Halogen Quotes

We've searched our database for all the quotes and captions related to Halogen. Here they are! All 33 of them:

An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I took the sleeper out of Glasgow, and as the smelly old train bumped out of Central Station and across the Jamaica Street Bridge, I stared out at the orange halogen streetlamps reflected in the black water of the river Clyde. I gazed at the crumbling Victorian buildings that would soon be sandblasted and renovated into yuppie hutches. I watched the revelers and rascals traverse the shiny wet streets. I thought of the thrill and danger of my youth and the fear and frustration of my adult life thus far. I thought of the failure of my marriage and my failures as a man. I saw all this through my reflection in the nighttime window. Down the tracks I went, hardly aware that I was going further south with every passing second.
Craig Ferguson (American on Purpose: The Improbable Adventures of an Unlikely Patriot)
I walk with my hands in my pockets and the streetlights casting halogen halos though the fog, and I can't help thinking this is probably what Heaven will be like, warm air and cloudy skies and the feeling of absolute contentment that only comes from coffee and pie and knowing your place in the world.
Seanan McGuire (Dusk or Dark or Dawn or Day)
By fixing my sights on one summit after another, I managed to keep my bearings through some thick postadolescent fog. Climbing mattered. The danger bathed the world in a halogen glow that caused everything—the sweep of the rock, the orange and yellow lichens, the texture of the clouds—to stand out in brilliant relief. Life thrummed at a higher pitch. The world was made real.
Jon Krakauer (Into the Wild)
In the dark places of yourself, thinking machines you never get near enough to see are constantly building things and running their own secretive programmes all of their own. Maybe you get a snippet of what's going on back there, like this fragment of a song drifting its way into the light, or a phrase, or an image, or maybe just a mood, a wash of content of a bleak draining of colour that floods your chest and your stomach more than it ever finds its way into the bight halogen chrome of your mind.
Steven Hall (The Raw Shark Texts)
Climbing mattered. The danger bathed the world in a halogen glow that caused everything—the sweep of the rock, the orange and yellow lichens, the texture of the clouds—to stand out in brilliant relief. Life thrummed at a higher pitch. The world was made real.
Jon Krakauer (Into the Wild)
The light wasn’t concentrated in the sun, it was everywhere at once, like being inside a halogen bulb.
Olivia Laing (Crudo)
The street is getting dark, the pavement tiger-striped by halogen. It wears the fog like a dame’s best scarf, slightly jaunty, with an edge of challenge.
Cassandra Khaw (Hammers on Bone (Persons Non Grata, #1))
Prison Moon Four a.m. work duty and I begin my solitary trudge from outer compound to main building. A shivering guard, chilled in his lonely outpost, strip searches me until content that my inconsequential nudity. poses no threat and then whispers the secret code that allows me admittance into the open quarter-mile walkway. I chuff my way into another day as ice glints on the razor wire and the rifles note my numbed passage, silent but for my huffs and scuffle on the cracked, slippery sidewalk A new moon, veiled in wispy fog and beringed in glory, hangs over the prison, its gaudy glow taunting the halogen spotlights. The moon’s creamy pull upsets some liquid equilibrium within me and like tides, wolves and all manner of madmen, I surrender disturbed by the certainty that under the bony luminescence of a grinning moon The lunar deliriums grip me and I howl--once, then again, and surely somewhere an unbound sleeper stirs, penitence is dying a giddy death. I shake myself sane and as the echoes hang in the frigid air I explain to the wild-eyed guard that convicts, like all animals under the leash, must bay at the beauty beyond them.
Jorge Antonio Renaud
When Gabriel returned, he eagerly opened the wine, smiling to himself wickedly. He was in for a treat, and he knew it. He knew how Julianne looked when she tasted wine, and now he would have a repeat of her erotic performance from the other night. He felt himself twitch more than once in anticipation and wished that he had a video camera secretly placed in his condo somewhere. It would probably be too obvious to pull his camera out and take snapshots of her. He showed her the bottle first, noting with approval the impressed expression that passed across her face when she read the label. He’d brought this special vintage back from Tuscany, and it would have pained him to waste it on an undiscerning palate. He poured a little into her glass and stood back, watching, and trying very hard not to grin. Just as before, Julia swirled the wine slowly. She examined it in the halogen light. She closed her eyes and sniffed. Then she wrapped her kissable lips around the rim of the goblet and tasted it slowly, holding the wine in her mouth for a moment or two before swallowing. Gabriel sighed, watching her as the wine traveled down her long and elegant throat.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
The soil beneath her smelled rich and wet;the only sound in the absolute silence was her breathing. Grace stood still, as still as she possibly could and listened to the quiet, to the stillness, absorbing the strange beauty. She became aware of her heart beating, pumping blood throughout her body. As she stood here alone at sunrise on this mountain, it was more than dreamlike. Accustomed to a world of limestone-tiled hallways lit by tungsten-filament halogen that smelled of artificial lemon and barbecue chemicals and digitized french fry-flavor molecules, Grace felt that she had stumbled into another world. This high peaceful place, it was heavenlike.
Jeffrey Stepakoff (The Orchard)
Normally the first to read the small print, I had deliberately hidden away any paperwork that referred to this ridiculous task, and now I found myself kissing goodbye to a laptop, a mobile phone and two fully-loaded MP3 players, not to mention the halogen light that allowed me to work through the night if I so desired.   I stared disconsolately out over the shimmering tarmac and   wondered if I might be granted permission to shave my legs.
Tabitha McGowan (The Tied Man (The Tied Man, #1))
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
And the lights are everywhere. They are so pervasive in modern life we’ve stopped seeing them. In turning them off, it’s hard to know where to begin. There are house lights and garage lights, fluorescent lights and halogen lights. There are streetlights and stoplights, headlights, taillights, dashboard lights, and billboard lights. There are night-lights to stand sentinel against the dark of our rooms and hallways, and reading lights for feeding our addiction to words and images and information, even in the middle of the night. There are warning lights and safety lights, and the lights of our cell phones and televisions and computer screens. No wonder our larger towns and cities are so bright you can see them from space. Nor does that urban and suburban light stay put. It seeps into the nearby plains and hills and mountains, casting shadows from trees and telephone poles. It throws off the rhythms of insects and animals and confuses the migrations of birds.
Clark Strand (Waking Up to the Dark: Ancient Wisdom for a Sleepless Age)
Fluorine and chlorine are two other halogens that can also interfere with iodine metabolism, and they can have a negative effect on our health in other ways as well. This is why you want to do everything you can to avoid exposure to fluoride by drinking purified water that filters out fluoride, as well as using fluoride-free toothpaste. You also want to minimize your exposure to chlorine, which you can also do by drinking purified water, as well as having a good quality water filter on your showerhead. Some reading this will wonder if they should avoiding swimming in chlorinated pools, and I definitely would try to minimize doing this, although I will add that you also need to enjoy life and shouldn’t be paranoid about completely avoiding exposure to all chemicals.
Eric Osansky (Hashimoto's Triggers: Eliminate Your Thyroid Symptoms By Finding And Removing Your Specific Autoimmune Triggers)
halogens,
Arthur C. Clarke (Rama Revealed (Rama, #4))
Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.
Angie Sijun Lou (All We Ask is You to be Happy)
His domed head was perfectly buffed and polished, cleanly reflecting the halogen lighting above.
J.R. Rain (Dark Horse (Jim Knighthorse, #1))
A Blow Job I had no idea why I was being beckoned into the chamber until my Valet spoke, “Young, will you do His Highness a favor?” Without second thoughts I answered, “Sure! What will you like me to do, Sir?” Andy replied seriously, “Will you give His Highness a blowjob?” Shocked by such a request, I was speechless until my guardian led me by the hand and bid me kneel in front of the prince, while the manager and the executive watched in amazement. As much as I loved to suck on P’s cock, I never envisioned performing such a private act in public. Yet my extroverted attributes found this proposition very tantalizing. It was by far the most unusual request I had ever received from anyone, let alone a prince. Ignoring the overhead halogen lights, I set to work using my Bahriji-taught skills to pleasure my host. Before long, he was groaning in synchronicity to the soothing piped music that was playing in the background. Since I was enjoying this voyeuristic attention, I wasn’t prepared to stop and neither was the prince ready to end his exhilarating oral stimulation. Andy, the sensible one, finally uttered, “Thank you Young! You’ve done well. Measurements can now be taken satisfactorily.
Young (Unbridled (A Harem Boy's Saga, #2))
never use a halogen light bulb, as it could start a fire.
Jonny Staples (The Stick Man with a Big Bum)
hear the tick-tick-ticking of celluloid balls on tables and the soft hollow sound of rackets on the ball, and the squeaking of table tennis shoes, and the soft murmurs of many voices. Then I walk through the doors into a bright hangar of a room with cement floors and catwalks high above. Ninety tables spread out before me, and hundreds of people are moving around and among them: an entire city of table tennis. The sounds come into clear focus, then blend together and rise to a steady hum under the halogen lights.
Anonymous
But it is impossible for the light of God to be drowned out, diluted, or in any way challenged by darkness, any more than shadows can defeat a halogen lamp. God’s light is invincible.
Andrew Wilson (Incomparable: Explorations in the Character of God)
An incandescent lamp is made with a wire filament enclosed in a bulb without oxygen and glows as the filament is heated. Less than 10 percent of the electrical power into an incandescent light bulb is converted into light, and the rest is converted into heat. Lamps of this type are still used, but they are being replaced with fluorescent lights or light emitting diodes. The incandescent lamp therefore is a resistor that just happens to give out light. But what type of light? White light is measured by its color temperature in degrees Kelvin (K). Typically, when we look outside on a sunny clear day, the Sun along with the blue sky provides a color temperature of about 4,500 to 5,500 degrees Kelvin. As the sun starts to go down in the afternoon, the color temperature drops to about 3,000 to 4,000 degrees Kelvin. Finally as the sun sets, we can clearly perceive the sunlight with a yellow to red tint, which means the sun’s color temperature has dropped below 3,000 degrees Kelvin. Human eyes adapt to the color temperature for the most part from about 3,000 to 5,000 degrees Kelvin and perceive light in this range as “white,” albeit at 3,000 degrees Kelvin, it has a warm tone. A standard incandescent bulb for room lighting such as a 100 watt bulb provides light at about 2,700 degrees Kelvin, which provides warm white light. For studio or movie lighting, generally the color temperature is a bit whiter (between 3,200 and 3,500 degrees Kelvin, and sometimes up to 4,000 degrees Kelvin). Halogen lamps or white photoflood lamps provide light in this color temperature range. Incandescent lamps exceeding 4,000 degrees usually are specially made and they are often coated in blue. For standard low-power lamps such as flashlight bulbs or indicator lights, the color temperature is somewhere between 2,000 and 3,000 degrees Kelvin.
Ronald Quan (Electronics from the Ground Up: Learn by Hacking, Designing, and Inventing)
The air is different in the homes of the dead, I've noticed. Partly it's the smell. Blood baking under those bright halogen lamps. The smell of our paper suits, something like that of a newly stocked stationery cupboard. But there's also something boxy, closed in. Like the deceased person's soul has mostly succeeded in clambering free of that old, messily biological contraption that now lies discarded on the floor, but hasn't yet had the nerve to take that final leap. To exit the room, the house, the street, the village. To fly forth upon the wind, glittering and free and for ever.
Harry Bingham (The Deepest Grave (Fiona Griffiths, #6))
In the world of premium, flame broils there are basically two roads that the makers appear to seek after. We have the do everything models and the particular objective models. Do everything flame broils concentrate on presenting to you a wide range of highlights for a better than average taste of close everything a barbecue can do while alternate concentrate on things like infrared barbecuing, warm maintenance or self-cleaning. This Weber Summit show is a do everything flame broil that matches premium stainless steel with different cooking alternatives, great power, and a cost around $1899 on the lower end for premium barbecues. Weber Summit 7170001 S-470 Stainless-Steel 580-Square-Inch 48,800-BTU Liquid-Propane Gas Grill With a ton of experience in grill design Weber brings to market this heavy duty premium grill. Here we have four main burners pumping 48,800 BTU’s of cooking power over propane gas. It doesn’t stop there though the highlight of this model is all of its grilling utility. Features 580-square-inch 48,800-BTU gas grill with stainless-steel cooking grates and Flavorizer bars Front-mounted controls; 4 stainless-steel burners; Snap-Jet individual burner ignition system Side burner, Sear Station burner, smoker burner, and rear-mounted infrared rotisserie burner Enclosed cart; built-in thermometer; requires a 20-pound LP tank (sold separately); LED fuel gauge - LP models only Measures 30 inches long by 66 inches wide by 57 inches high; 5-year limited warranty SABER SS 500 Premium Stainless Steel 3 Burner Gas Grill Silver is a valuable mineral and also an extravagant color as the natural color of stainless steel why would you not want to go all out. With that in mind, we have this Saber SS 500 premium gas grill. This grill features a completely stainless steel build housing three infrared burners for precise temperature contro Features Constructed with commercial grade 304 stainless steel for lasting durability Uses a patented infrared cooking system for even temperature, no flare-ups and 30% less propane consumption Dual tube side burner is ideal for greater versatility of using woks, skillets and pots, as well as boiling and frying side dishes and sauces 2 internal halogen lights so you can grill at any time of day Napoleon Grills PRO500RSIBPSS-2 Prestige Pro Series Gas Grills Propane The grilling extends beyond your basic setup with a heavy duty rear infrared rotisserie burner and a side infrared burner for searing purposes so whether you want a succulent roast of a hibachi style feast, burgers and hot dogs are just the beginning. Features 80, 000 BTU's Six burners 900 in total cooking area Premium stainless Steel construction
PremiumGasGrills
From out of the shadows, the British agent swung the yellow-and-black pole of a work light rig like a two-handed sword, striking the gunman squarely in the chest with the cluster of lamps at the upper end. Glass and plastic shattered against him, hardened halogen bulbs popping and sparking, disconnected power cables snapping through the air like whips. The gunman staggered backward, his balance failing, and Marc swung back the other way, this time catching the assassin across the face with the splayed metal legs of the work light tripod
James Swallow (Nomad (Marc Dane, #1))
Exposing the position of Indian soldiers during the Kargil war by using halogen lights during the night to enable Pakistani gunners pinpoint the location of Indian troops and fire heavy howitzers upon them.
Sree Iyer (NDTV Frauds V2.0 - The Real Culprit: A completely revamped version that shows the extent to which NDTV and a Cabal will stoop to hide a saga of Money Laundering, Tax Evasion and Stock Manipulation.)
Under the halogen lights, his green eyes were some shade of black that had no name, clear, dark, and on fire. If he’d been any other man, I would have had him eating out of my palm, but I was the one who’d been tamed.
Adrienne Wilder (Complementary Colors)
halogen,
Joe Schwarcz (That's the Way the Cookie Crumbles: 62 All-New Commentaries on the Fascinating Chemistry of Everyday Life)
The result is what Unimin markets as Iota quartz, the industry standard of purity. The basic Iota quartz is 99.998 percent pure SiO2. It is used to make things like halogen lamps and photovoltaic cells, but it’s not good enough to make those crucibles in which polysilicon is melted. For that you need Iota 6, or the tip-top of the line, Iota 8, which clocks in at 99.9992 percent purity—meaning for every one billion molecules of SiO2, there are only eighty molecules of impurities.18 Iota 8 sells for up to $10,000 a ton. Regular construction sand, at the other end of the sand scale, can be had for a few dollars per ton.
Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
after they interviewed the owner, then she’d need the change in the cupholder in her car to loosen their lips. Giving it away now would only throw that chance away later.  Roper paused at the door and proffered it to her. ‘After you,’ he said. She knew he just didn’t want to touch the handle. She took hold of it and pulled back, wondering for a second if she should open it just enough to slip through so that Roper would have to grab it to let himself in.  She decided that was too petty for the morning of a murder investigation. Inside, the interior was cool. A short reception area led into the main hall — a double-height function room with a hard rubberised floor filled with sleeping bags and other homeless people. There were at least twenty, maybe thirty. It was difficult to tell at a glance. At the back of the room, a woman in her fifties with a long fleece vest on, the pockets heavy and sagging with keys and who knows what else, was filling cups of coffee from a big stainless steel dispenser, handing them to a line of people queuing silently, their heads bowed.  The air was humid inside and the low murmurings of the people talking around them created a soft background din that swallowed their footsteps. Roper looked around, not hiding his disdain very well.  But with the nights getting colder, these people deserved somewhere warm to hole up. The winter was vicious and it was closing in fast this year, bearing down on the city in waves of rain and frost.  The woman serving coffee leaned around the line and looked at them, squinting a little to make them out. Her cheeks were rosy from the cold and her reddish hair was curled back up over her head, spilling around her ears. Big and cheap gold earrings clung to her stretched lobes and shook a little as she looked them up and down, her face a mixture of trepidation and worry. Police turning up at a homeless shelter never meant anything good. She smiled warmly at the person at the front of the line, told him to help himself to coffee, and then walked around the table towards Roper and Jamie.  She held her hands wide and then clasped them together, raising her eyebrows and shaking her head. Her earlobes wobbled and her heavy earrings caught the halogen strip lights overhead, glinting. ‘Can I, uh, help you?’ she asked.  Jamie and Roper flashed their badges to get it out of the way. ‘My name is Detective Sergeant Paul Roper, and this is my associate, Detective Sergeant Jamie Johansson.’ ‘Mary Cartwright,’ she answered diligently. ‘Are you the owner of this — er — establishment, Mary?’ Roper asked less than tactfully.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
I know that under the best, lowest-stress circumstances I am an absolute horror to live with, a halogen-illuminated fountain of anxiety, control, and catastrophe. Mental health would be nice, but there’s not time for that, so I do the next best thing: on a walk along the Hudson to loosen the phlegm in my chest, I stop at a deli and pick up a sack of twelve oversized butter cookies with multicolored sprinkles.
Augusten Burroughs (Toil & Trouble: A Memoir)
The danger bathed the world in a halogen glow that caused everything—the sweep of the rock, the orange and yellow lichens, the texture of the clouds—to stand out in brilliant relief. Life thrummed at a higher pitch. The world was made real.
Jon Krakauer (Into the Wild)