Harlots Quotes

If a woman hasn't got a tiny streak of harlot in her, she's a dry stick as a rule.

But what is Hope? Nothing but the paint on the face of Existence; the least touch of truth rubs it off, and then we see what a hollow-cheeked harlot we have got hold of.

Thus I became Rhysand's plaything, the harlot of Amarantha's whore.

Just because you're a gutless harlot doesn't mean I won't find your... attributes attractive. I might be immortal, but I'm still a red-blooded male." "Harlot? Who talks like that? Father Time, meet the Flinstones.

His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor. "What do you want?" I demanded. "A moment of peace and quiet," he snapped, rubbing his temples. I paused. "From what?" He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess." I sat up farther on my pallet of the hay. I'd never seen him so candid. "That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot." So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?" The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - " "You can leave if you're just going to insult me." "But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.

Truth is no harlot who throws her arms round the neck of him who does not desire her; on the contrary, she is so coy a beauty that even the man who sacrifices everything to her can still not be certain of her favors.

100 years ago, buying something you could make was considered wasteful; now making something you could buy is considered wasteful. I am not convinced this is a step in the right direction.

Double damn. I was a harlot. I was a freaking vampire hussy.

My reading schedule has become butter. I'm being seduced right and left to add books I hadn't even considered. I am a book harlot. A book toting gentleman of the evening.

Mortal lovers must not try to remain at the first step; for lasting passion is the dream of a harlot and from it we wake in despair.

My muse is an ungrateful harlot who’s abandoned me to actually come up with my own plots.

Every harlot was a virgin once

In this nasty-ass strip club bathroom full of pissing dudes and possible rogue ejaculators, Shades is no longer some guy I love fucking. He’s some guy I fucking love.

The candle-end was flickering out in the battered candlestick, dimly lighting up in the poverty stricken room the murderer and the harlot who had so strangely been reading together the eternal book.

The Rev "Seized the Day" to conquer the "City of Evil" in "Bat Country", and forced the "Beast and the Harlot" to "Scream" their "Unholy Confessions". He left them "Trashed and Scattered" and "Blinded In Chains" with the "Strength of the World". He found it "Almost Easy" and became a "Sidewinder" and slithered to "A Little Piece of Heaven" in his "Afterlife", now he is "M.I.A." and his "Nightmare" has come to pass.RIP Jimmy "The Rev" Sullivan, you're gone but NEVER forgotten!

It's obsequious little nicety-nice girls like me who allow assholes to run the world: Miss Harlot O'Harlots, billionaire phony tree huggers, hypocrite drug-snorting, weed-puffing peace activists who fund the mass-murdering drug cartels and perpetuate crushing poverty in dirt-poor banana republics. It's my petty fear of personal rejection that allows so many true evils to exist. My cowardice enables atrocities.

it is pure potential. Every ball or skein of yarn holds something inside it, and the great mystery of what that might be can be almost spiritual

Bright was the light of my last martini on my moral horizon

First, we think all truth is beautiful, no matter how hideous its face may seem. We accept all of nature, without any repudiation. We believe there is more beauty in a harsh truth than in a pretty lie, more poetry in earthiness than in all the salons of Paris. We think pain is good because it is the most profound of all human feelings. We think sex is beautiful even when portrayed by a harlot and a pimp. We put character above ugliness, pain above prettiness and hard, crude reality above all the wealth in France. We accept life in its entirety without making moral judgments. We think the prostitute is as good as the countess, the concierge as good as the general, the peasant as good as the cabinet minister, for they all fit into the pattern of nature and are woven into the design of life!

It could almost be a story I’ll tell myself when I’m dying. The Harlot fell in love with the Fire-breather. It was beautiful and right. It was wrong and ugly, just like the earth beneath my feet. It was tragic and ecstatic. It was everything I’d hoped love could be.

This might be the last time you get to drive the beef bus to tuna town,” I say. “You’d better make it good, so I don’t have any excuses to forget your hot ass.

I don't have much anymore, but I'll give you everything I got.

It's only knitting and it's one of the few times in your life when there are no bad consequences to a mistake.

London I wander thro' each charter'd street, Near where the charter'd Thames does flow. And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infants cry of fear, In every voice: in every ban, The mind-forg'd manacles I hear How the Chimney-sweepers cry Every blackning Church appalls, And the hapless Soldiers sigh Runs in blood down Palace walls But most thro' midnight streets I hear How the youthful Harlots curse Blasts the new-born Infants tear And blights with plagues the Marriage hearse.

I kept this to remind me of you trying to brush away the Villa Rossa from your teeth in the morning, swearing and eating aspirin and cursing harlots. Every time I see that glass I think of you trying to clean your conscience with a toothbrush.

But if we never hug a harlot, befriend a beggar, or forgive our enemy seventy times seven, then we confess grace with our lips but mock it with our lives.

The scarf could go on and on and on and on, and it could be the harlot-red banner of shame that wrapped him up and kept him warm when the nights grew lonely and cold.

The candle-end had long been burning out in the bent candlestick, casting a dim light in this destitute room upon the murderer and the harlot strangely come together over the reading of the eternal book.

Love is like music. You have to work at it. Love is ugly and painful sometimes, but it can also be pretty fucking awesome once you figure out how to play the right notes to the right rhythm

Thus the Great Mother is uroboric: terrible and devouring, beneficent and creative; a helper, but also alluring and destructive; a maddening enchantress, yet a bringer of wisdom; bestial and divine, voluptuous harlot and inviolable virgin, immemori-ally old and eternally young.4

During his life, the witcher had met thieves who looked like town councilors, councilors who looked like beggars, harlots who looked like princesses, princesses who looked like calving cows and kings who looked like thieves. But Stregobor always looked as, according to every rule and notion, a wizard should look. He was tall, thin and stooping, with enormous bushy gray eyebrows and a long, crooked nose. To top it off, he wore a black, trailing robe with improbably wide sleeves, and wielded a long staff capped with a crystal knob.

It was an eight-harlot inn, if that's how you measure an inn. (I understand that now they measure inns in stars. We are in a four-star inn right now. I don't know what the conversion from harlots to stars is.)

Jesus' 'lack of moral principles.' He sat at meat with publicans and sinners, he consorted with harlots. Did he do this to obtain their votes? Or did he think that, perhaps, he could convert them by such 'appeasement'? Or was his humanity rich and deep enough to make contact, even in them, with that in human nature which is common to all men, indestructible, and upon which the future is built?

With heart at rest I climbed the citadel's Steep height, and saw the city as from a tower, Hospital, brothel, prison, and such hells, Where evil comes up softly like a flower. Thou knowest, O Satan, patron of my pain, Not for vain tears I went up at that hour; But like an old sad faithful lecher, fain To drink delight of that enormous trull Whose hellish beauty makes me young again. Whether thou sleep, with heavy vapors full, Sodden with day, or, new appareled, stand In gold-laced veils of evening beautiful, I love thee, infamous city! Harlots and Hunted have pleasures of their own to give, The vulgar herd can never understand.

Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows- a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues — every stately or lovely emblazoning — the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge — pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?

As usual, the sock yarns have no idea what is going on.

You could’ve sent a message to a letter station at one of the portal gates.” “What should I have written? Dear Harlot, rumor has it that you are very happy with your new life in Rothkalina with your beloved brother Omort. I hear that you have all the gold you could ever want, and I know how much you always enjoyed a good blood orgy. Well done, Melanthe! By the way, would you like to meet for a rational discussion about our future?” “Well. I did have a lot of gold.” Do not strangle her!

However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.

So sweet is this song that no one could resist it. For in it is all the passionate ache for the moonlight, and the great hunger of the sea, and the terror of desolate places,—all things that lure men to the unattainable. Omari tessala marax, tessala dodi phornepax amri radara poliax armana piliu amri radara piliu son; mari narya barbiton madara anaphax sarpedon andala hriliu Translation: I am the harlot that shaketh Death. This shaking giveth the Peace of Satiate Lust. Immortality jetteth from my skull, And music from my vulva. Immortality jetteth from my vulva also, For my Whoredom is a sweet scent like a seven-stringed instrument, Played unto God the Invisible, the all-ruler, That goeth along giving the shrill scream of orgasm. Every man that hath seen me forgetteth me never, and I appear oftentimes in the coals of the fire, and upon the smooth white skin of woman, and in the constancy of the waterfall, and in the emptiness of deserts and marshes, and upon great cliffs that look seaward; and in many strange places, where men seek me not. And many thousand times he beholdeth me not. And at last I smite myself into him as a vision smiteth into a stone, and whom I call must follow.

But by God, if I don’t get laid tonight, my cooter will go nuclear and wipe out a city block.

imagine a scarf as an unlimited canvas

However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon.

In Sanskrit, “independent woman” is a synonym for a harlot. Hence the woman who is unattached to a man is not only a universal feminine type but a sacral type in antiquity.

The wind has many lovers and I am one of them, I move freely in her arms I know no chains, nor bound to anyone’s truth, you can call me a harlot of the wind, I take no offense, because I know at the end of my days, my face will show that I have been kissed by the breath of GOD. ~Micheline Jean louis

I'm gonna need a strap-on, a dildo, some lube, condoms, and more of that tequila.

I figure if the neighbors haven’t called the cops by the time I’m done with Rax Wrathbone, I’m doing him all wrong.

Reverse cowgirl on a drum throne with the hottest man I’ve ever laid eyes on? Yes, please, and thank you.

Oh, my dear, love isn't always the coup de foudre--the lightning strike. Sometimes it happens quietly, so quietly you may not even notice.

It's a shadowy world, skies are slippery grey. A woman just gave birth to a prince today and dressed him in scarlet. He'll put the priest in his pocket, put the blade to the heat, take the motherless children off the street and place them at the feet of a harlot.

The bodies draped down through the leaves like rancid baubles in the locks of a horrible harlot.

You whoreson scalawag!" said I. "You flesh-turd dropped stinking from the poxy arsehole of a hare-lipped harlot!

When I was twelve I was obsessed. Everything was sex. Latin was sex. The dictionary fell open at 'meretrix', a harlot. You could feel the mystery coming off the word like musk. 'Meretrix'! This was none of your mensa-a-table, this was a flash from a forbidden planet, and it was everywhere. History was sex, French was sex, art was sex, the Bible, poetry, penfriends, games, music, everything was sex except biology which was obviously sex but not really sex, not the one which was secret and ecstatic and wicked and a sacrament and all the things it was supposed to be but couldn't be at one and the same time - I got that in the boiler room and it turned out to be biology after all.

The novel’s not dead, it’s not even seriously injured, but I do think we’re working in the margins, working in the shadows of the novel’s greatness and influence. There’s plenty of impressive talent around, and there’s strong evidence that younger writers are moving into history, finding broader themes. But when we talk about the novel we have to consider the culture in which it operates. Everything in the culture argues against the novel, particularly the novel that tries to be equal to the complexities and excesses of the culture. This is why books such as JR and Harlot’s Ghost and Gravity’s Rainbow and The Public Burning are important—to name just four. They offer many pleasures without making concessions to the middle-range reader, and they absorb and incorporate the culture instead of catering to it. And there’s the work of Robert Stone and Joan Didion, who are both writers of conscience and painstaking workers of the sentence and paragraph. I don’t want to list names because lists are a form of cultural hysteria, but I have to mention Blood Meridian for its beauty and its honor. These books and writers show us that the novel is still spacious enough and brave enough to encompass enormous areas of experience. We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.

Sweaters need to be imagined, dreamed over.

I cannot bear that chirpy Bobby Kennedy, always building his beaver's nest with a few more facts. He needs to look into the abyss.

What do you know of sacrifice? Need I tell you of York's dead . . . of Sandal Castle? My brother did survive the battle, his first. He was seventeen and he entreated them to spare his life. They cut his throat. Their heads were then impaled on York's Micklegate Bar to please the House of Lancaster, to please a harlot and a madman. She had my father's head crowned with straw and she left a spike between the two. . . . That one, she said, was for York's other son.

Nothing about this scene is right, but at this point, I’m so full of wrong, I’ll do whatever they want and ask myself for forgiveness later. I’m driving the bus to hell anyway. May as well take a little vacation while I’m in town.

Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love

The world could be a conniving harlot, as evil as a demon, but love would defeat her, every single time. Love never failed.

...his monstrous dreams, peopled by ape-like creatures and by harlots with gleaming jewel eyes..

It was a strange room, the door hanging off its hinges, and yet a telephone. But its last occupant was a harlot, long past her best, which had been scarlet.

Hat head is a sad affliction wherein the chosen hat and the selected hairstyle are grossly incompatible. The unfortunate combination results in a condition that can be hidden only with the application of another hat.

He wiped out Jericho, and He saved a harlot. What kind of God was this? He seemed at once impossibly holy and ridiculously merciful. How could you tie those two incongruities together? Rahab

If you were ever dumped after knitting a guy a sweater, consider the possibility that the problem was with the sweater, not you. The recipient probably took one look at the thing, imagined a lifetime of having to pretend to like (and wear) this sweater and others of its like, and saw no choice but to flee into the night

Sometimes I think our future existence will depend on whether we can keep false information from proliferating too rapidly. If our power to verify the facts does not keep pace, then distortions of information will eventually choke us.

I don’t usually wear perfume,” Annabelle said. “Mr. Hunt likes the smell of clean skin.” “He may prefer Lady of the Night.” Annabelle looked appalled. “Is that what this is called?” “It’s named after a night-blooming orchid,” Lillian explained. “Oh, good,” Annabelle said sardonically. “I was afraid that it was named after a harlot.

Oh, and you should know . . . if you keep calling me harlot, sooner or later I’m going to have a rage blackout, and then I’ll wake up to find you—awfully sadly—dead.” “You threaten me? A powerless, physically weak sorceress?” he sneered. “I must amend my treatment of you forthwith.” “You’ve turned into a sarcastic, unbalanced, judgmental dick.” To herself, she muttered, “Man, can I pick ’em.” “If you take issue with the term harlot, then perhaps you shouldn’t have slept with half the Lore.” “Half?” she scoffed. “Three-quarters for the win!

A man who lives with his wife is safer and more venerable than a man who lives with a tramp.

I don't regret the time, just the respect I wasted on you.

But the truth is, I’m not the woman I want to be. I’m Gianna Donato whether I like her or not. Flaws and insecurities. Strengths and talents. I’m not infallible or perfect any more than he is. I’m just…me. And his smile tells me just me is okay with him.

Those who deny guilt and sin are like the Pharisees of old who thought our Saviour had a “guilt complex” because He accused them of being whited sepulchers—outside clean, inside full of dead men’s bones. Those who admit that they are guilty are like the public sinners and the publicans of whom Our Lord said, “Amen, I say to you, that the publicans and the harlots shall go into the Kingdom of God before you” (Matt. 21:31). Those who think they are healthy but have a hidden moral cancer are incurable; the sick who want to be healed have a chance. All denial of guilt keeps people out of the area of love and, by inducing self-righteousness, prevents a cure. The two facts of healing in the physical order are these: A physician cannot heal us unless we put ourselves into his hands, and we will not put ourselves into his hands unless we know that we are sick. In like manner, a sinner’s awareness of sin is one requisite for his recovery; the other is his longing for God. When we long for God, we do so not as sinners, but as lovers.

My lord, will you be true? Who, I? Alas, it is my vice, my fault: Whiles others fish with craft for great opinion, I with great truth catch mere simplicity; Whilst some with cunning gild their copper crowns, With truth and plainness I do wear mine bare. Fear not my truth: the moral of my wit Is "plain and true"; there's all the reach of it.

She'd taken the harlot century she'd been born into for granted, knowing no other, but now-seeing it with his eyes, hearing it with his ears-she understood it afresh; saw just how desperate it was to please, yet how dispossessed of pleasure; how crude, even as it claimed sophistication; and, despite it's zeal to spellbind, how utterly unenchanting.

This, I suppose, makes me such a sauce-box, and bold-face, and a creature, and all because I won't be a sauce-box and bold-face indeed.

When a random tells you that you don’t have the right to be the princess in your own life, remember you’ve built your castle and they’re outside staring up at it.

The most important life hymn: I’m not history repeated. I’m part of the new shift. I’m not afraid to proclaim I am God's greatest gift.

So, you got shit-faced, spray-painted a barn with a lovely shade of Exorcist-green puke, fucked a donkey while you were there, and started a fist fight with a recovering, meth-addicted nun and her lovechild who were reenacting the nativity scene?

We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot's house. Inside, above the din and fray, We heard the loud musicians play The 'Treues Liebes Herz' of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille, Then took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing. Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing. Then, turning to my love, I said, 'The dead are dancing with the dead, The dust is whirling with the dust.' But she--she heard the violin, And left my side, and entered in: Love passed into the house of lust. Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl. And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.

What I'm saying here is sometimes the one you love introduces you to the person inside - the real one who you're close to, you don't even recognize her. Sometimes the one you love knows you better than you know yourself. They bring out the best in us when we least expect it.

Hey, I have a cock. And it’s up a dude’s ass. Whoa.

Only in America—the land of the free—can an innocent person be forced to plead the Fifth for exercising their First Amendment rights. Say what you want, but you better shut your fucking pie hole if it offends someone’s delicate sensibilities.

A plain sock by itself is terribly boring, but it could score points by having a clever stitch pattern, or maybe by being made out of a very beautiful yarn that's an enchantment to work with. (Sadly, it is still infuriatingly true that being beautiful without being clever is almost worth more points than being clever without being beautiful, but such are the rules of life and knitting-they are cruel, but there anyway).

Well, but, Mrs. Jervis, said I, let me ask you, if he can stoop to like such a poor girl as me, as perhaps he may, (for I have read of things almost as strange, from great men to poor damsels,) What can it be for?—He may condescend, perhaps, to think I may be good enough for his harlot; and those things don't disgrace men that ruin poor women, as the world goes.

The fact was that despite himself, without knowing why or how it had happened and very much against his better judgement, he had fallen hopelessly in love. He had fallen as if into some deep and muddy hole. By nature he was a delicate and sensitive soul. He had had ideals and dreamed of an exquisite and passionate affair. And now he had fallen for this little cricket of a creature. She was as stupid as every other woman and not even pretty to make up for it. Skinny and foul-tempered, she had taken possession of him entirely from tip to toe, body and soul. He had fallen under the omnipotent and mysterious spell of the female. He was overwhelmed by this colossal force of unknown origin, the demon in the flesh capable of hurling the most rational man in the world at the feet of a worthless harlot. There was no way he could explain its fatal and total power.

Safe relationships are centered and grounded in forgiveness. When you have a friend with the ability to forgive you for hurting her or letting her down, something deeply spiritual occurs in the transaction between you two. You actually experience a glimpse of the deepest nature of God himself. People who forgive can—and should—also be people who confront. What is not confessed can’t be forgiven. God himself confronts our sins and shows us how we wound him: “I have been hurt by their adulterous hearts which turned away from me, and by their eyes, which played the harlot after their idols” (Ezek. 6:9 NASB). When we are made aware of how we hurt a loved one, then we can be reconciled. Therefore, you shouldn’t discount someone who “has something against you,” labeling him as unsafe. He might actually be attempting to come closer in love, in the way that the Bible tells us we are to do.

Tell thou the King and all his liars, that I Have founded my Round Table in the North, And whatsoever his own knights have sworn My knights have sworn the counter to it -- and say My tower is full of harlots, like his court, But mine are worthier, seeing thy profess To be none other than themselves -- and say My knights are all adulterers like his own, But mine are truer, seeing they profess To be none other; and say his hour is come, The heathen are upon him, his long lance Broken, and his Excalibur a straw.

It comes as no surprise to find [Norman] Mailer embracing [in the book On God] a form of Manicheanism, pitting the forces of light and darkness against each other in a permanent stand-off, with humanity as the battlefield. (When asked if Jesus is part of this battle, he responds rather loftily that he thinks it is a distinct possibility.) But it is at points like this that he talks as if all the late-night undergraduate talk sessions on the question of theism had become rolled into one. 'How can we not face up to the fact that if God is All-Powerful, He cannot be All-Good. Or She cannot be All-Good.' Mailer says that questions such as this have bedevilled 'theologians', whereas it would be more accurate to say that such questions, posed by philosophers, have attempted to put theologians out of business. A long exchange on the probability of reincarnation (known to Mailer sometimes as “karmic reassignment”) manages to fall slightly below the level of those undergraduate talk sessions. The Manichean stand-off leads Mailer, in closing, to speculate on what God might desire politically and to say: 'In different times, the heavens may have been partial to monarchy, to communism, and certainly the Lord was interested in democracy, in capitalism. (As was the Devil!)' I think it was at this point that I decided I would rather remember Mailer as the author of Harlot's Ghost and The Armies of the Night.

Even when it isn't going well, knitting can be deeply spiritual. Knitting sets goals that you can meet. Sometimes when I work on something complicated or difficult - ripping out my work and starting over, porong over tomes of knitting expertise, screeching "I don't get it!" white practically weeping with frusteation - my husband looks at me and says, "I don't know why you think you like knitting." I just stare at him. I don't like knitting. I LOVE knitting. I don't know what could have possible led him to think that I'm not enjoying myself. The cursing? The crying? The forteen sheets of shredded graph paper? Knittong is like a marriage (I tell him) and you don't just trash the whole thing because there are bad moments.

I was sitting there, as I said, and had been for several watches, when I came to me that I was reading no longer. For some time I was hard put to say what I had been doing. When I tried, I could only think of certain odors and textures and colors that seemed to have no connection with anything discussed in the volume I held. At last I realized that instead of reading it, I had been observing it as a physical object. The red I recalled came from the ribbon sewn to the headband so that I might mark my place. The texture that tickled my fingers still was that of the paper in which the book was printed. The smell in my nostrils was old leather, still wearing the traces of birch oil. It was only then, when I saw the books themselves, when I began to understand their care.” His grip on my shoulder tightened. “We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with the thickest gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them.” “We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too who leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.

He came to put a harlot above a Pharisee, a penitent robber above a High Priest, and a prodigal son above his exemplary brother. To all the phonies and fakers who would say that they could not join the Church because His Church was not holy enough, He would ask, 'How holy must the Church be before you will enter into it?' If the Church were as holy as they wanted it to be, they would never be allowed into it! In every other religion under the sun, in every Eastern religion from Buddhism to Confucianism, there must always be some purification before one can commune with God. But Our Blessed Lord brought a religion where the admission of sin is the condition of coming to Him. 'Those who are well have no need of a physician, but those who are ill.

I think my personal minimum score for anything I'm thinking about doing--knitting or not--is about a seven on the interest scale. If something's scoring a five, like a movie, then I need to add at least two points of knitting to do it for me to be able to hang in. If it's something gripping, like a conversation with a charming and entertaining friend, I may not need to add much knitting at all. If my friend scores a nine, I might only toss in a plain sock, with no patterning or anything, just round and round on autopilot while we visit. (I can only think of one thing I do with another person that really has no room to add any sort of knitting to, but let's not discuss it here.)

Since the Heart of Consequence was ripped out of the churches, even the stars shine crooked in the skies. Everyone goes to church to gossip and envy each other’s hats, but the heart has gone out of it. This country is like an old mother dying, and nobody cares enough to save her because they are too busy going through her purse. Every city is a snake’s nest of pillagers, pickpockets, anglers, cheats, cardsharps, harlots, forgers, smugglers, charlatans, footpads, highwaymen, blackmailers, pettifoggers, hedge-robbers and drunkards – you have seen all this for yourself. How can their soul survive when they have ripped out their Heart?

It's only young people who make giant, life-altering decisions based on what other people might think, and it's because they don't see their own death looming. Their fear is, "Will my family, friends and lovers admire me?" whereas an older person's fear is that vision of themselves lying in a hospital bed, a breathing tube up their nose and the thought running through their heads, "Why didn't I at least try to do what I wanted to do, while I had the chance?

Yet what moved Our Blessed Lord to invective was not badness but just such self-righteousness as this…He said that the harlots and the Quislings would enter the Kingdom of Heaven before the self-righteous and the smug. Concerning all those who endowed hospitals and libraries and public works, in order to have their names graven in stone before their fellow men, He said, “Amen I say to you, they have received their reward” (Matt. 6:2). They wanted no more than human glory, and they got it. Never once is Our Blessed Lord indignant against those who are already, in the eyes of society, below the level of law and respectability. He attacked only the sham indignation of those who dwelt more on the sin than the sinner and who felt pleasantly virtuous, because they had found someone more vicious than they. He would not condemn those whom society condemned; his severe words were for those who had sinned and had not been found out…He would not add His burden of accusation to those that had already been hurled against the winebibbers and the thieves, the cheap revolutionists, the streetwalkers, and the traitors. They were everybody’s target, and everybody knew that they were wrong…And the people who chose to make war against Our Lord were never those whom society had labeled as sinners. Of those who sentenced Him to death, none had ever had a record in the police court, had ever been arrested, was ever commonly known to be fallen or weak. But among his friends, who sorrowed at His death, were coverts drawn from thieves and from prostitutes. Those who were aligned against Him were the nice people who stood high in the community—the worldly, prosperous people, the men of big business, the judges of law courts who governed by expediency, the “civic-minded” individuals whose true selfishness was veneered over with public generosity. Such men as these opposed him and sent Him to His death.

But figure his thought, when Death is now clutching at his own heart-strings, unlooked for, inexorable! Yes, poor Louis, Death has found thee. No palace walls or life-guards, gorgeous tapestries or gilt buckram of stiffest ceremonial could keep him out; but he is here, here at thy very life-breath, and will extinguish it. Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a dream, into void Immensity; Time is done, and all the scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking'd, and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all-too possible, in the prospect; in the retrospect,--alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the 'five hundred thousand' ghosts, who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,--crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou 'hast done evil as thou couldst:' thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men; daily dragging virgins to thy cave;--clad also in scales that no spear would pierce: no spear but Death's? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.--We will pry no further into the horrors of a sinner's death-bed.

While altering the saga of Odysseus’s Return to make my Elyman suitors serve as Penelope’s lovers, I had to protect myself against scandal. What if someone recognized the story and supposed that I, Nausicaa the irreproachable, had played the promiscuous harlot in my father’s absence? So, according to my poem, Penelope must have remained faithful to Odysseus throughout those twenty years. And because this change meant that Aphrodite had failed to take her traditional revenge, I must make Poseidon, not her, the enemy who delayed him on his homeward voyage after the Fall of Troy. I should therefore have to omit the stories of Penelope’s banishment and the oar mistaken for a flail, and Odysseus’s death from Telemachus’s sting-ray spear. When I told Phemius of these decisions, he pointed out, rather nastily, that since Poseidon had fought for the Greeks against the Trojans, and since Odysseus had never failed to honour him, I must justify this enmity by some anecdote. “Very well,” I answered. “Odysseus blinded a Cyclops who, happening to be Poseidon’s son, prayed to him for vengeance.” “My dear Princess, every Cyclops in the smithies of Etna was born to Uranus, Poseidon’s grandfather, by Mother Earth.” “Mine was an exceptional Cyclops,” I snapped. “He claimed Poseidon as his father and kept sheep in a Sican cave, like Conturanus. I shall call him Polyphemus—that is, ‘famous’—to make my hearers think him a more important character than he really was.” “Such deceptions tangle the web of poetry.” “But if I offer Penelope as a shining example for wives to follow when their husbands are absent on long journeys, that will excuse the deception.

The Work of Art. When I watch the audience at a concert or the crowd in the picture gallery I ask myself sometimes what exactly is their reaction towards the work of art. It is plain that often they feel deeply, but I do not see that their feeling has any effect, and if it has no effect its value is slender. Art to them is only a recreation or a refuge. It rests them from the work which they consider the justification of their existence or consoles them in their disappointment with reality. It is the glass of beer which the labourer drinks when he pauses in his toil or the peg of gin which the harlot takes to snatch a moment's oblivion from the pain of life. Art for art's sake means no more than gin for gin's sake. The dilettante who cherishes the sterile emotions which he receives from the contemplation of works of art has little reason to rate himself higher than the toper. His is the attitude of the pessimist. Life is a struggle or a weariness and in art he seeks repose or forgetfulness. The pessimist refuses reality, but the artist accepts it. The emotion caused by a work of art has value only if it has an effect on character and so results in action. Whoever is so affected is himself an artist. The artist's response to the work of art is direct and reasonable, for in him the emotion is translated into ideas which are pertinent to his own purposes, and to him ideas are but another form of action. But I do not mean that it is only painters, poets and musicians who can respond profitably to the work of art; the value of art would be much diminished; among artists I include the practitioners of the most subtle, the most neglected and the most significant of all the arts, the art of life.

The central fact of biblical history, the birth of the Messiah, more than any other, presupposes the design of Providence in the selecting and uniting of successive producers, and the real, paramount interest of the biblical narratives is concentrated on the various and wondrous fates, by which are arranged the births and combinations of the 'fathers of God.' But in all this complicated system of means, having determined in the order of historical phenomena the birth of the Messiah, there was no room for love in the proper meaning of the word. Love is, of course, encountered in the Bible, but only as an independent fact and not as an instrument in the process of the genealogy of Christ. The sacred book does not say that Abram took Sarai to wife by force of an ardent love, and in any case Providence must have waited until this love had grown completely cool for the centenarian progenitors to produce a child of faith, not of love. Isaac married Rebekah not for love but in accordance with an earlier formed resolution and the design of his father. Jacob loved Rachel, but this love turned out to be unnecessary for the origin of the Messiah. He was indeed to be born of a son of Jacob - Judah - but the latter was the offspring, not of Rachel but of the unloved wife, Leah. For the production in the given generation of the ancestor of the Messiah, what was necessary was the union of Jacob precisely with Leah; but to attain this union Providence did not awaken in Jacob any powerful passion of love for the future mother of the 'father of God' - Judah. Not infringing the liberty of Jacob's heartfelt feeling, the higher power permitted him to love Rachel, but for his necessary union with Leah it made use of means of quite a different kind: the mercenary cunning of a third person - devoted to his own domestic and economic interests - Laban. Judah himself, for the production of the remote ancestors of the Messiah, besides his legitimate posterity, had in his old age to marry his daughter-in-law Tamar. Seeing that such a union was not at all in the natural order of things, and indeed could not take place under ordinary conditions, that end was attained by means of an extremely strange occurrence very seductive to superficial readers of the Bible. Nor in such an occurrence could there be any talk of love. It was not love which combined the priestly harlot Rahab with the Hebrew stranger; she yielded herself to him at first in the course of her profession, and afterwards the casual bond was strengthened by her faith in the power of the new God and in the desire for his patronage for herself and her family. It was not love which united David's great-grandfather, the aged Boaz, with the youthful Moabitess Ruth, and Solomon was begotten not from genuine, profound love, but only from the casual, sinful caprice of a sovereign who was growing old.

A so-called busy man may declare the day to be endless, or may mourn how the hours crawl slowly toward dinner time, but this is no evidence that this man’s life is long. For when the busy man finally has some time to himself he’s left to stew in boundless boredom with nothing to do and with no clue how to fill his day. Restlessly these types seek new ways to be at leisure and the time between play needles them to no end. Their excitement peaks at the announcement of a gladiator bout or some other such spectacle and they long to skip the days that lie between now and the grand day of extravagant entertainment. Their impatient waiting for something they desire gives them the illusion that time is passing by slowly. Yet their days on Earth remain finite, even as they fritter away time bobbing from one pleasure to another. For these wasters, uneventful afternoons of no play are long and hateful. Yet a single night out drinking with a harlot seems to fly by in no time! This strange perception of the passage of time depending on one’s mood and company has provided material for the poets. We have heard tales of how when Jupiter was with a lover the night he spent in her pleasant company seemed to pass twice as long. But doesn’t using the story concerning a god as an example of how to make time pass longer merely encourage more human vice? Can a night that costs a man so much really be regretted by that same man for being so short? They waste the day in anticipation of the night, then spend the night worrying about the coming dawn.

Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.