“
Those who hate rain hate life.
”
”
Dejan Stojanovic
“
When it rains it pours. Maybe the art of life is to convert tough times to great experiences: we can choose to hate the rain or dance in it.
”
”
Joan Marques
“
And even if you hate me for what I did, I'll still love you. If you won't see me, I'll still love you. I'll still love you because you are mine. Mine, Brynne. In my heart you are, and nobody can take that away from me. Not even you. E
”
”
Raine Miller (All In (The Blackstone Affair, #2))
“
If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.
”
”
Henry Miller (Plexus (The Rosy Crucifixion, #2))
“
I hated the mountains and the hills, the rivers and the rain. I hated the sunsets of whatever colour, I hated its beauty and its magic and the secret I would never know. I hated its indifference and the cruelty which was part of its loveliness. Above all I hated her. For she belonged to the magic and the loveliness. She had left me thirsty and all my life would be thirst and longing for what I had lost before I found it.
”
”
Jean Rhys (Wide Sargasso Sea)
“
Sometimes the people you loved left you halfway through a story. Sometimes they left you without a goodbye. And, sometimes, they stayed around in little ways. In the memory of a musical. In the smell of their perfume. In the sound of the rain, and the itch for adventure, and the yearning for that liminal space between one airport terminal and the next. I hated her for leaving, and I loved her for staying as long as she could. And I would never wish this pain on anyone.
”
”
Ashley Poston (The Seven Year Slip)
“
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
I want you to tell me about every person you’ve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didn’t think you’d live through.
Tell me what the word home means to you
and tell me in a way that I’ll know your mother’s name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when they’re sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your mother’s joy
when she spoke it for the very first time.
I want you to tell me all the ways you’ve been unkind.
Tell me all the ways you’ve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler “Poison! Poison! Poison!” really loud
or would you whisper
“That cloud looks like a fish,
and that cloud looks like a fairy!”
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you don’t believe in miracles, tell me —
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that you’ve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didn’t, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day you’re feeling good.
I wanna know what you see when you look in the mirror
on a day you’re feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you I’ve lived my entire life a little off-key?
And I’m not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do —
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other people’s wounds,
and if you dream sometimes
that this life is just a balloon —
that if you wanted to, you could pop,
but you never would
‘cause you’d never want it to stop.
If a tree fell in the forest
and you were the only one there to hear —
if its fall to the ground didn’t make a sound,
would you panic in fear that you didn’t exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didn’t talk —
do you think eventually, we’d… kiss?
No, wait.
That’s asking too much —
after all,
this is only our first date.
”
”
Andrea Gibson
“
My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.
”
”
China Miéville (Un Lun Dun)
“
Sometimes I hated it when I was right, but I always hated it when someone else was. Especially when their being right made me wrong. I’m irrational that way. It’s something I’m working on.
”
”
Lisa Shearin (Magic Lost, Trouble Found (Raine Benares #1))
“
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
”
”
Alan Moore (V for Vendetta)
“
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
”
”
Vladimir Nabokov (Lolita)
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
I hate it when storm clouds roll in, heralded by dazzling claps of thunder and lightning that boast an ocean of tears. This majestic performance of bad temper manages to overshadow my pathetic attempts at pouting. No one broods like Mother Nature, hence she steals all the attention I was sulking after.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
A bad habit or two is good for a man or a beast. Did you ever know a man who didn't have any bad habits? I have, and I always hated the son of a bitch." -- Charlie Flagg
”
”
Elmer Kelton (The Time It Never Rained)
“
Having better prediction raises the value of judgment. After all, it doesn’t help to know the likelihood of rain if you don’t know how much you like staying dry or how much you hate carrying an umbrella. Prediction machines don’t provide judgment. Only humans do, because only humans can express the relative rewards from taking different actions. As AI takes over prediction, humans will do less of the combined prediction-judgment routine of decision making and focus more on the judgment role alone.
”
”
Ajay Agrawal (Prediction Machines: The Simple Economics of Artificial Intelligence)
“
I like one hair, tuna fish, the smell of rain and things that are pink. I hate pimples, baked potatoes, when my mother's mad, and religious holidays.
”
”
Judy Blume (Are You There God? It’s Me, Margaret)
“
It’s been raining outside and I feel like a sad poet, hating my imagination pissing on the roof.
”
”
Munia Khan
“
A POCKET-SIZED GIRL
He keeps me in his pocket
for a rainy day;
he swears I'm not an object
as he yo-yo's me away.
A friend is what we'll call it,
but my friend, he does not know,
each time it rains I love him—
so to his pocket, I must go.
He thinks he's being clever,
but I am not a fool;
his love ain't worth a penny,
so to my heart I must be cruel.
”
”
Coco J. Ginger
“
I hate the rain. When your heart is in chaos, this sky becomes terribly easily. Can you understand... the horror of being pelted by rain in this solitary world? If only to stop the rain, I shall lend you any strenght. If you trust in me. I will let no rain fall in this world. Trust me. Your not fighting alone.
”
”
Zangetsu
“
Don't you like a rather foggy day in a wood in autumn? You'll find we shall be perfectly warm sitting in the car."
Jane said she'd never heard of anyone liking fogs before but she didn't mind trying. All three got in.
"That's why Camilla and I got married, "said Denniston as they drove off. "We both like Weather. Not this or that kind of weather, but just Weather. It's a useful taste if one lives in England."
"How ever did you learn to do that, Mr. Denniston?" said Jane. "I don't think I should ever learn to like rain and snow."
"It's the other way round," said Denniston. "Everyone begins as a child by liking Weather. You learn the art of disliking it as you grow up. Noticed it on a snowy day? The grown-ups are all going about with long faces, but look at the children - and the dogs? They know what snow's made for."
"I'm sure I hated wet days as a child," said Jane.
"That's because the grown-ups kept you in," said Camilla. "Any child loves rain if it's allowed to go out and paddle about in it.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
I imagine Johnny Mathis hates Bin Laden as much as I do, but could Johnny agree Bin Laden had a better speechwriter than Bush? "Axis of Evil"? Come on. "A swimmer in the ocean does not fear the rain" is much more powerful propaganda. Poetic, even.
”
”
John Waters (Role Models)
“
Well, good afternoon, sunshine. How are you feeling?"
"Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.
”
”
Adley Maddox (Racing Outside the Line (A Love Story at 190 mph #1))
“
The rain is freedom; it has always been like that in L.A. It’s freedom from smog and unbroken dreary hateful sameness, it’s freedom to look out the window and think of London and little violets and Paris and cobblestones. It’s freedom to be cozy. Cozy! You can be cozy and not even have to go to San Francisco.
”
”
Eve Babitz (Slow Days, Fast Company: The World, The Flesh, and L.A.)
“
Love in the rain is better than hate in the sunshine.
”
”
Matshona Dhliwayo
“
It takes a strong man to love my sister. And you are a strong man. So her are some twin-tips for you from yours truly:
Read her Shakespeare when she cries.
Take walks in the rain and jump in the puddles with her.
Don't mind her when she calls you an asshole during 'that time of the month' - she's a total bitch at those times.
Buy her flowers because it's Tuesday.
Make her do things that scare her.
Don't be a pushover - we don't like that.
Don't be a dick either - we hate that.
Smile at her when you're mad.
Dance with her in the middle of the day.
Kiss her just because.
Love her forever.
”
”
Brittainy C. Cherry (Loving Mr. Daniels)
“
It occurs to me," said Hodge, "that the dilemmas of power are
always the same." Clary glanced at him sideways. "What do you mean?"
She sat on the window seat in the library, Hodge in his chair with Hugo on
the armrest. The remains of breakfast—sticky jam, toast crumbs, and
smears of butter—clung to a stack of plates on the low table that no one
had seemed inclined to clear away. After breakfast they had scattered to
prepare themselves, and Clary had been the first one back. This was hardly
surprising, considering that all she had to do was pull on jeans and a shirt
and run a brush through her hair, while everyone else had to arm
themselves heavily. Having lost Jace's dagger in the hotel, the only
remotely supernatural object she had on her was the witchlight stone in her
pocket.
"I was thinking of your Simon," Hodge said, "and of Alec and Jace,
among others."
She glanced out the window. It was raining, thick fat drops spattering
against the panes. The sky was an impenetrable gray. "What do they have
to do with each other?"
"Where there is feeling that is not requited," said Hodge, "there is an
imbalance of power. It is an imbalance that is easy to exploit, but it is not a
wise course. Where there is love, there is often also hate. They can exist
side by side."
"Simon doesn't hate me."
"He might grow to, over time, if he felt you were using him.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
All the luck in the world has to come every year, in every part of every year, or there is not a harvest and then the luck, the bad luck will come and everything we are, all that we can ever be, all the Einsteins and babies and love and hate, all the joy and sadness and sex and wanting and liking and disliking, all the soft summer breezes on cheeks and first snowflakes, all the Van Goghs and Rembrandts and Mozarts and Mahlers and Thomas Jeffersons and Lincolns and Ghandis and Jesus Christs, all the Cleopatras and lovemaking and riches and achievements and progress, all of that, every single damn thing that we are or ever will be is dependent on six inches of topsoil and the fact that the rain comes when it's needed and does not come when it is not needed; everything, every...single...thing comes with that luck.
”
”
Gary Paulsen (Clabbered Dirt, Sweet Grass)
“
Never allow anyone to rain on your parade and thus cast a pall of gloom and defeat on the entire day. Remember that no talent, no self-denial, no brains, no character, are required to set up in the fault-finding business. Nothing external can have any power over you unless you permit it. Your time is too precious to be sacrificed in wasted days combating the menial forces of hate, jealously, and envy.
”
”
Og Mandino
“
He’d come into my life like a storm. A storm I didn’t want, one I’d prepared all my life to hate, to fight. But it brought with it refreshing rain. It cleared the skies and brought out only warmth. Zaal was saving me, liberating me from loneliness.
”
”
Tillie Cole (Reap (Scarred Souls, #2))
“
We both disliked rude rickshwalas, shepu bhaji in any form, group photographs at weddings, lizards, tea that has gone cold, the habit of taking newspaper to the toilet, kissing a boy who'd just smoked a cigarette et cetra.
Another list. The things we loved: strong coffee, Matisse, Rumi, summer rain, bathing together, Tom Hanks, rice pancakes, Cafe Sunrise, black-and-white photographs, the first quiet moments after you wake up in the morning.
”
”
Sachin Kundalkar (Cobalt Blue)
“
I WANT YOU TO TELL ME ABOUT EVERY PERSON YOU’VE EVER BEEN IN LOVE WITH. TELL ME WHY YOU LOVED THEM, THEN TELL ME WHY THEY LOVED YOU. TELL ME ABOUT A DAY IN YOUR LIFE YOU DIDN’T THINK YOU’D LIVE THROUGH. TELL ME WHAT THE WORD “HOME” MEANS TO YOU AND TELL ME IN A WAY THAT I’LL KNOW YOUR MOTHER’S NAME JUST BY THE WAY YOU DESCRIBE YOUR BED ROOM WHEN YOU WERE 8. SEE, I WANNA KNOW THE FIRST TIME YOU FELT THE WEIGHT OF HATE AND IF THAT DAY STILL TREMBLES BENEATH YOUR BONES. DO YOU PREFER TO PLAY IN PUDDLES OF RAIN OR BOUNCE IN THE BELLIES OF SNOW? AND IF YOU WERE TO BUILD A SNOWMAN, WOULD YOU RIP TWO BRANCHES FROM A TREE TO BUILD YOUR SNOWMAN ARMS? OR WOULD YOU LEAVE THE SNOWMAN ARMLESS FOR THE SAKE OF BEING HARMLESS TO THE TREE? AND IF YOU WOULD, WOULD YOU NOTICE HOW THAT TREE WEEPS FOR YOU BECAUSE YOUR SNOWMAN HAS NO ARMS TO HUG YOU EVERY TIME YOU KISS HIM ON THE CHEEK? DO YOU KISS YOUR FRIENDS ON THE CHEEK? DO YOU SLEEP BESIDE THEM WHEN THEY’RE SAD, EVEN IF IT MAKES YOUR LOVER MAD? DO YOU THINK THAT ANGER IS A SINCERE EMOTION OR JUST THE TIMID MOTION OF A FRAGILE HEART TRYING TO BEAT AWAY ITS PAIN? SEE, I WANNA KNOW WHAT YOU THINK OF YOUR FIRST NAME. AND IF YOU OFTEN LIE AWAKE AT NIGHT AND IMAGINE YOUR MOTHER’S JOY WHEN SHE SPOKE IT FOR THE VERY FIRST TIME. I WANT YOU TELL ME ALL THE WAYS YOU’VE BEEN UNKIND. TELL ME ALL THE WAYS YOU’VE BEEN CRUEL. SEE, I WANNA KNOW MORE THAN WHAT YOU DO FOR A LIVING. I WANNA KNOW HOW MUCH OF YOUR LIFE YOU SPEND JUST GIVING. AND IF YOU LOVE YOURSELF ENOUGH TO ALSO RECEIVE SOMETIMES. I WANNA KNOW IF YOU BLEED SOMETIMES THROUGH OTHER PEOPLE’S WOUNDS.
”
”
Andrea Gibson
“
The sea stood up before him, foaming, torn by lightning bolts, opening terrifying mouths that gobbled up the dense, hard black rains unleashed by the sky like hate.
”
”
Jean-François Beauchemin
“
...when you're hard and unyielding your words score me with lines - I hate lines - I want curves - curves are happy like a snowman ...
”
”
John Geddes (A Familiar Rain)
“
So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. We are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. Even fireworks, for all their prettiness, come from the chemistry of the earth. Yet somehow we think we can grow, feeding on flowers and fireworks, without completing the cycle back to reality.
”
”
Ray Bradbury (Fahrenheit 451)
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
WebMD calls it a stage of grief - anger. But I doubt I'll ever get to the other stages. This one slices me into millions of pieces. Every time I'm whole and back to normal, something happens to tear me apart, and I'm forced to start all over again.
The rain lets up. The devil stops beating his wife, but I beat the dashboard, punching it over and over, numb to the pain of it. I wanna be numb to the pain of all this.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
Well, then. Whatever trauma you went through, these things don't last forever. You can't hate all men."
The smile is back. "Oh, there wasn't any trauma, Don, and I don't hate men. That would be as silly as—as hating the weather." She glances wryly at the blowing rain.
- 'The Women Men Don't See
”
”
James Tiptree Jr.
“
He brought his hand up to her mouth and marked the seam of her lips with the blood. Metallic and sweet. Incredibly sweet. She wanted to hate the taste, but it was more like a feeling than a flavor. It was the last perfect moment before a dream ends, drops of sunshine falling like rain, lost wishes that had been found.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Allow your hearts to be driven by principle, not bias. Love, not hate. Unity, not division. The fire of your dreams, not the rain of your sorrows.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
How I hate the sight of an umbrella!
”
”
Jane Austen (Northanger Abbey)
“
So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. We are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam.
”
”
Ray Bradbury (Fahrenheit 451)
“
And in that moment of sun and joy, Lupe knew why she loved and also hated Salvador. He gave her wings. He didn't try to lock her in, as had Jaime and the other boys she'd known. No, she could dream her wildest dreams with him and so she loved him for this; but she also hated him because it made her fearful. No one in her family was like this. They were always very cautious.
”
”
Victor Villaseñor (Rain of Gold)
“
I am content to be hated, and bloody, and outnumbered. For in this sickened world, it is better to believe in something too fiercely than to believe in nothing."
Words, words, wonderful words. But lies too.
"No, it isn’t!" shouted Mosca the Housefly, Quillam Mye’s daughter. "Not if what you’re believin’ isn’t blinkin’ well True! You shouldn’t just go believin’ things for no reason, pertickly if you got a sword in your hand! Sacred just means something you’re not meant to think about properly, an’ you should never stop thinking! Show me something I can kick, and hit with rocks, and set fire to, and leave out in the rain, and think about, and if it’s still standing after all that then maybe, just maybe, I’ll start to believe in it, but not till then. An’ if all we’re left with is muck and wickedness and no gods, then we’d better face it and get used to it because it’s better than a lie.
”
”
Frances Hardinge (Fly by Night)
“
But now? Now? Children in the twentieth and this early twenty-first century hated the Alice books, couldn't read them, and why should they? Their world had strayed into madness long ago. Look at the planet. Rain is acid, poisonous. Sun causes cancer. Sex=death. Children murder other children. Parents lie, leaders lie, the churches have less moral credibility than Benetton ads.
And the faces of missing children staring out from milk cartons-imagine all those poor Lost Boys, and Lost Girls, not in Neverland but lost here, lost now. No wonder Wonderland isn't funny anymore: We live there full-time. We need a break from it.
”
”
Gregory Maguire (Lost)
“
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
”
”
pleasefindthis (I Wrote This For You)
“
I hated war. Who cared, after all, which side won? The only important thing was to end it all soon as possible: rather an unjust peace, than a “just” war! I
”
”
Masuji Ibuse (Black Rain)
“
I am not anti rain,I am anti gravity.
”
”
Pushpa Rana (Just the Way I Feel)
“
Okay then, Korean romcoms or me, which one do you pick?" "You." "I knew it. You hate me." "No. This time I picked the one I like the most.
”
”
JittiRain (2gether vol. 1 (เพราะเราคู่กัน 1 English Version))
“
You can hate him all you want but you know it’s only what he did in the end, when he was a shell of a man, that you hate. Have some sympathy for his soul, Ava.
”
”
Renee Carlino (After the Rain)
“
Narcissists hate to get rained on because it ruins the mask.
”
”
Tracy Malone
“
One person cannot change the world. But one person can strike terror into multitudes.
—Robert Evans
Any demon is capable of cruelty, but only an angel is majestic enough to rain down vengeance for the innocent.
—Marcus Evans
Little eyes see. Little eyes learn. Be a good example for all the little eyes watching you. They’re everywhere.
—Jasmine Evans
The wicked can fake nobility, just as the damned can fake innocence. But only the truth will rise from the ashes when we all start to burn.
—Victoria Evans
A wise man knows when the war is lost, and will understand retreat is the
only way to save lives. A foolish man will condemn all his followers to death because of his pride.
—Robert Evans
If hatred didn’t exist, love wouldn’t either, for one is formed by the other. I love and hate this town.
—Marcus Evans
I believe the souls of the wrongfully persecuted often haunt our world, bringing the same grief they feel from beyond the grave.
—Jasmine Evans
Never mock or harm the passionate, for they are the fiercest with their wrath.
—Victoria Evans
”
”
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
“
In school, I hated poetry - those skinny,
Malnourished poems that professors love;
The bad grammar and dirty words that catch
In the mouth like fishhooks, tear holes in speech.
Pablo, your words are rain I run through,
Grass I sleep in.
”
”
George Elliott Clarke (Whylah Falls)
“
Obedient to no man, dependent only on weather and season, without a goal before them or a roof above them, owning nothing, open to every whim of fate, the homeless wanderers lead their childlike, brave, shabby existence. They are the sons of Adam, who was driven out of Paradise; the brothers of the animals, of innocence. Out of heaven's hand they accept what is given them from moment to moment: sun, rain, fog, snow, warmth, cold, comfort, and hardship; time does not exist for them and neither does history, or ambition, or that bizarre idol called progress and evolution, in which houseowners believe so desperately. A wayfarer may be delicate or crude, artful or awkward, brave or cowardly—he is always a child at heart, living in the first day of creation, before the beginning of the history of the world, his life always guided by a few simple instincts and needs. He may be intelligent or stupid; he may be deeply aware of the fleeting fragility of all living things, of how pettily and fearfully each living creature carries its bit of warm blood through the glaciers of cosmic space, or he may merely follow the commands of his poor stomach with childlike greed—he is always the opponent, the deadly enemy of the established proprietor, who hates him, despises him, or fears him, because he does not wish to be reminded that all existence is transitory, that life is constantly wilting, that merciless icy death fills the cosmos all around.
”
”
Hermann Hesse (Narcissus and Goldmund)
“
And I hate the moon.
I hate the Stars. I hate the darkening sky. And rain and fog. I hate hospitals. and beds with sheets. And every machine ever made. And nurses and doctors. Keep her alive, that was the one thing they had to do. That was the one thing I had to do. And I hate myself most of all. My terrible lies. You’re gonna be okay, I told her. I had no right. I wasn’t right. I was the worst wrong.
”
”
Justin A. Reynolds (Opposite of Always)
“
By now, ten trees must have been cut down just to document my mental health, which Nikki will hate hearing, as she is an avid environmentalist who gave me at least one tree in the rain forest every Christmas
”
”
Matthew Quick (The Silver Linings Playbook)
“
That's lucky?" Tom repeated bitterly. "Lucky now means 'worst case scenario ever,' then. That's great. Good to know."
"Sir," Blackburn corrected.
"You outrank me. You shouldn't call me 'sir.'"
"Raines, you'll address me as 'sir' or I will stick you back down in that cell next to the census device until 'sir' is the only word you remember."
Tom bristled. He'd never hated someone so much. "Sir, yes, sir. I'll use 'sir,' sir. Is that all, sir?"
"Oh, I'd say that's all. Get into the simulation with the others." Blackburn jabbed at his forearm keyboard. "It irritates me just looking at you."
Back at you, Tom thought.
”
”
S.J. Kincaid (Vortex (Insignia, #2))
“
I’m not the kind of girl who spends hours getting ready. I don’t blow dry my hair. And I hate make up. I’m not pretty. And I don’t want to be. I am passionate and restless and wild. I’m exhausted by prudent ideologies. I’m not inferior because of my lack of convention. I’m as strong as I am broken. I’m tired of having my sexuality mistaken for an invitation. I will sweat and I will run. I will let the rain come down on me. I want to feel life as I am. I don’t want to skate through having my immoderation controlled by weak judgements. By fear.
I don’t want to be who I’m supposed to be, I want to be who I am.
”
”
Jacqueline Simon Gunn
“
I love that I am but one of millions of single girls hitting the road by themselves these days. A hateful little ex-boyfriend once said that a houseful of cats used to be the sign of a terminally single woman, but not it's a house full of souvenirs acquired on foreign adventures. He said it derogatorily: Look at all of this tragic overcompensating in the form of tribal masks and rain sticks. But I say that plane tickets replacing cats might be the best evidence of women's progress as a gender. I'm damn proud of us. Also, since I have both a cat and a lot of foreign souvenirs, I broke up with that dude and went on a really great trip.
”
”
Kristin Newman (What I Was Doing While You Were Breeding)
“
So now do you see why books are hated and feared? The show the pores in the face of life. The comfortable people want only wax moon faces, pore less, hairless, expressionless. We are living in a time when flowers are to live on flowers, instead of growing on good rain and black loam. Even fireworks, for all their prettiness, come from the chemistry of the earth.
”
”
Ray Bradbury (Fahrenheit 451)
“
Behold, when thy face is made bare, he that loved thee shall hate;
Thy face shall be no more fair at the fall of thy fate
For thy life shall fall as a leaf and be shed as the rain;
And the veil of thine head shall be grief, and the crown shall be pain.
”
”
Algernon Charles Swinburne
“
Here’s to the misfits and foolish ones who think differently. They’re not fond of simplicity. They live unconventionally existing at a different level of intensity. They add elasticity and flexibility to what’s inflexibly rigid, bringing warmth to the frigid systems of existence. You can hate them acidicly, discredit their credibility or even oppose them ritualistically. Look down on them cynically, say they became great accidentally, rain on them torrentially or see brilliance academically. You can look and see density or see a lovely symphony. About the only thing you can’t do is disqualify their eligibility. Because they change history. Everything in existence moves them restlessly on to destiny backed by infinity. Their spirit is immensity, they overcome resiliently and follow their hearts existentially. Though they may be misunderstood until the next century, we see their opponents’ adrenaline as only minimally convincing, simply for a time because in them there’s a tendency for the divine to visit earth coincidentally. And while others may see misfits and foolishness we see wisdom and genius because the ones crazy enough to think they can live and love limitlessly are the ones who actually do.
”
”
Curtis Tyrone Jones
“
No one in the world knows the real you; that you were good, that you were innocent.
They do not know that you were troubled by the rain to save little earthworms, that you were filled with smiles for blooming lotuses.
Everyone in the world resents you for being cold-blooded, but they don’t know that you once shyly scratched your head and said, 'I… I don’t have much ability. If I have some spare money in the future, I should build more houses and settle down with people who live in the same condition as I was before.'
Everyone hates you for killing and slaughtering, but they don’t know that you had told me before, 'Shizun, I want a holy weapon that is like Tianwen. It can distinguish between black and white, and can save lives.'
Everyone was cursing you, they want to punish you. I know the truth, but I can’t give you back your dignity.
”
”
肉包不吃肉 (二哈和他的白猫师尊)
“
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all.
As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain.
He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home.
"I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close.
Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her.
"You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard.
A streak of violet lightning split the sky, striking close behind them.
The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open.
"But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate.
"You," he scarcely more than breathed, "are just like every. Body. Else."
He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff.
As he let her go.
The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him.
Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
”
”
Kelly Creagh (Enshadowed (Nevermore, #2))
“
The sun which warms the plant can under other conditions also wither it. The rain which nourishes the flower can under other conditions rot it. The same sun shines upon mud that shines upon wax. It hardens the mud but softens the wax. The difference is not in the sun, but in that upon which it shines. The Divine Life which shines upon a soul that loves Him, softens it into everlasting life; that same Divine Life which shines upon the slothful soul, neglectful of God, hardens it into everlasting death.
”
”
Fulton J. Sheen (The Seven Capital Sins)
“
And here’s what I realize: she would never wear mittens shaped like kittens or a dress with a Peter Pan collar. She would never say, Love your dress, if she fucking hated your dress. She would never say, How are you? if she didn’t care how you were. She would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously cracked. And even if they were, she’d still put Lady Danger on them, which is the name of her lipstick, this bright blue-red that looks surreally beautiful on her but when I tried it on once made me look insane. Her perfume smells like rain and smoke and her eye makeup scares small children and she wears pumps even though she’s at least two inches taller than I am and I’m a freak.
”
”
Mona Awad (Bunny)
“
You can't change people. You know that. You can't make them stop hating each other, or longing to blow up the world, not by walking through the rain and singing to a small guitar. Most you can do for them is pull them out of the womb, thump them on the backside and let them get on with it.
”
”
John Mortimer (Paradise Postponed)
“
Never blame the man: his hard-pressed
Ancestors formed him: the other anthropoid apes were safe
In the great southern rain-forest and hardly changed
In a million years: but the race of man was made
By shock and agony…
… a wound was made in the brain
When life became too hard, and has never healed.
It is there that they learned trembling religion and blood-
sacrifice,
It is there that they learned to butcher beasts and to slaughter
men,
And hate the world.
”
”
Robinson Jeffers
“
How can one hate oneself so much that one is willing to murder that self?'
The ship shook his head and rain flew from his locks. 'That is your mistake. No one wants the self to die. I only wanted to make all the rest of it to stop. The only way to achieve that was to put death between the world and myself.
”
”
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
“
Bran had told himself a hundred times how much he hated hiding down here in the dark, how much he wanted to see the sun again, to ride
his horse through wind and rain. But now that the moment was upon him, he was afraid. He’d felt safe in the darkness; when you could not
even find your own hand in front of your face, it was easy to believe that no enemies could ever find you either.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
TINA: Oh, Rick, Rick, I’m scared. What’s happened to us? I can’t seem to find us any more. I reach out and reach out and we’re just not there. I’m frightened. I’m a frightened child (Looks out the window) I hate this rain. Sometimes I see me dead in it.
RICK (quietly): My darling, isn’t that a line from ‘A Farewell To Arms’?
TINA (turns, furious): Get out of here. Get out! Get out of here before I jump out of this window.
Zooey took a parting look at the page he had been reading, then closed the manuscript and dropped it over the side of the tub. ‘Jesus Christ almighty,’ he said. ‘Sometimes I see me dead in the rain.
”
”
J.D. Salinger (Franny and Zooey)
“
Every person I ever knew or had come across always spoke about falling
in love with the rain. They dreamt of dancing in it like there is no tomorrow but I never heard someone speaking about falling in love with a wildfire. No, it is not for the weaker ones. The moment you fall in love with the wildfire, it starts burning everything that you have ever built or grown all these years around you. It changes the way you had always imagined and looked at how the love would be, making you end up homeless. It makes you a weakness intertwined with strength, a love intertwined with hatred. It makes you a puzzle that you yourself could never solve.
”
”
Akshay Vasu
“
Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland.
For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city.
When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left."
In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.
”
”
Joseph Heller (Catch-22)
“
I knew there was evil in the world. Death and taxes were all necessary evils.
So was shopping.
"I hate shopping," I muttered.
"Of course you do," Phaelan said. "You're a Benares, [the daughter of a long line of professional thieves]. We're not used to paying for anything." Phaelan was my cousin; he called himself a seafaring businessman. Law enforcement in every major city called him "that damned pirate," or less flattering epithets, none of them repeatable here.
...
"Have you considered something in scarlet leather?" Phaelan mused from beside me.
"Have you considered just painting a bull's eye on my back?" I retorted.
My cousin wasn't with me because he liked shopping. He was by my side because being within five feet of me was a guarantee of getting into trouble of the worst kind. Phaelan hadn't plundered or pillaged anything in weeks. He was bored. So this morning, he was a cocky, swaggering invitation for Trouble to bring it on and do her worst.
”
”
Lisa Shearin (The Trouble with Demons (Raine Benares #3))
“
Sometimes the people you loved left you halfway through a story. Sometimes they left you without a goodbye. And, sometimes, they stayed around in little ways. In the memory of a musical. In the smell of their perfume. In the sound of the rain, and the itch for adventure, and the yearning for that liminal space between one airport terminal and the next. I hated her for leaving, and I loved her for staying as long as she could.
”
”
Ashley Poston (The Seven Year Slip)
“
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses.
That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor.
He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
”
”
John Steinbeck (The Grapes of Wrath)
“
From the first day I met his daughter, all I could think about was snuffling up under that sweet dimity like some bad old bear, just crawling up into that honeycomb, nose twitching, and never come out of there till early spring. Think that’s disgusting? Dammit, I do, too, but that’s the way male animals are made. Those peculiar delights were created to entrap us, and anybody who disapproves can take it up with God.
In their wondrous capacity of knowing the Lord’s mind, churchly folks will tell you that He would purely hate to hear such dirty talk. My idea is, He wouldn’t mind it half so much as they would have us think, because even according to their own queer creed, we are God’s handiwork, created in His image, lust, piss, shit, and all. Without that magnificent Almighty lust that we mere mortals dare to call a sin, there wouldn’t be any more mortals, and God’s grand design for the human race, if He exists and if He ever had one, would turn to dust, and dust unto dust, forever and amen. Other creatures would step up and take over, realizing that man was too weak and foolish to properly reproduce himself. I nominate hogs to inherit the Earth, because hogs love to eat any old damned thing God sets in front of them, and they’re ever so grateful for God’s green earth even when it’s all rain and mud, and they just plain adore to feed and fuck and frolic and fulfill God’s holy plan. For all we know, it’s hogs which are created in God’s image, who’s to say?
”
”
Peter Matthiessen (Shadow Country)
“
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE...
Far-off, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy awoke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred morns had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods:
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?
Out of sight is out of mind:
Long have man and woman-kind,
Heavy of will and light of mood,
Taken away our wheaten food,
Taken away our Altar stone;
Hail and rain and thunder alone,
And red hearts we turn to grey,
Are true till time gutter away.
... the common people are always ready to blame the beautiful.
”
”
W.B. Yeats (The Secret Rose and Rosa Alchemica)
“
Stop. You can’t love me because you’re lonely, or because I am the only one who doesn’t piss you off. I want to piss you off, I want to get on your fucking nerves. I don’t want the responsibility of always being your rock. I will try, but I’m a mess, too. I lie, I sleep too much and I don’t like children under the age of 6, really. I don’t even know if I want kids because I’m selfish, and mothers can’t be selfish once they decide to carry another life.
I’m always looking for the rain to come so I trip over my own feet. I know exactly what the air smells like before a storm.
Before you fall in love with me, I want you to know that I cry a lot because it feels good, and I masturbate at least 4 times a week, and you might fall out of love with me before either of us are ready for it.
I have no experience with this. I’m trying to be brave and smart but its almost impossible to be both at the same time.
You can’t love me like a fire escape. Sometimes I will be the match, or the smoke under the door. I don’t know what I’m doing, all I know is that we all catch fire sometimes, before we even get warm.
Before you fall in love with me, I want you to know that there’s a 50% chance that this won’t work, that one of us will wind up hating the other. I will try to keep your head above water, but sometimes I’ll need help, too.
I can’t be your savior, and I don’t expect you to be mine. Just watch me unfold and I’ll watch you unfold, too. We’ll get drunk and tell each other everything. I know that’s cheating but maybe it’ll be alright. Maybe we won’t wake up embarrassed.
I am going to fall in love with you, too, feet first. Maybe we’ll slow dance off a building together, maybe we’ll have forgotten each other’s names by this time next year. I don’t care, the sky is gray with or without you, so I’m not going to look up anymore, I’m going to look ahead .
”
”
Caitlyn S.
“
I've tried to teach what I learned all those years in my mother and father's house, all those things I didn't realize I was learning and that I never knew I'd be so grateful for. When you have love and it's proffered every day in a kind of tender, yet stern insistence and even reckless laughter, when it is given to you and you accept it in life as a thing as natural as rain or snow, or the littler of leaves in fall, you can't help but take it for granted. For a bewildered while you incorrectly understand that the world has given you this becuase it's there in equal measure, everywhere. You never knowuntil it's too late to do anything about it, how seet the effort is: how lasting the human will to love can be in the breast of people who want to make it for you, who want to give it to you, without calculating what's in it fo them, without thinking at all of what it will mean when you grow to full adulthood, see the world as it is, and forget to mention what you have been given.
Ever day of my grown-up life, I have wanted to do what my parents did. I have wanted to widen the province of love and weaken hate and bitterness in the hearts of my children. And I've done these things because of what I got from my family, all those lovely years when I was growing up, being loved and cherished and, unbeknown to me, and in the best way, honored, for myself.
”
”
Marian Wright Edelman (Dream Me Home Safely: Writers on Growing Up in America)
“
The costume is great," I said to Lysander, "but a crown? Really?"
He glared at me, his black wings beating. I'd only been in his shop for thirty minutes, but I was pretty sure the guy already hated me. "It was my understanding that you were to go dressed as the goddess of witchcraft, and Hecate wears a crown."
"It's not really a crown, Soph," Jenna offered from her spot on a nearby white satin settee. "It's more like a tiara." She had her chin in her hand, and there was practically a little black rain cloud over her head. We had taken Vix to the airport, so Jenna was Sulky McSulkerton.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. We are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. Even fireworks, for all their prettiness, come from the chemistry of the earth. Yet somehow we think we can grow, feeding on flowers and fireworks, without completing the cycle back to reality. Do you know the legend of Hercules and Antaeus, the giant wrestler, whose strength was incredible so long as he stood firmly on the earth. But when he was held, rootless, in mid-air, by Hercules, he perished easily. If there isn't something in that legend for us today, in this city, in our time, then I am completely insane. Well, there we have the first thing I said we needed. Quality, texture of information.
”
”
Ray Bradbury (Fahrenheit 451)
“
Hap
If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love's loss is my hate's profiting!”
Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so. How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan. . . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.
”
”
Thomas Hardy (Wessex Poems)
“
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.'
'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.'
'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
”
”
Emily Brontë (Wuthering Heights)
“
...I didn't know it buy You moved in the pain. I said, "let him be alive,' not believing in You, and my disbelief made no difference to You. You took it into Your love and accepted it like an offering, and tonight the rain soaked through my coat and my clothes into my skin, and I shivered with the cold, and it was for the first time as though I nearly loved You. I walked under Your windows in the rain and I wanted to wait under the all night only to show that after all I might learn to love and I wasn't afraid of the desert any longer because You were there. I came back into the house and there was Maurice with Henry. It was the second time You had given him back: the first time I had hated you for it and You'd taken my hate like You'd taken my disbelief into Your love, keeping them to show me later, so that we could both laugh...
”
”
Graham Greene (The End of the Affair)
“
Love is giving, love is learning, love is willing to receive love and love in return, love is not only your bloodline, but love is also everywhere. Love is what you make of it, whether it’s the birds singing you a personal melody or the waves in the ocean washing away the hate and turning it into unconditional, endless love. Love is the people who would never think of giving up on you. Love is the people who put your broken pieces back together. Love is when the storm comes— and the wind isn’t too friendly, but it’s here for a purpose as it blows the branches on the trees. The rain is pounding on the daisy in someone’s front yard, yet the daisy weathers the storm and needs that extra shower—after the storm, the ground is still moist, there are still puddles of water and the rain still lingers on, but when you look up there is a rainbow of love.
”
”
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
I'm pulled, pushed and then I find my back against a wall. Eagan's taut frame is bent toward mine, and my body is arched toward his. We create a peculiar sculpture of opposite forces. He cups my face in his palms and makes me look up at him. His lips are so close to mine, that I feel the whisper of his breath against my mouth; I smell mint and a hint of beer. I desire a kiss so desperately, my body is humming with longing. I curl my fingers around his wrists.
“I hate fighting with you,” he admits huskily.
“I know. Me too.”
“I need to hold you.”
I nod and let him fold his arms around me. I bury my face against his chest and utter soft sounds of contentment as his warmth leaks into my skin.
I glance at our shadows painted on the gravel by darkness and streetlights; we're not opposite forces any longer, we're one single being.
("A Veil of Glass and Rain")
”
”
Petra F. Bagnardi (A Veil of Glass and Rain)
“
Smith, I met you right here, under the bleachers, and I kissed you. On the drive home, you looked out through the rain at a red light and told me it was the first time in a long time that it felt right.
It's so stupid how my dad makes students work for free at the concession stand as a form of detention, isn't it, Rory? You looked miserable, and that was before you even saw me kiss Smith right in front of you. I know you saw, because I knew you were there, watching the same way you watch from your bedroom window, turning away every time somebody looks.
Jealousy is a funny thing. We spend so much of high school consumed by it, hating that another person has something we don't, wishing we could taste what it's like to be them. To take that feeling out of your hands for a second and pass it to someone else in relief.
So, I guess that's why it felt like I meant it.
”
”
Casey McQuiston (I Kissed Shara Wheeler)
“
Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain.
”
”
Tom Reynolds (I Hate Myself and Want to Die: The 52 Most Depressing Songs You've Ever Heard)
“
Take the word saved as it is used in the evangelical vernacular. It’s true, you are saved by grace, by love, by light … but it’s only half the story. The truth is that there is so much that you’re not saved from. You are not saved from pain or loneliness or the bite of reality sharp against your skin. You’re not saved from rained-out picnics, from disappointment, from the unkindness of strangers. You’re not saved from lost jobs or lost loves or cancer or car accidents. Saved. But they say, It’s not religion, it’s a relationship. They say, God loves the sinner but hates the sin. They say, Let go and let God. And they’re worse than cliché, really. They’re thought-terminating cliché, a term that psychologist, Robert Lifton, coined in his book Thought Reform and the Psychology of Totalism. In this type of cliché, “the most far-reaching and complex of human problems are compressed into brief, highly reductive, definitive-sounding phrases, easily memorized and easily expressed.
”
”
Addie Zierman (When We Were on Fire: A Memoir of Consuming Faith, Tangled Love, and Starting Over)
“
Wow.You two seem to be right as rain again," Cole said from behind us. I could hear the undercurrent of rage beneath his voice. "I hate to interrupt this sudden case of the touchy-feelies, but with the three of us standing here, it almost feels like that spring day so long ago.Almost as if Jack hand't left for camp.Almost as if Jack had nothing to do with you going under,Nik."
Jack winced, but he kept his eyes on me.
"You should've seen her.Did you know that when she left your dorm that night, she came straight to me? Begged to go with me. Barely able to breathe for the pain." He enunciated each word.
I studied Jack's face and shook my head. Jack dropped his arm from my shoulders. "You never let me explain. I ran to you,but you drove off.You didn't trust me."
There was silence for a few long moments.
"Would either of you care to know my opinion?" Cole said.
"Shut up," we replied at the same time.
Cole shrugged. "You know where to find me." He turned and walked across the parking lot to the sidewalk that led around the corner of the post office. I watched him until he disappeared, than I faced Jack again.
Jack rougly ran both of his hands through his hair. "This is a mess." It sounded like he was talking to himself, not to me. "I know how it looked, but you should've let me explain. I hated you for leaving." He looked up at the sky. "I hated you."
Jack took a step backward, away from me, and as he did,a voice called out to us. "Don't let him drive you apart!"
We both turned toward the sound. Mary was sitting on a bench under the shelter of the bus stop. I hadn
t noticed her before.She'd been watching us.
She stood and came over. "That's what he wants. He's scared of anchors. I told you I have a theory about anchors.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case)
You can “CATCH THE RAINBOW” –
“A RAINBOW IN THE DARK”
Through “ROCK & ROLL CHILDREN”
“HOLY DIVER” will lurk
“BEFORE THE FALL” of “ELECTRA”
“ALL THE FOOLS SAILED AWAY”
“JESUS,MARY AND THE HOLY GHOST”-
“LORD OF THE LAST DAY”
“MASTER OF THE MOON” you are
When my “ONE FOOT IN THE GRAVE”
With our “BLACK”, “COLD FEET”,
“MYSTERY” of “PAIN” you crave
You’re “CAUGHT IN THE MIDDLE”,
“BETWEEN TWO HEARTS”
When “HUNGRY FOR HEAVEN”
“HUNTER OF THE HEART” hurts
“FALLEN ANGELS” “FEED MY HEART”
“FEVER DREAMS” “FEED MY HEAD”
“I AM” “ANOTHER LIE”
“AFTER ALL (THE DEAD)”
Not “GUILTY” if you “HIDE IN THE RAINBOW’’
With your perfect “GUITAR SOLO”
“DON’T TELL THE KIDS” to “DREAM EVIL”
Don’t “GIVE HER THE GUN” to follow
“DON’T TALK TO STRANGERS”
Those “EVIL EYES” can see
“LORD OF THE NIGHT” “MISTREATED”;
“MY EYES” hate to fancy
“SHAME ON THE NIGHT” “TURN UP THE NIGHT”
Now it’s “TIME TO BURN”
“TWISTED” “VOODOO” does “WALK ON WATER”
And today its our turn
“BLOOD FROM A STONE” “BORN ON THE SUN”
I’m “BETTER IN THE DARK” “BREATHLESS”
The “PRISONER OF PARADISE” you are!
Forever you are deathless
“SACRED HEART” “SHIVERS”
Laying “NAKED IN THE RAIN”
“THIS IS YOUR LIFE”- “ WILD ONE”!
Your “GOLDEN RULES” we gain
“IN DREAMS” “I SPEED AT NIGHT”
I’m “LOSING MY INSANITY”
“ANOTHER LIE”: “COMPUTER GOD”
Your “HEAVEN AND HELL”- my vanity!
By “KILLING THE DRAGON”
“I COULD HAVE BEEN A DREAMER”
I’m “THE LAST IN LINE” To “SCREAM”
Like an “INVISIBLE” screamer
Now that you are gone
“THE END OF THE WORLD” is here
“STRAIGHT THROUGH THE HEART”
“PUSH” “JUST ANOTHER DAY” in fear
“CHILDREN OF THE SEA” “ DYING IN AMERICA”
Is it “DEATH BY LOVE”?
“FACES IN THE WINDOW” looking for
A “GYPSY” from above
Dear “STARGAZER” from “STRANGE HIGHWAYS”
Our love “HERE’S TO YOU”
“WE ROCK” “ONE MORE FOR THE ROAD”
The “OTHER WORLD” anew
“ONE NIGHT IN THE CITY” with “NEON KNIGHTS”
“THE EYES” “STAY OUT OF MY MIND”
The “STARSTRUCK” “SUNSET SUPERMAN”
Is what we long to find
“THE MAN WHO WOULD BE KING”
Is the “INSTITUTIONAL MAN”
“SHOOT SHOOT” to “TURN TO STONE”
“WHEN A WOMAN CRIES” to plan
To “STAND UP AND SHOUT”
before “ THE KING OF ROCK AND ROLL”
Though “GOD HATES HEAVY METAL”
“EAT YOUR HEART OUT” to reach the goal.
From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
”
”
Munia Khan
“
—so much more opportunity now." Her voice trails off.
"Hurrah for women's lib, eh?"
"The lib?" Impatiently she leans forward and tugs the serape straight. "Oh, that's doomed."
The apocalyptic word jars my attention.
"What do you mean, doomed?"
She glances at me as if I weren't hanging straight either and says vaguely, "Oh …"
"Come on, why doomed? Didn't they get that equal rights bill?"
Long hesitation. When she speaks again her voice is different.
"Women have no rights, Don, except what men allow us. Men are more aggressive and powerful, and they run the world. When the next real crisis upsets them, our so-called rights will vanish like—like that smoke. We'll be back where we always were: property. And whatever has gone wrong will be blamed on our freedom, like the fall of Rome was. You'll see."
Now all this is delivered in a gray tone of total conviction. The last time I heard that tone, the speaker was explaining why he had to keep his file drawers full of dead pigeons.
"Oh, come on. You and your friends are the backbone of the system; if you quit, the country would come to a screeching halt before lunch."
No answering smile.
"That's fantasy." Her voice is still quiet. "Women don't work that way. We're a—a toothless world." She looks around as if she wanted to stop talking. "What women do is survive. We live by ones and twos in the chinks of your world-machine."
"Sounds like a guerrilla operation." I'm not really joking, here in the 'gator den. In fact, I'm wondering if I spent too much thought on mahogany logs.
"Guerrillas have something to hope for." Suddenly she switches on a jolly smile. "Think of us as opossums, Don. Did you know there are opossums living all over? Even in New York City."
I smile back with my neck prickling. I thought I was the paranoid one.
"Men and women aren't different species, Ruth. Women do everything men do."
"Do they?" Our eyes meet, but she seems to be seeing ghosts between us in the rain. She mutters something that could be "My Lai" and looks away. "All the endless wars …" Her voice is a whisper. "All the huge authoritarian organizations for doing unreal things. Men live to struggle against each other; we're just part of the battlefield. It'll never change unless you change the whole world. I dream sometimes of—of going away—" She checks and abruptly changes voice. "Forgive me, Don, it's so stupid saying all this."
"Men hate wars too, Ruth," I say as gently as I can.
"I know." She shrugs and climbs to her feet. "But that's your problem, isn't it?"
End of communication. Mrs. Ruth Parsons isn't even living in the same world with me.
”
”
James Tiptree Jr.
“
All this attempt to control... We are talking about Western attitudes that are five hundred years old... The basic idea of science - that there was a new way to look at reality, that it was objective, that it did not depend on your beliefs or your nationality, that it was rational - that idea was fresh and exciting back then. It offered promise and hope for the future, and it swept away the old medieval system, which was hundreds of years old. The medieval world of feudal politics and religious dogma and hateful superstitions fell before science. But, in truth, this was because the medieval world didn't really work any more. It didn't work economically, it didn't work intellectually, and it didn't fit the new world that was emerging... But now... science is the belief system that is hundreds of years old. And, like the medieval system before it, science is starting to not fit the world any more. Science has attained so much power that its practical limits begin to be apparent. Largely through science, billions of us live in one small world, densely packed and intercommunicating. But science cannot help us decide what to do with that world, or how to live. Science can make a nuclear reactor, but it can not tell us not to build it. Science can make pesticide, but cannot tell us not to use it. And our world starts to seem polluted in fundamental ways - air, and water, and land - because of ungovernable science... At the same time, the great intellectual justification of science has vanished. Ever since Newton and Descartes, science has explicitly offered us the vision of total control. Science has claimed the power to eventually control everything, through its understanding of natural laws. But in the twentieth century, that claim has been shattered beyond repair. First, Heisenberg's uncertainty principle set limits on what we could know about the subatomic world. Oh well, we say. None of us lives in a subatomic world. It doesn't make any practical difference as we go through our lives. Then Godel's theorem set similar limits to mathematics, the formal language of science. Mathematicians used to think that their language had some inherent trueness that derived from the laws of logic. Now we know what we call 'reason' is just an arbitrary game. It's not special, in the way we thought it was. And now chaos theory proves that unpredictability is built into our daily lives. It is as mundane as the rain storms we cannot predict. And so the grand vision of science, hundreds of years old - the dream of total control - has died, in our century. And with it much of the justification, the rationale for science to do what it does. And for us to listen to it. Science has always said that it may not know everything now but it will know, eventually. But now we see that isn't true. It is an idle boast. As foolish, and misguided, as the child who jumps off a building because he believes he can fly... We are witnessing the end of the scientific era. Science, like other outmoded systems, is destroying itself. As it gains in power, it proves itself incapable of handling the power. Because things are going very fast now... it will be in everyone's hands. It will be in kits for backyard gardeners. Experiments for schoolchildren. Cheap labs for terrorists and dictators. And that will force everyone to ask the same question - What should I do with my power? - which is the very question science says it cannot answer.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
“Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?”
“Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.”
Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound.
And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall.
I realized I’d just insulted my host, and no joke was going to get me out of it this time.
“For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.”
The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me.
“Oh,” I said uncomfortably. “John, I’m so-“
It turned out he wasn’t finished.
“I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.”
I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live.
“Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“
He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead.
“You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.”
“No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“
That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
I’d seen what evil could do. Evil never gave itself for anyone. It takes what it doesn’t own. Holds your head under the water. Rips your head off your neck and dangles it from the city wall. Evil dominates. Controls. Eradicates. Evil is a sniveling punk, and if you let it inside you then you spew hatred, which is just another name for the poison we drink hoping it’ll hurt someone else.” I glanced around the courtroom at Allie, Catalina, Gabby, Suzy, and finally at the cameras. “But not love. Love rushes in where others won’t. Where the bullets are flying. It stands between. Pours out. Empties itself. It scours the wasteland, returns the pieces that were lost, and it never counts the cost.” Despite a packed house, the room was silent. After a minute, I continued, “Love walks into hell, where I sit in chains, where the verdict is guilty, grabs you by the heart, and says to the warden, ‘Me for him.’” I turned and glanced at my brother. “Sir, we live in an angry, evil world. Where stuff doesn’t always make sense. Where hope seems like something we did when we were kids and the love we cling to slips through our fingers like cold water, but”—I tapped my chest—“nothing that happens here today changes the fact that love heals the shattered places.” I shook my head once. “It’s the only thing that can—” The faces in the courtroom held steady on mine. “It’s the only thing worth fighting for,” I finished, then turned to Bobby. I’d like to think my eyes smiled. “So, no, sir, I don’t hate my brother.
”
”
Charles Martin (Send Down the Rain)
“
Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather."
He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it."
I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive."
"Well, I have a healthy respect for what the sun does," he counters with a smile."
"I'd rather have the sun after a good, hard rainfall."
He just shakes his head at me but he's smiling. "The good with the bad?"
"Isn't that life?"
He frowns. "Why do I sense a metaphor behind that?"
"Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch.
Where a father is murdered bacause he made the mistake of wanting a van for his family.
In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched.
Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it.
What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her.
Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
”
”
K.A. Tucker (Becoming Rain (Burying Water, #2))
“
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
”
”
P.C. Cast (Revealed (House of Night #11))