Handbag Business Quotes

We've searched our database for all the quotes and captions related to Handbag Business. Here they are! All 13 of them:

It's always a disappointing business confronting my own reflection. My body isn't bad. It's a perfectly nice, serviceable body. It's just that the external me- the study, lightly wrinkled, handbagged me- does so little credit to the stuff that's inside.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
Conned any other women out of their valuables lately ?" she says quietly, so quietly that only he will hear it. "Nope. I've been too busy stealing handbags and seducing the vulnerable." Her head shoots up and his eyes lock on hers. He is, she sees with some shock, as furious as she is.
Jojo Moyes (The Girl You Left Behind)
I asked what had brought her to San Francisco, and she said she was here on business—handbag manufacturing, boring stuff. She waved a hand laden with emerald and sapphire eternity bands. To think I’d left my engagement ring at home for fear of appearing too flashy.
Kirstin Chen (Counterfeit)
Miss Matfield was now busy rummaging in her handbag, and all she said was “Curse!” rather like a villain in an old-fashioned melodrama. It is only these strictly modern young ladies, who live their own life by pounding a typewriter all day and then retiring to tiny bed-sitting rooms in clubs, these beings who are supposed to be the inheritors of the earth, who can afford to talk like villains in old-fashioned melodramas.
J.B. Priestley
Mary slips her handbag onto her shoulder and she straightens her suit jacket as I digest this, and then she adds very quietly, “If you ask me, if the state really wanted to help women like your sister, wouldn’t they put the thousands of dollars they’ll spend on her trial and incarcerating her into early intervention programs, or research into addiction? Or Lord, if it’s really all about the baby— wouldn’t you funnel the funds into setting up a better foster care system or maybe some parenting classes that actually help?” “So why don’t they?” I ask, and Mary sighs and shakes her head. “Well, it’s a little bit like this. Half the town is on fire, and the townspeople are all so busy hollering for the fire brigade that no one thinks to find out why people are still playing with matches.
Kelly Rimmer (Before I Let You Go)
It was not altogether easy to be cordial and warm with this lawyer. She snapped and clicked. Heavy brass snap catch on handbag, heavy copper and brass jewelry that clattered, clump-heel shoes, and a huge silver ring with a horribly ugly African mask design, frowning eyebrows, hard voice: clack, clash, snap … In the second ten seconds, Haber suspected that the whole affair was indeed a mask, as the ring said: a lot of sound and fury signifying timidity. That, however, was none of his business. He would never know the woman behind the mask, and she did not matter, so long as he could make the right impression on Miss Lelache the lawyer.
Ursula K. Le Guin (The Lathe of Heaven)
Their primary customers are upper-income women between thirty and fifty years sold. The average markup on a handbag is ten to twelve times production cost. Perfume has, for more than seventy years, served as an introduction to a luxury brand. The message was clear: buy our brand and you too, will live a luxury life. The contradiction between personal indulgence and conspicuous consumption is the crux of the luxury business today: the convergence of its history with its current reality. Today, luxury brand items are collected like baseball cards, displayed like artwork, brandished like iconography. The tycoons have shifted the focus from what the product is to what is represents. Perfume has a mystical, magical quality. It catches your attention, enchants you. It complements and enhances your personality. it stirs emotion, within you and others around you. Perfume was a link between gods and mortals. It was a way to contact the gods, Hermes's Jean-Claude Ellena told me. Now it is a profane link: it's between you and me. Contentment is natural wealth. Luxury is artificial poverty. Socrates More than anything else today, the handbag tells the story of a woman: her reality, her dreams. Oscar Wilde said elegance is power. If it would abolish avarice, you must abolish its mother, luxury. Cicero People don't believe there is a difference between real and fake anymore. Bernard Arnault's marketing plan had worked: consumers don't buy luxury branded items for what they are, but for what they represent. Luxury is the ease of a T-shirt in a very expensive dress. If you don't have it, you are not a person used to luxury. You are just a rich person who can buy staff. Karl Lagerfeld Luxury is exclusivity, it is made for you and no one else has it. At a minimum, it must be impeccable. Maximum, unique. If you do luxury, Louboutin explained, you have to treat people in a human way and you have to be elegant. You can't ask poor people in bad conditions to make beautiful things.
Dana Thomas (Deluxe: How Luxury Lost Its Luster)
What can I wish for?” I asked. Crissy pulled a sparklerlike wand from her handbag. “That’s what I like about today’s teenagers. They’re all business. None of that ‘Oh, thank you, Fair Godmother, for rescuing me from my pathetic life.’ Or ‘I’m unworthy of having such gifts bestowed on me.’ Or even ‘Tell me from whence thou came, Fair Godmother.’ It’s all ‘What will you give me?’” “I didn’t mean it like that,” I said. “I’m not ungrateful. I’m just not sure what to wish for.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
That dress there, not one woman in a hundred in this mall could fit into it or afford it. But the dresses aren’t supposed to be sold. They’re designed to be shown at fashion shows that will make women imagine they’re acquiring some similar essence of glamor by paying a ten- or twenty-fold markup for the brand’s handbags, which are fancy vaginas or wombs only women are allowed to carry, which they then stuff with the brand’s overpriced fragrances as a substitute for the human pheromones they washed away in their morning showers.
Carleton Eastlake (Monkey Business)
light of day smashed into the shack’s interior. The magazine writer raised a hand to shield her eyes even as she reached for her handbag. When the door slammed shut and the glare died, it took her a long moment to link the man standing before her with the handsome outlaw she had been expecting.
William Lashner (A Filthy Business)
No. In fact, honesty is a trait I greatly admire. And as long as we’re on the subject, why don’t we start with you telling me the truth about why you came to see me today?” “I came to pay you back for the groceries.” “But that’s not why you personally came when you could have easily mailed me the money and saved yourself the trip.” “But . . . I . . . It didn’t seem proper to mail it.” His brows peaked. “You know what I think? I think you wanted to see me again.” “That’s ridiculous.” Her face and neck grew warm, and she gathered her handbag and stood. “This is strictly business, Mr. Cole. I apologize for entering your office in such a—” “A huff?” “No, I was going to say for entering your office in such a way that I drew attention to your nap.” She slapped her napkin beside her plate. “Next week, I can assure you I’ll mail the money.
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
A platform is a raised, level surface on which people or things can stand. A platform business works in just that way: it allows users—producers and consumers of goods, services, and content— to create, communicate, and consume value through the platform. Amazon, Apple’s App Store, eBay, Airbnb, Facebook, LinkedIn, Pay- Pal, YouTube, Uber, Wikipedia, Instagram, etsy, Twitter, Snapchat, Hotel Tonight, Salesforce, Kickstarter, and Alibaba are all platform businesses. While these businesses have done many impressive things, the most relevant to us is that they have created an oppor- tunity for anyone, even those with limited means, to share their thoughts, ideas, creativity, and creations with millions of people at a low cost. Today, if you create a product or have an idea, you can sell that product or share that idea with a substantial audience quickly and cost-effectively through these platforms. Not only that, but the platforms arguably give more power to individuals than corporations since they’re so efficient at identifying ulterior motives or lack of authenticity. The communities on these platforms, many of whom are millennials, know when they’re being sold to rather than shared with, and quickly eliminate those users from their con- sciousness (a/k/a their social media feeds). Now, smaller organizations and less prosperous individuals are able to sell to or share their products, services, or content with more targeted demographics of people. That’s exactly what the modern consumer desires: a more personalized, connected experience. For example, a Brooklyn handbag designer can sell her handbags to a select group of customers through one of the multitude of fashion or shopping platforms and create an ongoing dialogue with her audience through a communication platform such as Instagram. Or an independent filmmaker from Los Angeles can create a short film using a GoPro and the editing software on their Mac and then instantly share it with countless people through one of a dozen video platforms and get direct feedback. Or an author can write a book and sell it directly from his or her website and social channels to anyone who’s excited about it. The reaction to standardization and globalization has been enabled by these platforms. Customers can get what they want, from whomever they want, whenever they want it. It’s a revised and personalized version of globalization that allows us to maintain and enhance the cultural connections that create the meaning we crave in our lives.
Alan Philips (The Age of Ideas: Unlock Your Creative Potential)
That is a fine piece — very rare, very valuable! I make you a good price, because I like you!” “How can it be rare?” demanded Dame Hester. “I took it from this tray where there are thirty more just like it!” “You do not see with the eyes of a connoisseur! That is an image of the Garre Mountain effrit, who casts thunder stones. This piece is especially lucky and will win your gambles at the dogfights! Since I am poor and ignorant, I will let you have it for the laughable price of twenty sols!” Dame Hester stared at her in angry amazement. “It is true that I am laughing! Clearly you lack all decency to ask any price whatever for this repulsive little gewgaw! Do you take me for a fool? I am seriously insulted.” “No matter. I insult better folk than you several times a day. It is no novelty; in fact, it is a pleasure.” Dame Hester brought out a coin. “This is the value I place upon that horrid little item, and only for the pleasure it will give me when I describe your miserable shop to my friends.” “Bah,” said the woman. “Take it at no charge. You shall never gloat that you outdid me in noblesse oblige. Take it and be gone!” “Why not? I shall do so. Please wrap it for me tastefully.” “I am too busy.” Dame Hester dropped the effigy into her handbag and marched from the shop. Myron paused long enough to place a sol into the tray. The proprietress, once more perched on her high stool, watched impassively, making no comment.
Jack Vance (Ports of Call (Ports of Call, #1))