Hammond Best Quotes

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Addy, living one day without you would never be for the best. I want you every minute of every day. Forever. I love you.
Lauren Hammond (Insanity (Asylum, #1))
Ellie said, "Isn't it a little warm for black?" You're extremely pretty, Dr. Sattler," he said. "I could look at your legs all day. But no, as a matter of fact, black is an excellent color for heat. If you remember your black-body radiation, black is actually best in heat. Efficient radiation. In any case, I wear only two colors, black and gray." Ellie was staring at him, her mouth open. "These colors are appropriate for any occasion," Malcolm continued, and they go well together, should I mistakenly put on a pair of gray socks with my black trousers." But don't you find it boring to wear only two colors?" Not at all. I find it liberating. I believe my life has value, and I don't want to waste it thinking about clothing," Malcolm said. "I don't want to think about what I will wear in the morning. Truly, can you imagine anything more boring than fashion? Professional sports, perhaps. Grown men swatting little balls, while the rest of the world pays money to applaud. But, on the whole, I find fashion even more tedious than sports." Dr. Malcolm," Hammond explained, "is a man of strong opinions." And mad as a hatter," Malcolm said cheerfully. "But you must admit, these are nontrivial issues. We live in a world of frightful givens. It is given that you will behave like this, given that you will care about that. No one thinks about the givens. Isn't it amazing? In the information society, nobody thinks. We expected to banish paper, but we actually banished thought.
Michael Crichton (Jurassic Park (Parque Jurásico, #1))
The best moment for a box of chocolates was before you bit into one. Once you knew it was coconut, the magic was over.
Diane Hammond (Hannah's Dream)
Sometimes the best ways aren't always the easiest and the hardest ways aren't always the funniest ways but if you really loved him then you push though all boundaries
Laini Hammond
What the North truly failed to grasp, however, was the degree to which the proslavery writers like James Hammond had succeeded in persuading themselves and their peers that slavery had indeed produced this best of all societies, and that anyone who condemned the institution of slavery slandered the South and the chivalry in particular
Erik Larson (The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War)
Even at their absolute best, religious answers remain authoritarian attempts to instill virtue through inspiring intimidation.
George Hammond
When we have no impressive buildings and no swollen budgets to sustain our work, often only then do we realize that the best we have to offer this post-Christendom world is the quality of our relationships, the power of our trustworthiness, and the wonder of our generosity. MICHAEL FROST
Kim Hammond (Sentness: Six Postures of Missional Christians)
Evie.” She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—” “No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…” “Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—” “I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again. “Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.” Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises. Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to. He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him— “All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips. She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.” To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief. “My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.” Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.” Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10
Sarah Lewis (The Rise: Creativity, the Gift of Failure, and the Search for Mastery)
Honesty is the best policy that almost no one uses.
George Hammond
healthtalk.org
Phil Hammond (Staying Alive: How to Get the Best From the NHS)
Prophecy: The best way to foresee what the future might hold is to work on each step and so make it unfold.
George Hammond
He could see he wasn’t getting through. Hammond had never been interested in technical details, and the essence of the argument was technical. How could he explain to Hammond about the reality of DNA dropouts, the patches, the gaps in the sequence that Wu had been obliged to fill in, making the best guesses he could, but still, making guesses. The DNA of the dinosaurs was like old photographs that had been retouched, basically the same as the original but in some places repaired and clarified,
Michael Crichton (Jurassic Park (Jurassic Park, #1))
You didn't know what good things were going to happen to you until you were right in the middle of them, so it was best to always be ready.
Diane Hammond (Hannah's Dream)
Hammond frowned. “But then the dinosaurs wouldn’t be real.” “But they’re not real now,” Wu said. “That’s what I’m trying to tell you. There isn’t any reality here.” He shrugged helplessly. He could see he wasn’t getting through. Hammond had never been interested in technical details, and the essence of the argument was technical. How could he explain to Hammond about the reality of DNA dropouts, the patches, the gaps in the sequence that Wu had been obliged to fill in, making the best guesses he could, but still, making guesses. The DNA of the dinosaurs was like old photographs that had been retouched, basically the same as the original but in some places repaired and clarified, and as a result—
Michael Crichton (Jurassic Park (Jurassic Park, #1))