Hair Extensions Quotes

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Right from the start Abigail used to moan and fidget as her hair was relaxed or braided or thermally reconditioned, but her dad was determined that his child wasn’t going to embarrass him in public. That all stopped when Abigail turned eleven and calmly announced that she had ChildLine on speed‑dial and the next person who came near her with a hair extension, chemical straightener, or, God forbid, a hot comb, was going to end up explaining their actions to Social Services.
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
I have just come from the East End,” he said. “Something about the stories disturbed me, for more than the obvious reasons. I went there to have a look about for myself. And what happened last night proves my theory. There have been many murders recently—all of women, women who . . .” “Prostitutes,” Tessa said. “Quite,” Gabriel said. “Tessa has such an extensive vocabulary,” Will said. “It is one of the most attractive things about her. Shame about yours, Gabriel.” “Will, listen to me.” Gabriel allowed himself a long sigh. “Spoon!” James said, running at his uncle Gabriel and jabbing him in the thigh. Gabriel mussed the boy’s hair affectionately. “You’re such a good boy,” he said. “I often wonder how you could possibly be Will’s.” “Spoon,” James said, leaning against his uncle’s leg lovingly. “No, Jamie,” Will urged. “Your honorable father has been impugned. Attack, attack!
Cassandra Clare (Tales from the Shadowhunter Academy)
Over the years our mother has beaten us with belts, shoes, rulers, extension cords, hair brushes, a wooden spoon, a fly swatter, a toilet brush, wire coat hangers, wooden coat hangers and sometimes one of our own toys. When you get whacked by your own paddleball paddle or you have to watch your sister getting spanked with a badminton racquet that she asked Santa Claus (AKA Grandma) to bring, you don't feel much like playing with those things ever again.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
There is no such thing as being just a girl. You are a goddess, an extension of beauty and intellect itself. Within you funnels the true power of all, and under those pretty little hairs is a mind far more vast than any man could understand...
Robinson Pyles (Zarina's awakening)
stealing things. I should preface this by saying I was an only child—a precocious one at that. I also said I was going to live on the moon, invent glow-in-the-dark hair extensions,
Jodi Picoult (Where There's Smoke)
Calling Mackenzie a "mean girl" is an understatement. She's a GRIZZLY BEAR with a French manicure and blonde hair extensions
Rachel Renée Russell (Tales from a Not-So-Graceful Ice Princess (Dork Diaries, #4))
Leonard is far and away my least favorite relative, and I have no clue why I call him one night, collect, very late, and give him an involved and scrupulously fair edition of the whole story. We end up arguing. Leonard maintains that I am just like our mother and suffer from an unhappy and basically silly desire to be perfect; I sat that this has nothing constructive to do with anything I've said, and furthermore I fail to see what's so bad about wishing to be perfect, since being perfect would be...well, perfect. Leonard invites me to think about how boring it would be to be perfect. I defer to Leonard's extensive and hard-earned knowledge about being boring, but do point out that since being boring is an imperfection, it would by definition be impossible for a perfect person to be boring. Leonard says I've always enjoyed playing games with words in order to dodge the real meanings of things; this segues with suspicious neatness into my intuitions about the impending death of lexical utterance, and I'm afraid I indulge myself for several minutes before I realize that one of us has severed the connection. I curse Leonard's pipe, and his wife with a face like the rind of a ham.
David Foster Wallace (Girl With Curious Hair)
Our ancestors say: Our hair is our memories. Our source of strength. An extension of us.
Carole Lindstrom (My Powerful Hair)
His son Peter Bucky happily spent time driving Einstein around, and he later wrote down some of his recollections in extensive notebooks. They provide a delightful picture of the mildly eccentric but deeply un-affected Einstein in his later years. Peter tells, for example, of driving in his convertible with Einstein when it suddenly started to rain. Einstein pulled off his hat and put it under his coat. When Peter looked quizzical, Einstein explained: “You see, my hair has withstood water many times before, but I don’t know how many times my hat can.
Walter Isaacson (Einstein: His Life and Universe)
There she was. Her golden hair shone as she wove in and out of a knot of three guards, her sword little more than a steel extension of her hand. She didn’t balk at the guards as she dodged and twirled around them.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.
Hernan Diaz (In the Distance)
Last and crowning torture of all the tortures of that awful place is the eternity of hell. Eternity! O, dread and dire word. Eternity! What mind of man can understand it? And remember, it is an eternity of pain. Even though the pain of hell were not so terrible as they are, yet they would become infinite, as they are destined to last for ever. But while they are everlasting they are at the some times, as you know, intolerably intense, unbearably extensive. To bear even the sting of an insect for all eternity would be a dreadful torment. What must it be, then, to bear the manifold tortures of hell for ever? For ever! For all eternity! Not for a year or for an age but for ever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny little grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplies as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many million upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been all carried away, and i f the bird came again and carried it all away again grain by grain, and if it sop rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals, at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time the mere thought of which makes our very brain reel dizzily, eternity would scarcely have begun.
James Joyce (A Portrait of the Artist as a Young Man)
Isaiah told him what he’d found on the Ruby’s Real Beauty website. Ruby’s stocked the largest, most complete inventory of human hair extensions in the South Bay area. The most highly prized were Virgin Remy. “Virgin because the girl still had her cherry?” Dodson said. “No. Virgin because the hair wasn’t chemically treated,” Isaiah said. “What’s Remy mean?” “It means the hair was carefully cut so the cuticles and roots stayed in the same direction. Otherwise, they mow it down like weeds and throw it in a bin.” Isaiah
Joe Ide (IQ)
I don't want them to think that we dress like savages,' she replied, with a scorn that Pocahontas might have resented; and he was struck again by the religious reverence of even the most unworldly American women for the social advantages of dress. 'It's their armour,' he thought, 'their defence against the unknown, and their defiance of it.' And he understood for the first time the earnestness with which May, who was incapable of tying a ribbon in her hair to charm him, had gone through the solemn rite of selecting and ordering her extensive wardrobe.
Edith Wharton
However, if you do want to proceed to seduce a woman, the most effective way to do so is to tell her what she wants to hear. Women already realize this fact, as they fix themselves up to show what men want to see by dying their hair, getting hair extensions, applying makeup, wearing fake fingernails, and wearing high heels. They may also go to extremes by getting breast implants, plastic surgery, and Botox. They do all that and much more to appear more attractive to men, and it is completely acceptable and often appreciated, as long as it is done in moderation.
W. Anton (The Manual: What Women Want and How to Give It to Them)
No one, certainly no woman, is allowed to question his femaleness. Men who adopt femininity may believe that they are achieving femaleness, but femaleness is a tougher destiny than they can know or guess. Femaleness is demanding and painful, whether at menarche, menstruation, childbed or menopause, and born women have no choice but to deal with it. Painted faces, depilated bodies, hair extensions and pumped up tits are available to all human beings. Femininity is a de-sexed masquerade. Men can be as good at it and better than women, but that does not make them women.
Ruth Barrett (Female Erasure: What You Need to Know About Gender Politics' War on Women, the Female Sex and Human Rights)
It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush. Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anytging Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.
Amy Ewing
It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush.  Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anything Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.” 
Amy Ewing
Native/Indigenous Peoples believe that hair holds strength and power. Some tribes may be different in how they wear their hair and the specific traditions they honor, but a common thread across many Indigenous cultures is the importance of hair. Hair is a physical manifestation of the spirit. Cutting, burying, and burning hair carries strong significance and meaning. In some tribes, it is a tradition to cut your hair and bury it with a loved one for them to bring energies along on their spirit journey. Hair is an extension of Native Peoples and holds dreams, memories, joys, trials, tribulations, and triumphs. Hair is a living "scrapbook" always carried with us, giving strength and courage.
Carole Lindstrom (My Powerful Hair)
That’s one of the harsh realities I learned early on about the modeling industry: ultimately, your body doesn’t really belong to you. It belongs to the client. Since they’re paying, they figure they can do pretty much whatever they want to you. They can curl your hair, straighten it, dye it, cut it –even shave it. I’ve seen hair extensions being pulled out by the roots and smoke billowing out of flat irons while the hair inside gets singed and fried. I’ve watched models squeeze their feet into shoes so small their feet literally bled, and I’ve seen false eyelashes torn off so quickly that the natural lashes came off with them. Modeling may look glamorous on the outside, but believe me, beauty can be an ugly business.
Kylie Bisutti (I'm No Angel: From Victoria's Secret Model to Role Model)
And they spoke of their Antigonie, who they called Go, as if she were a friend. Leo hadn't yet written any music, but he had made drawings on butcher paper stolen from the kitchen. They curled around his walls, intricate doodles, extensions of the boy's own lean, slight body. The shape of Leo's jaw in profile, devestating. The way he gnawed his fingernails to the crescents, the fine shining hairs down the center of his nape, the smell of him, up close, pure and clean, bleaching. The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone. The weather conspired. Snow fell softly in the windows. It was too cold to be out for long. The world colorless, a dreamscape, a blank page, the linger of woodsmoke on the back of the tongue.
Lauren Groff (Fates and Furies)
The man was actually still a youth. He had a light mustache and beard encircling his chin, more yellow than brown. His cheeks were rosy, his eyes blue. You couldn't tell the color of his hair since it was completely covered by a bowl shaped leather helmet made of such a firm solid material that even a rather strong sword's blow couldn't penetrate it. It rested on his head gathering all his hair inside; over his ears and toward the back was an extension to ward off a blow to the neck.
Adalbert Stifter (Witiko)
His thumb rubbed over her knee, and Priss wondered if he was aware of doing it, if he did it on purpose to turn her on, or if it was extension of the thoughts she saw flickering across his face. “Trace . . .” “It occurs to me that I didn’t see a single freckle on you. Not on your face.” He gave her a quick, level look. “And not on your body.” “Yeah, so?” “That’s kind of curious, don’t you think, given the color of your hair?” Priss lifted his hand and dropped it over next to him. “Okay, first off, hands to yourself. Got it?” He said nothing, but she saw the corner of his mouth tilt up in the slightest of smiles. “Secondly, did you happen to notice that my brows and lashes are a darker brown without a hint of red?” “Meaning?” “Meaning I’m not like other redheads who are . . .” Her face heated. “Red all over.” “Yeah?” He glanced at her lap meaningfully. “Do tell.” Priss punched him in the shoulder. “I don’t like what you’re thinking.” “You don’t know what I’m thinking.” And with another provoking grin, “Do you?” Like she’d say it out loud? No way. Priss crossed her arms. “If you were hinting that you think I dye my hair, I don’t. Everything on me is natural.” “We’ll see.” “No, we will not see a damn thing!” Under his breath, Trace said, “I damn near saw today. If I’d moved a foot closer for a better look—” “Stop it!” Priss felt heat throbbing in her face, and she hated it. “And that reminds me. I want you to delete that damned picture.” “Not a chance. Seeing you in that getup was a trophy moment for me.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
But remember 2003, though, when girls wore those miniskirts that were like six floaty napkins stapled to a scrunchie, with perhaps an Edwardian waistcoat sewn of cobwebs as a top? Where at any moment a baby’s sneeze across campus might expose Kaylee’s entire bunghole and even the slouchy Western belt she wore over her three layers of different-colored camisoles couldn’t save her? In case you’ve repressed the memory, 2003 was the kind of year where Jessica Simpson might wear rubber flip-flops to the Golden Globes, and Nicole Richie was nearly elected president on a platform of “straight blonde hair on top, long curly dark brown extensions underneath, one feather.” The 2003 vibe—culturally, socially, politically, spiritually—was very “energy drink commercial directed by Mark McGrath, and not Mark McGrath in his prime, either.” Millions of Americans were forced to mourn Mr. Rogers while wearing a hot-pink corduroy train conductor’s hat. Never again! Bad Boys II is a 2003 movie.
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
He glanced sidelong at me, then looked down a bit sheepishly. “Well, it’s—ah, it’s only that I didna want to take my shirt off before Alec.” “Modest, are you?” I asked dryly, making him raise his arm to test the extension of the joint. He winced slightly at the movement, but smiled at the remark. “If I were, I should hardly be sittin’ half-naked in your chamber, should I? No, it’s the marks on my back.” Seeing my raised eyebrows, he went on to explain. “Alec knows who I am—I mean, he’s heard I was flogged, but he’s not seen it. And to know something like that is no the same as seein’ it wi’ your own eyes.” He felt the sore shoulder tentatively, eyes turned away. He frowned at the floor. “It’s—maybe you’ll not know what I mean. But when you know a man’s suffered some harm, it’s only one of the things you know about him, and it doesna make much difference to how ye see him. Alec knows I’ve been flogged, like he knows I’ve red hair, and it doesna matter to how he treats me.” He looked up then, searching for some sign of understanding from me. “But when you see it yourself, it’s like”—he hesitated, looking for words—“it’s a bit … personal, maybe, is what I mean. I think … if he were to see the scars, he couldna see me anymore without thinking of my back. And I’d be able to see him thinking of it, and that would make me remember it, and—” He broke off, shrugging.
Diana Gabaldon (Outlander (Outlander, #1))
He collapsed half on top of her, too wrung out to move, his lungs working like bellows, his heart thundering, pounding. Gradually, it slowed. Sensation, muted awareness returned, enough to register the gentle stroking of her hand, the soothing touch calming, strangely claiming. He wanted to find his sophisticated armor and put it back on-before he faced her, before she saw... Before he could move, she did; turning her head to his, pushing back the damp hair from the side of his face, she touched her lips to his jaw, then, her lips curving sleepily, touched those swollen lips to the corner of his. "Thank you." The words were a sigh, the softest of feminine exhalations. "That was...thrilling. And...so very fine." He nearly humphed. Fine? The intensity had damned hear killed him, and she labeled the moment "fine?" She fell back, fully relaxed on her back in the bed. After a moment, he turned his head and looked at her. Studied the madonnalike expression that had claimed her face, the bliss that infused her features. He filled his lungs, then managed to summon sufficient strength to disengage and lift from her. Slumping on his back alongside her, he stared up at the ceiling, but there were no hints or clues written there. For the first time in his extensive career, he didn't feel, even now, in control. He felt...exposed. Uncertain. Not his usual polished, urbane, somewhat boredly smug self. Yet he was the one who was supposedly used to this, accustomed to all the nuances. Who knew all the appropriate moves to make, and when to make them. She...he glanced at her again, at her face. Hesitated, then gave into impulse and reached for her. Drawing her to him, he pulled the covers over them, then settled her against them, cradled within his arm, her head pillowed on his chest. She made a humming sound, then her limbs eased against him. He dipped his head, placed a kiss on her forehead. "Sleep." He felt her lips curve, but she didn't reply. Instead she slid her hand up, curling her fingers against the side of his throat, and relaxed into his arms. Inexplicably satisfied now as well as sated, he closed his eyes. And found slumber waiting, dreamless and deep.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
While the following tragedy may be revolting to read, it must not be forgotten that the existence of it is far more revolting. In Devonshire Place, Lisson Grove, a short while back died an old woman of seventy-five years of age. At the inquest the coroner's officer stated that all he found in the room was a lot of old rags covered with vermin. He had got himself smothered with the vermin. The room was in a shocking condition, and he had never seen anything like it. Everything was absolutely covered with vermin.' The doctor said: 'He found deceased lying across the fender on her back. She had one garment and her stockings on. The body was quite alive with vermin, and all the clothes in the room were absolutely gray with insects. Deceased was very badly nourished and was very emaciated. She had extensive sores on her legs, and her stockings were adherent to those sores. The sores were the result of vermin. Over her bony chest leaped and rolled hundreds, thousands, myriads of vermin.' A man present at the inquest wrote; 'I had the evil fortune to see the body of the unfortunate woman as it lay in the mortuary; and even now the memory of that gruesome sight makes me shudder. There she lay in the mortuary shell, so starved and emaciated that she was a mere bundle of skin and bones. Her hair, which was matted with filth, was simply a nest of vermin. If it is not good for your mother and my mother so to die, then it is not good for this woman, whosoever's mother she might be, so to die. Bishop Wilkinson, who has lived in Zululand, recently said, 'No headman of an African village would allow such a promiscuous mixing of young men and women, boys and girls.' He had reference to the children of the overcrowded folk, who at five have nothing to learn and much to unlearn which they will never unlearn. It is notorious that here in the Ghetto the houses of the poor are greater profit earners than the mansions of the rich. Not only does the poor worker have to live like a beast, but he pays proportionately more for it than does the rich man for his spacious comfort. A class of house-sweaters has been made possible by the competition of the poor for houses. There are more people than there is room, and numbers are in the workhouse because they cannot find shelter elsewhere. Not only are houses let, but they are sublet, and sub-sublet down to the very rooms.
Jack London (The People of the Abyss)
On Mr. Phipps' discovering the place of my concealment, he cocked his gun and aimed at me. I requested him not to shoot and I would give up, upon which he demanded my sword. I delivered it to him, and he brought me to prison. During the time I was pursued, I had many hair breadth escapes, which your time will not permit you to relate. I am here loaded with chains, and willing to suffer the fate that awaits me. I here proceeded to make some inquiries of him after assuring him of the certain death that awaited him, and that concealment would only bring destruction on the innocent as well as guilty, of his own color, if he knew of any extensive or concerted plan. His answer was, I do not. When I questioned him as to the insurrection in North Carolina happening about the same time, he denied any knowledge of it; and when I looked him in the face as though I would search his inmost thoughts, he replied, 'I see sir, you doubt my word; but can you not think the same ideas, and strange appearances about this time in the heaven's might prompt others, as well as myself, to this undertaking.' I now had much conversation with and asked him many questions, having forborne to do so previously, except in the cases noted in parenthesis; but during his statement, I had, unnoticed by him, taken notes as to some particular circumstances, and having the advantage of his statement before me in writing, on the evening of the third day that I had been with him, I began a cross examination, and found his statement corroborated by every circumstance coming within my own knowledge or the confessions of others whom had been either killed or executed, and whom he had not seen nor had any knowledge since 22d of August last, he expressed himself fully satisfied as to the impracticability of his attempt. It has been said he was ignorant and cowardly, and that his object was to murder and rob for the purpose of obtaining money to make his escape. It is notorious, that he was never known to have a dollar in his life; to swear an oath, or drink a drop of spirits. As to his ignorance, he certainly never had the advantages of education, but he can read and write, (it was taught him by his parents,) and for natural intelligence and quickness of apprehension, is surpassed by few men I have ever seen. As to his being a coward, his reason as given for not resisting Mr. Phipps, shews the decision of his character. When he saw Mr. Phipps present his gun, he said he knew it was impossible for him to escape as the woods were full of men; he therefore thought it was better to surrender, and trust to fortune for his escape. He is a complete fanatic, or plays his part most admirably. On other subjects he possesses an uncommon share of intelligence, with a mind capable of attaining any thing; but warped and perverted by the influence of early impressions. He is below the ordinary stature, though strong and active, having the true negro face, every feature of which is strongly marked. I shall not attempt to describe the effect of his narrative, as told and commented on by himself, in the condemned hole of the prison. The calm, deliberate composure with which he spoke of his late deeds and intentions, the expression of his fiend-like face when excited by enthusiasm, still bearing the stains of the blood of helpless innocence about him; clothed with rags and covered with chains; yet daring to raise his manacled hands to heaven, with a spirit soaring above the attributes of man; I looked on him and my blood curdled in my veins.
Nat Turner (The Confessions of Nat Turner)