Has The World Gone Mad Quotes

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The first time I saw you, my heart fell. The second time I saw you, my heart fell. The third time fourth time fifth time and every time since, my heart has fallen. I stared at her. You are the most beautiful woman I have ever seen. Your hair, your eyes, your lips, your body that you haven't grown into, the way you walk, smile, laugh, the way your cheeks drop when you're mad or upset, the way you drag your feet when you're tired. Every single thing about you is beautiful. I stared at her. When I see you the World stops. It stops and all that exists for me is you and my eyes staring at you. There's nothing else. No noise, no other people, no thoughts or worries, no yesterday, no tomorrow. The World just stops and it is a beautiful place and there is only you. Just you, and my eyes staring at you. I stared. When you're gone, the World starts again, and I don't like it as much. I can live in it, but I don't like it. I just walk around in it and wait to see you again and wait for it to stop again. I love it when it stops. It's the best fucking thing I've ever known or ever felt, the best thing, and that, beautiful Girl, is why I stare at you.
James Frey (A Million Little Pieces)
You know the world has gone mad when those who have enlightened, compassionate views and future visions, are accused of borderline insanity, ridiculed and criticised for thinking positively.
Mango Wodzak (Destination Eden)
Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!
Richard Matheson (I Am Legend)
When the world has gone mad, we must help each other when we can.
Rhys Bowen (The Tuscan Child)
Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.
Cathy Ostlere (Lost: A Memoir)
What's happened to the world? she was thinking. Everything has turned terrible...and the bits that aren't terrible have gone mad. I don't understand anything anymore.
Margaret Mahy (Maddigan's Fantasia)
In olden days a glimpse of stocking was looked on as something shocking. Now, Heaven knows, anything goes. The world has gone mad today, and good's bad today, and black's white today, and day's night today....
Cole Porter
Sometimes I think the world has gone completely mad. And then I think, "Aw, who cares?" And then I think, "Hey, what's for supper?
Jack Handy
Cynicism creates a numbness toward life. Cynicism begins with a wry assurance that everyone has an angle. Behind every silver lining is a cloud. The cynic is always observing, critiquing, but never engaging, loving, and hoping. ... To be cynical is to be distant. While offering a false intimacy of being "in the know," cynicism actually destroys intimacy. It leads to bitterness that can deaden and even destroy the spirit. ... Cynicism begins, oddly enough, with too much of the wrong kind of faith, with naive optimism or foolish confidence. At first glance, genuine faith and naive optimism appear identical since both foster confidence and hope.But the similarity is only surface deep.Genuine faith comes from knowing my heavenly Father loves, enjoys, and cares for me. Naive optimism is groundless. It is childlike trust without the loving Father. ... Optimism in the goodness of people collapses when it confronts the dark side of life. ... Shattered optimism sets us up for the fall into defeated weariness and, eventually, cynicism. You'd think it would just leave us less optimistic, but we humans don't do neutral well. We go from seeing the bright side of everything to seeing the dark side of everything. We feel betrayed by life. ... The movement from naive optimism to cynicism is the new American journey. In naive optimism we don't need to pray because everything is under control. In cynicism we can't pray because everything out of control, little is possible. With the Good Shepherd no longer leading us through the valley of the shadow of death, we need something to maintain our sanity. Cynicism's ironic stance is a weak attempt to maintain a lighthearted equilibrium in a world gone mad. ... Without the Good Shepherd, we are alone in a meaningless story. Weariness and fear leave us feeling overwhelmed, unable to move. Cynicism leaves us doubting, unable to dream. The combination shuts down our hearts, and we just show up for life, going through the motions.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
When the world has gone mad, we must help each other when we can. Most of my neighbours are good and share what little they have.
Rhys Bowen (The Tuscan Child)
I saw an angel once But she had lost her wings I saw an angel once She seemed broken of all things I saw an angel once And asked her why she was sad The angel looked at me and said " Because the world has gone mad
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
Maybe this is how madness works. At first you're worried you're going crazy, but in the end you don't even care. You embrace it; it's the only thing you've got left. The only thing you can trust when the rest of the world has gone to shit.
Cat Clarke (Torn)
That's what this is about then? Some blasted grudge you harbor against my father?" She muttered something indecipherable beneath her breath in a language he suspected was not English. French, perhaps? Her words were too low for him to determine. "Has the world gone mad?" "Has it ever been sane?" he asked. He ahd decided the world a far from logical place long ago, when he'd been lost to the streets at the tender age of eight. "When you mull it over, you and I marrying is scarcely absurd. Fitting perhaps. Face it, neither of us is a feted blueblood.
Sophie Jordan (Wicked Nights With a Lover (The Penwich School for Virtuous Girls #3))
THE WORLD HAS GONE MAD. YOU MIGHT have argued against that contention twenty years ago, but if you argue it in our time, you only prove that you, too, live in delusion. In
Dean Koontz (Forever Odd (Odd Thomas, #2))
THE WORLD HAS GONE MAD. YOU MIGHT have argued against that contention twenty years ago, but if you argue it in our time, you only prove that you, too, live in delusion.
Dean Koontz (Forever Odd (Odd Thomas, #2))
What has happened to us? She asked. To this country? The world has gone mad, Jacob murmured.
Kristin Harmel (The Sweetness of Forgetting)
Beauty is one of the richest graces God has provided to heal our souls and absorb his goodness.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual «There!» yet at the brink of this story he has as yet gone no further than the conscious stage. As you first see him he wonders frequently whether he is not without honor and slightly mad, a shameful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well adjusted to his environment, and somewhat more significant than any one else he knows.
F. Scott Fitzgerald
I beg your pardon. I didn’t know that dragons were so intelligent.” A grim smile twisted his lips. “First Ra’zac and magicians, now dwarves, Riders, and talking dragons. It seems the whole world has gone mad.
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
the Self stakes out its own territory within us to assure getting its own way, ordering our world to its likings. It has imbedded assumptions and privileges in our psyche; there is a momentum to its desires, motives, and presence in us. I call this the Self Life.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
You’ve got to release the world; you’ve got to release people, crises, trauma, intrigue, all of it. There has to be sometime in your day where you just let it all go. All the tragedy of the world, the heartbreak, the latest shooting, earthquake—the soul was never meant to endure this. The soul was never meant to inhabit a world like this. It’s way too much. Your soul is finite. You cannot carry the sorrows of the world. Only God can do that. Only he is infinite. Somewhere, sometime in your day, you’ve just got to release it. You’ve got to let it go.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
They are all but forgotten now, as all men in war are ultimately forgotten. They are eternal, as all men in war are eternal. Who they were, where they were from in an America both blessed and brutal, the gung ho innocence that turned into the darkest horror as they traveled through the maze of being a marine, is not some period piece or contrived cautionary tale but the most timeless story of all: of humanity in the face of all that has become inhuman, the inhumanity of all that once was human, the remarkable sacrifice that men are still willing to make even when the world has gone mad, united by that thing you cannot ever control in war, however brave or careful or fearful or raging with revenge: who dies, because so many died after that game; who lives, because many did live despite combat and serious injury. The Mosquito Bowl.
Buzz Bissinger (The Mosquito Bowl: A Game of Life and Death in World War II)
loneliness. By all the saints, he was mad. He should be filled with hatred and thoughts of revenge. Vaden was his enemy and that time of friendship has gone. When would he learn to give up those memories and realize Vaden meant what he said? Tonight. From no on he would regard Vaden as any other enemy. To do anything else would endanger Dundragon and Thea. He must close away this sense of loss and behave with sanity. The entire world was a barren place. To accept that Vaden was his enemy did not make the loneliness more desolate. It only seemed to make it weigh heavier, much heavier,
Iris Johansen
I had never been so close to death before. For a long time, as I lay there trying to clear my mind, I couldn't think coherently at all, conscious only of a terrible, blind bitterness. Why had they singled me out? Didn't they understand? Had everything I'd gone through on their behalf been utterly in vain? Did it really count for nothing? What had happened to logic, meaning and sense? But I feel much calmer now. It helps to discipline oneself like this, writing it down to see it set out on paper, to try and weigh it and find some significance in it. Prof Bruwer: There are only two kinds of madness one should guard against, Ben. One is the belief that we can do everything. The other is the belief that we can do nothing. I wanted to help. Right. I meant it very sincerely. But I wanted to do it on my terms. And I am white, and they are black. I thought it was still possible to reach beyond our whiteness and blackness. I thought that to reach out and touch hands across the gulf would be sufficient in itself. But I grasped so little, really: as if good intentions from my side could solve it all. It was presumptuous of me. In an ordinary world, in a natural one, I might have succeeded. But not in this deranged, divided age. I can do all I can for Gordon or scores of others who have come to me; I can imagine myself in their shoes, I can project myself into their suffering. But I cannot, ever, live their lives for them. So what else could come of it but failure? Whether I like it or not, whether I feel like cursing my own condition or not -- and that would only serve to confirm my impotence -- I am white. This is the small, final, terrifying truth of my broken world. I am white. And because I am white I am born into a state of privilege. Even if I fight the system that has reduced us to this I remain white, and favored by the very circumstances I abhor. Even if I'm hated, and ostracized, and persecuted, and in the end destroyed, nothing can make me black. And so those who are cannot but remain suspicious of me. In their eyes my very efforts to identify myself with Gordon, whit all the Gordons, would be obscene. Every gesture I make, every act I commit in my efforts to help them makes it more difficult for them to define their real needs and discover for themselves their integrity and affirm their own dignity. How else could we hope to arrive beyond predator and prey, helper and helped, white and black, and find redemption? On the other hand: what can I do but what I have done? I cannot choose not to intervene: that would be a denial and a mockery not only of everything I believe in, but of the hope that compassion may survive among men. By not acting as I did I would deny the very possibility of that gulf to be bridged. If I act, I cannot but lose. But if I do not act, it is a different kind of defeat, equally decisive and maybe worse. Because then I will not even have a conscience left. The end seems ineluctable: failure, defeat, loss. The only choice I have left is whether I am prepared to salvage a little honour, a little decency, a little humanity -- or nothing. It seems as if a sacrifice is impossible to avoid, whatever way one looks at it. But at least one has the choice between a wholly futile sacrifice and one that might, in the long run, open up a possibility, however negligible or dubious, of something better, less sordid and more noble, for our children… They live on. We, the fathers, have lost.
André P. Brink (A Dry White Season)
Let’s be honest: we prefer distraction. The more distracted we are, the less present we are to our souls’ various hurts, needs, disappointments, boredom, and fears. It’s a short-term relief with long-term consequences. What blows my mind is how totally normal this has become; it’s the new socially acceptable addiction. I’ve got a friend who decided to break with his; he now turns his phone off over the weekend. I text him, and he doesn’t reply until Sunday night or Monday morning. I’m embarrassed by my irritation: C’mon, man—you know the protocol. Everybody agrees to be totally available, anywhere, anytime, 24/7. It’s what we do. What does it say that you look like some sort of nut job when you turn your phone off?
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
The people who are most discouraged and made despondent by the barbarity and stupidity of human behaviour at this time are those who think highly of Homo Sapiens as a product of evolution, and who still cling to an optimistic belief in the civilizing influence of progress and enlightenment. To them, the appalling outbursts of bestial ferocity in the Totalitarian States, and the obstinate selfishness and stupid greed of Capitalist Society, are not merely shocking and alarming. For them, these things are the utter negation of everything in which they have believed. It is as though the bottom had dropped out of their universe. The whole thing looks like a denial of all reason, and they feel as if they and the world had gone mad together. Now for the Christian, this is not so. He is as deeply shocked and grieved as anybody else, but he is not astonished. He has never thought very highly of human nature left to itself. He has been accustomed to the idea that there is a deep interior dislocation in the very centre of human personality, and that you can never, as they say, ‘make people good by Act of Parliament’, just because laws are man-made and therefore partake of the imperfect and self-contradictory nature of man. Humanly speaking, it is not true at all that ‘truly to know the good is to do the good’; it is far truer to say with St. Paul that ‘the evil that I would not, that I do’; so that the mere increase of knowledge is of very little help in the struggle to outlaw evil. The delusion of the mechanical perfectibility of mankind through a combined process of scientific knowledge and unconscious evolution has been responsible for a great deal of heartbreak. It is, at bottom, far more pessimistic than Christian pessimism, because, if science and progress break down, there is nothing to fall back upon. Humanism is self-contained - it provides for man no resource outside himself.
Dorothy L. Sayers (Creed or Chaos?: Why Christians Must Choose Either Dogma or Disaster; Or, Why It Really Does Matter What You Believe)
Themes of descent often turn on the struggle between the titanic and the demonic within the same person or group. In Moby Dick, Ahab’s quest for the whale may be mad and “monomaniacal,” as it is frequently called, or even evil so far as he sacrifices his crew and ship to it, but evil or revenge are not the point of the quest. The whale itself may be only a “dumb brute,” as the mate says, and even if it were malignantly determined to kill Ahab, such an attitude, in a whale hunted to the death, would certainly be understandable if it were there. What obsesses Ahab is in a dimension of reality much further down than any whale, in an amoral and alienating world that nothing normal in the human psyche can directly confront. The professed quest is to kill Moby Dick, but as the portents of disaster pile up it becomes clear that a will to identify with (not adjust to) what Conrad calls the destructive element is what is really driving Ahab. Ahab has, Melville says, become a “Prometheus” with a vulture feeding on him. The axis image appears in the maelstrom or descending spiral (“vortex”) of the last few pages, and perhaps in a remark by one of Ahab’s crew: “The skewer seems loosening out of the middle of the world.” But the descent is not purely demonic, or simply destructive: like other creative descents, it is partly a quest for wisdom, however fatal the attaining of such wisdom may be. A relation reminiscent of Lear and the fool develops at the end between Ahab and the little black cabin boy Pip, who has been left so long to swim in the sea that he has gone insane. Of him it is said that he has been “carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro . . . and the miser-merman, Wisdom, revealed his hoarded heaps.” Moby Dick is as profound a treatment as modern literature affords of the leviathan symbolism of the Bible, the titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into nothingness; that is both an enemy of God outside the creation, and, as notably in Job, a creature within it of whom God is rather proud. The leviathan is revealed to Job as the ultimate mystery of God’s ways, the “king over all the children of pride” (41:34), of whom Satan himself is merely an instrument. What this power looks like depends on how it is approached. Approached by Conrad’s Kurtz through his Antichrist psychosis, it is an unimaginable horror: but it may also be a source of energy that man can put to his own use. There are naturally considerable risks in trying to do so: risks that Rimbaud spoke of in his celebrated lettre du voyant as a “dérèglement de tous les sens.” The phrase indicates the close connection between the titanic and the demonic that Verlaine expressed in his phrase poète maudit, the attitude of poets who feel, like Ahab, that the right worship of the powers they invoke is defiance.
Northrop Frye (Words with Power: Being a Second Study of the Bible and Literature)
When we have traversed it, and look back from Albano, its dark, undulating surface lies below us like a stagnant lake, or like a broad, dull Lethe flowing round the walls of Rome, and separating it from all the world!  How often have the Legions, in triumphant march, gone glittering across that purple waste, so silent and unpeopled now!  How often has the train of captives looked, with sinking hearts, upon the distant city, and beheld its population pouring out, to hail the return of their conqueror!  What riot, sensuality and murder, have run mad in the vast palaces now heaps of brick and shattered marble!  What glare of fires, and roar of popular tumult, and wail of pestilence and famine, have come sweeping over the wild plain where nothing is now heard but the wind, and where the solitary lizards gambol unmolested in the sun!
Charles Dickens (Pictures from Italy)
A life of madness I have been living for fifteen years. I have thrown away everything I had, my devoted wife, two lovely children, my family, my wealth on a hopeless passion. My love that once glowed like a warm flame is gone. A fire burns inside me now. My love, instead of being upheld has been cast aside like dirt. I can weep all I want out of rage and self-loathing but the world will only laugh at the sight of me.
Mukta Singh-Zocchi (The Thugs & a Courtesan)
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?” “What do you mean?” he asked slowly. He could feel Lews Therin listening. [...] “Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?” [...] “I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help. Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.” Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was! “Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!” [...] Finally they were all gone, and he was alone. Alone. Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying. “I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
The unreal is the illogical. And this age seems to have a capacity for surpassing even the acme of illogicality, of anti-logicality: it is as if the monstrous reality of the war had blotted out the reality of the world. Fantasy has become logical reality, but reality evolves the most a-logical phantasmagoria. An age that is softer and more cowardly than any preceding age suffocates in waves of blood and poison-gas; nations of bank clerks and profiteers hurl themselves upon barbed wire; a well-organized humanitarianism avails to hinder nothing, but calls itself the Red Cross and prepares artificial limbs for the victims; towns starve and coin money out of their own hunger; spectacled school-teachers lead storm-troops; city dwellers live in caves; factory hands and other civilians crawl out on their artificial limbs once more to the making of profits. Amid a blurring of all forms, in a twilight of apathetic uncertainty brooding over a ghostly world, man like a lost child gropes his way by the help of a small frail thread of logic through a dream landscape that he calls reality and that is nothing but a nightmare to him. The melodramatic revulsion which characterizes this age as insane, the melodramatic enthusiasm which calls it great, are both justified by the swollen incomprehensibility and illogicality of the events that apparently make up its reality. Apparently! For insane or great are terms that can never be applied to an age, but only to an individual destiny. Our individual destinies, however, are as normal as they ever were. Our common destiny is the sum of our single lives, and each of these single lives is developing quite normally, in accordance, as it were, with its private logicality. We feel the totality to be insane, but for each single life we can easily discover logical guiding motives. Are we, then, insane because we have not gone mad?
Hermann Broch (The Sleepwalkers (The Sleepwalkers, #1-3))
And it was only then that I realized what I had let myself in for, and only then I realized how bloody thick I had been not to have predicted it. It would seem that the combination of elements--woman, desert, camels, aloneness--hit some soft sport in this era's passionless, heartless, aching psyche. It fired the imaginations of people who seem themselves as alienated, powerless, unable to do anything about a world gone mad. And wouldn't it be my luck to pick just this combination. The reaction was totally unexpected and it was very, very weird. I was now public property. I was now a kind of symbol. I was now an object of ridicule for small-minded sexists, and I was a crazy, irresponsible adventurer (though not as crazy as I would have been had I failed). But worse than all that, I was now a mythical being who had done something courageous and outside the possibilities that ordinary people could hope for. And that was the antithesis of what I wanted to share. That anyone could do anything. If I could bumble my way across a desert, then anyone could do anything. And that was true especially for women, who have used cowardice for so long to protect themselves that it has become a habit.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
Society cannot afford to forget the lessons of the past—nor to learn the wrong lessons. But there is a third danger—and it is the greatest threat of all, if only because it is the least well recognized. Humanity can no longer afford to have only a handful of its citizens and leaders understand the lessons of history. We cannot count on a select few to be the caretakers of knowledge. The elite guardians of wisdom will be rendered useless if the masses are incapable of understanding their language, unable to appreciate their concerns, or uninterested even in considering their advice. This danger is not new, but it is always magnified during those times when a population is empowered at a faster rate than it is educated. And it is worst in societies where the value of any idea is measured only after it is filtered through the lens of politics, partisanship, or ideology. Of the diabolically complicated Schleswig-Holstein affair—as pertained to Denmark and Prussia in the mid-19th century—Lord Palmerston is said to have remarked: “Only three people have ever really understood the Schleswig-Holstein business—the Prince Consort, who is dead, a German professor, who has gone mad, and I, who have forgotten all about it.” We can no longer rely only on princes, professors, and lords to understand the affairs of the world. The professors and Palmerstons of the world must educate—and hence enable—the rest. And they must do it soon. The time will come when the masses no longer listen to their advice—when expertise is unrecognizable because the gulf between those who know and those who don’t is too wide to bridge. That day is almost upon us.
Deepak Malhotra (The Peacemaker's Code)
Ode 38 I went up into the light of Truth as into a chariot, and the Truth led me and caused me to come. And caused me to pass over chasms and gulfs, and saved me from cliffs and valleys. And became for me a haven of salvation, and set me on the place of immortal life. And He went with me and caused me to rest and did not allow me to err; because He was and is the Truth. And there was no danger for me because I constantly walked with Him; and I did not err in anything because I obeyed Him. For Error fled from Him, and never met Him. But Truth was proceeding on the upright way, and whatever I did not understand He exhibited to me: All the poisons of error, and pains of death which are considered sweetness. And the corrupting of the Corruptor, I saw when the bride who was corrupting was adorned, and the bridegroom who corrupts and is corrupted. And I asked the Truth, Who are these? And He said to me: This is the Deceiver and the Error. And they imitate the Beloved and His Bride, and they cause the world to err and corrupt it. And they invite many to the wedding feast, and allow them to drink the wine of their intoxication; So they cause them to vomit up their wisdom and their knowledge, and prepare for them mindlessness. Then they abandon them; and so they stumble about like mad and corrupted men. Since there is no understanding in them, neither do they seek it. But I have been made wise so as not to fall into the hands of the Deceivers, and I myself rejoiced because the Truth had gone with me. For I was established and lived and was redeemed, and my foundations were laid on account of the Lord's hand; because He has planted me. For He set the root, and watered it and endowed it and blessed it, and its fruits will be forever. It penetrated deeply and sprang up and spread out, and it was full and was enlarged. And the Lord alone was glorified, in His planting and in His cultivation; In His care and in the blessing of His lips, in the beautiful planting of His right hand; And in the attainment of His planting, and in the understanding of His mind. Hallelujah.
Solomon
Now this might sound strange to you, Serafina Pekkala, but I know the man better than any wife could know him, better than a mother. He’s been my master and my study for nigh on forty years. I can’t follow him to the height of his thought any more than I can fly, but I can see where he’s a-heading even if I can’t go after him. No, it’s my belief he turned away from a rebellion against the Church not because the Church was too strong, but because it was too weak to be worth the fighting.” “So…what is he doing?” “I think he’s a-waging a higher war than that. I think he’s aiming a rebellion against the highest power of all. He’s gone a-searching for the dwelling place of the Authority Himself, and he’s a-going to destroy Him. That’s what I think. It shakes my heart to voice it, ma’am. I hardly dare think of it. But I can’t put together any other story that makes sense of what he’s doing.” Serafina sat quiet for a few moments, absorbing what Thorold had said. Before she could speak, he went on: “ ’Course, anyone setting out to do a grand thing like that would be the target of the Church’s anger. Goes without saying. It’d be the most gigantic blasphemy, that’s what they’d say. They’d have him before the Consistorial Court and sentenced to death before you could blink. I’ve never spoke of it before and I shan’t again; I’d be afraid to speak it aloud to you if you weren’t a witch and beyond the power of the Church; but that makes sense, and nothing else does. He’s a-going to find the Authority and kill Him.” “Is that possible?” said Serafina. “Lord Asriel’s life has been filled with things that were impossible. I wouldn’t like to say there was anything he couldn’t do. But on the face of it, Serafina Pekkala, yes, he’s stark mad. If angels couldn’t do it, how can a man dare to think about it?” “Angels? What are angels?” “Beings of pure spirit, the Church says. The Church teaches that some of the angels rebelled before the world was created, and got flung out of heaven and into hell. They failed, you see, that’s the point. They couldn’t do it. And they had the power of angels. Lord Asriel is just a man, with human power, no more than that. But his ambition is limitless. He dares to do what men and women don’t even dare to think. And look what he’s done already: he’s torn open the sky, he’s opened the way to another world.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
This is a story about friendship and tragedy in the overshadow of an American city. Two brothers, three sisters, and a kid named Go. Fighting. Seeking. Looking after one another. Outsiders, doing what they can to survive. Kell has gone missing. Trust has been decimated yet loyalty runs deep. Ame searches for her little sister in all the strange places a junky might hide, painting the landscapes of identity in a world gone mad, where social fabric spills off counters in thrift stores on deep discount. This is a story about the lost and found. Alchemy and the turning of fear into vitality. Being real no matter what, even when you look bad. Colorful, in black and white. Fiction not fantasy. This is a story about heartbreak and redemption. About caring in a careless world. An oddity, out of step from mainstream literature, found its own rules and rhythm, placed into circulation by one who lives to tell.
Katya Mills (Ame and the Tangy Energetic (Daughter of Darkness, #3))
The gospel is the story of a good King who has come to reign. In love, he has come to restore his justice, peace and love in a world gone mad. He has battled the enemy and won the decisive victory that will secure the enemy's defeat. And we are on the way to the day when he will reign and everything will resonate with his blazing goodness.
Allen Mitsuo Wakabayashi (Kingdom Come: How Jesus Wants to Change the World)
These mechs—rays—stim—have been used always as the forbidden fruit of life, the last treasure in the temple of secrecy which has consumed the ancient science. The orgies which the uses of such stimulants inspire have been going on secretly since the earliest times—beneath the temples and in the secret pleasure palaces of the world. (Shaver here seems to be talking of our modern world, not of ancient Mu. —Ed.) These orgies still go on, and are more deadly than before—more filled with de accumulated in the apparatus, the stim itself concealing the deadly rays whose effect is explained as the sad results of overindulgence; which is untrue—the stim is a beneficial of great virtue and leaves one stronger and wiser after use. “The legend of the sirens is an example of ancient mechs which no one could resist—in the hands of evil degenerates it became a deadly attraction—drawing shiploads of men to death and the ships to looting. “The course of history, the battles, the decisions of tyrants and kings—was almost invariably decided by interfering control from the caverns and their hidden apparatus. This interference, this use of the apparatus in a prankish, evil, destructive way, is the source of god worship, the thrill of divinity, the sensing of the invisible, the prostration of the will before the stronger will of the ray gen (hidden and unknown as it was). “The remarkable part of it all is that it still goes on today. Emotional and mental stim—unsuspected by such as you and the average citizen—used in mad prankishness, all come from the ancient apparatus. If you will remember your stage fright in the school play, the many other times when your emotions seem to have gone awry without sufficient reason—were these natural? “The dero of the caves are the greatest menace to our happiness and progress; the cause of many mad things that happen to us, even so far as murder. Many people know something of it, but they say they do not. They are lying. They fear to be called mad, or to be held up to ridicule. Examine your own memory carefully. You will find many evidences of outside stim, some good, some evil—but mostly evil.
Richard S. Shaver (The Shaver Mystery, Book One)
You're an outsider, and I don't know you from Adam. And it seems the world has gone mad in a biblical sense. We must be living in the last days scenario with brother turning against brother. For all we know, we're on the verge of an apocalypse. We're taking precautions." Detective Thornton lowered his chin to make direct eye contact with Aunt Vi. "I assure you, Miss Myers, God nor the Bible isn't who you or your niece should fear. At the moment, it's the law." "I smell sulfur. Like a demon rising from pit of Hades. Get behind me, Satan!" Aunt Vi rebuked and held up two fingers to resemble a cross at the detective.
Kate Young (Southern Sass and a Battered Bride (Marygene Brown Mystery, #3))
Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!
J.K. Rowling
Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!
Anonymous
It happened in Chicago in 1886. On the first of May, strikes paralyzed cities across the country. The Philadelphia Tribune offered a diagnosis: 'The labor element has been bitten by a kind of universal tarantula - it has gone dancing mad.' Dancing mad were the workers who fought for the eight-hour day and for the right to form unions ... On every May first, the entire world remembers them. With the passing of time, constitutions, laws, and international accords have proved them right. But some of the most powerful corporations have yet to find out. They outlaw unions and keep track of the workday with those melting clocks painted by Salvador Dali.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
In the balance of verse 51:7, though, Jeremiah gives us a further insight into the influence of the Daughter of Babylon on the people of the world: “Intoxicating all the earth, the nations have drunk of her wine; therefore the nations are going mad.” If America has gone “mad upon her idols” (Jeremiah 50:38c), why would anyone be surprised that the citizens of the world, besotted with the same tainted and corrupt American ‘entertainment,’ would also be “going mad”? (Jeremiah 51:7d) Why would we be surprised that the people of the world, viewing how we portray ourselves in the entertainment media, hold America in such low esteem?
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
The van stops and he is ordered to get out. It is slow, painful going. Four policemen get out of the van too, as if concerned about his impaired ability to stand, move, walk. Again that playful deception of the mind: is the wood before him real or is he seeing things from the metaphors in his very recent thoughts fleshed out in the real world after a time-lag? Has he gone mad? Where is he? ‘Where is this?’ he asks. ‘Go. Walk. Go home,’ comes the answer. What was it that his mother used to say about such situations? Don’t spurn the goddess of wealth, waiting and ready at your hand, by pushing her away towards your feet. The thought of his mother brings a sudden constriction in his throat – have they robbed him of any kind of self-control, of masculinity? How will he ever find the words to ask her for forgiveness? He hobbles, stops, limps a bit more; no, he really cannot move. The policemen are watching him in silence. Should he crawl on all fours? He would be much faster if he did that. He tries walking on the sides of his feet; it is impossible after two steps. An axis of pain has brought together, in one rod, the discrete epicentres of where he has been worked upon – the right big toe, the soles of both feet, his raw, bloody left thigh – and is driving that into his entire body, from toe to head.
Neel Mukherjee (The Lives of Others)
Taki As a prolific author and journalist, Taki has written for many top-rated publications, including the Spectator, the London Sunday Times, Vanity Fair, National Review, and many others. Greek-born and American-educated, Taki is a well-known international personality and a respected social critic all over the world. In June 1987, I was an usher at the wedding of Harry Somerset, Marquis of Worcester, to Tracy Ward. The wedding and ensuing ball took place in the grand Ward country house, attended by a large portion of British society, including the Prince and Princess of Wales. Late in the evening, while I was in my cups, a friend, Nicky Haslam, grabbed my arm and introduced me to Diana, who was coming off the dance floor. We exchanged pleasantries, me slurring my words to the extent that she suddenly took my hand, looked at me straight in the face, and articulated, “T-a-k-e y-o-u-r t-i-m-e.” She mistook my drunken state for a severe speech impediment and went into her queen-of-hearts routine. Nicky, of course, ruined it all by pulling her away and saying, “Oh, let him be, ma’am; he’s drunk as usual.” We occasionally met after that and always had a laugh about it. But we never got further than that rather pathetic incident. In 1994, I began writing the “Atticus” column for the Sunday Times, the bestselling Sunday broadsheet in Britain. By this time Diana and Charles had separated, and Diana had gone on the offensive against what was perceived by her to be Buckingham Palace plotting. As a confirmed monarchist, I warned in one of my columns that her popularity was enough to one day bring down the monarchy. I also wrote that she was bonkers. One month or so later, at a ball given in London by Sir James Goldsmith and his daughter Jemima Khan, a mutual friend approached me and told me that Princess Diana would like to speak with me. As luck would have it, yet again I was under the weather. When I reached her table, she pulled out a seat for me and asked me to sit down. The trouble was that I missed the chair and ended up under the table. Diana screamed with laughter, pulled up the tablecloth, looked underneath, and asked me pointblank: “Do you really think I’m mad?” For once I had the right answer. “All I know is I’m mad about you.” It was the start of a beautiful friendship, as Bogie said in Casablanca.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
1.       Is the Daughter the Same as the Mother? 2.       The Hammer of the Whole Earth 3.       A Latter Day Nation 4.       A Nation of Wealth and Luxury 5.       A Multi-Nation ‘Melting Pot’ of a Nation 6.       You Who Live on Many Waters 7.       Center of World Commerce 8.       The Great Voice 9.       They Are Mad Upon Their Idols 10.     The Daughter of Babylon Mounts Up to the Heavens 11.     Where the Nations Gather 12.     She Has Been Proud Against the Lord 13.     Large Jewish Population 14.     Deep Water Port Nation 15.     The Kings of the Medes Won’t Destroy Themselves 16.     A Land of Entertainment 17.     Historical Babylon is Gone and Won’t be Back 18.     Who sits on the Seven Continents of the Earth? 19.     Ancient Babylon has already been Punished 20.     Past Use by God of the Daughter of Babylon 21.     Which Nations are sworn to Defend Israel?                 Scott allowed a minute for everyone to look over the list and then said, “Who’ll be first? Which one of these twenty-clues identifying Mystery Babylon jumps out at you as clearly applying to America?
John Price (THE WARNING A Novel of America in the Last Days (The End of America Series Book 2))
If the world has gone mad, it has taken me with it.
Lynn Hardy (Prophecy of the Flame (Prophecy of the Flame, #1))
Is this why the song is so popular? Because people like me get the tune in their heads and don’t pay attention to what it’s saying? Or has the world gone mad and I just haven’t noticed? “What
Resa Nelson (All of Us Were Sophie)
The world has gone mad. Again. …                                                 …The fires burn in the streets at night. The checkpoints flow with blood and tears. And most of us just want to go to work, have coffee with friends, teach our children something other than this craziness in a world gone mad. Again…
Michael Dickel (War Surrounds Us)
Vote wisely, not blindly, to change the world into prosperity, harmony, justice, equality, and peace and empower humanity, not the political beasts and their evil interests to raise and encourage wars and kill innocent people.” "Overcome your covetous ambitions to have peace of mind and satisfaction; do not let your covetous ambitions overcome you; otherwise, they will bury you in grievous consequences.” Israel shamelessly rejected the order by the judges of the International Court of Justice that Israel must halt its attack on the southern Gaza city of Rafah; thus, the ICJ order and the United Nations resolutions did not impact Israel’s genocide. I know how the ICJ, the United Nations, and the world will react to such bare violations, breaching and even disregarding international law by the Israeli bloody beast of this century., encouraged and motivated by the USA and European Union, avoiding and ignoring their laws that only apply to weak and needy countries. It is not only a significant insult to the ICJ verdict, which has been declined and trashed as well. Israeli attacks show and prove that they neither respect nor value the international law and communities of civilised democracies. The question is not this, but how the ICJ and the United Nations will take the next steps to stop the inhuman behaviour and genocide in Palestine by Israel since October 2023, and how and why the United States, the West, and the world have remained silent and are deliberately closing their eyes on Israeli inhumanity and genocide. Where is humanity, where is international law, where is transparent justice, fairness, equality, and the worth of human lives for small and large states and communities regardless of any distinctions, according to the charter of the United Nations? — Who will decide: genocide or the last resort of Israel dropping atom bombs on Palestine? It usually seems that the ICJ has become like the third-world courts, run by the political or armed forces mafia; their verdicts never prevail. Where are the experts and scholars of international law? What damn they think about the behaviour and declination of the ICJ verdict by Israel? It will be too late. There will be nothing and no one superpower. The world is heading towards the doom of the devil. Awaken, open your eyes, and stop it before we can say sorry.
Ehsan Sehgal
the fact that the visual experience before me was exactly the same as it has been for sixteen years.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
Oh, he is a fanatic,” they say. “He has gone mad.” I wish the world were filled with such fanatics. I tell you that what we want today is a few fanatics like him – men who fear nothing but sin and love no one but God.
Dwight L. Moody (Heaven: The Place We Long For)
The Dark Cloud Is the automated journey of a mail order gone bad Is the artificial segment of a business that has become mad Is the visionary and prodigy that the world did not recognize Is the way in which your reputation is attacked by wolves and dies
Aida Mandic (The Dark Cloud)
The world has gone mad, Anne. Mad. It’s upside down, and we are all holding on for dear life.” I knew exactly what she meant, but my world had been spinning for months, and 9/11 just added another layer of impossibility.
Amy Harmon (What the Wind Knows)
In the end,” he said, “they go mad, these soulful philistines. Mad with self-consciousness and vanity and egotism and a kind of hopeless bewilderment; for when you’re utterly without culture, every fact’s an isolated, unconnected fact, every experience is unique and unprecedented. Your world’s made up of a few bright points floating about inexplicably in the midst of an unfathomable darkness. Terrifying! It’s enough to drive any one mad. I’ve seen them, lots of them, gone utterly crazy. In the past they had organized religion, which meant that somebody had once been cultured for them, vicariously. But what with protestantism and the modernists, their philistinism’s absolute now. They’re alone with their own souls. Which is the worst companionship a human being can have. So bad, that it sends you dotty. So beware, Pamela, beware! You’ll go mad, if you think only of what has something to do with you. The Etruscans will keep you sane.
Aldous Huxley
When the world has gone mad, we must help each other when we can. Most of my neighbours are good and share what little they have. When Benito snared a rabbit, he gave us some of it to make the good broth you are eating. And when I came home this morning, I passed Signora Gucci and she saw the mushrooms I had found.
Rhys Bowen (The Tuscan Child)
The world has officially gone mad . . . I’ve been wondering when the rest of you would catch up to me.
Anthony P. Mauro, Sr
I dream endlessly, my minstrel,' he said. 'I live in my dreams - they are the only thing this emptiness has not touched. Oh sometimes they are black and dreadful, nightmares from the pit. ... But most of them are wonderful, full of happiness and lost joy, and delight in making and being. Without my dreams, I should have gone mad long ago.' 'Ah,' Gwion said wryly, 'that is true of many men in this world.
Susan Cooper (Silver on the Tree (The Dark is Rising, #5))
Lest we despair, God has given us "a future and a hope" (Jeremiah 29:11 NLT) and to be specific, it includes the restoration of every precious day of our lives. Heaven is not a memory wipe. it is the time and capacity to truly relish the story of our lives, to see the hand of God in it all (how many times angels rescued you), to be vindicated, and even rewarded.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
PACIFISM = TERRORISM? HAS THE WORLD GONE MAD?
Maura Roosevelt (Baby of the Family)
some might say to the preacher. “Do you really believe that a few words from an outdated book can change anything? What are words when weapons, money, and power are mounted against you?” But the preacher doesn’t stop, and neither do we. Like those who have gone before us, our voices are ordinary, our intellects are limited, and our personal capacities to stop the madness are minimal. But the physician has come! Preachers of future generations will need to learn this from us too. We will say to them, “The tomb is empty!” This is historical fact. Christ is risen! And the gospel we speak for our generation is nothing less than the power of God unto salvation (Rom. 1:16).
Zack Eswine (Preaching to a Post-Everything World: Crafting Biblical Sermons That Connect with Our Culture)
As we saw the dead dimly through rifts of battlesmoke and heard faintly the cursings and accusations of blood brothers, we darker men said: This is not Europe gone mad; this is not aberration nor insanity; this is Europe; this seeming Terrible is the real soul of white culture—back of all culture,—stripped and visible today. This is where the world has arrived,—these dark and awful depths and not the shining and ineffable heights of which it boasted. Here is whither the might and energy of modern humanity has really gone.
W.E.B. Du Bois (Darkwater: Voices from Within the Veil (Dover Literature: African American))
ring even more true is that defining an entire group of people, their attitudes, pitfalls and moral associations, based solely on their racial characteristics is itself a fairly good demonstration of racism. For ‘whiteness’ to be ‘problematized’ white people must be shown to be a problem. And not only on some academic, abstract, level but in the practical day-to-day business of judging other people. As so often this progression of an idea from academia into the rest of society has found its most prominent demonstrations in the world of celebrity, which like every area of life has gone past race-unbothered straight into race-obsessed.
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
Portrait of the Author" The birches are mad with green points the wood's edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
William Carlos Williams (Sour Grapes)
Taramis seems to have gone quite mad; whereas formerly she was famed for her virtue, justice and tranquility, she is now notorious for qualities precisely opposite to those just enumerated. Her private life is a scandal—or perhaps 'private' is not the correct term, since the queen makes no attempt to conceal the debauchery of her court. She constantly indulges in the most infamous revelries, in which the unfortunate ladies of the court are forced to join, young married women as well as virgins." "She herself has not bothered to marry her paramour, Constantius, who sits on the throne beside her and reigns as her royal consort, and his officers follow his example, and do not hesitate to debauch any woman they desire, regardless of her rank or station.
Robert E. Howard (Conan: The Thief, The Conqueror, The King: The Collected Adventures of the World's Greatest Barbarian (Illustrated Edition))
malefactor becomes the creature of his own deeds. Once the transition has been overpassed a new set of standards comes into force. The perceptive malefactor recognizes his evil and knows full well the meaning of his acts. In order to quiet his qualms he retreats into a state of solipsism, and commits flagrant evil from sheer hysteria, and for his victims it appears as if the world has gone mad.
Jack Vance (Demon Princes (Demon Princes #1-5))
Father, Jesus, Holy Spirit—I need you to heal our union. Heal our union, God. I give myself to you, to be one with you in everything. I pray for union and I pray for oneness. I present my entire being to you, to be one life with you. I invite your healing love and presence into the things that have hurt our union. [Be specific if you can: The loss of my daughter. The betrayal at work. My chronic back pain.] I invite your Spirit into the places where our union has been assaulted. Come and heal me here. Cleanse these places with your blood, dear Jesus. Let your blood wash all wounding, wash away evil, cleanse every form of trauma in me. Bring your love here. I invite the light of your presence to bring healing here. I pray your glory would heal our union. May the glory of God come into the harm and damage, and restore our union. I pray to be one heart and mind again, one life, one complete union. [I will linger a moment to see if the Holy Spirit wants to show me anything specific I need to pray.] Heal our union, God; restore and renew our union. I pray for a deeper union with you, a deeper and more complete oneness. Restore our union, in Jesus’s name.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
Imagine that someone has enjoyed success in the past by being strong willed and consistently sure of their course of action, even in the face of doubters. That sort of attitude can easily grow out of a period in a tough management role. So, it becomes their default way of operating.” She paused and raised her eyebrows. “Then, one day, they find themselves in a situation they haven’t faced before, one where their tried-and-tested bullish methods do not work. And the more they try, the more they fail. They just keep hammering away, assuming that everyone and everything else is wrong. That the world has gone mad.” Andrea rolled her eyes. “That’s when other people start labelling them. They’re stubborn. They’re pig headed. But it’s really not their fault,” she explained. “They’re just stuck in the mud.
Pete Lindsay (Pig Wrestling: The Brilliantly Simple Way to Solve Any Problem… and Create the Change You Need)
I saw an angel once But she had lost her wings I saw an angel once She seemed broken of all things I saw an angel once And asked her why she was sad The angel looked at me and said “Because the world has gone mad
Courtney Peppernell (Pillow Thoughts)