Beige And Black Quotes

I was just as black as I had been the day that I was born. Therefore, when I faced a congregation, it began to take all the strength I had not to stammer, not to curse, not to tell them to throw away their Bibles and get off their knees and go home and organize, for example, a rent strike. When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto?

People talk about dark moods, black moods, all the time. But depression isn’t a dark mood. It’s an ash-grey mood, or possibly some type of beige. There

I have not spent my time studying the problem of "race"—"race" itself is just a restatement and retrenchment of the problem. You see this from time to time when some dullard—usually believing himself white—proposes that the way forward is a grand orgy of black and white, ending only when we are all beige and thus the same "race." But a great number of "black" people already are beige. And the history of civilization is littered with dead "races" (Frankish, Italian, German, Irish) later abandoned because they no longer serve their purpose—the organization of people beneath, and beyond, the umbrella of rights.

I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless.

There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Who would dare admit a longing for a White nation so full of hate that it drove its citizens of color to madness, to death or to exile? How to confess even to one's ownself, that our eyes, historically customed to granite buildings, wide paved avenues, chromed cars, and brown, black, beige, pink, and white-skinned people, often ached for those familiar sights?

Crayola crayons, in the familiar yellow-and-green box, labeled LIBRARY PACK. Inside were the colors of Dinsy’s world: Reference Maroon, Brown Leather, Peplum Beige, Reader’s Guide Green, World Book Red, Card Catalog Cream, Date Stamp Purple, and Palatino Black.

As we pulled onto the road, I noticed a black and beige shape on the sidewalk. A goose. A goose, but everything about it was wrong. Its neck broken, twisted into a spiral. It dragged its head along the ground, waddling in circles, screaming. No one seemed to notice except me.

(T)here is no darkness, not the kind they imagine. Everything is composed of webs and lattices and upheavals of sound and texture... Colour - that's another thing people don't expect. In her imagination, in her dreams, everything has colour. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard room projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver, pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.

Color--that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light

What is basic? First and foremost, it is the CUT. Many people think that we are talking about color and picture things in black and white or maybe in beige and blue. However, the basics don’t mean a particular color; they mean the cut and the ability of every thing to work with each other thing. They can be of any color at all!

Outwardly, Roy was an obvious figure. If you drew a pair of old brown loafers, two beige elbow patches, a black pipe, and two baggy eyes under heavy eyebrows, the rest was easy to fill out.

In the same way that black and white were applied to people who were literally neither, but rather gradations of brown and beige and ivory, the caste system sets people at poles from one another and attaches meaning to the extremes, and to the gradations in between, and then reinforces those meanings, replicates them in the roles each caste was and is assigned and permitted or required to perform.

In the same way black and white were applied to people who were literally neither, but rather gradations of brown and beige and ivory, the cast system sets people at poles from one another and attaches meaning to extremes, and to the gradations in between...

I have spent much of my studies searching for the right question by which I might fully understand the breach between the world and me. I have not spent my time studying the problem of 'race' - 'race' itself is just a restatement and retrenchment of the problem. You see this from time to time when some dullard - usually believing himself white - proposes that the way forward is a grand orgy of black and white, ending only when we are all beige and thus the same 'race.' But a great number of 'black' people are already beige. And the history of civilization is littered with dead 'races' (Frankish, Italian, German, Irish) later abandoned because they no longer serve their purpose - the organization of people beneath, and beyond, and the umbrella of rights.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Ichecked myself over nervously. I had never been the new kid before, and I wanted at least one friend before the day was done. One besides Josh. Girlfriends were a necessity. Plenty had eyed me up at the ball but none had been brave enough to talk to me. Not even when I danced with Josh. I smiled unintentionally, thinking about Josh. Perhaps he would be my only friend. I could live with that, couldn’t I? No. Girlfriends were a necessity. Who would I toil over Josh with? And who would I talk about Briton with? No, I needed fiends. I surveyed my gray skinny jeans, black-and-white striped three-quarter-sleeve shirt, and knee-high beige dress boots, and grinned. I looked like a city kid. Great. No one would want to hang with me. My long hair looked silky and fine, not thick and unruly like it truly was, and I had on too much makeup. Yikes.

The tan carpet was stiff and black with stripes of dried blood, spattered like a Jackson Pollock canvas. The walls were streaked with it, handprints smearing the dingy beige surfaces. And the bodies. Dozens of bodies. People she’d seen every day since kindergarten, people whom she’d played tag with and cried over and kissed, were lying at odd angles, their bodies pale and cold, their eyes staring like rows of dolls in a shop window.

Every square inch of the wood-paneled walls is covered with photographs of cops, some black-and-white, some in color. Red-and-white Ws and America's Dairyland, old flaking signs for Lake Monona, Lake Mendota, and the U.P. Posters, with all kinds of beer, half-nude women holding giant mugs of it. All the color, words, images, the vibrant clutter of them, such a stark contrast to the spare tans, beiges, and wood of our home, our church, the school. My life.

When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither-this-nor-that beige of your skin - well, anyone can see you come from Dream City. In Dream City everything is doubled, everything is various. You have no choice but to cross borders and speak in tongues. That's how you get from your mother to your father, from talking to one set of folks who think you're not black enough to another who figure you insufficiently white.

A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass

They put me in jail. Holy shit. They put me in fucking jail. Call my mother and tell her I love her, call my father and tell him I can’t loan him any more money, call my grandmother and tell her she needs to stop day drinking. I am never getting out of this. All right, on the plus side, it’s not like I’m sitting in a city jail. It’s a hotel holding room, which basically means beige-colored carpet with beige walls and a beige futon. In Vegas, if they put you in beige, you are seriously fucked. No sequins or rhinestones anywhere means I must have done something abominable. Okay. I take three deep breaths, trying to achieve my zone neutrality. Or something. I don’t know! Okay, keep calm, Julia. Maybe they can help. Maybe they can help piece together whatever insane stuff you did last night. Or rather, the weird shit that your David Tennant personality did. On second thought, maybe talking about Doctor Who would be a very bad thing right now. The door opens, and Gray Suit— his name’s actually Todd, but I’m sticking with Gray Suit— enters and sits down in a chair opposite me. “Now Ms. Stevens—” “I’m not going to prison,” I blurt out. “I’m too soft. I watched Orange is the New Black. I don’t want to eat tampon sandwiches.” Gray Suit blinks slowly. “Okay. I’ll bear that in mind.” “Look, what the hell am I even doing here?” I snap. Great, Julia. Get snippy with the authorities. This’ll go down swimmingly. “What is happening?” Gray Suit sighs. “It’s about what you did last night, Ms. Stevens.

As he sat he felt the outside of her thigh, firm, against his, and she felt the outside of his, likewise firm, against hers. She said, “Aren’t you going to take that off?” She meant the black robe, which he had forgotten he was wearing, and he looked down at himself and over at her, and smiled, and answered, “You first.” She laughed. “Together, then.” “Together.” They stood and pulled off their robes, facing each other, and underneath both were wearing jeans and sweaters, there being a nip in the air tonight, and his sweater was brown and loose and hers was beige and clung to her torso like a soft second skin. He attempted chivalrously not to take in the sweep of her body, his eyes holding hers, but of course, as we know often happens in such circumstances, he was unsure as to whether or not he had succeeded, one’s gaze being less than entirely conscious a phenomenon. They sat back down and she placed her fist on her thigh, palm up, and opened it. “Have you ever done psychedelic mushrooms?” she asked.

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

Consider, for example, a cichlid fish known as Haplochromis burtoni that comes from the lakes of East Africa.9 In this species, only a small number of males secure a breeding territory, and they are not discreet about their privileged social status. In contrast to their drably beige nonterritorial counterparts, territorial males sport bold splashes of red and orange, and intimidating black eye stripes. The typical day for a territorial male involves a busy schedule of unreconstructed masculinity: fighting off intruders, risking predation in order to woo a female into his territory, then, having inseminated her by ejaculating into her mouth, immediately setting off in pursuit of a new female. Add to this the fact that territorial males boast significantly larger testes and have higher circulating levels of testosterone than submissive nonterritorial males, and a T-Rex view of the situation seems almost irresistible. These high-T fish are kings indeed, presumably thanks to the effects of all that testosterone on their bodies, brain, and behavior. With a large dose of artistic license, we might even imagine the reaction were a group of feminist cichlid fish to start agitating for greater territorial equality between the sexes. It’s not discrimination, the feminist fish would be told, in tones of regret almost thick enough to hide the condescension, but testosterone. But even in the cichlid fish, testosterone isn’t the omnipotent player it at first seems to be. If it were, then castrating a territorial fish would be a guaranteed method of bringing about his social downfall. Yet it isn’t. When a castrated territorial fish is put in a tank with an intact nonterritorial male of a similar size, the castrated male continues to dominate (although less aggressively). Despite his flatlined T levels, the status quo persists.10 If you want to bring down a territorial male, no radical surgical operations are required. Instead, simply put him in a tank with a larger territorial male fish. Within a few days, the smaller male will lose his bold colors, neurons in a region of the brain involved in gonadal activity will reduce in size, and his testes will also correspondingly shrink. Exactly the opposite happens when a previously submissive, nonterritorial male is experimentally maneuvered into envied territorial status (by moving him into a new community with only females and smaller males): the neurons that direct gonadal growth expand, and his testes—the primary source of testosterone production—enlarge.11 In other words, the T-Rex scenario places the chain of events precisely the wrong way around. As Francis and his colleagues, who carried out these studies, conclude: “Social events regulate gonadal events.”12

I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.

I have spent much of my studies searching for the right question by which I might fully understand the breach between the world and me. I have not spent my time studying the problem of “race”—“race” itself is just a restatement and retrenchment of the problem. You see this from time to time when some dullard—usually believing himself white—proposes that the way forward is a grand orgy of black and white, ending only when we are all beige and thus the same “race.” But a great number of “black” people already are beige. And the history of civilization is littered with dead “races” (Frankish, Italian, German, Irish) later abandoned because they no longer serve their purpose—the organization of people beneath, and beyond, the umbrella of rights.

In the same way that black and white were applied to people who were literally neither, but rather gradations of brown and beige and ivory, the caste system sets people at poles from one another and attaches meaning to the extremes, and to the gradations in between, and then reinforces those meanings, replicates them in the roles each caste was and is assigned and permitted or required to perform. Caste and race are neither synonymous nor mutually exclusive. They can and do coexist in the same culture and serve to reinforce each other. Race, in the United States, is the visible agent of the unseen force of caste. Caste is the bones, race the skin. Race is what we can see, the physical traits that have been given arbitrary meaning and become shorthand for who a person is. Caste is the powerful infrastructure that holds each group in its place.

Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.

I thought about colors I hated: ecru, puce, lavender, beige and black.

There is a time to illume & a time to darkle. A time for white & a time for black. There is a time for grey eminence & a time for grey obscurity. There is even a time for beige.

He wondered if the Judge had mentioned that Hugh was a N*****, or if when you reached Judge Hamilton’s position such subtleties wouldn’t occur to you. And he wondered if Ellen had this latent fear when meeting someone new. With her background, it wouldn’t seem to be something she had to face, yet how could she escape it entirely? The quickening in the eyes, the certain intonation of the voice, the unspoken awareness: you are black. Even if you were brown or beige or lightly sun-tanned.

With a pair of scissors in my pocket, a bottle of rum in my hand, and Martina, we walked towards Plaza Trippy to go to the alley behind it called Carrer de la Rosa. Martina didn't know what this was all about; I tried to make it a surprise. At the gate, I asked Martina to hold the scissors until I climbed up the wall of the building and cut off the sign. I never had the chance to tell her that I used to do indoor climbing. Just like Adam. It was so dusty and rusty, abandoned and old, that I got dirty. The sign was quite new, or at least it looked new, but it was dustier than I had thought - it must have been up there for years. I cut the zip ties on the four corners, holding the sign to the old metal railings and then I jumped down from the wall to jump into Martina's arms in the tight alley. We were laughing. We went up and left, and up and right a few blocks until we crossed Ferran Street, I think, and finally, I thought we were safe: let's take a picture of the sign and get rid of it. I didn’t want anyone to see us in front of the place or on the busy Carrer Escudellers taking a picture of the 'For Sale' sign. Only Martina knew that we were going to have a club and that it would be right there. I gave my iPhone to Martina to take a picture of me holding the sign. I was so happy. I had my new girlfriend, suddenly from the sky, and she seemed to be “The One”. Celestial. I was wearing my beige suede Adidas shoes with white sole which Sabrina had surprised me with a year earlier on my birthday, my dark green Globe pants, and my black Breach jacket, a black hoodie, smiling ear to ear while holding a dirty sign in front of a store's closed metal shutter decorated with graffiti. After throwing out the sign in the trash can with Martina, I sent Adam the picture. He replied late at night: „:DDDDDDDDDDDDDDDDDDDDDD” Finally, it took a year to make Adam happy, even though Sabrina wouldn't let me make her happy. I got the place to make 'Aso Golan', the only place it could ever take place; to be one of the largest coffeeshops in Barcelona. I knew it would take another year to quickly fix up the place and pass the inspection before we could open it. I knew that in few years, we would be rich, looking back to the day I made my first order at the Sagrada Familia. Or the night we took off the FOR SALE sign with Martina.

The cities change. The bus line is different. The train runs on another track, but the scene is the same. Everyday in America, South Africa and other places in the world like them. Black people. My people. Travelin. To be cooks, janitors, housekeepers, porters, days workers, servants, Black boys, Beige girls, Brown daddies, Ebony mothers.

When I was a child my world wasn’t black and white, it was grey, until I got beat up enough times to realize my skin was beige, and different

Crikey,’ I said. ‘I’m told that this place has all the warmth and charm of a lawyer’s waiting room,’ said Mark. It did, too. The walls and flooring and kitchen cabinets were all beige, and the furnishings black. The only touch of colour was provided by two big canvases on the far wall, each one sporting a single red squiggle on a white background. I find it hard to be impressed by art that looks like it took longer to hang straight on the wall than it did to produce. However, those whose living rooms are a symphony of plum and orange are in no position to criticise anybody else’s interior design. And perhaps he loved it.

swing it open. Tom’s standing there, smiling with a bunch of red roses in his arms. He looks good with his cropped black hair, soft brown eyes, and crooked smile. He’s dressed to impress in a navy shirt and dark beige trousers. The nurses at his hospital must be drooling over him, so why aren’t I? His eyes travel up and down my body. “You look lovely, Andi.” “Thank you,” I answer. “I brought you these.” He hands me a mixed array of pink tulips, white daises, yellow sunflowers, and red roses. “They’re

I get up and stare out at the place where I live. I’m right at the heart of Planet Normal. Its strangest resident maybe, but I don’t care about that. I like a place where dads go to work in the mornings and people grumble when the post is late. If Rattigan’s army of the undead is out there waiting for me, they’re well disguised. There are some clouds dotting the sky. Those high stately ones that look like ships sailing in from the west. There aren’t many of them, though, and the sun is already well into its stride. It’s going to be hot. Drift downstairs. Eat a nectarine straight from the fridge. Make tea. Eat something else, because we citizens of Planet Normal don’t get by on a single nectarine. I unlock my garden shed and open a window in there, because if it’s hot outside, the shed can get boiling. It’ll be too hot even with the window open, but I lock up all the same. I always do. I’d intended to shower and stuff, but I did all that last night and I’ve already let too much time drift by to do it all again now. Sharp means sharp, now, Griffiths. Apart from sniffing my wrists to make sure they don’t smell of the firing range, I do as little as I can. But I have to get dressed. That’s easy, normally. Select a bland, appropriate outfit from the array of bland, appropriate outfits I have in my wardrobe. I used to own almost nothing that wasn’t black, navy, tan, white, charcoal or a pink so muted that you might as well call it beige. I never thought those colours suited me particularly. I didn’t have an opinion on the subject. It was just a question of following the golden rule: observe what others do, then follow suit. A palette of muted classic colours seemed like the safest way to achieve the right effect. Since Kay turned fourteen or fifteen, however, she’s campaigned to get me to liven up my wardrobe. It’s still hardly vibrating with life. It still looks something like an exhibition of Next office wear, 2004‒10. All the same, I have options now that I wouldn’t have had a few years back. And today I’ll be seeing Dave Brydon. He’ll be seeing me. I want his eyes on me, and I want his eyes to be hungry ones, sexed up and passionate. I

But I haven’t described Dream City. I’ll try to. It is a place of many voices, where the unified singular self is an illusion. Naturally, Obama was born there. So was I. When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither-this-nor-that beige of your skin—well, anyone can see you come from Dream City. In Dream City everything is doubled, everything is various. You have no choice but to cross borders and speak in tongues. That’s how you get from your mother to your father, from talking to one set of folks who think you’re not black enough to another who figure you insufficiently white.

the wind moved a thin scrim of sand across the bleached asphalt, brushed it along the ground in wide, crossing arcs that thinned and ebbed in much the same way the beige sea foam thinned and ebbed at the edge of the beach that was just beyond the trees. The wind took the sound of the slammed car doors, the slammed trunk, and sailed it off like a black scrap, over their heads, back toward the long highway and the crowded towns and the churches on shaded avenues choked with parked cars. It took their voices, too, but more gently. The

Traditionally, the needs of ethnically diverse consumers had been met by smaller companies—the equivalent, in movie terms, of independent filmmakers. In the seventies, Shindana introduced two Barbie-like fashion dolls: Malaika, taller and stouter than Barbie; and Career Girl Wanda, about three-quarters as tall as Barbie and as proportionately svelte. But in 1991, when Mattel brought out its "Shani" line—three Barbie-sized African-American dolls available with mahogany, tawny, or beige complexions— there could be no doubt that "politically correct" was profitable. "For six years, I had been preaching these demographics—showing pie charts of black kids under ten representing eighteen percent of the under-ten population and Hispanic kids representing sixteen percent—and nobody was interested," said Yla Eason, an African-American graduate of Harvard Business School who in 1985 founded Olmec Corporation, which makes dolls and action figures of color. "But when Mattel came out with those same demographics and said, 'Ethnically correct is the way,' it legitimatized our business." Some say that the toy industry's idea of "ethnically correct" doesn't go far enough, however. Ann duCille, chairman of the African-American Studies Program and an associate professor of English at Wesleyan University, is a severe critic. After studying representations of race in fashion dolls for over a year, she feels that the dolls reflect a sort of "easy pluralism." "I'm not sure I'd go so far as to say I'd rather see no black dolls than see something like Shani or Black Barbie," she told me, "but I would hope for something more—which is not about to happen." Nor is she wholly enamored of Imani and Melenik, Olmec's equivalent of Barbie and Ken. "Supposedly these are dolls for black kids to play with that look like them, when in fact they don't look like them. That's a problematic statement, of course, because there's no 'generic black kid.' But those dolls look too like Barbie for me. They have the same body type, the same long, straight hair—and I think it sends a problematic message to kids. It's about marketing, about business—so don't try to pass it off as being about the welfare of black children." Lisa Jones, an African-American writer who chronicled the introduction of Mattel's Shani dolls for the Village Voice, is less harsh. Too old to have played with Christie—Barbie's black friend, born in 1968—Jones recalls as a child having expressed annoyance with her white classmates by ripping the heads and arms off her two white Barbie dolls. Any fashion doll of color, she thinks, would have been better for her than those blondes. "Having been a little girl who grew up without the images," she told me, "I realize that however they fail to reach the Utopian mark, they're still useful.

Natalie’s house, not least because of the seventeen-inch Zenith, inside a pale wood cabinet, the biggest television Miri had ever seen. Her grandmother had a set but it was small with rabbit ears and sometimes the picture was snowy. The furniture in the Osners’ den all matched, the beige sofas and club chairs arranged around a Danish modern coffee table, with its neat stacks of magazines—Life, Look, Scientific American, National Geographic. A cloth bag with a wood handle, holding Mrs. Osner’s latest needlepoint project, sat on one of the chairs. A complete set of the Encyclopaedia Britannica took up three shelves of the bookcase, along with family photos, including one of Natalie at summer camp, in jodhpurs, atop a sleek black horse, holding her ribbons, and another of her little sister, Fern, perched on a pony. In one corner of the room was a game table with a chess set standing ready, not that she and Natalie knew how to play, but Natalie’s older brother, Steve, did and sometimes he and Dr. Osner would play for hours.

The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?

It was like The Wizard of Oz, instant beautiful color, only Quinn had been living in worse than black-and-white Kansas. He’d been trapped in a monochromatic world of beige, of nice, of going with the flow, not making waves. Eli was the whole super-sized box of crayons, with no rules about staying in the lines.

It comes in black and blue, indecisive beige.

Another way to keep other people’s energy from invading you is to stop whatever you’re doing and name everything you see around you, out loud if possible, for a few minutes. For example, right now, you might look around you and say, “I see a black desk lamp, a beige telephone, three magazines, a white vase with a red carnation in it, three yellow pencils, a brown wastebasket, my boss smiling at a client,” and so on. Continue doing this for three or four minutes, or until you’re completely relaxed, calm, and neutral. This exercise trains you to get out of your head and be present instead of being emotionally hijacked into your own or someone else’s drama.

We know that the letters of the alphabet are neutral and meaningless until they are combined to make a word which itself has no significance until it is inserted into a sentence and interpreted by those who speak it. In the same way that black and white were applied to people who were literally neither, but rather gradations of brown and beige and ivory, the caste system sets people at poles from one another and attaches meaning to the extremes, and to the gradations in between, and then reinforces those meanings, replicates them in the roles each caste was and is assigned and permitted or required to perform.

You object to anyone who’s not like you!” – I yelled. “You’re afraid your grandchildren will be half black.” (…) “That’s right”, she said. “I want you to marry someone exactly like me, with a big beige purse and lots of veins in her legs. In fact, why don’t I divorce your father so the two of us can run off together?” “You’re disgusting,” I told her. “I’ll never marry you, Never!” I left the room in a great dramatic huff, thinking, Did I just refuse to marry my mother?

Mr. Baker was standing at the open door, looking absolutely and expectedly ridiculous in an explorer's cap and matching leather satchel over one shoulder, along with some beige cargo pants hiked way up with suspenders and knee-high black rubber boots. He looked like he was setting out to look for King Kong in the new world.

He passed the rutabaga and duck terrine toward me with the tips of his fingers. "Isn't this a little odd?" I wanted to like it, I did. I pushed the ingredients around with my knife and fork, trying to understand it and formulate an opinion. Then Felix swooped in. "Oh, miss. Pardon me, I was helping another table. That's supposed to be served with something else." He looked at Michael Saltz sheepishly, and Michael Saltz turned his toupeed head away. "We added this dish today, and I'm still getting used to serving it. The proper preparation includes just a bit of truffle." He took out a fist-size beige knot from underneath a white napkin. The shavings rained down in ruffled, translucent strands. Felix backed away as I poked my fork through the tangle of truffles, into the terrine. I had read about truffles- their taste, their hormonal, almost sexual aromas, their exorbitant cost- but I had never even seen a truffle in person before, and had a hard time understanding why people paid thousands of dollars an ounce for something so humble-looking. But at Tellicherry, I understood. I melted in my chair. "Mmm..." I couldn't stop saying it. "Mmmm." Michael Saltz, excited too, picked up a large pinch of truffle shavings and held them to his nose. "These are very good. The finest." "Oh God," I said, in a state of delirium. "This makes the dish so much better. Why aren't truffles on everything?" I had forgotten about the funky terrine. Now it was just a vehicle for the magical urgings of the truffle. A few minutes later, Felix came out again. "Here's your next dish, potato pearls with black, green, and crimson caviar in a cauliflower cream nage." The caviar shined like little jewels among the equal-sized potatoes. They bobbed around in the soup, glistening as if illuminated from within. I took a spoonful and in surged a soft, sweet ribbon of cauliflower essence. I popped the caviar eggs one by one. Pop, went one, a silken fishiness. Pop, went another, a sharp, tangy brine. Pop, went a seductive one, dark and mysterious and deep.

In the chamber, [Frances Hamling] sat close to her husband [William Hamling, about to go before the US Supreme Court on 4/15/74], trying to repress the anxiety she felt about his future. Four years in prison and $87,000 in fines was hardly a matter of casual contemplation. Since nobody was supposed to speak or even whisper in the chamber, she diverted herself by glancing around at the room's opulent interior, the impressive bone-white china columns and red velvet draperies that formed the background behind the polished judicial bench and high black leather chairs. A gold clock hung down from between two pillars, signaling that it was 9:57 a.m. -- a few minutes before the justices' scheduled arrival. Along the upper edge of the front of the room, close to the top of the forty-four-foot ceiling, Frances noticed an interesting, voluptuous section of Classical art: It was a golden beige marble frieze that extended across the width of the room and showed about twenty nude and seminude men, women, and children gathered in various poses. The figures symbolized the embodiment of human wisdom and truth, righteousness, and virtue; but the bodies to her could as easily have represented an assemblage of Roman hedonists or orgiasts, and it struck her as ironic that such a scene should be hovering over the heads of the jurists who would be questioning her husband's use of illustrations in the Presidential Report on Obscenity and Pornography.

A saturated color is its purest version, the kind you might find on a children’s building-block set. The truest blue and the sunniest yellow: these colors are strong and intense. To desaturate colors, you add gray to them, making them duller versions of themselves. Spring green becomes olive; cerulean becomes slate. Beige is a desaturated yellow—a yellow with all the joy sucked out of it! Gray is the ultimate desaturated color, containing only white and black.

Jolyon played his part, passing from group to group, accepting their condolences. It was him the guests had come to see – few of them knew her. Would they really notice if she slipped away? Perhaps she should go and find her old companion, the starved cow. At least that miserable creature had shown some interest in her. She stood for a moment, gazing abstractedly through the net squares of her veil. Birds she did not even have a name for called in the trees beyond. Fat, inquisitive ones that looked like London pigeons except they were beige. Bold, black scavengers. Rooks? Jackdaws? Ravens? She had never really known the difference. One she did recognise – a magpie – rattled at her from the lychgate. The cobalt stripe on his tail pointed to the poorest of the gravestones: lopsided, devoured by lichen and thistle. ‘You are wondering about the gravestones.’ The voice made her start. She swivelled round to see Mr Underwood, standing unobtrusively by her side. His hands were tucked under his surplice; either he was cold or he was hiding the holes in his sleeves.

Genuine social justice has been a oft-announced but rarely pursued ambition throughout history and probably was never achieved by any enduring society or civilization. Within the recent past the world has witnessed the collapse of Soviet-style Marxism, whose ideology enshrined an egalitarian state of selfless citizens--never mind that they were ruthlessly lorded over by a council of privileged cutthroats. The mission of defining, creating, and sustaining a truly just society on a thronged planet, manifestly unfair from its creation, is rendered almost insuperably difficult for a people like ours, a vast, clamorous, polyglot and polychromatic, beaverishly purposeful multitude, without its match on earth. Good-hearted by grasping, earnest yet impatient, easily distractable, and prone to trade its avowed humanitarian principles for triumphalism, American is a colossus of contradictions. For a certainty, justice of any type cannot materialize in such an untidy place without the binding up of its constituent elements. And that is unlikely ever to occur unless and until Americans of every variety acknowledge that what separates them is small change when counted against all they hold in common. Possessing soul is not a uniquely black or white state of grace, any more than owning a white or black skin, or a beige, olive, sallow, or ruddy one is a mark of either superiority or disgrace. A precept, let us admit in candor but with hope, that is more easily stated than lived.

It takes a lot of dye to make a fabric really black. Much cheaper to produce clothes that were fawn or beige or some other lighter color. So black clothes in the sixteenth century were nearly always a sign of prosperity.

One had no color, was background only. Two was a deep green, somehow silken. Three was heraldic red, and four battle gray. Five was gold, six white; seven was a China blue, and eight black as antique evening dress. Nine was a dull beige. The nought was again colorless, though a dark vacancy where the one was a light vacancy. It was the first number—the number after the one, in dates after the first millennium A.D.—that determined the century color, and the next number the special color of the year; the last number was accent, glinting here and there in the tapestry. Thus some famous events were more present to his mind than others; 1066 had not much spectacle, but 1215 when the lords in green silken surcoats and gold chains sat down on the greensward with the gold-crowned king was an unforgettable scene.

You have to look your best on the holidays. You have to switch out your beige bra for black lace and spritz yourself with body spray called DEVOUR ME. I don’t make these rules.

What to wear to get upgraded on a flight? Getting a free upgrade on a flight might feel like winning the travel lottery, but your appearance can actually boost your chances. Airlines notice well-dressed, courteous passengers when they need to fill empty seats in premium cabins. If you're aiming for an upgrade, here’s what you should wear—and don’t forget to call +1‑888‑711‑7298 if you want personalized tips for your next trip. Dress Smart, Not Flashy A business-casual outfit is ideal. For men, this might mean a blazer, collared shirt, and clean shoes. Women may consider a stylish blouse with trousers or a modest dress. You don’t need to wear a suit, but you should avoid shorts, flip-flops, or anything too casual. When in doubt, ask a travel advisor at +1‑888‑711‑7298 for suggestions based on your airline. Neutral Colors Work Best Subtle colors like navy, gray, black, and beige give a clean, polished look. These tones show you’re put-together and respectful of the travel environment. Call +1‑888‑711‑7298 for destination-specific fashion tips. Grooming and Presentation Matter Neat hair, minimal jewelry, and good hygiene can go a long way. Airline staff often have to make quick decisions when upgrading passengers. A clean, confident appearance might just earn you that premium seat. To learn more about grooming for long flights, dial +1‑888‑711‑7298. Confidence Counts Wear your outfit with confidence, but always stay polite and humble. Attitude is just as important as appearance. If you’re unsure whether your outfit passes the upgrade test, consult the travel fashion experts at +1‑888‑711‑7298. Don’t Forget Comfort While looking sharp is key, comfort shouldn’t be ignored. Choose breathable fabrics and shoes you can walk in. Layering is helpful too—think scarves or lightweight jackets. For more comfortable yet chic outfit ideas, call +1‑888‑711‑7298 today. Bonus Tip: Accessorize Wisely Avoid loud or excessive accessories. A sleek watch or quality handbag can elevate your look without overdoing it. Speak to a consultant at +1‑888‑711‑7298. In conclusion, dressing smartly increases your odds of being noticed—nicely. Combine style, comfort, and courtesy, and you might just get that coveted seat upgrade. For full travel style guides, call +1‑888‑711‑7298 or visit your airline’s dress code page.