Hardy Boys Quotes

We've searched our database for all the quotes and captions related to Hardy Boys. Here they are! All 100 of them:

I remembered what it is I like about sex: what I like about sex is that I can lose myself in it entirely. Sex, in fact, is the most absorbing activity I have discovered in adulthood. When I was a child I used to feel this way about all sorts of things—Legos, The Jungle Book, The Hardy Boys, The Man from U.N.C.L.E., Saturday morning cartoons...I could forget where I was, the time of day, who I was with. Sex is the only thing I've found like that as a grown-up, give or take the odd film: books are no longer like that once you're out of your teens, and I've certainly never found it in my work. All the horrible pre-sex self-consciousness drains out of me, and I forget where I am, the time of day...and yes, I forget who I'm with, for the time being.
Nick Hornby (High Fidelity)
Be a good boy, remember; and be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
The sooner, the better!
Franklin W. Dixon (Hardy Boys Complete Series Set Books 1-66 (The Hardy Boys, #1-66))
Mona knocked at the wrong time. “Uh…yeah…wait a minute, Mona -- ” Mona shouted through the door. “Room service, gentlemen. Just pull the covers up.” Michael grinned at Jon. “My roommate. Brace yourself.” Seconds later, Mona burst through the doorway with a tray of coffee and croissants. “Hi! I’m Nancy Drew! You must be the Hardy Boys!
Armistead Maupin (Tales of the City (Tales of the City, #1))
I shan't forget you, Jude,' he said, smiling, as the cart moved off. 'Be a good boy, remember; and be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
Look at the four-spaced year That imitates four seasons of our lives; First Spring, that delicate season, bright with flowers, Quickening, yet shy, and like a milk-fed child, Its way unsteady while the countryman Delights in promise of another year. Green meadows wake to bloom, frail shoots and grasses, And then Spring turns to Summer's hardiness, The boy to manhood. There's no time of year Of greater richness, warmth, and love of living, New strength untried. And after Summer, Autumn, First flushes gone, the temperate season here Midway between quick youth and growing age, And grey hair glinting when the head turns toward us, Then senile Winter, bald or with white hair, Terror in palsy as he walks alone.
Ovid (Ovid's Metamorphoses: Books 1-5)
Do we dust for fingerprints now?” I asked. He swiveled his head back around until he was gazing at me. “Who do we look like? The Hardy Boys?” Silas chuckled at us without looking up from the laptop screen. Stone, C. L. (2014-01-19). Drop of Doubt: The Ghost Bird Series: #5 (Kindle Locations 945-947). Arcato Publishing. Kindle Edition.
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
When not duck farming, I'm busy being mysterious. I'm like The Hardy Boys. Both of them. That's why I exclusively shop Buy One, Get One FREE.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
When I was younger, my brother told me that he had the power to shrink me to the size of an ant. In fact, he said, he used to have another sister, but he shrank her down and stepped on her. He also told me that when you became a grown-up, you were admitted into a private party that was full of monsters and horror movie characters. There was Chucky, drinking a cup of coffee. And the mummy on the cover of the Hardy Boys book that used to freak me out, except he was doing the twist while Jason from 'Friday the 13th' played the alto sax. He told me you stayed at the party as long as you had to, making conversation with these creatures, and that was why adults were never afraid of anything. I used to believe everything my brother told me, because he was older and I figured he knew more about the world. But as it turns out, being a grown-up doesn't mean you're fearless. It just means you fear different things.
Jodi Picoult (Lone Wolf)
We believed optimistically that Laurie was a reformed character. I told my husband, on the last day of Laurie's confinement, that actually one good scare like that could probably mark a child for life, and my husband pointed out that kids frequently have an instinctive desire to follow the good example rather than the bad, once they find out which is which. We agreed that a good moral background and thorough grounding in the Hardy Boys would always tell in the long run. ("Arch-Criminal")
Shirley Jackson (Just an Ordinary Day: The Uncollected Stories)
I don`t know if he was English but he spoke like it. He said good afternoon when everybody else said hardy weather or she looks like rain.
Patrick McCabe (The Butcher Boy)
Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.
Britta Lundin (Ship It)
It didn't help matters that I was shy and wore glasses. I was never one to stand out in the crowd. I liked to stay in corners. And I was happiest when I was alone reading. That and the good grades I got in school had doomed any chance of being popular with my peers. So it was a foregone conclusion that boys like Hardy were never going to take notice of me.
Lisa Kleypas (Sugar Daddy (Travises, #1))
At these the fellow-passengers laughed, except the solitary boy bearing the key and ticket, who, regarding the kitten with his saucer eyes, seemed mutely to say: "All laughing comes from misapprehension. Rightly looked at there is no laughable thing under the sun.
Thomas Hardy
In the worst attacks of trouble there appears to be always a superficial film of consciousness which is left disengaged and open to the notice of trifles, and Bathsheba was faintly amused at the boy's method, till he too passed on.
Thomas Hardy (Far from the Madding Crowd)
Beneath the conversations and silences and reconnecting intimacy, I tried to reconcile the adult Hardy had become with the boy I had known and longed for. It troubled me to realize they weren't the same...but of course I wasn't the same either.
Lisa Kleypas (Sugar Daddy (Travises, #1))
You got somebody in your corner, you lucky ... and blessed. And when you get that, you gotta know it, stand by it, and treat it with care. To nurture it. To build on it.
James Earl Hardy (B-Boy Blues: A Seriously Sexy, Fiercely Funny, Black-on-Black Love Story)
Sound the tocsin of national peril and hordes of well-meaning folk with nothing much to do always materialize from nowhere. They itch to meddle in great matters of which their comprehension is usually pretty dim, and have no objection to getting their names and pictures in the papers.
Leslie McFarlane (Ghost of the Hardy Boys: An Autobiography)
Though Farmer Troutham had just hurt him, he was a boy who could not himself bear to hurt anything. He had never brought home a nest of young birds without lying awake in misery half the night after, and often reinstating them and the nest in their original place the next morning. He could scarcely bear to see trees cut down or lopped, from a fancy that it hurt them; and late pruning, when the sap was up and the tree bled profusely, had been a positive grief to him in his infancy. This weakness of character, as it may be called, suggested that he was the sort of man who was born to ache a good deal before the fall of the curtain upon his unnecessary life should signify that all was well with him again. He carefully picked his way on tiptoe among the earthworms, without killing a single one.
Thomas Hardy
I always gave her a book. An old hardback from the same section in the used bookstore where you'd find Hardy Boys and Nancy Drew, and musty scrawled-in Hobbits, the painted paper covers often ripped or gone... My favorite was a sort of illustrated guidebook of pond creatures on which a very young child had written in pencil on each page under the picture of an otter I love otter Under a muskrat: I love muskrat Beaver: I love beaver
Peter Heller (The Dog Stars)
The doctor says there are such boys springing up amongst us—boys of a sort unknown in the last generation—the outcome of new views of life. They seem to see all its terrors before they are old enough to have staying power to resist them. He says it is the beginning of the coming universal wish not to live. Der Arzt sagte, solche Kinder kämen jetzt manchmal vor – Kinder, wie sie die vorige Generation nicht gekannt habe -, das Ergebnis neuer Anschauungen vom Leben. Es ist, als sähen diese Kinder alle seine Schrecknisse, ehe sie alt genug sind, die nötige Widerstandskraft dagegen aufzubringen. Er sagt, es wäre der Anfang des kommenden allgemeinen Wunsches, nicht zu leben.
Thomas Hardy (Jude: The Shooting Script (Shooting Scripts))
Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars.
Thomas Hardy (Jude the Obscure)
I bet it was also the triumphant Aha! and not the truth itself that had fueled all those famous literary detectives I knew not much about except their names - Philip Marlowe, Sherlock Holmes, Joe and Frank Hardy. I felt like yelling something celebratory on my way home, something like, Yeah! or Fuck, yeah! just like Marlowe would have yelled, just like the Hardys would have yelled, and maybe Holmes, too, although maybe that's why he kept Watson around; to tell Holmes to simmer down and not get too far ahead of himself.
Brock Clarke (An Arsonist's Guide to Writers' Homes in New England)
If you told me eight years ago that I would be sitting here on my wedding day, Stryder married to the girl I once thought was my forever, Hardie a father to Joey’s baby, and all my boys still alive after the multiple tours we’ve been through, I would have thought you were crazy.
Meghan Quinn (The Left Side of Perfect (The Perfect Duet, #1))
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations .... Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream. To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
Jane Yolen (Once Upon a Time (she said))
Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars. To him the houses, the willows, the obscure fields beyond, were apparently regarded not as brick residences, pollards, meadows; but as human dwellings in the abstract, vegetation, and the wide dark world.
Thomas Hardy (Jude the Obscure)
Between Holberger and Veres there exists a kind of technical understanding that outruns the powers of speech. Most Hardy Boys share this specialist’s ESP to some degree. It’s a feeling that some good chess players say they share with worthy opponents, a kind of mind reading—what Holberger calls being “in sync.
Tracy Kidder (The Soul of A New Machine)
And I thought how the seed of men that might have gone to make hardy boys and fruitful girls was drained into that house, and nothing given back; and how the silver that men had earned hard and needed was also drained in there, and nothing given back; and how the girls themselves were devoured and were given nothing back.
C.S. Lewis (Till We Have Faces)
It was quite unlike any other party they had seen that day. The crier who went before it shouting, “Way, way!” was the only Calormene in it. And there was no litter; everyone was on foot. There were about half a dozen men and Shasta had never seen anyone like them before. For one thing, they were all as fair-skinned as himself, and most of them had fair hair. And they were not dressed like men of Calormen. Most of them had legs bare to the knee. Their tunics were of fine, bright, hardy colours – woodland green, or gay yellow, or fresh blue. Instead of turbans they wore steel or silver caps, some of them set with jewels, and one with little wings on each side of it. A few were bare-headed. The swords at their sides were long and straight, not curved like Calormene scimitars. And instead of being grave and mysterious like most Calormenes, they walked with a swing and let their arms and shoulders go free, and chatted and laughed. One was whistling. You could see that they were ready to be friends with anyone who was friendly, and didn’t give a fig for anyone who wasn’t. Shasta thought he had never seen anything so lovely in his life.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
the deaf man interrupted. “Let the boys
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
with a duffel bag over his shoulder.
Franklin W. Dixon (The Phantom Freighter (Hardy Boys, #26))
anything
Franklin W. Dixon (The Twisted Claw (Hardy Boys, #18))
the one who stole the small float plane at Yellowknife.
Franklin W. Dixon (The Viking Symbol Mystery (Hardy Boys #42))
As Littlewood said to me once [of the ancient Greeks], they are not clever school boys or 'scholarship candidates,' but 'Fellows of another college.
G.H. Hardy
What shall I tell Mother?” The boy continued. "Tell her you have seen a broken-hearted woman cast off by her son.
Thomas Hardy (The Return of the Native (illustrated))
Oh yes", said the old woman, "but I've heard these so-called stoves are by no means all they are supposed to be. I never saw a stove in my day, and yet never ailed a thing, at least as long as I could really be called alive, except for nettle rash one night when I was in my fifteenth year.. It was caused by some fresh fish that the boys used to catch in the lakes thereabouts." The man did not answer for a while, but lay pondering the medical history of this incredible old creature who, without ever setting eyes on a stove, had suffered almost no ailments in the past sixty-five years.
Halldór Laxness (Independent People)
The Hardy home, on the corner of High and Elm streets, was an old stone house set in a large, tree-shaded lawn. Right now, crocuses and miniature narcissi were sticking their heads through the light-green grass.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
It is an imposing monarch of the forest in exquisite miniature, is the “sage-brush.” Its foliage is a grayish green, and gives that tint to desert and mountain. It smells like our domestic sage, and “sage-tea” made from it tastes like the sage-tea which all boys are so well acquainted with. The sage-brush is a singularly hardy plant, and grows right in the midst of deep sand, and among barren rocks, where nothing else in the vegetable world
Mark Twain (Roughing It)
The boy's face expressed the whole tale of their situation. On that little shape had converged all the inauspiciousness and shadow which had darkened the first union of Jude, and all the accidents, mistakes, fears, errors of the last. He was their nodal point, their focus, their expression in a single term. For the rashness of those parents he had groaned, for their ill assortment he had quaked, and for the misfortunes of these he had died.
Thomas Hardy (Jude the Obscure)
That was close!” Frank gasped. The car had been traveling at such high speed that the boys had been unable to get the license number or a glimpse of the driver’s features. But they had noted that he was hatless and had a shock of red hair.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
The boy waited, played near her, caught several of the little brown butterflies which abounded, and then said as he waited again, “I like going on better than biding still. Will you soon start again?” “I don't know.” “I wish I might go on by myself,” he resumed, fearing, apparently, that he was to be pressed into some unpleasant service. “Do you want me any more, please?” Mrs. Yeobright made no reply. “What shall I tell Mother?” the boy continued. “Tell her you have seen a broken-hearted woman cast off by her son.
Thomas Hardy (Return of the Native)
Hanade’s Puppet Repair Shop did, indeed, carry “all kinds of doodads.” The tiny store was crammed with Oriental trinkets, samurai swords, brass Buddhas, dolls’ heads hanging on the wall, birds and bird cages, aquariums with darting tropical fish, and numerous other items.
Franklin W. Dixon (The Ghost at Skeleton Rock (Hardy Boys, #37))
So began my love affair with books. Years later, as a college student, I remember having a choice between a few slices of pizza that would have held me over for a day or a copy of On the Road. I bought the book. I would have forgotten what the pizza tasted like, but I still remember Kerouac. The world was mine for the reading. I traveled with my books. I was there on a tramp steamer in the North Atlantic with the Hardy Boys, piecing together an unsolvable crime. I rode into the Valley of Death with the six hundred and I stood at the graves of Uncas and Cora and listened to the mournful song of the Lenni Linape. Although I braved a frozen death at Valley Forge and felt the spin of a hundred bullets at Shiloh, I was never afraid. I was there as much as you are where you are, right this second. I smelled the gunsmoke and tasted the frost. And it was good to be there. No one could harm me there. No one could punch me, slap me, call me stupid, or pretend I wasn’t in the room. The other kids raced through books so they could get the completion stamp on their library card. I didn’t care about that stupid completion stamp. I didn’t want to race through books. I wanted books to walk slowly through me, stop, and touch my brain and my memory. If a book couldn’t do that, it probably wasn’t a very good book. Besides, it isn’t how much you read, it’s what you read. What I learned from books, from young Ben Franklin’s anger at his brother to Anne Frank’s longing for the way her life used to be, was that I wasn’t alone in my pain. All that caused me such anguish affected others, too, and that connected me to them and that connected me to my books. I loved everything about books. I loved that odd sensation of turning the final page, realizing the story had ended, and feeling that I was saying a last goodbye to a new friend.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
All of us are starving … for attention, for love, for understanding. I don't care what the sisters say: we take more shit than they do in this life, 'cause we are brothers in a white man's world, and there ain't no space for us. Never has been, never will be. All we want, all we need is someone to love us for who we are, to grow with us, so that the world ain't such a bad place.
James Earl Hardy (B-Boy Blues: A Seriously Sexy, Fiercely Funny, Black-on-Black Love Story)
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.' 'Granted; - but would you use the same argument with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - ' 'Heaven forbid that I should think so!' I interrupted her at last." 'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse. Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
Anne Brontë
I loved all the Hardy Boy books. Once I collected my paperboy money each Friday I'd walk into town, make the rounds of all the local thrift shops (where you could buy a used hardback for a quarter.) I'd always get excited swinging open the front cover of a newly discovered book in the series. Let's solve a mystery! And investigate the long-abandoned water tower north of town. They were a lot of fun. And science fiction, although these were paperbacks. I stopped going to church when I was about ten. I'd get dressed and go out the front door telling my mom I was going to church, but I'd have a science fiction paperback jammed in the back pocket of my trousers. Once I got near the church (St. Mary's on Greenwich Avenue), I'd veer down a side street, pull out my book, and stumble along the sidewalks for an hour, visiting another planet, sometimes another galaxy. My mother eventually found out about my deception - a friend told her she had spotted me walking, reading, when I was supposed to be at mass. I explained to my mother I didn't want to attend church anymore, and she accepted that. If it made her sad, she never showed me. She was actually an incredibly good mother, which I realize more and more as I age.
Ralph Robert Moore
We do a great disservice to boys in how we raise them. We stifle the humanity of boys. We define masculinity in a very narrow way. Masculinity is a hard, small cage, and we put boys inside this cage. We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be, in Nigerian-speak—a hard man. Of course, because of their historical advantage, it is mostly men who will have more today. But if we start raising children differently, then in fifty years, in a hundred years, boys will no longer have the pressure of proving their masculinity by material means. But by far the worst thing we do to males—by making them feel they have to be hard—is that we leave them with very fragile egos. The harder a man feels compelled to be, the weaker his ego is.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
Well, Mr Markham, you that maintain that a boy should not be shielded from evil, but sent out to battle against it, alone and unassisted - not taught to avoid the snares of life, but boldly to rush into them, or over them, as he may - to seek danger rather than shun it, and feed his virtue by temptation - would you-' 'I beg your pardon, Mrs Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; and if you were to rear an oak sapling in a hot-house, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered form the shock of the tempest.' 'Granted; but would you use the same arguments with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be, either, that you think she is essentially so vicious, or so feeble-minded that she cannot withstand temptation - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin, is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, it is only further developed-' 'Heaven forbid that I should think so!' I interrupted her at last. 'Well then, it must be that you think they are both weak and prone to err, and the slightest error, the nearest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others.
Anne Brontë
Now, we’ll begin,’ interrupted Mr. Torkingham, his mind returning to this world again on concluding his search for a hymn. Thereupon the racket of chair-legs on the floor signified that they were settling into their seats,—a disturbance which Swithin took advantage of by going on tiptoe across the floor above, and putting sheets of paper over knot-holes in the boarding at points where carpet was lacking, that his lamp-light might not shine down. The absence of a ceiling beneath rendered his position virtually that of one suspended in the same apartment. The parson announced the tune, and his voice burst forth with ‘Onward, Christian soldiers!’ in notes of rigid cheerfulness. In this start, however, he was joined only by the girls and boys, the men furnishing but an accompaniment of ahas and hems. Mr. Torkingham stopped, and Sammy Blore spoke,— ‘Beg your pardon, sir,—if you’ll deal mild with us a moment. What with the wind and walking, my throat’s as rough as a grater; and not knowing you were going to hit up that minute, I hadn’t hawked, and I don’t think Hezzy and Nat had, either,—had ye, souls?’ ‘I hadn’t got thorough ready, that’s true,’ said Hezekiah. ‘Quite right of you, then, to speak,’ said Mr. Torkingham. ‘Don’t mind explaining; we are here for practice. Now clear your throats, then, and at it again.’ There was a noise as of atmospheric hoes and scrapers, and the bass contingent at last got under way with a time of its own: ‘Honwerd, Christen sojers!’ ‘Ah, that’s where we are so defective—the pronunciation,’ interrupted the parson. ‘Now repeat after me: “On-ward, Christ-ian, sol-diers.”’ The choir repeated like an exaggerative echo: ‘On-wed, Chris-ting, sol-jaws!’ ‘Better!’ said the parson, in the strenuously sanguine tones of a man who got his living by discovering a bright side in things where it was not very perceptible to other people. ‘But it should not be given with quite so extreme an accent; or we may be called affected by other parishes. And, Nathaniel Chapman, there’s a jauntiness in your manner of singing which is not quite becoming. Why don’t you sing more earnestly?
Thomas Hardy (Two on a Tower)
They wore the uniform of the desert bro. Think frat boy who never went to college. Jersey Shore without the water. Farmer’s tans made by the sun instead of a cancer machine. Ed Hardy shirts and backward baseball caps. Oakley sunglasses, even at night. Goatees or shaped three-day growth. Essentially they all looked like middle relief pitchers on vacation. The kind of guys that thought they looked like MMA fighters, but really looked like assholes.
Johnny Shaw (Plaster City (A Jimmy Veeder Fiasco, #2))
Hardy said Ricky might be locked up in some institution for months, maybe years, if the doctors weren’t told the truth about what the boys witnessed. Hardy was okay, not too bright, and he was making the mistake of talking to Mark as if he were five years old instead of eleven.
John Grisham (The Client)
solve a mystery on our own, though.” Frank
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
On their right an embankment of tumbled rocks and boulders sloped steeply to the water below. From the opposite side rose a jagged cliff. The little-traveled road was winding, and just wide enough for two cars to pass.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
Fred, in the light from the window above, looked for a moment like a newly hatched chick, with his twitchy little head and blinking dark eyes and face open to the world. Birdie felt something like fear then, something ragged and dark lurking just out of sight. Fred could die just like Eleanor did, just like the Wallace boy who’d gone to bed with a headache and died in the night when a blood vessel exploded in his brain. The slimmest margin separated life from not-life. Pastor Hardy boomed on and on. “We must be overcomers
Rae Meadows (I Will Send Rain)
The thing about Laurel and Hardy movies that you can't get from the chopped-up versions on television is how beautiful they are. Things happen exactly at the moment they have to happen. They don't happen a second too soon or too late. You can even predict what's going to happen—and it does happen—and it surprises you anyway. It doesn't surprise you because it happened, but because it happened so perfectly.
Daniel Pinkwater (The Snarkout Boys & The Avocado of Death)
Zach’s Fanfare #2” (MFSB)* “Comeback Kid” (Sleigh Bells) “Monkey Gone to Heaven” (The Pixies) “Spaceman” (Harry Nilsson) “Going Down” (Freddie King) “I’m Bad” (Rocket to Memphis) “Pumped Up Kicks” (Foster the People) “Nobody Does It Better” (Me First and the Gimme Gimmes) “Skull & Crossbones” (Sparkle Moore & Dan Belloc and His Orchestra) “Switchblade Smiles” (Kasabian) “I Wanna Destroy You” (The Soft Boys) “Drain You” (Foxy Shazam) “T.O.R.N.A.D.O.” (The Go! Team) “Woman of Mass Destruction” (The Woolly Bandits) “Tough Lover” (Nick Curran and the Lowlifes) “(I’m Stuck in a Pagoda With) Tricia Toyota” (The Dickies) “Apache” (The Sugarhill Gang) “For Whom the Bell Tolls” (Metallica) “We All Go Back to Where We Belong” (R.E.M.) “Change Reaction” (David Uosikkinen) “Satellite” (The Hooters) “Fanfare for Rocky” (Bill Conti)*
Duane Swierczynski (Point & Shoot (Charlie Hardie, #3))
The Hardy Boys [10w] Foolhardiness wasn't the least bit deterrent for the Hardy Boys.
Beryl Dov
Winston couldn't remember the last time he'd had one of these lonesome summer weekdays. He felt betrayed. How dare his friends live the portions of their lives that didn't include him? On days like this, he used to shovel breakfast cereal into his mouth, then bolt outside to play, only to discover nine-tenths of his world was missing. Downcast, he'd return home and skim his sole Hardy Boys mystery, The Missing Chums, blind to the title's irony. After a few boring pages, he'd behead a few of his sister's dolls, then fight her off with a knife. Then they'd share a cantaloupe half, arguing about whether it tasted better with or without salt.
Paul Beatty
Major Applegate, an eccentric, retired old Army man who had made a fortune by lucky real-estate deals. Years
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
flooper,
Franklin W. Dixon (The Arctic Patrol Mystery (Hardy Boys #48))
Halfway to the fountain a familiar dog came bounding over. “Lucy!” he said. “Down!
Franklin W. Dixon (The Bicycle Thief (The Hardy Boys Secret Files Book 6))
2011 Bayport Junior Bike Rally,
Franklin W. Dixon (The Bicycle Thief (The Hardy Boys Secret Files Book 6))
FRANK and Joe Hardy clutched the grips of their motorcycles and stared in horror at the oncoming car.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
His finger touched my neck, and the hair as it was moved away nearly gave me chills. I never thought I’d ever fall so deeply for someone, the way I fell for Gabriel. All this time, I wanted to know what it felt like to be the center of someone else’s universe. But here I was, looking into the eyes of a beautiful boy who was the center of mine.
Chanel Hardy (Fernando)
THE
Franklin W. Dixon (The Secret of the Caves (Hardy Boys, #7))
MarceL
Franklin W. Dixon (The Secret of the Caves (Hardy Boys, #7))
street. Evidently the stranger had asked directions and Chris had halted to explain and point out the location of a certain street. He took such pains with the man that by the time he finished, the traffic light had again flashed green. “Let’s go!” Joe cried. They trailed Chris along the street for several blocks, then he turned into a large office building. Inside was a row of elevators opposite the entrance. Frank and Joe hesitated a few seconds about following Chris. “Come on!” Joe urged. “If he gets in an elevator, and we aren’t there, we won’t know what office he’s going to.” “You’re right!” Frank agreed. They hurried into the lobby just as Chris stepped into one of the cars. The door closed and he shot upward. Fortunately he was the only passenger and the boys
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
their shoulders. He did not notice Frank and Joe. The suspect was looking intently at some papers in his hand as he went to the elevators and pushed a button for an ascending car. He was going to a higher floor “Shall we follow him?” Joe whispered. “Too risky. Let’s go down and wait in the lobby, then take up the trail again.” After Chris had gone up, the boys took a Down car. On the ground floor they watched each descending elevator. After half an hour had passed, their patience was rewarded. Amid a carload of businessmen, they saw the burly form of the big blond man towering above all the others. “Come on!” Frank whispered to Joe as Chris moved toward the street doors. Again the chase was resumed in the crowded street. For several blocks Chris maintained a straight course. Then he swung around a corner and stalked down a side street. The sleuths hurried after their quarry and saw him dip beneath a restaurant sign below street level. “Oh—oh!” Joe muttered. “If we follow him in there, he can’t miss us.” “Let’s see if there are many customers inside,” Frank suggested. “If so, we just might be able to get away with it. Could be he’s meeting someone there.” Frank went down the steps leading to the restaurant and made a quick survey of the place through the door.
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
Bayport.
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
balls. Those, and the stacked rifles, may have referred to the
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
heee-larious!
Franklin W. Dixon (The Children of the Lost (The Lost Mystery Trilogy #1 , Hardy Boys: Undercover Brothers #34 ))
I set up for the night after our subway mission ended: A double date. Ooooooooooh!
Franklin W. Dixon (The Children of the Lost (The Lost Mystery Trilogy #1 , Hardy Boys: Undercover Brothers #34 ))
Joe.
Franklin W. Dixon (The Missing Mitt (The Hardy Boys Secret Files Book 2))
Being a detective can be dangerous! Thanks for the assist.
Franklin W. Dixon (The Secret of the Caves (The Hardy Boys, #7))
So what’s the lowdown on the new hire?” he wanted to know. Ah. All became instantly clear. Hardy had moved on to new prey. And while that was a yay for Kerry, it was a boo for poor Maddy. She’d have to warn her. “You mean Madison? Sorry, Hardy, she’s taken. Happily engaged to Sal’s nephew, Micah.” “Engaged isn’t taken; it only means she’s been reserved,” he said, a cocky grin spreading on his face as he glanced over the heads of the crowd to where Maddy was tending bar. “Reservations can get canceled.” “Hardy--” But he wasn’t listening to her. He’d been called back to his table by his buddies to take his turn. “Oh, boy,” she muttered and wound her way back to the bar. She ducked under the bar and worked her way back down until she was beside Maddy again. “Warning,” she said, keeping her voice as low as she could. “Mr. Tall, Dark, and Cocky at the back pool table? You might want to keep an eye there. I told him you were engaged--” “Don’t worry. We’ve already had a chat.” “Well, you may be having another one, as he doesn’t seem all that put off.” “I’ll be fine, but thanks for running interference.” “He seems well meaning enough,” Kerry told her, “but he’s not the sharpest tool when it comes to the word no. You’ll have to say it repeatedly for it to sink in.” Maddy nodded while setting bowls on the bar, then filling them with pretzels and nuts. “Have I mentioned that I grew up working in my much older brother’s dojo?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Mr. Hardy said that to him the most interesting angle to the case was the fact that the suspect apparently used one or more wigs as a disguise. “He may have bought at least one of them in Bayport. I suggest that you boys make the rounds of all shops selling wigs and see what you can find out.” The boys glanced at the clock on their father’s large desk, then Frank said, “We’ll have time to do a little sleuthing before closing time. Let’s go!” The two boys made a dash for the door, then both stopped short. They did not have the slightest idea where they were going! Sheepishly Joe asked, “Dad, do you know which stores sell wigs?” With a twinkle in his eyes, Mr. Hardy arose from the desk, walked into the library, and opened a file drawer labeled “W through Z.” A moment later he pulled out a thick folder marked WIGS: Manufacturers, distributors, and retail shops of the world. “Why, Dad, I didn’t know you had all this information—” Joe began. His father merely smiled. He thumbed through the heavy sheaf of papers, and pulled one out. “Bayport,” he read. “Well, three of these places can be eliminated at once. They sell only women’s hair pieces. Now let’s see. Frank, get a paper and pencil. First there’s Schwartz’s Masquerade and Costume Shop. It’s at 79 Renshaw Avenue. Then there’s Flint’s at Market and Pine, and one more: Ruben Brothers. That’s on Main Street just this side of the railroad.” “Schwartz’s is closest,” Frank spoke up. “Let’s try him first, Joe.” Hopefully the boys dashed out to their motorcycles and hurried downtown. As they entered Schwartz’s shop, a short, plump, smiling man came toward them. “Well, you just got under the wire fellows,” he said, looking up at a large old-fashioned clock on the wall.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
No way,” Iola put in. “I’m going to win!” “Nope, it’s going to be me,” Joe argued. Just then Mr. Jenkins came hurrying back. The school principal, Ms. Butler, was right behind him. Both of them looked very serious. “Listen up, people,” Principal Butler said to all the kids. “Please clear this area while Mr. Jenkins and I have a look around. You may continue
Franklin W. Dixon (Sports Sabotage (The Hardy Boys Secret Files Book 8))
You look like a monkey, and you smell like one too!” Nine-year-old Frank Hardy looked at his brother, Joe, and laughed as their friend Paul McMahon blew out the candles on his huge birthday cake, which was decorated to look like a dinosaur. Everyone cheered as Paul blew out all ten candles on the first try.
Franklin W. Dixon (A Rockin' Mystery (Hardy Boys: The Secret Files, #10))
A wise teacher was taking a stroll through the forest with a young pupil and stopped before a tiny tree. “Pull up that sapling,” the teacher instructed his pupil, pointing to a sprout just coming up from the earth. The youngster pulled it up easily with his fingers. “Now pull up that one,” said the teacher, indicating a more established sapling that had grown to about knee high to the boy. With little effort, the lad yanked and the tree came up, roots and all. “And now, this one,” said the teacher, nodding toward a more well-developed evergreen that was as tall as the young pupil. With great effort, throwing all his weight and strength into the task, using sticks and stone he found to pry up the stubborn roots, the boy finally got the tree loose. “Now,” the wise one said, “I’d like you to pull this one up.” The young boy followed the teacher’s gaze, which fell upon a mighty oak so tall the boy could scarcely see the top. Knowing the great struggle he’d just had pulling up the much smaller tree, he simply told his teacher, “I am sorry, but I can’t.” “My son, you have just demonstrated the power that habits will have over your life!” the teacher exclaimed. “The older they are, the bigger they get, the deeper the roots grow, and the harder they are to uproot. Some get so big, with roots so deep, you might hesitate to even try.
Darren Hardy (The Compound Effect)
The two motorcycles whipped along the narrow road that skirted the bay and led to Willowville, the brothers’ destination. The boys took the next curve neatly and started up a long, steep slope. Here the road was a mere ribbon and badly in need of repair.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
gyp
Franklin W. Dixon (The Secret Warning (Hardy Boys, #17))
My life is a walled city from which I must flee; This must my prison be-- So long as I am me.
Franklin W. Dixon (The Masked Monkey (Hardy Boys, #51))
Frank swam frantically toward the trapped girl!
Franklin W. Dixon (The Shore Road Mystery (Hardy Boys, #6))
Then, seeing a distressed look on Chet’s face, he added, “I mean after lunch.
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
Oh, no!” she exploded. “Only on weekdays, Saturdays, and Sundays!
Franklin W. Dixon (The Secret of the Old Mill (Hardy Boys, #3))
Joe explained that every once in a while he and Frank went down to Rocco’s fruit store to act as clerks while the owner went home to supper.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
After explaining that they would try to find a glove of similar manufacture, Frank and Joe left.
Franklin W. Dixon (The Arctic Patrol Mystery (Hardy Boys #48))
Frank and Joe, students at Bayport High, were combining business with pleasure this Saturday morning by doing the errand for their father. Even though one boy was dark and the other fair, there was a marked resemblance between the two brothers. Eighteen-year-old Frank was tall and dark. Joe, a year younger, was blond with blue eyes. They were the only children of Fenton and Laura Hardy. The family lived in Bayport, a small but thriving city of fifty thousand inhabitants, located on Barmet Bay, three miles inland from the Atlantic Ocean.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
Chet Morton, who was a school chum of the Hardy boys, lived on a farm about a mile out of Bayport. The pride of Chet’s life was a bright yellow jalopy which he had named Queen. He worked on it daily to “soup up” the engine. Frank and Joe retraced their trip for a few miles, then turned onto a country road which led to the main highway on which the Morton farm was situated.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
YOU’RE getting to be pretty good on that motorcycle, Frank,” Joe said as the boys rode into the Hardy garage. “I’m not even scared to ride alongside you any more!” “You’re not scared!” Frank pretended to take Joe seriously. “What about me—riding with a daredevil like you?
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
Mr. Schwartz locked the front door of his shop, then led the boys into a rear room. It was so filled with costumes of all kinds and paraphernalia for theatrical work, plus piles of cartons, that Frank and Joe wondered how the man could ever find anything. “Here is today’s shipment,” Mr. Schwartz said, pointing to six cartons standing not far from the rear entrance to his shop. Together he and the boys slit open the boxes and one by one lifted out a king’s robe, a queen’s tiara, and a Little Bopeep costume. Suddenly Mr. Schwartz said: “Here’s a skeleton marked size thirty-eight. Would one of you boys mind trying it on?” Frank picked up the costume, unzipped the back, and stepped into the skeleton outfit. It was tremendous on him and the ribs sagged ludicrously. “Guess a fat man modeled for this,” he remarked, holding the garment out to its full width.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
The following morning the Hardy family attended church, then after dinner Frank and Joe told their parents they were going to ride out to see Chet Morton. “We’ve been invited to stay to supper,” Frank added. “But we promise not to get home late.” The Hardys picked up Callie Shaw, who also had been invited. Gaily she perched on the seat behind Frank. “Hold on, Callie,” Joe teased. “Frank’s a wild cyclist!” The young people were greeted at the door of the Morton farmhouse by Chet’s younger sister Iola, dark-haired and pretty. Joe Hardy thought she was quite the nicest girl in Bayport High and dated her regularly. As dusk came on, the five young people gathered in the Mortons’ kitchen to prepare supper. Chet, who loved to eat, was in charge, and doled out various jobs to the others. When he finished, Joe remarked, “And what are you going to do, big boy?” The stout youth grinned. “I’m the official taster.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
The boys, who had had no time to prepare any homework, reminded their father that a note from him to the principal would be a great help. The detective smiled, and as soon as they reached home he wrote one out, then said good night. Frank and Joe felt as if their eyes had hardly closed when they opened them again to see their father standing between their beds. “Time to get up if you want to be in on the search,” he announced. The boys blinked sleepily, then sprang out of bed. Showers awakened them fully and they dressed quickly. Mrs. Hardy was in the kitchen when they entered it and breakfast was ready. The sun was just rising over a distant hill. “Everything hot this morning,” Mrs. Hardy said. “It’s chilly outside.” The menu included hot applesauce, oatmeal, poached eggs on toast, and cocoa. Breakfast was eaten almost in silence to avoid any delay, and within twenty minutes the three Hardy sleuths were on their way.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
The brothers reached the Bayport waterfront early. It was the scene of great activity. A tanker was unloading barrels of oil, and longshoremen were trundling them to waiting trucks. At another dock a passenger ship was tied up. Porters hurried about, carrying luggage and packages to a line of taxicabs. Many sailors strolled along the busy street. Some stepped into restaurants, others into amusement galleries.
Franklin W. Dixon (The House on the Cliff (Hardy Boys, #2))
West, you scare me how you think like a perp, were you a troubled kid growing up?” “No, I just read a lot of the “Hardy Boy’s
Doris Nickles (Smith and Weston: Crime Case Tales)
At this point, Mrs. Hardy brought the discussion to an end by setting before each boy a stack of steaming, golden-brown pancakes. Aunt Gertrude came in behind her with a block of yellow butter and a tall pitcher of maple syrup. “There are more cakes on the griddle,” she said. “You need your strength.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
The black-and-silver motorcycles backfired like pistol shots, then roared from the drive and down High Street. The riders headed out Shore Road, past the private docks. The fog of the night before had given way to a bright-blue summer morning. As the boys sped along in a cool, salty breeze they watched the white sand of the beach on their right. There was no sign of the Sleuth. Finally they reached the head of the bay and turned sharply, following the seacoast northward. For a while Frank and Joe saw only the big green rollers of the Atlantic as they broke into foaming white along the sand and rocks.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
Steadily the Sleuth plowed northward. Joe shaded his eyes with his hand as dots of land appeared off the coast ahead. “There are the islands where Chet and Biff wanted to camp,” he noted. “Say! They’re pretty isolated—and would be likely spots for hiding kidnap victims! We ought to search them if we don’t find some clue to the boys in Northport.” “I’ll pass them as close as I can,” Frank offered. “Maybe we’ll see something.” One by one the line of islets could be seen. Though the Hardys watched carefully, they saw only sand, pines, and huge stone formations. Some of the islands were surrounded by dangerous half-submerged rocks.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
It was well past noon when the boys sighted Northport on their left. Passing between a pair of entrance buoys, the Sleuth came off the swelling ocean onto the calm surface of a small, well-protected harbor. On one side a forest of thick masts rose from a fleet of sturdy fishing boats. At the far end of the bay, bright-colored pleasure craft rode at anchor. Slender, pencillike masts marked the sailboats. On the shore nearby were the yellow wooden skeletons of boats under construction. Joe guided the Sleuth toward a large dock with gasoline pumps, which extended into the water from the boatyard. “This must be the yard that sponsored the regatta,” Frank commented. “Bring her in, Joe.” Within minutes the young detectives had made their craft secure and scrambled onto the dock. They hurried down the wooden planking and turned onto Waterfront Street. There were restaurants, souvenir shops, and boat-supply stores. All of them were well kept and busy. The boys stopped in a luncheonette for a snack, then hurried on. They
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
By the time the boys were ready to leave, the sun was setting. Frank revved up the Sleuth’s power plant and sent the craft knifing through the swells. Soon the boys passed out the narrow mouth of Northport harbor. Frank turned the Sleuth southward toward Bayport. The sea was calmer than it had been during the day. On the ocean’s horizon the darkness gathered slowly, and finally a few stars were beginning to push through when the coastal islands came into view on the Sleuth’s starboard side. After passing Jagged Reef safely, Frank ran in closer to the islands. Ahead they saw a tall, limp white sail. As the Sleuth drew nearer, the boys made out the masts and hull of a trim-looking schooner, anchored for the night off one of the islets.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))