Hatfield And Mccoy Quotes

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West Virginia had the Hatfield and the McCoys. Shakespeare had the Capulets and the Montagues. Salvation had the Martins and the Sweets.
Avery Flynn (Enemies on Tap (Sweet Salvation Brewery, #1))
It's just human, or inhuman, nature: People will find a way to make a big deal out of their differences-the smaller, the better. It reminded me of the Mantagues and the Capulets (if I wanted to think highbrow), or the Hatfields and the McCoys (if I wanted to go lowbrow)...or the Jets and the Sharks (if I happened to feel musical).
Kevin J. Anderson (Hair Raising (Dan Shamble, Zombie P.I., #3))
Papaw’s distant cousin—also Jim Vance—married into the Hatfield family and joined a group of former Confederate soldiers and sympathizers called the Wildcats. When Cousin Jim murdered former Union soldier Asa Harmon McCoy, he kicked off one of the most famous family feuds in American history.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I received an urgent e-mail from a high school student named Makenzie Hatfield of Charleston, West Virginia. She informed me of a group of parents who were attempting to suppress the teaching of two of my novels, The Prince of Tides and Beach Music. I heard rumors of this controversy as I was completing my latest filthy, vomit-inducing work. These controversies are so commonplace in my life that I no longer get involved. But my knowledge of mountain lore is strong enough to know the dangers of refusing to help a Hatfield of West Virginia. I also do not mess with McCoys.
Pat Conroy (Beach Music)
Devil Anse off road trail system opened publicly may 2016. The trail system area along the Tug Fork River. You can book here Devil Anse off road trail and read all types of services here.
ridehatfieldmccoy
the office. “What can I do for you, Hill?” he asked. “Sir, I need to talk to you about this Hatfield and McCoy thing. And the Gunsmith.” “I know, General,” he said, “you don’t approve of Pinkerton’s plan—but we’re paying the man for his expertise.” “May I sit, sir?” Buckner waved to his visitor’s chair. Hill folded his excess height into it. “Sir, I believe my men and I can go into West Virginia and find Devil Anse Hatfield.” The leader of the Hatfields was William Anderson, but everyone knew him as “Devil Anse.” “Then why haven’t you?” “Excuse me, sir, but you haven’t taken the shackles off me,” Hill said. “Just let me go in and do it my way.” “I want Devil Anse arrested, not killed,” Buckner said. “Yes, sir, but he doesn’t have the same scruples that you do. Innocent people are getting killed because they’re finding themselves in the middle of his feud, which has been going on for years. And it’s a family feud, since the two sides are now related by marriage—a marriage neither one approved of, by the way.” “I don’t need a history lesson on the Hatfields and McCoys,
J.R. Roberts (Deadly Feud (The Gunsmith Book 436))
More specifically, these families are created by the shame-based people who find and marry each other. Each expects the other to parent the child within him or her. Each is incomplete and insatiable. The insatiability is rooted in each person’s unmet childhood needs. When two adult children meet and fall in love, the child in each looks to the other to fill his or her needs. Since “in love” is a natural state of fusion, the incomplete children fuse together as they had done in the symbiotic stage of infancy. Each feels a sense of oneness and completeness. Since “in love” is always erotic, each feels “oceanic” in the sexual embrace. “Oceanic” love is without boundaries. Being in love is as powerful as any narcotic. One feels whole and ecstatic. Unfortunately this state cannot last. The ecstatic consciousness is highly selective. Lovers focus on sameness and are intrigued by the newness of each other. Soon, however, real differences in socialization begin to emerge. The two families of origin rear their shame-based heads. Now the battle begins! Who will take care of whom? Whose family rules will win out? The more shame-based each person is, the more each other’s differences will be intolerable. “If you loved me, you’d do it my way,” each cajoles the other. The Hatfields and the McCoys go at it again.
John Bradshaw (Healing the Shame that Binds You)
The STORY has one great advantage over the HISTORY, and that is that once you learn the story, you never have to learn anything new! The
Tom E. Dotson (The Hatfield & McCoy Feud after Kevin Costner: Rescuing History)
possibly even proven to be in error as more and more people search the records and report their findings. The
Tom E. Dotson (The Hatfield & McCoy Feud after Kevin Costner: Rescuing History)
West Virginia had the Hatfield and the McCoys. Shakespeare had the Capulets and the Montagues. Salvation had the Martins and the Sweets.
Avery Flynn (Enemies on Tap (Sweet Salvation Brewery, #1))
The possibility that one might be proven wrong by future discoveries is a risk shared by historians, but never faced by story-tellers.
Tom E. Dotson (The Hatfield & McCoy Feud after Kevin Costner: Rescuing History)
Yeah, man. I’m from fucking West Virginia. You ever hear of the Hatfields and the McCoys? We take our grudges deadly serious. I’m
Onley James (Domesticated Beast (Time Served, #3))
The fact that his beard was a week old was to his advantage—having outgrown the appearance of a hangover but having yet to reach that of a Hatfield or McCoy.
Amor Towles (Rules of Civility)
You damn well know there was a reason,” Bryce cut in. “—But now that Connor and I are together,” I went on doggedly, “it’s silly for us to keep acting like the Hatfields and McCoys or something. You all know that Connor and I are having a baby. Well, we recently found out that it’s not just one baby. We’re having twins.” Since
Christine Pope (The Witches of Cleopatra Hill Box Set: Volume 1 (The Witches of Cleopatra Hill, #1-3))
From what you have seen so far it should be obvious that a major source of toxic shame is the family system and its multigenerational patterns of unresolved secrets. More specifically these families are created by the shame-based people who find and marry each other. Each looks to and expects the other to take care of and parent the child within him or her. Each is incomplete and insatiable. The insatiability is rooted in each person's unmet childhood needs. When two adult children meet and fall in love, the child in each looks to the other to fill his or her needs. Since "in love" is a natural state of fusion, the incomplete children fuse together as they had done in the symbiotic stage of infancy. Each feels a sense of oneness and completeness. Since “in-love” is always erotic, each feels "oceanic" in the sexual embrace. “Oceanic” love is without boundaries. Being in love is as powerful as any narcotic. One feels whole and ecstatic. Unfortunately this state cannot last. The ecstatic consciousness is highly selective. Lovers focus on sameness and are intrigued by the newness of each other. Soon, however, real differences in socialization begin to emerge. The two families of origin rear their shame-based heads. Now the battle begins! Who will take care of whom? Whose family rules will win out? The more shame-based each person is, the more each other's differences will be intolerable. “If you loved me, you'd do it my way,” each cajoles the other. The Hatfields and the Mccoys go at it again.
John Bradshaw (Healing the Shame that Binds You)
We do know that he was something of hillbilly royalty. Papaw’s distant cousin—also Jim Vance—married into the Hatfield family and joined a group of former Confederate soldiers and sympathizers called the Wildcats. When Cousin Jim murdered former Union soldier Asa Harmon McCoy, he kicked off one of the most famous family feuds in American history.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)