Hatchback Car Quotes

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Bad thing upon bad thing upon bad thing until you can't take anymore, and then it's off to the nearest multistory car park in the family hatchback with a length of rubber tubing. Surely that's fair enough? Surely the coroner's report should read, "He took his own life after sober and careful contemplation of the fucking shambles it had become.
Nick Hornby (A Long Way Down)
And there were likely people who thought one could not interpret men's feelings by the cars they drove. But when they moved onto the street, Ove drove a Saab 96 and Rune a Volvo 244. After the accident Ove bought a Saab 95 so he'd have space for Sonja's wheelchair. That same year Rune bought a Volvo 245 to have space for a stroller. Three years later Sonja got a more modern wheelchair and Ove bought a hatchback, a Saab 900. Rune bought a Volvo 265 because Anita had started talking about another child. Then Ove bought two more Saab 900s and after that his Saab 9000. Rune bought a Volvo 265 and eventually a Volvo 745 station wagon. But no more children came. One evening Sonja came home and told Ove that Anita had been to the doctor. And a week later a Volvo 740 stood parked in Rune's garage. The sedan model. Ove saw it when he washed his Saab. In the evening Rune found a half bottle of whiskey outside his door. They never spoke about it.
Fredrik Backman (A Man Called Ove)
It was the gift that every girl dreams of, to be dead long enough for your parents to realize how meaningless their lives were without you, how they were suddenly and at once deeply sorrowed at all of the horrible injustices they caused you, how they had truly never appreciated your natural gifts of beauty and grace, being that their beautiful angel would have such a short time on earth and should have spent that time driving the restored 1965 convertible Mustang she had openly AND PUBLICLY desired. But nope, she spent her last, short, fleeting moments driving a 1980 Chevy Citation, every so clearly a GRANDMA car, with fake red-velvet upholstery, a hatchback, and an interior that smelled like spoiled milk and sometimes meat. Being temporarily run over by a car was the best present I had ever received, and I didn't even have to do anything dramatic to get it, like write a note or buy some rope.
Laurie Notaro (An Idiot Girl's Christmas: True Tales from the Top of the Naughty List)
Packing to leave Atlanta is a lot easier than packing to come here. We bundle most everything up in our bedsheets and cram clothing into duffel bags, leaving the rugs and thrift store findings to whoever the next tenant may be. We leave the next morning, Scarlett waving a sarcastic farewell to the junkie downstairs before we take of in the hatchback, pop music blaring and me leaning toward Silas, both to avoid the door of death and to rest my head against his biceps. Ellison hasn’t changed, unsurprisingly. Buildings here are yellow and pale gold instead of harsh steel and silver. Trees dapple the sunlight across the car. The air is warmer, like loving arms that swirl around me for comfort. It’s so good to be home.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Silas refuses to help us cage Screwtape, who hisses loudly, having long suspected something is up. I go to pick him up, trying to act like everything is normal, but Screwtape darts away. It’d probably be easier to crate a Fenris than it is to crate Screwtape. The dance repeats until Scarlett and I are red in the face and Silas is laughing at us. We finally run the cat down, and Scarlett manages to toss the laundry basket over him when he’s too busy anticipating his next dash. “We could still leave him,” Silas jokes—I think he’s joking, anyway—as we load the howling backseat of his car. Scarlett looks as though she might feel the same way as she nurses a batch of claw marks on top of the thicker Fenris scars. She climbs into the backseat of the car as Silas and I slide into the front. Silas hot-wires the ignition of the hatchback and pounds on the radio for a few minutes before it buzzes to life. “We can’t change the station, by the way,” he says. “Because you really like pop music?” I ask, wrinkling my nose as a bubbly song blares at us. “Not hardly,” Silas says. “I hate it. But last time I changed it, the car stopped. Oh, and lean away from your door—sometimes it opens randomly. “Um . . . great,” I say, leaning as far away from the door as possible. But this feels even more dangerous, because I’m leaning incredibly close to Silas, so close that I’m hyperaware of the fact that my sister is right behind me. My stomach twists as it fights my body’s urge to fall against him. I shudder and try to shake the desire off.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Okay, then . . .” I stand up. “It’s been real,” I tell David flatly. “Yeah,” he says. “Later.” Ethan has leapt to his feet and joined us. “I’ll walk you guys to your car,” he says. “That’s really nice, but you don’t have to,” I say. “We’re parked a couple of blocks away.” “My brother said I should.” “Yes, I did.” David gets up, jamming his phone in his pocket. “Come on. Let’s accompany these two lovely ladies to their car.” I catch a whiff of sarcasm, but the other two are oblivious to it. Ethan resumes his X-Men discourse, but the rest of us are silent, and the walk feels endless. We come to a halt at our Subaru hatchback. “This is yours?” David says, like he’s surprised. “My mom’s.” “Where’s your car?” “Nonexistent?” “Seriously? I pictured you always cruising around in some hot girl car like a Porsche or something.” “A ‘hot girl car’? What does that even mean? That the girl is hot or the car is?” He flushes. “I don’t know why I used that word. I never do.” “Hot or girl?” I ask sweetly.
Claire LaZebnik (Things I Should Have Known)
I told you not to bother coming. Scott or Travis would have shown up eventually, and now you’re all here,” she grumbles. I see my dad’s head pop into the doorway opening. “Did Lloyd make it?” he asks, searching the driveway with his eyes. My car is actually my dad’s old car from when he was a teenager. He kept it all this time, first giving it to Scott, and then when Scott upgraded to a dependable Toyota he gave the little hatchback to me. I can’t afford to get a new car, but even if I could choose, I would still choose Lloyd. I’ve always been a daddy’s girl and we talk about Lloyd more than is probably healthy. It drives my mother crazy. “Was there any doubt?” I say. “It’s going to take more than a little snow to keep that bad boy down.” Though a heat wave will do it from a cracked radiator, but we both choose not to mention it. My mother rolls her eyes. “Make yourself comfortable you two,” I say. “You’re in for a treat today.” My mother raises her eyebrows at my excited tone. “We’re racing to clear the driveway,” I say with a grin. “Etty, why do you do this to yourself? When have you ever won?” My mother shakes her head and gives me a pitying look. “I’m stronger than I look!” I argue. “I know honey,” she says. “But those boys double you in weight andstrength.” “I’m quicker,” I say, though with not as much conviction as before. She might have a point here. My dad looks amused by the whole thing. “I’ll go boil the kettle, get you some warm water for your tongue,” she offers before going back into the house. “Give ’em hell, honey,” Dad says, winking before closing the door.
Emily Harper (My Sort-of, Kind-of Hero)
Eventually a guy behind the hog farmer broke ranks, and stepped forward. A pragmatist, clearly. He walked to the car and lifted the hatchback and put the bags inside, one by one, first Keever’s, then Chang’s.
Lee Child (Make Me (Jack Reacher, #20))
Carrara car mart offers popular and established brands among cars like Volkswagen, Ford, Hyundai, Holden, Toyota, Nissan, Mistubishi, Mazda, Isuza and Honda. Buyers can also opt for Family Sedan or Wagon, 7 and 8 seaters, 4WD’s, people movers, sports utility vehicles, hatchbacks, convertibles or coupe’s.
Carrara car mart
Everything that could go tits-up, would. Parker wanted to kick his own ass for thinking the rule wasn’t in effect in civilian territory. “Dean. Change of plans. She’s not headed home.” He let a single car slip between him and the sporty hatchback Lynn and the blonde woman with her had driven from the parking garage of the Bay City Press. His partner’s voice echoed through the radio, slightly tinny. “I’m leaving the office now. Where should I meet you?” Parker adjusted the radio setting to lower Dean’s
Vivian Arend (All Fired Up (DreamMakers, #1))
kid in the blue hatchback will make it too. But it isn’t a kid. Not at all. When Étienne gets out of the car her heart just about stops. Good lord, that man can fill out a pair of jeans. His simple black t-shirt strains over his compact frame, highlighting every hill and valley of his shape. Right away the sight of him ties her stomach in knots.
Marie Lipscomb (Strings (Vixens Rock, #2))
My wife and I are that other kind of rich: the misers among you, in our quaint three-bedroom house in the suburbs, unrenovated since the 1990s, one modest hatchback car between us, our big-box store generic clothes, our outdated phones and computers. Lucky in our birthright privileges, in our inheritance, in our jobs, in the stock market, hoarding cash for reasons that stopped being clear to us long ago, that make less and less sense the older we get. We have no children. Our parents are dead. We keep working, we clean our own toilets, rake our own yard. We use our vacations to go camping in-state. We’ll give it all away upon our deaths, and there will be one of those shocked news stories about people like us and our secret millions, the sudden windfall upon our pet causes and distant nieces and nephews. Why don’t we help anyone while we’re alive? Our once-reasonable anxieties grown distorted, outsized, habitual. There will never be enough money to make us feel safe.
Kim Fu (Lesser Known Monsters of the 21st Century)
She closed her eyes for a minute, then put her feet back down and peeled some purple varnish off her thumbnail. “I don’t know, Louisa. Perhaps I’ll just follow your amazing example and do all the exciting things you do.” I took three deep breaths, just to prevent myself from stopping the car on the motorway. Nerves, I told myself. It was just her nerves. And then, just to annoy her, I turned on Radio 2 really loudly and kept it there the rest of the way. • • • We found Four Acres Lane with help from a local dog walker, and pulled up outside Fox’s Cottage, a modest white building with a thatched roof. Outside, scarlet roses tumbled around an iron arch at the start of the garden path, and delicately colored blooms fought for space in neatly tended beds. A small hatchback car sat in the drive. “She’s gone down in the world,” said Lily, peering out. “It’s pretty.” “It’s a shoebox.” I sat, listening to the engine tick down. “Listen, Lily. Before we go in. Just don’t expect too much,” I said. “Mrs. Traynor’s sort of formal. She takes refuge in manners. She’ll probably speak to you like she’s a teacher. I mean, I don’t think she’ll hug you, like Mr. Traynor did.” “My grandfather is a hypocrite.” Lily sniffed. “He makes out like you’re the greatest thing ever, but really he’s just pussy-whipped.” “And please don’t use the term ‘pussy-whipped.’” “There’s no point pretending to be someone I’m not,” Lily said sulkily. We sat there for a while. I realized that neither of us wanted to be the one to walk up to the door. “Shall I try to call her one more time?” I said, holding up my phone. I’d tried twice that morning but it had gone straight to voice mail. “Don’t tell her straight away,” she said suddenly. “Who I am, I mean. I just . . . I just want to see who she is. Before we tell her.” “Sure,” I said, softening. And before I could say anything else, Lily was out of the car and striding up toward the front gate, her hands bunched into fists like a boxer about to enter a ring. • • • Mrs. Traynor had gone quite, quite gray. Her hair, which had been tinted dark brown, was now white and short, making her look much older than she actually was, or like someone recently recovered from a serious illness. She was probably a stone lighter than when
Jojo Moyes (After You (Me Before You, #2))
Jamie got back to her apartment in nineteen minutes and forty-nine seconds.  It wasn’t a personal best for a five-kilometre run, but it was still fast.  She showered and dressed, pulled on her boots, and was out the door in seventeen minutes flat. Which probably was close to a personal best.  She was wearing jeans she picked up from a supermarket. She liked them because they had a three percent lycra content woven into the denim, which stretched a little and meant that she could more easily crouch, walk, and kick someone in the side of the head if the situation called for it. It hadn’t yet, but she had a long career ahead of herself, she hoped.  She jumped into her car — a small and economical hybrid hatchback which squeezed around the city easily — and headed north towards the Lea.  It took nearly forty minutes to get there in rush hour traffic, and by the time she pulled up, Roper was leaning against the bonnet of his ten-year-old Volvo saloon, smoking a cigarette. He was tall with thinning, short hair, and a face that looked like he was always squinting into a stiff wind.  His long black coat was pinned to his right leg in the breeze and his shirt looked like it’d been pulled out of the laundry hamper rather than a clean drawer. He was perpetually single, and it showed. There was no one to hold him accountable when he decided it was okay to skip a morning shower for an extra ten minutes sleeping off his hangover. What she hated most about him, beyond the cigarette stink and the pissed-at-life attitude, was that she always had to look twice to make sure he wasn’t her father.  Her mother had dragged her away from him in Sweden, and now, she’d been thrown together with a guy who seemingly had inherited all his bad habits. Her mum said it was because all detectives were like it if they did the job long enough. They saw too much and didn’t talk about it enough. Which led inevitably to drink, and drugs, and other women. She’d spoken from experience of course. And Jamie knew she hadn’t exaggerated.  Though moving them both to Britain seemed like a bit of a dramatic reaction. But then again, her father had given her mother gonorrhoea and couldn’t say which woman he’d gotten it from. So Jamie figured it was reasonable.  He would have turned sixty-one this year. Roper pushed off the Volvo and ground out his cigarette under the heel of his battered Chelsea boot. Jamie looked at it, stopping short of his odour-radius. ‘You gonna just leave that there?’ He looked between his feet, rolling onto the outsides of them as he inspected the flattened butt. ‘It’ll wash away in the rain.’ ‘Into the ocean, yeah, where some poor fish is going to eat it,’ Jamie growled, coming to a stop in front of him.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Lily had driven us there in her car, an ancient hatchback that she had converted to run on vegetable oil.
Stuart Gibbs (Lion Down (FunJungle #5))