Hang Loose Quotes

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It is the loose ends with which men hang themselves.
Zelda Fitzgerald
Truth is, I think naked men are kind of strange looking what with their doodles and ding-dong hanging loose like they do. Nevertheless, there's the curiosity thing. I guess it's another one of those car crash experiences, where you feel compelled to look even if you know you'll be horrified.
Janet Evanovich (Seven Up (Stephanie Plum, #7))
Those he commands move only in command, Nothing in love: now does he feel his title Hang loose about him, like a giant’s robe Upon a dwarfish thief
William Shakespeare
This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moon and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it's getting late. I don't know if this is a happy ending but here we are let loose in open fields.
Jeanette Winterson (Written on the Body)
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
Chance. It weaves through our lives like a golden thread, sometimes knotting, tangling, and breaking along the way. Loose threads are left hanging, but the in and out, the back and forth continues, the weaving goes on. It doesn't stop.
Mary E. Pearson (The Miles Between)
I say that the middle class around the world… is the highest form of evolution. The bourgeoisie! — the human beast doesn’t get any better! The worldwide bourgeoisie makes what passes today for aristocrats — people consumed by juvenility who hang loose upon society — look like shiftless children.
Tom Wolfe
I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.
Lisa Ann Sandell (A Map of the Known World)
Faith seems to grab people and not let go, but hope is a double-crosser. It can beat it on you anytime; it's your job to dig in your heels and hang on. Must be nice to have hope in your pocket, like loose change you could jingle through your fingers.
Judy Blundell (Strings Attached)
Today, I will apply the concept of detachment, to the best of my ability, in my relationships. If I can’t let go completely, I’ll try to “hang on loose.
Melody Beattie (The Language of Letting Go: Daily Meditations on Codependency (Hazelden Meditation Series))
Despite the fact that he no longer dressed like the big dork he did then, despite the fact that he’d swapped the nerd wear for some much cooler clothes, despite the fact that he’d let his hair go all shaggy and loose to the point where it curved down into his face in that cool guy, slightly windswept, effortless way, despite the fact that every time I looked into his brilliant blue eyes I was totally reminded of the Zac Efron poster that used to hang on my old bedroom wall, it still didn’t make it okay for him to laugh at me the way he did.
Alyson Noel (Shimmer (Riley Bloom, #2))
The sky is low and gray and loose and seems to hang. There’s something baggy about the sky.
David Foster Wallace (Infinite Jest)
Summer sticks to her skirt sumptuously, in the shiny gray fabric hanging loosely from her curves. Her chestnut eyes, apparently hidden from strangers; her simple but graceful face, unpainted by Madison Avenue; and her straight black hair, parted down the middle without ego, all suggest a minimalist - almost pastoral - beauty that is oddly discordant with her fashionable attire, comfortable indifference to the crowds, and quasi-attentive perusal of the Time magazine unfolded over her hand.
Zack Love (City Solipsism)
The tinker in his burial tree was a wonder to the birds. The vultures that came by day to nose with their hooked beaks among his buttons and pockets like outrageous pets soon left him naked of his rags and flesh alike. Black mandrake sprang beneath the tree as it will where the seed of the hanged falls and in spring a new branch pierced his breast and flowered in a green boutonnière perennial beneath his yellow grin. He took the sparse winter snows upon what thatch of hair still clung to his dried skull and hunters that passed that way never chanced to see him brooding among his barren limbs. Until wind had tolled the thinker's bones and seasons loosed them one by one to the ground below and his bleached and weathered brisket hung in that lonesome wood like a bone birdcage.
Cormac McCarthy (Outer Dark)
There were three of them outside the mercantile—women—and one of them was juggling. I blinked, thinking the magistrate had made a mistake. This was a girl I might have eagerly bought a drink for last night, but there was no mistaking she was outfitted for trouble, a sword hanging from one hip and two knives from the other. Her long black hair hung loosely over her shoulders, and she laughed and chatted with the store clerk as she continued to juggle, and then— I jabbed Mason. “Did you see that?” “See what?” “She just nicked an orange!
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
In summers heate and mid-time of the day To rest my limbes upon a bed I lay, One window shut, the other open stood, Which gave such light as twinkles in a wood, Like twilight glimpse at setting of the Sunne, Or night being past, and yet not day begunne. Such light to shamefast maidens must be showne, Where they may sport, and seeme to be unknowne. Then came Corinna in a long loose gowne, Her white neck hid with tresses hanging downe, Resembling fayre Semiramis going to bed, Or Layis of a thousand lovers sped. I snatcht her gowne: being thin, the harme was small, Yet strived she to be covered therewithall. And striving thus as one that would be cast, Betrayde her selfe, and yeelded at the last. Starke naked as she stood before mine eye, Not one wen in her body could I spie. What armes and shoulders did I touch and see, How apt her breasts were to be prest by me. How smooth a belly under her wast saw I, How large a legge, and what a lustie thigh? To leave the rest, all liked me passing well, I clinged her naked body, downe she fell, Judge you the rest, being tirde she bad me kisse; Jove send me more such after-noones as this.
Christopher Marlowe
Now does he feel His secret murders sticking on his hands. Now minutely revolts upbraid his faith-breach. Those he commands move only in command, Nothing in love. Now does he feel his title Hang loose about him, like a giant’s robe Upon a dwarfish thief.
William Shakespeare (Macbeth)
She's got a man's nightshirt on and stockings with holes in them. Somebody else's tie, a gold and green chevroned number, hangs around her neck and just at this moment it looks like a king's mantle draped over her shoulders. Her hair's all loose, her lipstick and eyeliner gone a-roving. She's got a cigar in one hand and a jar full of gin in the other, and she's laughing, laughing like for once that damned chicken crossed the road for something really good.
Catherynne M. Valente (Speak Easy)
Sometimes it’s hard to know when to let go. It can be so personal…like the autumn leaf still hanging on the limb in the late October sky, Mother Nature sends a gust of wind to nudge it’s stem loose. For us we must listen for our own nudge from the inner soul. We must know…we will feel, it’s ok to let it be. *“Whispers words of wisdom let it be.” - Wes Adamson * “Let It Be” lyrics by Paul McCartney
Wes Adamson
A woman once of some height, she is bent small, and the lingering strands of black look dirty in her white hair. She carries a cane, but in forgetfulness, perhaps, hangs it over her forearm and totters along with it dangling loose like an outlandish bracelet. Her method of gripping her gardener is this: he crooks his right arm, pointing his elbow toward her shoulder, and she shakily brings her left forearm up within his and bears down heavily on his wrist with her lumpish freckled fingers. Her hold is like that of a vine to a wall; one good pull will destroy it, but otherwise it will survive all weathers.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
I noticed several things about the drummer all at once. He was focused on the task at hand, keeping perfect rhythm. Instead of a swirl of transparent colors around his torso, there was a small, concentrated starburst of bright red at his sternum. But otherwise his aura was blank. Huh. That was strange. But before I could contemplate it too much, my eyes landed on his face. Wowza. He was smokin' hot. As in H-O-T-T hot. I'd never understood until that moment why girls insisted on adding an extra T. This guy was extra-T worthy. I examined the drummer, determined to find a flaw. Brown hair. An interesting haircut: short around the sides and back, but longer on top, hanging loose and angling across his forehead. His eyes were narrow and his eyebrows were a bit thick and...Oh, who was I kidding? I could pick him apart, but even the shifty slant of his eyes made him more alluring to me.
Wendy Higgins (Sweet Evil (Sweet, #1))
Any clear thing that blinds us with surprise, your wandering silences and bright trouvailles, dolphin let loose to catch the flashing fish... saying too little, then too much. Poets die adolescents, their beat embalms them, the archetypal voices sing offkey; the old actor cannot read his friends, and nevertheless he reads himself aloud, genuis hums the auditorium dead. The line must terminate. Yet my heart rises, I know I've gladdened a lifetime knotting, undoing a fishnet of tarred rope; the net will hang on the wall when the fish are eaten, nailed like illegible bronze on the futureless future.
Robert Lowell
Did you make plans." "Nah. I tried once or twice, but they always went to hell. Eventually I just learned to let life take me where it wanted; it was easier that way. If you leave yourself open to possibilities, a lot might happen that you couldn't have planned for.
Lou Harper (Hanging Loose)
Season late, day late, sun just down, and the sky Cold gunmetal but with a wash of live rose, and she, From water the color of sky except where Her motion has fractured it to shivering splinters of silver, Rises. Stands on the raw grass. Against The new-curdling night of spruces, nakedness Glimmers and, at bosom and flank, drips With fluent silver. The man, Some ten strokes out, but now hanging Motionless in the gunmetal water, feet Cold with the coldness of depth, all History dissolving from him, is Nothing but an eye. Is an eye only. Sees The body that is marked by his use, and Time's, Rise, and in the abrupt and unsustaining element of air, Sway, lean, grapple the pond-bank. Sees How, with that posture of female awkwardness that is, And is the stab of, suddenly perceived grace, breasts bulge down in The pure curve of their weight and buttocks Moon up and, in swelling unity, Are silver and glimmer. Then The body is erect, she is herself, whatever Self she may be, and with an end of the towel grasped in each hand, Slowly draws it back and forth across back and buttocks, but With face lifted toward the high sky, where The over-wash of rose color now fails. Fails, though no star Yet throbs there. The towel, forgotten, Does not move now. The gaze Remains fixed on the sky. The body, Profiled against the darkness of spruces, seems To draw to itself, and condense in its whiteness, what light In the sky yet lingers or, from The metallic and abstract severity of water, lifts. The body, With the towel now trailing loose from one hand, is A white stalk from which the face flowers gravely toward the high sky. This moment is non-sequential and absolute, and admits Of no definition, for it Subsumes all other, and sequential, moments, by which Definition might be possible. The woman, Face yet raised, wraps, With a motion as though standing in sleep, The towel about her body, under her breasts, and, Holding it there hieratic as lost Egypt and erect, Moves up the path that, stair-steep, winds Into the clamber and tangle of growth. Beyond The lattice of dusk-dripping leaves, whiteness Dimly glimmers, goes. Glimmers and is gone, and the man, Suspended in his darkling medium, stares Upward where, though not visible, he knows She moves, and in his heart he cries out that, if only He had such strength, he would put his hand forth And maintain it over her to guard, in all Her out-goings and in-comings, from whatever Inclemency of sky or slur of the world's weather Might ever be. In his heart he cries out. Above Height of the spruce-night and heave of the far mountain, he sees The first star pulse into being. It gleams there. I do not know what promise it makes him.
Robert Penn Warren
A group of girls with their hair hanging loose over their shoulders, and the most strident voices imaginable, sold flowers at the foot of an equestrian statue, done in bronze by Thornycroft when the Empress was a young woman.
Willa Cather (Willa Cather in Europe: Her Own Story of the First Journey)
Tossing out ideas itself was good. Stimulating the conference was something that should be welcomed. I didn’t mind if a formal brainstorm was chosen for the sake of presenting many ideas. But in the brainstorm and conference we were holding where nobody’s ideas were rejected, there was no foreseeable conclusion in sight. The conference I thought was proceeding on smoothly was beginning to look nonsensical. When I noticed, my hands recording the minutes had stopped. I loosely let my hands hang under the desk and sat there in silence watching the conference. The expression that I had was completely different from those who were energetically involved in the discussion. They had vivid and bright smiles floating on their faces. That was when I noticed. They were all enjoying this moment. That’s to say, they were enjoying this exchange between each other. What they wanted wasn’t the very idea of volunteer service, but the self­-acknowledgement of them doing these activities. It’s not that they wanted to do work. They just wanted to be immersed with the feeling of working. They just wanted to feel like they were actually doing it. And then, they would feel like they did everything that they could, where ultimately, everything had turned into nothing.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。9)
Hey,Nik." I turned around to see Cole, dressed head to toe in black. Black suit, black shirt,black tie hanging loose around his neck. He looked me up and down. His gaze paused briefly on my legs, and his mouth opened slightly. I folded my arms. "Um...you...look beautiful," he said. "You look black," I replied. "Thank you.That's the look I was going for." He held a hand out. "C'mon. Let's dance." I didn't move. "What were you going to show me?" "Dance with me first." I shook my head. "Look,Nik, I know you don't like public scrutiny lately. If you stand off to the side,all mopey and such, without a date,you'll stick out like a nun at a strip club." He leaned in. "Trust me, I've seen one. A nun at a strip club, that is.Everyone was staring at her.
Brodi Ashton (Everneath (Everneath, #1))
He had second thoughts because I didn’t own a tiara I didn’t wear gowns I wore ripped jeans and kicks I slurped my soup and let my hair hang loosely, wildly off my shoulders I wasn’t a damsel in distress and didn’t need a prince to sweep me off my feet
Emily Curtis (in the absence of the sun)
There was less of him now. There was less of them all. Officers and men dragged themselves around in uniforms three sizes too big, new holes punched into every belt, every collar hanging loose. They were a garrison of skinny boys performing a play about soldiers.
Chris Cleave (Everyone Brave Is Forgiven)
I'm not sure the word "sorry" does anything justice. It's such a loose word isn't it? I mean how can one puny word encompass all the stuff you did - But also the, all the things you didn't do? It's the inactions that keep people up at night. The actions, they're done. They're done. It's the inactions that never go away. They just hang there. They ROT. How is sorry supposed to stretch across all that?
Jonathan Miles
I wasn’t relaxed. I was wearing the green dress. I’d put it on when I came in from seeing Butter, because I knew it would please Susan, and it did. She brushed my hair and let it hang loose, tying my new green ribbon around my head. “That’s an Alice ribbon,” she said. “The girl in your book, Alice, she wears her hair like that.” I felt like an imposter. It was worse than when I tried to talk like Maggie. Here I was, looking like Maggie. Looking like a shiny bright girl with hair ribbons. Looking like a girl with a family that loved her.
Kimberly Brubaker Bradley (The War That Saved My Life (The War That Saved My Life, #1))
There could be something wrong with me because I see Negroes neither better nor worse than any other race. Race pride is a luxury I cannot afford. There are too many implications bend the term. Now, suppose a Negro does something really magnificent, and I glory, not in the benefit to mankind, but the fact that the doer was a Negro. Must I not also go hang my head in shame when a member of my race does something execrable? If I glory, then the obligation is laid upon me to blush also. I do glory when a Negro does something fine, I gloat because he or she has done a fine thing, but not because he was a Negro. That is incidental and accidental. It is the human achievement which I honor. I execrate a foul act of a Negro but again not on the grounds that the doer was a Negro, but because it was foul. A member of my race just happened to be the fouler of humanity. In other words, I know that I cannot accept responsibility for thirteen million people. Every tub must sit on its own bottom regardless. So 'Race Pride' in me had to go. And anyway, why should I be proud to be Negro? Why should anyone be proud to be white? Or yellow? Or red? After all, the word 'race' is a loose classification of physical characteristics. I tells nothing about the insides of people. Pointing a achievements tells nothing either. Races have never done anything. What seems race achievement is the work of individuals. The white race did not go into a laboratory and invent incandescent light. That was Edison. The Jews did not work out Relativity. That was Einstein. The Negros did not find out the inner secrets of peanuts and sweet potatoes, nor the secret of the development of the egg. That wad Carver and Just. If you are under the impression that every white man is Edison, just look around a bit. If you have the idea that every Negro is a Carver, you had better take off plenty of time to do your searching.
Zora Neale Hurston (Dust Tracks on a Road)
Best Of You I've got another confession to make I'm your fool Everyone's got their chains to break Holdin' you Were you born to resist or be abused Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Or are you gone and onto someone new I needed somewhere to hang my head Without your noose You gave me something that I didn't have But had no use I was too weak to give in Too strong to lose My heart is under arrest again But I'll break loose My head is giving me life or death But I can't choose I swear I'll never give in I refuse Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Has someone taken your faith Its real, the pain you feel Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Oh... Oh...Oh...Oh... Oh...Oh...Oh... Oh...Oh...Oh... Oh... Has someone taken your faith It's real, the pain you feel The life, the love You'd die to heal The hope that starts The broken hearts Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you I've got another confession my friend I'm no fool I'm getting tired of starting again Somewhere new Were you born to resist or be abused I swear I'll never give in I refuse Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Has someone taken your faith It's real, the pain you feel Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Oh...
Foo Fighters
The white saucer like some full moon descends At last from the clouds of the table above; She sighs and dreams and thrills and glows, Transfigured with love. She nestles over the shining rim, Buries her chin in the creamy sea; Her tail hangs loose; each drowsy paw Is doubled under each bending knee. A long, dim ecstasy holds her life; Her world is an infinite shapeless white, Till her tongue has curled the last holy drop, Then she sinks back into the night, Draws and dips her body to heap Her sleepy nerves in the great arm-chair, Lies defeated and buried deep Three or four hours unconscious there.
Harold Monro (Collected poems;)
Because his [Damien Hirst] art is idea art - art drawn on the back of cigarette packets and beer mats, roughed out in airport departure lounges and the back of the taxis, usually delegated to and carried by others - this leaves Damien a lot of time for what might loosely be called socializing. Hanging around.
Gordon Burn
Freedom (and by that term I do not mean to evoke some wishy-washy hang-loose do-as-you-like world) as positive social equality that grants all humans the opportunity to shape their destinies in the most healthy and communally productive way can only be a complete reality when our world is no longer racist or sexist.
bell hooks (Ain't I a Woman: Black Women and Feminism)
He had no choice in the matter, if he left her hanging by the straps she'd end up being banged against the side of the aircraft. Not good for her, not good for the plane's stability. You always fastened down a cargo, you didn't leave it loose in the back of a plane. That was all he was doing, he told himself putting his arms around her to hold her limp body still, letting her head loll back against his shoulder. Keeping the cargo secure. It was his own damn fault he was getting hard again.
Anne Stuart (Ice Blue (Ice, #3))
Do you know how to unite people behind you, Child Carridin? The quickest way? No? Loose a lion - a rabid lion - in the streets. And when panic grips the people, once it has turned their bowels to water, calmly tell them you will deal with it. Then you kill it, and order them to hang the carcass up where everyone can see. Before they have time to think, you give another order, and it will be obeyed. And if you continue to give orders, they will continue to obey, for you will be the one who saved them, and who better to lead?
Robert Jordan (The Dragon Reborn (The Wheel of Time, #3))
He's at war with himself. Why doesn't he surrender to his feelings and stop fighting himself? He has hang-ups that I must cut him loose from.
Steven L. Sheppard (Byblis And Caunus)
Life is short and filled with pain, and just when you start to finally get the hang of it, you drop dead.
Christopher Fowler (Bryant & May On the Loose (Bryant & May, #7))
The carcass closest to him was the remains of the pimply youth he'd seen in Car One. The body hung upside-down, swinging back and forth to the rhythm of the train, in unison with its three fellows; an obscene danse macabre. Its arms dangled loosely from the shoulder joints, into which gashes an inch or two deep had been made, so the bodies would hang more neatly.
Clive Barker (Books of Blood, Vol. 1)
He swims easily to the side of the boat and pulls himself up on the ladder, water droplets clinging to his chest and abs. Still hanging on to the rope, he brings himself effortlessly over the side of the railing and onto the deck. His khaki shorts are completely soaked through, and they hang low and loosely on his hips. I have to force myself, consciously, not to ogle him.
Lisa Daily
I was surprised she'd heard us. When you're that low on the totem pole, you sometimes think you're so unimportant that no one can hear you. My sense of invisibility had made me loose-lipped.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Envy and respect are not the same things... Before I endow you with respect, I should find out whether your curiosity is intellectual or merely morbid. Not that those who gawk at train derailments are so different from those who conduct autopsies; both want, at some level, to know what has happened, and, by extension, what will happen. Did the liver fail because of the decedent's alcoholism or was some toxin administered? If the deliverer is found, he or she may be imprisoned or, in more honest times, hanged, and thus pose no further threat. Or for the gawker at the accident, espying loose parts not unlike his or her own parts strewn amid wreckage may lead to a sense of awe at death's power, or horror at life's fragility, either of which may be instructive in any number of ways.
Christopher Buehlman (The Lesser Dead)
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand. I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him. Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived. “Looks like you’re going to have some turbulence on your flight,” I tell him through the glass. His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides. I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.” Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
A.G. Howard (Unhinged (Splintered, #2))
Look, I get it. Loose stools are grosser than solid ones. But the censor is using the context of her own life history with all her hang-ups to answer the question, "Is there a defensible ratio of fiber to water in this stool?
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
In Maya’s group, the “executive branch,” everyone is talking at once. Maya hangs back. Samantha, tall and plump in a purple T-shirt, takes charge. She pulls a sandwich bag from her knapsack and announces, “Whoever’s holding the plastic bag gets to talk!” The students pass around the bag, each contributing a thought in turn. They remind me of the kids in The Lord of the Flies civic-mindedly passing around their conch shell, at least until all hell breaks loose.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
L.J. Shen (Sparrow)
My consciousness is at certain moments far too roomy, far too general. While usually it can contract convulsively (and feelingly) around each of my thoughts, just now it is so huge, hanging so loose about me that it would suffice for several of us.
Søren Kierkegaard (Papers and Journals: A Selection)
The naked body of the female consort illustrates freedom from the obscuration of conceptual symbols. As an illustration of unchanging great bliss endowed with the sixteen joys, she appears in the form of a youthful, sixteen-year-old girl. Her hair hangs loose, showing the unlimited way that wisdom expands impartially out of basic space. She is adorned with five bone ornaments. Of these, the ring at the top of her head symbolizes the wisdom of the basic space of phenomena [dharmadhātu], while her bone necklace represents the wisdom of equality. Her earrings stand for discerning wisdom, her bracelets for mirrorlike wisdom, and her belt for all-accomplishing wisdom. Illustrating the unity of calm abiding and insight, her secret space is joined in union.
Getse Mahapandita (Deity Mantra and Wisdom: Development Stage Meditation in Tibetan Buddhist Tantra)
I let myself relax into the moment, into friendship. 'Now what about my hairpin?' He grins and hands it over. I smooth my thumb over the silver bird, then use it to pull back his hair, instead of mine. As my fingers skim over his neck, threading through the silk of his locks, he shudders from something I do not think is cold. I am suddenly too aware of the physicality of him, his long legs and the curve of his mouth, the hollow of his throat and the sharp point of his ears, where earrings once hung. Of the hairs hanging loose from my pin, falling across one light brown horn to rest on his cheekbone. When his eyes meet mine, desire, as keen as any blade, bends the air between us. The moment slows. I want to bite his lip. To feel the heat of his skin. To slide my hands beneath his armour and trace the map of his scars.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
This place where she worked certainly didn't make it look as if she continued to believe her calling was to change the course of American history. The building's rusted fire escape would just come down, just come loose from its moorings and crash onto the street, if anyone stepped on it - a fire escape whose function was not to save lives in the event of a fire but to uselessly hang there testifying to the immense loneliness inherent to living. For him it was stripped of any other meaning - no meaning could make better use of that building. Yes, alone we are, deeply alone, and always, in store for us, a layer of loneliness even deeper. There is nothing we can do to dispose of that. No, loneliness shouldn't surprise us, as astonishing to experience it as it may be. You can try turning yourself inside out, but all you are then is inside out and lonely instead of inside in and lonely. My stupid, stupid Merry dear, stupider even than your stupid father, not even blowing up buildings helps. It's lonely if there are buildings and it's lonely if there are no buildings. There is no protest to be lodged against loneliness - not all the bombing campaigns in history have made a dent in it. The most lethat of manmade explosives can't touch it. Stand in awe not of Communism, my idiot child, but of ordinary, everyday loneliness. On May Day go out and march with your friends to its greater glory, the superpower of superpowers, the force that overwhelms all. Put your money on it, bet on it, worship it - bow down in submission not to Karl Marx, my stuttering, angry, idiot child, not to Ho Chi-Minh and Mao Tse-tung - bow down to the great god of Loneliness!
Philip Roth (American Pastoral)
Truth is, I think naked men are kind of strange looking what with their doodles and ding-dong hanging loose like they do. Nevertheless, there’s the curiosity thing. I guess it’s another one of those car crash experiences, where you feel compelled to look even if you know you’ll be horrified.
Janet Evanovich (Seven Up (Stephanie Plum, #7))
She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion. Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge. "What's your name?" I asked. "Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. "Is there something on my collar?" ("Vampire's Honeymoon")
Cornell Woolrich (Vampire's Honeymoon)
Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread. So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Hunter S. Thompson
I looked up, my eyes pouring with tears of pain and understanding. I had to look away. I let my other hand slip from the rock and hang loose. “Don’t, Violet!” Lincoln’s voice was strong and unwavering. It caught me by surprise. “Don’t. You. Dare. Look at me!” It wasn’t compulsion, but I still couldn’t stop myself. I had to see him one last time. I opened my mouth to tell him good-bye, but he didn’t let me speak. “If you let go, I’m jumping in there after you!” My hand slipped in his hold and I did little to stop it, but he clung on. “It’s better this way, Linc! You can fight him without me and then you’ll be free!” He looked at me like I was mad until his jaw set with determination. “You smell of winter dew at the first crack of dawn and when you use your power, it feels like being submerged in the most intoxicating vanilla cream that I lose myself in it every time and…and you were beautiful,” he blurted out, catching us both by surprise. But he went on, ignoring the fact my hand was still slipping. “So stunning in that dress the other night, I could hardly look at you it hurt so much. You are the thing I dread the most in myself, Violet, because…I love you so much that I can’t trust myself. I’d die for you, give up all my power for you. I’d give you my soul in an instant, even if it meant I had to spend eternity in torment—just for one moment with you as mine. Wanting you consumes me. I dread you because I know the risk, but I’m so selfish, I want you anyway. I’d take you even though it could kill you.” I cried out again, the pain now so much worse, inside and out. My hand continued to slip as I looked into his eyes, intense with want, and I knew he was telling the truth. He would jump in after me. I forced my loose arm up and he grabbed it, leaning farther into the opening. He lifted me out and as he did, the severity of my burns became apparent. I couldn’t hold back the screams and he placed me belly down on the ground.
Jessica Shirvington (Emblaze (The Embrace Series, #3))
I thought leaving home would be a liberation. I thought university would be a dance party. I thought I would live in a room vined with fairy lights; hang arabesque tapestries up on the wall. I thought scattered beneath my bed would be a combination of Kafka, coffee grounds, and a lover’s old boxer shorts. I thought I would spend my evenings drinking cheap red wine and talking about the Middle East. I thought on weekends we might go to Cassavetes marathons at the independent cinema. I thought I would know all the good Korean places in town. I thought I would know a person who was into healing crystals and another person who could teach me how to sew. I thought I might get into yoga. I thought going for frozen yogurt was something you would just do. I thought there would be red cups at parties. And I thought I would be different. I thought it would be like coming home, circling back to my essential and inevitable self. I imagined myself more relaxed—less hung up on things. I thought I would find it easy to speak to strangers. I thought I would be funny, even, make people laugh with my warm, wry, and only slightly self-deprecating sense of humor. I thought I would develop the easy confidence of a head girl, the light patter of an artist. I imagined myself dancing in a smoky nightclub, spinning slackly while my arms floated like laundry loose on the breeze. I imagined others watching me, thinking, Wow, she is so free.
Lara Williams (Supper Club)
I watched him now, his hands working gingerly, as if he were learning to use them for the first time. He could not press down hard with a knife. His fingers shook. Each bite was a struggle; he chewed the food finely before swallowing.. The skin from his wrist to his knuckles was dotted with age spots, and it was loose, like skin hanging from a chicken soup bone.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
The phantoms, for so they then seemed, were flitting on the other side of the deck, and, with a noiseless celerity, were casting loose the tackles and bands of the boat which swung there. This boat had always been deemed one of the spare boats, though technically called the captain’s, on account of its hanging from the starboard quarter. The figure that now stood by its bows was tall and swart, with one white tooth evilly protruding from its steel-like lips. A rumpled Chinese jacket of black cotton funereally invested him, with wide black trowsers of the same dark stuff. But strangely crowning this ebonness was a glistening white plaited turban, the living hair braided and coiled round and round upon his head. Less swart in aspect, the companions of this figure were of that vivid, tiger-yellow complexion peculiar to some of the aboriginal natives of the Manillas;—a race notorious for a certain diabolism of subtilty, and by some honest white mariners supposed to be the paid spies and secret confidential agents on the water of the devil, their lord, whose counting-room they suppose to be elsewhere.
Herman Melville (Moby-Dick)
The sky hangs like lead over the low shrubbery of the Luisenplatz, the trees are bare, a loose window is clashing in the wind, and amid the frowsy alder bushes in the garden of the square squats the November twilight, dank and cheerless. I peer over into it; and suddenly it is as if I saw it all today for the first time, so unfamiliar that I hardly know it again. This dirty, damp patch of grass—was this really the setting of those years of my childhood, so radiant and winged in my memory? This waste, dreary square with the factory yonder—can this be that quiet corner of earth we called “Home” and which alone amid the waters of destruction out there meant hope to us and salvation from perishing in the flood? Or was it not rather a vision of some far other place than this grey street with its hideous houses that rose up there, over the shell holes, like some wild, sad dream in the grudging intervals between death and death? In my memory was it not far more shining and lovely, more spacious, and abounding with ten thousand things? Is that no longer true, then? Did my blood lie and my memory deceive me? I
Erich Maria Remarque (The Road Back)
Empirically, things are poignant, tragic, beautiful, humorous, settled, disturbed, comfortable, annoying, barren, harsh, consoling, splendid, fearful; are such immediately and in their own right and behalf.... These traits stand in themselves on precisely the same level as colours, sounds, qualities of contact, taste and smell. Any criterion that finds the latter to be ultimate and "hard" data will, impartially applied, come to the same conclusion about the former. -Any- quality as such is final; it is at once initial and terminal; just what it is as it exists. it may be referred to other things, it may be treated as an effect or a sign. But this involves an extraneous extension and use. It takes us beyond quality in its immediate qualitativeness.... The surrender of immediate qualities, sensory and significant, as objects of science, and as proper forms of classification and understanding, left in reality these immediate qualities just as they were; since they are -had- there is no need to -know- them. But... the traditional view that the object of knowledge is reality par excellence led to the conclusion that the object of science was preeminently metaphysically real. Hence, immediate qualities, being extended from the object of science, were left thereby hanging loose from the "real" object. Since their -existence- could not be denied, they were gathered together into a psychic realm of being, set over against the object of physics. Given this premise, all the problems regarding the relation of mind and matter, the psychic and the bodily, necessarily follow. Change the metaphysical premise; restore, that is to say, immediate qualities to their rightful position as qualities of inclusive situations, and the problems in question cease to be epistemological problems. They become specifiable scientific problems; questions, that is to say, of how such and such an event having such and such qualities actually occurs.
John Dewey (Experience and Nature)
The way I feel about you, Jacinda...I know you feel it, too." He stares at me so starkly, so hungrily that I can only nod. Agree. Of course, I feel it. "I do," I admit. But I don't understand him. Don't get why he should feel this way about me. Why should he want me so much? What do I offer him? Why did he save me that day in the mountains? And why does he pursue me now? When no girl spiked his interest before? "Good," he says. "Then how about a date?" "A date?" I repeat, like I've never heard the word. "Yeah. A real date. Something official. You. Me. Tonight. We're long overdue." His smile deepens, revealing the deep grooves on the sides of his cheeks. "Dinner. Movie. Popcorn." "Yes." The word slips past. For a moment I forget. Forget that I'm not an ordinary girl. That he's not an ordinary boy. For the first time, I understand Tamra. And the appeal of normal. "Yes." It feels good to say it. To pretend. To drink in the sight of him and forget there's an ulterior reason I need to go out with him. A reason that's going to tear us apart forever. Stupid. Did you think you might have a future with him? Mom's right. Time to grow up. He smiles. Then he's gone. Out the door. For a second, I'm confused. Then he's at my door, opening it, helping me out. Together we walk through the parking lot. Side by side. We move only a few feet before he slips his hand around mine. As we near the front of the building, I see several kids hanging out around the flagpole. Tamra with her usual crowd. Brooklyn at the head. I try to tug my hand free. His fingers tighten on mine. I glance at him, see the resolve in his eyes. His hazel eyes glint brightly in the already too hot morning. "Coward." "Oh." The single sound escapes me. Outrage. Indignation. I stop. Turn and face him. Feel something slip, give way, and crumble loose inside me. Set free, it propels me. Standing on my tiptoes, I circle my hand around his neck and pull his face down to mine. Kiss him. Right there in front of the school. Reckless. Stupid. I stake a claim on him like I've got something to prove, like a drake standing before the pride in a bonding ceremony. But then I forget our audience. Forget everything but the dry heat of our lips. My lungs tighten, contract. I feel my skin shimmer, warm as my lungs catch. Crackling heat works its way up my chest. Not the smartest move I've ever made.
Sophie Jordan (Firelight (Firelight, #1))
Her skirts are long and don't seem to have straight hems, and her shirts are loose and hang over the skirts, so it's hard to see where one ends and the other begins. But with her children, she has clear control. They flow around her like her long skirts, flapping away and returning. Karen knows they will return to her side, like a magnet assured of its eternal attraction to tiny metal filings.
Kathy B. Steele (Rocks That Float)
The deer carcass hangs from a rafter. Wrapped in blankets, a boy keeps watch from a pile of loose hay. Then he sleeps and dreams about a death that is coming: Inside him, there are small bones scattered in a field among burdocks and dead grass. He will spend his life walking there, gathering the bones together. Pigeons rustle in the eaves. At his feet, the German shepherd snaps its jaws in its sleep.
Gregory Orr
Loose coon dogs and bear dogs, half wild already, had started forming packs as soon as their owners scattered, leaving them to discover their own manners without interference from human opinion. V saw them hanging at the edges of dark pinewoods as her gang of fugitives rolled slowly down the roads south -- bunches of dogs, yellow and brown and mottled, with their ribs showing and almost countable even from a distance, pink tongues hanging from desperate grins. Only a little more time --three seasons, V speculated--until all sense of man's dominion over them would fade and and they'd start taking down stray children and elder folks. Two or three generations after that, they'd go wholly wolf. Civilization balances always on a keen and precarious point, a showman spinning a fine Spode dinner plate on a long dowel slender as hay.
Charles Frazier (Varina)
The wild frontier was many blocks away. The street life changed as they walked, from occasional busy workers heading home briskly, to a stoop culture with knots of people hanging out in doorways doing not very much of anything. Some of the stores had been shuttered at the close of business, and some looked like they had been boarded up for years, but others were still open and doing a trade. Food, soda, loose cigarettes.
Lee Child (Make Me (Jack Reacher, #20))
He flowed up to the first wall, slid one leg over it, silent as a mouse. He lifted himself up, smooth as butter, keeping quiet, keeping low. His back foot caught on a set of loose stones, dragged them scraping with him. He grabbed at them, fumbled them, knocked over even more with his elbow and they clattered down loud around him. He stumbled onto his weak ankle, twisted it, squawked with pain, fell over and rolled through a patch of thistles.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
gonna need this if you go out on the next set of rounds.” “Apart from the weather, how is it out there?” said Bob. “What kind of activity is taking place around town?” “Awful quiet,” replied Fred, shrugging out of his own bulky slicker and carrying it over to hang it on a peg next to where Bob had hung his earlier. “The storm’s got everybody sort of hunkered in close and tight. Only a handful of customers in Bullock’s, nothing like it usually would be. Little livelier up in New Town. You know how those miners are hell-bent on having their fun, no matter what, when they get down out of the hills. But even there, in the saloons and gambling dens, it’s a little slower than normal. And all those tents up and down Gold Avenue? Boy, are they flapping and shivering and shuddering in this wind. Wouldn’t be surprised if some of them don’t tear loose and end up over in Nebraska somewhere before
William W. Johnstone (Rattlesnake Wells, Wyoming)
The mayor informed General Petronio San Roman of the episode, down to the last literal phrase, in an alarming telegram. General San Roman must have followed his son's wishes to the letter, because he didn't come for him, but sent his wife with their daughters and two other older women who seemed to be her sisters. They came on a cargo boat, locked in mourning up to their necks because of Bayardo San Roman's misfortunes, and with their hair hanging loose in grief. Before stepping onto land, they took off their shoes and went barefoot through the streets up to the hilltop in the burning dust of noon, pulling out strands of hair by the roots and wailing loudly with such high-pitched shrieks that they seemed to be shouts of joy. I watched them pass from Magdalena Oliver's balcony, and I remember thinking that distress like theirs could only be put on in order to hide other, greater shames.
Gabriel García Márquez (Chronicle of a Death Foretold)
Virginity being blown down man will quicklier be blown up; marry, in blowing him down again, with the breach yourselves made you lose your city. It is not politic in the commonwealth of nature to preserve virginity. Loss of virginity is rational increase, and there was never virgin got till virginity was first lost. That you were made of is mettel to make virgins. Virginity, by being once lost may be ten times found; by being ever kept it is ever lost. ‘Tis too cold a companion. Away with ‘t! There’s little can be said in’t; ’tis against the rule of nature. To speak on the part of virginity, is to accuse your mothers; which is most infallible disobedience. He that hangs himself is a virgin; virginity murthers itself, and should be buried in highways out of all sanctified limit, as a desperate offendress against nature. Virginity breeds mites, much like a cheese; consumes itself to the very paring, and so dies with feeding his own stomach. Besides, virginity is peevish, proud, idle, made of self-love which is the most inhibited sin in the canon. Keep it not; you cannot choose but loose by’t. Out with ‘t! Within the year it will make itself two, which is a goodly increase, and the principal itself not much the worse. Away with ‘t! Tis a commodity that will lose the gloss with lying; the longer kept, the less worth: off with ’t, while ’tis vendible; answer the time of request. Virginity, like an old courtier, wears her cap out of fashion; richly suited, but unsuitable: just like the brooch and the toothpick, which wear not now. Your date is better in your pie and your porridge than in your cheek; and your virginity, your old virginity, is like one of our French withered pears: it looks ill, it eats drily. Marry, 'tis a withered pear; it was formerly better; marry, yet 'tis a withered pear! Will you anything with it?
William Shakespeare
I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
I grabed one of his hands that was hanging loosely at his side.I took a little bit of work to pry the fat silver ring off his finger, but when I had it free I held it up between the two of us and looked him dead in the eye. He was watching me caustiously, but didn't ask me what I was doing. Do you love me Jet? Dispite it all. Do you love me? Aden I'm here of course I love you. I love you before, I love you after, and I'll love you for everything in between. Had we not been in a grungy motel room in Kentucky,there was a good chance I would have gotten down on one kneeto make the moment more dramatic, to prove to him just how serious I was about not running away anymore but a girl had to have standards. I grad his left hand and put a kiss in his left palm. Jet Keller I love you and there is no future for me without you in it. I'm never going to bed with a man that isn't you again. I don't care if you're a rock star or a a car salesman.I just want there to be a you and me forever. Will you marry me?
Jay Crownover (Jet (Marked Men, #2))
Violet had carefully chosen some long-hanging, loose-fitting basketball shorts to wear over her swimsuit, in hopes of keeping her injuries at least partially hidden. But it didn’t take long before one . . . and then two . . . and then at least twenty of her friends had noticed her bandages peeking out from beneath the swishing fabric, and she was forced to recount her morning accident. Jay loved hearing her tell the story, and every time he heard her talking about it, he would come over so that he could interject, and of course embellish, his role in the events. In his version, he was her champion, practically carrying her from the woods and performing near-miraculous medical feats to save her legs from complete amputation. Violet, and annoyingly every other girl within earshot, couldn’t help but giggle while he jokingly sang his own praises. Violet happened to walk up just in time to hear Jay recounting his version once more to a group of eager admirers. “Hero? I wouldn’t say hero . . .” he quipped. Violet rolled her eyes, turning to Grady Spencer, a friend of theirs from school. “Can you believe him?” Grady gave her a concerned look. “Seriously, are you okay, Violet? It sounds like it was pretty bad.” Violet was embarrassed that Jay’s exaggerations were actually dredging up real sympathy from others. “It’s fine,” she assured him, and when Grady didn’t look convinced, she added, “Really, I just tripped.” She reached out and shoved Jay. “Will you knock it off, hero? You’re making an ass out of yourself.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Ring One is where my people live. Well, not my people, but the closest thing I want to find: the freaks, the runaways, the perpetual wanderers, the organized crime, the genehackers, the bodychoppers, the digital-wannabes, the loose, the inebriated, the ones with no common sense, no career and no desire for one, the fed up, fucked up, and flamed out. The whole place is like a dangerous chemical concoction. You never know what might set off a reaction, and the threat of violence hangs in the air thick as the smell.
Corey J. White (Killing Gravity (The Voidwitch Saga, #1))
Mr. No-good, Mr. Malice, Mr. Love-lust, Mr. Live-loose, Mr. Heady, Mr. High-mind, Mr. Enmity, Mr. Liar, Mr. Cruelty, Mr. Hate-light, Mr. Implacable, who every one gave in his private verdict against him among themselves, and afterwards unanimously concluded to bring him in guilty before the judge. And first among themselves, Mr. Blindman, the foreman, said, I see clearly that this man is a heretic. Then said Mr. No-good, Away with such a fellow from the earth! Ay, said Mr. Malice, for I hate the very look of him. Then said Mr. Love-lust, I could never endure him. Nor I, said Mr. Live-loose; for he would be always condemning my way. Hang him, hang him, said Mr. Heady. A sorry scrub, said Mr. High-mind. My heart riseth against him, said Mr. Enmity. He is a rogue, said Mr. Liar. Hanging is too good for him, said Mr. Cruelty. Let us despatch him out of the way said Mr. Hate-light. Then said Mr. Implacable, Might I have all the world given me, I could not be reconciled to him; therefore let us forthwith bring him in guilty of death."—Pilgrim's Progress.
George Eliot (Middlemarch)
One day he became conscious that something was following him, a lazy white dog, a bitch with heavy dugs, padded behind him, whining continuously. When Balian sat collapsed in the shadows of the houses, the dog would circle him, breathing heavily and whining, her lips hanging loose in a sly sort of grin. In streets, in deserted ruins and in crowded market places Balian was aware that a flabby white shadow trailed behind him, and at nights, when Balian slept in the open, the dog would lie down too at a distance, panting in the hot night air.
Robert Irwin (The Arabian Nightmare)
Arnie Brewer hitched his baggy pants up over the loose skin of his gut, which used to hold the substantial potbelly that he could have rested a beer can on while he watched TV. Now his midsection was floppy and weird, all the fat sucked out of it, but the skin was still there, hanging off of him like a deflated balloon. He had to position the waistband of his pants in the right spot—slightly low on his hips—so that it pinned the folds of loose skin to his crotch. Otherwise, if he ran, it would constantly flail around and smack him repeatedly in his groin.
D.J. Molles (Refugees (The Remaining, #3))
His hair was mussed, and his teeth were very white in his swarthy, dust-streaked face. With his autocratic facade stripped away, and his eyes sparkling with enjoyment, his grin was so unexpectedly engaging that Lillian experienced a curious melting sensation inside. Hanging over him, she felt her own lips curving in a reluctant smile. A loose lock of her hair dangled free of its tether, sliding silkily over his jaw. “What’s a trebuchet?” she asked. “A catapult. I have a friend who has a keen interest in medieval weaponry. He…” Westcliff hesitated, a new tension seeming to spread through his taut body as he lay beneath her. “He recently built a trebuchet using an ancient design…and enlisted me to help fire it…” Lillian was entertained by the idea that the normally reserved Westcliff was capable of such boyish antics. Realizing that she was straddling him, she colored and began to wriggle off him. “Your aim was off?” she asked, striving to sound casual. “The owner of the stone wall we demolished seemed to think so.” The earl caught his breath sharply as her body slid away from his, and remained sitting on the ground even after she had gotten to her feet.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
At the Sevsk the Germans attacked us seven or eight times a day. So that day I also carried the wounded with their weapons. When I crawled to the last one, his arm was completely smashed. Hanging by little pieces…by the sinews. He was all bloody…His arm had to be urgently amputated and bandaged, otherwise it was impossible to bandage him. But I had no knife or scissors. My kit was loose on my shoulder, and things had fallen out. What was I to do? I bit his flesh off with my teeth. I bit it off and bandaged him…I was bandaging, and the wounded man said, “Make it quick, nurse, I’ll go and fight some more…
Svetlana Alexievich (War's Unwomanly Face)
Have a look if you like," she heard him say casually. "Unlike you, I'm not shy." Clutching the sheets higher against her neck, Helen risked a timid glance at him... and then she couldn't look away. Rhys was a magnificent sight, dressed only in trousers with braces hanging loosely along his lean hips. The flesh of his torso looked remarkably solid, as if it had been stitched to his bones with steel thread. Seeming comfortable in his half-naked state, he sat on the edge of the bed and began to remove his shoes. His back was layered with muscle upon muscle, the contours so defined that sun-colored skin gleamed as if polished.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
We enter a large village. A few bedraggled garlands hang across the street. So many troops have passed through already that it is not worth while to make any special fuss about the last of them. So we must content ourselves with the faded welcome of a few rain-sodden placards loosely looped around with oak leaves cut out of green paper. The people hardly so much as look at us as we march by, so accustomed have they grown to soldiers returning. But for us it is a new thing to come here and we hunger for a few friendly looks, however much we may pretend we do not give a damn. The girls at least might stop and wave to us. Every now and then Tjaden and Jupp try to attract the attention of one, but without success. We look too grisly, no doubt. So in the end they give it up.
Erich Maria Remarque (The Road Back)
You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?” “It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.” He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.” “At bedtime,” she corrected. His eyes narrowed. “Lucky Colby,” he said deliberately. She wasn’t going to give him any rope to hang her with. She just smiled. He glared at her. “He won’t change,” he said flatly. “I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.” “That’s a hell of a way to talk to me.” “That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?” Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.” “You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked. “You know I don’t approve of Colby,” he told her. “Like I care?” she said. He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge. On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him. “Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.” “He’s an alcoholic,” he said quietly, trying to control the anger. “I told you before, he’s in therapy,” she said. “He’s trying, Tate.” “So you expect me not to worry about you? After what my own father put me and my mother through?
Diana Palmer (Paper Rose (Hutton & Co. #2))
But when I closed my eyes and pictured the house in that moment, it wasn't empty. The pastel depths of my mother's swollen closet lured me back. I went inside and peeked out between her hanging silk blouses at the rough beige carpeting of her bedroom, the cream ceramic lamp on her nightstand. My mother. And then I traveled up the hall, through the French doors, into my father's study: a dried plum pit on a tea saucer, a stack of papers he'd marked in red, mechanical pencils, yellow legal pads that flared open like daffodils. Journals and magazine and newspapers and manila folders, gummy pink erasers that struck me suddenly as somehow genital. Squat glass bottles of Canada Dry a quarter full. A chipped crystal dish of oxidizing paper clips, loose change, a crumped lozenge wrapper, a button he had meant to sew back onto a shirt but never did. My father.
Ottessa Moshfegh (My Year of Rest and Relaxation)
The thing is, if you’re good at what you do, you’re going to fail, because it means you’re out there taking risks. As people who have failed will often attest, failing isn’t that bad; it’s the fear of failure that can be paralyzing. That’s what keeps less successful people up at night, causing them to disengage, to hold back and not commit their full energies to their companies and coworkers. It causes them to quit a difficult task, refuse a promotion, avoid their boss, or hold their tongue in meetings. Fear of failure drains companies of their innovative lifeblood. Organizations that accept failure as a natural part of the creative process, however, can see tremendous increases in productivity, morale, and innovation, so it’s worthwhile for managers to figure out how to create a safe environment where their ensembles won’t be afraid to let loose. It’s not enough just to tell people it’s OK to fail and hang a bunch of posters emblazoned with platitudes; you have to model fearlessness.
Kelly Leonard (Yes, And: How Improvisation Reverses "No, But" Thinking and Improves Creativity and Collaboration--Lessons from The Second City)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
Virgil (The Eclogues)
Truth is elusive, subtle, manysided. You know, Priscilla, there’s an old Hindu story about Truth. It seems a brash young warrior sought the hand of a beautiful princess. Her father, the king, thought he was a bit too cocksure and callow. He decreed that the warrior could only marry the princess after he had found Truth. So the warrior set out into the world on a quest for Truth. He went to temples and monasteries, to mountaintops where sages meditated, to remote forests where ascetics scourged themselves, but nowhere could he find Truth. Despairing one day and seeking shelter from a thunderstorm, he took refuge in a musty cave. There was an old crone there, a hag with matted hair and warts on her face, the skin hanging loose from her bony limbs, her teeth yellow and rotting, her breath malodorous. But as he spoke to her, with each question she answered, he realized he had come to the end of his journey: she was Truth. They spoke all night, and when the storm cleared, the warrior told her he had fulfilled his quest. ‘Now that I have found Truth,’ he said, ‘what shall I tell them at the palace about you?’ The wizened old creature smiled. ‘Tell them,’ she said, ‘tell them that I am young and beautiful.
Shashi Tharoor (Riot)
That night, the tent that I had been alone in for so long was suddenly heaving with bodies, and piles of rope and kit--with Neil, Geoffrey, and Graham squeezed in beside me. I tried to drink as much boiled water as I could get down. I knew that I would need to be as hydrated as I could possibly be to tackle what lay ahead. So I drank and I peed. But still my pee was dark brown. It was almost impossible to hydrate at this altitude. The ritual of peeing into a water bottle had become second nature to us all, even in the dark, and even with someone’s head inches away from the bottle. We each had two bottles: one for pee, one for water. It was worth having a good system to remember which was which. At 10:00 P.M. I needed to pee--again. I grabbed my bottle, crouched over and filled it. I screwed it shut--or so I thought--then settled back into my bag to try and find some elusive sleep. Soon I felt the dampness creeping through my clothes. You have got to be joking. I swore to myself as I scrambled to the crouch position again. I looked down. The cap was hanging loosely off the pee bottle. Dark, stinking brown pee had soaked through all my clothes and sleeping bag. I obviously hadn’t done it up properly. Brute of a mistake. Maybe an omen for what lay ahead. On that note I fell asleep.
Bear Grylls (Mud, Sweat and Tears)
he’s disastrously hot, wearing a goddamn corset vest. The satiny black vest has vertical ribs that taper his chest into his waist in the very definition of a perfect V. I want nothing more than to drop to my knees and weep, good lord how I have never seen a corset vest before—I mean, I’ve seen one, but I’ve never seen one, not on someone whose body looks physically sculpted to fill out this apex of human fashion. He’s got the only pop of color in the entire group, a scarlet silk button-up under the vest, the color such a deep red that there’s no question it’s meant to symbolize gore and darkness rather than Christmas’s cherry brightness. Tight black pants taper into calf-high combat boots and the tips of his black hair now brush his shoulders, half the strands pulled behind his head, showing—displaying—the blade-edge sharpness of his jaw and cheekbones and the array of piercings up the shell of his left ear. Wide, observant dark eyes rimmed with black liner go from the floor up to my dad and Iris, no emotion at all on his face, but that lack of emotion is reaction enough—I get the distinct feeling he’s pissed to be here. His hands hang at his sides, loosely clenched in fists, most of his fingers set with thick silver rings. “The royal house of Halloween,” an announcer bellows. “King Ichabod Hallow. Queen Carina Hallow. And their son Prince Hex Hallow.
Sara Raasch (The Nightmare Before Kissmas (Royals and Romance, #1))
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself—confident, yet seemingly unaware of her true beauty. She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands. “Pardon me, Ruairi. Ravenna wanted me to tell you that we’re taking little Mary to the beach. We won’t be long. We’ll be in the garden until the mounts are readied, if you need us.” When the woman’s eyes met Ian’s, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall. God help him. This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi’s black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress—still young, but beautiful nevertheless. His musings were interrupted by a male voice. “Munro, ye do remember Lady Elizabeth, eh?” How could he forget the reason why he’d avoided Sutherland lands for the past three years?
Victoria Roberts (Kill or Be Kilt (Highland Spies, #3))
St. Lawrence River May 1705 Temperature 48 degrees The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees. “Mercy Carter!” exclaimed an English voice. “Joanna Kellogg! This is wonderful! I am so glad to see you!” An English boy flung his arms around the girls, embracing them joyfully, whirling them in circles. Half his head was plucked and shiny bald, while long dark hair hung loose and tangled from the other half. His skin was very tan and his eyes twinkling black. He wore no shirt, jacket or cape: he was Indian enough to ignore the cold that had settled in once the sun went down. “Ebenezer Sheldon,” cried Mercy. “I haven’t seen you since the march.” He had been one of the first to receive an Indian name, when the snow thawed and the prisoners had had to wade through slush up to their ankles. Tannhahorens had changed Mercy’s moccasins now and then, hanging the wet pair on his shoulder to dry. But Ebenezer’s feet had frozen and he had lost some of his toes. He hadn’t complained; in fact, he had not mentioned it. When his master discovered the injury, Ebenezer was surrounded by Indians who admired his silence. The name Frozen Leg was an honor. In English, the name sounded crippled. But in an Indian tongue, it sounded strong. The boys in Deerfield who were not named John had been named Ebenezer. That wouldn’t happen in an Indian village. Each person must have a name exactly right for him; something that happened or that was; that reflected or appeared.
Caroline B. Cooney (The Ransom of Mercy Carter)
For a second the werewolf, er, Justin, paused, his head cocked to the side, making him look less like a throatripping-out beastie and more like a cocker spaniel. The thought made me giggle. And suddenly those yellow eyes were on me. It gave another howl, and before I even had time to think, it charged. I heard the man and woman cry out a warning as I frantically racked my brain for some sort of throatrepairing spell, which I was clearly about to need. Of course the only words I actually managed to yell at the werewolf as he ran at me were, "BAD DOG!" Then, out of the corner of my eye, I caught a flash of blue light on my left. Suddenly, the werewolf seemed to smack into an invisible wall just inches in front of me. Giving a pitiful bark, he slumped to the ground. His fur and skin began to ripple and flow until he was a normal boy in khakis and a blue blazer, whimpering pitifully. His parents got to him just as Mom ran to me, dragging my trunk behind her. "Oh my God!" she breathed. "Sweetie, are you okay?" "Fine," I said, brushing grass off my skilt. "You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me." I turned. Leaning against a tree, his collar unbuttoned and tie loose, was a smirking guy. His Hecate blazer was hanging limply in the crook of his elbow. "You are a witch, aren't you?" he continued. He pushed himself off the tree and ran a hand through his black curly hair. As he walked closer, I noticed that he was slender almost to the point of skinny, and that he was several inches taller than me. "Maybe in the future," he said, "you could endeavor not to suck so badly at it.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I walked through the cemetery holding a bouquet of yellow and red flowers with brown combat boots, feeling grateful and bitter the sun was shining so brightly. I felt an urge to run, as well as a magnet to reach the group of people surrounding you. I wanted to be wearing white. I wanted to be walking down an isle with flowers and for this to be a different ceremony. I wanted to curl up beside the earth that held you, the pink and yellow petals, strings of ground hanging loosely in the wind and be beside you. I was angry you were buried, I resented the earth falling upon you. Each scoop felt heavy and indefinite. I'm not ready to know this is definite. I watched your chest, in a white linen shirt last night wishing for your chest to rise. But when I kissed your forehead it was cold. And when I held your hands it wasn't you. It was a shell. It was a vessel. It was empty. The first time I heard your new music it was by accident and your voice drove me from your home into hysterics. But when I entered your home and it played with your casket it was welcome. I read your letter with your mom and dad out loud beside you, and halfway through "spelunking in your soul" started to play. That was a gift, thank you. Today walking back from the funeral a green and black beetle landed in my hair and crawled onto my finger. I just had a bad moment with a woman in your life and I felt you in the little beetle. I'm writing something to be read at your celebration of life. It's not going to be read by me. I have a wedding in Joshua tree. But I will celebrate you in the desert there. I wanted to read the poem "sex and wine for breakfast" I wrote about you but figured I would go less steamy. I love you.
Janne Robinson
Kamimura has been whispering all week of a sacred twenty-four-hour ramen spot located on a two-lane highway in Kurume where truckers go for the taste of true ramen. The shop is massive by ramen standards, big enough to fit a few trucks along with those drivers, and in the midafternoon a loose assortment of castaways and road warriors sit slurping their noodles. Near the entrance a thick, sweaty cauldron boils so aggressively that a haze of pork fat hangs over the kitchen like waterfall mist. While few are audacious enough to claim ramen is healthy, tonkotsu enthusiasts love to point out that the collagen in pork bones is great for the skin. "Look at their faces!" says Kamimura. "They're almost seventy years old and not a wrinkle! That's the collagen. Where there is tonkotsu, there is rarely a wrinkle." He's right: the woman wears a faded purple bandana and sad, sunken eyes, but even then she doesn't look a day over fifty. She's stirring a massive cauldron of broth, and I ask her how long it's been simmering for. "Sixty years," she says flatly. This isn't hyperbole, not exactly. Kurume treats tonkotsu like a French country baker treats a sourdough starter- feeding it, regenerating, keeping some small fraction of the original soup alive in perpetuity. Old bones out, new bones in, but the base never changes. The mother of all ramen. Maruboshi Ramen opened in 1958, and you can taste every one of those years in the simple bowl they serve. There is no fancy tare, no double broth, no secret spice or unexpected toppings: just pork bones, noodles, and three generations of constant simmering. The flavor is pig in its purest form, a milky broth with no aromatics or condiments to mitigate the purity of its porcine essence.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
But whether I’m on deck or below it, I’ll never be far.” “Shall I take that as a promise? Or a threat?” She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath. Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both. And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.” “Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown. “What the devil are you doing? You think you can just hike up your shift and make-“ “Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five… “There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.” He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.” “I wouldn’t trust you for anything. Not even two shillings.” He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in. “Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor. Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.” “While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.” “Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this. Very. “You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough. “Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?” He had a point there. “I suppose we’re squared away then.” “I suppose we are.” “There’s nothing else I owe you?” His eyes were ice. “Not a thing.” But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know. But he didn’t. He reached for the door. “Wait,” he said. “There is one last thing.” Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric. “There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.” And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded. A lace-trimmed handkerchief, embroidered with a neat S.H.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
In an internal panic, I picked up the phone and hurriedly pushed redial. I had to catch Rhonda the Realtor, had to tell her wait, hold off, don’t let it go, I’m not sure, hang on, give me another day…or two…or three. But when the numbers finished dialing, I heard no ringing; instead, in a perfect moment of irony, coincidence, and serendipity, I heard Marlboro Man’s voice on the other end. “Hello?” he asked. “Oh,” I replied. “Hello?” “Hey, you,” he replied. So much for calling Rhonda the Realtor. Three seconds into the phone call, Marlboro Man’s voice had already taken hold. His voice. It weakened my knees, destroyed my focus, ruined my resolve. When I heard his voice, I could think of nothing but wanting to see him again, to be in his presence, to drink him in, to melt like butter in his impossibly strong arms. When I heard his voice, Chicago became nothing but a distant memory. “What’re you up to?” he continued. I could hear cattle in the background. “Oh, just getting a few things done,” I said. “Just tying up a few loose ends.” “You’re not moving to Chicago today, are you?” he said with a chuckle. He was only halfway joking. I laughed, rolling over in my bed and fiddling with the eyelet ruffle on my comforter. “Nope, not today,” I answered. “What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Yet “the danger is great,”55 as Mephistopheles says, for these depths fascinate. When the libido leaves the bright upper world, whether from choice, or from inertia, or from fate, it sinks back into its own depths, into the source from which it originally flowed, and returns to the point of cleavage, the navel, where it first entered the body. This point of cleavage is called the mother, because from her the current of life reached us. Whenever some great work is to be accomplished, before which a man recoils, doubtful of his strength, his libido streams back to the fountainhead—and that is the dangerous moment when the issue hangs between annihilation and new life. For if the libido gets stuck in the wonderland of this inner world,56 then for the upper world man is nothing but a shadow, he is alrof the unconscious to be eady moribund or at least seriously ill. But if the libido manages to tear itself loose and force its way up again, something like a miracle happens: the journey to the underworld was a plunge into the fountain of youth, and the libido, apparently dead, wakes to renewed fruitfulness. This idea is illustrated in an Indian myth: Vishnu sank into a profound trance, and in his slumber brought forth Brahma, who, enthroned on a lotus, rose out of Vishnu’s navel, bringing with him the Vedas (pl. XLVIa), which he diligently read. (Birth of creative thought from introversion.) But through Vishnu’s ecstatic absentmindedness a mighty flood came upon the world. (Devouring and destruction of the world through introversion.) Taking advantage of the general confusion, a demon stole the Vedas and hid them in the depths. Brahma then roused Vishnu, who, changing himself into a fish (pl. XLVII), plunged into the flood, fought the demon, conquered him, and recaptured the Vedas.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
...and the handsome jester, Devil’s Gold, is shaking his bead-covered rattle, making medicine and calling us by name. We are so tired from our long walk that we cannot but admire his gilded face and his yellow magic blanket. And, holding each other’s hands like lovers, we stoop and admire ourselves in the golden pool that flickers in the great campfire he has impudently built at the crossing of two streets in Heaven. But we do not step into the pool as beforetime. Our boat is beside us, it has overtaken us like some faithful tame giant swan, and Avanel whispers: “Take us where The Golden Book was written.” And thus we are up and away. The boat carries us deeper, down the valley. We find the cell of Hunter Kelly,— . St. Scribe of the Shrines. Only his handiwork remains to testify of him. Upon the walls of his cell he has painted many an illumination he afterward painted on The Golden Book margins and, in a loose pile of old torn and unbound pages, the first draft of many a familiar text is to be found. His dried paint jars are there and his ink and on the wall hangs the empty leather sack of Johnny Appleseed, from which came the first sowing of all the Amaranths of our little city, and the Amaranth that led us here. And Avanel whispers:—“I ask my heart: —Where is Hunter Kelly, and my heart speaks to me as though commanded: ‘The Hunter is again pioneering for our little city in the little earth. He is reborn as the humblest acolyte of the Cathedral, a child that sings tonight with the star chimes, a red-cheeked boy, who shoes horses at the old forge of the Iron Gentleman. Let us also return’.” It is eight o’clock in the evening, at Fifth and Monroe. It is Saturday night, and the crowd is pouring toward The Majestic, and Chatterton’s, and The Vaudette, and The Princess and The Gaiety. It is a lovely, starry evening, in the spring. The newsboys are bawling away, and I buy an Illinois State Register. It is dated March 1, 1920. Avanel of Springfield is one hundred years away. The Register has much news of a passing nature. I am the most interested in the weather report, that tomorrow will be fair. THE END - Written in Washington Park Pavilion, Springfield, Illinois.
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People
Edward Fahey (Entertaining Naked People)
It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist. Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on. Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground. En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet. 'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.' Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit. They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard. Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.
Jeff Rice (The Night Stalker)