Halfway Through The Year Quotes

We've searched our database for all the quotes and captions related to Halfway Through The Year. Here they are! All 100 of them:

Halfway through the meal, while we were all laughing and telling stories, I made the mistake of placing my hand on Kaidan's upper thigh without thinking. He let out a groan loud enough to silence the room. I slipped my hand back into my own lap, and Kaidan cleared his throat. “Wow,” he said. “The corn pudding is fantastic.” I snorted, which started a round of snickers. Patti smiled at Kaidan like he was a precious boy. "Isn't it good? Anna found the recipe a few years ago. She's a great cook." "Mm-hm." Kaidan gave a tight-lipped smile. "That she is.
Wendy Higgins (Sweet Reckoning (Sweet, #3))
Sometimes the people you loved left you halfway through a story. Sometimes they left you without a goodbye. And, sometimes, they stayed around in little ways. In the memory of a musical. In the smell of their perfume. In the sound of the rain, and the itch for adventure, and the yearning for that liminal space between one airport terminal and the next. I hated her for leaving, and I loved her for staying as long as she could. And I would never wish this pain on anyone.
Ashley Poston (The Seven Year Slip)
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me. I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil. From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
Boredom forces you to ring people you haven’t seen for eighteen years and halfway through the conversation you remember why you left it so long. Boredom means you start to read not only mail-order catalogues but also the advertising inserts that fall on the floor. Boredom gives you half a mind to get a gun and go berserk in the local shopping centre, and you know where this is going. Eventually, boredom means you will take up golf.
Jeremy Clarkson (The World According to Clarkson (World According to Clarkson, #1))
They're both convinced that a sudden passion joined them. Such certainty is beautiful, but uncertainty is more beautiful still. Since they'd never met before, they're sure that there'd been nothing between them. But what's the word from the streets, staircases, hallways-- perhaps they've passed by each other a million times? I want to ask them if they don't remember-- a moment face to face in some revolving door? perhaps a "sorry" muttered in a crowd? a curt "wrong number" caught in the receiver? but I know the answer. No, they don't remember. They'd be amazed to hear that Chance has been toying with them now for years. Not quite ready yet to become their Destiny, it pushed them close, drove them apart, it barred their path, stifling a laugh, and then leaped aside. There were signs and signals, even if they couldn't read them yet. Perhaps three years ago or just last Tuesday a certain leaf fluttered from one shoulder to another? Something was dropped and then picked up. Who knows, maybe the ball that vanished into childhood's thicket? There were doorknobs and doorbells where one touch had covered another beforehand. Suitcases checked and standing side by side. One night, perhaps, the same dream, grown hazy by morning. Every beginning is only a sequel, after all, and the book of events is always open halfway through.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
Half-way through the labour of an index to this book I recalled the practice of my ten years' study of history; and realized that I had never used the index of a book fit to read.
T.E. Lawrence (Seven Pillars of Wisdom: A Triumph)
I'd like to widen people's awareness of the tremendous timespan lying ahead--for our planet, and for life itself. Most educated people are aware that we're the outcome of nearly 4bn years of Darwinian selection, but many tend to think that humans are somehow the culmination. Our sun, however, is less than halfway through its lifespan. It will not be humans who watch the sun's demise, 6bn years from now. Any creatures that then exist will be as different from us as we are from bacteria or amoebae.
Martin J. Rees
One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!
Roald Dahl
Sir Gerald Moore: I was at dinner last evening, and halfway through the pudding, this four-year-old child came alone, dragging a little toy cart. And on the cart was a fresh turd. Her own, I suppose. The parents just shook their heads and smiled. I've made a big investment in you, Peter. Time and money, and it's not working. Now, I could just shake my head and smile. But in my house, when a turd appears, we throw it out. We dispose of it. We flush it away. We don't put it on the table and call it caviar.
Tom Wolfe (The Bonfire of the Vanities)
I know what you’re thinking and you’re wrong. This isn’t goodbye, Kitten. I didn’t survive over two hundred years to find you only to lose you within five months. I want you, but I’m not saying goodbye to you, because we will get through this.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
You may have wanted to read it when you bought it, but if you haven’t read it by now, the book’s purpose was to teach you that you didn’t need it. There’s no need to finish reading books that you only got halfway through. Their purpose was to be read halfway. So get rid of all those unread books. It will be far better for you to read the book that really grabs you right now than one that you left to gather dust for years.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
If you missed your chance to read a particular book, even if it was recommended to you or is one you have been intending to read for ages, this is your chance to let it go. You may have wanted to read it when you bought it, but if you haven't read it by now, the book's purpose was to teach you that you didn't need it. There is no need to finish reading books that you only got halfway through. Their purpose was to be read halfway. So get rid of all those unread books. It will be far better for you to read the book that really grabs you right now than one that you left to gather dust for years.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing)
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground." [The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
I'm halfway through my life, and as far as I can tell, the real lesson of the past isn't that I made some mistakes, it's that I didn't make nearly enough of them. I doubt I'll be lying on my deathbed in forty or fifty years, congratulating myself on the fact that I never had sex in an airplane with a handsome Italian businessman, or patting myself on the back for all those years of involuntary celibacy I endured after my divorce. If recent experience is any guide, I'll probably be lying in that hospital bed with my body full of tubes, sneaking glances at the handsome young doctor, wishing that I hadn't been such a coward. Wishing I'd taken more risks, made more mistakes, and accumulated more regrets. Just wishing I'd lived when I had the chance.
Tom Perrotta (The Abstinence Teacher)
Year after year goes by, and nothing gets better. All we do is argue and debate and procrastinate. Any decent idea is amended to ineffectuality by the time it's gone half-way through the various committees it's obliged to pass through. The few people qualified to know what's what are talked to a standstill by ignorant people all around them.
Kazuo Ishiguro (The Remains of the Day)
Our sun is less than halfway through its life. It formed 4.5 billion years ago, but it’s got 6 billion more years before the fuel runs out. It
John Brockman (This Will Make You Smarter: New Scientific Concepts to Improve Your Thinking)
He had had a habit throughout the twenty-seven years of making a narrow remark which, like a plumber’s snake, could work its way through the ear down the throat, halfway to my heart. He would then disappear, leaving me choking with equipment. What I mean is, I sat down on the library steps and he went away.
Grace Paley (Enormous Changes at the Last Minute: Stories)
[Thoreau's] famous night in jail took place about halfway through his stay in the cabin on Emerson's woodlot at Walden Pond. His two-year stint in the small cabin he built himself is often portrayed as a monastic retreat from the world of human affairs into the world of nautre, though he went back to town to eat with and talk to friends and family and to pick up money doing odd jobs that didn't fit into Walden's narrative. He went to jail both because the town jailer ran into him while he was getting his shoe mended and because he felt passionately enough about national affairs to refuse to pay his tax. To be in the woods was not to be out of society or politics.
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
Opening Yulia Koroleva's uterus was the most heartbreaking thing I'd ever done. When I saw that perfect fetus, when I took it in my hands, my vision clouded over with tears and my professional reserve fell away...[he] had fully formed organs each in its correct location, without any abnormalities. The foot length told me he had been nineteen weeks old, exactly halfway through gestation. I returned him to his mother's body, to be buried with her.
Judy Melinek (Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner)
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
In those two years in the beginning I was happy, and happiness has a way of quickening. Grief marks things. Joy lets them through. Days and months can pass in the blink of an eye. I was happier than I ever remember being in my life. Things changed. Jessica and I moved out. Tobias and I moved in. She got engaged. Then married. And then, he left. We were two years in, six since Santa Monica. What I didn't know then was that we were only halfway there.
Rebecca Serle (The Dinner List)
He'll always make time to talk to you if you call, but it becomes quickly clear in the course of the conversation that spare time is something Zugibe has very little of. He'll be halfway through an explanation of the formula used to determine the pull of the body on each of Christ's hands when his voice will wander away from the telephone for a minute and then he'll come back and say, "Excuse me. A nine year old body. Father beat her to death. Where were we?
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
The trouble with mimetic fiction isn’t that you can tell what’s going to happen (I defy anyone to guess what’s going to happen in Middlemarch, even from halfway through) but that you can tell what’s not going to happen. There isn’t going to be an evil wizard. The world isn’t going to be destroyed in Cultural Fugue and leave the protagonist as the only survivor. There aren’t going to be any people who happen to have one mind shared between five bodies. There are unlikely to be shape-changers. In science fiction you can have any kind of story—a romance or a mystery or a reflection of human nature, or anything at all. But as well as that, you have infinite possibility. You can tell different stories about human nature when you can compare it to android nature, or alien nature. You can examine it in different ways when you can write about people living for two hundred years, or being relativistically separated, or under a curse. You have more colours for your palette, more lights to illuminate your scene.
Jo Walton (What Makes This Book So Great: Re-Reading the Classics of Science Fiction and Fantasy)
A Book I Can Put Down I’m halfway through and I’ve gotten used to the way it wants to be read. This writer wants to spoon it up, wants to watch me swallow it. This writer makes a point of good deeds, clean living, god and country, when what I want is sin and shame, the rusty metal edge of cruelty, varieties of pain, his mother still crying years later, just like mine. I want a writer who’s given up on the moral of the story, one who’ll hand me a knife and sit back to see what I do with it. (Published in Anderbo)
Antonia Clark
money. Halfway through that fifth grade year there was no money out on anyone’s desk.
Barthe DeClements (Nothing's Fair in Fifth Grade)
Halfway through his twenty-fifth year, and to his acute relief, Prince Kadou became an uncle.
Alexandra Rowland (A Taste of Gold and Iron)
There was one novel above all others, Knight said, that sparked in him the rare and unnerving sensation that writer was reaching through time and speaking directly to him: Dostoyevsky's Notes from Underground. "I recognize myself in the main character," he said, referring to the angry and misanthropic narrator, who has lived apart form all others for about twenty years. The book's opening lines are: "I am a sick man. I am a spiteful man I am an unattractive man." Knight also expressed no shortage of self-loathing, but it was offset by a fierce pride, as well as an occasional trace of superiority. So, too, with the unnamed narrator of Underground . On the final page of the book, the narrator drops all humbleness and says what he feels: "I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Bobby’s death was like if you’d spent nearly twenty years reading a book and were only halfway through when the book got lost or taken away from you. For the rest of your life, all you could do was guess the end.
Nanci Kincaid (Verbena)
Little Chuck Little, a hundred years old in his knowledge of cows and their habits, was halfway through an Uncle Natchell story when Miss Gates stopped him: ‘Charles, that is not a current event. That is an advertisement.
Harper Lee (To Kill a Mockingbird)
I wanted a sailboat, he said. But you didn’t want anything. Don’t be bitter, I said. It’s never too late. No, he said with a great deal of bitterness. I may get a sailboat. As a matter of fact I have money down on an eighteen-foot two-rigger. I’m doing well this year and can look forward to better. But as for you, it’s too late. You’ll always want nothing. He had had a habit throughout the twenty-seven years of making a narrow remark which, like a plumber’s snake, could work its way through the ear down the throat, halfway to my heart. He would then disappear, leaving me choking with equipment. What I mean is, I sat down on the library steps and he went away. I looked through The House of Mirth, but lost interest. I felt extremely accused. Now, it’s true, I’m short of requests and absolute requirements. But I do want something. I want, for instance, to be a different person.
Grace Paley (The Collected Stories (FSG Classics))
he shakes the snow from his boots on the rug by the entrance and drops The Catcher in the Rye and The Shadow of the Wind into the returns box, wondering if halfway through the second year of a master’s degree program is too late to be unsure about one’s major. Then he reminds himself that he likes Emerging Media and if he’d spent five and a half years studying literature he would probably be growing weary of it by now, too. A reading major, that’s what he wants. No response papers, no exams, no analysis, just the reading.
Erin Morgenstern (The Starless Sea)
...They'd be amazed to hear that Chance has been toying with them now for years. Not quite ready yet To become their Destiny, it pushed them close, drove them apart, it barred their path, stifling a laugh, and then leaped aside. There were signs and signals, Even if they couldn't read them yet. Perhaps three years ago or just last Tuesday a certain leaf fluttered from one shoulder to another? Something was dropped and then picked up. Who knows, maybe the ball that vanished into childhood's thicket? There were doorknobs and doorbells where one touch had covered another beforehand. Suitcases checked and standing side by side. One night, perhaps, the same dream, grown hazy by morning. Every beginning Is only a sequel, after all, and the book of events is always open halfway through.
Wisława Szymborska
Our favorite film is Vertigo. Amy Eleni and I must watch it seventeen or eighteen times a year, and with each viewing our raptness grows looser and looser; we don't need the visuals anymore--one or the other of us can go into the kitchen halfway through and call out the dialogue while making up two cups of Horlicks. From the minute you see empty, beautiful, blond Madeleine Elster, you know she is doomed because she exists in a way that Scottie, the male lead, just doesn't. You know that Madeleine is in big trouble, because she's a vast wound in a landscape where wounds aren't allowed to stay open--people have to shut up and heal up. She's in trouble because the film works to a plan that makes trauma speak itself out, speak itself to excess until it dies; this film at the peak of its slyness, when people sweat and lick their lips excessively and pound their chests and grab their hair and twist their heads from side to side, performing this unspeakable torment.
Helen Oyeyemi
My mom passed away 3 years ago. Recently, I found her “special” photo album- the one in which she saved her favorite pictures, postcards and memories. Halfway through the album I found a small, wrinkled, slip of paper. When I looked closer, I could see that it was a “re-admittance” slip for me, to get back into school... in the 10th grade! Why would she save that all these years???
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
She is shocked, and also afraid to look at him. As he turns the page, he's describing a dessert whose name he cannot remember but which arrived at the table in flames. She feels utterly bewildered. This is who her father is: someone tickled by the existence of sushi. Someone who takes pictures inside a restaurant. Her father is cheesy. Even his handsomeness, she thinks, looking at one of the few photos in which he appears, is of a certain harmlessly generic sort, the handsomeness of a middle-aged male model in the department-store insert of the Sunday Inquirer. Has she only imagined him as a monster? His essential lesson, she always believed, was this: There are many ways for you to transgress, and most you will not recognize until after committing them. But is it she who invented this lesson? At the least, she met him halfway, she bought in to it. Not just as a child but all through adolescence and into adulthood--until this very moment. She realized now that Allison does not buy in to it, that she must not have for years, and that's why Allison doesn't fight with their father or refuse to talk to him for long stretches. Why bother? Hannah always assumed Allison was bullied into her paternal devotion, but no--it is Hannah who has seen his anger as much bigger than it ever was.
Curtis Sittenfeld (The Man of My Dreams)
I was so engrossed by the idea that it took me a moment to register that the drivers behind were laying on their horns and I had a green. I hit the gas, rummaged one-handed through the files Cumali had given me, found a note to the medical examiner with her mobile number attached to it, and pulled out my cell phone. I was halfway through dialing when I realized that a woman with a six-year-old child might not appreciate being woken, and, anyway, what was she going to do that late at night?
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
Zenosyne. It's actually just after you're born that life flashes before your eyes. Entire aeons are lived in those first few months when you feel inseparable from the world itself, with nothing to do but watch it passing by. At first, time is only felt vicariously, as something that happens to other people. You get used to living in the moment, because there's nowhere else to go. But soon enough, life begins to move, and you learn to move with it. And you take it for granted that you're a different person every year, Upgraded with a different body...a different future. You run around so fast, the world around you seems to stand still. Until a summer vacation can stretch on for an eternity. You feel time moving forward, learning its rhythm, but now and then it skips a beat, as if your birthday arrives one day earlier every year. We should consider the idea that youth is not actually wasted on the young. That their dramas are no more grand than they should be. That their emotions make perfect sense, once you adjust for inflation. For someone going through adolescence, life feels epic and tragic simply because it is: every kink in your day could easily warp the arc of your story. Because each year is worth a little less than the last. And with each birthday we circle back, and cross the same point around the sun. We wish each other many happy returns. But soon you feel the circle begin to tighten, and you realize it's a spiral, and you're already halfway through. As more of your day repeats itself, you begin to cast off deadweight, and feel the steady pull toward your center of gravity, the ballast of memories you hold onto, until it all seems to move under its own inertia. So even when you sit still, it feels like you're running somewhere. And even if tomorrow you will run a little faster, and stretch your arms a little farther, you'll still feel the seconds slipping away as you drift around the bend. Life is short. And life is long. But not in that order.
Sébastien Japrisot
There is also a trilogy of books out. I started reading right after Christmas Divergent. I went to read Insurgent after, and now I’m on the third one. I don’t know, it’s Detergent or whatever. But it’s written by a 26-year-old girl. It’s brilliant. But I’m about halfway through now on book number three. Wait until you get to book number three. Hello, Google genome project. Technology is advancing at a rapid pace, and yet, morality and ethics are afterthoughts. We’re excited about discovery and advancement, you know? We’re in fact so excited that we don’t even take the time to discuss or debate the moral dilemmas and implications of new technology. Sure, we’re still in control of technology now, but does there come a time when we’re not? Who will be the one that says turn it off? When do things go wrong? I don’t see anyone at Google or in the government or anyone at the forefront of technology boom that is contemplating the ethics and morality issues. Now that is a truly scary thought that doesn’t come in a movie.
Glenn Beck
Maybe this is a bad time to bring this up, but you need to pay your credit card bill. It’s maxed out, and you’ve missed the past two due dates. And the thing is—and this is going to sound selfish, because it is—but your Netflix account got suspended, and I was only halfway through season three of Cheers. The laugh track is a bit off-putting, but it’s still a good show. I really love the plot twist that Norm’s nagging wife, Vera, turns out to have been dead for ten years, and Norm has kept her memory alive by continuing a fictional narrative about her. Sam and Diane knew that Vera wasn’t really alive and that Norm was delusional, but in episode seven, when they go to check in on Norm, they find him cuddled up next to her decayed corpse and reading her Lord Byron’s “The First Kiss of Love,” and he’s crying. The stench is unbearable, but less unbearable than the brutal truth of the moment. My point is, I didn’t get to finish watching Cheers because you’re behind on your credit card payments. I need you to deal with that.
Joseph Fink (The Faceless Old Woman Who Secretly Lives in Your Home (Welcome to Night Vale, #3))
Had I known, that last hour sitting there, talking and laughing about trivial things, that there was a clot forming like a time bomb close to his heart, ready to explode, I would surely have behaved differently, held on to him, at least thanked him for all my nineteen years of happiness and love. Not flipped over the photographs in the album, mocking bygone fashions, nor yawned halfway through, so that, sensing boredom, he let the album drop to the floor and murmured, “Don’t bother about me, pet, I’ll have a kip.
Daphne du Maurier (Don't Look Now and Other Stories)
the Egyptian expedition would later attempt to explore the inside of the Great Pyramid, which had only been opened up again a few years previously. The French traveler Savary was one of the first to penetrate the interior, and most vividly evokes the atmosphere inside the pyramid at this time: We left our coats at the entrance to the passage which led into the interior, and began to descend, each holding a burning torch. Towards the bottom, we had to wriggle on our bellies like snakes in order to gain access to the inner passageway. . . . We scrambled up this on our knees, at the same time pressing our hands against the sides. Had we not done this, we risked slipping backwards, and the slight grooves on its surface would not have been able to stop us from sliding all the way down to the bottom. About halfway up we fired a pistol shot whose deafening noise echoed away forever through all the distant recesses of the immense edifice. This awakened thousands of bats, which hurtled down, striking us on our hands and face and extinguishing several of our torches.27
Paul Strathern (Napoleon in Egypt)
Is it fun? Doin' all that detectin'? I always wanted to be a detective. I was one, for about a year, I liked the romance of it all. The suits, the hats, the dark alleys, the femme fetale, all that quick talkin' ... But I couldn't stop killin' folk. I mean, they'd hire me, I'd try to solve their mystery, nut halfway through I'd get bored and end up killin' them, and then the case'd be over and that'd be it. I solved one single murder that whole year, but I don't think that really counts, seein' as how I was the killer. I think that's kinda cheatin', in a way - Billy-Ray Sanguine.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Tell me this- if you could have a guarantee that your child would be a National Merit Scholar and get into a prestigious college, have good work habits and a successful career, but that your relationship with him would be destroyed in the process, would you do it? Why not? Because you are made to love, that's why. We care about our relationships more than about our accomplishments. That's the way God made us. Then why don't we live that way? Why, come a damp and gloomy day in March, do we yell over a  math lesson or lose our temper over a writing assignment? Why do we see the lessons left to finish and get lost in an anxiety-ridden haze? We forget that we are dealing with a soul, a precious child bearing the Image of God, and all we can see is that there are only a few months left to the school year and we are still only halfway through the math book. When you are performing mommy triage- that is, when you have a crisis moment and have to figure out which fire to put out first- always choose your child. It's just a math lesson. It's only a writing assignment. It's a Latin declension. Nothing more. But your child? He is God's. And the Almighty put him in your charge for relationship. Don't damage that relationship over something so trivial as an algebra problem. And when you do (because you will, and so will I), repent. We like to feed our egos. When our children perform well, we can puff up with satisfaction and pat ourselves on the back for a job well done. But as important as it is to give our children a solid education (and it is important, don't misunderstand me), it is far more important that we love them well.  Our children need to know that the most important thing about them is not whether they finished their science curriculum or score well on the SAT. Their worth is not bound up in a booklist or a test score. Take a moment. Take ten. Look deep into your child's eyes. Listen, even when you're bored. Break out a board game or an old picture book you haven't read in ages. Resting in Him means relaxing into the knowledge that He has put these children in our care to nurture. And nurturing looks different than charging through the checklist all angst-like. Your children are not ordinary kids or ordinary people, because there are no ordinary kids or ordinary people. They are little reflections of the
Sarah Mackenzie (Teaching from Rest: A Homeschooler's Guide to Unshakable Peace)
If you missed your chance to read a particular book, even if it was recommended to you or is one you have been intending to read for ages, then this is your chance to let it go. You may have wanted to read it when you bought it, but if you haven’t read it by now, the book’s purpose was to teach you that you didn’t need it. There’s no need to finish reading books that you only got halfway through. Their purpose was to be read halfway. So get rid of all those unread books. It will be far better for you to read the book that really grabs you right now than one that you left to gather dust for years.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing)
During those years his writers were Kerouac, Hesse and Camus. From among the living, Lowell, Moorcock, Ballard and Burroughs. Ballard had been to King’s, Cambridge but Roland forgave him that, as he would have forgiven him anything. He had a romantic view of writers. They should be, if not barefoot bums, light-footed, unrooted, free, living a vagabond life on the edge, gazing into the abyss and telling the world what was down there. Not knighthoods or pearls, for sure. Decades later he was more generous. Less stupid. A tweed jacket never stopped anyone from writing well. He believed it was extremely difficult to write a very good novel and to get halfway there was also an achievement. He deplored the way literary editors commissioned novelists rather than critics to review each other’s work. He thought it was a grisly spectacle, insecure writers condemning the fiction of their colleagues to make elbow room for themselves. His ignorant twenty-seven-year-old self would have sneered at Roland’s favourites now. He was reading through a domestic canon that lay just beyond the great encampments of literary modernism. Henry Green, Antonia White, Barbara Pym, Ford Madox Ford, Ivy Compton-Burnett, Patrick Hamilton. Some had
Ian McEwan (Lessons)
I got up to get another glass of water when Zac asked from his spot still at the stove, breaking up the two pounds of ground beef he’d added to the vegetables. “Vanny, were you gonna want me to help you with your draft list again this year?” I groaned. “I forgot. My brother just messaged me about it. I can’t let him win again this year, Zac. I can’t put up with his crap.” He raised his hand in a dismissive gesture. “I got you. Don’t worry about it.” “Thank—what?” Aiden had his glass halfway to his mouth and was frowning. “You play fantasy football?” he asked, referring to the online role-playing game that millions of people participated in. Participants got to build imaginary teams during a mock draft, made up of players throughout the league. I’d been wrangled into playing against my brother and some of our mutual friends about three years ago and had joined in ever since. Back then, I had no idea what the hell a cornerback was, much less a bye week, but I’d learned a lot since then. I nodded slowly at him, feeling like I’d done something wrong. The big guy’s brow furrowed. “Who was on your team last year?” I named the players I could remember, wondering where this was going and not having a good feeling about it. “What was your defensive team?” There it went. I slipped my hands under the counter and averted my eyes to the man at the stove, cursing him silently. “So you see…” The noise Zac tried to muffle was the most obvious snicker in the world. Asshole. “Was I not on your team?” I gulped. “So you see—” “Dallas wasn’t your team?” he accused me, sounding… well, I didn’t know if it was hurt or outraged, but it was definitely something. “Ahh…” I slid a look at the traitor who was by that point trying to muffle his laugh. “Zac helped me with it.” It was the thump that said Zac’s knees hit the floor. “Look, it isn’t that I didn’t choose you specifically. I would choose you if I could, but Zac said Minnesota—” “Minne-sota.” Jesus, he’d broken the state in two. The big guy, honest to God, shook his head. His eyes went from me to Zac in… yep, that was outrage. Aiden held out his hand, wiggling those incredibly long fingers. “Let me see it.” “See what?” “Your roster from last year.” I sighed and pulled my phone out of the fanny pack I still had around my waist, unlocking the screen and opening the app. Handing it over, I watched his face as he looked through my roster and felt guilty as hell. I’d been planning on choosing Dallas just because Aiden was on the team, but I really had let Zac steer me elsewhere. Apparently, just because you had the best defensive end in the country on your team, didn’t mean everyone else held up their end of the bargain. Plus, he’d missed almost the entire season. He didn’t have to take it so personally.
Mariana Zapata (The Wall of Winnipeg and Me)
THE HOUSE SEEMED UTTERLY deserted. Compared to the Christmases of his childhood there was something unforgiving about Leyville now. Montignac’s aunt, Ann, had always made the house seem incredibly festive, with an enormous Christmas tree in the downstairs hallway that stretched halfway up the house, past the staircase, in the direction of the first-floor bedrooms. The mantelpieces were always covered with holly and cards; stockings were pinned by the fireplace. Wrapping paper and presents were to be found in every nook and cranny. There was nothing like that now, just the stark emptiness of the rest of the year and the echoing silence of generations that had passed through the house and died.
John Boyne (Next of Kin)
Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?” “I do.” She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?” I roll my eyes. “You do realize that’s the same song, don’t you?” Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud. “Oh my God, I’m an imbecile!” “You shouldn’t be so hard on yourself, but if you say so.” She narrows her eyes. “Bully.” Then she sticks out her tongue. Big mistake. Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard. Painfully, achingly hard. Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water. “Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?” “You sound doubtful.” She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.” I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.” Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.” And I laugh hard—almost as hard as my cock is. “Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.” “Wait till you get to know me—I’m definitely one of a kind.” The funny thing is, I’m starting to think that’s absolutely true. I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.” “Umm . . . Ed Sheeran.” I shake my head. “All the girls love Ed Sheeran.” “He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.” “Women everywhere already adore me.” “If you were a ginger prince, there’d be more.” “All right, hush now smartarse-bottum. And listen.” Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.
Emma Chase (Royally Matched (Royally, #2))
You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
The Core It can take a whole lifetime to become yourself — years of feeling adrift and alone acting in a role you were never meant to play stammering in a language you weren’t meant to speak wearing clothes that don’t fit trying to pass yourself off as normal but always feeling clumsy and unnatural like a stranger pretending to be at home knowing that everyone can sense your strangeness and resents you because they know you don’t belong. But slowly, through years of exploration, you see landmarks that you recognize hear vague whispers that seem to make sense strangely familiar words, as if you had spoken them yourself, and ideas that resonate deep down, as if you already knew them. And slowly your confidence grows and you walk faster, sensing the right direction, feeling the magnetic pull of home. And now you begin to excavate to peel away the layers of conditioning to shed the skins of your flimsy false self to discard those habits and desires that you absorbed until you reach the solid rock beneath the shining molten core of you. And now there’s no more uncertainty — your path is clear, your course is fixed. This bedrock of your being is so firm and stable that there’s no need for acceptance no fear of exclusion or ridicule. Everything you do is right and true deep and whole with authenticity. But don’t stop. This is only the halfway point — maybe even just the beginning. Once you’ve reached the core keep exploring but more subtly keep excavating but more delicately and you’ll keep unearthing new layers, finding new depths, until you reach the point that is no point where the core dissolves and the solid rock melts like ice and the self loses its boundary and expands to encompass the whole. A self even stronger and truer because it’s no self at all. A self you had to find so that you could lose it.
Steve Taylor (The Calm Center: Reflections and Meditations for Spiritual Awakening (An Eckhart Tolle Edition))
On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.
Fanny Britt (Jane, the Fox & Me)
The tunnel of winter had settled over our lives, ushered in by that great official Hoodwink, the end of daylight saving time. Personally I would vote for one more hour of light on winter evenings instead of the sudden, extra-early blackout. Whose idea was it to jilt us this way, leaving us in cold November with our unsaved remnants of daylight petering out before the workday ends? In my childhood, as early as that, I remember observing the same despair every autumn: the feeling that sunshine, summertime, and probably life itself had passed me by before I'd even finished a halfway decent tree fort. But mine is not to question those who command the springing forward and the falling back. I only vow each winter to try harder to live like a potato, with its tacit understanding that time is time, no matter what any clock might say. I get through the hibernation months by hovering as close as possible to the woodstove without actual self-immolation, and catching up on my reading, cheered at regular intervals by the excess of holidays that collect in a festive logjam at the outflow end of our calendar.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  
Gary Haynes (State of Honour)
Tina was hosting. She's a thirty-five-year-old version of Sienne, only bottle blonde.Same blind-you lipstick, same taste in clothes,same complete disregard for anyone else's opinion on anything. They hate each other. "You hate me!" Sienna wailed. It wasn't Tina's voice that snapped back, but Dad's, "Oh,no. I am not playing that game with you. Do you have any idea what a hundred pounds of filet is gonna cost me? And now you want lobster?" "But it's my wedding! Daddy-" "Don't you Daddy me, princess! I'm already five grand in the hole for the damned hotel,not to mention two for the dress, and every time I turn around, you and your mother have added a new guest, bridesmaid,or crustacean!" First of all,Dad was yelling.Almost. Second,he was swearing.Even damn is fighting talk for him.I set down my pizza and debated the best route for a sealthy escape. I'd seen the dress.Pretty, in a Disney-princess, twenty-yards-of-tulle, boobs-shaped-into-missiles sort of way. Sienne looked deliriously happy in it. She looked beautiful.The less said about the bridesmaids' dressed, I'd decided, on seeing the purple sateen,the better. "No lobster!" he yelled. There was a dramatic howl, followed by the bang of the back door. When I peeked out,it was like a photo. Everything was frozen.Dad was standing over the massive pasta pot, red-faced and scowling, wooden spoon brandished like a sword. Leo and Ricky had retreated to the doorway of the freezer. Nonna had her eyes turned heavenward, and Tina was halfway through the dining room door, smirking a little.
Melissa Jensen (The Fine Art of Truth or Dare)
Kate turned on her heel and walked out. Before she was halfway across the hall, though, Bunny had jumped up from the couch and come after her. “Are you saying we can’t see each other anymore?” she asked. “He’s just visiting me at my house! We’re not going out on dates or anything.” “The guy must be twenty years old,” Kate told her. “You don’t find anything wrong with that?” “So? I’m fifteen years old. A very mature fifteen.” “Don’t make me laugh,” Kate told her. “You’re just jealous,” Bunny said. She was following Kate through the dining room now. “Just because you have to settle for Pyoder—” “His name is Pyotr,” Kate said through her teeth. “You might as well learn to pronounce it right.” “Well, la-di-da to you, Miss Frilling-Your-rs. At least I didn’t have to rely on my father to find me a boyfriend.” By the time she was saying this, they had reached the kitchen. The two men glanced over at them, surprised. “Your daughter is a jerk,” Bunny told their father. “I beg your pardon?” “She is a snoopy, jealous, meddlesome jerk, and I refuse to—and now look!” Her attention had been snagged by something outside the window. The rest of them turned to see Edward slinking past with his shoulders hunched, veering beneath the redbud tree to cross to his own house. “I hope you’re satisfied,” Bunny told Kate. “Why is it,” Dr. Battista asked Pyotr, “that whenever I’m around women for any length of time, I end up asking, ‘What just happened here?’ ” “That is extremely sexist of you,” Pyotr said sternly. “Don’t blame me,” Dr. Battista said. “I base the observation purely on empirical evidence.
Anne Tyler (Vinegar Girl)
National Socialism nurtured racism. In reality there are only two races, namely the "race" of decent people and the "race" of people who are not decent. And "segregation" runs straight through all nations and within every single nation straight through all parties. Even in the concentration camps one came across halfway decent fellows here and there among the SS men-just as one came across the odd scoundrel or two among the prisoners. not to mention the Capos. That decent people are in the minority, that they have always been a minority and are likely to remain so is something we must come to terms with. Danger only threatens when a political system sends those not-decent people, i.e., the negative element of a nation, to the top. And no nation is immune from doing this, and in this respect every nation is in principle capable of a Holocaust! In support of this we have the sensational results of scientific experiments in the field of social psychology, for which we owe thanks to an American; they are known as the Milgram Experiment. If we want to extract the political consequences from all this, we should assume that there are basically only two styles of politics, or perhaps better said, only two types of politicians: the first are those believe that the end justifies the means, and that could be any means...While the other type of politician knows very well that there are mans that could desecrate the holiest end. And it is this type of politician whom I trust, despite the clamor around the year 1988, and the demands of the day, not to mention of the anniversary, trust to hear the voice of reason and to ensure that all who are of goodwill, stretch out their hands to each other, across all the graves and across all divisions.
Viktor E. Frankl
For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Chris- the one who wrote the halfway creepy thing about missing me so much when I didn't post and thinking I was dead- found it mind-boggling that before the Julie/Julia Project began, I had never eaten an egg. She asked, "How can you have gotten through life without eating a single egg? How is that POSSIBLE???!!!!!" Of course, it wasn't exactly true that I hadn't eaten an egg. I had eaten them in cakes. I had even eaten them scrambled once or twice, albeit in the Texas fashion, with jalapeños and a pound of cheese. But the goal of my egg-eating had always been to make sure the egg did not look, smell, or taste anything like one, and as a result my history in this department was, I suppose, unusual. Chris wasn't the only person shocked. People I'd never heard of chimed in with their awe and dismay. I didn't really get it. Surely this is not such a bizarre hang-up as hating, say, croutons, like certain spouses I could name. Luckily, eggs made the Julia Child way often taste like cream sauce. Take Oeufs en Cocotte, for example. These are eggs baked with some butter and cream in ramekins set in a shallow pan of water. They are tremendous. In fact the only thing better than Oeufs en Cocotte is Ouefs en Cocotte with Sauce au Cari on top when you've woken up with a killer hangover, after one of those nights when somebody decided at midnight to buy a pack of cigarettes after all, and the girls wind up smoking and drinking and dancing around the living room to the music the boy is downloading from iTunes onto his new, ludicrously hip and stylish G3 Powerbook until three in the morning. On mornings like this, Oeufs en Cocotte with Sauce au Cari, a cup of coffee, and an enormous glass of water is like a meal fed to you by the veiled daughters of a wandering Bedouin tribe after one of their number comes upon you splayed out in the sands of the endless deserts of Araby, moments from death- it's that good.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
We had a second date that night, then a third, and then a fourth. And after each date, my new romance novel protagonist called me, just to seal the date with a sweet word. For date five, he invited me to his house on the ranch. We were clearly on some kind of a roll, and now he wanted me to see where he lived. I was in no position to say no. Since I knew his ranch was somewhat remote and likely didn’t have many restaurants nearby, I offered to bring groceries and cook him dinner. I agonized for hours over what I could possibly cook for this strapping new man in my life; clearly, no mediocre cuisine would do. I reviewed all the dishes in my sophisticated, city-girl arsenal, many of which I’d picked up during my years in Los Angeles. I finally settled on a non-vegetarian winner: Linguine with Clam Sauce--a favorite from our family vacations in Hilton Head. I made the delicious, aromatic masterpiece of butter, garlic, clams, lemon, wine, and cream in Marlboro Man’s kitchen in the country, which was lined with old pine cabinetry. And as I stood there, sipping some of the leftover white wine and admiring the fruits of my culinary labor, I was utterly confident it would be a hit. I had no idea who I was dealing with. I had no idea that this fourth-generation cattle rancher doesn’t eat minced-up little clams, let alone minced-up little clams bathed in wine and cream and tossed with long, unwieldy noodles that are difficult to negotiate. Still, he ate it. And lucky for him, his phone rang when he was more than halfway through our meal together. He’d been expecting an important call, he said, and excused himself for a good ten minutes. I didn’t want him to go away hungry--big, strong rancher and all--so when I sensed he was close to getting off the phone, I took his plate to the stove and heaped another steaming pile of fishy noodles onto his plate. And when Marlboro Man returned to the table he smiled politely, sat down, and polished off over half of his second helping before finally pushing away from the table and announcing, “Boy, am I stuffed!” I didn’t realize at the time just how romantic a gesture that had been.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
God's honesty. A god who is all-knowing and all-powerful and who does not even make sure that his creatures understand his intention could that be a god of goodness? Who allows countless doubts and dubieties to persist, for thousands of years, as though the salvation of mankind were unaffected by them, and who on the other hand holds out the prospect of frightful consequences if any mistake is made as to the nature of the truth? Would he not be a cruel god if he possessed the truth and could behold mankind miserably tormenting itself over the truth? But perhaps he is a god of goodness notwithstanding and merely could not express himself more clearly! Did he perhaps lack the intelligence to do so? Or the eloquence? So much the worse! For then he was perhaps also in error as to that which he calls his 'truth', and is himself not so very far from being the 'poor deluded devil'! Must he not then endure almost the torments of Hell to have to see his creatures suffer so, and go on suffering even more through all eternity, for the sake of knowledge of him, and not be able to help and counsel them, except in the manner of a deafand-dumb man making all kinds of ambiguous signs when the most fearful danger is about to fall on his child or his dog? A believer who reaches this oppressive conclusion ought truly to be forgiven if he feels more pity for this suffering god than he does for his 'neighbours' for they are no longer his neighbours if that most solitary and most primeval being is also the most suffering being of all and the one most in need of comfort. All religions exhibit traces of the fact that they owe their origin to an early, immature intellectuality in man they all take astonishingly lightly the duty to tell the truth: they as yet know nothing of a duty of God to be truthful towards mankind and clear in the manner of his communications. On the 'hidden god', and on the reasons for keeping himself thus hidden and never emerging more than half-way into the light of speech, no one has been more eloquent than Pascal a sign that he was never able to calm his mind on this matter: but his voice rings as confidently as if he had at one time sat behind the curtain with this hidden god. He sensed a piece of immorality in the 'deus absconditus' [the "hidden/concealed god"] and was very fearful and ashamed of admitting it to himself: and thus, like one who is afraid, he talked as loudly as he could.
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
She did not answer. Or, rather, she answered by sliding long fingers across Kassad’s chest, ripping away the leather thongs which bound the rough vest. Her hands found his shirt. It was soaked with blood and ripped halfway down the front. The woman ripped it open the rest of the way. She moved against him now, her fingers and lips on his chest, hips already beginning to move. Her right hand found the cords to his trouser front, ripped them free. Kassad helped her pull off the rest of his clothes, removed hers with three fluid movements. She wore nothing under her shirt and coarse-cloth trousers. Kassad’s hand slid between her thighs, behind her, cupped her moving buttocks, pulled her closer, and slid to the moist roughness in front. She opened to him, her mouth closing on his. Somehow, with all of their motion and disrobing, their skin never lost contact. Kassad felt his own excitement rubbing against the cusp of her belly. She rolled above him then, her thighs astride his hips, her gaze still locked with his. Kassad had never been so excited. He gasped as her right hand went behind her, found him, guided him into her. When he opened his eyes again she was moving slowly, her head back, eyes closed. Kassad’s hands moved up her sides to cup her perfect breasts. Nipples hardened against his palms. They made love then. Kassad, at twenty-three standard years, had been in love once and had enjoyed sex many times. He thought he knew the way and the why of it. There was nothing in his experience to that moment which he could not have described with a phrase and a laugh to his squadmates in the hold of a troop transport With the calm, sure cynicism of a twenty-three-year-old veteran he was sure that he would never experience anything that could not be so described, so dismissed. He was wrong. He could never adequately share the sense of the next few minutes with anyone else. He would never try. They made love in a sudden shaft of late October light with a carpet of leaves and clothes beneath them and a film of blood and sweat oiling the sweet friction between them. Her green eyes stared down at Kassad, widening slightly when he began moving quickly, closing at the same second he closed his. They moved together then in the sudden tide of sensation as old and inevitable as the movement of worlds: pulses racing, flesh quickening with its own moist purposes, a further, final rising together, the world receding to nothing at all—and then, still joined by touch and heartbeat and the fading thrill of passion, allowing consciousness to slide back to separate flesh while the world flowed in through forgotten senses. They lay next to each other.
Dan Simmons (The Hyperion Cantos 4-Book Bundle: Hyperion, The Fall of Hyperion, Endymion, The Rise of Endymion)
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
A couple was celebratin’ their fiftieth wedding anniversary with a reception. They were standin’ in line greetin’ their friends and about halfway through, she hauled off and hit him! He looked surprised and said, “What was that for?” She said, “For fifty years of bad sex!” He thought about that a minute and then hauled off and hit her. Now it was her turn to look surprised and she said, “What on earth was that for?” And he answered, “For knowing the difference!
Kevin Kenworthy (The Best Jokes Minnie Pearl Ever Told: (Plus some that she overheard!))
Feynman himself, halfway through his freshman year, reading Eddington’s book about relativity theory, confronted his own department chairman with the classic question about mathematics: What is it good for? He got the classic answer: If you have to ask, you are in the wrong field.
Anonymous
We’re halfway through another great time of the year. You should start to make little improvements to your lifestyle and thinking, your late. Start making a change now.
Oscar Auliq-Ice
Is it fun? Doin' all that detectin'? I always wanted to be a detective. I was one, for about a year, I liked the romance of it all. The suits, the hats, the dark alleys, the femme fetale, all that quick talkin' ... But I couldn't stop killin' folk. I mean, they'd hire me, I'd try to solve their mystery, nut halfway through I'd get bored and end up killin' them, and then the case'd be over and that'd be it. I solved one single murder that whole year, but I don't think that really counts, seein' as how I was the killer. I think that's kinda cheatin', in a way.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Most educated people are aware that we are the outcome of nearly 4 billion years of Darwinian selection, but many tend to think that humans are somehow the culmination. Our sun, however, is less than halfway through its life span. It will not be humans who watch the sun’s demise, 6 billion years from now. Any creatures that then exist will be as different from us as we are from bacteria or amoebae.ad
John Brockman (This Idea Must Die: Scientific Theories That Are Blocking Progress (Edge Question))
I didn’t write it to try to teach anything. My goal was just to figure out for myself what worked and why it worked. That’s what the writing’s about—not the magazine articles so much, but the books. Figuring stuff out.” “Taking other people there too.” “Maybe, hopefully, that happens in the process if I write it right. Which I suppose is why the books sell. And that just shows that there must be a lot of us in the same boat. Maybe most of us.” “So.” Gina hesitated, then figured what the hell. She wanted to know. “What about writer’s block? Do you ever get that?” “No. I don’t.” “Never?” Now Stuart broke one of his first true smiles. “I’m talking to a writer, aren’t I?” Gina lifted her shoulders, let them down. “Halfway through a bad legal thriller. Wondering how you get all the way to the end.” “Just keep going.” “Ha.” “Well, it’s what I do. I suppose I get times where the ideas don’t exactly flow, but the best definition of writer’s block I ever heard was that it was a failure of nerve. It’s not something outside of you, trying to stop you. It’s your own fear that you won’t say it right, or get it right, or won’t be smart or clever enough. But once you acknowledge it’s just fear, you decide you’re not going to let it beat you, and you keep pushing on. Kind of like climbing Whitney. Except that if it’s never any fun, then maybe it’s something inside trying to tell you that you probably don’t want to be a writer. You’re not having fun with your book?” “Not too much. Some. At the beginning. Then I got all hung up on whether anyone would want to read it and if they’d care about my characters and I started writing for them, those imaginary, in-the-future readers, whoever they might be.” “Well, yeah, but that’s not why you write. You write to see where you’re gonna go. At least I do. And in your case, nobody’s paying you for your stuff yet, are they?” “No. Hardly.” “Well, then just do it for yourself and have some fun with it. Or start another story that you like better. Or take up cooking instead. Or get up to the mountains more. But if you want to write, write. A page a day, and in a year you’ve got a book. And anybody who can’t write a page a day…well, there’s a clue that maybe you’re not a writer.” “A page a day…” “Cake,” Stuart said.
John Lescroart (The Suspect)
Shaking his head at his own skittishness, he let out a sigh and dropped down beside his little girl. Immediately, she scrambled over to him as fast as her hands and knees could take her and climbed happily up into his lap. He picked her up. Her very presence was a balm to his nerves, a reassurance that purity and innocence still shone in a world that had, of late, seemed dominated by wickedness and evil. But it soon became obvious that Charlotte wanted more than just a cuddle. Eventually, she began to get restless, and Gareth had learned enough about her to recognize immediately what she wanted. "Hungry, Charlie-girl?" Raising himself to his knees, he picked up the bowl he'd excitedly prepared a few minutes ago and sat down, anticipation lighting up his face. Charlotte was beginning to eat solid food now, which delighted him beyond words because that meant he could have a hand in feeding her. Still, Juliet had looked dubious when she'd left him with the baby an hour before. Mash up her food carefully, she had instructed him, explaining the procedure with as much care as if she'd been advising an overeager two-year-old, going on and on while he'd stood there and nodded and nodded and nodded. Make sure there are no lumps in it, and don't make her eat it all if she doesn't want it. He realized his first mistake as he dug the spoon into the bowl and eagerly began to feed the baby. "Hmmm … perhaps I should have mashed up the peas or even the carrots, instead of these red beets left over from supper last night," he mused, aloud. Indeed, it soon became difficult to know who was faring worse in this new venture — his daughter, now smeared from head to toe in red beet pulp, or her papa, who had it all over his fingers and in his lap. Charlotte looked up at him and smiled through the mess. Gareth guffawed. Ah, hell. They were both laughing and having fun. They were half-way through the bowl when a loud hammering at the door nearly caused Gareth to jump out of his skin. Lucien. Scooping up the baby and holding her easily in one arm, he went to open it — and found Perry and the rest of the Den of Debauchery standing just outside. "Bloody hell!"  Perry's jaw nearly hit the floor. "What on earth have you done to her?!" Gareth looked at Charlotte and fully comprehended just what a mess the two of them had made. Huge red blotches stained the delicate skin of the baby's face. Her hands were bright red, her dress was ruined, and bits of crimson pulp clung to her chin. Oh, hell, he thought wildly, Juliet's going to kill me! He grabbed up a napkin from the table and began scrubbing at Charlotte's face, to no avail. "Damnation!" he cried, much to Perry's amusement and the guffaws of the others. "Playing papa to the hilt, are you, Gareth?" "So much for your days of debauchery!" "I say, next thing you know, he'll be changing napkins — ha, ha, ha!" "Sod off," Gareth said, realizing how much he had not missed their immaturity.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Paul Costelloe One of the most established and experienced names in British fashion, Irish-born Paul Costelloe has maintained a highly successful design label for more than twenty-five years. He was educated in Paris and Milan, and has since become known for his expertise in fabrics, primarily crisp linen and tweed. I was commuting to London from Ireland at the time when I got a call to come to Kensington Palace. I got a minicab and threw some garments in the back of the car, and the driver drove me to Kensington Palace. The police at the gate were surprised to see a battered minicab--it was no black cab, if you know the difference between a black cab and a minicab in London (a minicab is half the price of a black cab and always more battered). Anyway, they asked me who I was. I said, “I have an appointment to see Diana,” and they told me to wait. They were reluctant to let me through the gates--it was during the major troubles in Northern Ireland, during the mid to late seventies and early eighties, when Belfast was blazing--but I was soon met at the door. I remember hauling my garments up the stairs of the palace. I fell. Diana came halfway down the stairs and gave me a hand with the garments. Then we went into the living room and had a lovely cup of tea, and I met the children, William and Harry. She tried on some of the garments right there in front of me. I (being a confirmed heterosexual) found her very attraction. I came back down the stairs, and half an hour later she made her selection. She was a perfect size 10 (that would be a U.S. size 8), except she was tall, so a few things had to be lengthened. She was an absolute delight. Afterward, I went into Hyde Park for the afternoon and sat on a bench. I just couldn’t believe what had just happened!
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
By the seventh day into our no-communication spree, I was more than halfway through coming to terms with the fact that I would be in debt the next twenty years of my life,
Mariana Zapata (The Wall of Winnipeg and Me)
Halfway through my sophomore year of college, I realized that a degree in medicine was out of reach both in time and money. Jason and I struggled to keep our utilities on and food in our cabinets. A few times we cuddled close under piles of blankets when the oil tank was drained and we became creative in making dinners out of the remnants of our fridge.
K.L. Randis (Spilled Milk)
As the saying goes, "It's not who you know, but who knows you." How does that relate to getting a job? Lets look at 2 cases where "who knows you" resulted in landing the best job. Keep in mind: The great thing is that you can start right where you are right now! Case 1 In my first teaching job in Mexico in the early 1980's, we were half way through the semester, when the director called me into his office to tell me he had taken a job in Silicon Valley, California. What he said next floored me. "I'd like you to apply for my job." How could I apply to be the director of an English school when it was my first teaching job, all the teachers had more teaching experience than I did, and many of them had doctorate degrees. I only had a bachelors degree. "Don't worry," he said. "People like you, and I think you have what it takes to be a good director." The director knew me, or at least got to know me from teachers' meetings, seeing me teach, and noticing how I interacted with people. Case 2 Fast forward 3 years. After Mexico, I moved to Reno, Nevada, to work on my Master's degree in Teaching English as a Second Language. I applied for a teaching job at the community college, and half-way into the semester, a teacher had to leave and I got the job. I impressed the director enough that she asked me to be the Testing and Placement Coordinator the next year. At the end of that year, I wrote a final report about the testing and placement program. It so impressed the college administration that when a sister university was looking for a graduate student to head up a new language assessment program for new foreign graduate teaching assistants and International faculty, I got recommended. What Does This Mean? From these two examples, you can see that when people see what you can do, you have a greater chance of being seen and being known. When people see what you are capable of doing, there is less risk in hiring you. Why? Because they've seen you be successful before. Chances are you'll be successful with them, too. But, if people don't know you and haven't seen what you can do, there is much greater risk in hiring you. In fact, you may not even be on their radar screen. Get On Their Radar Screens To get on the radar screens for the best jobs, do the best job you can where you work right now. Don't wait for the job announcement to appear in the newspaper. Don't wait for something else to happen. Right now, invest all of you and your unique talents into what you're doing. Impress people with what you can do! Do that, and see the jobs you'll get!
HASANM21
I was just about half-way through my sixth year, when one morning at breakfast we children were informed to our utter dismay that we could no longer be permitted to run absolutely wild
William Henry Hudson (Far Away and Long Ago: A History of My Early Life)
They reached the back of the room. Two life-sized dolls with white whiskers and fedoras, sewn of cloth stuffed with straw, sat here at a chessboard. The two original players had died long ago, halfway through their year-long game, and Old Bat Brown had sewn the dolls himself as a tribute. Behind
Patty Jansen (Galactic Empires: Seven Novels of Deep Space Adventure)
During the first week of filming, it began raining in Tunisia’s Nefta Valley for the first time in seven years and didn’t stop for four days. Equipment and vehicles bogged down in the mud, requiring assistance from the Tunisian army to pull everything out of the muck. It was often cold in the morning and blazing hot by afternoon, and Lucas would begin most days in his brown coat, hands shoved deep in the pockets as he peered through the eyepiece of the camera; as the sun rose higher in the sky, he would shrug off his coat, put on his sunglasses, and direct his actors in a checked work shirt, with a baseball cap pulled low over his eyes. When it wasn’t raining, high winds tore up the sets, ripping apart the sandcrawler and blowing one set, as a crew member put it, “halfway to Algeria.”7
Brian Jay Jones (George Lucas: A Life)
Thinking ahead, Batista had handpicked Carlos Saladrigas Zayas as his replacement. However, this scheme was not to be, when the people defeated Saladrigas Zayas and voted for Batista’s adversary, the popular former President Ramón Grau. Four years later Grau was followed by Carlos Prío. Halfway through Ramón Grau’s administration, just before Christmas in 1946 at the Hotel Nacional, a meeting of Meyer Lansky and other underworld figures planned the future of Havana as a playground for the Americas. Drugs, prostitution, shows and casinos started to flourish in Havana. In the post war years prior to Las Vegas, people came, and Havana became an instant success!
Hank Bracker
It’s worse than you can imagine. An idiot surrounded by clowns. Trump won’t read anything—not one-page memos, not the brief policy papers; nothing. He gets up halfway through meetings with world leaders because he is bored. And his staff is no better. Kushner is an entitled baby who knows nothing. Bannon is an arrogant prick who thinks he’s smarter than he is. Trump is less a person than a collection of terrible traits. No one will survive the first year but his family.
Michael Wolff (Fire and Fury: Inside the Trump White House)
What is the book (or books) you’ve given most as a gift, and why? Or what are one to three books that have greatly influenced your life? At some point about halfway through my 20-year career in the SEAL Teams, I read About Face by Colonel David H. Hackworth. I haven’t stopped reading it since. Hackworth came up through the ranks and served as an infantry officer in the Korean and Vietnam wars. He was revered by his men and respected by all who worked with him. While the stories of combat are incredible and there is much to be learned about battlefield tactics in the book, the real lessons for me are about leadership. I adapted many of his leadership principles over the years and still continue to learn from his experiences. Thanks for everything, Colonel Hackworth.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
But this sense of duty and virtue involved a complicated calculation about your positive effect on the White House versus its negative effect on you. In April, an email originally copied to more than a dozen people went into far wider circulation when it was forwarded and reforwarded. Purporting to represent the views of Gary Cohn and quite succinctly summarizing the appalled sense in much of the White House, the email read: It’s worse than you can imagine. An idiot surrounded by clowns. Trump won’t read anything—not one-page memos, not the brief policy papers; nothing. He gets up halfway through meetings with world leaders because he is bored. And his staff is no better. Kushner is an entitled baby who knows nothing. Bannon is an arrogant prick who thinks he’s smarter than he is. Trump is less a person than a collection of terrible traits. No one will survive the first year but his family. I hate the work, but feel I need to stay because I’m the only person there with a clue what he’s doing. The reason so few jobs have been filled is that they only accept people who pass ridiculous purity tests, even for midlevel policy-making jobs where the people will never see the light of day. I am in a constant state of shock and horror.
Michael Wolff (Fire and Fury: Inside the Trump White House)
A decade earlier, her seventy-four-year-old father, Jack Block, a professor emeritus of psychology at the University of California at Berkeley, was admitted to a San Francisco hospital with symptoms from what proved to be a mass growing in the spinal cord of his neck. She flew out to see him. The neurosurgeon said that the procedure to remove the mass carried a 20 percent chance of leaving him quadriplegic, paralyzed from the neck down. But without it he had a 100 percent chance of becoming quadriplegic. The evening before surgery, father and daughter chatted about friends and family, trying to keep their minds off what was to come, and then she left for the night. Halfway across the Bay Bridge, she recalled, “I realized, ‘Oh, my God, I don’t know what he really wants.’” He’d made her his health care proxy, but they had talked about such situations only superficially. So she turned the car around. Going back in “was really uncomfortable,” she said. It made no difference that she was an expert in end-of-life discussions. “I just felt awful having the conversation with my dad.” But she went through her list. She told him, “‘ I need to understand how much you’re willing to go through to have a shot at being alive and what level of being alive is tolerable to you.’ We had this quite agonizing conversation where he said—and this totally shocked me—‘ Well, if I’m able to eat chocolate ice cream and watch football on TV, then I’m willing to stay alive. I’m willing to go through a lot of pain if I have a shot at that.’” “I would never have expected him to say that,
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
It’s worse than you can imagine. An idiot surrounded by clowns. Trump won’t read anything—not one-page memos, not the brief policy papers; nothing. He gets up halfway through meetings with world leaders because he is bored. And his staff is no better. Kushner is an entitled baby who knows nothing. Bannon is an arrogant prick who thinks he’s smarter than he is. Trump is less a person than a collection of terrible traits. No one will survive the first year but his family. I hate the work, but feel I need to stay because I’m the only person there with a clue what he’s doing. The reason so few jobs have been filled is that they only accept people who pass ridiculous purity tests, even for midlevel policy-making jobs where the people will never see the light of day. I am in a constant state of shock and horror.
Michael Wolff (Fire and Fury: Inside the Trump White House)
They were all unconscious worshippers of the State. Whether the State they worshipped was the Fascist State or the incarnation of quite another dream, they thought of it as something that transcended both its citizens and their lives. Whether it was tyrannical or paternalistic, dictatorial or democratic, it remained to them monolithic, centralized, and remote. This was why the political leaders and my peasants could never understand one another. The politicians oversimplified things, even while they clothed them in philosophical expressions. Their solutions were abstract and far removed from reality; they were schematic halfway measures, which were already out of date. Fifteen years of Fascism had erased the problem of the South from their minds and if now they thought of it again they saw it only as a part of some other difficulty, through the fictitious generalities of party and class and even race...All of them agreed that the State should be something about it, something concretely useful, and beneficent, and miraculous, and they were shocked when I told them that the State, as they conceived it, was the greatest obstacle to the accomplishment of anything...We can bridge the abyss only when we succeed in creating a government in which the peasants feel they have some share...Plans laid by a central government, however much good they may do, still leave two hostile Italys on either side of the abyss. The difficulties we were discussing, I explained to them, were far more complex than they realized...First of all, we are faced with two very different civilizations, neither of which can absorb the other...The second aspect of the trouble is economic, the dilemma of poverty. The land has been gradually impoverished: the forests have been cut down, the rivers have been reduced to mountain streams that often run dry, and livestock has become scarce. Instead of cultivating trees and pasture lands there has been an unfortunate attempt to raise wheat in soil that does not favor it. There is no capital, no industry, no savings, no schools; emigration is no longer possible, taxes are unduly heavy, and malaria is everywhere. All this is in large part due to the ill-advised intentions and efforts of the State, a State in which the peasants cannot feel they have a share, and which has brought them only poverty and deserts...We must make ourselves capable of inventing a new form of government, neither Fascist, nor Communist, nor even Liberal, for all three of these are forms of the religion of the State. We must rebuild the foundations of our concept of the State with the concept of the individual, which is its basis...The individual is not a separate unit, but a link, a meeting place of relationships of every kind...The name of this way out is autonomy. The State can only be a group of autonomies, an organic federation, The unit or cell through which the peasants can take part in the complex life of the nation must be the autonomous or self-governing rural community. This is the only form of government which can solve in our time the three interdependent aspects of the problem of the South; which can allow the co-existence of two different civilizations, without one lording it over the other or weighing the other down; which can furnish a good chance for escape from poverty...But the autonomy or self-government of the community cannot exist without the autonomy of the factory, the school, and the city, of every form of social life. This is what I learned from a year of life underground.
Carlo Levi (Christ Stopped at Eboli: The Story of a Year)
I could read it so you don’t have to?” she offers, but I’m already halfway through. I start to read aloud. “ ‘I had this vision for creating a platform that would help people to connect and coalesce around the things that mattered most to them. It was a natural extension of what I’d been doing for years. People used to call me a humanist spirit guide—I guess that’s what I’m bringing to WAI now, just on a larger stage.’ “He doesn’t even mention us. Doesn’t say anything about how Jules and I dragged him kicking and screaming into this. I wanted to create a platform. Cyrus just wanted to baptize cats.” “To be fair, the Cat Baptism is one of the most shared rituals,” Destiny says, trying to lighten the tone. “Eight hundred thousand videos and counting.” I keep going. “ ‘I’m attracted to the solitary life, Jones says. You can imagine him in a monastery, although he’d have to cut off that halo around his head. In addition to creating a social network that millions of people are turning to for meaning and community, he is also taking care of his employees—he has just kicked off a mentorship program to give the women on his team the support they need to thrive in their roles.’ ” Destiny tells me to stop reading. “It’s just bullshit.” I take a shaky deep breath. “That’s my mentorship program,” I whisper. “Cyrus is telling them what he wants to hear. You and I both know that.” I’m stammering now, but I keep going. “ ‘He’s otherworldly but handsome in an almost comical way. His sentences are long, and when you’re in the middle of one, you wonder, where is this going? But he always manages to bring whatever he’s saying to a satisfying conclusion. Everything he says is mysterious and somehow obvious at the same time.’ ” At least this one is funny. I allow Destiny to laugh briefly. I get to the last line. “ ‘I have to say, I’m developing something of a crush.’ ” “Oh, for God’s sake, another woman in love with Cyrus. Take a number, sister.” Destiny leans over, reads the byline. “George Milos. Guess Cyrus appeals to all genders.” As we get up to leave, she says, “I don’t think Cyrus is a bad person. He’s just basking in a sea of adoration, and it makes him think more of himself than he should.” “Where does that leave me?” “You have a tough gig. No one wants to be married to the guy everyone thinks is going to save the world.
Tahmima Anam (The Startup Wife)
LEVEL FOUR VIOLATION SERIOUSNESS SENTENCE PRINCIPAL’S COMMENTS DITCHING THE UNIVERSE According to a report from Lady Belva, Keefe was discovered missing halfway through her lecture. 1 out of 10 One detention assigned. I still can’t figure out where Keefe goes when he ditches (and this time I had the gnomes do a full search of the campus.) But I’m sticking with my plan of minimally reacting to these infractions in the hope that this will finally be the year that Keefe doesn’t pull off any dramatic pranks! —Dame Alina VIOLATION SERIOUSNESS SENTENCE PRINCIPAL’S COMMENTS DISRESPECT FOR ACADEMY PROPERTY. ALSO BREAKING AND ENTERING. For the official report: Somehow Keefe got past the new locks on my office door and put reekrod in my desk. 7 out of 10 Till the end of midterms. I knew this had to be Keefe! I just didn’t have proof, until he bragged to Fitz Vacker within earshot of Lady Galvin. And I know I’ve been trying not to encourage him—but I had to change my locks (again!) and add other security measures. Plus, I have too much to deal with now that Sophie Foster is a prodigy. (The amount of questions I’m getting about her is ridiculous.) —Dame Alina VIOLATION SERIOUSNESS SENTENCE PRINCIPAL’S COMMENTS DITCHING THE UNIVERSE According to a report from Lady Belva, Keefe was discovered missing during the middle of her lecture. And when she went searching, she found him in the Mentors’ private cafeteria, eating an entire platter of butterblasts. 1 out of 10 One detention assigned. I’m starting to think I should ask the Council to let me replace Keefe’s Universe session next year, since it’s far too easy for him to sneak away from a session taught in the dark. I doubt they’d approve my request. But it’s nice to imagine. —Dame Alina
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
To be cut off from family for years -- to be too far away for regular visits. To watch so many of your closest relationships fray and then dissolve. To see your children grow up through family pictures. To be hungry for days at a time because the food you eat is never enough, and there is nothing you can do about it. To be isolated. To be in a place with thousands of men but to somehow feel alone. This is what it means to be socially dead. To be subected to violence and humiliation. To be shackled, one to another, during daily routines, your ability to work and provide for yourself taken away. To move in a coffle down long hallways like animals for 'feeding time' of 'meds.' To be marched away from your lover and your children every time visitation ends. To be cut off from the human community or to have no community at all -- at least, no community that might be valued by members of a free society. To have few benefits and fewer protections. To become a figure who walks the yard or haunts the neighborhood so many years after your release, unable to find work or secure a home, unable to participate in the politics of the city in the ways most people find meaningful. To have no say over where or how often you connect with people you love. To be made a 'nonperson,' in the words of sociologist Orlando Patterson, who gave us the term 'social death.' To be at once part of the wider world, through labor or punishment or as a social problem of national concern, yet to be kept just outside of it.
Reuben Jonathan Miller (Halfway Home: Race, Punishment, and the Afterlife of Mass Incarceration)
When Darwin's Origin of Species was published in 1859, paleontology was in its infancy, the fossil record as yet unexplored. The years have been cruel to the theory of gradual evolution. The process of natural selection requires a slow, progressive period of development, a period during which the evolving organism, throughout successive generations, grows legs or wings or whatever. There are two problems here. One is that the fossil record shows no gradual development from lower organisms to higher. Rather, it shows that species generally unchanged throughout time. Those represented in the most ancient fossils are basically indistinguishable from their descendants living today. The fossil record shows creatures that suddenly appear in the world, without apparent ancestors. Some become extinct, while other survive unchanged. The theory demands that there should be transitional forms between evolutionary developments, some sort of creature destined to become a bird whose forepaws are halfway toward becoming wings. Yet evidence of such transitional forms is missing, hence the term "missing links". (This leads to the question how one can build a theory around evidence that is "missing", but apparently that is only a minor difficulty for evolutionists.) The second problem is the supposed mechanism by which evolution is powered. Mutations (which do occur, but are nearly always detrimental) cause changes in the organism, and those which are favorable are retained through natural selection. How, the, does a lizard evolve a leg into a wing? After all, what is the advantage in half a wing? Even granting that natural processes might favor an ability to fly and thus preserve this lizard-becoming-bird - how did the lizard even survive three million years while he was dragging around forelimbs no linger fit for fighting or running, but not yet able to lift him in flight? (chapter 1)
Randy England (Unicorn in the Sanctuary : The Impact of the New A)
He wouldn’t be marrying you, risking the ire of not just his entire kingdom but also his parents, who you will soon discover are not two people you want to anger just so you have a chance to make it through this alive, free from the Ascended and from him. If that is what you choose,” he went on. “But more importantly, he would’ve stuck to the plan he spent years cultivating, and we would’ve already been halfway to Carsodonia to exchange you for his brother. Yet, here we are. And the only reason why any of that changed is because once he got to know you, he started to care for you.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Carole’s amazing roast chicken. Because how better to deal with fears of bird flu than by eating a bird, am I right? Here’s how you can make it yourself. You’ll need a chicken, first of all. Carole cuts it up herself but I’m lazy, so I buy a cut-up chicken at the store. You’ll need at least two pounds of potatoes. You’ll need a lemon and a garlic bulb. You’ll need a big wide roasting pan. I use a Cuisinart heavy-duty lasagna pan, but you can get by with a 13x9 cake pan. Cut up the potatoes into little cubes. (Use good potatoes! The yellow ones or maybe the red ones. In the summer I buy them at the farmer’s market.) Spray your pan with some cooking spray and toss in the potatoes. Peel all the garlic (really, all of it!) and scatter the whole cloves all through with the potatoes. If you’re thinking, “All that garlic?” just trust me on this. Roasted garlic gets all mild and melty and you can eat it like the potato chunks. Really. You’ll thank me later. Finally, lay out the chicken on top, skin-down. You’ll turn it halfway through cooking. Shake some oregano over all the meat and also some sea salt and a few twists of pepper. Squeeze the lemon, or maybe even two lemons if you really like lemon, and mix it in with a quarter cup of olive oil. Pour that over everything and use your hands to mix it in, make sure it’s all over the chicken and the potatoes. Then pour just a tiny bit of water down the side of the pan—you don’t want to get it on the chicken—so the potatoes don’t burn and stick. Pop it into a 425-degree oven and roast for an hour. Flip your chicken a half hour in so the skin gets nice and crispy.
Neil Clarke (The Best Science Fiction of the Year Volume 1)
Fighting over who paid the check was a time-honored Asian tradition, and akin to two MMA fighters in a no-holds-barred death match. It could get loud, physical, and potentially violent. There was a whole list of stratagems one learned through osmosis to employ to ensure you got to the check first. Like pretending you had to use the restroom halfway through the meal, but instead you sneak over to the waitress and hand over your credit card.
Lisa Lin (The Year of Cecily (From Sunset Park, With Love, #1))
It’s about…’ but there isn’t a word for it in a language he knows. “He makes the sign again, two hands intertwined. “‘Fucking?’ “His face darkens. He makes the sign for fucking. It is different. He pushes his hands away and apart. Then he says, =Not fucking. That we have to do for them. Something we do for ourselves. Because we—= and he makes a strange sign, which she does not understand, then spells it out, *love*, repeating afterward his hands-on-heart sign. “=Do we ‘love’?= she signs back, because she doesn’t know a word for it in the spoken language he knows.… “She pulls off her shift and sits naked before him. He puts a hand up, halfway. Her hand meets his. Later she is not sure who first pulled the other closer, even though it all happens very slowly.… “Suddenly, an unfamiliar and terrifying feeling mounts through her belly to the top of her head. It seems to spread in circles, like the concentric circles at the servants’ ritual, but spreads and spreads. She cries out, ‘What is it?’ but her voice is wild and she doesn’t know what language she has used. Suddenly she cannot bear his hand any more: she clasps it to her belly and pushes against him and he comes into her harder, comes with a ragged shout of his own which he later tells her would have been words if he hadn’t, so many years ago, had his words stolen away. “They lie down then, touching over more surface than she has touched anyone in her short life, and sleep entangled like his fingers were when he made the sign for this, for whatever this has been, this that they have done together.
Candas Jane Dorsey (Black Wine)
The gods were able to meet halfway on this one. Persephone was permitted to emerge from the underworld for one season to spend with her mother. She would, however, be required to return to the underworld once her time was up. The time of year when Persephone returned to the land of the living was when the first light and vegetation of spring break through the cold of winter and snow. When she was below the surface, the world darkened due to her mother’s sadness and grief.
Enthralling History (Greek Mythology: An Enthralling Overview of Greek Myths, Gods, and Goddesses)
Nina!" Cillian leans against the door frame, halfway through brushing his teeth. "Thought I saw you jump the fence. Rhys is coming over soon." "Oh, thank you." The demon breathes in deeply, sighing out contentment. He sits up straighter. "At least someone in here is happy." Cillian shrugs defensively at my accusing glare. "Can I help it if I look forward to seeing my boyfriend? We're gonna watch Eurovision." "What did you think of their decision to have Australia back?" the demon asks. "Because I thought it was bullocks. I don't care how good they were. It's Eurovision, not Anywherevision!" "It did sort of ruin the whole 'guest event' concept when they kept letting them come back year after year." "Hello?" I wave in front of Cillian's face. "You do know he's eating your happiness, right?" "Doesn't feel like anything." The demon shifts position again with a clanking of chains. "I can't take away his happiness. It's like if you spray perfume and I smell it. Just because I'm inhaling the scent doesn't mean it leaves you." "Yeah, but smelling someone's perfume is a little different from consuming their emotions." "Says you, a person who has never consumed emotions.
Kiersten White
Nina!" Cillian leans against the door frame, halfway through brushing his teeth. "Thought I saw you jump the fence. Rhys is coming over soon." "Oh, thank you." The demon breathes in deeply, sighing out contentment. He sits up straighter. "At least someone in here is happy." Cillian shrugs defensively at my accusing glare. "Can I help it if I look forward to seeing my boyfriend? We're gonna watch Eurovision." "What did you think of their decision to have Australia back?" the demon asks. "Because I thought it was bullocks. I don't care how good they were. It's Eurovision, not Anywherevision!" "It did sort of ruin the whole 'guest event' concept when they kept letting them come back year after year." "Hello?" I wave in front of Cillian's face. "You do know he's eating your happiness, right?" "Doesn't feel like anything." The demon shifts position again with a clanking of chains. "I can't take away his happiness. It's like if you spray perfume and I smell it. Just because I'm inhaling the scent doesn't mean it leaves you." "Yeah, but smelling someone's perfume is a little different from consuming their emotions." "Says you, a person who has never consumed emotions.
Kiersten White (Slayer (Slayer, #1))
It’s the song Cole chose the first time I pole danced for him over five years ago. Unbidden, memories of that night heat my face and shorten my breaths. He fucked me half-way through that dance, right up against the pole. Then he spanked me for making him so horny and fucked me again.
Pam Godwin (Two is a Lie (Tangled Lies, #2))
Depressed Libra You: What are you doing this weekend? Libra: But really what are any of us doing, we’re on this planet for less than a hundred years, probably already halfway through our lives and there’s no real guarantee anyone will find true love, and if we do, how do we even know it’s what we want, or that it isn’t an illusion we’ve projected on another person? I’m not doing anything. You?
Alex Dimitrov (Astro Poets: Your Guides to the Zodiac)
Sometimes the people you loved left you halfway through a story. Sometimes they left you without a goodbye. And, sometimes, they stayed around in little ways. In the memory of a musical. In the smell of their perfume. In the sound of the rain, and the itch for adventure, and the yearning for that liminal space between one airport terminal and the next. I hated her for leaving, and I loved her for staying as long as she could.
Ashley Poston (The Seven Year Slip)
No other mammals on the planet have been observed regularly helping one another through birth. Or at least, none we know of. Two monkey species have been observed assisting in a birth, but each case seems incredibly rare. One was a black-and-white snub-nosed monkey in 2013, but it was hard to draw conclusions since it was a daytime birth and usually they occur at night. The second, involving a langur monkey, was recorded in 2014—and if it hadn’t been recorded, no one would have believed it. Chinese primatologists had observed this group of langurs for years and saw that the females generally gave birth alone. But not this time. On a rocky outcropping, an older female monkey hung around a younger mother who was clearly struggling in active labor. The newborn came out halfway. The older monkey quickly pulled the baby out of the mother’s vagina, held the kid for a minute, licked it, and then handed it to its mother. This may be the first clear evidence of active birth assistance in any mammal besides humans.
Cat Bohannon (Eve: How the Female Body Drove 200 Million Years of Human Evolution)
Who were you? When you were alive?” Emily said, her voice thick with wonder. “Tell me everything.” “Oh, I wasn’t anybody. Just a girl. I lived in a house like girls do. I loved a man once, loved him so much I couldn’t tell the difference between him and me. But he wasn’t the kind of man anyone should love. He took my heart and he took it and pinched it to death. If he loved with all the powers of his puny being, he couldn’t love as much in eighty years as I could in a day. So I married someone else and had a child, like girls do. But my heart stayed pinched. Every time I tell the story, people swoon and say it’s dreadfully romantic, but it was horrible and I died halfway through my own story! I don’t know what’s wrong with the living! They think the blackest, most poisonous things are romantic. At least he’s dead now, too. He tries to talk to me but I stick my fingers in my ears until he goes away.
Catherynne M. Valente (The Glass Town Game)