Happy As A Clam Quotes

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Happy as a clam, is what my mother says for happy. I am happy as a clam: hard-shelled, firmly closed.
Margaret Atwood (Cat’s Eye)
We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
I give him a strange look. Just a second ago he was grousing, and now he's happy as a clam. I don't get boys.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Today you are you, that is truer than true. There is no one alive who is you-er than you. Shout aloud, I am glad to be what I am. Thank goodness I'm not a ham, or a clam, or a dusty old jar of gooseberry jam. I am what I am, what a great thing to be. If I say so myself, happy everyday to me!
Dr. Seuss
They luxuriated in the feeling of deep and all pervading satisfaction, a feeling of knowing absolutely that all was well with the world and them and that the world was not only their oyster it was also their linguine with clam sauce. Not only were all things possible, but all things were theirs.
Hubert Selby Jr. (Requiem for a Dream)
There I am, in the Grade Six class picture, smiling broadly. Happy as a clam, is what my mother says for happy. I am happy as a clam: hardshelled, firmly closed.
Margaret Atwood (Cat’s Eye)
He brewed his tea in a blue china pot, poured it into a chipped white cup with forget-me-nots on the handle, and dropped in a dollop of honey and cream. He sat by the window, cup in hand, watching the first snow fall. "I am," he sighed deeply, "contented as a clam. I am a most happy man.
Ethel Pochocki (Wildflower Tea)
A woman is an important somebody and sometimes you win the triple crown: good food, good sex, and good talk. Most men settle for any one, happy as a clam if they get two. But listen, let me tell you something. A good man is a good thing, but there is nothing in the world better than a good good woman. She can be your mother, your wife, your girlfriend, your sister, or somebody you work next to. Don’t matter. You find one, stay there. You see a scary one, make tracks.
Toni Morrison (Love)
Don't be satisfied with stories, how things have gone with others. Unfold your own myth.” Listen! Clam up your mouth and be silent like an oyster shell, for that tongue of yours is the enemy of the soul, my friend. When the lips are silent, the heart has a hundred tongues.
John Balkh (Rumi Poetry: 101 Quotes Of Wisdom On Life, Love And Happiness (Rumi Poetry, Sufism and Love Poems Series))
You can put them in a room with QVC and they’ll be as happy as clams.” “QVC?” the demons said in unison. Simi looked at her watch. “It Diamonique time, too. Where’s a TV?” Sin
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
Some people wish they were as happy as or happy like some people think they are.
Mokokoma Mokhonoana
33 percent agreeing with the statement that the world is controlled by a giant invisible telepathic clam named Ronaldo.
Dave Barry (Live Right and Find Happiness (Although Beer is Much Faster): Life Lessons and Other Ravings from Dave Barry)
I was happy as a clam. But who wants to be a clam?
Michael J. Fox (No Time Like the Future: An Optimist Considers Mortality)
Let’s say that your significant other has been paying less and less attention to you. You realize he or she has a busy job, but you still would like more time together. You drop a few hints about the issue, but your loved one doesn’t handle it well. You decide not to put on added pressure, so you clam up. Of course, since you’re not all that happy with the arrangement, your displeasure now comes out through an occasional sarcastic remark. “Another late night, huh? I’ve got Facebook friends I see more often.” Unfortunately (and here’s where the problem becomes self-defeating), the more you snip and snap, the less your loved one wants to be around you. So your significant other spends even less time with you, you become even more upset, and the spiral continues. Your behavior is now actually creating the very thing you didn’t want in the first place. You’re caught in an unhealthy, self-defeating loop.
Kerry Patterson (Crucial Conversations Tools for Talking When Stakes Are High)
I am not the sort of girl who has bad times, I have good times only. There I am, in the Grade Six class picture, smiling broadly. Happy as a clam, is what my mother says for happy. I am happy as a clam: hard-shelled, firmly closed.
Margaret Atwood (Cat’s Eye)
Time is missing. Nobody mentions anything about this missing time, except my mother. Once in a while she says, “That bad time you had,” and I am puzzled. What is she talking about? I find these references to bad times vaguely threatening, vaguely insulting: I am not the sort of girl who has bad times, I have good times only. There I am, in the Grade Six class picture, smiling broadly. Happy as a clam, is what my mother says for happy. I am happy as a clam: hardshelled, firmly closed.
Margaret Atwood (Cat's Eye)
I don't have anything as exotic as saffron. I hope a jar of blackberry jam will do. As you know, I write often about picking wild native blackberries. It's a chore since they're not easy game like the big purple bubbles that grow all over the sides of the road around here. Whenever I set out to hunt for a hidden patch in an old clear-cut, Francis accuses me of looking like a hobo with my canvas sunhat, khaki trousers, and Folgers cans tied over my shoulders. I don't care. When I'm in the brambles, I'm happy as a clam at high tide. Just writing to you about it makes me wish for July mornings. There's always a perfect moment when the sun strikes the bushes and a deep, sweet, earthy smell rises into the air.
Kim Fay (Love & Saffron)
Listen! Clam up your mouth and be silent like an oyster shell, for that tongue of yours is the enemy of the soul, my friend. When the lips are silent, the heart has a hundred tongues.
John Balkh (Rumi Poetry: 101 Quotes Of Wisdom On Life, Love And Happiness (Rumi Poetry, Sufism and Love Poems Series))
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
Dystopia is not always an unhappy place. There are, as it happens, certain dystopias in which it's perfectly possible to be happy as a clam. Vast numbers of people go through life never even realizing that they're in one, might live through the real-time decay from freedom to tyranny and never notice the change. It basically comes down to wanderlust. Imagine your life as a path extending through time and society. To either side are fences festooned with signs: No Trespassing, Keep Off the Grass, Thou Shalt Not Kill. These are the constraints on your behavior, the legal limits of acceptable conduct. You are free to wander anywhere between these barriers-- but cross one and you risk the weight of the law. Now imagine that someone starts moving those fences closer together. How you react-- whether you even notice-- depends entirely on how much you wandered beforehand. A lot of people never deviate from the center of the path their whole lives, would never understand what all those fringe radicals are whining about; after all, *their* lives haven't changed any. It makes no difference to them whether the fences are right on the shoulder or out past the horizon. For the rest of us, though, it's only a matter of time before you wander back to a point you've always been free to visit in the past, only to find a fence suddenly blocking your way.
Peter Watts (Beyond the Rift)
many (some say most) Asians, Africans, Middle Easterners, South Americans, and Eastern, Central, or Southern Europeans are deficient in lactase, the enzyme that splits lactose (milk sugar) into glucose and galactose. If these people drink milk or eat milk products, they end up with a lot of undigested lactose in their intestinal tracts. This undigested lactose makes the bacteria living there happy as clams — but not the person who owns the intestines: As bacteria feast on the undigested sugar, they excrete waste products that give their host gas and cramps. To avoid this anomaly, many national cuisines purposely avoid milk as an ingredient. (Quick! Name one native Asian dish that’s made with milk. No, coconut milk doesn’t count.) To get the calcium their bodies need, these people simply substitute high-calcium foods such as greens or calcium-enriched soy products for milk.
Carol Ann Rinzler (Nutrition for Dummies)
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
Anne Frank (The Diary Of a Young Girl)
Men always complain that the minute they think they’ve got a woman figured out, the woman does something to completely confuse the man again.”  Daniel nodded. “I would agree with that.” “Well, that’s because men are simple-minded and uncomplicated.” Why was she having this conversation with him?  “All a man needs is food and . . .” she stopped herself. Oh, she really didn’t want to go there! Why did she have to open this can of worms? “Food and what?” Daniel pressed. She took a deep breath. “Give a man food and sex” – there I said it – “and they’re as happy as clams.” Daniel coughed and almost choked on a piece of venison. A split second later, a thoroughly devilish smile spread across his face as he intently peered up at her from across the table. She held her breath. God, why did he have to be so damn good-looking, especially with that heart-stopping smile of his! “Well, your cooking’s been real good so far,” he drawled. His eyes smoldered as he stared at her. She waved her hands in front of her, palms out, and abruptly left the table. “Okay, this conversation has gone far enough. You are a typical man, Daniel, and it brings me to my final point,” “Point?” “Men are pigs.
Peggy L. Henderson (Yellowstone Heart Song (Yellowstone Romance, #1))
Often, instead of accurately naming our emotions, we’ll use figures of speech. I’m on top of the world. You’re burned up. He’s happy as a clam. I’m down in the dumps. She’s blue. All highly evocative, of course. But still, they allow us to evade having to confront, plainly and exactly, what we feel. These inventive metaphors may be descriptive on the written page, but they often create distance between our feelings and our words.
Marc Brackett (Permission to Feel: Unlocking the Power of Emotions to Help Our Kids, Ourselves, and Our Society Thrive)
There are few agonies worse than grasping about for a new career in a world where you seem to have no place. It’s as though I’m the odd man out in a game of duck-duck-goose, watching people settle into their lives, happy as a clam, while I stand here with no place and no prospects. It hits a person at their core.
A.G. Riddle (The Lost Colony (The Long Winter, #3))
Grief and sadness had a way of wreaking havoc on one’s body. I could feel happy as a clam, then sad as fuck the next second.
Kelly Elliott (Always Enough (Meet Me in Montana, #2))
The thing about money is,” said Ben, “you can’t be polite to it. Leave something suspicious to say, and it’ll say it.” He took his foot down from the windowsill. “Leave something greedy to say, and it’ll say it.” He put his cigar in an ashtray. “Leave something scary to say, and it’ll say it. “Give it an inch,” said Ben, “and it’ll take a mile.” He took off his gloves, and laid them on the windowsill. “As near as I can tell, I love you, Rose,” he said. “I’d do my best to make you happy. If you love me, kiss me, and make me rich beyond my wildest dreams. Then, after that, we’ll steam these clams.
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
Marcus studied those NASA pictures for hours, the gorgeous Hasselblad pictures of men on the moon and the pictures of Jupiter’s turbulence. Since Newton’s laws apply everywhere, Marcus programmed a computer with a system of fluid equations. To capture Jovian weather meant writing rules for a mass of dense hydrogen and helium, resembling an unlit star. The planet spins fast, each day flashing by in ten earth hours. The spin produces a strong Coriolis force, the sidelong force that shoves against a person walking across a merry-go–round, and the Coriolis force drives the spot. Where Lorenz used his tiny model of the earth’s weather to print crude lines on rolled paper, Marcus used far greater computer power to assemble striking color images. First he made contour plots. He could barely see what was going on. Then he made slides, and then he assembled the images into an animated movie. It was a revelation. In brilliant blues, reds, and yellows, a checkerboard pattern of rotating vortices coalesces into an oval with an uncanny resemblance to the Great Red Spot in NASA’s animated film of the real thing. “You see this large-scale spot, happy as a clam amid the small-scale chaotic flow, and the chaotic flow is soaking up energy like a sponge,” he said. “You see these little tiny filamentary structures in a background sea of chaos.” The spot is a self-organizing system, created and regulated by the same nonlinear twists that create the unpredictable turmoil around it. It is stable chaos.
James Gleick (Chaos: Making a New Science)
One day I saw him going into one of the lecture halls, I followed. I thought it was you when I first noticed him. I sat some distance away from the boy at the lecture hall. He was a freshman law student from a well to do family in the Philippines. I stalked him for a day before I introduced myself. Toby was new at campus and was finding his way around. We started hanging out after classes. He was attractive, charming and pleasant but lacked a certain je ne se quoi which you possess. As much as I like him I had a hunch that he wasn’t altogether the kind of man I would be totally happy in a long term relationship. My loneliness and heartaches got the better of me and I pursued this relationship half-heartedly; thinking our emotional affinity would improve with time. One evening, a week after we met we were at a pub celebrating a friend’s birthday. I was intoxicated trying to drown my sorrows from missing you. He had a wee bit too much to drink at the celebration. We ended up in my flat with our clothes scattered around us. He had a beautiful physique like yours. I began seeing you in him when we became intimate. I longed for your sweet lips and wanted to believe I was making love to you instead of Toby. Ignoring my premonitions, I plunged full steam ahead. I kissed him passionately like I did you when we were a couple. With my eyes clammed shut, I imagine holding you in my arms, caressing you and submerging fully in you. I desired no other only you.
Young (Unbridled (A Harem Boy's Saga, #2))
happy as a clam.
Ian Fleming (Live and Let Die (James Bond, #2))
Don’t you know anything about women?” Mike didn’t. They could be the most confounding of God’s creatures. One moment happy as a clam, the next spitting nails.
Peter Meredith (Generation Z (Generation Z #1))