Happy Accidents Quotes

We don't make mistakes, just happy little accidents.

Happiness is an accident of nature, a beautiful and flawless aberration.

There are no mistakes, only happy accidents.

To build a better world we need to replace the patchwork of lucky breaks and arbitrary advantages today that determine success--the fortunate birth dates and the happy accidents of history--with a society that provides opportunities for all.

There are no mistakes, just happy accidents.

It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair. The second time you have a root beer float, for instance, your happiness at sipping the delicious concoction may not be quite as enormous as when you first had a root beer float, and the twelfth time your happiness may be still less enormous, until root beer floats begin to offer you very little happiness at all, because you have become used to the taste of vanilla ice cream and root beer mixed together. However, the second time you find a thumbtack in your root beer float, your despair is much greater than the first time, when you dismissed the thumbtack as a freak accident rather than part of the scheme of a soda jerk, a phrase which here means "ice cream shop employee who is trying to injure your tongue," and by the twelfth time you find a thumbtack, your despair is even greater still, until you can hardly utter the phrase "root beer float" without bursting into tears. It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.

We don't make mistakes, we just have happy accidents.

I’m a big believer in winging it. I’m a big believer that you’re never going to find perfect city travel experience or the perfect meal without a constant willingness to experience a bad one. Letting the happy accident happen is what a lot of vacation itineraries miss, I think, and I’m always trying to push people to allow those things to happen rather than stick to some rigid itinerary.

Mirror sighed. "I believe everyone deserves a happily ever after. But I think that happy endings don't just happen by accident- you can't wait for one. You have to make them happen.

Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child. Nature doesn't disdain what lives only for a day. It pours the whole of itself into the each moment. We don't value the lily less for not being made of flint and built to last. Life's bounty is in its flow, later is too late. Where is the song when it's been sung? The dance when it's been danced? It's only we humans who want to own the future, too. We persuade ourselves that the universe is modestly employed in unfolding our destination. We note the haphazard chaos of history by the day, by the hour, but there is something wrong with the picture. Where is the unity, the meaning, of nature's highest creation? Surely those millions of little streams of accident and wilfulness have their correction in the vast underground river which, without a doubt, is carrying us to the place where we're expected! But there is no such place, that's why it's called utopia. The death of a child has no more meaning than the death of armies, of nations. Was the child happy while he lived? That is a proper question, the only question. If we can't arrange our own happiness, it's a conceit beyond vulgarity to arrange the happiness of those who come after us.

Life is messy. Would that every puzzle piece fell into place, every word was kind, every accident happy, but such is not the case. Life is messy

There is in writing the constant joy of sudden discovery, of happy accident.

I don't believe in fate," she said at last. "But I do believe in... loopholes. I think a lot of what keeps the world going is the result of accidents — happy or otherwise — and taking advantage of these.

Anything we don't like, we'll turn it into a happy little tree or something; we don't make mistakes, we just have happy accidents.

I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.

He's bound to have done something,” Nobby repeated. In this he was echoing the Patrician's view of crime and punishment. If there was crime, there should be punishment. If the specific criminal should be involved in the punishment process then this was a happy accident, but if not then any criminal would do, and since everyone was undoubtedly guilty of something, the net result was that, in general terms, justice was done.

My grandfather used to say: Life is astoundingly short. To me, looking back over it, life seems so foreshortened that I scarcely understand, for instance, how a young man can decide to ride over to the next village without being afraid that -not to mention accidents- even the span of a normal happy life may fall far short of the time needed for such a journey.

Adventures are funny things. Many are merely happy accidents—a single spark that ignites an unexpected chain of events. But some adventures are meant for you and you alone. And whether you want them or not, they seek you out of a great crowd and take you somewhere you never thought you’d go. Often, these unlooked for adventures require a sacrifice too great to imagine.

A great friendship was like a great work of art, he thought. It took time and attention, and a spark of something that was impossible to describe. It was a happy, lucky accident, finding some kindred part of yourself in a total stranger.

They say that life is an accident, driven by sexual desire, that the universe has no moral order, no truth, no God. Driven by insatiable lusts, drunk on the arrogance of power, hypocritical, deluded, their actions foul with self-seeking, tormented by a vast anxiety that continues until their death, convinced that the gratification of desire is life's sole aim, bound by a hundred shackles of hope, enslaved by their greed, they squander their time dishonestly piling up mountains of wealth. "Today I got this desire, and tomorrow I will get that one; all these riches are mine, and soon I will have even more. Already I have killed these enemies, and soon I will kill the rest. I am the lord, the enjoyer, successful, happy, and strong, noble, and rich, and famous. Who on earth is my equal?

I gave you Jake because you’re headstrong and accident prone, and he’s our medic and I trust him to patch you up. I gave you Jake because you’re the best map reader we’ve got, and he’s damn near blind. And I gave you Jake because you absolutely never believe in yourself—and he finds a way to believe in you every damn day.

If you’re focused on moving from sign to sign, there’s no opportunity for happy accidents.

My perfect day is a happy accident.

The very fact that you're aware of suffering is enough reason to be overjoyed that you're alive and can experience it.

A book, like a person, has its fortunes with one; is lucky or unlucky in the precise moment of its falling in our way, and often by some happy accident counts with us for something more than its independent value.

So many crimes are solved by a happy accident—by the random stopping of a car, by an overhead remark, by someone of the right nationality happening to be within five miles of the scene of the crime without an alibi…

The world gobbles us and chews us and swallows us,” Hatcher said, in that uncanny way he had of reading her thoughts. “I think happy endings must be accidents.” “But we hope for them all the same,” Alice said. She looked sadly at the remains of those hopeful faces. Above all, we hope not to die in terror.

How COULD they endure my happiness, if I did not put around it accidents, and winter-privations, and bear-skin caps, and enmantling snowflakes!

People talk about how fast life can go from good to bad. How on day you're happy, everything is going fine, and then something happens. Someone dies or someone leaves. There's an illness or an accident. Life as you know it slips away. But it can got the other way too. You can go from god-awful to pretty OK in a single day. That's what happened to us, and it was just as jarring.

It's the imperfections that make something beautiful. That's what makes it different and unique from everything else.

A good style should show no signs of effort. What is written should seem a happy accident.

In improv there are no mistakes, only beautiful happy accidents. And many of the world’s greatest discoveries have been by accident.

Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each gives the other one meaning.

All it takes is just a little change of perspective and you begin to see a whole new world.

...actual happiness only happens by accident

If what you're doing doesn't make you happy, you're doing the wrong thing.

...at the restaurant of her choice, she taught me the lesson of “proximity.” “You don’t have to throw people away,” she said. “You just have to decide how close you want them. Not every person in your life needs to be your best friend: some can be friends or just friendly acquaintances.

A student: "I wonder why I did what I did, maybe it was an accident" A Teacher: "Everything is a mere accident. Be it, a love or friendship. We are born by an accident, we die by an accident, we study by an accident, and sometimes, we live by an accident. However, it is not we who perform these accidents. We are just like a remote control operated by unknown creature. But worry not; your heart makes happy accidents.

maybe you’re sleeping and I suppose I could just say this in the morning, but now I can’t sleep and I’m just lying here so I might as well get it over with, and well . . .I’m sorry about this afternoon, J.D. The first spill honestly was an accident, but the second . . . okay, that was completely uncalled for. I’m, um, happy to pay for the dry cleaning. And, well . . . I guess that’s it. Although you really might want to rethink leaving your jacket on your chair. I’m just saying. Okay, then. That’s what they make hangers for. Good. Fine. Good-bye.” J.D. heard the beep, signaling the end of the message, and he hung up the phone. He thought about what Payton had said—not so much her apology, which was question-ably mediocre at best—but something else. She thought about him while lying in bed. Interesting. Later that night, having been asleep for a few hours, J.D. shot up in bed He suddenly remembered—her shoe. Oops.

A lifetime's experience urges me to utter a warning cry: do anything else, take someone's golden retriever for a walk, run away with a saxophone player. Perhaps what's wrong with being a writer is that one can't even say 'good luck'--luck plays no part in the writing of a novel. No happy accidents as with the paint pot or chisel. I don't think you can say anything, really. I've always wanted to juggle and ride a unicycle, but I dare say if I ever asked the advice of an acrobat he would say, 'All you do is get on and start pedaling'.

We are, when we love, in an abnormal state, capable of giving at once to the most apparently simple accident, an accident which may at any moment occur, a seriousness which in itself it would not entail. What makes us so happy is the presence in our hearts of an unstable element which we contrive perpetually to maintain and of which we cease almost to be aware so long as it is not displaced. In reality, there is in love a permanent strain of suffering which happiness neutralises, make potential only, postpones, but which may at any moment become, what it would long since have been had we not obtained what we wanted, excruciating.

We put some dark in, only so our light will show. You have to have dark in order to show light.

I spent so much of my younger life drinking, and being drunk makes learning to be a grown-up kind of hard.

In life you need colors.

All the characters ever written are already inside you. It's just a matter of accessing them and bringing them forward. And having no fear of the dark side.

Has she accepted you?" "Not yet.She wants to discuss it with you first." "Thank God.Because I'll tell her that it's the worst idea I've ever heard." Leo arched a brow."You doubt I could protect her?" "I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire." "I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?" He saw from Harry's expression that only a few fragile constraints stood between him and certain death. "You seduced her deliberately," Harry managed to say. "Would you be happier if I claimed it was an accident?" "The only thing that would make me happy is to weight you with rocks and toss you into the Thames." "I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago." Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her." Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly." "That does it," Harry muttered, leaping for his throat.

It was in fact the ordinary nature of everything preceding the event that prevented me from truly believing it had happened, absorbing it, incorporating it, getting past it. I recognize now that there was nothing unusual in this: confronted with sudden disaster we all focus on how unremarkable the circumstances were in which the unthinkable occurred, the clear blue sky from which the plane fell, the routine errand that ended on the shoulder with the car in flames, the swings where the children were playing as usual when the rattlesnake struck from the ivy. "He was on his way home from work — happy, successful, healthy — and then, gone," I read in the account of a psychiatric nurse whose husband was killed in a highway accident. In 1966 I happened to interview many people who had been living in Honolulu on the morning of December 7, 1941; without exception, these people began their accounts of Pearl Harbor by telling me what an "ordinary Sunday morning" it had been. "It was just an ordinary beautiful September day," people still say when asked to describe the morning in New York when American Airlines 11 and United Airlines 175 got flown into the World Trade towers. Even the report of the 9/11 Commission opened on this insistently premonitory and yet still dumbstruck narrative note: "Tuesday, September 11, 2001, dawned temperate and nearly cloudless in the eastern United States.

Is that shooting star just a happy accident or has the universe had it planned for a thousand years?” He tilted his face to the sky, his eyes tracking an imaginary star as it screamed to earth. He looked back to her. “Either way, you can’t stop it. You can beg it to slow down or you can just enjoy the show.” “Am I the star in this story or you?” Blake wrinkled his nose and chuckled. “Was that a bad analogy? I meant we’re the star, Livia. Us. This.” He shrugged his shoulders like it was the most obvious thing in the world. “Us being in the same atmosphere is either a great cosmic catastrophe or the most serendipitous rendezvous.

He used to say, ‘Accident of birth is the number one predictor of happiness.

If we all painted the same way, what a boring world it would be.

You'll never believe what you can do until you get in there and try it.

Just let go - and fall like a little waterfall

There is immense joy in just watching all the little creatures in nature.

We each see the world in our own way. That's what makes it such a special place.

I hope what she hears are directions for happiness; the happiness blueprint. But I don’t think there is one. We find happiness, if we find it at all, on accident. We trip over it on our own way somewhere else. It’s woven out of the oddest circumstances.

Through some happy accident of heredity he had escaped his father's tediousness, while retaining a little of his mother's jolly high spirits and humor. This did not make him anything special, but at least he was good-natured.

It is not possible to be original by trying to be original - those who attempt this in the arts will be merely avant-garde. Originality is the product of an impulse to intense and overwhelming that it bursts the conventions and produces something new - again more by accident than design.

Every single thing in the world has its own personality, and it is up to you to make friends with the little rascals.

I sometimes feel my entire life is a series of accidents and chances- not that I am complaining. One can be very happy having relinquished all expectation of control.

We don't really know where this goes, and I'm not sure we really care.

In nature, dead trees are just as normal as live trees.

...“I think happy endings must be accidents.” “But we hope for them all the same,” Alice said.

Now go and brag of thy present happiness, whosoever thou art, brag of thy temperature, of thy good parts, insult, triumph, and boast; thou seest in what a brittle state thou art, how soon thou mayst be dejected, how many several ways, by bad diet, bad air, a small loss, a little sorrow or discontent, an ague, &c.; how many sudden accidents may procure thy ruin, what a small tenure of happiness thou hast in this life, how weak and silly a creature thou art.

Maybe that’s all life was, this impossibly complicated helix of choice and accident, things you could control and couldn’t. And when the day was done, the only measure of success was how happy you were, how much you loved and were loved.

Valéry used to speak of those people who die in an accident because they are unwilling to let go of their umbrellas; how many subjects repressed, refracted, blinded as to their true sexuality, because they are unwilling to let go of a stereotype.

The connection being that in my head all language began in song and that the best stories inevitably reutrn to song, to a state of rapture. For years, I had assumed that throwing beautiful words at the page would make my prose feel true. But I had the process exactly backward. It was truth that lifted the language into beauty and toward song. It was a matter of doing what Joe Henry did, of pursuing characters into moments of emotional truth and slowing down. The result was a compression of sensual and psychological detail that released the rhythm and melody in language itself, what Longfellow called "the happy accidents of language.

Many lives are disrupted by tragic accidents, and even the most fortunate are subjected to stresses of various kinds. Yet such blows do not necessarily diminish happiness. It is how people respond to stress that determines whether they will profit from misfortune or be miserable.

I think each of us, sometime in our life, has wanted to paint a picture.

There's beauty in every tree and every bush. Just take the time to look at'em.

We have no limits to our world. We're only limited by our imagination.

In happy hours, nature appears to us one with art; art perfected, -- the work of genius. And the individual, in whom simple tastes and susceptibility to all the great human influences overpower the accidents of a local and special culture, is the best critic of art. Though we travel the world over to find the beautiful, we must carry it with us, or we find it not.

Their point of resemblance to each other and their difference from so many American women, lay in the fact that they were all happy to exist in a man's world--they preserved their individuality through men and not by opposition to them. They would all three have made alternatively good courtesans or good wives not by the accident of birth but through the greater accident of finding their man or not finding him.

You don't belong here if you are unhappy," she continued. "Your mother makes you hateful, and you make her hateful. It doesn't matter if she's your mother. It's an accident of birth. It doesn't have to mean so much."..."You belong where you have the best chance of being happy...

Yeah, see, and that proves my point. What killed Housini? A stupid accident. But for one moment of stupidity, he’d have grown old with his Bess and been happy as a big in shit. Notice I ain’t young, and if I die, old Cletus would kick my ass for leaving him all alone down here. (Jack)

A society that puts equality—in the sense of equality of outcome—ahead of freedom will end up with neither equality nor freedom. The use of force to achieve equality will destroy freedom, and the force, introduced for good purposes, will end up in the hands of people who use it to promote their own interests. On the other hand, a society that puts freedom first will, as a happy by-product, end up with both greater freedom and greater equality. Though a by-product of freedom, greater equality is not an accident. A free society releases the energies and abilities of people to pursue their own objectives. It prevents some people from arbitrarily suppressing others. It does not prevent some people from achieving positions of privilege, but so long as freedom is maintained, it prevents those positions of privilege from becoming institutionalized; they are subject to continued attack by other able, ambitious people. Freedom means diversity but also mobility. It preserves the opportunity for today's disadvantaged to become tomorrow's privileged and, in the process, enables almost everyone, from top to bottom, to enjoy a fuller and richer life.

I have a colleague who often tells people, “Look, allowing yourself to be dependent on another person is the worst possible thing you can do to yourself. You would be better off being dependent on heroin. As long as you have a supply of it, heroin will never let you down; if it’s there, it will always make you happy. But if you expect another person to make you happy, you’ll be endlessly disappointed.” As a matter of fact, it is no accident that the most common disturbance that passive dependent people manifest beyond their relationships to others is dependency on drugs and alcohol. Theirs is the “addictive personality.” They are addicted to people, sucking on them and gobbling them up, and when people are not available to be sucked and gobbled, they often turn to the bottle or the needle or the pill as a people-substitute. In summary, dependency may appear to be love because it is a force that causes people to fiercely attach themselves to one another.

As I contemplated these happy possibilities, we wound our way through the Pasadena Valley. "I never liked this city," I murmured. "It makes me think of game shows, tawdry parades and drunk washed-up starlets with spray-on tans." Piper coughed. "FYI, Jason's mom was from here. She died here, in a car accident." "I'm sorry. What did she do?" "She was a drunk washed-up starlet with a spray-on tan." "Ah." I waited for the sting of embarrassment to fade. It took several miles.

But simple luck is the random birthright of the hapless. When seasoned by the subtleties of accident, harmony, favor, wisdom, and inevitability, luck takes on the cast of serendipity. Serendipity happens when a well-trained mind looking for one thing encounters something else: the unexpected. It comes from being in a position to seize opportunity from the happy marriage of time, place, and chance.

Is there a difference between happiness and inner peace? Yes. Happiness depends on conditions being perceived as positive; inner peace does not. Is it not possible to attract only positive conditions into our life? If our attitude and our thinking are always positive, we would manifest only positive events and situations, wouldn’t we? Do you truly know what is positive and what is negative? Do you have the total picture? There have been many people for whom limitation, failure, loss, illness, or pain in whatever form turned out to be their greatest teacher. It taught them to let go of false self-images and superficial ego-dictated goals and desires. It gave them depth, humility, and compassion. It made them more real. Whenever anything negative happens to you, there is a deep lesson concealed within it, although you may not see it at the time. Even a brief illness or an accident can show you what is real and unreal in your life, what ultimately matters and what doesn’t. Seen from a higher perspective, conditions are always positive. To be more precise: they are neither positive nor negative. They are as they are. And when you live in complete acceptance of what is — which is the only sane way to live — there is no “good” or “bad” in your life anymore. There is only a higher good — which includes the “bad.” Seen from the perspective of the mind, however, there is good-bad, like-dislike, love-hate. Hence, in the Book of Genesis, it is said that Adam and Eve were no longer allowed to dwell in “paradise” when they “ate of the tree of the knowledge of good and evil.

The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.

Again his dead wife came back to his imagination, but not as he had known her for many years, not as the good domestic housewife, but as a young girl with a slim figure, innocently inquiring eyes, and a tight twist of hair on her childish neck. He remembered how he had seen her for the first time. He was still a student then. He had met her on the staircase of his lodgings, and, jostling by accident against her, he tried to apologise, and could only mutter, 'Pardon, monsieur,' while she bowed, smiled, and suddenly seemed frightened, and ran away, though at the bend of the staircase she had glanced rapidly at him, assumed a serious air, and blushed. Afterwards, the first timid visits, the half-words, the half-smiles, and embarrassment; and melancholy, and yearnings, and at last that breathing rapture.... Where had it all vanished? She had been his wife, he had been happy as few on earth are happy.... 'But,' he mused, 'these sweet first moments, why could one not live an eternal, undying life in them?

Churchill believed marriage to be a simple thing and sought to dispel its mysteries through a series of aphorisms. “All you need to be married are champagne, a box of cigars, and a double bed,” he said. Or this: “One of the secrets of a happy marriage is never to speak to or see the loved one before noon.” Churchill had a formula for family size as well. Four children was the ideal number: “One to reproduce your wife, one to reproduce yourself, one for the increase in population, and one in case of accident.

I want to tell you a story. It is about a friend who lost his eyesight in a car accident. His world is entirely one of darkness, all the time. Do you know what he told me? He said that if he could see again, he would be in paradise. How I wish I could fulfill his wish. If I cannot help him, at least I can share his insight with you: Do not wait until you lose your eyesight before knowing how happy you can be just by opening your eyes. You have excellent eyes, and each time you open them a marvelous paradise of forms and colors appears.

Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.

His life had seemed horrible when it was measured by its happiness, but now he seemed to gather strength as he realised that it might be measured by something else. Happiness mattered as little as pain. They came in, both of them, as all the other details of his life came in, to the elaboration of the design. He seemed for an instant to stand above the accidents of his existence, and he felt that they could not affect him again as they had done before. Whatever happened to him now would be one more motive to add to the complexity of the pattern, and when the end approached he would rejoice in its completion. It would be a work of art, and it would be none the less beautiful because he alone knew of its existence, and with his death it would at once cease to be. Philip was happy.

Just think,” I say to Karl, “every night we come home to the same house and we sleep in the same bed with the same dog, and of all the houses and beds and dogs in the world we hit on this combination.” The fact that we came so close to missing out, missing out because of my own fear of failing, makes me think I avoided a mortal accident by the thickness of a coat of paint. We are, on this earth, so incredibly small, in the history of time, in the crowd of the world, we are practically invisible, not even a dot, and yet we have each other to hold on to.

It’s like taking a photograph containing all the people you love and suddenly some of those people purposely cut themselves out of the picture. And the gaping hole left behind is in some ways worse than death. If their absence was caused by death, you would grieve their loss. But when their absence is caused by rejection, you not only grieve their loss but you also have to wrestle through the fact that they wanted this. They chose to cut themselves out. Though you are devastated, they are possibly walking away feeling relieved. Or worse, they might even feel happy. And there you sit, staring at a jacked-up photograph that no glue in the world can fix. Normal has been taken. Not by accident. But very much on purpose by someone you never expected could be such a thief.

Most of these stories are on the tragic side. But the reader must not suppose that the incidents I have narrated were of common occurrence. The vast majority of these people, government servants, planters, and traders, who spent their working lives in Malaya were ordinary people ordinarily satisfied with their station in life. They did the jobs they were paid to do more or less competently,. They were as happy with their wives as are most married couples. They led humdrum lives and did very much the same things every day. Sometimes by way of a change they got a little shooting; but at a rule, after they had done their day's work, they played tennis if there were people to play with, went to the club at sundown if there was a club in the vicinity, drank in moderation, and played bridge. They had their little tiffs, their little jealousies, their little flirtations, their little celebrations. They were good, decent, normal people. I respect, and even admire, such people, but they are not the sort of people I can write stories about. I write stories about people who have some singularity of character which suggests to me that they may be capable of behaving in such a way as to give me an idea that I can make use of, or about people who by some accident or another, accident of temperament, accident of environment, have been involved in unusual contingencies. But, I repeat, they are the exception.

...The very worst events in life have that effect on a family: we always remember, more sharply than anything else, the last happy moment before everything fell apart. The second before the crash, the ice-cream in the gas station just before the accident, the last swim on holiday before we came home and received the diagnosis. Our memories always force us back to those very best moments, night after night, prompting the questions: "Could I have done anything differently? Why did I just go around being happy? If only I'd known what was going to happen, could I have stopped it?"...Everyone has a thousand wishes before a tragedy, but just one afterward. When a child is born, its parents dream of it being as unique as possible, until it gets ill, when suddenly all they want is for everything to be normal.

How gaily and lightly these people I met carried their radiant heads, and swung themselves through life as through a ball-room! There was no sorrow in a single look I met, no burden on any shoulder, perhaps not even a clouded thought, not a little hidden pain in any of the happy souls. And I, walking in the very midst of these people, young and newly-fledged as I was, had already forgotten the very look of happiness. I hugged these thoughts to myself as I went on, and found that a great injustice had been done me. Why had the last months pressed so strangely hard on me? I failed to recognize my own happy temperament, and I met with the most singular annoyances from all quarters. I could not sit down on a bench by myself or set my foot any place without being assailed by insignificant accidents, miserable details, that forced their way into my imagination and scattered my powers to all the four winds. A dog that dashed by me, a yellow rose in a man's buttonhole, had the power to set my thoughts vibrating and occupy me for a length of time.

The meeting started, and I could barely listen for my self-mortification. I wanted the hour to end so I could ask her what it was I had done. And then, all of a sudden, it hit me - boing! This had NOTHING to do with me. I felt a wave of relief, an internal shift like I had just had a chiropractic adjustment. I realized that I had made something that had nothing to do with me into something that was all about me. I saw that I had been doing this all my life. When I was a kid, my mom was easily annoyed, and I always figured it was me bugging her. After growing up like that, I was forever making myself the cause of other people's pain. It was self-centered and rendered me incapable of compassion for others, because I'm no good to anybody else when it's all about me. And frankly, most things have nothing to do with me. It was very adolescent, really. I got it, suddenly and profoundly.

I did not tell him my decision, that would have broken my will. I did not wait to have breakfast with him but only drank some coffee and made an excuse to go home. I knew the excuse did not fool Joey; but he did not know how to protest or insist; he did not know that this was all he needed to have done. Then I, who had seen him that summer nearly every day till then, no longer went to see him. He did not come to see me. I would have been very happy to see him if he had, but the manner of my leavetaking had begun a constriction which neither of us knew how to arrest. When I finally did see him, more or less by accident, near the end of the summer, I made up a long and totally untrue story about a girl I was going with and when school began again I picked up with a rougher, older crowd and was very nasty to Joey. And the sadder this made him, the nastier I became. He moved away at last, out of the neighborhood, away from our school, and I never saw him again.

You put a hard question on the virtue of discipline. What you say is true: I do value it—and I think that you do too—more than for its earthly fruit, proficiency. I think that one can give only a metaphysical ground for this evaluation; but the variety of metaphysics which gave an answer to your question has been very great, the metaphysics themselves very disparate: the bhagavad gita, Ecclesiastes, the Stoa, the beginning of the Laws, Hugo of St Victor, St Thomas, John of the Cross, Spinoza. This very great disparity suggests that the fact that discipline is good for the soul is more fundamental than any of the grounds given for its goodness. I believe that through discipline, though not through discipline alone, we can achieve serenity, and a certain small but precious measure of freedom from the accidents of incarnation, and charity, and that detachment which preserves the world which it renounces. I believe that through discipline we can learn to preserve what is essential to our happiness in more and more adverse circumstances, and to abandon with simplicity what would else have seemed to us indispensable; that we come a little to see the world without the gross distortion of personal desire, and in seeing it so, accept more easily our earthly privation and its earthly horror—But because I believe that the reward of discipline is greater than its immediate objective, I would not have you think that discipline without objective is possible: in its nature discipline involves the subjection of the soul to some perhaps minor end; and that end must be real, if the discipline is not to be factitious. Therefore I think that all things which evoke discipline: study, and our duties to men and to the commonwealth, war, and personal hardship, and even the need for subsistence, ought to be greeted by us with profound gratitude, for only through them can we attain to the least detachment; and only so can we know peace.

When thinking about risk from transport, you can think directly in terms of minutes of life lost per hour of travel. Each time you travel, you face a slight risk of getting into a fatal accident, but the chance of getting into a fatal accident varies dramatically depending on the mode of transport. For example, the risk of a fatal car crash while driving for an hour is about one in ten million (so 0.1 micromorts). For a twenty-year-old, that’s a one-in-ten-million chance of losing sixty years. The expected life lost from driving for one hour is therefore three minutes. Looking at expected minutes lost shows just how great a discrepancy there is between risks from different sorts of transport. Whereas an hour on a train costs you only twenty expected seconds of life, an hour on a motorbike costs you an expected three hours and forty-five minutes. In addition to giving us a way to compare the risks of different activities, the concept of expected value helps us choose which risks are worth taking. Would you be willing to spend an hour on a motorbike if it was perfectly safe but caused you to be unconscious later for three hours and forty-five minutes? If your answer is no, but you’re otherwise happy to ride motorbikes in your day-to-day life, you’re probably not fully appreciating the risk of death.

...I am not I who thinks,but I am the Void, or extension, that thinks me. And so this composite is an accident, in which Void and extension linger for the blink of an eye, to be able afterwards to return to thinking otherwise. In this great Void of the Void, the one thing that truly is, is the history of this evolution in numberless transitory compositions...Compositions of what? Of the one great Nothingness, which is the substance of the whole. Substance governed by a majestic necessity, which leads it to create and destroy worlds, to weave our pale lives. I must accept this, succeed in loving this Necessity, return to it, and bow to its future will, for this is the condition of Happiness. Only by accepting its law will I find my freedom. To flow back into It will be Salvation, fleeing from passions into the sole passion, the Intellectual Love of God. If I truly succeeded in understanding this, I would be the one man who has found the True Philosophy, and I would know everything about the God that is hidden. But who would have the heart to go about the world and proclaim such a philosophy? This is the secret I will carry with me to my grave, in the Antipodes.

One may ask, how is the great King Jaron described by those who know him? The answer rarely includes the word “great,” unless the word to follow is “fool,” though I have also heard “disappointment,” “frustration,” and “chance that he’ll get us all killed.” There are other answers, of course. “He was born to cause trouble, as if nothing else could make him happy.” My nursemaid said that, before I was even four years of age. I still believe her early judgments of me were unfair. Other than occasionally climbing over the castle balconies, and a failed attempt at riding a goat, what could I have possibly done to make her say such a thing? My childhood tutor: “Jaron has a brilliant mind, if one can pin him down long enough to teach him anything he doesn’t think he already knows. Which one rarely can.” It wasn’t that I thought I already knew everything. It was that I had already learned everything I cared to know from him, and besides, I didn’t see the importance of studying in the same way as my elder brother, Darius. He would become king. I would take a position among his advisors or assume leadership within our armies. My parents had long abandoned the idea of me becoming a priest, at the tearful request of our own priest, who once announced over the pulpit that I “belonged to the devils more than the saints.” To be fair, I had just set fire to the pulpit when he said it. Mostly by accident.

After Dad died, I told myself I wouldn’t be one of those bratty kids who made it difficult for their single parent to date someone else, or to find love with someone else or whatever. I wouldn’t be an obstacle to my mother’s happiness. It’s just that…well, I was operating under the assumption that she loved my dad, that they were made for each other, so she probably wouldn’t find anyone else anyway. Now I feel that Grom had intruded on their relationship the entire time. That maybe they could have loved each other if it weren’t for him. And somehow I feel that since Mom and Dad didn’t love each other, then I’m less…important. That I’m the result of an accident that is still complicating the lives of people I love. I also hate that I’m allowing myself to have a pity party when clearly bigger things than myself are happening. Feel free to grow up at any time, Emma. Preferably before you push away people you love. Grom retracts his hand from Mom’s mouth, and uses his fingertips to caress her cheek. My new and improved grown-up self tries not to think Gag me, but I accidentally think it anyway.

Let us have it plain: my society is comprised of metal-worshipers. They pray to metal, are owned by metal, and metal uses them; it shoots them, it stabs them. I witness its sycophants, grave zombies, moved about humorlessly as its agents. My minions are spiritually rapt as the ages climaxes in gunpowder. One notes that, upon first being handed a rifle -- by Burton or Speke? -- a chieftain blithely shot one of his own lackeys, expressing radiant joy as the man tumbled dead. Do not stop there, happy Klansman, but watch with me early in the morning as I come in from work: across the street here in the clean "burbs" your white policeman goes reverently to his car with a deer rifle coddled in his right arm like a precocious, beautiful child. This man lives with a pistol on his hip all week, but that is not enough, no, he is devout and it is the Christmas season. His own cowardice, affirmed by the use of guns, would not occur to him any more than the cowardice of God. The gun lobby, oh my peaceful friends, you may hate, but first you had better understand that it is a religion, only secondarily connected to the Bill of Rights. The thick-headed, sometimes even close to tearful, gaze you get when chatting with one of its partisans emanates from the view that they're holding a piece of God. There is no persuading them otherwise, even by a genus, because a life without guns implies the end of the known world to them. Any connection they make to our " pioneer past" is also a fraud, a wistful apology. Folks love a gun for what it can do. A murderer always thinks it was an accident, he says, as if a religious episode had passed over him.

The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work. As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.” After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.

Thought Control * Require members to internalize the group’s doctrine as truth * Adopt the group’s “map of reality” as reality * Instill black and white thinking * Decide between good versus evil * Organize people into us versus them (insiders versus outsiders) * Change a person’s name and identity * Use loaded language and clichés to constrict knowledge, stop critical thoughts, and reduce complexities into platitudinous buzzwords * Encourage only “good and proper” thoughts * Use hypnotic techniques to alter mental states, undermine critical thinking, and even to age-regress the member to childhood states * Manipulate memories to create false ones * Teach thought stopping techniques that shut down reality testing by stopping negative thoughts and allowing only positive thoughts. These techniques include: * Denial, rationalization, justification, wishful thinking * Chanting * Meditating * Praying * Speaking in tongues * Singing or humming * Reject rational analysis, critical thinking, constructive criticism * Forbid critical questions about leader, doctrine, or policy * Label alternative belief systems as illegitimate, evil, or not useful * Instill new “map of reality” Emotional Control * Manipulate and narrow the range of feelings—some emotions and/or needs are deemed as evil, wrong, or selfish * Teach emotion stopping techniques to block feelings of hopelessness, anger, or doubt * Make the person feel that problems are always their own fault, never the leader’s or the group’s fault * Promote feelings of guilt or unworthiness, such as: * Identity guilt * You are not living up to your potential * Your family is deficient * Your past is suspect * Your affiliations are unwise * Your thoughts, feelings, actions are irrelevant or selfish * Social guilt * Historical guilt * Instill fear, such as fear of: * Thinking independently * The outside world * Enemies * Losing one’s salvation * Leaving * Orchestrate emotional highs and lows through love bombing and by offering praise one moment, and then declaring a person is a horrible sinner * Ritualistic and sometimes public confession of sins * Phobia indoctrination: inculcate irrational fears about leaving the group or questioning the leader’s authority * No happiness or fulfillment possible outside the group * Terrible consequences if you leave: hell, demon possession, incurable diseases, accidents, suicide, insanity, 10,000 reincarnations, etc. * Shun those who leave and inspire fear of being rejected by friends and family * Never a legitimate reason to leave; those who leave are weak, undisciplined, unspiritual, worldly, brainwashed by family or counselor, or seduced by money, sex, or rock and roll * Threaten harm to ex-member and family (threats of cutting off friends/family)