Hammer Quotes

We've searched our database for all the quotes and captions related to Hammer. Here they are! All 100 of them:

Art is not a mirror held up to reality but a hammer with which to shape it.
Bertolt Brecht
To the man who only has a hammer, everything he encounters begins to look like a nail.
Abraham H. Maslow
I suppose it is tempting, if the only tool you have is a hammer, to treat everything as if it were a nail.
Abraham H. Maslow (Toward a Psychology of Being)
you son of a bitch, she said, I am trying to build a meaningful relationship. you can't build it with a hammer, he said.
Charles Bukowski (Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit)
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.
Joan Didion (Slouching Towards Bethlehem)
Leonardo's Mona Lisa is just a thousand thousand smears of paint. Michelangelo's David is just a million hits with a hammer. We're all of us a million bits put together the right way.
Chuck Palahniuk (Diary)
You can't hammer tin into iron, no matter how hard you beat it, but that doesn't mean it's useless.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
The reason that clichés become clichés is that they are the hammers and screwdrivers in the toolbox of communication.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
Knock and it shall be opened.' But does knocking mean hammering and kicking the door like a maniac?
C.S. Lewis (A Grief Observed)
The nail that sticks out farthest gets hammered the hardest.
Patrick Jones (Nailed)
Whosoever holds this hammer, if he be worthy, shall possess the power of Thor.
Stan Lee
A furious Peeta hammers Haymitch with the atrocity he could become party to, but I can feel Haymitch watching me. This is the moment, then. When we find out exactly just how alike we are, and how much he truly understands me. "I'm with the Mockingjay," he says.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
There were not so many physical threats that could not be countered with a decent hammer.
Stieg Larsson (The Girl Who Played With Fire (Millennium #2))
It's funny: I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools - friendships, prayer, conscience, honesty - and said 'do the best you can with these, they will have to do'. And mostly, against all odds, they do.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
Memory is all we are. Moments and feelings, captured in amber, strung on filaments of reason. Take a man’s memories and you take all of him. Chip away a memory at a time and you destroy him as surely as if you hammered nail after nail through his skull.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
Autists are the ultimate square pegs, and the problem with pounding a square peg into a round hole is not that the hammering is hard work. It's that you're destroying the peg.
Paul Collins
We join spokes together in a wheel, but it is the center hole that makes the wagon move. We shape clay into a pot, but it is the emptiness inside that holds whatever we want. We hammer wood for a house, but it is the inner space that makes it livable. We work with being, but non-being is what we use.
Lao Tzu
Do as little harm to others as you can; make any sacrifice for your true friends; be responsible for yourself and ask nothing of others; and grab all the fun you can. Don't give much thought to yesterday, don't worry about tomorrow, live in the moment, and trust that your existence has meaning even when the world seems to be all blind chance and chaos. When life lands a hammer blow in your face, do your best to respond to the hammer as if it had been a cream pie.
Dean Koontz
...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Joan Didion (Slouching Towards Bethlehem)
I’m not wise at all. I told you, I know nothing. I know books, and I know how to string words together—it doesn’t mean I know how to speak about the things that matter most to me.
André Aciman (Call Me by Your Name)
You've got that motherly concern in your eyes, Jean. I must look like I'm hammered as shit," said Locke. "Actually you look like you were executed last week.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Now go and stake some vamps. Especially the sparkly emo ones.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Don’t judge someone until you’ve stood at his forge and worked with his hammer, eh?
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
If all you have is a hammer, everything looks like a nail.
Bernard M. Baruch
When nothing seems to help, I go and look at a stonecutter hammering away at his rock, perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that last blow that did it—but all that had gone before.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seeds of rapacious licence and oppression over again, and it will surely yield the same fruit according to its kind.
Charles Dickens (A Tale of Two Cities)
If the book we are reading does not wake us, as with a fist hammering on our skull, why then do we read it?
Franz Kafka
Grimly, she realized that clocks don't make a sound that even remotely resembles ticking, tocking. It was more the sound of a hammer, upside down, hacking methodically at the earth. It was the sound of a grave.
Markus Zusak (The Book Thief)
How did you do that?” I shrug. “I click my heels three times and say, ‘There’s no place like home.’” “Uh-huh. So … you think this is your home? My barn? His tone is playful, but the look he’s giving me is dead serious. A question. “Haven’t you guessed by now?” I say, my heart hammering. “My home is you.
Cynthia Hand (Boundless (Unearthly, #3))
To progress again, man must remake himself. And he cannot remake himself without suffering. For he is both the marble and the sculptor. In order to uncover his true visage he must shatter his own substance with heavy blows of his hammer.
Alexis Carrel (Man, The Unknown)
Calvin is hammering nails into coffee table. Mom: CALVIN WHAT ARE YOU DOING TO THE COFFEE TABLE?!? Calvin: Is this some sort of trick question, or what?
Bill Watterson
When nothing seems to help, I go and look at a stonecutter hammering away at his rock, perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that last blow that did it, but all that had gone before.
Jacob A. Riis
I looked closely at it for the first time; the charm was just a slim line of silver - half of it hammered into the shape of a feather, the other half a dagger. It was interesting and beautiful; just like him.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Etiquette tip: If you're looking for the right time to leave a party, when the host yells, "No one leaves here alive," that's your cue.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Kneecaps only exist to get hit with claw-hammers; grace only exists to be fallen from.
Glen Duncan (I, Lucifer)
That's right, there's free beer in Irish paradise. Everyone's jealous.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Stop that, I told my brain. Also, the wedding is tomorrow, said my brain. Get out of my head. My brain refused to get out of my head. Inconsiderate brain.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Sleep seems to hammer out for me the logical conclusions of my vague days, and offer them to me as dreams.
D.H. Lawrence
Otis," I said. "Shhh," he said. "I'm incognito. Call me...Otis." "I'm not sure that's how incognito works, but okay." Otis, aka Otis climbed into the chair I'd reserved for Sam.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard #2))
Pirate Dreams Needles and pins, Needles and pins, Sew me a sail to catch me the wind. Sew me a sail strong as the gale, Carpenter, bring out your hammers and nails. Hammers and nails, hammers and nails, Build me a boat to go chasing the whales. Chasing the whales, sailing the blue Find me a captain and sign me a crew. Captain and crew, captain and crew, Take me, oh take me to anywhere new.
Shel Silverstein
No wonder men got impervious to superficial pain, I thought. It came from this habit of hammering each other incessantly.
Diana Gabaldon (Outlander (Outlander, #1))
Vengeance is in my heart, death in my hand, Blood and revenge are hammering in my head
William Shakespeare (Titus Andronicus)
For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark.
Stephen King (11/22/63)
Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.
Wassily Kandinsky (Concerning the Spiritual in Art)
Mother says there are locked rooms inside all women, kitchen of love, bedroom of grief, bathroom of apathy. Sometimes, the men, they come with keys, and sometimes the men, they come with hammers.
Warsan Shire
It's an odd thing to think about, but try imagining that your breakup is a disease. If you were told that you had a serious yet curable disease, would you go get hammered on a regular basis? Eat two bags of Oreos? Chain-smoke, pop, pills, get stoned, or fuck around? NO YOU WOULDN'T. You would take great care of yourself and cut all the unhealthy things out of your life. Because you love yourself, and even if you don't right now, WE DO. So put the (insert vice here) and start moving on.
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
But why can't the language for creativity be the language of regeneration? You killed that poem, we say. You're a killer. You came into that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I'm wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. "Good for you, man" a man once said to me at a party, "you're making a killing with poetry. You're knockin' em dead.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol. 'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed. Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.
R.D. Ronald (The Elephant Tree)
Life's a forge! Yes, and hammer and anvil, too! You'll be roasted, smelted, and pounded, and you'll scarce know what's happening to you. But stand boldly to it! Metal's worthless till it's shaped and tempered! More labor than luck. Face the pounding, don't fear the proving; and you'll stand well against any hammer and anvil.
Lloyd Alexander (Taran Wanderer (The Chronicles of Prydain, #4))
At this point, most people would have thrown themselves down on the ground and given up hope. And by most people, I mean me.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
There is a crucifix, a few cloves of garlic, a wooden stake, a hammer, a blob of Silly Putty, and a pocketknife. “You do realize these people aren’t vampires, right?” I say when Sam walks back in. “Yeah, but you never know. They’re probably crazy, like you said.” “And even if we were hunting vampires, what the hell is the Silly Putty for?” He shrugs. “Just want to be prepared.
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
It was at first almost as if he hadn't wanted to kiss her. His mouth was hard on hers, unyielding; then he put both arms around her and pulled her against him. His lips softened. She could feel the rapid beat of his heart, taste the sweetness of apples still on his mouth. She wound her hands into his hair, as she'd wanted to do since the first time she'd seen him. His hair curled around her fingers, silky and fine. Her heart was hammering, and there was a rushing sound in her ears, like beating wings
Cassandra Clare
Did you miss me, Alina? Did you miss me when you were gone?" "Every day," I said hoarsely. "I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself walking around to find you, not for any reason, just out of habit, because I'd seen something I wanted to tell you about, or because I just wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me we don't belong together," he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. "I'm sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
What did you tell them?” “I don't recall. I think I mentioned your discipline and ability to follow orders. I may have said something about you being a team player.” Derek emitted a strangled cough. “Why?” I demanded. “It seemed like a good idea at the time.” Curran resumed hammering. “I'm sorry,” I said into the phone, sticking me finger into my other ear so I could hear. “His Majesty tends to exaggerate things. I'm not a team player. I'm undisciplined and I have a problem with authority. Also, the Beast Lord can't hammer for shit.” On the roof Derek was laughing his head off.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
And how we burned in the camps later, thinking: What would things have been like if every Security operative, when he went out at night to make an arrest, had been uncertain whether he would return alive and had to say good-bye to his family? Or if, during periods of mass arrests, as for example in Leningrad, when they arrested a quarter of the entire city, people had not simply sat there in their lairs, paling with terror at every bang of the downstairs door and at every step on the staircase, but had understood they had nothing left to lose and had boldly set up in the downstairs hall an ambush of half a dozen people with axes, hammers, pokers, or whatever else was at hand?... The Organs would very quickly have suffered a shortage of officers and transport and, notwithstanding all of Stalin's thirst, the cursed machine would have ground to a halt! If...if...We didn't love freedom enough. And even more – we had no awareness of the real situation.... We purely and simply deserved everything that happened afterward.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
he saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings — all the poor fumbling uncertain incompletions of human endeavor. They went on forever and were forever incomplete, far from perfect, refined, or smooth, full of terrible memories of failure and fears of failure, yet, in the way of things, somehow noble, complete, and shining in the end.
Jack Kerouac
Look, Winged Wonder. Get me out of here, then we'll hammer out the details about where I'm staying. Okay?" "Winged Wonder," he said, nodding. "I find that I do not mind that one. It fits." "Captain Modesty fits better," she muttered. "I disagree. Winged Wonder is clearly the better choice for a man such as me." -Annabelle and Zacharel
Gena Showalter (Wicked Nights (Angels of the Dark, #1))
Annabeth smiled. “I don’t know the ocean very well, but my boyfriend does. I think it’s time you met Percy.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Our vision is so limited we can hardly imagine a love that does not show itself in protection from suffering.... The love of God did not protect His own Son.... He will not necessarily protect us - not from anything it takes to make us like His Son. A lot of hammering and chiseling and purifying by fire will have to go into the process.
Elisabeth Elliot
Wisdom eludes me yet, but foolishness I captured long ago and to this day it is my constant companion, though many people consider me wise.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
It's a good thing Jack was no longer in my hands, because I would've pulled a full-on Kylo Ren temper tantrum.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Just like the good old days: marching together into the unknown, searching for missing magical weapons and risking painful death. I’d missed my buddies!
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Should I get you a shovel, so you can dig that hole deeper?
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
We love being mentally strong, but we hate situations that allow us to put our mental strength to good use.
Mokokoma Mokhonoana
Wooo!’ he said, slamming his shot glass down and coughing a bit. ‘That’s good stuff.’ I agreed heartily. ‘Shall we do another one?’ I asked. ‘Oh no,’ Jesus said quietly, his eyes growing round. ‘This is one of those situations where I have to stop and ask myself, what would I do?
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
You’re mine, mo duinne,” he said softly, pressing himself into my depths. “Mine alone, now and forever. Mine, whether ye will it or no.” I pulled against his grip, and sucked in my breath with a faint “ah” as he pressed even deeper. “Aye, I mean to use ye hard, my Sassenach,” he whispered. “I want to own you, to possess you, body and soul.” I struggled slightly and he pressed me down, hammering me, a solid, inexorable pounding that reached my womb with each stroke. “I mean to make ye call me ‘Master,’ Sassenach.” His soft voice was a threat of revenge for the agonies of the last minutes. “I mean to make you mine.
Diana Gabaldon (Outlander (Outlander, #1))
The second we put a bullet in the head of one of those undead monsters -- the moment one of us drove a hammer into one of their faces -- or cut a head off. We became what we are! And that's just it. THAT's what it comes down to. You people don't know what we are. We're surrounded by the DEAD. We're among them -- and when we finally give up we become them! We're living on borrowed time here. Every minute of our life is a minute we steal from them! You see them out there. You KNOW that when we die -- we become them. You think we hide behind walls to protect us from the walking dead? Don't you get it? We ARE the walking dead! WE are the walking dead.
Robert Kirkman (The Walking Dead, Vol. 5: The Best Defense)
I turned to Alex. 'Hey, are you female today?' 'Hold on... There! Now I'm female.' My expression must have been priceless. Alex burst out laughing. 'I'm kidding. Yes, I'm female today. She and her.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
She hesitate. When he still didn't move, Scarlet leaned forward and kissed him. Softly. Just once. Barely able to breathe around her hammering heart, Scarlet drew back enough for warm air to slip between them, and Wolf dissolved before her, a resigned sigh brushing against her mouth. The he was pulling her toward him and bundling her up in his arms. Scarlet gasped as Wolf buried on hand into her mess of curls and kissed her back.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
This is the material, by the way, that has kept me virtually anonymous in America for the past 15 years. Gee, I wonder why we're hated the world over? Look at these fat Americans in the front row - 'Why doesn't he just hit fruit with a hammer?' Folks, I could have done that, walked around being a millionaire and franchising myself but no, I had to have this weird thing about trying to illuminate the collective unconscious and help humanity. Fucking moron.
Bill Hicks
The night had fallen. I had let my tools drop from my hands. Of what moment now was my hammer, my bolt, or thirst, or death? On one star, one planet, my planet, the Earth, there was a little prince to be comforted. I took him in my arms, and rocked him. I said to him: "The flower that you love is not in danger. I will draw you a muzzle for your sheep. I will draw you a railing to put around your flower. I will --" I did not know what to say to him. I felt awkward and blundering. I did not know how I could reach him, where I could overtake him and go on hand in hand with him once more. It is such a secret place, the land of tears.
Antoine de Saint-Exupéry (The Little Prince)
Dwarfs were not a naturally religious species, but in a world where pit props could crack without warning and pockets of fire damp could suddenly explode they'd seen the need for gods as the sort of supernatural equivalent of a hard hat. Besides, when you hit your thumb with an eight-pound hammer it's nice to be able to blaspheme. It takes a very special and strong-minded kind of atheist to jump up and down with their hand clasped under their other armpit and shout, "Oh, random-fluctuations-in-the-space-time-continuum!" or "Aaargh, primitive-and-outmoded-concept on a crutch!
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
Some can be more intelligent than others in a structured environment—in fact school has a selection bias as it favors those quicker in such an environment, and like anything competitive, at the expense of performance outside it. Although I was not yet familiar with gyms, my idea of knowledge was as follows. People who build their strength using these modern expensive gym machines can lift extremely large weights, show great numbers and develop impressive-looking muscles, but fail to lift a stone; they get completely hammered in a street fight by someone trained in more disorderly settings. Their strength is extremely domain-specific and their domain doesn't exist outside of ludic—extremely organized—constructs. In fact their strength, as with over-specialized athletes, is the result of a deformity. I thought it was the same with people who were selected for trying to get high grades in a small number of subjects rather than follow their curiosity: try taking them slightly away from what they studied and watch their decomposition, loss of confidence, and denial. (Just like corporate executives are selected for their ability to put up with the boredom of meetings, many of these people were selected for their ability to concentrate on boring material.) I've debated many economists who claim to specialize in risk and probability: when one takes them slightly outside their narrow focus, but within the discipline of probability, they fall apart, with the disconsolate face of a gym rat in front of a gangster hit man.
Nassim Nicholas Taleb (Antifragile: Things That Gain from Disorder)
Besides, Reyna will do what she can to slow things down. She's still on our side. I know she is." "You trust her." Piper's voice sounded hollow, even to herself. "Look Pipes. I told you, you've got nothing to be jealous about." "She's beautiful. She's powerful. Se's so...Roman." Jason put down his hammer. He took her hand, which sent a tingle up her arm. Piper's dad had once taken her to the Aquarium of the Pacific and shown her an electric eel. He told her that the eel sent out pulses that shocked and paralyzed its prey. Each time Jason looked at her or touched her hand, Piper felt like that. "You're beautiful and powerful," he said. "And I don't want you to be Roman. I want you to be Piper. Besides, we're a team, you and me.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
The Audi tires squealed as the vehicle tracked the same path. Jake hammered down the avenue, hunting for a getaway. Traffic thickened at the juncture ahead. A green light flickered into amber. He ramped up over the limit, punching over the white lines on a red signal. Tires screeched and a horn beeped. The needle sat on one hundred kilometers per hour. He fishtailed at a laneway. The GPS showed a right angle, car slid into a slot in an overhang. Jake got out and crept toward the opening, hugged the brick wall. He pulled the SIG and flicked off the safety. The Audi braked at the mouth. Door slammed. A shadow fell over the concrete. The swish of clothing indicated a possible weapon draw.
Simon W. Clark
Civilized people must, I believe, satisfy the following criteria: 1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...) 2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...) 3) They respect other people's property, and therefore pay their debts. 4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...) 5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...) 6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...) 7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...) 8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings. [From a letter to Nikolay Chekhov, March 1886]
Anton Chekhov (A Life in Letters)
Our vision is so limited we can hardly imagine a love that does not show itself in protection from suffering. The love of God is of a different nature altogether. It does not hate tragedy. It never denies reality. It stands in the very teeth of suffering. The love of God did not protect His own Son. The cross was the proof of His love – that He gave that Son, that He let Him go to Calvary’s cross, though “legions of angels” might have rescued Him. He will not necessarily protect us - not from anything it takes to make us like His Son. A lot of hammering and chiseling and purifying by fire will have to go into the process.
Elisabeth Elliot
Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars. I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other. The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.
Jeanette Winterson (Gut Symmetries)
I think this man might actually possess supernatural powers. He makes people lose their minds and I’m sure some of them do lose bladder control as well." "I see. And who is this author" "Neil Fucking Gaiman." "His second name is Fucking?" "No Leif that’s the honorary second name all celebrities are given by their fans. It’s not an insult it’s a huge compliment and he’s earned it.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch? And now I know. It's because you have no choice.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
How did you decide when someone was irretrievably lost—when they were so evil or toxic or just plain set in their ways that you had to face the fact they were never going to change? How long could you keep trying to save them, and when did you give up and grieve for them as though they were dead?
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’” “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—” All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
If the book we are reading does not wake us, as with a fist hammering on our skulls, then why do we read it? Good God, we also would be happy if we had no books and such books that make us happy we could, if need be, write ourselves. What we must have are those books that come on us like ill fortune, like the death of one we love better than ourselves, like suicide. A book must be an ice axe to break the sea frozen inside us. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be the ax for the frozen sea within us.
Franz Kafka
Many times when we help we do not really serve. . . . Serving is also different from fixing. One of the pioneers of the Human Potential Movement, Abraham Maslow, said, "If all you have is a hammer, everything looks like a nail.' Seeing yourself as a fixer may cause you to see brokenness everywhere, to sit in judgment of life itself. When we fix others, we may not see their hidden wholeness or trust the integrity of the life in them. Fixers trust their own expertise. When we serve, we see the unborn wholeness in others; we collaborate with it and strengthen it. Others may then be able to see their wholeness for themselves for the first time.
Rachel Naomi Remen
Look, some people prefer they,” Alex said. “They’re non-binary or mid-spectrum or whatever. If they want you to use they, then that’s what you should do. But for me, personally, I don’t want to use the same pronouns all the time, because that’s not me. I change a lot. That’s sort of the point. When I’m she, I’m she. When I’m he, I’m he. I’m not they. Get it?” “If I say no, will you hurt me?” “No.” “Then no, not really.” She shrugged. “You don’t have to get it. Just, you know, a little respect.” “For the girl with the very sharp wire? No problem.” She must have liked that answer. There was nothing confusing about the smile she gave me. It warmed the office about five degrees.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Sam's phone buzzed. She fished it out of her pocket, checked the screen, and cursed. "I have to go." "You just got here." "Valkyrie business. Possible code three-eight-one: heroic death in progress." "You're making that up." "I'm not." "So...what, somebody thinks they're about to die and they text you 'Going down! Need Valkyrie ASAP!' followed by a bunch of sad-face emojis?
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard #2))
Take a moment to think about the context in which your next decision will occur: You did not pick your parents or the time and place of your birth. You didn't choose your gender or most of your life experiences. You had no control whatsoever over your genome or the development of your brain. And now your brain is making choices on the basis of preferences and beliefs that have been hammered into it over a lifetime - by your genes, your physical development since the moment you were conceived, and the interactions you have had with other people, events, and ideas. Where is the freedom in this? Yes, you are free to do what you want even now. But where did your desires come from?
Sam Harris (Free Will)
Finally, he pushed back the chair and exhaled. "He's alive," I said. "Your dad's alive." He loooked up at me and, I couldn't help it-- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering. "I-I'm sorry. I'm just--I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped around my shirt hem, my heart hammering so hard I wash sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
Joan Didion (Slouching Towards Bethlehem)
I mean, I'm just tired of being wrong all the time just because I'm a guy. I mean how many times can everybody tell you that you're the oppressive, prejudiced enemy before you give up and become the enemy. I mean a male, chauvinist pig isn't born, hes made, and more and more of them are being made by women. After long enough you just roll over and accept the fact that you're a sexist, bigoted, insensitive, crude, cretinist cretin. Women are right. You're wrong. You get used to the idea. You live down to expectations. Even if the shoe doesn't fit, you'll shrink to fill it. I mean, in a world without god aren't mothers the new god? The last sacred unassailable position. Isn't motherhood the last perfect magical miracle? But a miracle that isn't possible for men, and maybe men say they're glad not to give birth, all the pain and blood, but really that's just so much sour grapes. For sure, men can't do anything near as incredible. Upper body strength, abstract thought, phalluses - any advantage men appear to have are pretty token. You can't even hammer a nail with a phallus. Women are already born so far ahead ability - wise. The day a men can give birth, that's when we can start talking about equal rights.
Chuck Palahniuk (Asfixia)
It's mechanical," Leo said. "Maybe a doorway to the dwarfs' secret lair?" "Ooooo!" shrieked a nearby voice. "Secret lair?" "I want a secret lair!" yelled another voice from above. ... "If we had a secret lair," said Red Fur, "I would want a firehouse pole." "And a waterslide!" said Brown Fur, who was pulling random tools out of Leo's belt, tossing aside wrenches, hammers, and staple guns. "Stop that!" Leo tried to grab the dwarf's feet, but he couldn't reach the top of the pedestal. "Too short?" Brown Fur sympathized. "You're calling me short?" Leo looked around for something to throw, but there was nothing but pigeons, and he doubted he could catch one. "Give me my belt, you stupid-" "Now, now!" said Brown Fur. "We haven't even introduced ourselves. I'm Akmon, and my brother over there-" "-is the handsome one!" The red-furred dwarf lifted his espresso. Judging from his dilated eyes and maniacal grin, he didn't need any more caffeine. "Passolos! Singer of songs! Drinker of coffee! Stealer of shiny stuff!
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it." Showing her teeth, she began to roll up her sleeves. "What," Roarke asked from the doorway that connected their work areas, "is that?" "The former bane of my existence. The Antichrist of technology. Do we have a hammer?" Studying the pile on the floor, he walked in. "Several, I imagine, of various types." "I want all of them. Tiny little hammers, big, wallbangers, and everything in between." "Might one ask why?" "I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip." "Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?" "Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good." Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open. "Hey! Hey! What're you doing?" "I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired." When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it." "Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research." "No. Uh-uh. I have to bust it apart. What if it breeds?
J.D. Robb (Witness in Death (In Death, #10))
I know I have a pretty good sense for music, but she was better than me. I used to think it was such a waste! I thought, ‘If only she had started out with a good teacher and gotten the proper training, she’d be so much further along!’ But I was wrong about that. She was not the kind of child who could stand proper training. There just happen to be people like that. They’re blessed with this marvelous talent, but they can’t make the effort to systematize it. They end up squandering it in little bits and pieces. I’ve seen my share of people like that. At first you think they’re amazing. Like, they can sight-read some terrifically difficult piece and do a damn good job playing it all the way through. You see them do it, and you’re overwhelmed. you think, ‘I could never do that in a million years.’ But that’s as far as they go. They can’t take it any further. And why not? Because they won’t put in the effort. Because they haven’t had the discipline pounded into them. They’ve been spoiled. They have just enough talent so they’ve been able to play things well without any effort and they’ve had people telling them how great they are from the time they’re little, so hard work looks stupid to them. They’ll take some piece another kid has to work on for three weeks and polish it off in half the time, so the teacher figures they’ve put enough into it and lets them go to the next thing. And they do that in half the time and go on to the next piece. They never find out what it means to be hammered by the teacher; they lose out on a certain element required or character building. It’s a tragedy.
Haruki Murakami (Norwegian Wood)
No, they're contemporary witch hunters, based in Russia." The crease deepened. "Hold on a moment. They sound like assholes?" I blinked, uncertain I'd heard him correctly. "I beg your pardon?" Jesus grimaced and pointed at his head. "It's this tiny human brain-I have to have a filing system for all this information or I can't keep track of it all. It sounds like these guys would be filed under Assholes Who Do Evil Shit in My Name." "Jesus. I mean, wow. That's the name of one of your files?" "One of my largest, unfortunately.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
What's silly is paying five bucks for hot milk and flavored syrup! But now I see what's really been going on all this time! They charge you all that money because they need it for the R & D! Somewhere on the outskirts of Seattle, there's a secret facility with higher security than Area 51, and inside there are men with poor eyesight and bad haircuts wearing white coats, and they're trying to make the Holy Grail of all coffee drinks. The bacon latte? No, Atticus, I already told you those exist! I'm talking about the prophecy! 'Out of the steam and the foam and the froth, a man in white with poor eyesight will craft a liquid paradox, and it shall be called the Triple Nonfat Double Bacon Five-Cheese Mocha!' Oberon, what the F---?
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins