Inspirational Lizard Quotes

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They were black like a lizard's and very large and, like the eyes of a lizard, could sometimes look sleepy.
Scott O'Dell (Island of the Blue Dolphins)
He told me that soul mates come into our lives at very precise times to inspire and to awaken us to bigger and better ways of looking at the world and interacting with it. We’ve known each other before, he said, and we will know each other again.
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
Tell your lizard (brain) to shut up.
Seth Godin
And it's deadly to us. We can inspire lust, but it's just a shadow. An illusion. Love is a dangerous force." He shook his head. "Love killed the dinosaurs, man." I'm pretty sure a meteor killed the dinosaurs, Thomas." He shrugged. "There's a theory making the rounds now that when the meteor hit it only killed off the big stuff. That there were plenty of smaller reptiles running around, about the same size as all the mammals at the time. The reptiles should have regained their position eventually, but they didn't, because the mammals could feel love. They could be utterly, even irrationally devoted to their mates and their offspring. It made them more likely to survive. The lizards couldn't do that. The meteor hit gave the mammals their shot, but it was love that turned the tide.
Jim Butcher (Blood Rites (The Dresden Files, #6))
I imagine there are orderly, well-organized Scanners in the world, but there can't be very many of them. It's far more common to hear a Scanner mumbling, "Now, where did I put that lizard?
Barbara Sher (What Do I Do When I Want to Do Everything?: A Revolutionary Programme for Doing Everything That You)
But you will be back, and you will always be here. Don’t think that in death you go far from the earth; you remain down here with everything—the part of you that loved, which is the most important part. That part of you will patiently be here as the earth changes colour, exhausts itself, breathes in fresh life again, and revives. That part of you will be here all along, through that whole entire time, while the slugs make their sluggish art, beautiful little swirls in the mud, and whatever will populate the sea, and the greatest beasts that will ever be; slippery with green gills and lots of scales, feathers and fur. Even the swimming creatures will have their own ways of moving which will be radically new. And you will be here for that, too! Why am I so stuck in the art of the past? Because you are stuck in this situation, thinking it is the only one. There will be a second draft, and the part of you that loves, which is the best part of you, and the most eternal part, will be in the bears, the lizards, the mammoths, and the birds, there in the second draft of life.
Sheila Heti (Pure Colour)
I personally believe mavericks are people who write their own rulebook. They are the ones who act first and talk later. They are fiercely independent thinkers who know how to fight the lizard brain (to use Seth Godin’s term). I don’t believe many are born, rather they are products of an environment, or their experiences. They are usually the people that find the accepted norm does not meet their requirements and have the self-confidence, appetite, independence, degree of self reliance and sufficient desire to carve out their own niche in life. I believe a maverick thinker can take a new idea, champion it, and push it beyond the ability of a normal person to do so. I also believe the best mavericks can build a team, can motivate with their vision, their passion, and can pull together others to accomplish great things. A wise maverick knows that they need others to give full form to their views and can gather these necessary contributors around them. Mavericks, in my experience, fall into various categories – a/ the totally off-the-wall, uncontrollable genius who won’t listen to anyone; b/ the person who thinks that they have the ONLY solution to a challenge but prepared to consider others’ views on how to conquer the world &, finally, the person who thinks laterally to overcome problems considered to be irresolvable. I like in particular the third category. The upside is that mavericks, because of their different outlook on life, often sees opportunities and solutions that others cannot. But the downside is that often, because in life there is always some degree of luck in success (i.e. being in the right place at the right time), mavericks that fail are often ridiculed for their unorthodox approach. However when they succeed they are acclaimed for their inspiration. It is indeed a fine line they walk in life.
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
Theophilus Crowe wrote bad free-verse poetry and played a jimbai drum while sitting on a rock by the ocean. He could play sixteen chords on the guitar and knew five Bob Dylan songs all the way through, allowing for a dampening buzz any time he had to play a bar chord. He had tried his hand at painting, sculpture, and pottery and had even played a minor part in the Pine Cove Little Theater’s revival of Arsenic and Old Lace. In all of these endeavors, he had experienced a meteoric rise to mediocrity and quit before total embarrassment and self-loathing set in. Theo was cursed with an artist’s soul but no talent. He possessed the angst and the inspiration, but not the means to create.
Christopher Moore (The Lust Lizard of Melancholy Cove (Pine Cove, #2))
A Bluesman hates to be told what to do. Authority rankles him, inspires his rebellion, and plays to his need to self-destruct. A Bluesman doesn't take to having a boss unless he's on a chain gang (for the chain gang boss ranks below only a mean old woman and a sweet young thing in the hierarchy of the Blues Muse, followed closely by bad liquor, a dead dog, and the Man).
Christopher Moore (The Lust Lizard of Melancholy Cove (Pine Cove, #2))
Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.
Clementine Paddleford
Healing and protection are long-standing themes for the serpent: the wand of Asclepius, Greek god of medicine, wrapped by a single serpent, inspires the symbols of the American Medical Association and the World Health Organization. Hermes’ winged staff, entwined by a pair of snakes, forms the caduceus, a symbol of alchemy and commerce, and a second symbol of medicine. Jung considered ouroboros, the snake swallowing its own tail, to be the one archetypal symbol that explained absolutely everything.
Bryan Christy (The Lizard King: The True Crimes and Passions of the World's Greatest Reptile Smugglers)
Dude!" cried Time. "What the fuck, man!" "Sorry," said Cooper. "I thought this was a bathroom." He stuck out a pouty lower lip. "What could possibly have led you to believe this was a bathroom?" the lizard creature hissed. "The door is clearly marked OFFICE!" "I can't read your lizard language," said Cooper.
Robert Bevan (The Creep on the Borderlands)
Southerners have a sense of perspective, a way of finding the humor in even the most painful of experiences. We know that life is too short to be unhappy. Even when we’re lower than lizard spit (as Florida Grits Sandra Presley often says), we find a smile. The best way to know Southern humor is to hear it. The best way to hear it is to come on down South. But please don’t come empty-handed. Bring a joke; get a joke. You know what I mean, Vern? Southerners have always known that laughter is good for you. We’d been laughing at ourselves for many years before research proved that laughter reduces stress, decreases pain, increases energy, inspires creativity, and helps relationships grow. These benefits boost the immune system and strengthen our hearts and lungs. No wonder Southerners are the happiest people around!
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
Even though I knew she never belonged to me, my heart didn't agree. The old man and the boy crouched as still as lizards. It was the last time I would ever do that.
Gail Gillespie-Fox
The old man and the boy crouched as still as lizards
Gail Gillespie-Fox
IF The Lizard Cage reminded Mom to send a check to the campaign for Burma, it also inspired her to redouble her efforts for Afghanistan. It was, after all, a book about the importance of books and reading and writing.
Will Schwalbe (The End of Your Life Book Club)
I first imagined each moment separate, inspired, consecutive. I could have cast the film—myself the female lead, you the star. I wore color—magenta. lavender, lime. You were in white, something textured that moved with your body. The music was sensuous, full orchestra scored for harp, piccolo, twelve double basses, a chime. The premiere, well-attended, prices high. Those who didn't like it find little to like in this world. The critics, through careful eyes, decided our performance was fresh, the location on the cliff above the ocean a splendid choice on someone's part, the humor warm. But time extracts. After the blast, the slow boil, the few grains cupped in the palm. The orchestra was really scored for wind and pelican, the dry flick of lizard. The lily, with petals like white tongues, appeared from nowhere, and the gull remained stone-still. as gulls do not do. The costumes were too simple: sun and salt on skin, and the actors kept changing roles, crawling into one another’s lines, saying the wrong words when they spoke at all, finding it hard to think in vertigo, their love clouded with a retinue of men and women, former actors who wanted the parts. The critics made no sense of the film, double-exposed, sprocket holes on either side and a garbled sound track that wove ‘always’ and ‘never’ into one word. The beginning appeared in the last scene, and the climax was a whorl of color, like looking too long at the sun through closed eyelids. One thing someone found to praise: a clear shot of a shining feather lying on a stone in the path.
Mary Ann Waters
A hundred miles beyond the point, the farthest point, the most distant point on the horizon. Out past the alkali flats and sinks; Misfit and Stillwater, Humboldt and Carson. Out over the mountains, ice age islands and archipelagos, Ichthyosaur, Columbian Mastodon boned talus slopes and scree fields. Beyond the Saltbrush, Bitterbrush, Creosote Plants and Rabbitbrush, petrified Redwood forests and Mount Mazama blowouts. Out over the playas, hoodos and springs, koi ponds and basins. Beyond the mustangs, horned lizards, whiptails and rattlers and over the abandoned mines; silver and gold, copper, bornite and cinnabar. Out past the hematite and jasper, chert and agate. Out over Lovelock, Spirit Cave and Wizard's Beach. Beyond the grinding rocks, diorite and granitic boulders cast adrift in a sea of sand, dust and wind. Beyond the Rye Grass, Rice Grass and Bunchgrass. Out over the land into the distance and beyond. The distance of a thousand years, a million years, a century, a lifetime. A distance of roads forgotten and graves abandoned, misplaced Iris and Lilac the only indication of a person's passing. Out past Bonneville, Daggett, Donner and Walker. The two tracks, the single tracks, the deer and coyote tracks, lizard tracks and no tracks at all. Out over the land.....
P Edmonds Young
They rolled over her − the words − with an unexpectedness, as though something of great importance had been said, but she could not catch their meaning. She consulted the tree, with her ear jammed to its trunk. Then a funny thing happened. A switch clicked inside her and all the fear and terror that had stoked her hopelessness disappeared. The incipient cancerous tumor that had threatened to derail her young life lay severed, and squirmed in a death-throe like the bodiless tail of a lizard.
Franciska Soares (They Whisper in my Blood)
A hundred miles beyond the point, the farthest point, the most distant point on the horizon. Out past the alkali flats and sinks; Misfit and Stillwater, Humboldt and Carson. Out over the mountains, ice age islands and archipelagos, Ichthyosaur, Columbian Mastodon boned talus slopes and scree fields. Beyond the Saltbrush, Bitterbrush, Creosote Plants and Rabbitbrush, petrified Redwood forests and Mount Mazama blowouts. Out over the playas, hoodos and springs, koi ponds and basins. Beyond the mustangs, horned lizards, whiptails and rattlers and over the abandoned mines; silver and gold, copper, bornite and cinnabar. Out past the hematite and jasper, chert and agate. Out over Lovelock, Spirit Cave and Wizard's Beach. Beyond the grinding rocks, diorite and granitic boulders cast adrift in a sea of sand, dust and wind. Beyond the Rye Grass, Ricegrass and Bunchgrass. Out over the land and into the distance and beyond. The distance of a thousand years, a million years, a century, a lifetime. A distance of roads forgotten and graves abandoned, misplaced Iris and Lilac the only indication of a person's passing. Out past Bonneville, Daggett, Donner and Walker. The two tracks, the single tracks, the deer tracks, coyote tracks, lizard tracks and no tracks at all. Out over the land.....
P. Edmonds Young (The Leaving Time)
D. H. Trujillo is a fiction author born in Colorado of Pueblo and Mexican descent. The desert is her happy place and serves as inspiration for many of her works. She holds a bachelor of anthropology from the University of Hawai‘i and a master of forensic behavioral science from Alliant International University. She currently resides in Baltimore, Maryland, with her husband, two spooky black cats, an elder chihuahua named after jeans, and the plethora of ghosts inhabiting her 1949 home. Her debut romance novel, Lizards Hold the Sun, was released under the name Dani Trujillo
Shane Hawk (Never Whistle at Night: An Indigenous Dark Fiction Anthology)
Fat lizard of the desert
George S. Clason (The Richest Man In Babylon)
The puzzled life was on Earth, still—a burdened lizard!
Nithin Purple (The Bell Ringing Woman: A Blue Bell of Inspiration)
The only difference between man and animal is that man can think, he can wish, he has mind. A kitten can never think of becoming a tiger when it grows or a lizard a crocodile but man can and he does. Son of a pauper may build an empire by the power of his mind
Harmik Vaishnav (Coffee Beans)