Handsome Men Quotes

We've searched our database for all the quotes and captions related to Handsome Men. Here they are! All 200 of them:

She is tolerable, but not handsome enough to tempt me, and I am in no humor at present to give consequence to young ladies who are slighted by other men.
Jane Austen (Pride and Prejudice)
I require three things in a man: he must be handsome, ruthless, and stupid.
Dorothy Parker
Confound you handsome young fellows! You think of having it all your own way in the world. You don't understand women. They don't admire you half so much as you admire yourselves.
George Eliot (Middlemarch)
Here’s a lesson for everybody, take it from me: Handsome men that tell you what you want to hear are almost always liars.
Taylor Jenkins Reid (Daisy Jones & The Six)
The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told...
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Nothing is more appealing than a handsome man who is also uncertain of himself.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
Did men ever look in the mirror, I wondered, and find themselves wanting in deeply fundamental ways? When they opened a newspaper or watched a film, were they presented with nothing but exceptionally handsome young men, and did this make them feel intimidated, inferior, because they were not as young, not as handsome? Did they then read newspaper articles ridiculing those same handsome men if they gained weight or wore something unflattering?
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I'm not short," Daisy muttered. "Short women are never mysterious, or elegant, or pursued by handsome men. And they're always treated like children. I refuse to be short.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake.
Milan Kundera (The Book of Laughter and Forgetting)
Handsome, fictional men were so much easier to stomach than real life ones who smelled of Christmas and looked like a Calvin Klein model
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Normal. She wasn't normal. A girl Graced with killing, a royal thug? A girl who didn't want the husbands Randa pushed on her, perfectly handsome and thoughtful men, a girl who panicked at the thought of a baby at her breast, or clinging to her ankles.
Kristin Cashore (Graceling (Graceling Realm, #1))
I inherited this country when I was only a child, Nahuseresh. I have held it. I have fought down rebellious barons. I've fought Sounis to keep the land on this side of the mountains. I have killed men and watched them hang. I've seen them tortured to keep this country safe and mine. How did you think I did this if I was a fool with cow eyes for any handsome man with gold in his purse?
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
Women are attracted to funny men, it is often said. This is not true. It only appears this way because women laugh at everything a very handsome man says. So this gives the very handsome men the idea that they are funny.
Norm Macdonald (Based on a True Story)
She is tolerable; but not handsome enough to tempt me; I am in no humour at present to give consequence to young ladies who are slighted by other men. You had better return to your partner and enjoy her smiles, for you are wasting your time with me.
Jane Austen (Pride and Prejudice)
So, the gods don't hand out all their gifts at once, not build and brains and flowing speech to all. One man may fail to impress us with his looks but a god can crown his words with beauty, charm, and men look on with delight when he speaks out. Never faltering, filled with winning self-control, he shines forth at assembly grounds and people gaze at him like a god when he walks through the streets. Another man may look like a deathless one on high but there's not a bit of grace to crown his words. Just like you, my fine, handsome friend.
Homer (The Odyssey)
how come you're so ugly?" "my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall. sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
Well, sorry pet, I don't want to be fixed. Whatever your little schoolgirl brain told you about men is absurdly wrong. This isn't a romance. You're not a damsel-in-distress and I'm not the handsome prince come to save you.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
My future husband was devastation poured into a suit. Not handsome by conventional means, but so powerful and compelling his presence swallowed every molecule of oxygen in the room like a black hole consuming a newborn star. There were generically good-looking men, and there was him.
Ana Huang (King of Wrath (Kings of Sin, #1))
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
Stefan Zweig (The Burning Secret and other stories)
Some men were handsome. Some were powerful. Curran was...dangerous.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
The guy was handsome enough, Luke supposed, if one liked cold, assertive men who looked like they could snap your neck and be bored while doing it.
Alessandra Hazard (Just a Bit Ruthless (Straight Guys, #6))
Oh, no. A story. This was perhaps too maudlin and too much for the early hour, but handsome and heart-broken young men could occasionally be indulged.
Cassandra Clare (The Rise of the Hotel Dumort (The Bane Chronicles, #5))
Everyone knows that in real life, fictionally handsome men are vacuous vessels of Satan.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
They all looked like a shampoo commercial, healthy and clear-skinned, perfectly proportioned, a group of handsome young men. Their clothes hung on them like they were glad to be gracing such supermodels.
Lilith Saintcrow (Jealousy (Strange Angels, #3))
(Exchange with Winston Churchill) Churchill explains that having a woman in Parliament was like having one intrude on him in the bathroom, to which the Lady Astor retorted, "Sir, you are not handsome enough to have such fears".
Nancy Astor the Viscountess Astor
Though they may not always be handsome men doomed to evil posses the manly virtues.
Jean Genet (The Thief's Journal)
Trying to exhaust himself, Vaughan devised an endless almanac of terrifying wounds and insane collisions: The lungs of elderly men punctured by door-handles; the chests of young women impaled on steering-columns; the cheek of handsome youths torn on the chromium latches of quarter-lights. To Vaughan, these wounds formed the key to a new sexuality, born from a perverse technology. The images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse.
J.G. Ballard (Crash)
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
They did not see me as their dinner. They were pious men, honestly lost, and I would feed them, and if there was a handsome one amongst them, I might take him to my bed. It was not desire, not even its barest scrapings. It was a sort of rage, a knife I used upon myself. I did it to prove my skin was still my own.
Madeline Miller (Circe)
The capitan...one of those tall, arrogant, acerbically handsome niggers that most of the planet feels inferior to. Also one of those very bad men that not even postmodernism can explain away.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
OK, now let’s have some fun. Let’s talk about sex. Let’s talk about women. Freud said he didn’t know what women wanted. I know what women want. They want a whole lot of people to talk to. What do they want to talk about? They want to talk about everything. What do men want? They want a lot of pals, and they wish people wouldn’t get so mad at them. Why are so many people getting divorced today? It’s because most of us don’t have extended families anymore. It used to be that when a man and a woman got married, the bride got a lot more people to talk to about everything. The groom got a lot more pals to tell dumb jokes to. A few Americans, but very few, still have extended families. The Navahos. The Kennedys. But most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it’s a woman. The woman gets one more person to talk to about everything, but it’s a man. When a couple has an argument, they may think it’s about money or power or sex, or how to raise the kids, or whatever. What they’re really saying to each other, though, without realizing it, is this: “You are not enough people!” I met a man in Nigeria one time, an Ibo who has six hundred relatives he knew quite well. His wife had just had a baby, the best possible news in any extended family. They were going to take it to meet all its relatives, Ibos of all ages and sizes and shapes. It would even meet other babies, cousins not much older than it was. Everybody who was big enough and steady enough was going to get to hold it, cuddle it, gurgle to it, and say how pretty it was, or handsome. Wouldn't you have loved to be that baby?
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
A poor man knows the true value of money and will not dare waste it, but a rich man is extravagant and always looking for an opportunity to empty his pockets.
Michael Bassey Johnson
All Southern women wished of their menfolk was simply to be 'like Paris handsome and like Hector brave'.
Willa Cather (Sapphira and the Slave Girl)
She is tolerable; but not handsome enough to tempt me; I am in no humour at present to give consequence to young ladies who are slighted by other men.
Jane Austen (Pride and Prejudice)
Of course, she couldn’t let him know she was melting, since he was a handsome man, and handsome men must never be allowed to know the full extent of their sexual appeal. They couldn’t be trusted with the knowledge.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
Don’t worry, though, because Prince Hubert is very handsome and kind. That’s all you wanted in a boyfriend, wasn’t it?” “No,” I said. She raised an eyebrow. “It must be. If you had admired any other qualities you would have developed them in yourself, wouldn’t you?” Which was really too much. I put my hands on my hips. “Aren’t fairy godmothers supposed to be nice and make you feel better about yourself?” She rolled her eyes. “No, you’re confusing fairy god- mothers with sales clerks.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
Handsome young men should not act as if they know it.
Sharon Cameron (A Spark Unseen (The Dark Unwinding, #2))
I just hated to think I looked like crap around tall, handsome men. Even if they were gingers.
Karina Halle (Red Fox (Experiment in Terror, #2))
I instantly and absolutely mistrusted him. I disliked all men as a matter of principle, but handsome men, especially ones with a strong chin and overbearing manner, were at the top of my ‘things to exterminate to make this world a better place’-list. This particular specimen of manhood in front of me looked like just the kind of fellow who might have come up with the brute force argument.
Robert Thier (Storm and Silence (Storm and Silence, #1))
On the contrary, I like men. They are polite and helpful and necessary for dancing. And men are so handsome and different, aren't they?" "Not all of us, clearly, but I'll let that go.
Victoria Dahl (A Little Bit Wild (York Family, #1))
A wash of relief poured through her, along with a kindling of hope. Her bridegroom wasn't Gauri; he wasn't even human. He was, however, congenial and gracious. She had proclaimed his appearance ghastly and his honesty handsome. Ildiko still stood by both opinions. She could have done infinitely worse. More than a few Gauri women had the misfortune to marry human men with handsome faces and ghastly souls.
Grace Draven (Radiance (Wraith Kings, #1))
You may find this hard to believe, Mr. Pinter," she went on defensively, "but some men enjoy my company. They consider me easy to talk to." A ghost of a smile touched his handsome face. "You're right. I do find that hard to believe." Arrogant wretch. -Jackson and Celia
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Hades, Hera, and Hestia!" Flynn curses, pointing up. "What in the Underworld is that?" "A She-Dragon." Everyone turns to me, and as much as I love having four handsome men gape at me in stupefaction, right now, I could do without.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
Handsome, fictional men were so much easier to stomach then real life ones.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Amaranta would sigh, laugh, and dream of a second homeland of handsome men and beautiful women who spoke a childlike language, with ancient cities of whose past grandeur only the cats among the rubble remained.
Gabriel García Márquez (One Hundred Years of Solitude)
This is the truth: we all desire to conquer the comely one, because it affirms our own worth. Speaking for the men of the world, we want to own the beauty of the woman we're fucking. We want to grasp that beauty, tightly in our greedy little fingers, to well and truly possess it, to make it ours. We want to do this as the woman shines her way through an orgasm. That's perfection. And while I can't speak for women, I imagine that they-whether they admit it or not-want the same thing: to possess the man, to own his rough handsomeness, if only for a few seconds.
Andrew Davidson (The Gargoyle)
Women always bring it back to the personal,' said Handsome. 'It's why you can't be world leaders.' 'And men never do,' I said, 'which is why we end up with no world left to lead.
Jeanette Winterson (The Stone Gods)
I heard you're campaigning on my behalf." He walked over to me. "That wouldn't be because you'd miss me too much if I were gone,would it?" "Don't be absurd," I scoffed. "I don't condone murder, even for people like you." "People like me,huh?" He cocked an eyebrow. "You mean devilishly handsome, debonair young men who come to sweep rebellious princesses of their feet?" "You came to kidnap me, not sweep me off my feet," I said,but he waved his hand at the idea. "Semantics.
Amanda Hocking (Torn (Trylle, #2))
Do you see these hands?" Jo said, holding them up. "These were made for caressing handsome men and meant to be adorned with pretty nails and diamond rings. They're not made for paint rollers and paint splatter and that kind of manual labor.
Nicholas Sparks (Safe Haven)
He laughed, surprised he could even do so. “He’s a handsome bastard, I’ll give him that.” “I think Maeve likes to collect pretty men.” Aedion snorted. “Why not? She has to deal with them for eternity. They might as well be pleasant to look at.” She laughed again, and the sound loosed a weight from his shoulders.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
If it came to that, the book never gave you the evidence of anything. It talked about “a handsome prince”…was he really, or was it just because he was a prince that people called him handsome? As for “a girl who was as beautiful as the day was long”…well, which day? In midwinter it hardly ever got light! The stories didn’t want you to think, they just wanted you to believe what you were told
Terry Pratchett (The Wee Free Men (Discworld, #30))
He’d always been a handsome man, of course, and his good looks had stayed with him into old age, as they so often do with undeserving men.
John Boyne
You live, you learn, you stop dating recklessly handsome men with silver tongues and dusty halo’s.
Jess Bryant (Crazy Little Thing Called Love (The West Brothers, #1))
Handsome young men or books? Hmm. The handsome men win every time
Eve Edwards (The Other Countess (The Lacey Chronicles, #1))
It is the pretty face which creates sympathy in the hearts of men, those wicked rogues. A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dulness may not red lips and sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. O ladies, ladies! there are some of you who are neither handsome nor wise.
William Makepeace Thackeray (Vanity Fair)
His mother had said that men were handsome and women beautiful, but after seeing Benjamin swimming and then lying on his blanket, David knew his mother was completely wrong—Benjamin was beautiful.
Geoff Laughton (By the Creek)
If you can master me, that look seemed to say, then you can master whatever else this wicked world might bring. I can see her now, standing amidst her deerhounds that had the same thin, lean bodies, and the same long nose and the same huntess eyes as their mistress. Green eyes, she had, with a kind of cruelty deep inside them. It was not a soft face, any more that her body was soft. She was a woman of strong lines and high bones, and that made for a good face and a handsome one, but hard, so hard. What made her beautiful was her hair and her carriage, for she stood as straight as spear and her hair fell around her shoulders like a cascade of tumbling red tangles. That red hair softened her looks, while her laughter snared men like salmon caught in basket traps. There have been many more beautiful women, and thousands who were better, but since the world was weaned I doubt there have been many more so unforgettable as Guinevere, eldest daughter of Leodegan, the exiled King of Henis Wyren. And it would have been better, Merlin always said, had she been drowned at birth.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
Minerva considered herself a reasonably intelligent person, but good heavens . . . handsome men made her stupid. She grew so flustered around them, never knew where to look or what to say. The reply meant to be witty and clever would come out sounding bitter or lame. Sometimes a teasing remark from Lord Payne’s quarter quelled her into dumb silence altogether. Only days later, while she was banging away at a cliff face with a rock hammer, would the perfect retort spring to mind.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Very likely Miss Binny was right to a great extent. It is the pretty face which creates sympathy in the hearts of men, those wicked rogues. A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dulness may not red lips and sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. Oh, ladies, ladies! some there are of you who are neither handsome nor wise.
William Makepeace Thackeray (Vanity Fair)
It takes years to marry completely two hearts, even of the most loving and well-assorted. A happy wedlock is a long falling in love. Men and women marry fractionally, now a small and then a larger fraction... Such a long and sweet fruit needs a long summer to ripen in and a long winter to season in. But real and happy marriage is one of those things so handsome that if the sun were, as the Greek poets fabled it, a god, he might stop the world and hold it still now and then to feast his eyes on such a spectacle.
Theodore Parker
I've always been intimidated by handsome men, let alone beautiful ones. I associate them not so much with inevitable rejection as with turning me completely invisible.
Rosamund Lupton (Sister)
But there was the mirror in which I would glimpse his handsome form, because mirrors don't lie about men, only women.
Gregory Maguire (Mirror Mirror)
Estrea Stern didn’t trust handsome men, particularly the well-dressed ones.
Leigh Bardugo (Ninth House (Alex Stern, #1))
He's a very handsome man, is the captain," said Jeaneatte. . . "You shouldn't think about handsome men, child," said Mrs. Greenow. "And I'm sure I don't," said Jeanette. "Not more than anybody else; but if a man is handsome, ma'am, why, it stands to reason that he is handsome.
Anthony Trollope (Can You Forgive Her? (Palliser, #1))
He was twenty-five years my senior, and handsome in a bland way—comforting, familiar, will do in a pinch, but nothing to get all that excited about. The saltines and tomato soup of men.
Rachel Hawkins (The Heiress)
That you could fix me? What’s more, that I could fix you? Well, sorry pet, I don’t want to be fixed. Whatever your little school-girl brain told you about men is absurdly wrong. This isn’t a romance. You’re not a damsel in distress and I’m not the handsome prince come to save you. You ran. I went to collect my property. End of story
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
The gods of handsome men were generous that day by handing him double handfuls of everything that is perfection. His lips are full and cold at the same time. He can charm and destroy with his mouth alone
V. Theia (Manhattan Target (From Manhattan #6))
Why do all these Russian men have to be so devastatingly, frustratingly handsome?
Sherry D. Ficklin (Queen of Someday (Stolen Empire, #1))
In his opinion, men fell into four categories: the gorgeous scoundrels, who had half of the female population swooning at their feet; the handsome good guys, who also encountered no difficulties in finding a partner; the ugly, but charming, who still had their fair share of success with the opposite sex. And then came the invisible ones. The men who were neither good-looking, nor ugly. The ones you saw once and failed to remember the next day. They were the nice guys. And he was one of them.
Diane May (EVO)
Men can be teenagers until well into their twenties. That is well known
Alexander McCall Smith (The Handsome Man's Deluxe Café (No. 1 Ladies' Detective Agency, #15))
In a way that made me resent him simply because men that handsome aren't trustworthy.
L.J. Shen (The Hunter (Boston Belles, #1))
One of life’s great secrets: women don’t look for handsome men, they look for men with beautiful women.
Tucker Max (Mate: Become the Man Women Want)
A loving eye is all the charm needed: to such you are handsome enough; or rather your sterness has a power beyond beauty
Charlotte Brontë (Jane Eyre)
Rarely do very handsome men allow their faces to run around without a leash. I am not very handsome, but I am above-average handsome, which means I have spent only one-sixteenth of my life in front of a mirror practicing facial expressions, as opposed to the maybe one-fourth that a very handsome guy might have. Yet I can tell you that if I had accidentally spilled coffee on a first date, I would have immediately made facial expression number 69b: Spilled Coffee on First Date face.
Augusten Burroughs (Magical Thinking: True Stories)
Arthur, with his keen blue eyes and hair of burnished gold, his ready smile and guileless countenance. Wide and heavy of shoulder, long of limb, he towers above other men and, though he does not yet know the power of his stature, he is aware that smaller men become uneasy near him. He is handsomely knit in all; fair to look upon.
Stephen R. Lawhead (Arthur (The Pendragon Cycle, #3))
I don't want you stashing yourself away with your Smolny friends tonight," Maman said. "I want to see you dancing with lots of handsome young princes and grand dukes." I rolled my eyes and stared out the window at the snow-covered city. I resolved to dance with the ugliest and the poorest men in the ballroom--if they should ask me.
Robin Bridges (The Gathering Storm (Katerina, #1))
Personally, I mistrust all handsome men. The superficial pleasures of this life come too easily to them, and they seem to walk the world as though they themselves were personally responsible for their own good looks. I don't mind a woman being pretty. That's different. But in a man, I'm sorry, but somehow or other I find it downright offensive.
Roald Dahl (Skin and Other Stories)
The world has held great Heroes, As history-books have showed; But never a name to go down to fame Compared with that of Toad! The clever men at Oxford Know all that there is to be knowed. But they none of them know one half as much As intelligent Mr. Toad! The animals sat in the Ark and cried, Their tears in torrents flowed. Who was it said, 'There's land ahead?' Encouraging Mr. Toad! The army all saluted As they marched along the road. Was it the King? Or Kitchener? No. It was Mr. Toad. The Queen and her Ladies-in-waiting Sat at the window and sewed. She cried, 'Look! who's that handsome man?' They answered, 'Mr. Toad.' There was a great deal more of the same sort, but too dreadfully conceited to be written down. These are some of the milder verses.
Kenneth Grahame (The Wind in the Willows)
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkept beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
Malak El Halabi
We've been chatting about our men and wedding stuff. Terah says, "God, sometimes I look at Jon and think 'how the Hell did I manage to get you?' We're so lucky." Mom adds, "They are very handsome." Terah and I scoff. Shaking my head, I say, "Handsome is something. And Nox is handsome most times. But, by God, he is hot. Hotter than Hell, Mom. I never thought I could love someone so much. I can hardly keep my hands off him." Mom chastises on a gasp, "Lily! That's inappropriate! You're a lady and ladies do not speak that way." Terah chuckles, "Screw being a lady. I love my special cuddle time with Jon." Mom covers her ears, but barks out an embarrassed laugh, "I cannot hear this! You girls can clean the rest up while I powder my nose." Terah and I chuckle, watching her leave.
Belle Aurora (Willing Captive)
For Mrs. Satterthwaite interested herself - it was the only interest she had - in handsome, thin, and horribly disreputable young men.
Ford Madox Ford (Parade's End)
There was nothing that fascinated the public quite like a beautiful man with an ugly soul.
Nenia Campbell
Dorothea, with all her eagerness to know the truths of life, retained very childlike ideas about marriage. She felt sure that she would have accepted the judicious Hooker, if she had been born in time to save him from that wretched mistake he made in matrimony; or John Milton when his blindness had come on; or any of the other great men whose odd habits it would have been glorious piety to endure; but an amiable handsome baronet, who said "Exactly" to her remarks even when she expressed uncertainty,--how could he affect her as a lover? The really delightful marriage must be that where your husband was a sort of father, and could teach you even Hebrew, if you wished it.
George Eliot (Middlemarch)
I've never looked for women. When I was a teenager, perhaps. But they are looking for us, and we [men] must learn that very quickly. They decide. We just turn up. Never mind the superficialities – tall and handsome and all that. Just turn up
Peter O'Toole
But of course, she remembered, that was why women were so wonderful; it was their love and imagination that transformed these unremarkable beings. For most men, when one came to think of it, were undistinguished to look at, if not positively ugly. Fabian was an exception, and perhaps love affairs with handsome men tended to be less stable because so much less sympathy and imagination were needed on the woman's part?
Barbara Pym (Jane and Prudence)
He was a handsome man, not in the way of mercurial Cesare or the false angel, Morozzi, but with a calm steadiness that sat well upon him and shown in everything he did. The creations he drew from fire and air were possessed of great delicacy, but I was coming to realize that the man himself was as an oak, unshakable in the greatest storm.
Sara Poole (Poison (The Poisoner Mysteries, #1))
You look ill,” Matthew observed. “Is it my dancing? Is it me personally?” “Perhaps I’m nervous,” she said. “Lucie did say you didn’t like many people.” Matthew gave a sharp, startled laugh, before schooling his face back into a look of lazy amusement. “Did she? Lucie’s a chatterbox.” “But not a liar,” she said. “Well, fear not. I do not dislike you. I hardly know you,” said Matthew. “I do know your brother. He made my life miserable at school, and Christopher’s, and James’s.” “Alastair and I are very different,” Cordelia said. She didn’t want to say more than that. It felt disloyal to Alastair. “I like Oscar Wilde, for instance, and he does not.” The corner of Matthew’s mouth curled up. “I see you go directly for the soft underbelly, Cordelia Carstairs. Have you really read Oscar’s work?” “Just Dorian Gray,” Cordelia confessed. “It gave me nightmares.” “I should like to have a portrait in the attic,” Matthew mused, “that would show all my sins, while I stayed young and beautiful. And not only for sinning purposes—imagine being able to try out new fashions on it. I could paint the portrait’s hair blue and see how it looks.” “You don’t need a portrait. You are young and beautiful,” Cordelia pointed out. “Men are not beautiful. Men are handsome,” objected Matthew. “Thomas is handsome. You are beautiful,” said Cordelia, feeling the imp of the perverse stealing over her. Matthew was looking stubborn. “James is beautiful too,” she added. “He was a very unprepossessing child,” said Matthew. “Scowly, and he hadn’t grown into his nose.” “He’s grown into everything now,” Cordelia said. Matthew laughed, again as if he was surprised to be doing it. “That was a very shocking observation, Cordelia Carstairs. I am shocked.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
You are so…” He grinned. “Charming? Handsome? Intriguing?” “I was going to say confusing.” “Ahh.” He nodded in an astute manner. “We’ll slot that under intriguing.
Linda Kage (Price of a Kiss (Forbidden Men, #1))
I don’t care about anybody being handsome", she said, "but I never did go for anybody that reminded me of a box of spilled spaghetti. All elbows and dry rattle.
Robert Penn Warren
Handsome men that tell you what you want to hear are almost always liars.
Taylor Jenkins Reid (Daisy Jones & The Six)
Those who have ruled human destinies, like planets, for thousands of years, were not handsome men.
Ralph Waldo Emerson
Great beauties and stunningly handsome men were accorded virtues: people found them funnier, smarter, more insightful than they actually were.
Brent Weeks (Perfect Shadow)
Auntie says that in the city, people gather and pay money to see beautiful women and handsome men put on a show. The people in the show are called movie stars.
Patricia McCormick (Sold)
A fancy car and hot girl is the dream of every loser male, while a rich handsome man is the dream of every bitch.
Eyden I. (Woman's Book: Only For Men)
How wonderful it would be never to marry but to go on being lovely in pale green dresses and forever courted by handsome men.
Margaret Mitchell (Gone with the Wind)
Ruth does love Jesus, same way she loves Lincoln, Robin Hood, Martin Luther King, and Nat. Handsome men who fight for justice.
Samantha Hunt (Mr. Splitfoot)
Men can do that, become more handsome as they grow older. Women just age.
Lauren Groff (Fates and Furies)
She had found that men who were outstandingly handsome were either monumentally stupid or unbearably dull.
Sidney Sheldon (If Tomorrow Comes: The master of the unexpected)
It was at the moment of the fall of day when every man may pass as handsome and every woman as comely.
W.B. Yeats (Stories of Red Hanrahan)
For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake
Milan Kundera (The Book of Laughter and Forgetting)
Because everyone liked him, I had to say I liked him too. I was like men who openly declare other men irresistibly handsome the better to conceal that they’re aching to embrace them.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
Every fop and fool in London has been sniffing after her." Having said that, Jason returned his attention for the report. "Go ahead and read off the names, if you must." Frowning in surprise at Jason's dismissive attitude, Charles took the seat across the desk from him and put on his spectacles. "First, there is young Lord Crowley, who has already asked my permission to court her." "No. Too impulsive," Jason decreed flatly. "What makes you say so?" Charles said with a bewildered look. "Crowley doesn't know Victoria well enough to want to 'court' her, as you so quaintly phrased it." "Don't be ridiculous. The first four men on this list have already asked my permission to do the same thing- providing, of course, that your claim on her is not unbreakable.” “No, to all those four men- for the same reason,” Jason said curtly, leaning back in his chair, absorbed in the report in his hand. Who’s next?” “Crowley’s friend, Lord Wiltshire.” “Too young. Who’s next?” “Arthur Landcaster.” “Too short,” Jason said cryptically. “Next?” “William Rogers,” Charles shot back in a challenging voice, “and he’s tall, conservative, mature, intelligent, and handsome. He’s also the heir to one of the finest estates in England. I think he would do very well for Victoria.” “No.” “No?” Charles burst out. “Why not?” “I don’t like the way Roger sits a horse.” “You don’t like_” Charles bit out in angry disbelief; then he glanced at Jason’s implacable face and sighed. “Very well. The last name on my list is Lord Terrance. He sits horses extremely well, in addition to being and excellent chap. He is also tall, handsome, intelligent, and wealthy. Now,” he finished triumphantly, “what fault can you find with him?” Jason’s jaw tightened ominously.“I don’t like him.
Judith McNaught (Once and Always (Sequels, #1))
Middle children weep longer than their brothers and sisters. Over her mother’s shoulder, stilling her pains and her injured pride, Jackie Lacon watched the party leave. First, two men she had not seen before: one tall, one short and dark. They drove off in a small green van. No one waved to them, she noticed, or even said goodbye. Next, her father left in his own car; lastly a blond, good-looking man and a short fat one in an enormous overcoat like a pony blanket made their way to a sports car parked under the beech trees. For a moment she really thought there must be something wrong with the fat one, he followed so slowly and so painfully. Then, seeing the handsome man hold the car door for him, he seemed to wake, and hurried forward with a lumpy skip. Unaccountably, this gesture upset her afresh. A storm of sorrow seized her and her mother could not console her.
John le Carré (Tinker, Tailor, Soldier, Spy)
With a dark glance wily Odysseus shot back, “Indecent talk, my friend. You, you’re a reckless fool —I see that. So, the gods don’t hand out all their gifts at once, not build and brains and flowing speech to all. One man may fail to impress us with his looks but a god can crown his words with beauty, charm, and men look on with delight when he speaks out. Never faltering, filled with winning self-control, he shines forth at assembly grounds and people gaze at him like a god when he walks through the streets. Another man may look like a deathless one on high but there’s not a bit of grace to crown his words. Just like you, my fine, handsome friend. Not even a god could improve those lovely looks of yours but the mind inside is worthless.
Homer (The Odyssey)
Common sense was sufficient to determine that it could not mean that all men were equal in fact, but in right, not all equally tall, strong, wise, handsome, active, but equally men . . . the work of the same Artist, children in the same cases entitled to the same justice. Nabby
David McCullough (John Adams)
few of these, so few I can count them on my fingers, I let go. They did not see me as their dinner. They were pious men, honestly lost, and I would feed them, and if there was a handsome one among them I might take him to my bed.
Madeline Miller (Circe)
The wretch was far too handsome for words. Why did God have to give such good looks to such abominable men? First Colonel Taylor, and now this pirate. It was damned unfair. She groaned. The scoundrel even had her cursing. Where did it end?
Sabrina Jeffries (The Pirate Lord)
The form and face of Lady Eustace, which indeed were very lovely, were distasteful to her; whereas she delighted to look upon the broad, plain, colourless countenance of Lydia Fawn, who was endeared to her by frank good humour and an unselfish disposition. In regard to men she had never asked herself the question whether this man was handsome or that man ugly.
Anthony Trollope (Complete Works of Anthony Trollope)
Yes," Nicholas replied, in a bored voice. "The name is Dutch. Dragonwyck, meaning place of the dragon. It derives from an Indian legend about a flying serpent whose eyes were fire and whose flaming breath withered the corn." "Heavens!" With a light laugh, Miranda asked her new employer if the red men had sent forth a champion to do battle with the dragon. The patroon's face was dark, unsmiling. "To appease him the wise men of the tribe sacrificed a pure maiden on the rocky bluff you see above you." Miranda's laughter died. Something in Nicholas Van Ryn's cruel, handsome features made her imagine herself in the Indian maiden's place.
Anya Seton (Dragonwyck)
Here ease and comfort are the legacy,   The round and glowing cheek, the red, ripe mouth,   Here each possesses immortality   In his descendants’ happiness and health.   And thus in pure contentment, cloudless days,   The child grows up and fathers in his turn.   Amazed, we never cease to ask: Are these   High gods descended here or are they men?   Apollo, when he kept sheep, looked completely   The handsome shepherd in both form and face: 9900 Where Nature uninsulted rules serenely,   All worlds commingle, gods and men change place.
Johann Wolfgang von Goethe (Faust: A Tragedy, Parts One and Two)
Men love a woman who doesn’t seem to give a damn, so long as she’s handsome. We also love a happy woman, so long as she’s fair, or a sad pretty one, or an angry girleen with a good face. You see how this works.
Christopher Buehlman (The Blacktongue Thief (Blacktongue, #1))
He hoped she might make some amends for the many very plain faces he was continually passing in the streets. The worst of Bath was the number of its plain women. He did not mean to say there were not pretty women, but the number of the plain was out of all proportion. He had frequently observed, as he walked, that one handsome face would be followed by thirty, or five-and-thirty frights; and once, as he had stood in a shop on Bond street, he had counted eighty-seven women go by, without there being a tolerable face among them. ... But still, there certainly were a dreadful multitude of ugly women in Bath; and as for the men! they were infinitely worse. Such scarecrows as the streets were full of!
Jane Austen (Persuasion)
I've just come to my room, Livy darling, I guess this was the memorable night of my life. By George, I never was so stirred since I was born. I heard four speeches which I can never forget... one by that splendid old soul, Col. Bob Ingersoll, — oh, it was just the supremest combination of English words that was ever put together since the world began... How handsome he looked, as he stood on that table, in the midst of those 500 shouting men, and poured the molten silver from his lips! What an organ is human speech when it is played by a master! How pale those speeches are in print, but how radiant, how full of color, how blinding they were in the delivery! It was a great night, a memorable night. I doubt if America has seen anything quite equal to it. I am well satisfied I shall not live to see its equal again... Bob Ingersoll’s music will sing through my memory always as the divinest that ever enchanted my ears. And I shall always see him, as he stood that night on a dinner-table, under the flash of lights and banners, in the midst of seven hundred frantic shouters, the most beautiful human creature that ever lived... You should have seen that vast house rise to its feet; you should have heard the hurricane that followed. That's the only test! People might shout, clap their hands, stamp, wave their napkins, but none but the master can make them get up on their feet. {Twain's letter to his wife, Livy, about friend Robert Ingersoll's incredible speech at 'The Grand Banquet', considered to be one of the greatest oratory performances of all time}
Mark Twain (Letters from the Earth: Uncensored Writings)
In the shade of the house, in the sunshine of the riverbank near the boats, in the shade of the Sal-wood forest, in the shade of the fig tree is where Siddhartha grew up, the handsome son of the Brahman, the young falcon, together with his friend Govinda, son of a Brahman. The sun tanned his light shoulders by the banks of the river when bathing, performing the sacred ablutions, the sacred offerings. In the mango grove, shade poured into his black eyes, when playing as a boy, when his mother sang, when the sacred offerings were made, when his father, the scholar, taught him, when the wise men talked. For a long time, Siddhartha had been partaking in the discussions of the wise men, practising debate with Govinda, practising with Govinda the art of reflection, the service of meditation. He already knew how to speak the Om silently, the word of words, to speak it silently into himself while inhaling, to speak it silently out of himself while exhaling, with all the concentration of his soul, the forehead surrounded by the glow of the clear-thinking spirit. He already knew to feel Atman in the depths of his being, indestructible, one with the universe.
Hermann Hesse (Siddhartha)
I'd seen a lot of handsome men in my life, but Frank was absolutely beautiful. I could stare at him all day. I wanted to touch him, not just in the standard erogenous zones, but to move my fingers over every inch of his skin until I'd memorized his face and body the way he memorized his books.
Nicole Castle (Chance Assassin: A Story of Love, Luck, and Murder (Chance Assassin, #1))
How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you?
Margaret C. Sullivan (The Jane Austen Handbook: A Sensible Yet Elegant Guide to Her World)
Joan of Arc’s feminine magnetism had an overwhelming motivating power over the demoralized men – and nation – of her day. It is unlikely that even a handsome young man in the vigor of his youth could have had the same effect. Joan’s feminine beauty and virtue simply won over the hearts of her countrymen.
Peter Darcy (The 7 Leadership Virtues of Joan of Arc (Life Changing Classic, Volume 32) (Life-Changing Classic))
With love, it's easy to fall into it. Men can say you're pretty, and you'll listen --- hard not to, especially if they are kissed by the sun and struttin' a handsome smile. So, you gotta treasure your love. Like your heart, it's precious and powerful, and it deserves to be with another love that thinks the same.
Hannah Taylor Lindsey (Hunter Wars (The Agapéd Bearer, #3))
There was the honour and austerity of money as he walked through art galleries, as he saw around him the collections of oil paintings by dead men, lit so carefully that warmth seemed to emanate from within - and not because their art was loved or understood but because it could be sold and bought for handsome sums.
Lydia Millet (How the Dead Dream)
Not all men are handsome and strong. There are some who are cowards from birth. There are some who are weak by nature. There are even some who cry easily. But for such a man, a man both weak and cowardly, to bear the burden of his weakness and struggle valiantly to live a beautiful life-- that's what I call great. The reason I'm so fond of Gaston is not because he has a strong will or a good head. Rather it's because, weakling and coward that he is, he keeps on fighting in his own way.
Shūsaku Endō (Wonderful Fool)
I decided that a movie marathon was clearly in order. I tried to narrow down the options. Anything romantic was definitely out, as was anything involving space travel, kings, or handsome princes. Preferably there should be no good-looking men whatsoever, lest they remind me of Aeron. Sadly, that eliminated practically everything.
M.A. George (Proximity (Proximity, #1))
Then, casting a glance on the handsome young man, who was scarcely twenty-five years of age, and whom he was leaving in his gore, deprived of sense and perhaps dead, he gave a sigh for that unaccountable destiny which leads men to destroy each other for the interests of people who are strangers to them and who often do not even know that they exist.
Alexandre Dumas (The Three Musketeers)
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkempt beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
Malak El Halabi
Ah, how lucky are the lieutenants, the six-foot Junkers, and all the rest of the Don Juan clan!... The bookworm, be he ever so decent and clever, is really only pleasing to himself and a small handful of others. The world passes him by and beckons to life and beauty ... to gay and handsome creatures to whom the hearts of their fellow men continue to turn.
Theodor Fontane
Back to the man’s face. Not a handsome face as such, but a face you could trust. Sort of like a math teacher, or a minister. You can tell he’s sincere, and sincere is better than handsome. Really handsome men were a bad idea, said Grandma Win, because they had too much to choose from. Too much what? Charmaine had asked her, and Grandma Win said, Never mind.
Margaret Atwood (The Heart Goes Last)
till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of chusing from among many, consequently a claim to be nice.
Jane Austen (Emma (Illustrated))
He came forward naked, as was the custom in Akielos. He was a handsome youth with the physique of a champion. Elon, his opponent, was a young man from the south. The two men scooped oil from the receptacle brought to them by the stewards, anointed their bodies with it, then they slung their arms around one another’s shoulders, and, on the signal, heaved. The
C.S. Pacat (Kings Rising (Captive Prince, #3))
Men were just plain ridiculous with how little time it took them to get handsome.
Gina Robinson (The Spy Who Left Me (Agent Ex, #1))
Ye can no' run about kidnapping naked men and bringing them home, no matter how handsome and strapping and well-hung they are.
Lynsay Sands (The Wrong Highlander (Highland Brides, #7))
Everyone looked like a broken-down movie extra, a withered starlet; disenchanted stunt-men, midget auto-racers, poignant California characters with their end-of-the-continent sadness, handsome, decadent, Casanova-ish men, puffy-eyed motel blondes, hustlers, pimps, whores, masseurs, bellhops-- a lemon lot, and how's a man going to make a living with a gang like that?
Jack Kerouac (On the Road)
The airport in Sofia was a tiny place; I'd expected a palace of modern communism, but we descended to a modest area of tarmac and strolled across it with the other travelers. Nearly all of them were Bulgarian, I decided, trying to catch something of their conversations. They were handsome people, some of them strikingly so, and their faces varied from the dark-eyed pale Slav to a Middle-Eastern bronze, a kaleidoscope of rich hues and shaggy black eyebrows, noses long and flaring, or aquiline, or deeply hooked, young women with curly black hair and noble foreheads, and energetic old men with few teeth. They smiled or laughed and talked eagerly with one another; one tall man gesticulated to his companion with a folded newspaper. Their clothes were distinctly not Western, although I would have been hard put to say what it was about the cuts of suits and skirts, the heavy shoes and dark hats, that was unfamiliar to me.
Elizabeth Kostova (The Historian)
I had started on the marriage and motherhood beat by accident with a post on my personal, read only by friends, blog called ‘Fifty Shades of Men’. I had written it after buying Fifty Shades of Grey to spice up what Dave and I half-jokingly called our grown up time, and had written a meditation on how the sex wasn’t the sexiest part of the book. “Dear publishers, I will tell you why every woman with a ring on her finger and a car seat in her SUV is devouring this book like the candy she won’t let herself eat.” I had written. “It’s not the fantasy of an impossibly handsome guy who can give you an orgasm just by stroking your nipples. It is instead the fantasy of a guy who can give you everything. Hapless, clueless, barely able to remain upright without assistance, Ana Steele is that unlikeliest of creatures, a college student who doesn’t have an email address, a computer, or a clue. Turns out she doesn’t need any of those things. Here is the dominant Christian Grey and he’ll give her that computer plus an iPad, a beamer, a job, and an identity, sexual and otherwise. No more worrying about what to wear. Christian buys her clothes. No more stress about how to be in the bedroom. Christian makes those decisions. For women who do too much—which includes, dear publishers, pretty much all the women who have enough disposable income to buy your books—this is the ultimate fantasy: not a man who will make you come, but a man who will make agency unnecessary, a man who will choose your adventure for you.
Jennifer Weiner (All Fall Down)
But then, in Piazza di Carbonara, from stones she moved on to weapons, and it became the place where men fought to the last drop of blood. Beggars and gentlemen and princes hurried to see people killing each other in revenge. When some handsome youth fell, pierced by a blade beaten on the anvil of death, immediately beggars, bourgeois citizens, kings and queens offered applause that rose to the stars.
Elena Ferrante (The Story of the Lost Child)
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?” “Oh,” Annabelle said with irreverent lightness, “any peer will do.” “Any peer?” Lillian asked skeptically. “What about good looks?” Annabelle shrugged. “Welcome, but not necessary.” “What about passion?” Daisy inquired. “Decidedly unwelcome.” “Intelligence?” Evangeline suggested. Annabelle shrugged. “Negotiable.” “Charm?” Lillian asked. “Also negotiable.” “You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.” “I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.” Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.” Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?” “Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.” The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
The world has held great Heroes, As history-books have showed; But never a name to go down to fame Compared with that of Toad! 'The clever men at Oxford Know all that there is to be knowed. But they none of them know one half as much As intelligent Mr. Toad! 'The animals sat in the Ark and cried, Their tears in torrents flowed. Who was it said, "There's land ahead?" Encouraging Mr. Toad! 'The army all saluted As they marched along the road. Was it the King? Or Kitchener? No. It was Mr. Toad. 'The Queen and her Ladies-in-waiting Sat at the window and sewed. She cried, "Look! who's that handsome man?" They answered, "Mr. Toad.
Kenneth Grahame (The Wind in the Willows)
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army. 'Where are we?' asked Gil Gil. 'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?' 'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man. 'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
All ancient philosophers, poets, and moralists agree that love is a striving, an aspiration of the “lower” toward the “higher,” the “unformed” toward the “formed,” ... “appearance” towards “essence,” “ignorance” towards “knowledge,” a “mean between fullness and privation,” as Plato says in the Symposium. ... The universe is a great chain of dynamic spiritual entities, of forms of being ranging from the “prima materia” up to man—a chain in which the lower always strives for and is attracted by the higher, which never turns back but aspires upward in its turn. This process continues up to the deity, which itself does not love, but represents the eternally unmoving and unifying goal of all these aspirations of love. Too little attention has been given to the peculiar relation between this idea of love and the principle of the “agon,” the ambitious contest for the goal, which dominated Greek life in all its aspects—from the Gymnasium and the games to dialectics and the political life of the Greek city states. Even the objects try to surpass each other in a race for victory, in a cosmic “agon” for the deity. Here the prize that will crown the victor is extreme: it is a participation in the essence, knowledge, and abundance of “being.” Love is only the dynamic principle, immanent in the universe, which sets in motion this great “agon” of all things for the deity. Let us compare this with the Christian conception. In that conception there takes place what might be called a reversal in the movement of love. The Christian view boldly denies the Greek axiom that love is an aspiration of the lower towards the higher. On the contrary, now the criterion of love is that the nobler stoops to the vulgar, the healthy to the sick, the rich to the poor, the handsome to the ugly, the good and saintly to the bad and common, the Messiah to the sinners and publicans. The Christian is not afraid, like the ancient, that he might lose something by doing so, that he might impair his own nobility. He acts in the peculiarly pious conviction that through this “condescension,” through this self-abasement and “self-renunciation” he gains the highest good and becomes equal to God. ... There is no longer any “highest good” independent of and beyond the act and movement of love! Love itself is the highest of all goods! The summum bonum is no longer the value of a thing, but of an act, the value of love itself as love—not for its results and achievements. ... Thus the picture has shifted immensely. This is no longer a band of men and things that surpass each other in striving up to the deity. It is a band in which every member looks back toward those who are further removed from God and comes to resemble the deity by helping and serving them.
Max Scheler
The trait I regard most highly in a man is kindness. Thoughtful, consistent kindness. All other qualities—whether charming, witty, handsome, enterprising, powerful, seductive, or ingenious—wither in comparison to a truly kind man.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of chusing from among many, consequently a claim to be nice. Her good-nature, too, is not so very slight a claim, comprehending, as it does, real, thorough sweetness of temper and manner, a very humble opinion of herself, and a great readiness to be pleased with other people. I am very much mistaken if your sex in general would not think such beauty, and such temper, the highest claims a woman could possess.
Jane Austen (Emma)
There lived here then, away at the North, a beautiful princess, who was also a powerful sorceress. All her magic was used to help the people, and she was never known to hurt anyone who was good. Her name was Gayelette, and she lived in a handsome palace built from great blocks of tourmaline. Everyone loved her, but her greatest sorrow was that she could find no one to love in return, since all the men were much too stupid and ugly to mate with one so beautiful and wise.
L. Frank Baum (The Wonderful Wizard of OZ)
Men love other men. They are always explaining how much they love women, but we all know they're fibbing. They love each other... They watch each other on the cinema screen, give themselves great roles, think themselves powerful, boast, and can't get enough of being so strong, so brave, and so handsome. They write for each other, congratulate each other, support each other.
Virginie Despentes (King Kong théorie)
That as my sister-in-law at Colchester had said, beauty, wit, manners, sense, good humour, good behaviour, education, virtue, piety, or any other qualification, whether of body or mind, had no power to recommend; that money only made a woman agreeable; that men chose mistresses indeed by the gust of their affection, and it was requisite to a whore to be handsome, well-shaped, have a good mien and a graceful behaviour; but that for a wife, no deformity would shock the fancy, no ill qualities the judgment; the money was the thing; the portion was neither crooked nor monstrous, but the money was always agreeable, whatever the wife was.
Daniel Defoe (Moll Flanders)
Dear Fathers of the Fatherless Children, As our sons grow into men; we teach our sons not to be like you. They know they are loved, wanted, handsome, and supported. We raise them to respect women and to get an education. Some will make us proud, and some will disappoint; however, as Chief Guardians, we can sleep at night and say that for eighteen years, we did the best we could do alone.
Charlena E. Jackson (Dear fathers of the fatherless children)
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They are not looking because of the way you are dressed, Danny. The women are looking at you with envy. They are wondering how a woman of my age can attract a handsome, virile young man like you, and they are jealous. The men are looking at you with curiosity. They are wondering what you have to be able to attract a beautiful older woman like me. Enjoy the attention, Danny. You will only be young for a very short time.
Rachel de Vine (A Love More Precious than Diamonds)
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
In the late-day sun, the square had become a hive of preparation for the School Master’s arrival. The men sharpened swords, set traps, and plotted the night’s guard, while the women lined up the children and went to work. Handsome ones had their hair lopped off, teeth blackened, and clothes shredded to rags; homely ones were scrubbed, swathed in bright colors, and fitted with veils. Mothers begged the best-behaved children to curse or kick their sisters, the worst were bribed to pray in the church, while the rest in line were led in choruses of the village anthem: “Blessed Are the Ordinary.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
You are a very warm friend to Mr. Martin; but, as I said before, are unjust to Harriet. ... Waiving that point, however, and supposing her to be, as you describe her, only pretty and good-natured, let me tell you, that in the degree she possesses them, they are not trivial recommendations to the world in general, ... and till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of chusing from among many, consequently a claim to be nice. Her good-nature, too, is not so very slight a claim, comprehending, as it does, real, thorough sweetness of temper and manner, a very humble opinion of herself, and a great readiness to be pleased with other people. I am very much mistaken if your sex in general would not think such beauty, and such temper, the highest claims a woman could possess.
Jane Austen (Emma)
He’s not sure why it matters that the book is from Mark. Maybe Eddie’s just lonely and desperate for conversation, and the book is an opportunity for that. Maybe he just doesn’t want Mark to think he’s dumb. It can’t be because Mark’s handsome, because Eddie’s been attracted to plenty of men, and never once has it made him want to read a book.
Cat Sebastian (You Should Be So Lucky)
He was becoming who and what he was always supposed to be. He’d simply had to wear down through the other layers to who he really was. I’ve seen this phenomenon in the faces of other men—homeless men, men sprawled on the pavement in front of bars or in public parks or bus depots, or lined up outside the doors of missions, waiting to get in out of a long winter. In their faces—plenty of them were handsome, but ruined—I’ve seen the remnants of who they almost succeeded in being but failed to be, before becoming themselves.
Richard Ford (Canada)
She'd dreamed of him. Her imagination, unfettered in her sleep, had featured him. He'd been gloriously naked and her hands had explored the whole of him, delighted to discover that the handsome man was even more magnificent without clothes. Drumvagen might be set into the Scottish wilderness, but what furnished her with a great deal of knowledge she otherwise might not have had. She listened to the maids discussing their love lives with a frankness they never would have had they known she was eavesdropping. Then, there was the sight of the handsome Scots lads bathing in the sea. The books she read from Mairi's library had strengthened her imagination, adding details otherwise missing from her personal experience.
Karen Ranney (The Virgin of Clan Sinclair (Clan Sinclair, #3))
In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous [dead looking] and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once. But undoubtedly the grimmest part of him was his iron claw.
J.M. Barrie (Peter Pan)
...he was past youth, but had not reached middle-age; perhaps he might be thirty-five. I felt no fear of him, and but little shyness. Had he been a handsome, heroic-looking young gentleman, I should not have dared to stand thus questioning him against his will, and offering my services unasked. I had hardly ever seen a handsome youth; never in my life spoken to one. I had a theoretical reverence and homage for beauty, elegance, gallantry, fascination; but had I met those qualities incarnate in masculine shape, I should have known instinctively that they neither had nor could have sympathy with anything in me, and should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic.
Charlotte Brontë (Jane Eyre)
Phoebe was relieved to discover she would be accompanied by Westcliff's oldest son, Lord Foxhall, whom she had known her entire life. He was a big, boldly handsome man in his twenties, an avid sportsman like his father. As the earl's heir, he had been accorded a viscountcy, but he and Phoebe were far too familiar to stand on ceremony. "Fox," she exclaimed, a wide smile crossing her face. "Cousin Phoebe." He leaned down to kiss her cheek, his dark eyes snapping with lively humor. "It seems I'm your escort. Bad luck for you." "To me it's good luck- how could it be otherwise?" "With all the eligible men present, you should be with one who doesn't remember you as a little girl in pigtails, sliding down one of the banisters at Stony Cross Manor.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man’s wives and daughters so that they are packed with sex and violence. Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. As for books of the beauty-and-talented-scholar type, a thousand are written to a single pattern and none escapes bordering on indecency. They are filled with allusions to handsome, talented young men and beautiful, refined girls in history; but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play, and makes even the slave girls talk pedantic nonsense. So all these novels are full of contradictions and absurdly unnatural.
Cao Xueqin (The Story of the Stone, or The Dream of the Red Chamber, Vol. 1: The Golden Days)
Dear Fathers of the Fatherless Children, As our sons grow into men; we teach our sons not to be like you. They know they are loved, wanted, handsome, and supported. We raise them to respect women and to get an education. Some will make us proud, and some will disappoint; however, as Chief Guardians, we can sleep at night and say that for eighteen years, we did the best we could do alone. As little girls grow into women, we, as Chief Guardians teach them not to be like you. We school them to not make the same mistakes we made in choosing the wrong men. We raised our daughters to know they are queens and to not accept anything less than that. Our daughters know, they are loved, beautiful, wanted, and supported. Our daughters know they can do whatever they set their minds to do.
Charlena E. Jackson (Dear fathers of the fatherless children)
We ride hard each day,” Draven barked. “We don’t dawdle or take breaks. We don’t stop to sightsee.” “I’d never dream of asking you to sightsee,” Vesper said with an impressively straight face. “A man like you? Never.” “Fine,” Drave said darkly. “Since you won’t leave when asked and as my only other option is to kill you, which I know she won’t like…” “Your sister?” “My companion,” Draven growled. “Since my companion would evidently prefer I didn’t kill you.” “That would be very nice,” I said, as calmly as I could, my heart beating fast. “Especially when he’s so talented with breakfast.” Were they really going to come to blows? I imagined exaggerating the story when I retold it to Galahad and saying two half-naked griddle-cake-scented, dazzlingly handsome men had been fighting over me.
Briar Boleyn (Queen of Roses (Blood of a Fae, #1))
When Toad found himself immured in a dank and noisome dungeon, and knew that all the grim darkness of a medieval fortress lay between him and the outer world of sunshine and well-metalled high roads where he had lately been so happy, disporting himself as if he had bought up every road in England, he flung himself at full length on the floor, and shed bitter tears, and abandoned himself to dark despair. 'This is the end of everything' (he said), 'at least it is the end of the career of Toad, which is the same thing; the popular and handsome Toad, the rich and hospitable Toad, the Toad so free and careless and debonair! How can I hope to be ever set at large again' (he said), 'who have been imprisoned so justly for stealing so handsome a motor-car in such an audacious manner, and for such lurid and imaginative cheek, bestowed upon such a number of fat, red-faced policemen!' (Here his sobs choked him.) 'Stupid animal that I was' (he said), 'now I must languish in this dungeon, till people who were proud to say they knew me, have forgotten the very name of Toad! O wise old Badger!' (he said), 'O clever, intelligent Rat and sensible Mole! What sound judgments, what a knowledge of men and matters you possess! O unhappy and forsaken Toad!' With lamentations such as these he passed his days and nights for several weeks, refusing his meals or intermediate light refreshments, though the grim and ancient gaoler, knowing that Toad's pockets were well lined, frequently pointed out that many comforts, and indeed luxuries, could by arrangement be sent in—at a price—from outside.
Kenneth Grahame (The Wind in the Willows)
The people of this island and of all the other islands which I have found and seen, or have not seen, all go naked, men and women, as their mothers bore them, except that some women cover one place only with the leaf of a plant or with a net of cotton which they make for that purpose. They have no iron or steel or weapons, nor are they capable of using them, although they are well-built people of handsome stature, because they are wondrous timid. . . . [T]hey are so artless and free with all they possess, that no one would believe it without having seen it. Of anything they have, if you ask them for it, they never say no; rather they invite the person to share it, and show as much love as if they were giving their hearts; and whether the thing be of value or of small price, at once they are content with whatever little thing of whatever kind may be given to them.
David E. Stannard (American Holocaust: Columbus and the Conquest of the New World)
A young black man, who I think was a summer intern, approached me in the lobby. Without saying so much as “Excuse me,” he sat down next to me in a huff and growled, “Why do black women get so mad when they see us walking down the street with a white girl?” I slowly turned toward this handsome, ebony boy and said, “Do you really want to know the answer to that question?” He said, “Yeah, I really want to know. I get sick of that shit.” I said, “Well, it might have something to do with this. For decades, black men were lynched, often for allegedly looking at a white woman. Our mothers’ mothers cut the black bodies of their sons and husbands down from the trees. But we black women did something we didn’t have to do before we buried them. First, we washed their bodies.” I let my words sink in and continued. “So, little boy, when you see a black woman walking down the street, you tilt your hat and acknowledge her existence. If only for the fact that first, we washed you. And next time you sit down next to me, you say, ‘Excuse me, Miss Lewis.’ Now get the fuck on where you’re going. I’m studying Brecht, little boy.
Jenifer Lewis (The Mother of Black Hollywood: A Memoir)
I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.
Sebastian Barry (Days Without End (Days Without End, #1))
I felt more comfortable when you were cursing like a sailor and calling me filthy names." "Are you conceding defeat?" She tried to keep the hopeful tone from her voice when he tucked his laptop into his leather briefcase. "Of course not." His dark eyes flashed with mirth. "I have a business meeting in half an hour which I had hoped to conduct here, but I'm too much of a gentleman to intrude on your privacy while you crush the hearts of ten sad and lonely men. I look forward to battling with you tomorrow, Miss Patel. May the best man win." After the door closed behind him, she sat back in her chair surrounded by his warmth and the intoxicating scent of his cologne. She knew his type. Hated it. Arrogant. Cocky. Egotistical. Ultra-competitive. Fully aware of how devastatingly handsome he was. A total player. She would have swiped left if his profile had popped up on desi Tinder. So why couldn't she stop smiling?
Sara Desai (The Marriage Game (Marriage Game, #1))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people on the weather channel leaning into the wind while lawmen shout in megaphones: “Get moving!
Toni Morrison (Love)
For mothers, some mothers, my mother, daughters are division and sons are multiplication; the former reduce them, fracture them, take from them, the latter augment and enhance. My mother, who would light up at the thought that my brothers were handsome, rankled at the idea that I might be nice-looking. The queen's envy of Snow White is deadly. It's based on the desire to be the most beautiful of all, and it raises the question of whose admiration she needs and what she thinks Snow White is competing for, this child whose beauty is an affliction. At the back of this drama between women are men, the men for whom the queen wants to be beautiful, the men whose attention is the arbiter of worth and worthlessness.
Rebecca Solnit (The Faraway Nearby)
But then everybody who has been in the Soviet Union for any length of time has noticed their concern with the United States: we may be the enemy, but we are the admired enemy, and the so-called good life for us is the to-be-good life for them. During the war, the Russian combination of dislike and grudging admiration for us, and ours for them, seemed to me like the innocent rivalry of two men proud of being large, handsome and successful. But I was wrong. They have chosen to imitate and compete with the most vulgar aspects of American life, and we have chosen, as in the revelations of the CIA bribery of intellectuals and scholars, to say, "But the Russians do the same thing," as if honor were a mask that you put on and took off at a costume ball. They condemn Vietnam, we condemn Hungary. But the moral tone of giants with swollen heads, fat fingers pressed over the atom bomb, staring at each other across the forests of the world, is monstrously comic.
Lillian Hellman (An Unfinished Woman: A Memoir (Back Bay Books))
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
Spenser Reynolds was a bit shorter than Web average, but far handsomer. His hair was curled but cropped short, his skin appeared bronzed by a benevolent sun and slightly gilded with subtle body paint, his clothes and ARNistry were expensively flamboyant without being outré, and his demeanor proclaimed a relaxed confidence that all men dreamed of and precious few obtained. His wit was obvious, his attention to others sincere, and his sense of humor legendary. I found myself disliking the son of a bitch at once.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
The house belongs to us. James and I grew up here. That mansion is our home," Mia replied with a sweet smile. "Or, well, it was. James and Lily have their own little cottage now." The Dursleys looked dumbfounded, which Mia discovered was not very difficult for them. "Grew up here?" Petunia gaped at Mia. "So, it's just you here, then? That big house all to yourself?" Mia could tell by the tone of voice that the woman was trying to be polite now that she was aware the Potters had money. "Oh no, I moved to London." She then pointed to Sirius and Remus standing beside James, pouring drinks for one another. "I live with those two handsome men." Petunia blushed furiously, looking scandalised. "You live with two men?" Mia grinned, half tempted to tell her, in detail, what she and those two men had done right here in this very orchard. The particular shade of red on Petunia's face was intriguing, to say the least, but nowhere near as amusing as the purple that Vernon was turning as he muttered, "shameful" and "scandalous" under his breath.
Shaya Lonnie (The Debt of Time)
On open roads they crossed the Ocean stream, went past the rock of Leucas and the gates of Helius the Sun, and skittered through the provinces of dreams, and soon arrived in fields of asphodel, the home of shadows who have been worn to weariness by life. They found Achilles’ ghost there, and Patroclus, and Ajax, the most handsome of the Greeks after unmatched Achilles. Agamemnon had just arrived to join them, in deep grief20 for his own death, and with him came the others killed by Aegisthus and his bodyguards. Achilles’ ghost spoke first. “O Agamemnon! Men used to say that out of all the heroes, Zeus, Lord of Lightning, favored you the most, because you had command of a great army in Troy where Greeks endured the pain of war. But death, which no man living can avoid, was destined to arrive at the wrong time. If only you had died at Troy and won30 the glory of your rank as a commander! All of the Greeks and allies would have built a tomb for you, and afterwards your son would have received great honor. As it is, it was your fate to die a dreadful death.
Homer (The Odyssey)
See!” she snapped at him. “You men are all brutish. You force your strength and will on us as if we matter for naught and then you wonder why we don’tlike ”—she spat the word at him—“you. Really? Is it any wonder? Why would any woman want to subject herself to the male ego? Why?” She looked down at his body as a sudden heat came into her gaze that made him instantly nervous. “Sure, you’re a handsome beastie with kissable lips when they’re not bleeding. You’re fair in form with big, bulging—” He actually cringed in fear of the word “cock” coming out of her mouth again, but luckily she averted her thoughts as her gaze met his. For the first time the despair left her voice. “Your eyes are so beautiful.” She ran one finger over his brow, making him instantly hard for her. “Did you know that?” Then the gloomy tone returned as she dropped her hand from his face. “Of course you do. You’re a worthless man. Just like all the others.” “Yeah,” Blaise teased. “You’re worthless, Varian. And what on him bulges again, Merewyn?” Varian glared at the mandrake, who merely continued to laugh at him. “Everything. His arms, his legs, his—” “Enough, Merewyn,” Varian said from between clenched teeth. “Well, you do bulge. I’ve seen it.” “We’ve all seen it,” Merrick said, his voice filled with humor, “And it’s sickening.” Varian glared at the triplets, especially the ferret, who was laughing and rolling around his brother’s neck. “When she is over this, I’m going to kill all of you.” Merewyn let out a long-suffering sigh. “Of course you will. That’s what men do. They destroy everything. Everything. Because you’re all worthless whoremongers.” Varian winced at her choice of words. “Whoremongers?” Blaise repeated with a laugh. “Yes. You all go out with your giant lances, spearing anything you can find. Nailing your targets against trees and walls, while you gallop from field to field, bragging over your conquests, uncaring of who you’ve hurt while you quest for more glory.” “Good gods,” Merrick said, his face horrified. “Is she speaking of what I think she is?” “Do you mean warmongers?” Varian asked her. “No! Whoremongers. All of you.” She looked over at the triplets. “Especially them.
Kinley MacGregor (Knight of Darkness (Lords of Avalon, #2))
Let's get it over with, so I can stop wondering. How many have there been?" Lauren stared at him."How many what?" "Lovers," he clarified bitterly. She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared. Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?" "Right," he said grimly, glowering at the ice cubes in his glass. "You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-" "Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you." Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-" "I know what I said," he snapped tersely. "Now,how many?" She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one." Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?" "I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork. "All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her. "Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork. "I will...after a while." "What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-" "I know what I said,dammit!" "Then why do you look so angry? You didn't lie to me,did you?" "I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time." "Why?" she goaded. "Because it was convenient to believe it," he bit out. "I was not in love with you then." Lauren loved him more at that moment than ever. "Would you like me to tell you about him?" "No," he said coldly. Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-" "Dammit, stop it!" Nick grated in genuine fury. "His name is John." Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!" "John Nicholas Sinclair," Lauren clarified.
Judith McNaught (Double Standards)
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
But if you will not take this Counsel, and persist in thinking a Commerce with the Sex inevitable, then I repeat my former Advice, that in all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor'd with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc'd may be attended with much Inconvenience. 4. Because thro' more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin'd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding2 only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!! Thus much for my Paradox. But still I advise you to marry directly; being sincerely Your affectionate Friend.
Benjamin Franklin
Te Rau Tauwhare was not quite thirty years of age. He was handsomely muscular, and carried himself with assurance and the tightly wound energy of youth; though not openly prideful, he never showed that he was impressed or intimidated by any other man. He possessed a deeply private arrogance, a bedrock of self-certainty that needed neither proof nor explication—for although he had a warrior’s reputation, and an honorable standing within his tribe, his self-conception had not been shaped by his achievements. He simply knew that his beauty and his strength were without compare; he simply knew that he was better than most other men.
Eleanor Catton (The Luminaries)
In some ways it seemed wrong that he lived here now, in this solitary place. At least part of the time he ought to be walking into ballrooms and strolling into gardens in his superbly tailored black evening clothes, making feminine heartbeats triple. With a wan inner smile at her attempted impartiality, Elizabeth told herself men like Ian Thornton probably performed a great service to society-he gave them something to stare at and admire and even fear. Without men like him, ladies would have nothing to dream about. And much less to regret, she reminded herself. Ian had not so much as turned to glance her way, and so it was little wonder that she jumped in surprise when he said without looking at her, “It’s a lovely evening, Elizabeth. If you can spare the time from your letter, would you like to go for a walk?” “Walk?” she repeated, stunned by the discovery that he was evidently as aware of what she was doing as she had been aware of him, sitting at the table. “It’s dark out,” she said mindlessly, searching his impassive features as he arose and walked over to her chair. He stood there, towering over her, and there was nothing about the expression on his handsome face to indicate he had any real desire to go anywhere with her. She cast a hesitant glance at the vicar, who seconded Ian’s suggestion. “A walk is just the thing,” Duncan said, standing up. “It aids the digestion, you know.” Elizabeth capitulated, smiling at the gray-haired man. “I’ll just get a wrap from upstairs. Shall I bring something for you, sir?” “Not for me,” he said, wrinkling his nose. “I don’t like tramping about at night.” Belatedly realizing he was openly abdicating his duties as chaperon, Duncan added quickly, “Besides, my eyesight is not as good as it once was.” Then he spoiled that excuse by picking up the book he’d been reading earlier, and-without any apparent need for spectacles-he sat down in a chair and began reading by the light of the candles.
Judith McNaught (Almost Heaven (Sequels, #3))
You’re classically handsome. You have the face that all men want… But there’s so much more to you. Your looks would be empty on anyone else. It’s who you are that fills everything in… I can see your dedication in the lines of your face. Your work ethic in the cut of your jaw. I know you love life when I see you smile, and even when you’re not smiling, the laugh lines show you’d rather be. I know you’re a father when I look into your eyes, and I know you’re a good one when I see those eyes are kind. When you’re you, you light up, and all these different parts of you combine, and everything that you are bursts free. You’re like color exploding in a black-and-white world.
Tal Bauer (You & Me)
Boaz Asleep Boaz, overcome with weariness, by torchlight made his pallet on the threshing floor where all day he had worked, and now he slept among the bushels of threshed wheat. The old man owned wheatfields and barley, and though he was rich, he was still fair-minded. No filth soured the sweetness of his well. No hot iron of torture whitened in his forge. His beard was silver as a brook in April. He bound sheaves without the strain of hate or envy. He saw gleaners pass, and said, Let handfuls of the fat ears fall to them. The man's mind, clear of untoward feeling, clothed itself in candor. He wore clean robes. His heaped granaries spilled over always toward the poor, no less than public fountains. Boaz did well by his workers and by kinsmen. He was generous, and moderate. Women held him worthier than younger men, for youth is handsome, but to him in his old age came greatness. An old man, nearing his first source, may find the timelessness beyond times of trouble. And though fire burned in young men's eyes, to Ruth the eyes of Boaz shone clear light
Victor Hugo
A-Actually, the flower that sprang up would have been the iris or larkspur, not the modern hyacinth, but that is how it earned its name.” “Fascinating.” His unfathomable eyes locked onto hers. Elizabeth knew he was referring to her and not the history of the hyacinth, and though she commanded herself to move out of his reach, her legs refused to budge. “Absolutely fascinating,” he murmured again, and in slow motion she watched his hands reach out and gently grasp her shoulders, rubbing lightly. “Last night you were ready to do battle with a roomful of men because they dared believe I’d cheated, yet now you’re afraid. Is it me you fear, sweetheart? Or something else?” The endearment spoken in his rich baritone voice had the same stirring effect on her as the touch of his lips. “I’m afraid of the things you make me feel,” she admitted desperately, trying to get control of herself and the situation. “I realize that this is merely a-a little weekend dalliance-“ “Liar,” he teased, and he took her lips in a sweet, swift kiss. Her mind reeled from the brief touch, but the moment he lifted his mouth from hers she rushed into frightened speech. “Thank you,” she blurted inanely. “H-Hyacinths are not the only flower with an interesting history. There are lilies, too, which are also part of the genus-“ A lazy, seductive grin swept across his handsome face, and, to Elizabeth’s helpless horror, her gaze fastened on his mouth. She couldn’t still the shiver of anticipation as he bent his head.
Judith McNaught (Almost Heaven (Sequels, #3))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
But Paradise would not be a bore for Muslims with different proclivities. Allah also promised his blessed that in Paradise, “round about them will serve, devoted to them, young male servants handsome as pearls well-guarded” (Qur’an 52:24), “youths of perpetual freshness” (Qur’an 56:17): “if thou seest them, thou wouldst think them scattered pearls” (Qur’an 76:19). But surely the Qur’an isn’t condoning homosexuality, is it? After all, it depicts Lot telling the people of Sodom: “For ye practise your lusts on men in preference to women: ye are indeed a people transgressing beyond bounds” (7:81) and “of all the creatures in the world, will ye approach males, and leave those whom Allah has created for you to be your mates? Nay, ye are a people transgressing all limits!” (26:165). A hadith commands that “if a man who is not married is seized committing sodomy, he will be stoned to death.”6 Another hadith has Muhammad saying: “Kill the one who sodomizes and the one who lets it be done to him.”7 These strictures have worked their way into Islamic legal codes, such that two Saudis were so anxious to avoid a flogging or prison term that they murdered a Pakistani who witnessed their “shameful acts” by running over him with a car, smashing his head in with a rock, and setting him on fire.8 But the pearl-like youths of Paradise have given rise to a strange double-mindedness about homosexuality in Islam. The great poet Abu Nuwas openly glorified homosexuality in his notorious poem the Perfumed Garden:
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
Regardless, his crankiness had hit a level not previously documented in the history of the universe. That was saying something, considering I’d grown up with three older sisters who all had periods at the same time. Because of them, most things—most people—didn’t bother me. I knew what it was like to be bullied, and Aiden never crossed the line into being unnecessarily mean. He was just a jackass sometimes. He was lucky I had a tiny, itty, bitty crush on him; otherwise, he would have gotten the shank years ago. Then again, just about everyone with eyes who happened to also like men, had some kind of a thing for Aiden Graves. When he raised his eyebrows and looked at me from beneath those curly black eyelashes, flashing me rich-brown eyes set deep into a face that I’d only seen smile in the presence of dogs, I swallowed and shook my head slowly as I gritted my teeth and took him in. The size of a small building, he should have had these big, uneven features that made him look like a caveman, but of course he didn’t. Apparently, he liked to defy every stereotype he’d ever been assigned in his life. He was smart, fast, coordinated, and—as far as I knew—had never seen a game of hockey. He had only said ‘eh’ in front of me twice, and he didn’t consume animal protein. The man didn’t eat bacon. He was the last person I would ever consider polite, and he never apologized. Ever. Basically, he was an anomaly; a Canadian football-playing, plant-based lifestyle—he didn’t like calling himself a vegan—anomaly that was strangely proportional all over and so handsome I might have thanked God for giving me eyes on a couple of occasions.
Mariana Zapata (The Wall of Winnipeg and Me)
I mean to tell you, the Law's notion of justice is more cold-blooded than any outlaw I ever knew. And I mean 'outlaw,' not criminal. 'Criminal' doesn't distinguish between guys like men and the guys who own the banks and insurance companies and stock markets, who own the factories and coal mines and oil fields, who own the goddamn Law. I once said to John that being an outlaw was about the only way left for a man to hold on to his self-respect, and he said Ain't that the sad truth. The girls laughed along with us because they knew it wasn't a joke.... John got the publicity because he loved it ... he carried on like the whole thing was an adventure movie and he was Douglas Fairbanks. He wanted to to be a 'star.' That's how he was. Not me. I never even liked having my picture taken. All I ever wanted was to show the bastards who own the law that it didn't mean they owned me.
James Carlos Blake (Handsome Harry)
You are the lifemate of a senstive, modern male. Julian's lazy amusement warmed her further, confirming what she already suspected, that he often stayed a shadow in her mind. How fortunate for me. Desari smiled at herself in the mirror. Her dark hair cascaded in waves down her back. There was a sparkle in her eyes. She knew Julian had made her feel more alive than she had ever been. Sensitive, modern men are so to my liking. Men? I am certain I did not hear my lifemate use the word men.The plural.No man is allowed to be to your liking other than myself. He sounded stern, the fierce Carpathian male at his most menacing. Desari laughed aloud. I suppose I can see your point, Julian, but really, it is so difficult to keep from noticing all of those handsome hunks in the audience. Handsome hunks? His voice dropped low with the affront. They are more like lovesick fops. If they could feel the vibrations in the air, they would show sense and run for their lives. It is bad enough to read their fantasies and hear them talk their trash, cara,but it is altogether worse to hear that my woman is looking back. One smile at the wrong man, lifemate, and trouble will find the man quickly. You sound jealous,she accused him, amusement curving her soft mouth. The first rule for all women to know and never forget is that Carpathian makes do not share their lifemates. Your brother has much to answer for that this was not drilled into you since birth.It was his job to prepare you for my coming. It was said somewhere between jest and complaint. Desari drew in her breath sharply, finding herself wavering between laughter and exasperation. My brother had no idea of your existence, you arrogant male. Besides, how could he possibly prepare me for your total ignorance of women? More likely, had he known you were coming to speak your ritual words, he would have been waiting to ambush you.I myself would have burrowed deep within the ground until you passed beyond my surroundings. You would have burst from the ground staight into my arms,cara mia, and you know this to be true. Now he was laughing, that smug, taunting, male amusement that should have set her teeth on edge but instead made her laugh. I think you are trying to find something to dictate to me about just so you do not lose your ability. Go away and practice this male art form on someone else. You will be singing to me tonight, piccola,and to no other man. You are a spoiled little boy,not a grown man. Should I come show you what a grown man I am? His voice was suddenly low and warm, so sexy she felt a rush of answering heat. She could feel the brush of his fingers against her throat, trailing down the valley between her suddenly aching breasts. Go away,Julian, she laughed in answer. I cannot have you getting me hot and bothered just now. As long as I know you re hot and bothered for me, I will do as you request and go back to work. I can only hope.
Christine Feehan (Dark Challenge (Dark, #5))
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
There was something in the count with attracted universal attention wherever he appeared. It was not the coat, unexceptional in its cut, though simple and unornamented; it was not the plain white waistcoat; it was not the trousers that displayed the foot so perfectly formed – it was none of these things that attracted the attention – it was his pale complexion, his waving black hair, his calm and serene expression, his dark and melancholy eye, his mouth, chiseled with such marvelous delicacy, which so easily expressed such high disdain – these were what fixed the attention of all upon him. Many men might have been handsomer, but certainly, there could be none whose appearance was more 'significant', if the expression may be used. Everything about the count seemed to have its meaning; for the constant habit of thought which he had acquired had given ease and vigor to the expression of his face, and even to the most trifling gesture, scarcely to be understood" (Chapter LXX, "The Ball").
Alexandre Dumas (The Count of Monte Cristo)
Oh, it's a good story, as a story,' returned that gentleman; 'as good a thing of its kind as need be. This Mr Dorrit (his name is Dorrit) had incurred a responsibility to us, ages before the fairy came out of the Bank and gave him his fortune, under a bond he had signed for the performance of a contract which was not at all performed. He was a partner in a house in some large way—spirits, or buttons, or wine, or blacking, or oatmeal, or woollen, or pork, or hooks and eyes, or iron, or treacle, or shoes, or something or other that was wanted for troops, or seamen, or somebody—and the house burst, and we being among the creditors, detainees were lodged on the part of the Crown in a scientific manner, and all the rest Of it. When the fairy had appeared and he wanted to pay us off, Egad we had got into such an exemplary state of checking and counter-checking, signing and counter-signing, that it was six months before we knew how to take the money, or how to give a receipt for it. It was a triumph of public business,' said this handsome young Barnacle, laughing heartily, 'You never saw such a lot of forms in your life. "Why," the attorney said to me one day, "if I wanted this office to give me two or three thousand pounds instead of take it, I couldn't have more trouble about it." "You are right, old fellow," I told him, "and in future you'll know that we have something to do here."' The pleasant young Barnacle finished by once more laughing heartily. He was a very easy, pleasant fellow indeed, and his manners were exceedingly winning. Mr Tite Barnacle's view of the business was of a less airy character. He took it ill that Mr Dorrit had troubled the Department by wanting to pay the money, and considered it a grossly informal thing to do after so many years. But Mr Tite Barnacle was a buttoned-up man, and consequently a weighty one. All buttoned-up men are weighty. All buttoned-up men are believed in. Whether or no the reserved and never-exercised power of unbuttoning, fascinates mankind;
Charles Dickens (Little Dorrit)
It was as she remembered, a haven of comfort and serenity. With a glad sigh, she kicked off her shoes and sat down on the side of the bed.Smiling, she patted the mattress beside her. Her husband scowled. It seemed to have become his habit. "We aren't here to relax." "Wolscroft may not even be in the area. It could take days for this to be settled." "He's here," Dragon said with certainty. "He will know what happened at Winchester, and he will be looking for a way to stop us before we can threaten him further." Privately, Rycca believed the same but she saw no reason to stress it. Nothing would happen until dark. Of that she was confident. Which meant... "We have hours to fill.Any ideas?" When he realized her meaning,he looked startled. With a laugh,she scrambled off the bed and went to him. "Oh,Dragon,for heaven's sake, do you really want to mope around here all day? I certainly don't. I still haven't gotten over being afraid Magnus was going to kill you,and I simply don't want to think about death anymore. I want to celebrate life." "There are three hundred men out there-" "Which is why we're in here." She raised herself on tiptoe, bit the lobe of his ear, and whispered, "I promise not to yell too loudly." A shudder ran through him. Even as his big hands stroked her back,he said, "Warriors don't mope." "No,of course they don't.It was a poor choice of words.But you'll be pacing back and forth, looking out the windows, or you'll go get that whetstone I noticed in the stable and sharpen your sword endlessly, or you'll be staring off into space with that dangerous look you get when you're contemplating mayhem. You'll be totally oblivious to me and-" He laughed despite himself and drew her closer. "Enough! Heaven forbid I behave so churlishly." "Speaking of heaven..." With the covers kicked back,the bed was smooth and cool.They undressed each other slowly, relishing the wonder of discovery that still came to them fresh and pure as their very first time. "Remember?" Rycca murmured as she trailed her lips along his broad, powerfully muscled shoulder and down the solid wall of his chest. "I was so nervous..." "Really?" Fooled me....Ah..." "I'd never seen anything so beautiful as you." "Not...beautiful...you are..." "I can't believe how strong you are. Why am I never afraid with you?" "Know I'd die 'fore hurting you? Sweetheart..." "Ohhh! Dragon...please..." His hands and lips moved over her, sweetly tormenting. She clutched his shoulders, her hips rising, and welcomed him deep within her. Still he tantalized her, making her writhe and laughing when she squeezed him hard with her powerful inner muscles. But the laughter turned quickly to a moan of delight. She looked up into his perfectly formed face,more handsome than any man had a right to be, and into his tawny eyes that were the windows of a soul more beautiful than any physical form. A piercing sense of blessedness filled her that she should be so fortunate as to love and be loved by such a man. Her cresting cry was caught by him, hismouth hard against hers, the spur to his own completion that went on and on,seemingly without end.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t! Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock! Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist. Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese. In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.” “I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.” “You’re wet.” “I know.” “Come over by the fire.” When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height. “Your jacket.” “No-I think I’d like to keep it on.” “Off,” he insisted quietly. “It’s wet.” “Now see here!” she burst out backing toward the open door, clutching the edges of her jacket. “Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.
Judith McNaught (Almost Heaven (Sequels, #3))
As for denying the existence of fairies, good and bad, you have to be blind not to see them. They are everywhere, and naturally I have links of affection or dislike with all of them. The wealthy, spendthrift ones squander fortunes in Venice or Monte Carlo: fabulous, ageless women whose birthdays and incomes and origins nobody knows, putting charms on roulette wheels for the dubious pleasure of seeing the same number come up more often than it ought. There they sit, puffing smoke from long cigarette-holders, raking in the chips, and looking bored. Others spend the hours of darkness hanging their apartments in Paris or New York with Gothic tapestries, hitherto unrecorded, that drive the art-dealers demented-gorgeous tapestries kept hidden away in massive chests beneath deserted abbeys and castles since their own belle epoque in the Middle Ages. Some stick to their original line of country, agitating tables at seances or organizing the excitement in haunted houses; some perform kind deeds, but in a capricious and uncertain manner that frequently goes wrong, And then there are the amorous fairies, who never give up. They were to be seen fluttering through the Val Sans Retour in the forest of Broceliande, where Morgan la Fee concealed the handsome knight Guyomar and many lost lovers besides, or over the Isle of Avallon where the young knight Lanval lived happily with a fairy who had stolen him away. Now wrinkled with age, the amorous ones contrive to lure young men on the make who, immaculately tailored and bedecked with baubles from Cartier, escort them through the vestibules of international hotels. Yet other fairies, more studious and respectable, devote themselves to science, whirring and breathing above tired inventors and inspiring original ideas-though lately the unimaginable numbers,the formulae and the electronics, tend to overwhelm them. The scarcely comprehensible discoveries multiply around them and shake a world that is not theirs any more, that slips through their immaterial fingers. And so it goes on-all sorts and conditions of fairies, whispering together, purring to themselves, unnoticed on the impercipient earth. And I am one of them.
Manuel Mujica Lainez (The Wandering Unicorn)
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman. I glanced at his face and blinked. He was remarkably handsome. The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting. "It's always work with you," the russet-haired man said. "Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips. "I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?" The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left." "Good. Let's get this crap and go home." They turned into the side street. "That bird smelled dead," Sean said.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
Merry Christmas,Ja-" To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?" She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did. So his derogatory answer didn't really add to her surprise. "The infant." She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way. The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut. "Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again. But what Anthony did to solve his dilemma produced Molly's second "Oh,dear." When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders. Reggie and Molly,alarmed by the noise, soon followed the men into the room. Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked. "Infants hiding behind infants, how apropos," James sneered. "Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works." James was not amused, and ordered, barked, actually. "Put my niece down." "Wouldn't think of it, old man-least not until I find out why you want to murder me." Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.
Johanna Lindsey (The Holiday Present)
Captain Bailey’s face went rigid as he stepped aside, revealing another bicorne-crowned officer just behind him. The gentleman joined their circle, probing Milly with his gaze. He was handsome, more so than the other two. The upward tilt of his chin, confident set to his shoulders, and seductive smile lifting one corner of his mouth sent a wave of disquiet through her middle. She’d met this sort before. The silver tassels on his epaulettes glimmered in the firelight and spoke of power, and she lowered her eyes, pointedly aware she didn’t belong here, surrounded by such important men, addressing them as if anything she said were worthy of their consideration. She sucked in a deliberate breath and drew back ever so slightly. Captain Bailey matched her move and slipped a hand to the back of her elbow. She suspected the touch was meant to be one of support. Instead, she felt trapped. “Miss Milly Wilkins, may I present Captain Jameson Collins?” Captain Bailey’s voice was clipped, and Milly feared he was beginning to see through the ruse. The sound of rattling chains stemmed from the shadows and her eyes darted toward it. Any minute these officers would realize she should be shackled as well. Could they see through the shadows of her hood to the pulse pounding in her neck?
April W. Gardner (Beneath the Blackberry Moon: The Ebony Cloak (Creek Country Saga #3))
Another woman catches sight of Fischerle's hump on the ground and runs screaming into the street: 'Murder! Murder!' She takes the hump for a corpse. Further details - she knows none. The murderer is very thin, a poor sap, how he came to do it, you shouldn't have thought it of him. Shot may be, someone suggests. Of course, everyone heard the shot. Three streets off, the shot had been heard. Not a bit of it, that was a motor tyre. No, it was a shot! The crowd won't be done out of its shot. A threatening attitude is assumed towards the doubters. Don't let him go. An accessory. Trying to confuse the trail! Out of the building comes more news. The woman's statements are revised. The thin man has been murdered. And the corpse on the floor? It's alive. It's the murderer, he had hidden himself. He was tring to creep away between the corpse's legs when he was caught. The more recent information is more detailed. The little man is a dwarf. What do you expect, a cripple! The blow was actually struck by another. A redheaded man. Ah, those redheads. The dwarf put him up to it. Lynch him! The woman gave the alarm. Cheers for the woman! She screamed and screamed. A Woman! Doesn't know what fear is. The murderer had threatened her. The redhead. It's always the Reds. He tore her collar off. No shooting. Of course not. What did he say? Someone must have invented the shot. The dwarf. Where is he? Inside. Rush the doors! No one else can get in. It's full up. What a murder! The woman had a plateful. Thrashed her every day. Half dead, she was. What did she marry a dwarf for? I wouldn't marry a dwarf. And you with a big man to yourself. All she could find. Too few men, that's what it is. The war! Young people to-day...Quite young he was too. Not eighteen. And a dwarf already. Clever! He was born that way. I know that. I've seen him. Went in there. Couldn't stand it. Too much blood. That's why he's so thin. An hour ago he was a great, fat man. Loss of blood, horrible! I tell you corpses swell. That's drowned ones. What do you know about corpses? Took all the jewellery off the corpse he did. Did it for the jewellery. Just outside the jewellery department it was. A pearl necklace. A baroness. He was her footman. No, the baron. Ten thousand pounds. Twenty thousand! A peer of the realm! Handsome too. Why did she send him? Should he have let his wife? It's for her to let him. Ah, men. She's alive though. He's the corpse. Fancy dying like that! A peer of the realm too Serve him right. The unemployed are starving. What's he want with a pearl necklace. String 'em up I say! Mean it too. The whole lot of them. And the Theresianum too. Burn it! Make a nice blaze.
Elias Canetti (Auto-da-Fé)
In the elevator, he held silent, but she saw him twice look at her blouse. She could feel his gaze, damn it, deep inside herself. And she knew what he was looking at. Without the binding, her boobs were far too noticeable. The damned buttons gaped and the material strained. “Enjoying yourself?” she asked with a heavy dose of sarcasm. If anything, her jibe only made him intensify his study. He stood there, negligence personified, his hands clasped behind his back, his stance casual and relaxed. “I can see the outline of your nipples.” She nearly strangled on her fury. “Go to hell!” “What are you? C cup? Maybe even a D?” Oh, God, she did not want to stand here alone with him, closed up in such a small space with his heat and scent invading her lungs. “None of your damn business.” He lifted his hand in front of him, not to touch her, but to imagine it covering her right breast. His face screwed up while he pretended to heft her. “I’d say a full C.” A fine trembling started in her neck and went down her spine. She needed to stay composed to face off with Murray Coburn, but for whatever reason, this man wanted to demolish her control. “I say go kill yourself.” He cracked a smile. And what that smile did for him . . . She couldn’t deny that he was devastatingly handsome. Probably a cutthroat villain, but still gorgeous. That disheveled fair hair and those intense, oddly colored eyes . . . she shivered. He lifted a brow. “Cold?” “No.” She had to distract him. “So I didn’t catch your name.” “No one gave you my name.” “It’s a secret, then?” She tried to hunch her shoulders to make her chest less noticeable. “How strange.” “That doesn’t help,” he said of her posture, “and if you’re really interested?” He held out a hand. “Trace Miller.” She disdained touching him again. “Is that your real name or an alias?” With a grin, he retracted his proffered hand. “What do you think?” “I think you took my driver’s license.” He went still for a heartbeat, giving her a small measure of satisfaction. Lifting her hands in a “woo woo” way, she intoned,” I know all, see all.” Then she curled her lip. “And besides, you suck at stealth.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))