Hair Holds Memories Quotes

Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.

The cord, a familiar voice said. Remember your lifeline, dummy! Suddenly there was a tug in my lower back. The current pulled at me, but it wasn't carrying me away anymore. I imagined the string in my back keeping me tied to the shore. "Hold on, Seaweed Brain." It was Annabeth's voice, much clearer now. "You're not getting away from me that easily." The cord strengthened. I could see Annabeth now- standing barefoot above me on the canoe lake pier. I'd fallen out of my canoe. That was it. She was reaching out her hand to haul me up, and she was trying not to laugh. She wore her orange camp T-shirt and jeans. Her hair was tucked up in her Yankees cap, which was strange because that should have made her invisible. "You are such an idiot sometimes." She smiled. "Come on. Take my hand." Memories came flooding back to me- sharper and more colorful. I stopped dissolving. My name was Percy Jackson. I reached up and took Annabeth's hand.

What can I give you, Wanda?” he insisted. I took a deep breath and tried to keep my voice steady.“Give me a lie, Jared. Tell me you want me to stay.” There was no hesitation this time. His arms wound around me in the dark, held me securely against his chest. He pressed his lips against my forehead, and I felt his breath move my hair when he spoke. Melanie was holding her breath in my head. She was trying to bury herself again, trying to give memy freedom for these last minutes. Maybe she was afraid to listen to these lies. She wouldn't want this memory when I was gone. “Stay here, Wanda. With us. Withme. I don't want you to go. Please. I can't imagine having you gone. I can't see that. I don't know how to… how to…” His voice broke.

At first it is strange. I am used to keeping him from her, to hoarding him for myself. But the memories well up like springwater, faster than I can hold them back. They do not come as words, but like dreams, rising as scent from the rain-wet earth. This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.

They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stiring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was easier, but not much. The questions are just beginning. The arenas have been completely destroyed, the memorials have been built, there are no more Hunger Games. But they still teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. how can I tell them about that world without frightning them to death? My children, who take the words of the song for granted: Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your eyes And when again they open, the sun will rise Here it's safe, here it's warm Here the daisies guard you from every harm Here your dreams are sweet snd tomorrow brings them true Here is the place where I love you.

If he closed his eyes he could dwell in the circuit of air that had once held her, he could hold his breath and be inside her again, within the close and burning borders of her- she stood here, washed her hair in this sink, wrote upon this wall, ate roasted chicken at this table. There was no place he could enter where she had not also been, her echoes hanging in the air like pages hung to dry. No place that did not suppurate in her absence, which was not ringed with the light of her old selves, like film burned with a cigarette.

Max. God, but she was stubborn. And tough. And closed in. Closed off. Except when she was holding Angel, or ruffling the Gasman’s hair, or pushing something closer to Iggy’s hand so he could find it easily without knowing anyone had helped him. Or when she was trying to untangle Nudge’s mane of hair. Or-sometimes-when she was looking at Fang. He shifted on the hard ground, a half-dozen flashes of memory cycling through his brain. Max looking at him and laughing. Max leaping off a cliff, snapping out her wings, flying off, so incredibly powerful and graceful that it took his breath away. Max punching someone’s lights out, her face like stone. Max kissing that weiner Sam on Anne’s front porch. Gritting his teeth, Fang rolled onto his side. Max kissing him on the beach, after Ari had kicked Fang’s butt. Just now, her mouth soft under his. He wished she were here, if not next to him, then somewhere in the cave, so he could hear her breathing. It was going to be hard to sleep without that tonight.

Will looked at his sister. “And you don’t care about being a Shadowhunter. How is this: I shall write a letter and give it to you if you promise to deliver it home yourself — and not to return.” Cecily recoiled; she had many memories of shouting matches with Will, of the china dolls she had owned that he had broken by dropping them out an attic window; but there was also kindness in her memories: the brother who had bandaged up a cut knee, or retied her hair ribbons when they came loose. That kindness was absent from the Will who stood before her now. Her mother had used to cry for the first year or two after Will went; she had said, in Welsh, holding Cecily to her, that they — the Shadowhunters — would “take all the love out of him.” A cold, unloving people, she had told Cecily, who had forbidden her marriage to her husband. What could he want with them, her Will, her little one? “I will not go,” Cecily said, staring her brother down. “And if you insist that I must, I will — I will —” The door of the attic slid open and Jem stood silhouetted in the doorway…

Lost love is still love, Eddie. It just takes a different form, that's all. You can't hold their hand... You can't tousle their hair... But when those senses weaken another one comes to life... Memory... Memory becomes your partner. You hold it... you dance with it... Life has to end, Eddie... Love doesn't.

Covering up with one of his wings, I surround myself with the scent of licorice and honey. “You want to hold me while I sleep. You want to watch my face as I dream like you never have—from the outside.” He traces my eye markings with an elegant fingertip. “That will be my memory to cling to, until you’re mine forever at last, both in waking hours and sleep. The question is, do you trust me enough to give me that? To rest in my arms tonight?” I hold his soft palm against my cheek. “Will you sing me my lullaby?” He weaves his fingers through my hair and presses my forehead to his. “Forever and always,” he whispers. As he hums the tune that has been inside my mind and heart all my life, I close the waterfall canopy, cocooning us within our own frozen pocket of time.

Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...

That one you have tried to kill many times, Rand said, that one who lost his kingdom, that one from whom you took everything... Lurching, bloodied from the sword strike to his side, the last king of the Malkieri stumbled to his feet. Lan thrust his hand into the air, holding by its hair the head of Demandred, general of the Shadow's armies. That man, Rand shouted. That man still fights!

Lost love is still love, Eddie. It takes a different form, that’s all. You can’t see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken, another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it. “Life has to end,” she said. “Love doesn’t.

We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.

[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.

If a person leads an ‘active’ life, as Wiggs had, if a person has goals, ideals, a cause to fight for, then that person is distracted, temporarily, from paying a whole lot of attention to the heavy scimitar that hangs by a mouse hair just about his or her head. We, each of us, have a ticket to ride, and if the trip be interesting (if it’s dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can read its plainly stated destination: The Abyss. Yet, ignore it though we might in our daily toss and tussle, the fact of our impending death is always there, just behind the draperies, or, more accurately, inside our sock, like a burr that we can never quite extract. If one has a religious life, one can rationalize one’s slide into the abyss; if one has a sense of humor (and a sense of humor, properly developed, is superior to any religion so far devised), one can minimalize it through irony and wit. Ah, but the specter is there, night and day, day in and day out, coloring with its chalk of gray almost everything we do. And a lot of what we do is done, subconsciously, indirectly, to avoid the thought of death, or to make ourselves so unexpendable through our accomplishments that death will hesitate to take us, or, when the scimitar finally falls, to insure that we ‘live on’ in the memory of the lucky ones still kicking.

seven. seven was when ethan had learned to ride a bicycle. macon was visited by one of those memories that dent the skin, that strain the muscles. he felt the seat of ethan's bike pressing into his hand--the curled-under edge at the rear that you hold onto when you're trying to keep a bicycle upright. he felt the sidewalk slapping against his soles as he ran. he felt himself let go, slow to a walk, stop with his hands on his hips to call out, "you've got her now! you've got her!" and ethan rode away from him, strong and proud and straight-backed, his hair picking up the light till he passed beneath and oak tree.

She takes hold of his hands. As they move together, Rolph feels his self-consciousness miraculously fade, as if he is growing up right there on the dance floor, becoming a boy who dances with girls like his sister. Charlie feels it, too. In fact, this particular memory is one she'll return to again and again, for the rest of her life, long after Rolph has shot himself in the head in their father's house at twenty eight: her brother as a boy, hair slicked flat, eyes sparking, shyly learning to dance.

At first it is strange. I am used to keeping him from her, to hoarding him for myself. But the memories well up like spring-water, faster than I can hold them back. They do not come as words, but like dreams, rising as scent from the rain-wet earth. This, I say. This and this. The way his hair looked in the summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this.

Gideon and I sit there in the dark, wordless for a while, only our ragged breaths disturbing the silence. Memories of my sister overwhelm me—I see her impish grin as she leans over me at the orphanage, tugging on my hair until I wake up. I remember us climbing up to the roof as kids, sitting cross-legged next to the herbs and vegetables our caretakers were growing while we read the English books Rose had “borrowed” from her class at school. And then there was L.A.—all of our hope for a better life so quickly crushed, but Rose never let despair overtake her. She was there after every single night to hold me until the pain went away. And later, when I got numb to it all, she still made a point of holding me, of promising me that one day things would be different.

Lost love is still love, Eddie. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken, another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it. Life has to end," she said. "Love doesn't.

There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.

You’re with a girl. She’s brown-haired and side-swept. I imagine that she’s the kind of girl who can easily shop for jean shorts, and speaks kindly more often than not. She seems like the kind of girl who hates New York City because it wreaks havoc on her shoes (really she just thinks it’s a big and scary place), but once had the time of her life in Spain on a backpacking trip when she was 23. Her gaze is focused on the embracing couple as near strangers capable of judgement. She stands bolted next to you like you’re her anchor in the social storm. You two seem finely matched… but what do I know? (Nothing at all.) I accidentally saw a picture of you and it reminded me that I was dating a man rightfully shaking his fist at God, while trying to hold my hand with the other. I was reminded of how fiercely we tried to hold our relationship together, and how devastated and relieved we were in its destruction. There’s water under that bridge. I accidentally saw a picture of you. No big deal. I wrote about it.

Sweet for a little even to fear, and sweet, O love, to lay down fear at love’s fair feet; Shall not some fiery memory of his breath Lie sweet on lips that touch the lips of death? Yet leave me not; yet, if thou wilt, be free; Love me no more, but love my love of thee. Love where thou wilt, and live thy life; and I, One thing I can, and one love cannot—die. Pass from me; yet thine arms, thine eyes, thine hair, Feed my desire and deaden my despair. Yet once more ere time change us, ere my cheek Whiten, ere hope be dumb or sorrow speak, Yet once more ere thou hate me, one full kiss; Keep other hours for others, save me this. Yea, and I will not (if it please thee) weep, Lest thou be sad; I will but sigh, and sleep. Sweet, does death hurt? thou canst not do me wrong: I shall not lack thee, as I loved thee, long. Hast thou not given me above all that live Joy, and a little sorrow shalt not give? What even though fairer fingers of strange girls Pass nestling through thy beautiful boy’s curls As mine did, or those curled lithe lips of thine Meet theirs as these, all theirs come after mine; And though I were not, though I be not, best, I have loved and love thee more than all the rest. O love, O lover, loose or hold me fast, I had thee first, whoever have thee last; Fairer or not, what need I know, what care? To thy fair bud my blossom once seemed fair. Why am I fair at all before thee, why At all desired? seeing thou art fair, not I. I shall be glad of thee, O fairest head, Alive, alone, without thee, with thee, dead; I shall remember while the light lives yet, And in the night-time I shall not forget. Though (as thou wilt) thou leave me ere life leave, I will not, for thy love I will not, grieve; Not as they use who love not more than I, Who love not as I love thee though I die; And though thy lips, once mine, be oftener prest To many another brow and balmier breast, And sweeter arms, or sweeter to thy mind, Lull thee or lure, more fond thou wilt not find.

Time never touched you. It touched me and then I seemed to regret everything. Your hair in my face, eyes in my mind, a darkness I found in you. But you don’t regret. You hold within. You feel in memory because love lost is still a love once had. You remember passion, conversations over dinner, moments interwoven before each other. We die to live, not die to cry over memories which don’t last our expected timeframe.

The still air smelled of sweetgrass hanging from the rafters. What words can capture that smell? The fragrance of your mother’s newly washed hair as she holds you close, the melancholy smell of summer slipping into fall, the smell of memory that makes you close your eyes for a moment, and then a moment longer.

The Gunner's Dream (From The Final Cut) Floating down through the clouds Memories come rushing up to meet me now. In the space between the heavens and in the corner of some foreign field I had a dream. I had a dream. Good-bye Max. Good-bye Ma. After the service when you're walking slowly to the car And the silver in her hair shines in the cold November air You hear the tolling bell And touch the silk in your lapel And as the tear drops rise to meet the comfort of the band You take her frail hand And hold on to the dream. A place to stay Enough to eat Somewhere old heroes shuffle safely down the street Where you can speak out loud About your doubts and fears And what's more no-one ever disappears You never hear their standard issue kicking in your door. You can relax on both sides of the tracks And maniacs don't blow holes in bandsmen by remote control And everyone has recourse to the law And no-one kills the children anymore. And no one kills the children anymore. Night after night Going round and round my brain His dream is driving me insane. In the corner of some foreign field The gunner sleeps tonight. What's done is done. We cannot just write off his final scene. Take heed of his dream.

Later, the child climbs down from her mother’s knee and clambers up onto Tom. He holds her wordlessly, trying to imprint everything about her: the smell of her hair, the softness of her skin, the shape of her tiny fingers, the sound of her breath as she puts her face so close to his. The island swims away from them, fading into an ever more miniature version of itself, until it is just a flash of memory, held differently, imperfectly by each passenger. Tom watches Isabel, waits for her to return his glance, longs for her to give him one of the old smiles that used to remind him of Janus Light – a fixed, reliable point in the world, which meant he was never lost. But the flame has gone out – her face seems uninhabited now.

You are looking beautiful’ Dhiren said. Vasundhra looked fresh like a morning flower in a casually draped Lavender chanderi sari. Her long, wet hair left open, just a pin holding them back from falling on her lovely face. ‘A true Himalayan flower’ Dhiren had thought.

I wander into dad's room. "Can i sleep with you?" I ask. On these nights i crawl into his bed. He curls his giant body around mine. Sometimes he holds my hair to his face and weeps and mutters thick-sounding nonsense in his sleep. I think i would do anything to make him stop being sad.

Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.

Lost love is still love, Eddie. It takes a different form, that’s all. You can’t see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken, another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it. “Life has to end,” she said. “Love doesn’t.

Lost love is still love, Eddie. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those scenes weaken, another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it. "Life has to end," she said. "Love doesn't.

Native/Indigenous Peoples believe that hair holds strength and power. Some tribes may be different in how they wear their hair and the specific traditions they honor, but a common thread across many Indigenous cultures is the importance of hair. Hair is a physical manifestation of the spirit. Cutting, burying, and burning hair carries strong significance and meaning. In some tribes, it is a tradition to cut your hair and bury it with a loved one for them to bring energies along on their spirit journey. Hair is an extension of Native Peoples and holds dreams, memories, joys, trials, tribulations, and triumphs. Hair is a living "scrapbook" always carried with us, giving strength and courage.

Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.

To fall half in love with someone, move on. Go confidently forward in the direction of whatever life you’d had planned, long before they ever came along. But every now and then, let your mind wander back. Every now and then, remain transfixed on the memory of their skin against yours, of their hands in your hair, of the quiet, patient moments where laughter unexpectedly escaped your lips lying beside them. Let your mind wander back until you realize that it’s not them you’re missing at all – it’s the unfulfilled possibility they embodied. Because the truth is, you never really did fall in love with them. You fell in love with their potential. You fell in love with the maybes and the could-have-beens. You fell in love with all the trips you didn’t take, the plans you didn’t make, the hazy, unintelligible future that stretched out before you without any opportunity to build upon. You fell in love with the potential of what could have happened had you been the kind of person who’d stayed. Had you been the person who could fall in love fully, without pause. You realize that you didn’t fall in love with them at all, but that you could have. That you might have. That there may always be a small part of yourself that is going to wonder ‘what if’ and that maybe you like it that way. That maybe you prefer only falling half in love because it allows you to write your own ending to the story. And theirs is a story that you want to still have and hold onto, years down the line, when you need something to write on and on and on.

When Straight Women Flirt …With Me She sits on my lesbian lap both of us too much wine arm around my shoulder hair carelessly tossed from her face her full weight light upon me sweet sweat rising in the noisy night her laugh laps up the smoke her lean close her breathing flirts with mine small confessions of girlhood slumber parties spill out and into my ear long unspoken memories of pairing up with other girls to practice kissing she tosses excitement of kitten innocence in my face roller skate caresses first tastes of delicious shudder first caress and innocence innocence innocence only in a sense implication of guilt guilt guilt the unsaid in her sentence she tosses excitement her breathing breathless breathing breath breast breasts breasts breasts oh flirt with my around my shoulder lean close close close both of us taste too much too much to touch ankles thighs fingers ribs eyes ears toes her arm my shoulder my shoulder her arm alarm disarm dare me dare me dare me no harm my shoulder her arm my shoulder hold her fold her I never told her my small confession: I don’t practice kissing

At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.

So he'd waited. Counted the minutes. It had been worth it. Seeing her claw her way onto the landing, panting, hair curling with the sweat sliding down her face- completely worth his generally shit day. Nesta was still sprawled on the hall floor when she hissed, 'Whoever designed those stairs was a monster.' 'Would you believe that Rhys, Az, and I had to climb up and down them as punishment when we were boys?' Her eyes shimmered with temper- good. Better than the vacant ice. 'Why?' 'Because we were young and stupid and testing boundaries with a High Lord who didn't understand practical jokes regarding public nudity.' He nodded toward the stairs. 'I got so dizzy on the hike down that I puked on Az. he then puked on Rhys, and Rhys puked all over himself. It was the height of summer, and by the time we made the trek back up, the heat was unbearable, we all reeked, and the scent of the vomit on the stairs had become horrific. We all puked again as we walked through it.' He could have sworn the corners of her mouth were trying to twitch upward. He didn't hold back his own grin at the memory. Even if they'd still had to hike back down and mop it all up.

Yet we have all experienced times when, instead of being buffeted by anonymous forces, we do feel in control of our actions, masters of our own fate. On the rare occasions that it happens, we feel a sense of exhilaration, a deep sense of enjoyment that is long cherished and that becomes a landmark in memory for what life should be like. This is what we mean by optimal experience. It is what the sailor holding a tight course feels when the wind whips through her hair, when the boat lunges through the waves like a colt—sails, hull, wind, and sea humming a harmony that vibrates in the sailor’s veins.

Peter sits with his back to the wall in the hallway. He looks up at me when I lean over him, his dark hair stuck to his forehead from the melted snow. “Did you reset her?” he says. “No,” I say. “Didn’t think you would have the nerve.” “It’s not about nerve. You know what? Whatever.” I shake my head and hold up the vial of memory serum. “Are you still set on this?” He nods. “You could just do the work, you know,” I say. “You could make better decisions, make a better life.” “Yeah, I could,” he says. “But I won’t. We both know that.” I do know that. I know that change is difficult, and comes slowly, and that it is the work of many days strung together in a long line until the origin of them is forgotten. He is afraid that he will not be able to put in that work, that he will squander those days, and that they will leave him worse off than he is now. And I understand that feeling--I understand being afraid of yourself. So I have him sit on one of the couches, and I ask him what he wants me to tell him about himself, after his memories disappear like smoke. He just shakes his head. Nothing. He wants to retain nothing. Peter takes the vial with a shaking hand and twists off the cap. The liquid trembles inside it, almost spilling over the lip. He holds it under his nose to smell it. “How much should I drink?” he says, and I think I hear his teeth chattering. “I don’t think it makes a difference,” I say. “Okay. Well…here goes.” He lifts the vial up to the light like he is toasting me. When he touches it to his mouth, I say, “Be brave.” Then he swallows. And I watch Peter disappear.

Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.

The virus seemed to be thriving on his misery, relentlessly tearing through his insides. Every day it made its rounds through his body. It started at his fingers, making them itch to touch her until he could almost feel her fleshy lips beneath his thumb, the silky strands of her hair sliding through his fingers. It would then move up to his arms, creating an urge to hold her, an urge that could not be fulfilled. Next it went for his eyes, causing him to see her everywhere, in every little thing. He would see her in the kitchen, making coffee. He would see her cuddled up on the sofa, watching T.V. He had to blink several times before he realised that she wasn’t really there. It would then move to his heart, ruthlessly choking it until it was so heavy and so sore, he could feel the pain of losing her in every beat. And then, finally, just as night fell, it would attack his brain, invoking images of her. Thoughts and memories and dreams. He could not take much more. It was slowly driving him insane. He could not break out of these shackles.

Be all right, Nina willed silently, hoping her thoughts could somehow cut through the air, speed over the waters of the Ketterdam harbors, and reach her friend. Stay safe and whole and wait for us. Nina hadn’t been on Vellgeluk when Van Eck had taken Inej hostage. She’d still been trying to purge the parem from her body, caught in the haze of suffering that had begun on the voyage from Djerholm. She told herself to be grateful for the memory of that misery, every shaking, aching, vomiting minute of it. The shame of Matthias witnessing it all, holding back her hair, dabbing her brow, restraining her as gently as he could as she argued, cajoled, screamed at him for more parem. She made herself remember every terrible thing she’d said, every wild pleasure offered, each insult or accusation she’d hurled at him. You enjoy watching me suffer. You want me to beg, don’t you? How long have you been waiting to see me like this? Stop punishing me, Matthias. Help me. Be good to me and I’ll be good to you. He’d absorbed it all in stoic silence. She clutched tight to those memories. She needed them as vivid and bright and cringe-inducing as possible to fight her hunger for the drug. She never wanted to be like that again.

I'm sorry," Gansey said, not looking at her as she leaned on the car beside him. "That was very rude." Blue thought of a few things to reply, but couldn't say any of them out loud. She felt like one of the night birds had gotten inside her. It tumbled and fumbled every time she breathed. He's going to die; this is going to hurt-- But she touched his neck, right where his hair was cut evenly above the collar of his shirt. He was very still. His skin was hot, and she could very, very faintly feel his pulse beneath her thumb. It wasn't like when she was with Adam. She didn't have to guess what to do with her hands. They knew. This was what it should have felt like with Adam. Less like playacting and more like a foregone conclusion. He closed his eyes and leaned, just a little, so that her palm was flat on his neck, fingers sprawled from his ear to his shoulder. Everything in Blue was charged. Say something. Say something. Gansey lifted her hand gently from his skin, holding it as formally as a dance. He put it against his mouth. Blue froze. Absolutely still. Her heart didn't beat. She didn't blink. She couldn't say don't kiss me. She couldn't even form don't. He just leaned his cheek and the edge of his mouth against her knuckles, and then set her hand back. "I know," he said. "I wouldn't." Her skin burned with the memory of his mouth. The thrashing bird of her heart shivered and shivered again. "Thank's for remembering." He looked back over the valley. "Oh, Jane." "Oh, Jane, what?" "He didn't want me to, did you know? He told me not to try to get you to come to the table that night at Nino's. I had to talk him into it. And then I made such an idiot of myself--" He turned back to her. "What are you thinking?" She just looked at him. That I went out with the wrong boy. That I destroyed Adam tonight for no reason at all. That I'm not sensible at all--"I thought you were an asshole." Gallantly, he said, "Thank God for past tense." Then: "I can't--we can't do this to him." It was jagged inside her. "I'm not a thing. To have." "No. Jesus. Of course you're not. But you know what I mean." She did. And he was right. They couldn't do this to him. She shouldn't do it to herself, anyway. But how it made a disaster of her chest and her mouth and her head. "I wish you could be kissed, Jane," he said. "Because I would beg one off you. Under all this." He flailed an arm toward the stars. "And then we'd never say anything about it again.

My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.

We’ll find a way to have children, Mikhail. You managed to convert me without becoming deranged.” There was gentle humor in her voice. Mikhail’s head went up, his dark eyes meeting hers. Raven laughed softly. “Did you think I wouldn’t know your worst fear? I am adept at reading minds, and you, my love, have opened yourself to me often. I knew your fear and loved you all the more for facing it alone.” “You should have said something.” He moved over her body, blanketing her, his hips settling into the cradle of hers. Raven loved the feel of him surrounding her. She put her arms around him, holding him to her, wishing they had weeks--months--to indulge in each other instead of a few more minutes. But she wouldn’t hold him there, not when the fate of his people could be held in the balance. She inhaled his scent and took it deep inside her. “I didn’t need to say anything, Mikhail.” “I could have reassured you.” She kissed his throat. “There was no need. Either I was going to be all right or I wasn’t. I trust you. You believed I could make it through without tampering with my memories. Because you believed it, I believed in myself.” He swept her hair from her face, smiling down at her. She could see complete, utter love shining down at her. “The way you love me, Mikhail, is amazing. Thank you. But you’d better go before Gregori believes I’m holding you prisoner and comes looking for you.

Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.

I sit down across from her at the table and put the vial of memory serum between us. “I came to make you drink this,” I say. She looks at the vial, and I think I see tears in her eyes, but it could just be the light. “I thought it was the only way to prevent total destruction,” I say. “I know that Marcus and Johanna and their people are going to attack, and I know that you will do whatever it takes to stop them, including using that death serum you possess to its best advantage.” I tilt my head. “Am I wrong?” “No,” she says. “The factions are evil. They cannot be restored. I would sooner see us all destroyed.” Her hand squeezes the edge of the table, the knuckles pale. “The reason the factions were evil is because there was no way out of them,” I say. “They gave us the illusion of choice without actually giving us a choice. That’s the same thing you’re doing here, by abolishing them. You’re saying, go make choices. But make sure they aren’t factions or I’ll grind you to bits!” “If you thought that, why didn’t you tell me?” she says, her voice louder and her eyes avoiding mine, avoiding me. “Tell me, instead of betraying me?” “Because I’m afraid of you!” The words burst out, and I regret them but I’m also glad they’re there, glad that before I ask her to give up her identity, I can at least be honest with her. “You…you remind me of him!” “Don’t you dare.” She clenches her hands into fists and almost spits at me, “Don’t you dare.” “I don’t care if you don’t want to hear it,” I say, coming to my feet. “He was a tyrant in our house and now you’re a tyrant in this city, and you can’t even see that it’s the same!” “So that’s why you brought this,” she says, and she wraps her hand around the vial, holding it up to look at it. “Because you think this is the only way to mend things.” “I…” I am about to say that it’s the easiest way, the best way, maybe the only way that I can trust her. If I erase her memories, I can create for myself a new mother, but. But she is more than my mother. She is a person in her own right, and she does not belong to me. I do not get to choose what she becomes just because I can’t deal with who she is. “No,” I say. “No, I came to give you a choice.” I feel suddenly terrified, my hands numb, my heart beating fast-- “I thought about going to see Marcus tonight, but I didn’t.” I swallow hard. “I came to see you instead because…because I think there’s a hope of reconciliation between us. Not now, not soon, but someday. And with him there’s no hope, there’s no reconciliation possible.” She stares at me, her eyes fierce but welling up with tears. “It’s not fair for me to give you this choice,” I say. “But I have to. You can lead the factionless, you can fight the Allegiant, but you’ll have to do it without me, forever. Or you can let this crusade go, and…and you’ll have your son back.” It’s a feeble offer and I know it, which is why I’m afraid--afraid that she will refuse to choose, that she will choose power over me, that she will call me a ridiculous child, which is what I am. I am a child. I am two feet tall and asking her how much she loves me. Evelyn’s eyes, dark as wet earth, search mine for a long time. Then she reaches across the table and pulls me fiercely into her arms, which form a wire cage around me, surprisingly strong. “Let them have the city and everything in it,” she says into my hair. I can’t move, can’t speak. She chose me. She chose me.

Will you go?” Maelyn asked. “Not a chance,” said Briette. “ ‘I shall eagerly await your reply and I wish you health and wealth. Your affectionate friend, “ ‘The Duchess of Merridell’ ” Heidel snorted. “Duchess of Mudsuckers.” “Wait, she wrote an additional note at the bottom,” said Briette. “ ‘I nearly forgot! I must also thank you for assisting with the birth of my beautiful daughter. She is strong and healthy, thank our Good Sire above. I remember you were curious about the name and at long last I have chosen it! Her name is Roselle.’ ” Briette stopped. “Is that it?” said Heidel. Briette stared at the name. She covered her mouth with her fingers and began to blink rapidly. “What’s the matter?” said Maelyn. Briette stood, the parchment falling to her feet. “I uh, I have to go upstairs.” “What is it, Briette?” Heidel asked. “I’m sorry. Please excuse me.” Briette cut between the armchairs and managed to get out without stumbling. She passed through the corridors and climbed the stairs, holding the wall as she went. Her thoughts spun, her heart staggered. Now she knew what had been in the basket. Miss Gerda would have told her. Briette was sure of it. I’m afraid there is more, she had said. But the poor woman had not been given the chance. And the dream! The dream in which her own reflection reached out and pulled her hair. It was a memory. Her mind had fabricated a mirror to make sense of the dream but no mirror had ever been there. The face she had seen was not her own, though it matched in every way. It had belonged to another child. Her name was Roselle. Briette entered her chamber, shut the door, and slid down in front of it. She covered her face and wept a blend of joy and sorrow. “I have a twin.” *

At the time that he had seriously begun to consolidate his organization, Parker was working in a custom photo lab. The reader who is not much taken by audiovisual pastimes may have a deficient picture of that place where Parker was employed; or perhaps not so much a deficient picture--the dyes faded, shoddily spotted, brutishly burned in and doltishly dodged by subhuman technicians under the glare of the enlargers--as an image which had been misfiled in the archives of the memory, representing instead one of those bleak Photo Drive-Ups and Presto Printses located nowadays on the corner of almost every large parking lot, in which the clerks wait sadly behind their glass counters, but no one comes in, and the air becomes darker and darker over the course of the morning as a result of exhaust fumes (there goes another brain cell; ping! - THAT thought will never be completed now); and the pink chubby tots smiling at your from the walls in sample enlargements become steadily more grimy, and by the lunch break they are brown; and the day ticks off on the loud digital clock; and then finally a car creeps into the lot, and a popeyed couple locks that vehicle doors listlessly; they request a reprint of a washed-out snapshot of their son who was killed in the Indian Wars, and they go away; and after a long time here comes a slick-haired teenager who once took a few pix of his girlfriend holding a balloon at the zoo in front of the monkey cage on a dirty overcast day, and the clerk can tell just by looking at this customer that they won’t come out, because the guy’s a loser if the clerk knows anything at all about losers and in fact he knows a hell of a lot about losers because why else would he be stuck with this job?

The SWAT team leader didn't like us cutting up the body. He and Ramirez went into a yelling match. While everyone was watching the argument, I nodded to Olaf and he beheaded the corpse in one blow. Blood gushed out onto the cave floor. "What the fuck are you doing?" one of the SWAT cops asked, bringing his gun pointed at us. "My job," I said. I put the tip of the blade under the ribs. The policeman brought the gun up to his shoulder. "Get away from the body until the captain tells you it's okay to do it." I kept the knife against the body. "Olaf." "Yes." "If he shoots me, kill him." "My pleasure." The big man turned his eyes to the policeman, and there was something in that gaze that made the heavily armed man take a step back. I plunged the blade into the skin, and it slid home. I cut a hole just below his ribs and reached into the hole. It was tight and wet and slick, and it took two hands to get the heart out, one to cut it free of the connecting tissue, and one to hold onto it. I drew it from the chest, blood stained to my elbows. I caught Ramirez and Bernardo both looking at me, with nearly identical looks on their faces. I didn't think either of them would be wanting a date any time soon. They'd always remember watching me cut a man's heart out, and that memory would stain anything else. With Bernardo, I didn't give a shit. With Ramirez, it hurt to see that look in his eyes. A hand touched the heart. I stared at that hand, then looked up to meet Olaf's eyes. He wasn't repulsed. He stroked the heart, hands sliding over mine. I pulled away, and we looked at each other over the body we'd butchered. No, Olaf wasn't repulsed. The look in his eyes was that pure darkness that only fills a man's eyes in the most intimate of situations. He raised the severed head up by the hair and held it almost as if he'd let me kiss it. Then I realized he was holding it over the heart, like a matched pair. I had to turn away from what I saw in his face.

She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.

So here I was, about to put a bullet in my own sweet little daughter’s head. I looked at her through the white mists, which seemed to press memories into my head: Mandy dressed as Christopher Columbus at her preschool play, running offstage into the audience to hug her big sister Beth. Mandy as a toddler, drawing on the wall with lipstick. Mandy as a nursing infant. We’d shared a blissful bond. I’d spent hours holding her, sniffing her cotton-candy-sweet hair. Her life meant more to me than my own.

That was diverse.” Poppy looks surprised as she slides down the wall like a bird that’s forgotten how to fly, landing in a crumpled heap on the curb. “Positively Dionysian,” I manage to slur. The world is a crazed kaleidoscope. Colors fight for space, desperate to steal each other’s names. “They’re just labels!” I yell at the untidy bundle of shades and bones near my foot. “Are you talking to me?” Patterns birthed by multiple reflections coalesce into Poppy’s face. “Maybe. I think other people’s musical chi has saturated my cells.” Myriad venues and tonal flavors are scattered through my memory, like broken harmonies. “Why did I feed on so many tunes?” “You wanted filtered sounds to rain down and seep clean through, beyond blood, to the soul.” A lone streetlight flickers behind her and for a few alienating seconds she shimmers in and out of existence. “Too much.” My stomach turns over, but I manage to keep everything down. If I throw up now, nothing will come out but music. “Tonight’s orgy of sound has left us in a pure, concentrated haze of other people’s emotions,” Poppy announces proudly, unperturbed by the fact I’m squatting in a gutter. She holds out her arms to me, palms turned up. “Look, I’m full of music.” I stare at the small woman, posed like a crazed Messiah. The cat mask is still caught in her hair. A cracking sound fills the air and her face starts to fracture into pieces, like shards of a broken mirror. Closing my eyes, I take deep breaths till my head calms down. When I open them again, Poppy is gone.

am the Rain I am the rain and I am walking barefoot along, from land to land. In my hair gently plays the wind with his slender, brownish hand. My sheer dress is made of cobwebs, it is grayer than gray sorrow. I am alone, though here and there I fitfully play with an ailing doe. After these two stanzas, she brings forth her feelings of a young girl, who weeps lonely in the night. Besides the sorrows of everybody around her, the loneliness and longings and her awakening as a girl in love burst out in deeply sad tones. I hold these ropes tight in my hand, and on them there are strung and kept all the tears, which pale girls lonely eyes have ever wept. I've snatched them all from slender girls, who late at night trod hand in hand with longing, on lonely roads, with fright.

THOMAS Guilty Of mankind. I have perpetrated human nature. My father and mother were accessories before the fact, But there’ll be no accessories after the fact, By my virility there won’t! Just see me As I am, like a perambulating Vegetable, patched with inconsequential Hair, looking out of two small jellies for the means Of life, balanced on folding bones, my sex No Beauty but a blemish to be hidden Behind judicious rags, driven and scorched By boomerang rages and lunacies which never Touch the accommodating artichoke Or the seraphic strawberry beaming in its bed: I defend myself against pain and death by pain And death, and make the world go round, they tell me By one of my less lethal appetites: Half this grotesque life I spend in a state Of slow decomposition, using The name of unconsidered God as a pedestal On which I stand and bray that I’m best Of beasts, until under some patient Moon or other I fall to pieces, Like a cake of dung. Is there a slut would Hold this in her arms and put her lips against it? JENNET Sluts are only human. By a quirk Of unastonished nature, your obscene Decaying figure of vegetable fun Can drag upon a woman’s heart, as though Heaven were dragging up the roots of hell. What is to be done? Something compels us into The terrible fallacy that man is desirable and there’s no escaping into truth. The crimes And cruelties leave us longing, and campaigning Love still pitches his tent of light among The suns and moons. You may be decay and a platitude Of flesh, but I have no other such memory of life. You may be corrupt as ancient applies, well then Corruption is what I most willingly harvest. You are Evil, Hell, the Father of Lies; if so Hell is my home and my days of good were a holiday: Hell is my hill and the world slopes away from it Into insignificance. I have come suddenly Upon my heart and where it is I see no help for.

My God!” Sophia sat back, her eyes wide with horror. “It’s a drug! He’s drugging her and she doesn’t even know it.” Here we go. “It’s common knowledge that we’re genetic traders—the fact that we have more than one means to attract a mate of an entirely different species should come as no surprise,” he pointed out. “You…you cold blooded bastard.” Sophia shook her head. “Poor Liv—she has no idea what he’s doing to her.” “It wouldn’t matter even if she did,” Sylvan explained patiently, ignoring her insults. “The mating scent is too strong to fight, even with advanced warning. Stronger species than yours have tried and they have all failed. With very few exceptions.” He closed his eyes briefly thinking of Feenah, of her pure white hair and pale crystal eyes. I’m sorry, Sylvan… “It’s not right. You’re not fighting fair.” Sophia’s words pushed back the painful memory and Sylvan opened his eyes again to see the look of despair and anger on her lovely face. She looked almost on the brink of tears. Wonderful—she was even more upset and irrational than he had thought she would be. He supposed he ought to feel irritated. Instead, the illogical urge to hold and comfort her came over him so strongly that he had to sit back and cross his arms over his chest to keep from reaching for her. “I believe you humans have a saying that covers this—‘All’s fair in love and war.’ Is that right?” he said softly. “Yes, but that doesn’t mean—” Sylvan leaned forward again and took her soft, small hands between his own larger ones. “You must understand, Sophia—Baird isn’t trying to trick your sister into anything. He’s simply using every power at his disposal to keep her. Because he needs her—he loves her. She is the only woman in the entire universe for him and the bond that will form between them will be one of undying love and devotion.” “Maybe for him.” She looked down as though mesmerized by the sight of her own small hands being engulfed in his much larger ones. “But not for Liv. He’s going to trick her into having bonding sex with him —whatever that is—and then she’ll spend the rest of her life hating him once she finds out how he did it.” She looked up at Sylvan. “You don’t know her like I do—she hates being lied to. Her last boyfriend cheated on her and then lied about it and she dumped him and never looked back. If she knew what Baird was doing to her…” “It’s not as though it’s a conscious choice on his part,” Sylvan tried to explain. “It’s the way our bodies react chemically to our chosen mates. We can’t turn it off, even if we try. Sometimes it comes even when it’s not wanted. We have a saying for it—‘The blood knows what the mind does not wish to see.’” Lifting a hand, he cupped her cheek and brushed away the single tear that had escaped her wide green eyes with his thumb. “It cannot be helped.” Sophia

Narian was once more making preparations for a journey to Cokyri; as official liaison, he frequently traveled between the mother empire and the province. Knowing that the trip was long and arduous I didn’t expect him to come to me that night, and I didn’t bother to light a lantern when I adjourned to my bedroom. Instead, I relied on memory and moonlight to guide me to my dressing table. I unpinned my dark brown hair--it was not yet long enough to tie back, but letting it merely hang was impractical--and reached behind to tug at the laces of my dress. They were difficult to loosen without the aid of my personal maid, Sahdienne, who had been among those servants rehired for the sake of the economy. I sighed in frustration and stood, about to send for her when I felt warm hands rest on my waist from behind. My irritation dispersed as I closed my eyes and tilted my head back against a sturdy chest, breathing in his presence. Narian had come. He swept my hair off my neck, his fingers giving me pleasant chills, then took over what I had been attempting. My dress rustled to the floor, leaving me standing in my chemise, and he sweetly and tenderly kissed my neck and shoulders. He pushed my shift down my arms, his mouth following, and I leaned against him, my legs weak, keenly attuned to every brush of his lips against my flushed skin. My heart beat faster, and I twisted to face him, kissing him deeply, hardly aware that he had begun to walk backward, leading me toward the bed. We fell together upon the mattress, not entirely gracefully, but neither of us thinking about form. He rolled on top of me, his breath quickening along with mine, and it was only when he took hold of my bunched up chemise that my brain snapped into action. I placed my hands on his shoulders and shook my head, and he flopped flat on his back beside me with a groan. After a moment to regain his composure, he propped himself up on his elbow to look down at me, desire still lurking in his mesmerizing eyes. “Alera? Are you…all right?” “Narian, we can’t do this.” I was more than a little shocked at the both of us. His brow furrowed, and he ran a hand through his disheveled hair. He took a breath and opened his mouth, then stopped, apparently unable to decide exactly what he wanted to say. “Why not?” “Because,” I said, pushing myself upright. “We’re not married!

Normal is boring, Bee. It’s not something I’d wish for you.” He crossed the room to me, bringing one hand up to gently trace the line of my jaw. “Grief is a kick in the chest. It steals your breath, hits you so hard you think you’ll never stand back up again. And its not just because you’re grieving death or heartbreak or loss – you’re grieving change. You’re grieving the life that might have been, if it hadn’t all gotten fucked up along the way.” His other hand joined the one holding my jaw, so he was cupping my face in his hands. I closed my eyes and turned my cheek to rest in one of his palms. “You could spend forever thinking about the things you’ll never experience with your mother – infinity contemplating the memories she won’t ever be a part of. But at some point, you have to let the life you should’ve had go, and start living the one you’ve got,” Finn whispered. Tears spilled out from under my lashes and he caught them with his fingertips before they could fall. Ignoring the fact that I was a paint-splattered mess, he cradled me against his chest and his lips came to rest in my hair, bringing me comfort as I trembled in his arms. “Let go, Bee,” he whispered. And I did.

I’ve written at length about Trump’s racial history, and the picture is hideously below the mark of what America deserves in a president; he’s an awful, dark stain on our history. What the first term makes abundantly clear is that it’s not an act, it’s not a strategy, and it’s not something the American people can bear. It is exactly who he is: a fucking racist. The referendum on Trump’s racism will play out in 2020, and well beyond, costing the GOP seats, status, and support for generations. They have no one to blame but themselves. IT’S ALL DOWNHILL FROM HERE Which leads us to what he looks like in a second term. Cognitive decline is an ugly, hard reality for millions of Americans. As the Silent Generation slips into their final years, and the oldest Boomers join them, families all over America confront Alzheimer’s and many other tolls of aging. For many afflicted with a loss of memory and ability, this decline is a sad, steady reduction in the joys of life. For Trump, it’s part of the reality show, though not one he wants to focus on. Comparing Trump now with video clips from a decade ago is chilling. The slippage in his verbal acuity is marked. His rages and explosions of temper aren’t part of an act; they’re no longer controlled or controllable. The nearest contemporary parallel was the second-term decline of Ronald Reagan. Americans sensed the terrible gravity of Alzheimer’s pulling at him, but he was still surrounded by largely competent people and was, on the whole, a healthy man. For all the disagreements Democrats had with him, Reagan could never be considered an impulsive narcissist with a hair-trigger temper and no concern for others. Reagan actually bothered to understand nuclear weapons and the risks they posed, unlike President Missile Parade. Trump’s lack of knowledge should terrify you as much as it does me, especially as his cognitive decline continues apace. Given his hold over the cabinet, there’s no workable solution for this president’s combination of apparent mental infirmities and uncontrolled urges and racist fuckery, suggesting a second term will be more dangerous than the first.

...My niece Peggy is at camp in the Adirondacks so I am staying in her room. It's essence of teenage girl: soft lilac walls, colored photographs of rock stars, nosegays of artificial flowers, signs on the door: THIS ROOM IS A DISASTER AREA, and GARBAGEDUMP. 'Some ashcan at the world's end...' But this is not my family's story, nor is it Molly's: the coon hound pleading silently for table scraps. The temperature last night dipped into the forties: a record for August 14th. There is a German down pouff on the bed and I was glad to wriggle under it and sleep the sleep of the just. Today is a perfection of blue: the leaves go lisp in the breeze. I wish I were a better traveler; I love new places, the arrival in station after the ennui of a trip. On the train across the aisle from me there was a young couple. He read while she stroked the flank of his chest in a circular motion, motherly, covetous. They kissed. What is lovelier than young love? Will it only lead to barren years of a sour marriage? They were perfect together. I wish them well. This coffee is cold. The eighteen-cup pot like most inventions doesn't work so well. A few days: how to celebrate them? It's today I want to memorialize but how can I? What is there to it? Cold coffee and a ham-salad sandwich? A skinny peach tree holds no peaches. Molly howls at the children who come to the door. What did they want? It's the wrong time of year for Girl Scout cookies. My mother can't find her hair net. She nurses a cup of coffee substitute, since her religion (Christian Science) forbids the use of stimulants. On this desk, a vase of dried blue flowers, a vase of artificial roses, a bottle with a dog for a stopper, a lamp, two plush lions that hug affectionately, a bright red travel clock, a Remington Rand, my Olivetti, the ashtray and the coffee cup....

Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.

Blue?” she whispered. “Please don’t turn around.” Jeremy didn’t move. “Okay,” he said warily. “I’m trying to find the words to tell you what our letters have meant to me,” she whispered. “And how much your friendship means to me.” Jeremy nodded. “It’s been important to me, too.” He started to turn around, but Madison tugged his arm, hard. “Don’t look, yet. Please!” Jeremy quickly turned his head away. “All right, but--” Madison didn’t let him finish. She squeezed her eyes shut and started babbling. “I didn’t know who you were until last Friday--which, incidentally, turned out to be about the most important day of my life. And when I knew it was you, I just didn’t know how to tell you that I was me. You once told me I was cold and heartless, and I just couldn’t bear it if you said it again. Everything has been so perfect, I just don’t want to blow it, and now that we’re standing here holding hands, I don’t want to let go--” “So don’t,” a voice whispered, very close to her cheek. Madison’s eyes popped open, and she found herself staring into Jeremy’s sparkling baby blues. And for a moment, time seemed to stop. She noticed that Jeremy had very long eyelashes for a boy. She saw that there was a tiny freckle above his perfectly shaped lips. And he smelled delicious--like spicy soap. Slowly, she raised her hand and touched the lock of dark hair that fell forward over his forehead. It was as soft as she imagined it would be. She tilted her face up to meet his, so close that their lips were almost touching, and asked, “You haven’t said anything. Are you mad?” “I always have been,” Jeremy murmured. “Mad about you…” Ever so slowly the distance between their lips disappeared. In that one tingling moment the past, with every painful memory of humiliation, melted completely away. Jeremy slipped his arm around Madison’s waist and pressed her close against him. She wrapped her arms around his neck. They were a perfect fit, just as she had dreamed they would be. Pinky and Blue--two hearts beating as one.

We communed together a moment, one with the other—I was deeply fascinated. At our first encounter I am sure I had a nebulous presentiment that I would one day go to it in spite of my hesitation, in spite of all the efforts put forth to hold me back,—and the emotion that overwhelmed me in the presence of the sea was not only one of fear, but I felt also an inexpressible sadness, and I seemed to feel the anguish of desolation, bereavement and exile. With downcast mien, and with hair blown about by the wind, I turned and ran home. I was in the extreme haste to be with my mother; I wished to embrace her and to cling close to her; I desired to be with her so that she might console me for the thousand indefinite, anticipated sorrows that surged through my heart at the sight of those green waters, so vast and so deep.

The door to the captain’s office was open, the room vacant but for the memories it held, and I staggered forward to sink into a chair. I closed my eyes, filled with a dreadful, yearning sorrow. Cannan had been such a powerful presence in the palace--in our lives--for so many years that it felt as though the heart of our kingdom had been taken from us. He had been Captain of the Guard for thirty years, and had not failed once in his duties; he had saved more lives than he had ever taken in war; and he had raised Steldor to be the man he was today--a bold, brave, sacrificing man. The son was his father in many, many ways. I was startled out of my thoughts by a knock, and turned to see Steldor standing in the doorway. He glanced around the office, his expression composed, and yet it held a deep and immutable sorrow. “I was told I would find you here,” he said. “How are you?” I asked, nervously twining my hands. “As good as can be expected, I suppose.” “And Galen?” “He has Tiersia.” I nodded, averting my gaze. I knew his answer had been an honest one, and had not been meant to hurt me, but sadness filled me. I wanted him to have someone--he deserved to have someone. Only that someone could not be me. “Let’s go to my drawing room,” I suggested, for Cannan’s office was not a place that would allow us to talk about the future, and that was what we needed to do. Steldor stepped aside, allowing me to exit first. He spent one last moment absorbing the look and feel of his father’s office, then respectfully closed the door. When we reached the Queen’s Drawing Room at the front of the palace, we walked over to the bay window that granted a view of the Eastern Courtyard to talk, much as we had when he had told me of his plan to annul our marriage. But this time, I was the one who needed to speak. I slipped my hand into his, and he glanced at me in mild surprise. “I’m sorry about your father’s passing. I know how close you were to him. His strength and guidance will be missed by all. Despite our kingdom’s glory, Hytanica is less without him.” Steldor did not respond, but gazed stoically out the window. Then he nodded twice and took a deep breath, reining in his emotions. Even now, with me, he was proud, not knowing that I wanted to hold him and let him cry, and that if he did, I would not, even for an instant, find him weak. He ran a hand through his dark hair and turned to face me, silently begging me to change the subject, and I obliged. “”And how is the rest of your family?” “Amid our losses, there is also some good news. Shaselle has a suitor.” “Do you approve of her choice? After all, you are the man of the family now.” “There’s no accounting for taste.” He smirked, seeming thankful for my attempt at normalcy. “Actually, Lord Grayden is a good man--a man who met my father’s approval and, I believe, would have met Baelic’s. When the time is right, I expect a betrothal.” Again a smile played across his features. “Now I just have to worry about the other three girls in the family.” I laughed, lacing my fingers through his when I felt he might pull away. I did not know how he would react to my coming proposal--and whether he would admit it or not, he needed some comfort now. “Steldor,” I said, my tone and demeanor once more serious, “when I see Galen, I will reinstate him as Sergeant at Arms.” “An excellent decision.” I nodded, then continued. “But our military needs to be reformed. It needs a strong and passionate leader, someone who will do Cannan and all of his work justice. I cannot think of anyone more suited to taking over the position of Captain of the Guard than you.” He did not immediately reply, but his eyes went to our hands, and he raised mine to his lips as he had so often done before.

I have not danced the waltz in several years, and what memories I have of it are few and dim. Perhaps you’d take pity on a lame soldier and see whether he can recall it?” He expected her to laugh. On his bad days he was lame, and most days he was at least unsound, as an old horse might be unsound. He had not danced the waltz since being injured, had never hoped to again because it required grace, balance, and a little derring-do. Also a willing partner. Louisa put her bare hand in his and rose. “The pleasure would be mine.” Her lips quirked as she stood, but she didn’t drop his hand. “You must not allow me to lead.” He’d watched a hundred couples dancing a hundred waltzes, and had enjoyed the dance himself when it was first becoming popular on the Continent. The steps were simple. What was not simple at all was the feel of Louisa Windham, matter-of-factly stepping quite close, clasping his palm to her own. “I like to just listen for a moment,” she said, “to feel the music inside, feel the way it wants to move you, to lift your steps and infuse you with lightness.” She slipped in closer, so close her hair tickled Joseph’s jaw. Her hand settled on his shoulder, and he felt her swaying minutely as the orchestra launched into the opening bars. She moved with the rhythm of the music, let it shift her even as she stood virtually in his embrace. What he felt inside was a marvelous sense of privilege, to be holding Louisa Windham close to his body, to have the warm, female shape of her there beneath his hands. Her scent, clean and a little spicy, was sweeter when she was this close. She wasn’t as tall in his embrace as she was in his imagination. Against his body, she fit… perfectly. And with the sense of privilege and wonder, there lurked a current of arousal. Louisa Windham was lovely, dear, smart, and brave, but she was also a grown woman whom Joseph had found desirable from the moment he’d laid eyes on her. He waited until the phrasing felt right, closed his fingers gently around hers, then moved off with his partner. She shifted with him, the embodiment of grace, as weightless as sunshine, as fluid as laughter. “You lead well,” she whispered, her eyes half closed. “You’re a natural.” He was a man plagued by a bad knee and a questionable hip, but with Louisa Windham for a partner and the music of an eighteen-piece orchestra to buoy him, Joseph Carrington danced. The longer they moved together, the better they danced. Louisa let him lead, let him guide her this way and that, let him decide how much sweep to give the turns and how closely to enfold her. She gave herself up to the music, and thus a little to him, as well, and yet, she anchored him too. Dancing with a woman who enjoyed the waltz this much gave a man some bodily confidence. He brought her closer, wonderfully closer, and realized what gave him such joy was not simply the physical pleasure of holding her but the warmth in his heart generated by her trust. She was dancing with a lame soldier, with a pig farmer, and enjoying it. All too soon, the music wound to a sweet final cadence, but Louisa did not sink into the closing curtsy. She instead stood in the circle of Joseph’s arms and dropped her forehead to his shoulder. “Sir Joseph, thank you.” What

Do you deny that your song says your yellow-hair must come to you? You took me home and taught me how to walk back to you in your footsteps!” Her voice rose, turning shrill. “You gave me a fine horse to ride! Do you deny that?” Confusion welled inside him. “You are angry because I teach you and give you gifts?” At last she wrenched her head around, her tear-filled eyes sparkling with contempt. “Like your medallion? ‘Wear it for always,’ you said. But it wasn’t as a remembrance! It was to mark me, so your filthy friend Santos wouldn’t steal the wrong yellow-hair. You knew how much I love Amy. You struck where I was most vulnerable, knowing I’d do anything to save her. I trusted you. You spoke of songs in our hearts and remembering for always. And I--” Her voice broke and trailed off into a squeak. For a moment he thought she might strike him, so deep went her pain, but then her face crumpled and the fight drained from her. She looked so forsaken, so frightened, that all he wanted was to hold her and soothe away her hurts. “I believed you, Hunter. Do you know how difficult that was for me? After what Comanches did to my parents? I betrayed their memory, trusting you. I turned my back on everything.” Hunter’s heart caught at the bruised, aching intensity he heard in her voice. Two large tears slipped over her bottom lashes and washed onto her cheeks, trailing in silver ribbons to her chin. He ran his hand into her cloud of tangled hair and drew her toward him, ignoring her resistance, pressing her face into the curve of his neck. She lay rigid against him, shaking violently. He dipped his head, the last traces of his anger dying.

He could smell the lavender she used to wash her hair, bringing back the memories of the two times he had held her in his arms. How he longed to hold her again . . .

Drops of rain pattered onto her scarf and her shoulders. “Your mother had red hair,” Brigan said, lightly, as if they didn’t both feel the presence of two dead men among these rocks. “Nothing like yours, of course. And she was musical, Lady, like you. I remember when you were born. And I remember that she cried when you were taken away.” “Did she?” “Hasn’t my mother told you anything about Jessa?” Fire swallowed a lump in her throat. “Yes, Lord Prince, but I always like hearing it again.” Brigan wiped rain from his face. “Then I’m sorry I don’t remember more. If we knew a person was going to die, we’d hold harder to the memories.” Fire corrected him, in a whisper. “The good memories.

During the afternoons the only thing that seems to hold my interest is baking. I go through my recipe books. Soft-centered biscuits, cakes slathered with icing, cupcakes piled up in pyramids on round plates. Pete doesn't say anything, although every morning he takes out the rubbish bags filled with stale muffins and half-eaten banana loaves. The only thoughts that seem to distract me from babies are those memories of Paris. A gray cold, tall men, black coffee, sweet pastries, Mama laughing, with her hair and scarf streaming behind her. The smell of chocolate and bread.

Pressing his forehead against my cheek, wet hair mingled with mine. “Let me make you forget. Let me give you a new memory, esclave.” “His purr hitched my breathing, and happiness sharpened to need. My body wanted him to replace the agony of Brute. Q wouldn’t hurt me. Not like those men. I nodded infinitesimally. Q’s breathing turned harsh, lowering his hand. Agonisingly slowly, he touched my leg, avoiding the lash marks, stroking reverently. Inch by inch, he made his way up my inner thigh, until exploring fingers found my heat.  I jolted as he circled my entrance. More tears erupted, but he kissed them away, adding pressure to his hold, keeping me still. “Écarté pour moi.” Open for me.

Pressing his forehead against my cheek, wet hair mingled with mine. “Let me make you forget. Let me give you a new memory, esclave.” His purr hitched my breathing, and happiness sharpened to need. My body wanted him to replace the agony of Brute. Q wouldn’t hurt me. Not like those men. I nodded infinitesimally. Q’s breathing turned harsh, lowering his hand. Agonizingly slowly, he touched my leg, avoiding the lash marks, stroking reverently. Inch by inch, he made his way up my inner thigh, until exploring fingers found my heat.  I jolted as he circled my entrance. More tears erupted, but he kissed them away, adding pressure to his hold, keeping me still. “Écarté pour moi.” Open for me.

Mr. Keir MacRae Lady Merritt Sterling The names had been typed... but why?... what for?... Bits and pieces of memory whirled in his head... thoughts wheeling just beyond reach. As he struggled blindly to catch hold of something, make sense of the tumult, he heard Merritt's voice... stay for one night just one... and there was the smell of rain and the cool darkness of night, and the warmth of a bed... the tender plump curves of a woman's breasts, and the hot clasp of her body pulling at him, squeezing in voluptuous pulsation, and the sweet, wracking culmination as she cried out his name. And there was the sight of her in candlelight, flames dancing in guttering pools of wax, catching glimmers from her eyes, hair, skin... and the glorious freedom of yielding everything, telling her everything, while inexhaustible delight welled around them. And the despair of leaving, the physical pain of putting distance between them, the sensation of being pulled below the surface of the sea, looking up from airless depths to an unreachable sky. Lady Merritt's fingertips pressing a typewriter key. Tap. Tap. Tiny metal rods flicked at a spool of inked ribbon, and letters emerged. Keir was panting now, clutching the slip of paper, while his brain sorted and spun, and pin tumblers aligned, a key turned, and something unlocked. "Merry," he said aloud, his voice unsteady. "My God... Merry.

How do old people get up? They get up as if they were heaving a stake out of the ground. How do old people walk about? Once they are on their feet they have to walk gingerly, like bird-catchers. How do old people sit down? They crash down like heavy luggage whose harness has snapped. We can contemplate the following poem on the sufferings of growing old, written by the scholar Gungtang: When we are old, our hair becomes white, But not because we have washed it clean; It is a sign we shall soon encounter the Lord of Death. We have wrinkles on our forehead, But not because we have too much flesh; It is a warning from the Lord of Death: ‘You are about to die.’ Our teeth fall out, But not to make room for new ones; It is a sign we shall soon lose the ability to eat human food. Our faces are ugly and unpleasant, But not because we are wearing masks; It is a sign we have lost the mask of youth. Our heads shake to and fro, But not because we are in disagreement; It is the Lord of Death striking our head with the stick he holds in his right hand. We walk bent and gazing at the ground, But not because we are searching for lost needles; It is a sign we are searching for our lost beauty and memories. We get up from the ground using all four limbs, But not because we are imitating animals; It is a sign our legs are too weak to support our body. We sit down as if we had suddenly fallen, But not because we are angry; It is a sign our body has lost its strength. Our body sways as we walk, But not because we think we are important; It is a sign our legs cannot carry our body. Our hands shake, But not because they are itching to steal; It is a sign the Lord of Death’s itchy fingers are stealing our possessions. We eat very little, But not because we are miserly; It is a sign we cannot digest our food. We wheeze frequently, But not because we are whispering mantras to the sick; It is a sign our breathing will soon disappear.

The leaves in her hair seemed to twitch in time with her ears as memories collected. “Let’s just say that not everyone has your best interests at heart, Athos.” “Not the worst advice I’ve ever gotten.” Right up there with don’t piss off someone holding a knife. That was not one of my best moments.

Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit. She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres. Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter. After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling. She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful. Fill me. The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence. Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems. For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms. Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat. And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.

Some people did stand out in her memory, one of them being Sir Grant Morgan's wife, Lady Victoria. Having long been curious about what kind of woman would wed the intimidating giant, Sophia was surprised to discover that his wife was quite small of stature. Lady Victoria was also one of the most spectacularly beautiful women Sophia had ever seen, with a voluptuous figure, a profusion of vivid red hair, and a vivacious smile. "Lady Sophia," the petite red-haired woman said warmly, "no words can express how thrilled we are that Sir Ross has finally married. Only a remarkable woman could have enticed him away from widowerhood." Sophia returned her smile. "The advantage of the match is entirely mine, I assure you." Sir Grant interceded, his green eyes twinkling warmly. He seemed far different from when he was at Bow Street, and Sophia observed that he basked in the presence of his wife as a cat would in sunshine. "I beg to disagree, my lady," he told Sophia. "The match holds many advantages for Sir Ross- which is obvious to all who know him." "Indeed," Lady Victoria added thoughtfully, her gaze finding Ross's dark form as he stood in a separate receiving line. "I've never seen him look so well. In fact, this may be the first time I've ever seen him smile." "And his face didn't even crack," Morgan commented. "Grant," his wife scolded beneath her breath. Sophia laughed. Morgan winked at her and drew his wife away.

For some, writing a simple list of goals works well. For others, it is much more effective to have a visual picture of their goal to refer to. For instance, a disorganized kid who wants to keep a clean desk might take a picture of his desk when it’s straightened up. He labels the picture, noting where the pens, pencils, paper, and homework go. When he next needs to clean his desk, he can look at the picture and match it. The same thing goes for getting ready for school. If he agrees that he wants to make getting ready for school a less painful process, he can refer to a picture of himself fully ready for the day with his coat on, hair brushed, holding his backpack and his lunchbox. If he can see what he’s after, he is more likely to make it happen. This technique can also be useful for teens who don’t organize themselves well because matching a picture places fewer demands on working memory than reading from a checklist.

There was a reason to it all,' she said. 'What reason?' he said. 'How could there be a reason? You died. You were forty-seven. You were the best person any of us knew, and you died and lost everything. And I lost everything. I lost the only woman I ever loved.' She took his hands. 'No, you didn't. I was right here. And you loved me anyway. Lost love is still love, Eddie. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken, another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it. Life has to end,' she said. 'Love doesn't.

Lost love is still love, Eddie. It takes a different form, that’s all. You can’t see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken, another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.

Aging with all my self. To my younger self, I'm not twenty-something anymore, and in just a month's time I shall walk into another decade of a whole new experience. I don't have youth on my side, but I have a heart of Life enlightened with the very spirit of Life itself, something that draws youth on its lap. Wisdom has been churned out from the mistakes and failures, and lessons have been disguised as soul fillers, and gratitude dances on my lips, waving my heart with a bunch of memories. Perhaps, the memories have been earned. Earned at the cost of those lost turns, cold betrayals, numb tears, forced smiles and a voyage walking through a rainbow of mad jest of Life. With that being said, I wouldn't go back and change even a bit. Through all of that heartache, I have unearthed a heart that is resilient, and pliant, I have met a soul that is strong and loving, and deeper than any thousand paged novel I could get lost in. I have come across beautiful souls in beautiful lands, I have soaked in different cultures and walked my way through observing hearts, listening to stories that run beyond time and tide. I have grown with each one of those smiles and tears, the sands of places that mark my soles make my soul whole in a strange but palpable tune. I have got lost in pathways and met a gypsy soul wandering in the space of infinite time, weaving moments through Life to take back a bunch of images and experiences from a journey called Life. My story has been filled with pages of ups and downs and my cup of Life has had several toxic turns, but in all of that, I have grown, along with one or two grey hair. My pages have often tasted Life in the most happy hue from voyages and dreams that kept overlapping and smiling across the tips of Time. And all of this, has helped me to nurture and nourish an invincible desire to live a life, with a passion no longer on hold, but a heart that is free forever to fly in the tunes of its own whisper. So as I open another day, walking closer to close the page of this twenty-something, I wear a smile that the youth of wisdom paints on my heart. And age, with all the grace that only Age can bring, while loving, forgiving and embracing my younger self in every air of Time. Love, a soul aging gracefully with the Smile of Life.

Any memories of other women were banished permanently from his mind... there was only Evie, her red hair streaming and curling over his stomach and thighs, her playful fingers and frolicsome mouth causing him an agony of pleasure like nothing he had ever felt before. When he could no longer hold back his groans, she climbed over him carefully, straddling him, crawling up his body slowly like a sun-warmed lioness. He had one glimpse of her flushed face before she sought his mouth with teasing, sucking kisses. The rosy tips of her breasts dragged through the hair on his chest... she rubbed herself against him, purring with satisfaction at the hard warmth of the male body beneath her. His breath snagged in his throat as he felt her hand slip between their hips. He was so aroused that she had to gently pull his sex away from his stomach before she could fit it between her thighs. The crisp red curls of her mound tickled his exquisitely sensitive skin as she guided him between the hot folds of her body. "No," Sebastian managed, recalling the bet. "Not now. Evie, no---" "Oh, stop protesting. I didn't make nearly this much of a fuss after our wedding, and I was a virgin." "But I don't want---oh God. Holy Mother of God---" She had pushed the head of his sex into her entrance, the sweet flesh so snug and soft that it took his breath away. Evie writhed a little, her hand still grasping the length of his organ as she tried to guide him deeper. Seeing the difficulty she was having in accommodating him caused him to swell even harder, his entire body flushed with prickling excitement. And then came the slow, miraculous slide, hardness within softness. Sebastian's head fell back to the pillow, his eyes drowsy with intense desire as he stared up into her face. Evie made a little satisfied hum in her throat, her eyes tightly closed as she concentrated on taking him deeper. She moved carefully, too inexperienced to find or sustain a rhythm. Sebastian had always been relatively quiet in his passion, but as her lush body lifted and settled, deepening his penetration, and his cock was gripped and stroked by her wet depths, he heard himself muttering endearments, pleas, sex words, love words. Somehow he coaxed her to lean farther over him, resting more of her body against his, adjusting the angle between them. Evie resisted briefly, fearing she would hurt him, but he took her head in his hands. "Yes," he whispered shakily. "Do it this way. Sweetheart. Move on me... yes..." As Evie felt the difference in their position, the increased friction against the tingling peak of her sex, her eyes widened. "Oh," she breathed, and then inhaled sharply. "Oh, that's so---" She broke off as he set a rhythm, nudging deeper, filling her with steady strokes. The entire world dwindled to the place where he invaded her, their most sensitive flesh joined. Evie's long auburn lashes lowered to her cheeks, concealing her unfocused gaze. Sebastian watched a pink flush creep over her face. He was suspended in wonder, suffused with vehement tenderness as he used his body to pleasure hers. "Kiss me," he said in a guttural whisper, and guided her swollen lips to his, slowly ravishing her mouth with his tongue. She sobbed and shuddered with release, her hips bearing greedily against his as she took his full length. The rim of her sex clamped tightly around him, and Sebastian gave himself up to the squeezing, enticing, pulsing flesh, letting her pull the ecstasy from him in great voluptuous surges. As she relaxed over him, trying to catch her breath, he drew his hands over her damp back, his fingertips gently inquiring as they traveled to the plump curve of her bottom. To his delight, she squirmed and tightened around him in helpless response. If he had his usual strength... oh, the things he would have done to her...

Time froze, every detail searing itself into memory. Loren’s tie tack was a little crooked, and the gel that kept his blonde hair immaculate was losing its hold. He didn’t look as though he’d just held a long, suspicious meeting so much as just awakened from a nap. In any other context, Buster might have found it funny, but here, in an empty conference room, with the sudden fluorescent lights stabbing at his eyes, the effect was terrifying. Any words he could have knitted together fled for the dark corners of the room, hiding under his spilled papers, in the spaces between the furniture and the floorboards, behind the heavy maroon drapes at the windows. He opened his mouth anyway, and even the start of a stammer died in his throat as his breath stalled out.

Her feet moved into the vast space, but all she could see was Cyrus. He strode through the room the way a captain commands his ship. Was it possible his maroon bruise made him more dashing? He was a fine sight in a black broadcloth coat. Her salacious gaze dropped to a brass button lower on his waistcoat. The metal glimmered, winking at her with flirtatious intent very near the tuft of hair she remembered so well at his navel. The corner of Cyrus’s mouth crooked. If she looked ready to devour him, he read the message on her face, no words required. “Claire.” He said her name like a treasured sound. Then, her landlord bent low over her hand, kissing her knuckles and keeping her fingers in a tender hold. Her flesh sung a merry tune recalling how she’d gripped those broad shoulders of his in a fit of passion. Was that only two nights ago? Her cheeks turned hot at the memory. Cyrus rose to his full height, holding her hand. He planted a kiss on her forehead. “Mmmm…” he hummed approvingly. “You smell of almonds.” His lips lingered on her hairline, giving her another soft kiss. “And vanilla, I think. Something you cooked?” He breathed in her scent, standing close yet not intimidating in the least. His own smell was clean and starched with a hint of coffee. She reached high, touching his face like a woman with every right to partake of the feast he offered. “It’s face powder.” One finger stroked the smooth square of his jaw, her voice curving with amusement. “Today I join the ranks of ladies who meet for luncheon, and I can’t be sure if I’ve been lured here or goaded by one very challenging man put on earth to harass my senses.” She caressed his jaw, the grain of his skin smooth to the touch. He must’ve shaved in the last hour. His mouth quirked sideways, pressing the maroon bruise higher up his cheek. “Something tells me you’re the perfect woman to soothe such a man or put him in his place.” His pewter stare flicked over her exposed skin, settling on her cleavage. “As to your senses, I shall treat them with the utmost care.

Tussy’s announcement that she was double-brained was coincident with the time of her first conscious memory:   My earliest recollection . . . is when I was about three years old and Mohr . . . was carrying me on his shoulders round our small garden in Grafton Terrace, and putting convolvulus flowers in my brown curls. Mohr was admittedly a splendid horse.29   Putting Marx in harness was a family tradition. Tussy ‘heard tell’ that at Dean Street, Jenny, Laura and her dead brother Edgar would yoke Mohr to chairs which the three of them mounted as their carriage, and make him pull. As the youngest and a later arrival, Tussy got her own mount and his dedicated attention:   Personally – perhaps because I had no sisters of my own age – I preferred Mohr as a riding-horse. Seated on his shoulder holding tight by his great mane of hair, then black, but with a hint of grey, I have had magnificent rides round our little garden and over the fields . . . that surrounded our house at Grafton Terrace.30   Severe whooping cough in the winter of 1858 gave Tussy opportunity to assume dominion of the household: ‘The whole family became my bond slaves and I have heard that as usual in slavery there was general demoralisation.

We can contemplate the following poem on the sufferings of growing old, written by the scholar Gungtang:     When we are old, our hair becomes white,     But not because we have washed it clean;     It is a sign we shall soon encounter the Lord of Death.     We have wrinkles on our forehead,     But not because we have too much flesh;     It is a warning from the Lord of Death: ‘You are about to die.’     Our teeth fall out,     But not to make room for new ones;     It is a sign we shall soon lose the ability to eat human food.     Our faces are ugly and unpleasant,     But not because we are wearing masks;     It is a sign we have lost the mask of youth.     Our heads shake to and fro,     But not because we are in disagreement;     It is the Lord of Death striking our head with the stick he holds in his right hand.     We walk bent and gazing at the ground,     But not because we are searching for lost needles;     It is a sign we are searching for our lost beauty and memories.     We get up from the ground using all four limbs,     But not because we are imitating animals;     It is a sign our legs are too weak to support our bodies.     We sit down as if we had suddenly fallen,     But not because we are angry;     It is a sign our body has lost its strength.     Our body sways as we walk,     But not because we think we are important;     It is a sign our legs cannot carry our body.     Our hands shake,     But not because they are itching to steal;     It is a sign the Lord of Death’s itchy fingers are stealing our possessions.     We eat very little,     But not because we are miserly;     It is a sign we cannot digest our food.     We wheeze frequently,     But not because we are whispering mantras to the sick;     It is a sign our breathing will soon disappear.

out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie

Smiling to myself, I pictured our family one sunny afternoon last fall. It had been a warm day, and we were on our way to the city aquarium. Dad had the car windows rolled down, and I recalled the feel of the wind in my hair and the scent of Mom’s perfume wafting from the seat in front of me. Mom and Dad were chatting and I was scrolling through my Instagram feed. But the moment the song sounded on the radio, I squealed. “Turn it up!” I said, leaning forward in my seat, enough that the belt tightened across my chest. As soon as Dad reached over and turned the knob, I started singing the lyrics aloud. Both Mom and Dad joined in. With the wind in my hair and the music filling the car, a warmth had filled my insides, almost as if I were wrapped in my favorite fuzzy blanket. The memory was fresh in my mind and I could still see Mom’s head bob up and down as she sang while Dad tapped his fingers on the steering wheel. “Come on, Dad!” I said, giggling. “Sing with us.” He glanced over his shoulder at me. “I’m waiting for my favorite part. I don’t want to stretch my singing muscles.” “What singing muscles?” Mom smiled at him. He put a finger in the air for her to wait. “Here we go.” When the chorus of the song began, Dad screeched out the lyrics in a really high voice. He was trying to mimic the singer’s voice but he wasn’t even close and the sound he made was terrible. I burst out laughing. He ignored me and continued to sing, all the while, waving a hand through the air with wide flourishes, as if conducting an orchestra. He tilted his head back and belted out the high notes. When we pulled up at a red traffic light and the car slowed to a stop, Dad was oblivious of the carload of people alongside us watching him. The passengers of the other car had their windows open too and I stared at them in horror. Their eyes were glued to Dad and they shook their heads and rolled their eyes. “Dad!” I called to him. “Those people are watching you.” But he didn’t hear me and continued to sing. I sank into my seat, my cheeks flushing. He finally realized he had an audience but instead of being embarrassed, he waved to them. “Hello, there!” he said. “Did you enjoy my singing?” The light turned green, and the carload of people cracked up laughing as their car lurched forward in their hurry to escape the weird man in the car next to theirs. Dad shrugged. “I guess not.’ Mom and I burst out laughing too, unable to hold it in any longer. Dad waved a dismissive hand. “They wouldn’t know good music if it hit them in the face.” Tears sprang from my eyes because I was laughing so hard. My dad could be so embarrassing sometimes, but that day, it didn’t bother me at all. Dad had always managed to make me laugh at the silliest things. He had a way of making me feel happy, regardless of what mood I was in. Deep down I thought he was a really cool dad. My friends thought so too. He wasn’t boring and super strict like their dads. He was fun to be around and everyone loved him for it, including my friends. Our little family was perfect, and I wouldn’t have changed it for the world.

I’m sorry. I didn’t intend to do anything but go for a short walk. When I heard him, I felt the need to make certain he was all right. I didn’t know, Mikhail, that I was seeking human company.” “I do not blame you, little one, never that.” His voice was so gentle, it turned her heart over. “I can easily read your memories. I know of your intent. And I would never blame you for your compassionate nature.” “I guess we both have difficulties to contend with,” she said softly. “I can’t be what you want me to be, Mikhail. You use the word ‘human’ like a curse, something less than what you are. Did it ever occur to you that you’re prejudiced against my race? Carpathian blood may flow in my veins, but in my heart and my mind I’m human. I didn’t set out to betray you. I went for a walk. That’s all I did. I’m sorry, Mikhail, but all my life I’ve known freedom. Changing my blood is not going to change who I am.” He paced across the floor with quick, fluid energy, all power and coordination. “I am not prejudiced,” he denied. “Of course you are. You view my race with a measure of contempt. Would you have been happy if I had fed, using Romanov’s blood? Is that acceptable? To use him for food, but not for a few friendly words?” “I do not like this picture you paint of me, Raven.” Mikhail crossed the room to hold out his hand for the cape. The bedchamber was warm and smelled of nature--wood and meadow. Reluctantly Raven slipped the cape from her shoulders. Mikhail frowned when he saw that she was clad only in his crisp white shirt. Although the tails reached her knees and covered her bottom, a generous portion of her thighs was exposed, right up to her hips. The effect was incredibly sexy, with her long, wild mane of hair cascading in waves down to the bed, framing her slender form. “O köd belső--darkness take it,” Mikhail swore softly, a few choice words in his own language, thankful he hadn’t realized she was wearing nothing but his shirt beneath his cape.

I’ve never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother’s eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me. No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave? Still less could I be afraid of those ghosts who touch my thoughts in passing. Any library is filled with them. I can take a book from dusty shelves, and be haunted by the thoughts of one long dead, still lively as ever in their winding sheet of words. Of course it isn’t these homely and accustomed ghosts that trouble sleep and curdle wakefulness. Look back, hold a torch to light the recesses of the dark. Listen to the footsteps that echo behind, when you walk alone. All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our ghosts; we haunt ourselves. Each ghost comes unbidden from the misty grounds of dream and silence. Our rational minds say, “No, it isn’t.” But another part, an older part, echoes always softly in the dark, “Yes, but it could be.” We come and go from mystery and, in between, we try to forget. But a breeze passing in a still room stirs my hair now and then in soft affection. I think it is my mother. PART ONE