Harriet Quotes

We've searched our database for all the quotes and captions related to Harriet. Here they are! All 100 of them:

The longest way must have its close - the gloomiest night will wear on to a morning.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
You better live your best and act your best and think your best today, for today is the sure preparation for tomorrow and all the other tomorrows that follow.
Harriet Martineau
Every great dream begins with a dreamer. Always remember, you have within you the strength, the patience, and the passion to reach for the stars, to change the world.
Harriet Tubman
The winds were warm about us, the whole earth seemed the wealthier for our love.
Harriet Prescott Spofford (The Amber Gods and Other Stories)
I lay it down as a general rule, Harriet, that if a woman doubts as to whether she should accept a man or not, she certainly ought to refuse him.
Jane Austen (Emma)
Well, there aren’t any graves in mundane wedding ceremonies,” said Tessa. “Though your ability to quote the Bible is impressive. Better than my aunt Harriet’s.” “Did you hear that, James? She just compared us to her aunt Harriet.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Women have always been spies.
Harriet Rubin (Princessa)
The bitterest tears shed over graves are for words left unsaid and deeds left undone.
Harriet Beecher Stowe (Little Foxes; or, The Insignificant Little Habits Which Mar Domestic Happiness)
Loneliness had taught Harriet that there was always someone who understood - it was just so often that they were dead, and in a book.
Eva Ibbotson (A Company of Swans)
...the heart has no tears to give,--it drops only blood, bleeding itself away in silence.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Dear Diary, Today I tried not to think about Mr. Knightly. I tried not to think about him when I discussed the menu with Cook... I tried not to think about him in the garden where I thrice plucked the petals off a daisy to acertain his feelings for Harriet. I don't think we should keep daisies in the garden, they really are a drab little flower. And I tried not to think about him when I went to bed, but something had to be done.
Jane Austen
[Harriet] hated math. She hated math with every bone in her body. She spent so much time hating it that she never had time to do it.
Louise Fitzhugh (Harriet the Spy)
You don't fall in love with someone because it's convenient.
Harriet Evans (A Hopeless Romantic)
If you hear the dogs, keep going. If you see the torches in the woods, keep going. If there's shouting after you, keep going. Don't ever stop. Keep going. If you want a taste of freedom, keep going.
Harriet Tubman
When you get into a tight place and everything goes against you until it seems that you cannot hold on for a minute longer, never give up then, for that is just the place and time when the tide will turn.
Harriet Beecher Stowe
I didn't need to transform after all. My name is Harriet Manners and I am a geek. And maybe that's not so bad after all.
Holly Smale (Geek Girl (Geek Girl, #1))
If you are an approval addict, your behaviour is as easy to control as that of any other junkie. All a manipulator need do is a simple two-step process: Give you what you crave, and then threaten to take it away. Every drug dealer in the world plays this game.
Harriet B. Braiker (Who's Pulling Your Strings? How to Break the Cycle of Manipulation and Regain Control of Your Life)
Love is blind,” Harriet quipped. “But not illiterate,” Elizabeth retorted.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
Cooking is like love. It should be entered into with abandon or not at all.
Harriet Van Horne
Don't mess with anybody on a Monday. It's a bad, bad day.
Louise Fitzhugh (Harriet the Spy)
Common sense is seeing things as they are; and doing things as they ought to be.
Harriet Beecher Stowe
That educated didn’t mean smart. He had a point. Nothing in my education or knowledge of the future had helped me to escape. Yet in a few years an illiterate runaway named Harriet Tubman would make nineteen trips into this country and lead three hundred fugitives to freedom.
Octavia E. Butler (Kindred)
Twant me, 'twas the Lord. I always told him, 'I trust to you. I don't know where to go or what to do, but I expect you to lead me,' and He always did.
Harriet Tubman
Any mind that is capable of a real sorrow is capable of good.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Your job doesn’t have to be your identity. It can just be a place you go, that doesn’t define you or make you miserable. You deserve to be happy, Harriet.” He brushes a strand of hair away from the curve of my jaw. “Everything’s better when you’re happy.
Emily Henry (Happy Place)
There are in this world blessed souls, whose sorrows all spring up into joys for others; whose earthly hopes, laid in the grave with many tears, are the seed from which spring healing flowers and balm for the desolate and the distressed.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Sometimes you have to lie. But to yourself you must always tell the truth.
Louise Fitzhugh (Harriet the Spy)
Perhaps it is impossible for a person who does no good not to do harm.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
The truth is the kindest thing we can give folks in the end.
Harriet Beecher Stowe
Readers are plentiful; thinkers are rare.
Harriet Martineau
Take a moment for yourself," Harriet said, "Every day." "A Moment." "A moment where YOU are your own priority. Just you. Not your baby, not your work, not your dead Mr. Evans, not your filthy house, not anything. Just you. Elizabeth Zott. Whatever you need, whatever you want, whatever you seek, reconnect with it in that moment." She gave a sharp tug to her fake pearls. "Then recommit.
Bonnie Garmus (Lessons in Chemistry)
1. You left a multipack of Mars Bars on top of your wardrobe. Can I have one? Dad x 2. I had three. Hope that's OK. Dad x 3. I'm just going to have one more. Dad x 4. Harriet, your Dad's made himself sick on an entire multipack of Mars Bars again. Please don't leave sweets where we can find them. A x
Holly Smale (Model Misfit (Geek Girl, #2))
Treat 'em like dogs, and you'll have dogs' works and dogs' actions. Treat 'em like men, and you'll have men's works.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Once in an age God sends to some of us a friend who loves in us, not a false-imagining, an unreal character, but looking through the rubbish of our imperfections, loves in us the divine ideal of our nature,--loves, not the man that we are, but the angel that we may be.
Harriet Beecher Stowe
Only through our connectedness to others can we really know and enhance the self. And only through working on the self can we begin to enhance our connectedness to others.
Harriet Lerner
You see, women have been essential to every great move of God. Yes, Moses led the Isaelites out of Egypt, but only after his mother risked her life to save him! Closer to our time, Clara Barton was instrumental in starting the Red Cross. Harriet Beecher Stowe's Uncle Tom's Cabin put fire into people's heart to end slavery in the United States. Rosa Parks kicked the Civil Rights movement into gear with her quiet act of courage. Eunice Kennedy Shriver created the Special Olympics. Mother Teresa inspired the world by bringing love to countless thought unlovable. And millions of other women quietly change the world every day by bringing the love of God to those around them.
Stasi Eldredge (Your Captivating Heart: Discover How God's True Love Can Free a Woman's Soul)
I had reasoned this out in my mind; there was on of two things I had a right to, liberty or death; if I could not have one, I would have the other; for no man should take me alive.
Harriet Tubman
Never give up, for that is just the place and time that the tide will turn.
Harriet Beecher Stowe
Of course, in a novel, people’s hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us. There is a most busy and important round of eating, drinking, dressing, walking, visiting, buying, selling, talking, reading, and all that makes up what is commonly called living, yet to be gone through…
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Reader, did you ever hate? I hope not. I never did but once; and I trust I never shall again. Somebody has called it "the atmosphere of hell"; and I believe it is so.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Harriet Jones: When they fart, if you'll pardon the word, it doesn't smell like a fart, pardon the word, it's like something else. What is it? It's more like um... Rose: Bad breath! Harriet Jones: That's it! The Doctor: Calcium decay! Now that narrows it down! Calcium phosphate. Organic calcium—living calcium—creatures made out of living calcium, what else? What else? Hyphenated surname! YES! That narrows it down to one planet: Raxacoricofallapatorius! Mickey Smith: [dryly] Oh yeah, great. We can write 'em a letter!
Russell T. Davies
My husband would do anything for me ...' It's degrading. No human being ought to have such power over another." "It's a very real power, Harriet." "Then ... we won't use it. If we disagree, we'll fight it out like gentlemen. We won't stand for matrimonial blackmail.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
I am braver than I was because I have lost all; and he who has nothing to lose can afford all risks.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Scenes of blood and cruelty are shocking to our ear and heart. What man has nerve to do, man has not nerve to hear.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
The strongest relationships are between two people who can live without each other but don't want to.
Harriet Lerner (Marriage Rules: A Manual for the Married and the Coupled Up)
So much has been said and sung of beautiful young girls, why don't somebody wake up to the beauty of old women?
Harriet Beecher Stowe
It's a matter of taking the side of the weak against the strong, something the best people have always done.
Harriet Beecher Stowe
Every great dream begins with a dreamer.
Harriet Tubman
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me over that line, but I can’t seem to get there no-how. I can't seem to get over that line.
Harriet Tubman
For, so inconsistent is human nature, especially in the ideal, that not to undertake a thing at all seems better than to undertake and come short.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
What is family? They were the people who claimed you. In good, in bad, in parts or in whole, they were the ones who showed up, who stayed in there, regardless. It wasn't just about blood relations or shared chromosomes, but something wider, bigger. Cora was right- we had many families over time. Our family of origin, the family we created, as well as the groups you moved through while all of this was happening: friends, lovers, sometimes even strangers. None of them were perfect, and we couldn't expect them to be. You couldn't make any one person your world. The trick was to take what each could give you and build a world from it. So my true family was not just my mom, lost or found; my dad, gone from the start; and Cora, the only one who had really been there all along. It was Jamie, who took me in without question and gave me a future I once couldn't even imagine; Oliva, who did question, but also gave me answers; Harriet, who, like me, believed she needed no one and discovered otherwise. And then there was Nate. Nate, who was a friend to me before I even knew what a friend was. Who picked me up, literally, over and over again, and never asked for anything in return except for my word and my understanding. I'd given him one but not the other, because at the time I thought I couldn't, and then proved myself right by doing exactly as my mother had, hurting to prevent from being hurt myself. Needing was so easy: it came naturally, like breathing. Being needed by someone else, though, that was the hard part. But as with giving help and accepting it, we had to do both to be made complete- like links overlapping to form a chain, or a lock finding the right key. ~Ruby (pgs 400-401)
Sarah Dessen (Lock and Key)
Everything’s different and nothing’s changed, Harriet,” he says. “I tried so fucking hard to let you go, to let you be happy, and when I see you, I still feel like—like you’re mine. Like I’m yours. I got rid of every single piece of you, like that would make a difference, like I could cut you out of me, and instead, I just see everywhere you’re supposed to be.
Emily Henry (Happy Place)
The Sisters vanished entirely then, and Aunt Harriet was standing over Tessa, her face flushed with fever as it had been during the terrible illness that had killed her. She looked at Tessa with great sadness. "I tried," she said. "I tried to love you. But it isn't easy to love a child that isn't human in the least...." "Not human?" said an unfamiliar female voice. "Well, if she isn't human, Enoch, what is she?" The voice sharpened in impatience. "What do you mean, you don't know? Everyone's something. This girl can't be nothing at all....
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
People who love work, love life.
Louise Fitzhugh (Harriet the Spy)
When I found I had crossed that line, I looked at my hands to see if I was the same person. There was such a glory over everything.
Harriet Tubman
What's your hurry?" Because now is the only time there ever is to do a thing in," said Miss Ophelia.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Everyone's allowed to be in love with the wrong person at some point. In fact, it's a mistake not to be.
Harriet Evans (Happily Ever After)
People don't fall in love with each other because it's convenient. They fall in love because they fall in love, and that's it.
Harriet Evans (A Hopeless Romantic)
I looked at my hands to see if I was the same person.
Harriet Tubman
There was one of two things I had a right to: liberty or death. If I could not have one, I would take the other, for no man should take me alive. I should fight for liberty as long as my strength lasted.
Harriet Tubman
WHEN SOMEBODY GOES AWAY THERE'S THINGS YOU WANT TO TELL THEM. WHEN SOMEBODY DIES MAYBE THAT'S THE WORST THING. YOU WANT TO TELL THEM THINGS THAT HAPPEN AFTER.
Louise Fitzhugh (Harriet the Spy)
Strange, what brings these past things so vividly back to us, sometimes!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
There is something akin to freedom in having a lover who has no control over you, except that which he gains by kindness and attachment
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
We cannot make another person change his or her steps to an old dance, but if we change our own steps, the dance no longer can continue in the same predictable pattern. 4.
Harriet Lerner (The Dance of Anger: A Woman's Guide to Changing the Patterns of Intimate Relationships)
But one of the hallmarks of emotional maturity is to recognize the validity of multiple realities and to understand that people think, feel, and react differently. Often we behave as if “closeness” means “sameness.
Harriet Lerner (The Dance of Anger: A Woman's Guide to Changing the Patterns of Intimate Relationships)
For how imperiously, how coolly, in disregard of all one’s feelings, does the hard, cold, uninteresting course of daily realities move on! Still we must eat, and drink, and sleep, and wake again, - still bargain, buy, sell, ask and answer questions, - pursue, in short, a thousand shadows, though all interest in them be over; the cold, mechanical habit of living remaining, after all vital interest in it has fled.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Death! Strange that there should be such a word, and such a thing, and we ever forget it; that one should be living, warm and beautiful, full of hopes, desires and wants, one day, and the next be gone, utterly gone, and forever!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
O, with what freshness, what solemnity and beauty, is each new day born; as if to say to insensate man, "Behold! thou hast one more chance! Strive for immortal glory!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Most mothers are instinctive philosophers.
Harriet Beecher Stowe
YOU CAN'T BE TOO OLD TO SPY EXCEPT IF YOU WERE FIFTY YOU MIGHT FALL OFF A FIRE ESCAPE, BUT YOU COULD SPY AROUND ON THE GROUND A LOT.
Louise Fitzhugh (Harriet the Spy)
Striving for excellence motivates you; striving for perfection is demoralizing.
Harriet B. Braiker
Talk of the abuses of slavery! Humbug! The thing itself is the essence of all abuse!
Harriet Beecher Stowe (Uncle Tom's Cabin)
Darling, you fall in love all the time. You can't run away just because it doesn't fit into your exact romantic dreamworld, you know.
Harriet Evans (A Hopeless Romantic)
God judges men by their hearts, not by the color of their skins.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl Written by Herself)
I am at peace with God and all mankind.
Harriet Tubman
There are wrongs which even the grave does not bury.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl Written by Herself)
Differences don’t just threaten and divide us. They also inform, enrich, and enliven us.
Harriet Lerner (The Dance of Connection: How to Talk to Someone When You're Mad, Hurt, Scared, Frustrated, Insulted, Betrayed, or Desperate)
I am one of the sort that lives by throwing stones at other people's glass houses, but I never mean to put up one for them to stone.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men? But. Epic fantasy is not merely what Tolkien made it. This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up? And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me.
N.K. Jemisin
I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.
Connie Willis (The Winds of Marble Arch and Other Stories)
Religion! Is what you hear at church religion? Is that which can bend and turn, and descend and ascend, to fit every crooked phase of selfish, worldly society, religion? Is that religion which is less scrupulous, less generous, less just, less considerate for man, than even my own ungodly, worldly, blinded nature? No! When I look for religion, I must look for something above me, and not something beneath.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Between 10 and 20 percent of people with anorexia die from heart attacks, other complications and suicide; the disease has the highest mortality rate of any mental illness. Or Kitty could have lost her life in a different way, lost it to the roller coaster of relapse and recovery, inpatient and outpatient, that eats up, on average, five to seven years. Or a lifetime: only half of all anorexics recovery in the end. The other half endure lives of dysfunction and despair. Friends and families give up on them. Doctors dread treating them. They’re left to stand in the bakery with the voice ringing in their ears, alone in every way that matters.
Harriet Brown
Conflict can and should be handled constructively; when it is, relationships benefit. Conflict avoidance is *not* the hallmark of a good relationship. On the contrary, it is a symptom of serious problems and of poor communication.
Harriet B. Braiker (Who's Pulling Your Strings? How to Break the Cycle of Manipulation and Regain Control of Your Life)
It is not fear that stops you from doing the brave and true thing in your daily life. Rather, the problem is avoidance. You want to feel comfortable so you avoid doing or saying the thing that will evoke fear and other difficult emotions. Avoidance will make you feel less vulnerable in the short run but, it will never make you less afraid.
Harriet Lerner (The Dance of Fear)
Letting go of anger and hate requires us to give up the hope for a different past, along with the hope of a fantasized future. What we gain is a life more in the present, where we are not mired in prolonged anger and resentment that doesn't serve us.
Harriet Lerner (Why Won't You Apologize?)
What happened to your face?" Harriet asked. "It was a misunderstanding," Daniel said smoothly, wondering how long it might take for his bruises to heal. He did not think he was particularly vain, but the questions were growing tiresome. "A misunderstanding?" Elizabeth echoed. "With an anvil?" "Oh, stop," Harriet admonished her. "I think he looks very dashing." "As if he dashed into an anvil." "Pay no attention," Harriet said to him. "She lacks imagination.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
Little lies that make people feel better are not bad, like thanking someone for a meal they made even if you hated it, or telling a sick person they look better when they don't, or someone with a hideous new hat that it's lovely. But to yourself you must tell the truth
Louise Fitzhugh (Harriet the Spy)
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Our society doesn’t promote self-acceptance and it never will. First of all, self-acceptance doesn’t sell products. Capitalism would fall if we liked ourselves the way we are now. Also, people who feel shamed and inadequate themselves tend to pass it on. I’m sure you’ve noticed that many individuals and groups try to enhance their self-esteem by diminishing others.
Harriet Lerner (The Dance of Anger: A Woman's Guide to Changing the Patterns of Intimate Relationships)
A full moon is poison to some; they shut it out at every crevice, and do not suffer a ray to cross them; it has a chemical or magical effect; it sickens them. But I am never more free and royal than when the subtile celerity of its magic combinations, whatever they are, is at work.
Harriet Prescott Spofford (The Amber Gods and Other Stories)
I’ve never had anorexia, but I know it well. I see it on the street, in the gaunt and sunken face, the boney chest, the spindly arms of an emaciated woman. I’ve come to recognize the flat look of despair, the hopelessness that follows, inevitably, from years of starvation. I think: That could have been [me]. It wasn’t. It’s not.
Harriet Brown (Brave Girl Eating: A Family's Struggle with Anorexia)
My name," I tell Wilbur in the most dignified voice I can find, "Was inspired by Harriet Quimby, the first female American pilot and the first woman ever to cross the Channel in an aeroplane. My mother chose it to represent freedom and bravery and independence, and she gave it to me just before she died." There's a short pause while Wilbur looks appropriately moved. Then Dad says, "Who told you that?" "Annabel did." "Well, it's not true at all. You were named after Harriet the tortoise, the second longest living tortoise in the world." There's a silence while I stare at Dad and Annabel puts her head in her hands so abruptly that the pen starts to leak into her collar. "Richard," she moans quietly. "A tortoise?" I repeat in dismay. "I'm named after a tortoise? What the hell is a tortoise supposed to represent?" "Longevity?
Holly Smale (Geek Girl (Geek Girl, #1))
Can anything be more disgusting than to hear people called 'educated' making small jokes about eating ham, and showing themselves empty of any real knowledge as to the relation of their own social and religious life to the history of the people they think themselves witty in insulting? [...] The best thing that can be said of it is, that it is a sign of the intellectual narrowness—in plain English, the stupidity which is still the average mark of our culture.
George Eliot
I fell in love with you that summer all those years ago. I never really told you, because of everything that happened. But I suppose I've been in love with you ever since. Everything's been wrong with us, timing -wise. Hasn't it? I just wanted you to know I wasn't an idiot, some stupid bastard who wanted to hurt you. I could never do that to you. There were reasons.
Harriet Evans (Happily Ever After)
But more than anything, as a little girl, I wanted to be exactly like Miss Piggy. She was ma heroine. I was a plucky little girl, but I never related to the rough-and-tumble icons of children's lit, like Pippi Longstocking or Harriet the Spy. Even Ramona Quimby, who seemed cool, wasn't somebody I could super-relate to. She was scrawny and scrappy and I was soft and sarcastic. I connected instead to Miss - never 'Ms.' - Piggy; the comedienne extraordinaire who'd alternate eye bats with karate chops, swoon over girly stuff like chocolate, perfume, feather boas or random words pronounced in French, then, on a dmie, lower her voice to 'Don't fuck with me, fellas' decibel when slighted. She was hugely feminine, boldly ambitious, and hilariously violent when she didn't get way, whether it was in work, love, or life. And even though she was a pig puppet voiced by a man with a hand up her ass, she was the fiercest feminist I'd ever seen.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
For me, family means the silent treatment. At any given moment, someone is always not speaking to someone else.' Really,' I said. We're passive-aggressive people,' she explained, taking a sip of her coffee. 'Silence is our weapon of choice. Right now, for instance, I'm not speaking to two of my sisters and one brother... At mine [my house], silence is golden. And common.' To me,' Reggie said, picking up a bottle of Vitamin A and moving it thoughtfully from one hand to the other, 'family is, like, the wellspring of human energy. The place where all life begins.'... Harriet considered this as she took a sip of coffee. 'Huh,' she said. 'I guess when someone else does something worse. Then you need people on your side, so you make up with one person, jsut as you're getting pissed off at another.' So it's an endless cycle,' I said. I guess.' She took another sip. 'Coming together, falling apart. Isn't that what families are all about?
Sarah Dessen (Lock and Key)
It was dreadful, when she thought about it with the tiniest bit of hindsight, to admit this was the case. That a small part of herself was such a masochist, so enjoyed putting herself through all of this, that she liked hearing sad songs on the radio and staring gloomily out the window late at night. The tears in her eyes as she walked home of an evening, thinking about how much she loved him and how great they were together. It was so adolescent.
Harriet Evans (A Hopeless Romantic)
But now what? Why, now comes my master, takes me right away from my work, and my friends, and all I like, and grinds me down into the very dirt! And why? Because, he says, I forgot who I was; he says, to teach me that I am only a nigger! After all, and last of all, he comes between me and my wife, and says I shall give her up, and live with another woman. And all this your laws give him power to do, in spite of God or man. Mr. Wilson, look at it! There isn't one of all these things, that have broken the hearts of my mother and my sister, and my wife and myself, but your laws allow, and give every man power to do, in Kentucky, and none can say to him nay! Do you call these the laws of my country? Sir, I haven't any country, anymore than I have any father. But I'm going to have one. I don't want anything of your country, except to be let alone,--to go peaceably out of it; and when I get to Canada, where the laws will own me and protect me, that shall be my country, and its laws I will obey. But if any man tries to stop me, let him take care, for I am desperate. I'll fight for my liberty to the last breath I breathe. You say your fathers did it; if it was right for them, it is right for me!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
it is no wonder that it is hard for us to know, let alone admit, that we are angry. Why are angry women so threatening to others? If we are guilty, depressed, or self-doubting, we stay in place. We do not take action except against our own selves and we are unlikely to be agents of personal and social change. In contrast, angry women may change and challenge the lives of us all, as witnessed by the past decade of feminism. And change is an anxiety-arousing and difficult business for everyone, including those of us who are actively pushing for it. Thus, we too learn to fear our own anger, not only because it brings about the disapproval of others, but also because it signals the necessity for change. We may begin to ask ourselves questions that serve to block or invalidate our own experience of anger: “Is my anger legitimate?” “Do I have a right to be angry?” “What’s the use of my getting angry?” “What good will it do?” These questions can be excellent ways of silencing ourselves and shutting off our anger.
Harriet Lerner (The Dance of Anger: A Woman's Guide to Changing the Patterns of Intimate Relationships)
You speak as if you envied him." "And I do envy him, Emma. In one respect he is the object of my envy." Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying, "You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment." "Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself." "Thank you," said he, in an accent of deep mortification, and not another syllable followed. Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house. "You are going in, I suppose?" said he. "No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think." "As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?" He stopped in his earnestness to look the question, and the expression of his eyes overpowered her. "My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more." Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling. "I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
Jane Austen (Emma)