Harlem Duet Quotes

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Trapped in history. History trapped in me.
Djanet Sears (Harlem Duet)
What Harlem is, is constantly changing. It is a place that comes at you like a duet or a trio. Some avenues reveal a quartet of interest, while on side streets, a soloist steps out and breaks into song. Harlem is Langston. Harlem is allure. Harlem is jazz. Harlem is my wife, standing on an avenue with chickpea flour perched on her head. 'Come on, Marcus, let's hurry.' We walk as if we are hungry and destined. Harlem is love. And strife. And sorrow. Harlem is art. Harlem is the Apollo and the young woman who stands inside thinking, I'm going to get this. Harlem is poverty. Harlem is wealth. Harlem is America. Harlem is my home.
Marcus Samuelsson (The Red Rooster Cookbook: The Story of Food and Hustle in Harlem)
The leaders, drummer Carleton Coon and pianist Joe Sanders, had met in a music store and formed their group in 1918. They sang duets through megaphones: hot, roaring numbers, and Sanders’s bubbly greeting—“Howdja do, howdja do, you big ole raddio pooblic”—gave further evidence of the unstilting of America. The nation charged into the new era with music that had never been heard outside small bistros and smoky Harlem speakeasies. Radio was bringing these locations into thousands of homes, making such obscure regional groups as the Coon-Sanders Nighthawks national celebrities. Listeners with crystal sets were picking up WDAF from afar, and interest in the band spread well beyond the Midwest. Coon-Sanders took on road engagements: they were among the first bands to do one-night stands, engagements that were soon engrained in big band life.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)