Playground Kid Quotes

We've searched our database for all the quotes and captions related to Playground Kid. Here they are! All 100 of them:

You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, little kids figuring out how to be alive, how to navigate a world that wasn't made for them by navigating a playground that was.
John Green (The Fault in Our Stars)
But hey, what's life without a little adversity?" That had to have been the fakest attempt at optimism since my fourth grade teacher tried reasoning that we were better off without the dead kids in our class because it'd mean more turns on the playground swings for the rest of us.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
It hurts to live after someone has died. It just does. It can hurt to walk down a hallway or open the fridge. It hurts to put on a pair of socks, to brush your teeth. Food tastes like nothing. Colors go flat. Music hurts, and so do memories. You look at something you’d otherwise find beautiful—a purple sky at sunset or a playground full of kids—and it only somehow deepens the loss. Grief is so lonely this way.
Michelle Obama (Becoming)
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
Donna Tartt (The Goldfinch)
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis)
It hurts to live after someone has died. It just does. It can hurt to walk down a hallway or a open the fridge. It hurts to put on a pair of socks, to brush your teeth. Food tastes like nothing. Colors go flat. Music hurts, and so do memories. You look at something you'd otherwise find beautiful - a purple sky at sunset or a playground full of kids and it only somehow deepens the loss. Grief is so lonely this way.
Michelle Obama (Becoming)
I apologise if you all know this, but the point is many, many people do not. Why else would they open a large play area for children, hang up a sign saying "Giant Kid's Playground", and then wonder why everyone stays away from it? (Answer: everyone is scared of the Giant Kid.)
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, the little kids figuring out how to be alive, how to navigate a world that was not built for them by navigating a playground that was. . . Who am I to say that these things might not be forever? Who is Pete Van Houten to assert as fact the conjecture that our labor is temporary? All I know of heaven and all I know of death is in this park: an elegant universe in ceaseless motion, teeming with ruined ruins and screaming children.
John Green (The Fault in Our Stars)
They had their own language, their own jokes. They were constantly touching each other too – pushing and shoving, pinching and hugging, like kids flirting on a playground.
Lauren Oliver (Panic)
wouldn't you like to make sure all those millions you give to Uncle Sam went to schools and hospitals instead of nuclear warheads?' As a matter of fact, he would. Playgrounds for big kids, preschool programs to little ones, and mandatory LASIK surgery for NFL refs.
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
Kids go splat as they hit the ground, hit the ground, hit the ground. Kids go splat as they hit the ground, my fair lady.” D.J. was walking across the playground with his head down.
Louis Sachar (Wayside School is Falling Down (Wayside School, #2))
In the world I notice persons are nearly always stressed and have no time. Even Grandma often says that, but she and Steppa don't have jobs, so I don't know how persons with jobs do the jobs and all the living as well. In Room me and Ma had time for everything. I guess the time gets spread very thin like butter over all the world, the roads and houses and playgrounds and stores, so there's only a little smear of time on each place, then everyone has to hurry on to the next bit. Also everywhere I'm looking at kids, adults mostly don't seem to like them, not even the parents do. They call the kids gorgeous and so cute, they make the kids do the thing all over again so they can take a photo, but they don't want to actually play with them, they'd rather drink coffee talking to other adults. Sometimes there's a small kid crying and the Ma of it doesn't even hear.
Emma Donoghue (Room)
Don’t defend him! This is bullshit!” he said as he turned for the door, and then turned back to face me. “I’ve been sitting at work this whole time, staring at those fucking things. I wanted to calm down before I got here, but this is just . . . it’s fucking disrespectful, is what it is! I bust my ass trying to prove to you that I’m better for you than he ever was. But he keeps pulling this shit, and showing up, and . . . I can’t compete with some rich college boy from California. I’m barely getting by, with no degree, and up until a few days ago I still lived with my dad. But I am so fucking in love you, Cami,” he said, reaching for me. “I have been since we were kids. The first time I saw you on the playground, I knew what beauty was. The first time you ignored me was my first broken heart. I thought I was playing this right, from the moment I sat down at your table at the Red. No one has ever wanted someone as much as I want you. For years I . . .” He was breathing hard, and he clenched his jaw. “When I heard about your dad, I wanted to rescue you,” he said, chuckling, but not out of humor. “And that night at your apartment, I thought I’d finally gotten something right.” He pointed to the ground. “That my purpose in life was to love you and keep you safe . . . but I didn’t prepare for having to share you.
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
I feel like a kid in a playground, and her body is my own personal ride.
Callie Hart (Burn (Blood & Roses, #3))
You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance.
John Green (The Fault in Our Stars)
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital.
Donna Tartt (The Goldfinch)
We wouldn't even have wars, if adults followed the rules they learned as children. A four-year old would be able to see how foolish grown men are behaving if you explained the war in child's terms. A boy named Germany started causing problems all over the playground that included beating up a girl named Belgium on his way to hurt a kid named France. Then England tried to beat up Germany to help France and Belgium, and when that didn't work, they called over a kid named America, and people started pounding on him, too.
Cat Winters (In the Shadow of Blackbirds)
I watch him go through the preflight checks with a deep sense of awe. I thought he was pretty macho before, but this… Well, this wins the macho war. My ovaries are screaming in glee like a bunch of playground kids on sugar highs.
J.T. Geissinger (Carnal Urges (Queens & Monsters, #2))
It hurts to live after someone has died. It just does. It can hurt to walk down a hallway or open the fridge. It hurts to put on a pair of socks, to brush your teeth. Food tastes like nothing. Colors go flat. Music hurts, and so do memories. You look at something you'd otherwise find beautiful--a purple sky at sunset or a playground full of kids--and it only somehow deepens the loss. Grief is so lonely this way.
Michelle Obama (Becoming)
Know this too: Some people won't like you, and you won't like everyone. That's okay. None of that matters. What matters is meeting like-minded people who get you, accept you, and will do anything for you. Even if that means pegging some poor kid in the face with a snowball and sitting against a playground wall on a cold, snowy day.
Connor Franta (A Work in Progress)
They say a happy childhood is a lousy preparation for life. Kids who spend their playground days fat, ginger or gay know the truth. The world has always been full of vicious predators. For plenty of people this carnage and savagery is business as usual.
Adam Baker (Outpost (Outpost, #1))
They say a happy childhood is a lousy preparation for life. Kids who spend their playground days fat, ginger or gay know the truth.
Adam Baker (Outpost (Outpost, #1))
there is still a kind of unique loneliness to child rearing for women. We so often do it in isolation. Add to the fact that in our competitive, perfectionist culture, in which the price woman are required to pay for freedom still seems to be martyrdom, almost everyone lies about motherhood. Part of that lying is loyalty - I can't let on that my kid is the only one on the playground who can't read or play the piano - and part of it is self-protection, since we've made hyper-motherhood a measure of female success. The preferred answer to the question "How are you?" is always "Fine," and the answer to the question "How are the kids?" is supposed to be "Great!" That's true even if the accurate answers would be "terrible" and "a mess." I think it produces its own kind of desperation, especially for women, who yearn to be emotionally open.
Anna Quindlen (Every Last One)
One of the most important parts of tending our friendships is working our way, over time, into the kind of friendships that can support cataclysm, friendships that are able to move from the office or the playground to hospital rooms and funerals. Some of my married friends are widows now, and some are single, and some have lost parents and had kids who were lost to them for awhile. And even those of us who so far have been relatively unscathed know how important the bonds of love are, how they make a net so we don't hit the ground when we fall from the wire.
Anna Quindlen (Lots of Candles, Plenty of Cake)
As a kid, I had the worst mile time ever. Our gym teacher made us run the mile a few times a year for something called the Presidential Fitness Test. I’d huff and puff and wonder why the hell President Bush cared how fast I could run laps around the playground. I always came in dead last.
Miranda Kenneally (Breathe, Annie, Breathe (Hundred Oaks, #5))
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn’t be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis)
How are we to teach our children to say “no” to an abusive adult if we are not frank about what it is that they should say “no” to? When we try to keep sex secret from our kids, they are aware that something is going on, but they don’t know what. And if we leave them to get their sex information in the playground or on the street, from equally ill-informed other kids, we consign them to the jungle.
Dossie Easton (The Ethical Slut : A Practical Guide to Polyamory, Open Relationships & Other Adventures)
The world breaks little girls. It stomps out our will, our joy, our curiosity—and replaces them with disdain, cynicism, and the need to fit into neat and tiny boxes. I learned that young, in kindergarten, when the other kids called Stella a show-off for raising her hand during class, or when the boys in first grade said I was bossy for leading a reading circle. When Stella and I would overhear the other moms at the Elite Youth Runner’s Club: The Steckler sisters are just a little much. That’s how we were described while the boys were sprinting around the playground kicking and screaming, breaking and biting. The world doesn’t celebrate girls who take up space, who demand to be heard, who are just a little much.
Jessica Goodman (They'll Never Catch Us)
The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. […] In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its supression is the true collusion of adulthood, the pact we make, the Talmud we protect.
Lionel Shriver (We Need to Talk About Kevin)
I've been in enough playgrounds to know kids can be mean. I know, I know, I know
R.J. Palacio (Wonder (Wonder, #1))
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.” I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
If you want to know if your kid is going to be fast, the best genetic test right now is a stopwatch. Take him to the playground and have him face the other kids.' Foster's point is that, despite the avant-garde allure of genetic testing, gauging speed indirectly is foolish and inaccurate compared with testing it directly - like measuring a man's height by dropping a ball from a roof and using the time it takes to hit him in the head to determine how tall he is. Why not just use a tape measure?
David Epstein (The Sports Gene: Inside the Science of Extraordinary Athletic Performance)
I can’t blame all this for my drinking—I can’t blame my parents or my childhood, an abusive uncle or some terrible tragedy. It’s my fault. I was a drinker anyway—I’ve always liked to drink. But I did become sadder, and sadness gets boring after a while, for the sad person and for everyone around them. And then I went from being a drinker to being a drunk, and there’s nothing more boring than that. I’m better now, about the children thing; I’ve got better since I’ve been on my own. I’ve had to. I’ve read books and articles, I’ve realized that I must come to terms with it. There are strategies, there is hope. If I straightened myself out and sobered up, there’s a possibility that I could adopt. And I’m not thirty-four yet—it isn’t over. I am better than I was a few years ago, when I used to abandon my trolley and leave the supermarket if the place was packed with mums and kids; I wouldn’t have been able to come to a park like this, to sit near the playground and watch chubby toddlers rolling down the slide. There were times, at my lowest, when the hunger was at its worst, when I thought I was going to lose my mind.
Paula Hawkins (The Girl on the Train)
The playground was a war of girls versus boys and now I feel shame cuz some kids must have wanted to stand with the other team, and some must have wanted new teams entirely, but the world was drawn for us binary in clumsy chalk lines, and we'd try to do better when we were in charge.
Laurie Halse Anderson (Shout)
Aloneness – that is what SM feels like to me. Isolated, alone, separated, left out as I silently stand by watching others experience life while the words freeze inside me, afraid to speak up or join in a conversation. Actually feeling the anxiety shaking inside my chest as I try to get up the courage to speak to someone or call or text a friend. SM feels like the child standing alone behind the door watching the other kids in the playground – afraid to ask, 'may I play?' It feels like the teenager standing silently against the wall, listening to classmates laugh and chat, invisible to everyone and wondering what it would be like to have a friend. It feels like the 50-year-old office worker, alone in her cube while others chat and laugh in the aisle, still left out. I live inside a shell, a mask that looks like me, but isn't me. I am in here, but it is really hard to let others see. I'm so grateful for the few dear friends I have now. Most people, though, only see the shell and assume I'm aloof and uncaring because I am quiet. I feel very deeply. I feel others' joy and pain intensely, yet they rarely know. I'm not quiet because I am uncaring. I'm silent because I'm afraid.
Carl Sutton (Selective Mutism In Our Own Words: Experiences in Childhood and Adulthood)
In the world I notice persons are nearly always stressed and have no time. Even Grandma often says that, but she and Steppa don't have jobs, so I don't know how persons with jobs do the jobs and all the living as well. In Room me and Ma had time for everything. I guess the time gets spread very thing like butter over all the world, the roads and houses and playgrounds and stores, so there's only a little smear of time on each place, then everyone has to hurry on to the next bit.
Emma Donoghue (Room)
Svetlana said that when she was in the first grade, kids would torture each other in the playground by asking, “Who do you love more, Comrade Tito or your own mother?
Elif Batuman (The Idiot)
How is it?" I ask as we stroll towards the dressing rooms. "Working at the playground. That must be fun." "Sure, they're just adorable," she says, "For the first five minutes. And then I want to wring their adorable little necks." I stop, shocked. "I always figured you loved kids." "Yeah, no." Kayla shakes her head emphatically. "One kid, I can do, even two-- just stick them in front of a Disney movie, let them play Xbox all night. But a herd of them?" She shudders.
Abby McDonald (Getting Over Garrett Delaney)
All I knew was that I didn’t feel things the way other kids did. I didn’t feel guilt when I lied. I didn’t feel compassion when classmates got hurt on the playground. For the most part, I felt nothing. And I didn’t like the way that “nothing” felt. So I did things to replace the nothingness with… something.
Patric Gagne (Sociopath)
You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, the little kids figuring out how to be alive, how to navigate a world that was not built for them by navigating a playground that was. Dad saw me watching the kids and said, "You miss running around like that?" "Sometimes, I guess." But that wasn't what I was thinking about. I was just trying to notice everything: the light on the ruined Ruins, this little kid who could barely walk discovering a stick at the corner of the playground, my indefatigable mother zigzagging mustard across her turkey sandwich, my dad patting his handheld in his pocket and resisting the urge to check it, a guy throwing a Frisbee that his dog kept running under and catching and returning to him. Who am I to say that these things might not be forever? Who is Peter Van Houten to assert as fact the conjecture that our labor is temporary? All I know of heaven and all I know of death is in this park: an elegant universe in ceaseless motion, teeming with ruined ruins and screaming children.
John Green (The Fault in Our Stars)
That had to have been the fakest attempt at optimism since my fourth grade teacher tried reasoning that we were better off without the dead kids in our class because it'd mean more turns on the playground swings for the rest of us.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent.
Donna Tartt (The Goldfinch)
The thought should have comforted Bobby but it didn’t. He found himself thinking of what William Golding had said, that the boys on the island were rescued by the crew of a battle-cruiser and good for them . . . but who would rescue the crew? That was stupid, no one ever looked less in need of rescuing than Rionda Hewson did at that moment, but the words still haunted Bobby. What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn’t be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis)
Nelle clarified her feelings then. As far as she was concerned, Truman lied about people and belittled them as a way of life and he didn’t care whom he hurt. “Truman was a psychopath, honey.” That stopped me short. Nelle used language precisely. She wasn’t just tossing out the word like kids on a playground do, calling one another “psycho.” “You mean in the clinical sense?” I asked. “If I understand the meaning of the term,” she answered. “He thought the rules that apply to everybody else didn’t apply to him.
Marja Mills (The Mockingbird Next Door: Life with Harper Lee)
I guess the time gets spread very thin like butter over all the world, the roads and houses and playgrounds and stores, so there's only a little smear of time on each place, then everyone has to hurry on to the next bit. Also everywhere I'm looking at kids, adults mostly don't seem to like them, not even the parents do. They call the kids gorgeous and so cute, they make the kids do the thing all over again so they can take a photo, but they don't want to actually play with them, they'd rather drink coffee talking to other adults.
Emma Donoghue (Room)
I look for a place to sit and find a spot in the playground where they deal drugs are night, but at this time of day it’s bursting with kids, parents, dogs, also a few people on their own like me. But today I don’t feel even slightly alone. I hear the babble of people as they chatter, on and on. I’m amazed at our impulse to express ourselves, explain ourselves, tell stories to one another. The simple sandwich I always get amazes me, too. As I eat it, as my body bakes in the sun that pours down on my neighbourhood, each bite, feeling sacred, reminds me that I’m not forsaken.
Jhumpa Lahiri (Whereabouts)
There are people who need people, and then there are introverts. You don't get to choose that particular personality trait when you're born. You're either the kid who spends recess running around the playground looking for friends, or you're the little angel who sits quietly in the reading corner with a book, lost in another world.
Sara Desai (To Have and to Heist)
students tend to carry their own special psychic scars: nerd, geek, dweeb, wonk, fag, wienie, four-eyes, spazola, limp-dick, needle-dick, dickless, dick-nose, pencil-neck; getting your violin or laptop TP or entomologist’s kill-jar broken over your large head by thick-necked kids on the playground—and the show pulls down solid FM ratings, though
David Foster Wallace (Infinite Jest)
The president doesn't have the luxury of behaving like a smart-aleck kid on a school playground; he has to work not just with Congress but with leaders around the world.
Laura Bush (Spoken from the Heart Collector's Edition)
The world's a playground. You know that when you are a kid, but somewhere along the way everyone forgets it.
Nicholas Stoller (The Yes Man)
The only male teacher on the playground scooped the kid up in his arms, and ran to the school nurse. The rest of us stood around wondering what had happened to him. As usual, the adults told us nothing. One teacher blew her whistle at those of us still standing in a circle around the place he’d once stood. “You’re wasting time!” she yelled. “He’s gone. Go play.
Ashley C. Ford (Somebody's Daughter)
I’m in a sort of dream. But this feels realer than any dream I’ve ever dreamed. It’s like watching myself, like I’m on the outside, and I’m looking in. And suddenly, I’m not at the playground anymore. I’m in Wakefield Town Square, and everything is different. The world is not back to normal, no, but it’s better. The sky is bluer-than-blue and the sun is warm on my skin. Big, beautiful plants grow. I feel alive. My entire body is buzzing, warm. I feel safe. I feel untouchable. Invincible. I come to the tree house. Looking up, I see that the tree is taller, thicker, and the tree house is now a tremendously huge sort of tree castle. Rooms and rooms on top of rooms, connected—a fortress fit for a king. But who is the king?
Max Brallier (The Last Kids on Earth and the Nightmare King)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
Kids need playgrounds dangerous enough to remain challenging. People, including children (who are people too, after all), don’t seek to minimize risk. They seek to optimize it. They drive and walk and love and play so that they achieve what they desire, but they push themselves a bit at the same time, too, so they continue to develop. Thus, if things are made too safe, people (including children) start to figure out ways to make them dangerous again.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
He found himself thinking of what William Golding had said, that the boys on the island were rescued by the crew of a battlecruiser and good for them . . . but who would rescue the crew? ...What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses?
Stephen King (Hearts in Atlantis)
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Not that parents are alone in their extreme behavior. That have more than enough company among school boards and high-ranking politicians who think if you "fix the schools, they'll fix the kids." So, in Gadsden, Alabama, school officials eliminated kindergarten nap time in 2003 so the children would have more test-prep time. Two hours away in Atlanta, school officials figured that if you eliminated recess, the kids will study more. And just in case those shifty teachers try to sneak it in, Atlanta started building schools without playgrounds. "We are intent on improving academic performance," said the superintendent. "You don't do that by having kids hanging on the monkey bars." Meanwhile, Georgia's governor wanted the state to give Mozart CDs to newborns because research showed Mozart improved babies' IQs (which later proved to be mythical research). Right behind him is Lincoln, Rhode Island, where they canceled the district spelling bee because only one child would win, leaving all others behind, thus violating the intent of No Child Left Behind--or, as they might say in Lincoln, no child gets ahead.
Jim Trelease (The Read-Aloud Handbook)
I'm no expert, but in my limited experience, women aren't born women. They start out as girls. And every girl, from the moment they can dream, imagines the rescue. The knight. The castle. Life in a fairy tale. If you don't believe me, watch boys and girls on a playground. No one teaches us to do this. The kid in us actually believes in things that are too good to be true. Before life convinces us we can't and they're not. Then life kicks in. Boys become men. Girls become women. For any number of reasons we are wounded and, sadly, wounded people wound people. So many of us grow into doubting, hopeless, callous adults protecting hardened hearts. Medicating the pain. Life isn't what we imagined. Nor are we. And we didn't start out trying to get there. Far from it. But it's who we've become. One day we turn around, and what we once dreamed or hoped is a distant echo. We've forgotten what it sounded like. Once pure and unadulterated, the voice of hope is now muted by all the stuff we've crammed on top of it. And we're okay with that. For some illogical reason, we stand atop the mine shaft of ourselves, shoving stuff into the pipe that is us, telling our very soul, 'Shut up. Not another word.' Why? Because the cry of our heart hurts when unanswered. And the longer it remains unanswered, the deeper the hurt. In self-protection we inhale resignation and exhale indifference. [Murphy Shepherd]
Charles Martin (The Letter Keeper (Murphy Shepherd, #2))
I look for a place to sit and find a spot in the playground where they deal drugs at night, but at this time of day it's bursting with kids, parents. dogs, also a few people on their own like me. But today I don't feel slightly alone. i hear the babble of people as they chatter , on and on. I'm amazed at our impulse to express ourselves, explain ourselves. tell stories to one another. The simple sandwich I always get amazes me, too. As I eat it, as my body bakes in the sun that pours down on my neighborhood, each bite, feeling sacred, reminds me that I'm not forsaken.
Jhumpa Lahiri (Whereabouts)
In October 1920, her former employer was featured in the local news. The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
I briefly considered giving the Myerson kids the same lecture I’d given the other first graders on the playground: Unicorns are man-eating monsters. They don’t have wings, they aren’t lavender or sparkly, and you could never catch one to ride without its goring you through the sternum. And even if it somehow managed to miss your major arteries—and it never missed—you’d still die from the deadly poison in its horn. But don’t worry. My great-great-great-great-great-great-aunt Clothilde killed the last one a hundred and fifty years ago. Except now I guessed it would be more like a hundred and sixty. How time doth fly in a unicorn-free world.
Diana Peterfreund (Rampant (Killer Unicorns, #1))
Have you ever watched kids on a playground? There will be one kid taller than all the rest. He’s out there playing, and he’s the tallest one. But he doesn’t know he’s tall. Maybe on some level it registers with him that the other kids in his class are shorter, that he has to look down to meet their eyes when he’s close to them, but he never really thinks much about it. “Later, if the difference stays and he remains taller than others, somebody will say something about his height. Maybe they’ll tease him and call him a freak. Then he’ll fully realize he’s taller than normal. He still won’t think much about it, though, until others point it out to him all the time.
Jaxon Reed (The Empathic Detective (The Empathic Detective #1))
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
I guessed were in their early twenties, though the people of the area tended to look about ten years past their actual ages. Even their children looked prematurely aged, so worn and bloated. No wonder, I thought, considering the kind of women who were feeding them. There was no outdoor recreation for kids that I’d seen, no playground, no jungle gym at the school.
Ottessa Moshfegh (Death in Her Hands)
If the U.S. government and nonprofit organizations, private corporations and university laboratories are going to dedicate money and time to the future, they also need to do so for the present. They need to fund accessible buses, schools, classrooms, movie theaters, restrooms, housing, and workplaces. They should support campaigns to end bullying, employment discrimination, social isolation, and the ongoing institutionalizing of disabled people with the same enthusiasm with which they implement cure research. I want money for accessible playgrounds, tree houses, and sandboxes so that wheelchair-using kids aren't left twiddling their thumbs in the present while they dream of running in the future. If we choose to wait for those always-just-around-the-corner cures, lavishing them with resources, energy, and media attention, we risk suspending our present-day lives.
Eli Clare (Brilliant Imperfection: Grappling with Cure)
Suddenly life was good, even glamorous. We were poor but didn’t know it, or maybe we did know, but we didn’t care, because my mother had stopped disappearing into her bedroom. Our apartment building was surrounded by empty lots, which were all that separated us from the ocean. Within a couple of decades, those stretches of undeveloped land – prime coastline real estate –would be built upon, with upscale apartment complexes and million-dollar houses with ocean views. But in 1967, those barren lots were our magnificent private playground. I had a tomboy streak and recruited neighborhood boys onto an ad hoc softball team. Dieter and my mother installed a tetherball pole, which acted as a magnet for kids in the neighborhood. For the first time in years, we were enjoying what felt like a normal, quasi-suburban existence, with us at the center of everything–the popular kids with the endless playground.
Katie Hafner (Mother Daughter Me)
Last year we stepped onto an elevator. We politely asked the white lady behind us If she could please take the next lift To continue social distancing. Her face flared up like a cross in the night. Are you kidding me? she yelled, Like we'd just declared Elevators for us only Or Yous must enter from the back Or No yous or dogs allowed Or We have the right to refuse Humanity to anyone Why it's so perturbing for privileged groups to follow restrictions of place & personhood. Doing so means for once wearing the chains their power has shackled on the rest of us. It is to surrender the one difference that kept them separate & thus superior. Meanwhile, for generations we've stayed home, [segre] gated, kept out of parks, kept out of playgrounds, kept out of pools, kept out of public spaces, kept out of outside spaces, kept out of outer space, kept out of movie theaters, kept out of malls, kept out of restrooms, kept out of restaurants, kept out of taxis, kept out of buses, kept out of beaches, kept out of ballot boxes, kept out of office, kept out of the army, kept out of the hospitals, kept out of hotels, kept out of clubs, kept out of jobs, kept out of schools, kept out of sports, kept out of streets, kept out of water, kept out of land, kept out of kept in kept from kept behind kept below kept down kept without life. Some were asked to walk a fraction / of our exclusion for a year & it almost destroyed all they thought they were. Yet here we are. Still walking, still kept.
Amanda Gorman (Call Us What We Carry)
The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
Donna Tartt (The Goldfinch)
Just try your best, babe,” she said. “That’s the same thing Mrs. Williams’s contract says,” I complained. “How do I know what my best is?” “Your best is whatever you can do comfortably without having a breakdown.” She didn’t understand. According to my black-or-white view of the world, it wasn’t enough to do my best. I had to be perfect. To take care of my mother, to send her to college, I needed to eliminate all mistakes. Mistakes had led to our predicament—Grandma marrying Grandpa, Grandpa denying my mother’s wish to go to college, my mother marrying my father—and they continued to cost us. I needed to correct those mistakes by avoiding new ones, and by getting perfect grades, then getting into a perfect college, then a perfect law school, then suing my imperfect father. But with school getting harder, I couldn’t see how I was going to be perfect, and if I were imperfect, then my mother and Grandma would be disappointed with me, and I’d be no better than my father, and then my mother would sing and cry and peck at her calculator—this was how my mind raced on the playground as I watched the other kids playing tetherball.
J.R. Moehringer (The Tender Bar)
In October 1920, her former employer was featured in the local news. The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
I remember sitting here," he said, "and watching you over there." He pointed, but I didn't have to look. Before Cameron and I got close, I spent a lot of lunches the same way, starting off eating and reading on my special bench on the other side of the yard, followed by walking the perimeter of the playground, balancing on the small cement curb that separated the blacktop from the landscaping, around and around and around, hoping I looked busy and like it didn't matter that I had no friends. I sat next to Cameron on the bench. "What did you think when you used to watch me?" He leaned his head against the building. "That I understood you. That you'd understand me." "Do you remember the first time you talked to me? Because I don't. I've been trying to remember for years and I can't get it." "You don't remember? Wasn't me that talked to you. You talked to me." I scooted forward on the bench and looked at him. "I did?" "You walked right across the yard here at recess," he said, pointing. "Came straight up to me." He laughed. "You looked so determined. I was scared you were gonna kick me in the shins or something." I didn't remember this at all, any of it. "You said you were starting a club," he continued. "Asked me if I wanted to join." "Wait..." Something was there, at the very edge of my memory, coming into focus. "Do you remember if it happened to be May Day?" "That the one with the pole and all the ribbons?" "Yes!" "Yep. All the girls had ribbons in their hair but you." Jordana wouldn't let me wear ribbons. She said my hair was too greasy and I might give someone lice, and somehow I submitted to her logic. "I do remember," I said softly. "I haven't thought of that in forever. I kept thinking that you were the one to make friends with me first." "Nope." He smiled. "You started this whole thing. I wanted to, but you were the one with the guts to actually do it." "I think of myself as being a coward, and a baby, scared all the time." He got quiet. We watched kids in the schoolyard playing basketball. "You're not," he finally said. "You know that." He got up suddenly. "Let's go. We got one more stop.
Sara Zarr (Sweethearts)
A dachshund came out of the bushes. Ruzena's father extended his pole toward him, but the dog alertly evaded it and ran over to the boy, who lifted him up and hugged him. Other old men rushed over to help Ruzena's father and tear the dachshund out of the boy's arms. The boy was crying, shouting, and grappling with them so that the old men had to twist his arms and put a hand over his mouth because his cries were attracting too much attention from the passersby, who were turning to look but not daring to intervene. [...] Jakub was leading the dog by the collar toward the hotel steps when one of the old men shouted: "Release that dog at once!" And the other old man: "In the name of the law!" Jakub pretended not to notice the old men and kept going, but behind him a pole slowly descended alongside his body and the wire loop wavered clumsily over the boxer's head. Jakub grabbed the end of the pole and brusquely pushed it aside. A third old man ran up and shouted: "Its an attack on law and order! I'm going to call the police!" And the high-pitched voice of another old man complained: "He ran on the grass! He ran in the playground, where it's prohibited! He pissed in the kids' sandbox! Do you like dogs more than children?" The boxer scampered around the room curiously, unaware that he had just escaped danger. Jakub stretched out on the daybed, wondering what to do with him. He liked the lively, good-natured dog. The insouciance with which, in a few minutes, he had made himself at home in a strange room and struck up a friendship with a strange man was nearly suspicious and seemed to verge on stupidity. After sniffing all corners of the room, he leaped up on the daybed and lay down beside Jakub. Jakub was startled, but he welcomed without reservation this sign of camaraderie. He put his hand on the dog's back and felt with delight the warmth of the animal's body. He had always liked dogs. They were familiar, affectionate, devoted, and at the same time entirely incomprehensible. We will never know what actually goes on in the heads and hearts of these confident, merry emissaries from incomprehensible nature.
Milan Kundera (Farewell Waltz)
Do we really want to condemn as excessive the use of safety helmets, car seats, playgrounds designed so kids will be less likely to crack their skulls, childproof medicine bottles, and baby gates at the top of stairs? One writer criticizes "the inappropriateness of excessive concern in low-risk environments," but of course reasonable people disagree about what constitutes both "excessive" and "low risk." Even if, as this writer asserts, "a young person growing up in a Western middle-class family is safer today than at any time in modern history," the relevance of that relative definition of safety isn't clear. Just because fewer people die of disease today than in medieval times doesn't mean it's silly to be immunized. And perhaps young people are safer today because of the precautions that some critics ridicule.
Alfie Kohn (The Myth of the Spoiled Child: Coddled Kids, Helicopter Parents, and Other Phony Crises)
My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
The day we visited, mothers were chatting comfortably on one of the benches while their children ran around happily exploring and playing games. The beauty of natural playgrounds is that they tap directly into children’s passions. In traditional playspaces constructed of metal and plastic, decisions about what to play are made by the designers. First you swing. Then you go down the slide. Too often, the result is competition, with kids arguing over who gets to do what, followed by frustration and tears. Conversely, in natural play areas, the child is boss. Imaginations are fired up as kids invent games with the available loose parts. Studies show that interactions tend to be more cooperative as well. Bullying is greatly decreased, and both vandalism and aggressive behavior also go down if there is a tree canopy. And with greater engagement comes longer play intervals, about three times longer compared with old-style play equipment.
Scott D. Sampson (How to Raise a Wild Child: The Art and Science of Falling in Love with Nature)
See my coat over there? I want you to look in the pockets.” CyFi’s heavy coat is a few yards away tossed over the seat of a swing. Lev goes to the swing set and picks up the coat. He reaches into an inside pocket and finds, of all things, a gold cigarette lighter. He pulls it out. “Is that it, Cy? You want a cigarette?” If a cigarette would bring CyFi out of this, Lev would be the first to light it for him. There are things far more illegal than cigarettes, anyway. “Check the other pockets.” Lev searches the other pockets for a pack of cigarettes, but there are none. Instead he finds a small treasure trove. Jeweled earrings, watches, a gold necklace, a diamond bracelet—things that shimmer and shine even in the dim daylight. “Cy, what did you do . . . ?” “I already told you, it wasn’t me! Now go take all that stuff and get rid of it. Get rid of it and don’t let me see where you put it.” Then he covers his eyes like it’s a game of hide-and-seek. “Go—before he changes my mind!” Lev pulls everything out of the pocket and, cradling it in his arms, runs to the far end of the playground. He digs in the cold sand and drops it all in, kicking sand back over it. When he’s done, he smoothes it over with the side of his shoe and drops a scattering of leaves above it. He goes back to CyFi, who’s sitting there just like Lev left him, hands over his face. “It’s done,” Lev says. “You can look now.” When Cy takes his hands away, there’s blood all over his face from the cuts on his hands. Cy stares at his hands, then looks at Lev helplessly, like . . . well, like a kid who just got hurt in a playground. Lev half expects him to cry. “You wait here,” Lev says. “I’ll go get some bandages.” He knows he’ll have to steal them. He wonders what Pastor Dan would say about all the things he’s been stealing lately. “Thank you, Fry,” Cy says. “You did good, and I ain’t gonna forget it.” The Old Umber lilt is back in his voice. The twitching has stopped.
Neal Shusterman (Unwind (Unwind, #1))
So let’s imagine for now that our love for our children and our thankfulness for their existence is a given. Let’s imagine that no one can possibly doubt the depths of our feelings for our sons and daughters. Let’s imagine that everyone in the world knows exactly how much we love all the many things there are to love about our children and the relationships we have with them. Let’s imagine that we are all most definitely Good Moms, and, with all that on our side, admit for a moment what we don’t love. I’ll give you my list, you add your own. I don’t love every minute of going to the playground. I don’t love every minute of going to the museums. I don’t love every minute of watching Elmo. I don’t love every minute of having to wake up early in the morning. I don’t love every minute of having interrupted sleep at night. I don’t love every minute of having to be the one to make the rules and the one who must enforce them. I don’t love every minute of laundry. I don’t love every minute of changing diapers. I don’t love every minute of having to endure the stares of people when my child freaks out in public. I don’t love every minute of making food that my kid ends up throwing on the floor. I don’t love every minute that I have the Barney song stuck in my head. I don’t love every minute of having to reason with a tantrum-throwing toddler. I don’t love every minute of being peed on, pooped on, and thrown-up on. I don’t love every minute of weaning. I don’t love every minute of sidewalk chalk. I don’t love every minute of having to pick up the blocks fifteen times a day. I don’t love every minute of putting my life on hold. I don’t love every minute of tantrums. I don’t love every minute of going to story time at the library. I HATE the Teletubbies. I don’t love every minute of being chained to someone else’s routine. I don’t love every minute of not being able to go to the bathroom without company. I don’t love every minute of being a mother.
Andrea J. Buchanan (Mother Shock: Tales from the First Year and Beyond -- Loving Every (Other) Minute of It)
Little Nicky heads to the Badlands to see the show for himself. The Western Roads are outside his remit as a U.S. Treasury agent, but he knows the men he wants are its denizens. Standing on the corner of the Great Western and Edinburgh Roads, a sideshow, a carnival of the doped, the beaten, and the crazed. He walks round to the Avenue Haig strip and encounters the playground of Shanghai’s crackpots, cranks, gondoos, and lunatics. He’s accosted constantly: casino touts, hustling pimps, dope dealers; monkeys on chains, dancing dogs, kids turning tumbles, Chinese ‘look see’ boys offering to watch your car. Their numbers rise as the Japs turn the screws on Shanghai ever tighter. Half-crazy American missionaries try to sell him Bibles printed on rice paper—saving souls in the Badlands is one tough beat. The Chinese hawkers do no better with their porno cards of naked dyed blondes, Disney characters in lewd poses, and bare-arsed Chinese girls, all underage. Barkers for the strip shows and porno flicks up the alleyways guarantee genuine French celluloid of the filthiest kind. Beggars abound, near the dealers and bootleggers in the shadows, selling fake heroin pills and bootleg samogon Russian vodka, distilled in alleyways, that just might leave you blind. Off the Avenue Haig, Nicky, making sure of his gun in its shoulder holster, ventures up the side streets and narrow laneways that buzz with the purveyors of cure-all tonics, hawkers of appetite suppressants, male pick-me-ups promising endless virility. Everything is for sale—back-street abortions and unwanted baby girls alongside corn and callus removers, street barbers, and earwax pickers. The stalls of the letter writers for the illiterate are next to the sellers of pills to cure opium addiction. He sees desperate refugees offered spurious Nansen passports, dubious visas for neutral Macao, well-forged letters of transit for Brazil. He could have his fortune told twenty times over (gypsy tarot cards or Chinese bone chuckers? Your choice). He could eat his fill—grilled meat and rice stalls—or he could start a whole new life: end-of-the-worlders and Korean propagandists offer cheap land in Mongolia and Manchukuo.
Paul French (City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai)
The truth is, the vanity of protective parents that I cited to the court goes beyond look-at-us-we’re-such-responsible-guardians. Our prohibitions also bulwark our self-importance. They fortify the construct that we adults are all initiates. By conceit, we have earned access to an unwritten Talmud whose soul-shattering content we are sworn to conceal from “innocents” for their own good. By pandering to this myth of the naïf, we service our own legend. Presumably we have looked the horror in the face, like staring into the naked eye of the sun, blistering into turbulent, corrupted creatures, enigmas even to ourselves. Gross with revelation, we would turn back the clock if we could, but there is no unknowing of this awful canon, no return to the blissfully insipid world of childhood, no choice but to shoulder this weighty black sagacity, whose finest purpose is to shelter our air-headed midgets from a glimpse of the abyss. The sacrifice is flatteringly tragic. The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. To this day, some of my most intense sexual memories date back to before I was ten, as I have confided to you under the sheets in better days. No, they have sex, too. In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its suppression is the true collusion of adulthood, the pact we make, the Talmud we protect.
Lionel Shriver (We Need to Talk About Kevin)
HAVE YOU SEEN ME? The last count Jim had heard was 190 missing kids. The number would have seemed like fantasy if not for the evidence he saw everywhere: a higher fence around the school, larger numbers of parents patrolling the playgrounds, the police crackdown on kids being on the streets after dark. It was unusual that Jim and Jack would be allowed to be out on their bikes this close to sundown, but it was Jack's birthday and their parents couldn't say no.... Jim squinted into the sun. He could make out Jack pedaling so fast that birds threw themselves out of the way not land until they had gone south for the winter. Jack whooped and dry leaves danced in the Sportcrest's wake. In just a few seconds, Jack would pass under the Holland Transit Bridge, a monolith of concrete and steel.... He had to catch up to his brother. When they got home, he wanted it to be as equals... The training wheels protested - SQUEAK, SQUEAK, SQUEAK! - but he kept on cycling his legs, willing them to be longer and stronger. When he looked up again, Jack was gone. Jim could see the Sportcrest lying beneath the bridge, silhouetted by the falling sun, it's handlebars bent and the front wheel still spinning.
Guillermo del Toro (Trollhunters)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)
And the wraith on the heart monitor looks pensively down at Gately from upside-down and asks does Gately remember the myriad thespian extras on for example his beloved ‘Cheers!,’ not the center-stage Sam and Carla and Nom, but the nameless patrons always at tables, filling out the bar’s crowd, concessions to realism, always relegated to back- and foreground; and always having utterly silent conversations: their faces would animate and mouths would move realistically, but without sound; only the name-stars at the bar itself could audibilize. The wraith says these fractional actors, human scenery, could be seen (but not heard) in most pieces of filmed entertainment. And Gately remembers them, the extras in all public scenes, especially like bar and restaurant scenes, or rather remembers how he doesn’t quite remember them, how it never struck his addled mind as in fact surreal that their mouths moved but nothing emerged, and what a miserable fucking bottom-rung job that must be for an actor, to be sort of human furniture, figurants the wraith says they’re called, these surreally mute background presences whose presence really revealed that the camera, like any eye, has a perceptual corner, a triage of who’s important enough to be seen and heard v. just seen. A term from ballet, originally, figurant, the wraith explains. The wraith pushes his glasses up in the vaguely sniveling way of a kid that’s just got slapped around on the playground and says he personally spent the vast bulk of his own former animate life as pretty much a figurant, furniture at the periphery of the very eyes closest to him, it turned out, and that it’s one heck of a crummy way to try to live. Gately, whose increasing self-pity leaves little room or patience for anybody else’s self-pity, tries to lift his left hand and wiggle his pinkie to indicate the world’s smallest viola playing the theme from The Sorrow and the Pity, but even moving his left arm makes him almost faint. And either the wraith is saying or Gately is realizing that you can’t appreciate the dramatic pathos of a figurant until you realize how completely trapped and encaged he is in his mute peripheral status, because like say for example if one of ‘Cheers!’’s bar’s figurants suddenly decided he couldn’t take it any more and stood up and started shouting and gesturing around wildly in a bid for attention and nonperipheral status on the show, Gately realizes, all that would happen is that one of the audibilizing ‘name’ stars of the show would bolt over from stage-center and apply restraints or the Heineken Maneuver or CPR, figuring the silent gesturing figurant was choking on a beer-nut or something, and that then the whole rest of that episode of ‘Cheers!’ would be about jokes about the name star’s life-saving heroics, or else his fuck-up in applying the Heineken Maneuver to somebody who wasn’t choking on a nut. No way for a figurant to win. No possible voice or focus for the encaged figurant.
David Foster Wallace (Infinite Jest)
The banishing of a leper seems harsh, unnecessary. The Ancient East hasn’t been the only culture to isolate their wounded, however. We may not build colonies or cover our mouths in their presence, but we certainly build walls and duck our eyes. And a person needn’t have leprosy to feel quarantined. One of my sadder memories involves my fourth-grade friend Jerry.1He and a half-dozen of us were an ever-present, inseparable fixture on the playground. One day I called his house to see if we could play. The phone was answered by a cursing, drunken voice telling me Jerry could not come over that day or any day. I told my friends what had happened. One of them explained that Jerry’s father was an alcoholic. I don’t know if I knew what the word meant, but I learned quickly. Jerry, the second baseman; Jerry, the kid with the red bike; Jerry, my friend on the corner was now “Jerry, the son of a drunk.” Kids can be hard, and for some reason we were hard on Jerry. He was infected. Like the leper, he suffered from a condition he didn’t create. Like the leper, he was put outside the village. The divorced know this feeling. So do the handicapped. The unemployed have felt it, as have the less educated. Some shun unmarried moms. We keep our distance from the depressed and avoid the terminally ill. We have neighborhoods for immigrants, convalescent homes for the elderly, schools for the simple, centers for the addicted, and prisons for the criminals. The rest simply try to get away from it all. Only God knows how many Jerrys are in voluntary exile—individuals living quiet, lonely lives infected by their fear of rejection and their memories of the last time they tried. They choose not to be touched at all rather than risk being hurt again.
Max Lucado (Just Like Jesus: A Heart Like His)
When a middle school teacher in San Antonio, Texas, named Rick Riordan began thinking about the troublesome kids in his class, he was struck by a topsy-turvy idea. Maybe the wild ones weren’t hyperactive; maybe they were misplaced heroes. After all, in another era the same behavior that is now throttled with Ritalin and disciplinary rap sheets would have been the mark of greatness, the early blooming of a true champion. Riordan played with the idea, imagining the what-ifs. What if strong, assertive children were redirected rather than discouraged? What if there were a place for them, an outdoor training camp that felt like a playground, where they could cut loose with all those natural instincts to run, wrestle, climb, swim, and explore? You’d call it Camp Half-Blood, Riordan decided, because that’s what we really are—half animal and half higher-being, halfway between each and unsure how to keep them in balance. Riordan began writing, creating a troubled kid from a broken home named Percy Jackson who arrives at a camp in the woods and is transformed when the Olympian he has inside is revealed, honed, and guided. Riordan’s fantasy of a hero school actually does exist—in bits and pieces, scattered across the globe. The skills have been fragmented, but with a little hunting, you can find them all. In a public park in Brooklyn, a former ballerina darts into the bushes and returns with a shopping bag full of the same superfoods the ancient Greeks once relied on. In Brazil, a onetime beach huckster is reviving the lost art of natural movement. And in a lonely Arizona dust bowl called Oracle, a quiet genius disappeared into the desert after teaching a few great athletes—and, oddly, Johnny Cash and the Red Hot Chili Peppers—the ancient secret of using body fat as fuel. But the best learning lab of all was a cave on a mountain behind enemy lines—where, during World War II, a band of Greek shepherds and young British amateurs plotted to take on 100,000 German soldiers. They weren’t naturally strong, or professionally trained, or known for their courage. They were wanted men, marked for immediate execution. But on a starvation diet, they thrived. Hunted and hounded, they got stronger. They became such natural born heroes, they decided to follow the lead of the greatest hero of all, Odysseus, and
Christopher McDougall (Natural Born Heroes: Mastering the Lost Secrets of Strength and Endurance)
Best known as Glinda, the good witch in The Wizard of Oz (and as the wife of Ziegfeld), Billie Burke had a rosy, upbeat series promoting herself as “that bright morning star.” She portrayed a woman of uncertain age who would go out of her way to aid a bum in distress or help neighborhood kids get a playground. She constantly mixed metaphors, as in “Let sleeping dogs gather no moss,” and was well placed on Saturday mornings.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Do recall how you behaved as a child: Maybe your child is just like you once were. (The apple doesn’t fall far from the tree!) Ask yourself what you would have liked to make your childhood easier and more pleasurable. More trips to the playground, free time, or cuddling? Fewer demands? Lower expectations? Try saying, “When I was a kid and life got rough, I liked to climb trees. How about you?” Do respect your child’s needs, even if they seem unusual: “You sure do like a tight tuck-in! There, now you’re as snug as a bug in a rug.” Or, “I’ll stand in front of you while we’re on the escalator. I won’t let you fall.” Do respect your child’s fears, even if they seem senseless: “I see that your ball bounced near those big kids. I’ll go with you. Let’s hold hands.” Your reassurances will help her trust others. Do say “I love you”: Assure your child that you accept and value who she is. You cannot say “I love you” too often! Do follow your instincts: Your instincts will tell you that everyone needs to touch and be touchable, to move and be movable. If your child’s responses seem atypical, ask questions, get information, and follow up with appropriate action. Do listen when others express concerns: When teachers or caregivers suggest that your child’s behavior is unusual, you may react with denial or anger. But remember that they see your child away from home, among many other children. Their perspective is worth considering. Do educate yourself about typical child development: Read. Take parent education classes. Learn about invariable stages of human development, as well as variable temperaments and learning styles. It’s comforting to know that a wide variety of behaviors falls within the normal range. Then, you’ll find it easier to differentiate between typical and atypical behavior. Sometimes a cigar is just a cigar, and a six-year-old is just a six-year-old! Do seek professional help: SPD is a problem that a child can’t overcome alone. Parents and teachers can’t “cure” a child, just as a child can’t cure himself. Early intervention is crucial. Do keep your cool: When your child drives you crazy, collect your thoughts before responding, especially if you are angry, upset, or unpleasantly surprised. A child who is out of control needs the calm reassurance of someone who is in control. She needs a grown-up. Do take care of yourself: When you’re having a hard day, take a break! Hire a babysitter and go for a walk, read a book, take a bath, dine out, make love. Nobody can be expected to give another person undivided attention, and still cope.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Inclusion isn't inviting new kids to the playground; it's breaking down the gates surrounding the playground so everyone can play.
V.A. Givens
The act of making that designers find so satisfying is built into early childhood education, but as they grow, many children lose opportunities to create their own environment, bounded by a text-centric view of education and concerns for safety. Despite adults’ desire to create a safer, softer child-centric world, something got lost in translation. Jane Jacobs said, of the child in the designed-for-childhood environment: “Their homes and playgrounds, so orderly looking, so buffered from the muddled, messy intrusions of the great world, may accidentally be ideally planned for children to concentrate on television, but for too little else their hungry brains require.”9 Our built environment is making kids less healthy, less independent, and less imaginative. What those hungry brains require is freedom. Treating children as citizens, rather than as consumers, can break that pattern, creating a shared spatial economy centered on public education, recreation, and transportation safe and open for all.
Alexandra Lange (The Design of Childhood: How the Material World Shapes Independent Kids)
Being a working mother back then was to be a double-agent; you lied for a living. A male colleague who announced he was off to his son's rugby match was a hero; a women who did exactly the same was Lacking in Commitment... In the end, what made me quit EMF was the thought that my kids were suffering from the punishingly long - unnecessarily long, stupidly, inhumanely long - hours I spent away from them. They needed me, yes, but it turned out I needed them too. And our family was running on empty and the only person who could fill that emptiness was me. ... Winter. It must have been because all the commuting fathers, who had come straight from the station, were hurrying in with their thick dark coats and their briefcases. Each man stopped to ask me where they might find their child's classroom, They knew the name if their kid - he, credit where it's due! - but generally, that was the limit of their knowledge. They didn't know who the child's teacher was, sometimes didn't know what year group they were in. They had no clue where the little coats and bags were hung up, or what was in those bags. And I stood there in that cold, dark playground thinking, how could this ever possibly be fair? How could a woman compete when men were allowed to be so oblivious? One parent not knowing who the teacher was, not knowing what went in the lunchbox, not knowing which child in the class had the nut allergy, not knowing where the PE bag was, or which stinky little socks needed washing. OK, one parent could be oblivious. But not two. One parent has to carry the puzzle of family life in their head, and mostly, let's face it, it's still the mum. Professionally, back then I was competing with men whose minds were clear of all the stuff that small children bring.
Allison Pearson (How Hard Can It Be? (Kate Reddy, #2))
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just play-ground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis / Misery)
Mike couldn’t believe that Mr. Mackey’s secret tragedy was connected to his store, and no one had ever told him. “Do you think he’d ever take it back?” “Why would he? His son was never found, and he still blames your dad for it. I think it’s his way of making himself feel better about the accident. He thinks horror movies are evil or something.” “That’s stupid. Most kids are more scared of him than they are of horror movies,” Mike said, “He shouldn’t blame my dad.” “He thinks he’s protecting the kids,” Tim said, rolling his eyes. “Well, if he is trying to save kids, why is he so mean to us? Everyone’s afraid of him. Even Jack.” “I don’t know. I guess he’s just a cranky old man. Don’t take it personally. He’s had it rough. He has to stand on that playground everyday knowing that just over that fence, his son’s body is down there somewhere.” “Then why doesn’t he teach at another school?” “I don’t know, bud. Sometimes people just like to torture themselves.” - Saving Hascal's Horrors
Laura Smith
The Lie of Unfair Life I guess the grand lie is that the world has to be grim. Toughen up, kid, that’s just the way it is. The lie told when boys push other boys on the playground (because boys are tough, only) or when the looming adult says something that’s not fair or when your sister takes something that you wanted and never gives it back. Life isn’t fair. People are unkind and all our heroes are fighting themselves more than their foes. I’m not trying to start anything but what if we tried to teach our kids to change the world instead of resign themselves to it? So you’re born and you work and you die. We’ve got this line that says apathy’s the coolest. If you don’t care you’ve got it made. I slap the naïve label on and ask what we could do if we cared loudly about things and envied the people who feel deeply instead of the ones who trick us into thinking they don’t feel anything at all. Grass-roots happiness, optimism as a political act. All of us facing each other and admitting that we’ve got hearts ready to fill up and burst.
Elisabeth Hewer (Wishing for Birds)
When we first went to Provence, I assumed I would be observing a different culture. With attachment in mind, it became obvious to me that it is much more than a different culture — I was witnessing a culture at work and a culture that worked. Children greeted adults and adults greeted children. Socializing involved whole families, not adults with adults and children with children. There was only one village activity at a time, so families were not pulled in several directions. Sunday afternoon was for family walks in the countryside. Even at the village fountain, the local hangout, teens mixed with seniors. Festivals and celebrations, of which there were many, were all family affairs. The music and dancing brought the generations together instead of separating them. Culture took precedence over materialism. One could not even buy a baguette without first engaging in the appropriate greeting rituals. Village stores were closed for three hours at midday while schools emptied and families reconvened. Lunch was eaten in a congenial manner as multigenerational groupings sat around tables, sharing conversation and a meal. The attachment customs around the village primary school were equally impressive. Children were personally escorted to school and picked up by their parents or grandparents. The school was gated and the grounds could be entered only by a single entrance. At the gate were the teachers, waiting for their students to be handed over to them. Again, culture dictated that connection be established with appropriate greetings between the adult escorts and the teachers as well as the teachers and the students. Sometimes when the class had been collected but the school bell had not yet rung, the teacher would lead the class through the playground, like a mother goose followed by her goslings. While to North American eyes this may appear to be a preschool ritual, even absurd, in Provence it was selfevidently part of the natural order of things. When children were released from school, it was always one class at a time, the teacher in the lead. The teacher would wait with the students at the gate until all had been collected by their adult escort. Their teachers were their teachers whether on the grounds or in the village market or at the village festival. There weren't many cracks to fall through. Provençal culture was keeping attachment voids to a minimum.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Then she turned and walked right to Jonathon. He smiled in surprise at her and swung his arm out for her to pass him in line for breakfast. I peeked at Bish, wondering if he saw. He did. Great. I swiftly bolted to him in as ladylike a way as I could and stopped him from pounding Jonathon into dust. "Bish," I said and put a hand on his chest to stop him. "Think about it. You're just overly upset because your body is mad that she's with him." "You're daggum right it is!" "It's just the imprint. It makes you feel over protective. Jen is just hurting and trying to figure it out. If you make a scene right now, you're going to be moving backward, not forward." He sighed in a grumble. "So I'm supposed to just sit around and watch her do things to piss me off on purpose and pretend it doesn't bother me?" "For now? Yes. Please. I will figure this out for you, but right now we have some seriously messed up stuff going down and that has to be dealt with first." He lifted his hands to the back of his head and closed his eyes. "Fine. I won't touch pretty boy." "Thank you." "I'm going to…uh…" His eyes fastened on Maria. He smiled. I looked over to see, too. Maria was throwing grapes into the air and catching them in her mouth. Then giggling to herself as no one else was at the table with her. Bish left without another word and walked right to her. I watched and could hear their conversation in their mind. "Hey, Maria. You're pretty good at that, kid," he said. "I know," she spouted. "This boy at school taught me. But then he pulled my ponytail on the playground the next day, so I'm not really friends with him anymore." "Why did he pull your ponytail?" "Momma says boys are mean when they like you," she whispered in a disgusted voice. "But I think Momma's been misinformed.
Shelly Crane (Defiance (Significance, #3))
Learn to be difficult when it counts. In school as in life, having a reputation for being assertive will help you receive preferential treatment without having to beg or fight for it every time. Think back to your days on the playground. There was always a big bully and countless victims, but there was also that one small kid who fought like hell, thrashing and swinging for the fences. He or she might not have won, but after one or two exhausting exchanges, the bully chose not to bother him or her. It was easier to find someone else. Be that kid.
Timothy Ferriss (The 4-Hour Workweek)
an empty playground. Kids would find it after dinner, dick around with it, and that would be that.
Jeffrey B. Burton (The Finders (Mace Reid K-9 Mystery, #1))
It hurts to live after someone has died. It just does. It can hurt to walk down a hallway or open the fridge. It hurts to put on a pair of socks, to brush your teeth. Food tastes like nothing. Colors go flat. Music hurts, and so do memories. You look at something you'd otherwise find beautiful - a purple sky at sunset or a playground full of kids - and it only somehow deepens the loss. Grief is so lonely in this way
Michelle Obama (Becoming)