, his backbone is gaining firmness, his brain is gaining ideas. When his work is done, he returns to ineffable ecstasies, to contemplation, to joy; he sees his feet in difficulties, in obstacle, on the pavement, in thorns, sometimes in the mire; his head is in the light. He is firm, serene, gentle, peaceful, attentive, serious, content with little, benevolent; and he blesses God for having given him these two estates which many of the rich are without; labour which makes him free, and thought which makes him noble. This is what had taken place in Marius.
Victor Hugo (Les Misérables)
And he felt it. Rogal Dorn had been feeling it for days, weeks, building up, up, up, rising over him like a black fog, dragging at his limbs, clogging his mind, making him question every decision he made, every order he gave. He hadn’t had any respite at all, of any kind, for three months. Three months! His sharpness was going now, his reactions were slower. A billion functionaries depending on him for everything, reaching out to him, suffocating him with their endless demands, pleas for help, for guidance. A billion eyes, on him, all the time. And he’d fought, too. He’d fought. He’d fought primarchs, brothers he’d once thought of as equals or betters. He’d seen the hatred in Perturabo’s eyes, the mania in Fulgrim’s, stabbing at him, poisoning him. Every duel, every brief foray into combat, had chipped a bit more off, had weakened the foundations a little further. Fulgrim had been the worst. His brother’s old form, so pleasing to the eye, had gone, replaced by bodily corruption so deep he scarcely had the words for it. That degradation repulsed him almost more than anything else. It showed just how far you could fall, if you lost your footing in reality completely. You couldn’t show that repulsion. You couldn’t betray the doubt, or give away the fatigue. You couldn’t give away so much as a flicker of weakness, or the game was up, so Dorn’s face remained just as it always had been – static, flinty, curt. He kept his shoulders back, spine straight. He hid the fevers that raged behind his eyes, the bone-deep weariness that throbbed through every muscle, all for show, all to give those who looked up to him something to cling on to, to believe in. The Emperor, his father, was gone, silent, locked in His own unimaginable agonies, and so everything else had crashed onto his shoulders. The weight of the entire species, all their frailties and imperfections, wrapped tight around his mouth and throat and nostrils, choking him, drowning him, making him want to cry out loud, to cower away from it, something he would never do, could never do, and so he remained where he was, caught between the infinite weight of Horus’ malice and the infinite demands of the Emperor’s will, and it would break him, he knew, break him open like the walls themselves, which were about to break now too, despite all he had done, but had it been enough, yes it had, no it could not have been, they would break, they must not break… He clenched his fist, curling the fingers up tight. His mind was racing again. He was on the edge, slipping into a fugue state, the paralysis he dreaded. It came from within. It came from without. Something – something – was making the entire structure around him panic, weaken, fail in resolve. He was not immune. He was the pinnacle – when the base was corrupted, he, too, eventually, would shatter.
Chris Wraight (Warhawk (The Siege of Terra #6))
3. When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face which are almost unendurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother’s eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy—if you know your job he will not notice the immense improbability of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this is easily managed. 4. In civilised life domestic hatred usually expresses itself by saying things which would appear quite harmless on paper (the words are not offensive) but in such a voice, or at such a moment, that they are not far short of a blow in the face. To keep this game up you and Glubose must see to it that each of these two fools has a sort of double standard. Your patient must demand that all his own utterances are to be taken at their face value and judged simply on the actual words, while at the same time judging all his mother’s utterances with the fullest and most over-sensitive interpretation of the tone and the context and the suspected intention. She must be encouraged to do the same to him. Hence from every quarrel they can both go away convinced, or very nearly convinced, that they are quite innocent. You know the kind of thing: ‘I simply ask her what time dinner will be and she flies into a temper.’ Once this habit is well established you have the delightful situation of a human saying things with the express purpose of offending and yet having a grievance when offence is taken.
C.S. Lewis (The Screwtape Letters)
Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened. Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious. “I’m so sorry,” she croaked. No reply. Christopher approached her slowly, as if he thought she might try to bolt again. Reaching her, he took her upper arms in a hard grip that allowed no chance of escape. “Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?” Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…” “How much of it was the truth?” “All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.” Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?” She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer. “Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--” Her words were abruptly smothered. He was kissing her, she realized dazedly. What did it mean? What did he want? What…but her thoughts dissolved, and she stopped trying to make sense of anything. His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn’t care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan. Christopher forced her to look back at him. “Loved?” he asked hoarsely. “Past tense?” “Present tense,” she managed to say. “You told me to find you.” “I didn’t mean to send you that note.” “But you did. You wanted me.” “Yes.” More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief. Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. “I love you, Beatrix.” Maybe she was capable of swooning after all.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
She tilts her head to the side after taking a sip of her tea, studying us. “You know, I can’t get over how beautiful you two are together. One of those couples you love to follow on Instagram, you know, the really cute ones that are so sickening in love that you can’t get enough of them.” Way to drop the love bomb, Mom. Jesus. Thankfully Emory doesn’t show any kind of hatred for the term but instead says, “Like Jennifer Lopez and A-Rod?” “Yes,” my mom answers with excitement. “Oh my gosh, I’m obsessed with watching their stories. The little videos they do together, I just can’t get enough of them. J-Rod,” my mom says dreamily. “Oh gosh, what would your couple name be?” She thinks about it for a second. “Emox . . . or Knemory. Oh I love Knemory. Sounds so poetic.” “Knemory does have a nice ring to it,” I add. “I don’t know, what about Emorox?” “Ohhh, that sounds like a name that belongs in The Game of Thrones.” Taking on a more masculine voice, my mom says, “Look out, Jon, Emorox is coming over the hill, with her fire-spitting dragons, Knemory and George.” “George?” Emory laughs out loud, covering her mouth. “Why George?” “Well, look at the names they have in that show? They’re all exotic names you’ve never heard before—Cersei, Gregor, Arya—and then in waltzes good old Jon Snow. It’s only fair that the dragons have a lemon in the bunch as well.” “Uh, Jon is anything but a lemon, Mom,” I defend. “He was raised from the dead.” My mom’s mouth drops, pure and utter shock in her face. “Jon Snow dies?” Shit. Emory elbows my stomach. “Where the hell is your GOT etiquette? You never talk about the facts of the show until the air is cleared about how far someone is in watching. You are one of those people who spoils everything for someone just catching up to the trend.” *Ahem* “I mean . . . uh . . . he doesn’t die.” “You just said he is raised from the dead,” my mom says. Feeling guilty, I reply, “Well, at least he’s still alive, right?” She slumps against the cushion of the couch and mutters, “Unbelievable.” “I’m sorry, Mrs. Gentry, that your son is a barbarian and broke your GOT trust.” Pressing her hand against her forehead, my mom says, “You know, I blame myself. I thought I taught him a shred of decorum, I guess not.” “Don’t blame yourself,” Emory coos. “You did everything right. It comes down to the hooligans he hangs out with. There’s only so much you can control after they leave the nest.” “You’re absolutely right,” my mom agrees and leans across the couch to smack me in the back of the head. “Hey,” I complain while rubbing the sore spot. I look between the two women in my life and I say, “I don’t like this ganging up on me shit.” “You wanted us to get along, right?” Emory asks. “Well, I happen to like your mom, especially since she complimented my bosom.” “Ah, I see.” I continue to look between the two of them. “You’re okay with my mom catching you with your shirt off now, moved past the embarrassment?” Emory’s eyes narrow. “With that kind of attitude, it might be the very last time you see me topless.” My mom raises her fist to the air, as if to say, “Girl Power.” And then she says, “You tell him, Emory. Don’t let him push you around.” “I wasn’t pushing her around—” “You keep that beautiful bosom under lock and key, and if you have a temptation to show anyone, just flash me.” “Mom, do you realize how wrong that is?” “Want to go to the bathroom right now, Mrs. Gentry?” “I would be delighted to.” They both stand but before they can make a move, I pull on Emory’s hand, bringing her back down to my lap. “No way in hell is that happening. Jesus, what is wrong with you?
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
Demonstrating for peace to promote war was nothing new. Totalitarianism always requires a tangible enemy. To the ancient Greeks, a holocaust was simply a burnt sacrifice. Khrushchev wanted to go down in history as the Soviet leader who exported communism to the American continent. In 1959 he was able to install the Castro brothers in Havana and soon my foreign intelligence service became involved in helping Cuba's new communist rulers to export revolution throughout South America. At that point it did not work. In the 1950s and 1960s most Latin Americans were poor, religious peasants who had accepted the status quo. A black version of liberation theology began growing in a few radical-leftist black churches in the US where Marxist thought is predicated on a system pf oppressor class ( white ) versus victim class ( black ) and it sees just one solution: the destruction of the enemy. In the 1950s UNESCO was perceived by many as a platform for communists to attack the West and the KGB used it to place agents around the world. Che Guevara's diaries, with an introduction by Fidel Castro, were produced by the Kremlin's dezinformatsiya machine. Changing minds is what Soviet communism was all about. Khrushchev's political necrophagy ( = blaming and condemning one's predecessor in office. It is a dangerous game. It hurts the country's national pride and it usually turns against its own user ) evolved from the Soviet tradition of sanctifying the supreme ruler. Although the communists publicly proclaimed the decisive role of the people in history, the Kremlin and its KGB believed that only the leader counted. Change the public image of the leader and you change history, I heard over and over from Khrushchev's lips. Khrushchev was certainly the most controversial Soviet to reign in the Kremlin. He unmasked Stalin's crimes, but he made political assassination a main instrument of his own foreign policy; he authored a policy of peaceful coexistence with the West but he pushed the world to the brink of nuclear war; he repaired Moscow's relationships with Yugoslavia's Tito, but he destroyed the unity of the communist world. His close association with Stalin's killings made him aware of what political crime could accomplish and gave him a taste for the simple criminal solution. His total ignorance about the civilized world, together with his irrational hatred of the "bourgeoisie" and his propensity to offend people, made him believe that disinformation and threats were the most efficient and dignified way for a Soviet leader to deal with "bourgeois" governments. As that very clever master of deception Yuri Andropov once told me, if a good piece of disinformation is repeated over and over, after a while it will take on a life of its own and will, all by itself, generate a horde or unwitting but passionate advocates. When I was working for Ceausescu, I always tried to find a way to help him reach a decision on his own, rather than telling him directly what I thought he should do about something. That way both of us were happy. From our KGB advisors, I had learned that the best way to ut over a deception was to let the target see something for himself, with his own eyes. By 1999, President Yeltsin's ill-conceived privatization had enabled a small clique of predatory insiders to plunder Russia's most valuable assets. The corruption generated by this widespread looting penetrated every corner of the country and it eventually created a Mafia-style economic system that threatened the stability of Russia itself. During the old Cold War, the KGB was a state within a state. In Putin's time, the KGB now rechristened FSB, is the state. The Soviet Union had one KGB officer for every 428 citizens. In 2004, Putin's Russia had one FSB officer for every 297 citizens.
Ion Mihai Pacepa (Disinformation)
Those who wish to harness hatred and resentment for their own gain always try to distort the proper balance between one version of history and another. They take events out of context; they make blame a one-sided game; and they try to convince us that historical problems are the problems of today. If we are to bring an end to the cycle of hatred and violence we must do precisely the opposite of these things. We must show how competing views of history can exist alongside one another. We must show how past atrocities fit into their historical context, and how blame necessarily attaches itself not just to one party, but to a whole variety of parties. We must strive always to discover the truth, particularly when it comes to statistics, and then put that truth to bed. It is, after all, history, and should not be allowed to poison the present.
Keith Lowe (Savage Continent: Europe in the Aftermath of World War II)
It must be an old photograph of you, out in the yard, looking almost afraid in the crisp, raking light that afternoons in the city held in those days, unappeased, not accepting anything from anybody. So what else is new? I’ll tell you what is: you are accepting this now from the invisible, unknown sender, and the light that was intended, you thought, only to rake or glance is now directed full in your face, as it in fact always was, but you were squinting so hard, fearful of accepting it, that you didn’t know this. Whether it warms or burns is another matter, which we will not go into here. The point is that you are accepting it and holding on to it, like love from someone you always thought you couldn’t stand, and whom you now recognize as a brother, an equal. Someone whose face is the same as yours in the photograph but who is someone else, all of whose thoughts and feelings are directed at you, falling like a gentle slab of light that will ultimately loosen and dissolve the crusted suspicion, the timely self-hatred, the efficient cold directness, the horrible good manners, the sensible resolves and the senseless nights spent waiting in utter abandon, that have grown up to be you in the tree with no view; and place you firmly in the good-natured circle of your ancestors’ games and entertainments.
John Ashbery
Firstly, Inspector,” Miss Trent interrupted. “The safety of the Society’s members is paramount to me. Secondly, I have the utmost trust in Lady Owston and Mr Locke. They would’ve intervened had Miss Webster not returned when expected. Therefore, your accusations are without foundation. They are also symptomatic of your categorical hatred of the Bow Street Society, and of what we are trying to do.” “Which is what, exactly?” “Ensuring justice is served for those who ask for it.” “And putting your members’ lives at risk in the process!” “Enough, Inspector!” Miss Trent stood and glared down at him. In a heartbeat, he, too, was on his feet. Towering over her five feet seven inches with his six feet four, he bellowed, “You will listen to me, Miss Trent, and you will listen carefully!” Miss Trent put her hand on her hip but remained silent. “If you and your Society insist on facing danger unnecessarily, you will do so under my terms. You will give me a full list of your members so I, and the Metropolitan Police, can stop them from being murdered, attacked, and robbed. Try to justify what you do as much as you like, Miss Trent, but, at the end of the day, you are all just bloody civilians playing at a copper’s game!” “And yet, we are the ones people look to when the police refuse to help them,” Miss Trent retorted as she stepped closer to the desk. Leaning forward, so their faces were mere inches apart, she went on, “Not every case we investigate is a crime, Inspector, and our clients expect discretion with the confidences they grant us.
T.G. Campbell (The Case of The Spectral Shot (Bow Street Society #3))
This aspect of the creative process, the fact that it emerges in response to a particular difficulty, has spawned its own terminology. It is called the “problem phase” of innovation. “The damn thing had been bugging me for years,” Dyson says of the conventional vacuum cleaner. “I couldn’t bear the inefficiency of the technology. It wasn’t so much a ‘problem phase’ as a ‘hatred phase.’” We often leave this aspect of the creative process out of the picture. We focus on the moment of epiphany, the detonation of insight that happened when Newton was hit by the apple or Archimedes was taking a bath. That is perhaps why creativity seems so ethereal. The idea is that such insights could happen anytime, anywhere. It is just a matter of sitting back and letting them flow. But this leaves out an indispensable feature of creativity. Without a problem, without a failure, without a flaw, without a frustration, innovation has nothing to latch on to. It loses its pivot. As Dyson puts it: “Creativity should be thought of as a dialogue. You have to have a problem before you can have the game-changing riposte.
Matthew Syed (Black Box Thinking: Why Some People Never Learn from Their Mistakes - But Some Do)
Growing up in the Middle East, I came to find out that Arab children are taught hatred of the Jews from their mother’s milk. From a young age, Arab children are constantly bombarded with stories and information presenting Jews as barbaric, conniving, manipulative, warmongering people. Meanwhile, Jews teach their children patience, humility, service, tolerance, understanding of others, and charity to all. They call it tikkun olam, "to repair the world." The Arab-Israeli conflict has remained intractable because the Arab world refuses to accept the right of a Jewish state to exist autonomously in the middle of the Muslim Middle East. At first this refusal was based on what appeared to be pan-Arab nationalism, and then on Palestinian nationalism. There is a lot of bluster, pride, and honor among Arabs, which supports the nationalism angle. But as a Lebanese Christian looking at it from ground level and willing to blow the whistle on the hatred that Arabs harbor and teach their children against Jews, I can tell you that religious hatred, humiliation, and resentment are the driving factor behind the Israeli-Arab conflict. As a Christian who was raised in a country where people were shot at checkpoints because their ID card said “Christian,” I see it differently. I think that with the Iranian Revolution of 1979, and especially after the rise of the Palestinian Islamic Resistance Movement (Hamas) during the 1987 intifada, the world is seeing the true reason for the Arab world’s refusal to recognize Israel’s right to exist: radical Islamic supremacism. It has come to the surface, overshadowing the nationalist rationale and moving on, seeking bigger game in the West.
Brigitte Gabriel (Because They Hate)
Sensing reprieve, grasping for it with eager disbelief, she lifted her lashes in confusion to see the same emotion reflected in his cobalt eyes. He began to tremble, as if the lance weighed a thousand pounds. And suddenly she knew that as much as he longed to murder her, a part of him couldn’t, wouldn’t throw the lance. It made no sense. She could see nothing but hatred written on his chiseled face. He had surely killed hundreds of times and would kill again. Slowly he lowered his arm and stared at her as if she had bested him in some way. Then, so quickly she couldn’t be sure she saw it, pain flashed across his face. “So you’re sweet?” His smile dripped ice. “We shall see, woman, we shall see.” He said “woman” as if he were spitting bile and slid his lance arrow to her chin. She had heard of women being disfigured by Indians and expected him to slash her as he outlined her mouth and the slope of her nose. Breathless fear brought moisture to her brow. Black spots danced, blurring her vision. She blinked and forced herself to focus on him. Laughter twinkled in his eyes. She realized that since he had decided not to kill her, he was, for some reason she couldn’t imagine, playing a hideous game, terrifying her to test her mettle. She caught hold of his lance and shoved it aside, lifting her head in defiance. Chuckling low in his chest, he leaned over his thigh, making a fist in her hair. His grip brought tears to her eyes. As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.” Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her. “You will yield. Look at me and know the face of your master. Remember it well.” Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear. “Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!
Catherine Anderson (Comanche Moon (Comanche, #1))
Implicit in Britain’s decision to back the Arabs was a simple calculation. Whereas – as in the previous world war – the Arabs were dangerously unaligned, Hitler’s clear hatred left the Jews without a choice. ‘The Jews?’ the British ambassador to Egypt asked rhetorically. ‘Let us be practical. They are anybody’s game these days. But we need not desert them. They have waited 2,000 years for their “home”. They can well afford to wait a bit until we are better able to help them get their last pound of flesh . . . We have not done badly by them so far and they should be made to realise that crying for the moon won’t get them anywhere – especially if we are the only friends they have left in the world.’19
James Barr (A Line in the Sand: Britain, France and the Struggle for the Mastery of the Middle East)
To make matters worse, the Starlight Captain, Quentin, got to them before we could and he offered them a teasing bow and a smile which made me want to knock his teeth out. Which I intended to do as soon as the second half started. The girls both laughed at something he said, smiling like he was the funniest fucking dipshit they’d ever met. Roxy’s dark eyes moved to mine and I felt a lurch right in the centre of my gut for a half a second as it seemed almost like she was directing that smile at me. She’d made a dress out of an oversized Pitball shirt which skimmed her thighs and made her look like she'd just crawled out of my bed and pulled it on. The idea of that excited me way more than it should have but as she turned to whisper something to her sister, I saw the name printed across the back of her shirt wasn’t Acrux, it was Grus. Of course it is. Stop thinking with your dick and get your head back in the game! The Starlight Captain noticed us approaching and made himself scarce but I noted the lingering looks the twins gave him as he jogged away. “Enjoying the game, sweetheart?” Caleb asked as we drew close enough to speak with them. I didn’t miss the way Roxy’s eyes trailed over him and the fact that there was considerably less hatred in her gaze when she looked his way than what she directed at me. I guessed he hadn’t half drowned her but it still pissed me off. “We are,” she admitted with a wide smile. “Isn’t Geraldine amazing?” “Yeah she’s the fucking cat's pyjamas,” I growled, wishing I could actually aim an insult the Cerberus’s way but that girl was single handedly saving our asses from total annihilation at this point so I couldn’t even pretend to do it. Without her we would have been royally screwed. “Maybe she should be the Captain,” Gwendalina suggested with a taunting smile. “Maybe she should,” Lance agreed loudly and I scowled at my friend. There was no way he’d offer me any loyalty when it came to Pitball. If I wasn’t the best then he’d say it to my face. I just wished he’d hold his opinion back in front of the Vegas. “I just need a quick top up,” Caleb said and Roxy didn’t even fucking flinch at that. She sighed like him biting her was a goddamn inconvenience and pulled her long hair over her shoulder to offer him access to her neck. “You’d better hurry up,” she added. “Only two minutes of half time left.” I glanced around at the board to confirm what she’d said and by the time I looked back, Caleb had her in his arms and his teeth were in her throat. She didn’t even have the decency to look horrified, her fingers twisting into his hair as he held her in place. His fucking hand was on her thigh, skimming the hem of that shirt and for a moment I actually wanted to rip his arm off. I shook my head and turned away from them. This anger with Milton was spilling into everything I did today. I just couldn’t believe that he’d done such a thing to me. He was one of my most loyal followers, I’d never even sensed an inch of defiance in him let alone a betrayal of this magnitude and I couldn’t get it out of my head. If I couldn’t trust someone as devoted as him then who the hell could I trust? My gaze skimmed over the box above the twins where my parents were sitting but I didn’t let it linger there. If I saw the look of frustration and disappointment I knew would be on my father’s face then I really would lose the plot. Caleb released Roxy, leaning close to whisper something in her ear which made her fucking laugh while I ground my teeth. He spared a moment to heal the bite on her neck and we turned back to the pitch. “I hope you do better this half!” Gwen called after us. “You can’t do any worse, right?” Roxy added and I clenched my fists to stop myself from rounding on them. (Darius POV)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
She said he had seven times seven years before she claimed him, before he had to join her Under the Mountain. If he wanted to break her curse, he need only find a human girl willing to marry him. But not any girl- a human with ice in her heart, with hatred for our kind. A human girl willing to kill a faerie.' The ground rocked beneath me, and I was grateful for the wall I leaned against. 'Worse, the faerie she killed had to be one of his men, sent across the wall by him like lambs to slaughter. The girl could only be brought here to be courted if she killed one of his men in an unprovoked attack- killed him for hatred alone, just as Jurian had done to Clythia... So he could understand her sister's pain.' ... 'It was all a cruel joke, a clever punishment, to Amarantha. You humans loathe and fear faeries so much it would be impossible- impossible for the same girl who slaughtered a faerie in cold blood to them fall in love with one. But the spell on Tamlin could only be broken if she did just that before the forty-nine years were over- if that girl said to his face that she loved him, and meant it with her entire heart. Amarantha knows humans are preoccupied with beauty, and thus bound the masks to all of our faces, to his face, so it would be more difficult to find a girl willing to look beyond the mask, beyond his faerie nature, and to the soul beneath. Then she bound us so we couldn't say a word about the curse. Not a single word. We could hardly tell you a thing about our world, about our fate. He couldn't tell you- none of us properly could. The lies about the blight- that was the best he could do, the best we could all do. That I can tell you now... it means the game is over, to her.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Amélie's eyes blazed into mine. Hatred emanated from every skinny bone in her body. I supposed that might happen when your plans to destroy somebody blew up in your face. And you'd also been caught with your skirt up. But she didn't know Olivier's plans for her just yet. Game over, Amélie.
Samantha Verant (Sophie Valroux's Paris Stars (Sophie Valroux #2))
Fear is the gunpowder and hatred is the fuse. Dogma, the final ingredient, is only a lighted match.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
Within days of the UN special rapporteur’s report on extreme American poverty, the U.S. Congress responded by passing a massive tax cut that virtually every economist predicted would make that inequality much worse. As the UN expert noted in his official report to the world body, “The strategy seems to be tailor-made to maximize inequality.… It seems driven by contempt, and sometimes even hatred, for the poor, along with a ‘winner-takes-all’ mentality.
Bill McKibben (Falter: Has the Human Game Begun to Play Itself Out?)
Rauschning’s testimony, in other words, was that the Nazi game plan aimed to disunite the United States by tearing at the weakest political and cultural seams in American society: the divide between haves and have-nots, fear and hatred of immigrants, white supremacist race hate, and antisemitism. Rogge’s job before the jury was to prove that these disparate defendants were part of that plan. The question before the court was whether their actions, in fact, constituted a seditious conspiracy.
Rachel Maddow (Prequel: An American Fight Against Fascism)
The room was lit by the displays on the game decks, pink and blue and gold. Most of them were themed around sex or violence, or both. Press a button, spend your money, and watch the girls put foreign and offensive objects inside themselves while you waited to see whether you’d won. Slot machines, poker, real-time lotteries. The men who played them exuded an atmosphere of stupidity, desperation, and an almost tangible hatred of women.
James S.A. Corey (Abaddon's Gate (Expanse, #3))
Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?” Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…” “How much of it was the truth?” “All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.” Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?” She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer. “Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--” Her words were abruptly smothered. He was kissing her, she realized dazedly.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Hello People After having trouble from suffer and hatred I'd like the world to know the charm of sadness I will never be far away, but always among you A deadly game and the rules are very simple You need only to follow the simplicity Die or Suffer Make your choice
Eyden I. (Kiss Friendzone Goodbye)
The room we entered housed a large TV, a pool table, and a few other games for the inmates to enjoy, including a collapsible table tennis set that had been folded in half with someone still inside it, crushing the man to death. Three massive couches had been upturned and thrown to the sides, exposing a large, empty section of floor. A lone arm, torn off from the shoulder, sat in the very center in a pool of blood. At the far end of the room, the TV had been torn from the wall and tossed aside. In its place was a body. Or at least the remains of one. Two pool cue ends protruded out of his chest, and blood had sprayed from his torso where his arms should have been, drenching the wall in red on either side of him. Identification would be difficult since the victim’s head was missing. “What the fuck happened here?” I asked, not sure if I wanted to know. Olivia turned away from talking to one of her agents. “The best Doctor Grayson can determine is that Neil was nailed to the wall by those pool cues after having his arms and his head ripped off and thrown into the nearest bin.” “That’s Neil Hatchell?” Olivia nodded.
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
Poem against War Bonfires burn brightly ”I see what you don’t see” Deathly pale rattles the sky. The children have grown old; Their voices speak of the war – Your dreams are like land mines, One slip, and the game is over. In search of the olive branch, A dove appears in the waters of hatred. ”Scorched Wing” No hope is dawning in the sky.
Kristian Goldmund Aumann (The Seven Deadly Sins)
My aunt took my life as a game and she passed the hatred that she had toward my mother down, and treated me this way for all of these years. I never knew that a person could be so hateful, especially toward their own flesh and blood. I
Diamond D. Johnson (Little Miami Girl: Antonia and Jahiem's Love Story)
Hatred is a ping-pong game. It goes backwards and forwards between the players. Whoever stops the game, wins.
Ela Crain
A negative passion cannot become universal. You cannot imagine a federation of hatreds. You might almost wish to see such a scenario come about. But the worst situation doesn't always materialize. The fact remains that from this point on there is something which is completely beyond social regulation. If this is not the end of History, it is certainly the end of the social. We are no longer in anomie, but in anomaly. Anomaly is what escapes not only the law but the rule. What is outside the game, `offside', no longer in a position to play. The outlaw space bred violence; this offside space breeds virulence. But as to what exactly is being bred in anomaly, we have no notion. When a system becomes universal (the media, networks, the financial markets, human rights), it automatically becomes anomalous and secretes virulences of all kinds: financial crashes, AIDS, computer viruses, deregulation, disinformation. Hatred itself is a virus of this kind. Take Paulin, the man from Guadeloupe who went around murdering old ladies a few years ago. A monstrous individual, but cool, and with no apparent hatred in him. He had no identity, and was of indeterminate sex and mixed race. He committed his murders without violence or bloodshed. And he recounted them with an odd detachment. Being indifferent to himself, he was eliminating people who were themselves indifferent. But we can assume that behind all this there was a deep fund of radical hatred. Doubtless Paulin `had the hate', but he was too classy, too educated, to express it openly.
Jean Baudrillard (The Perfect Crime)
humanity without the corruption, greed, and hatred that the inner planets could not transcend. We will take what is ours by right, yes, but more than that, we will lead the Belt to a new, better form. A more human form. “As of now, the gates to the other worlds are closed. The inner planet colony ships will be redirected to existing stations in our system, and the goods they carry contributed to building the strong outer planets that we have always deserved. We no longer recognize or accept the yoke of the inner planets anywhere in the system. The moons of Saturn and Jupiter are ours by right. Pallas Station, Ceres Station, every pocket of air in the Belt with even one human in it, all are the natural
James S.A. Corey (Nemesis Games (The Expanse, #5))
Lukas, he’s Pride. He hates himself for not knowing what happened to me when I was left with our mom, and he had a good life with our father. He prides himself on doing better and never letting that sort of thing go unpunished again. Creed, he’s Wrath personified. The man has anger issues and it’s a dangerous game with his dissociative disorder. He doesn’t feel anything other than anger and hatred. Then you have me, Envy. I hate anything and everything to do with people who think they’re better than everyone else because of social standing, or thinking because they’re sneaky, that they won’t get caught.
Cassie Hargrove (Obsession (The Deadly Seven, #1))
Evil-minded personas sponsor and let create terrorist groups for their goals, spending billions of the national treasure; thereupon, only to eliminate those groups and start new similar fields, again and again, wasting trillions of the state's resources. Isn't it a devilish mentality for a bloodshed game? - As a result, not welfare, but poverty, not love, but hatred, not peace, but violence wins and prevails.
Ehsan Sehgal
What directors, authors, comic artists, and even game designers want is to hit the audience with a cultural roundhouse. There’s no way to do that effectively without pushing political buttons to overstimulate the most delicate nerve endings of personal belief, ideology, patriotism, gender roles, and unexamined hatreds.
W. Scott Poole (Dark Carnivals: Modern Horror and the Origins of American Empire)
There is a fear of catching AIDS , but a fear also of simply catching sex. There is a fear of catching anything whatever which might seem like a passion, a seduction, a responsibility. And, in this sense, it is once again the male who has most deeply fallen victim to the negative obsession with sex. To the point of withdrawing from the sexual game, exhausted by having to bear such a risk, and no doubt also wearied by having historically assumed the role of sexual power for so long. Of which feminism and female liberation have divested him, at least dejure (and, to a large extent, de facto). But things are more complicated than this, because th e male who has been emasculated in this way and stripped of his power, has taken advantage of this situation to fade from the scene, to disappear — doffing th e phallic mask of a power which has, in any event, become increasingly dangerous. This is the paradoxical victory of the movement for feminine emancipation. That movement has succeeded too well and now leaves the female faced with the (more or less tactical and defensive) defaulting of the male. A strange situation ensues, in which women no longer protest against male power, but are resentful of the 'powerlessness' of the male . The defaulting of the male now fuels a deep dissatisfaction generated by disappointment with a sexual liberation which is going wrong for everyone. And this dissatisfaction finds expression, contradictorily, in the phantasm of sexual harassment. This is, then, a very different scenario from traditional feminism. Women are no longer alienated by men, but dispossessed of the masculine, dispossessed of the vital illusion of the other and hence also of their own illusion, their desire and privilege as women. It is this same effect which causes children secretly to hate their parents, who no longer wish to assume the role of parent and seize the opportunity of children's emancipation to liberate themselves as parents and relinquish their role. What we have, then, is no longer violence on the part of children in rebellion against the parental order, but hatred on the part of children dispossessed of their status and illusion as children. The person who liberates himself is never who you though the was. This defaulting o f the male has knock-on effects which extend into the biological order. Recent studies have found a fall in the rate of sperm in the seminal fluid, but, most importantly, a decline of their will to power: they no longer compete to go and fertilize the ovum. There is no competition any more. Are they, too , afraid of responsibility? Should we see this as a phenomenon analogous to what is going on in the visible sexual world, where a reticence to fulfil roles and a dissuasive terror exerted by the female sex currently prevail? Is this an unintended side-effect of the battle against harassment - the assault of sperm being the most elementary form of sexual harassment?
Jean Baudrillard (Screened Out)
And how could it be otherwise? I am always amazed when I hear people saying that sport creates goodwill between the nations, and that if only the common peoples of the world could meet one another at football or cricket, they would have no inclination to meet on the battlefield. Even if one didn’t know from concrete examples (the 1936 Olympic Games, for instance) that international sporting contests lead to orgies of hatred, one could deduce it from general principles.
George Orwell (Notes on Nationalism)
At evening Father became an aged man; in dark rooms Mother's countenance turned to stone and the curse of the degenerate race weighed upon the youth. At times he remembered his childhood filled with sickness, terrors and darkness, secretive games in the starlit garden, or that he fed the rats in the twilit yard. Out of a blue mirror stepped the slender form of his sister and he fled as if dead into the dark. At night his mouth broke open like a red fruit and the stars grew bright above his speechless sorrow. His dreams filled the ancient house of his forefathers. At evening he loved to walk across the derelict graveyard, or he perused the corpses in a dusky death-chamber, the green spots of decay upon their lovely hands. By the convent gate he begged for a piece of bread; the shadow of a black horse sprang out of the darkness and startled him. When he lay in his cool bed, he was overcome by indescribable tears. But there was nobody who might have laid a hand on his brow. When autumn came he walked, a visionary, in brown meadows. O, the hours of wild ecstasy, the evenings by the green stream, the hunts. O, the soul that softly sang the song of the withered reed; fiery piety. Silent and long he gazed into the starry eyes of the toad, felt with thrilling hands the coolness of ancient stone and invoked the time-honoured legend of the blue spring. O, the silver fishes and the fruit that fell from crippled trees. The chiming chords of his footsteps filled him with pride and contempt for mankind. Along his homeward path he came upon a deserted castle. Ruined gods stood in the garden sorrowfully at eventide. Yet to him it seemed: here I have lived forgotten years. An organ chorale filled him with the thrill of God. But he spent his days in a dark cave, lied and stole and hid himself, a flaming wolf, from his mother's white countenance. O, that hour when he sank low with stony mouth in the starlit garden, the shadow of the murderer fell upon him. With scarlet brow he entered the moor and the wrath of God chastised his metal shoulders; O, the birches in the storm, the dark creatures that shunned his deranged paths. Hatred scorched his heart, rapture, when he did violence to the silent child in the fresh green summer garden, recognized in the radiant his deranged countenance. Woe, that evening by the window, when a horrid skeleton, Death, emerged from scarlet flowers. O, you towers and bells; and the shadows of night fell as stone upon him.
Georg Trakl (Poems and Prose)
They shared elaborate fantasies about raping and murdering me, discussing the pros and cons of each. They talked about how to break into all of my accounts to try to find more ways to invade my privacy. They bragged about victories like flooding my game's page with hatred and nude photos of me and went so far as to create guides to share tactics on how best to ruin my life. They even orchestrated plans to donate to various charities specifically to make themselves look like concerned citizens and not a mob of people trying to get me killed. They build friendships and bonded with each other by reinforcing their dedication to the righteous cause of taking me down, reminding themselves at every turn but they were the good guys.
Zoe Quinn (Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate)