Hair Bun Quotes

We've searched our database for all the quotes and captions related to Hair Bun. Here they are! All 100 of them:

I leaned back, studying her as she finished my bun. A bit of icing covered her lip. Her nose was still red from the cold, her hair wild and windblown. My little heathen.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
Dinnertime!" It was Isabelle, standing framed in the door of the library. She still had the spoon in her hand, though her hair had escaped from its bun and was straggling down her neck. "Sorry if I'm interrupting," she added, as an afterthought. "Dear God," said Jace, "the dread hour is nigh." Hodge looked alarmed. "I—I—I had a very filling breakfast," he stammered. "I mean lunch. A filling lunch. I couldn't possibly eat—" "I threw out the soup," Isabelle said. "And ordered Chinese from that place downtown." Jace unhitched himself from the desk and stretched. "Great. I'm starved." "I might be able to eat a bite," admitted Hodge meekly.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
She ripped the wild bun down from the crown of her head, and then brushed her long hair with her fingers. I couldn’t stop staring while she rewrapped it and tied it back again. I imagined that this was what she looked like in the morning, and then had to think about the first ten minutes of Saving Private Ryan to keep my dick from getting hard.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Sometimes parents don't find what they're looking for it their child, so they plant seeds for what they'd like to grow there instead. I've witnessed this with the former hockey player who takes his son out to skate before he can even walk. Or in the mother who gave up her ballet dreams when she married, but now scrapes her daughter's hair into a bun and watched from the wings of the stage. We are not, as you'd expect, orchestrating their lives; we are not even trying for a second chance. We are hoping that if this one thing takes root, it might take up enough light and space to keep something else from developing in our children: the disappointment we've already lived.
Jodi Picoult (Vanishing Acts)
Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek." I smiled my best smile of the day. "Hello Auri," I said. "You smell like a pretty young girl." "I do," she agreed happily. She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked. "What did you bring me?" I countered. She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce." "It's a clever lettuce then." "Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater. I unwrapped my bundle. "I brought you some potatoes, half a squash, and a bottle of beer that thinks it is a loaf of bread." "What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back "It knows it's a squash," I said. "But it's pretending to be the setting sun." "And the potatoes?" she asked. "They're sleeping," I said. "And cold, I'm afraid." She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I room with Louisa. Louisa is older and her hair is like a red-and-gold noisy ocean down her back. There's so much of it, she can't even keep it in with braids or buns or scrunchies. Her hair smells like strawberries; she smells better than any girl I've ever known. I could breathe her in forever. My first night here, when she lifted her blouse to change for bed, in the moment before that crazy hair fell over her body like a protective cape, I saw them, all of them, and I sucked my breath in hard. She said, "Don't be scared, little one." I wasn't scared. I'd just never seen a girl with skin like mine.
Kathleen Glasgow (Girl in Pieces)
When you’re not around, even for a little while, I feel like I have to go find you. I just feel this pull to be near you. I want to know what you’re thinking, and what you’re up to, and how you feel. I want to take you places and show you things. I want to memorize you—to learn you like a song. And that nightgown, and the way you get so cranky when I leave my stuff all over the place, and the way you tie your hair back in that crazy bun. You make me laugh every single day—and nobody makes me laugh. I feel like I’ve been lost all my life until now—and somehow with you I’m just … found.
Katherine Center (The Bodyguard)
We match each other stroke for stroke until I get a hit on her right arm. She tries to switch sword arms, but I jab my scim at her wrist faster than she can parry. Her scim goes flying, and I tackle her. Her white-blonde hair tumbles free of her bun. “Surrender!” I pin her down at the wrists, but she trashes and rips one arm free, scrabbling for a dagger at her waist. Steel stabs at my ribs, and seconds later, I am on my back with a blade at my throat. “Ha!” She leans down, her hair falling around us like a shimmering silver curtain.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Her hair had been going gray as long as he could remember; she bundled it behind in a bun held with hairpins that he frequently found on the floor when he lived boyishly close to the carpet.
John Updike (My Father's Tears and Other Stories)
Are you Darah, Renee or Taylor? You look like a Taylor to me," he said, looking me up and down. I wasn't at my best, considering I was dressed for moving heavy objects in a blue UMaine t-shirt and black soccer shorts, and I had my light brown hair in a haphazard bun against the back of my neck. His eyes raked up and down twice, and for some reason the way he assessed me made me blush and want to kick him in the balls at the same time. "There must be a mistake," I said. He adjusted his bag on his shoulder. "That's a creative name. What do you shorten it to? Missy?
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
And there was this sweet-looking little old lady with her white hair in a bun and everything, the typical grandmother type, and she was swearing her head off. I guess Alzheimer's had brought out her inner sailor.
Vivian Vande Velde (Remembering Raquel)
A hair has fallen loose from her bun and is dangling by the side of her face. Without a second thought, my hand rises and I brush my fingertips across her cheekbone, tucking the hair gently behind her ear. She sucks in a quick breath, her lips parting. She’s so damn pretty. Soft and sweet, but also vibrant and sharp. Is that how kissing her would taste?
Sarah Adams (The Cheat Sheet)
The porch light came on and Aunt B swung the door open. Middle-aged and stout, with graying hair rolled into a bun, she looked like she should be baking cookies, not ruling a brood of social deviants with a penchant for hysterical laughter and kinky sex.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
You know what I’m gonna do? I’m going to smoke two Marlboro Lights, brush my teeth, pull my hair into a chic/grungy little bun, put on my black shawl and a pair of Lanvin flats, walk down the hall to that smelly girl from Arizona’s room, steal ten Adderall from her stash, come back to my room, and write down all my life’s problems from start to finish.
Babe Walker (White Girl Problems)
What does she look like?” “Glasses,” I said. “Snobbish face. Usually has her hair in a bun.” “The glasses,” Grandpa Smedry said slowly. “Did they have… horn rims?” “Usually.” “Hyperventilating Hobbs!” he exclaimed. “A Librarian! Quickly, lad, we have to go! Get dressed; I’ll go steal some food from your foster parents!
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
Not only did Josh know hair, but he's just turned a girl on and gotten her to ask him out, all by doing a bun. And he's done it with a pencil. Logan would never admit it, but that was superpower level in his book.
Erin Nicholas (Taking It Easy (Boys of the Big Easy, #2))
I find the blonde woman, her hair up in a perfect ballerina bun, or whatever the fuck those are called,
Mia Asher (Sweetest Venom (Virtue, #2))
...her waist goes in , her hips come out, her long black hair is coiled into a smooth bun on the top of her round head. She is very restful to the tired eye.
Jean Rhys (Quartet)
I needed to not be at work today. I needed to sit around my house without a bra, my hair in a weird bun, watching reruns of Schitt’s Creek. My eyes were still puffy, and I was a soft breeze away from losing it again—and I got my period. I get to bleed for a week without the sweet release of death.
Abby Jimenez (Yours Truly (Part of Your World, #2))
You cast spells every day. Your makeup is glamor magic. Hiding and highlighting. The clothes you pick out to make your legs look longer, your waist smaller. The red you wear for confidence; the black when you’re sad, the blue for clarity. Your favorite bra. Your lucky socks. The way you take an hour on your hair. It’s a ritual. It’s never just about clothes, or makeup, or perfectly messy buns. It’s about magic.
Moïra Fowley-Doyle (Spellbook of the Lost and Found)
Holy shit. I forgot to ask you what you do. You are seriously a librarian? You aren’t fucking with me?” She made a face. “Yes, I’m really a librarian, MLS degree and all.” “Hot damn.” He pictured her behind a desk, dressed all prim and proper; her hair bound up in a little bun, black-framed glasses perched on her nose. “Remind me later to have you dress up and ask me about my overdue books.
Cynthia Rayne (Sweet Perdition (Four Horsemen MC, #1))
She’s wearing her hair in a bun, like a ballerina’s. Buns are so sexy. They used to be a treat to take apart: it was like opening a gift. Heads with the hair pulled back into buns are so elegant and confined, so maidenish; then the undoing, the dishevelment, the wildness of the freed hair, spilling down the shoulders, over the breasts, over the pillow. He enumerates in his head: Buns I have known.
Margaret Atwood (Stone Mattress: Nine Tales)
You like to watch?” The girl asked. “Or do you want to join us?” “I…uh…” Oh, this wasn’t hot anymore. This was just awkward, and I was so totally out of place with my flannel shirt and my socks and my hair back in a bun. I was wearing fucking glasses. Who wears glasses to your neighbor’s orgy?
Molly O'Keefe (Bad Neighbor (Bad Boy Romance, #1))
When you’re not around, even for a little while, I feel like I have to go find you. I just feel this pull to be near you. I want to know what you’re thinking, and what you’re up to, and how you feel. I want to take you places and show you things. I want to memorize you—to learn you like a song. And that nightgown, and the way you get so cranky when I leave my stuff all over the place, and the way you tie your hair back in that crazy bun. You make me laugh every single day—and nobody makes me laugh. I feel like I’ve been lost all my life until now—and somehow with you I’m just … found.
Katherine Center (The Bodyguard)
Before we left home, my hair had already started to fall apart. I decided to pull it into a bun high on my head and attach one of those fake hair things that look like a nest of cute curls. I slapped a tiara on my head and was good to go. I had my weave, my girdle, and my tiara. I was ready to party!
Mollie Gross (Confessions of a Military Wife)
He felt the full warmth of that pleasure from which the proud shut themselves out; the pleasure which not only goes with humiliation, but which almost is humiliation. Men who have escaped death by a hair have it, and men whose love is returned by a woman unexpectedly, and men whose sins are forgiven them. Everything his eye fell on it feasted on, not aesthetically, but with a plain, jolly appetite as of a boy eating buns. He relished the squareness of the houses; he liked their clean angles as if he had just cut them with a knife. The lit squares of the shop windows excited him as the young are excited by the lit stage of some promising pantomime. He happened to see in one shop which projected with a bulging bravery on to the pavement some square tins of potted meat, and it seemed like a hint of a hundred hilarious high teas in a hundred streets of the world. He was, perhaps, the happiest of all the children of men. For in that unendurable instant when he hung, half slipping, to the ball of St. Paul's, the whole universe had been destroyed and re-created.
G.K. Chesterton (The Collected Works of G.K. Chesterton Volume 07: The Ball and the Cross; Manalive; the Flying Inn)
He tried to catch her eye, but all he got was the slightest nod before she looked away. He had no idea how he knew there was gratitude in that nod, but he did. The loose lock of hair that always seemed to escape the confines of her bun fell across her cheek. I want to be your hair. How many times had he said that to her? Not once had she needed to ask him what he meant. Her hair- midnight spun into strands- was always kissing her cheeks, playing with her collarbones, caressing her skin.
Sonali Dev (Recipe for Persuasion (The Rajes, #2))
Nell was like a witch. Her long silvery hair rolled into a bun on the back of her head, the narrow wooden house on the hillside in Paddington, with its peeling lemon-yellow paint and overgrown garden, the neighborhood cats that followed her everywhere. The way she had of fixing her eyes so straight on you, as if she might be about to cast a spell.
Kate Morton (The Forgotten Garden)
The woman who emerged had to be eight feet tall. Her hair was every shade of purple, piled in buns and hanging in braids, and all of it sprinkled with gems like stars.
Brenda Cooper (Edge of Dark (The Glittering Edge, #1))
Putting your hair in a bun is like wearing tight pants on Thanksgiving. Eventually the stuffing’s gonna pop right on out.
Rachel Van Dyken (The Consequence of Seduction (Consequence, #3))
Vivi said, reaching up to twist her hair into a messy bun.
Erin Sterling (The Ex Hex (The Ex Hex, #1))
I snort and pull my hair up into a high bun. It takes three tries to get it right because apparently my hair is as stubborn as I am.
Akemi Dawn Bowman (The Infinity Courts (The Infinity Courts, #1))
Baggy clothes, hair in a messy bun, random taste in music and all — I’d never seen anything sexier than this woman.
Claire Contreras (Until I Get You (Fairview Hockey, #1))
With dark hair tied back in a messy bun, full lips, and a body to die for, she was sex on legs. Her skinny jeans clung to her long legs, making me wish they were wrapped around me.
Eden Finley (One Night with Hemsworth (One Night Series, #1))
Hair in a messy bun. No shoes. She looks like a drunk hooker, and if Miles looks up from his desk, I’m gonna blind him with a letter opener.
Cate C. Wells (Run Posy Run (Underboss Insurrection, #1))
His hair was cut close on the sides and long on top, gathered into a neat man bun.
Debbie Macomber (Dear Santa)
My gaze returns to earth and when it does, it’s her eyes I see. Not the way I used to see them—around every corner, behind my own closed lids at the start of each day. Not in the way I used to imagine them in the eyes of every other girl I laid on top of. No, this time it really is her eyes. A photo of her, dressed in black, a cello leaning against one shoulder like a tired child. Her hair is up in one of those buns that seem to be a requisite for classical musicians. She used to wear it up like that for recitals and chamber music concerts, but with little pieces hanging down, to soften the severity of the look. There are no tendrils in this photo. I peer closer at the sign. YOUNG CONCERT SERIES PRESENTS MIA HALL.
Gayle Forman (Where She Went (If I Stay, #2))
EARLY IN THE MORNING While the long grain is softening in the water, gurgling over a low stove flame, before the salted Winter Vegetable is sliced for breakfast, before the birds, my mother glides an ivory comb through her hair, heavy and black as calligrapher’s ink. She sits at the foot of the bed. My father watches, listens for the music of comb against hair. My mother combs, pulls her hair back tight, rolls it around two fingers, pins it in a bun to the back of her head. For half a hundred years she has done this. My father likes to see it like this. He says it is kempt. But I know it is because of the way my mother’s hair falls when he pulls the pins out. Easily, like the curtains when they untie them in the evening.
Li-Young Lee (Rose)
he studied Grandma Mama, hearing her hum a morning melody. her flowered robe was slightly soiles, but still vivid in splashes of rose colors.She was a short woman, and a little wide.Her salt-and-pepper hair was pulled back in a bun, and when she spoke, her gold tooth winked at you.All warm and friendly,Grandma Mama had a heart of gold, but a fist full of fire at the same time.
C-Murder
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
In the ring Tink." Lance points at me. I sigh, "Lance…uhm…sir. My name is Sarah." He waves me off, "We all have nicknames here. I'll never remember Sarah. But with your hair in that bun, you look like Tinkerbell.
Tara Brown (The Lonely (The Lonely, #1))
A few minutes later, a very slim, very directed black-haired woman with olive skin and a classic profile swept into the room. Her hair was pulled back in a bun. She was the executive assistant version of the beautiful librarian cliché. Severe suit, abrupt manner, glasses perched on her nose and secured on a no-nonsense chain around her neck. But you knew when she took those specs off and let down her hair, the results would be dazzling.
Stephen J. Cannell (The Prostitutes' Ball (Shane Scully, #10))
So, it wasn’t until I was living in Mexico that I first started enjoying chocolate mousse. See, there was this restaurant called La Lorraine that became a favorite of ours when John and I were living in Mexico City in 1964–65. The restaurant was in a beautiful old colonial period house with a large courtyard, red tile floors, and a big black and white portrait of Charles de Gaulle on the wall. The proprietor was a hefty French woman with grey hair swept up in a bun. She always welcomed us warmly and called us mes enfants, “my children.” Her restaurant was very popular with the folks from the German and French embassies located nearby. She wasn’t too keen on the locals. I think she took to us because I practiced my French on her and you know how the French are about their language! At the end of each evening (yeah, we often closed the joint) madame was usually seated at the table next to the kitchen counting up the evening’s receipts. Across from her at the table sat a large French poodle, wearing a napkin bib and enjoying a bowl of onion soup. Ah, those were the days… Oh, and her mousse au chocolate was to DIE for!
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
Come now, Miss Snow. We both know that’s a lie.” He forced her gaze upward, his fingers slipping into her hair against her scalp, loosening her bun. A pin popped and fell to the floor. He dipped his head low, lips hovering close. “You want to indulge.
Juliette Cross (The White Lily (Vampire Blood #3))
After he left the planet with his brothers, he'd imagined he'd live out his life alone. That was until he met Annabelle. His memory lingered back to the day he stepped into her bakery. His brothers were still unpacking when he decided to take a walk into town. The first time he saw her, she was placing muffins into a customer's bag. Even with her messy hair bun and stained pink apron, she was pure perfection. His entire body warmed when he got a backside peek at her pink tank top and itty bitty jean shorts. Before he knew what was happening, he'd gone inside and sat down in the same booth he sat in now. And when she came to the table to take his order, she'd bit down on her bottom lip. He'd known then those lips would complicate his life, but he had no idea just how much.
Stacey O'Neale (Under His Skin (Alien Encounters, #1))
I’ve witnessed this with the former hockey player who takes his son out to skate before he can even walk. Or in the mother who gave up her ballet dreams when she married, but now scrapes her daughter’s hair into a bun and watches from the wings of the stage. We are not, as you’d expect, orchestrating their lives; we are not even trying for a second chance. We’re hoping that if this one thing takes root, it might take up enough light and space to keep something else from developing in our children: the disappointment we’ve already lived.
Jodi Picoult (Vanishing Acts)
Got it," I say as he hands me a pencil skirt, a crisp long-sleeved white shirt, and some low black heels. "This is what I'm wearing?" I'm a librarian. "Can I safely assume the accessories will include glasses on a chain and my hair in a bun? Should I shush people tonight?
J.A. Huss (Tragic / Manic / Panic (Rook & Ronin, #1-3))
Clara Barton was a famous Civil War nurse. When she began nursing, she used her own money for her supplies. She drove a horse-drawn “ambulance” right onto the battlefield to help save wounded soldiers. For this reason she became known as the “Angel of the Battlefield.” Jack put the book away. Then he hurried to Annie. He looked at the woman sitting in the driver’s seat of the wagon. She doesn’t look like an angel, Jack thought. The woman was very small. She had a plain, serious face and dark hair pulled back in a bun. She wore a long black skirt and a black jacket. In
Mary Pope Osborne (Civil War on Sunday)
Jack kept going. “When you’re not around, even for a little while, I feel like I have to go find you. I just feel this pull to be near you. I want to know what you’re thinking, and what you’re up to, and how you feel. I want to take you places and show you things. I want to memorize you—to learn you like a song. And that nightgown, and the way you get so cranky when I leave my stuff all over the place, and the way you tie your hair back in that crazy bun. You make me laugh every single day—and nobody makes me laugh. I feel like I’ve been lost all my life until now—and somehow with you I’m just … found.
Katherine Center (The Bodyguard)
Well, if you don’t like it, you know what the solution is, don’t you?” yelled Hermione; her hair was coming down out of its elegant bun now, and her face was screwed up in anger. “Oh yeah?” Ron yelled back. “What’s that?” “Next time there’s a ball, ask me before someone else does, and not as a last resort!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
The day Emilienne met Satin Lush, she was wearing her cloche hat, newly painted with red poppies. Her hair was curled and peeked lightly out from under the hat to cup the curve of her chin. There was a rip in her stocking. It was May and heavy wet lines of spring rain streamed down the windows of the café where Emilienne had just spent her day serving black coffee and sticky buns to dreamless Irishmen. The smell of glazed sugar and folded pride still lingered on her clothes. As she waited for the rain to let up, the bells of Saint Peter’s chimed five times and the water fell only harder upon the awning over her head. She
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
I like the hair,” he said. In the spirit of an off-duty Friday, I wore my hair down. I mostly braided it or curled it into a bun to keep it out of the way, but today it just sort of hung there, a long dark brown wall shifting in the breeze on both sides of my face. I flexed my wrist, popping a long silver needle into my palm from the leather wrist guard, grabbed my hair, twisted it into a bun, stuck the needle into it to hold it in place, and showed him my teeth in a little smile. There. He laughed. “Cute. You ever get tired of pretending to be a hard-ass?” Cute. I think I would prefer to be stabbed in the eye rather than be called cute.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Manuela de La Mancha,” says a deep voice. It sounds strange to hear such a long name, but that’s the manada I’m pretending to be from. “Hola, Marilén,” I say to Tiago and Saysa’s great-grandmother, whom I met moments ago. “No sos bruja.” You’re not a witch. My tongue feels like sandpaper, and my mouth seals dry. Since our wolf-shadows roam outside the Citadel, and my fangs and claws are retracted, I didn’t think there would be any indicator of my identity— “No te preocupes, no vengo a interrogarte.” Don’t worry, I’m not here to interrogate you. She moves closer, and the way her steely eyes seem to see more than others reminds me of Perla. “Toda la vida soñé con conocerte,” she whispers. My whole life I’ve dreamt of meeting you. Her long black hair is in a tight, elegant bun that pulls her skin, stretching it so that if there’s a single wrinkle, I don’t see it. “La primera de nosotras que nació fuera de su jaula.” The first of us to be born outside her cage.
Romina Garber (Lobizona (Wolves of No World, #1))
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that.
Hugh Howey (Shift (Silo, #2))
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that. ‘Hello?
Hugh Howey (Shift (Silo, #2))
Pulling at her uncomfortable hairstyle, she let several loose tendrils frame her face. Next, she took out the tight bun, and her braided hair hung down her back. Elsa didn't stop there. This gown had weighed her down for too long. It was time for it to go as well. With a wave of her hands, she imagined a new dress that suited her personality and style. Something light and freeing. Ice crystallized over the bottom of her teal dress, forming a new one that was a shimmering pale blue. Gone were the itchy high collar and the annoying long sleeves that restricted her movements. Her new gown was strapless, her neck was open, and her arms were loosely wrapped in silk. A light sheer cape was made up of a pattern of snowflakes as unique as she was.
Jen Calonita (Conceal, Don't Feel)
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that. ‘Hello?’ Troy turned toward the voice.
Hugh Howey (Shift (Silo, #2))
How can anyone so annoying smell so good? The wind stirs Pedro's hair and balloons his shirt. I guess after years of preparing buttercream, melting chocolate with delicate precision, and kneading sweet rolls with his bare hands, the scents have remained on him like a second skin. He smells like Sugar's early mornings, when they fill their ovens with the first batches of bolo de rolo and coconut buns.
Rebecca Carvalho (Salt and Sugar)
How happy and energized she looks when it's barely six in the morning. Her hair is tied up in the messiest, sexiest bun, and she's sprinkled in flour. All over her apron, on her arms, her jeans, and the tip of her nose. My heart slingshots around my chest as I take in the sight of her. She's so goddamn cute. And sexy. And stunning. And every other word that exists to describe just how amazing a person can look.
Sarah Echavarre Smith (The Boy With the Bookstore)
Calvin sits up, jerking his guitar to stand on one thigh. “Mr. Okai.” He swallows. “I didn’t realize you were standing there.” “My niece tells me your name is Calvin.” Calvin looks between the two of us, working this out. Robert, with his smooth dark skin and meticulously short hair. Me: pale and freckled with a chaotic, weedy bun on top of my head. Robert reaches out a hand, and Calvin immediately takes it, standing. “Yes. Calvin McLoughlin.” This makes my uncle laugh, and the boom of it eases the line of Calvin’s shoulders. “That’s a pretty Irish name for someone with such a good tan.” “My mam is Greek,” he explains, and then looks back and forth between me and Robert again, as if asking a question of his own. Robert tilts his head to me, releasing Calvin’s hand and saying in turn, “I married her uncle.” Calvin smiles, quietly saying, “Ah.
Christina Lauren (Roomies)
She was very ugly - the ugliest person you ever saw in your life! Her hair was scraped into a bun, sticking straight out at the back of her head like a teapot handle; and her face was round and wrinkly, and she had eyes like two little black boot-buttons. And her nose! - she had a nose like two potatoes. She wore a rusty black dress right up to the top of her neck and right down to her button boots, and a rusty black jacket and a rusty black bonnet, all trimmed with trembly black jet, with her teapot-handled of a bun sticky out at the back. And she carried a small brown case and a large black stick, and she had a very fierce expression indeed on her wrinkly, round, brown face. But what you noticed most of all was that she had one huge front Tooth, sticking right out like a tombstone over her lower lip. You never, in the whole of your life, ever saw such a Tooth!
Christianna Brand (Nurse Matilda)
The one who answered his questions certainly had pointed ears, though the same observer might be hard pressed to make out any ears- or actual answers at all. The boy spoke to what appeared to be little more than a golden light that bobbled and sparkled and tinkled like bells. In fact, the whole scene resembled a mesmerist quizzing a pendulum held from a long golden chain, glittering in the sunlight, whose vague swings returned meanings known only to the occultist himself. But upon looking more closely, one would see that inside the golden bauble was a tiny woman with very pointed ears, a serious face, a green dress, and sparkling wings. Her body was like a series of energetic globes, from her golden hair in its messy bun to her hips to the round silver bells that decorated her shoes. Throughout the conversation every part of her was as animated as her friend's face.
Liz Braswell (Straight On Till Morning)
We pair off on the metal bridge in the hydra. Victra taking the right, me the left. My Praetorian is shorter than I. Her helmet off, hair in a tight bun, ready to proclaim the grand laurels of her family. “My name is Felicia au…” I feint a whip at her face. She brings her blade up, and Victra goes diagonal and impales her at the belly button. I finish her off with a neat decapitation. “Bye, Felicia,” Victra spits, turning to the last Praetorian.
Pierce Brown (Morning Star (Red Rising, #3))
The fairy- again, Wendy assumed- was an angry tinkling ball of light with the prettiest girl imaginable inside. Diminutive but... solid, with a scandalous lack of decorous dress. All she wore was a ragged green shift which barely covered her hips and thighs and breasts and was gathered dangerously over only one shoulder. This was both shocking and delightful; it made the tiny creature resemble statues of ancient nymphs and nereids Wendy had seen. Her hair was even done up in classical style, a goddess-like bun of hair so golden it glowed. Tiny pointed ears curved their way through the few dangling tresses. Her eyes were enormous and not even remotely human: they were far apart and glaring. The crowning glory was, of course, a pair of delicate iridescent wings sprouting from her back. Their shape was somewhere between butterfly and dragonfly. They were clear as glass and thin as onion skin.
Liz Braswell (Straight On Till Morning)
What are you doin’, man?” Scott’s voice came from the doorway. I turned and smiled. “Just thinking.” “You seem a little brighter.” “Actually, I was thinking about how I ended up thirty-six, divorced, and trapped in cubicle hell.” He walked to the coffeepot and poured a mug full then leaned against the counter. “You were a workaholic?” he offered. “That’s not why Elizabeth was unfaithful. She fell right into Brad’s skinny arms, and he works more than I do. Hell, Elizabeth works more than I do.” “Why are you dwelling on the past? Look at you. You’re tall. You have hair. And it looks like”—he waved his hand around at my stomach—“you might have abs?” “You checking me out?” “I’d kill for a head of hair like that.” Scott was the kind of guy who was bald by twenty-two. He’s been shaving it Mr. Clean–style since then. “What do women call that thing?” He pointed to the back of my head. “A bun?” “No, there’s, like, a sexier name for it. The ladies love that shit.” “They call it a man-bun.
Renee Carlino (Before We Were Strangers)
The dental assistant was a robot outfitted as a ballerina. Unlike the little doll’s, her face was painted to look feminine and pretty, with long eyelashes, pink lips, and pink circles on her cheeks. Her blue metal “hair” was sculpted into a ballet bun.
Scott Cawthon (1:35AM: An AFK Book (Five Nights at Freddy's: Fazbear Frights #3) (Five Nights at Freddy’s: Fazbear Frights))
She said, Then there's the beatings. I can feel them in my bones. I cleared my throat. Beatings for what? She shrugged. You might be made an example of for sleeping in the wrong position, or sneezing at mass. Writing with your left hand, losing a stud off your boot. Having hair that was curly, or red. I reached out to the faint fuzz of amber escaping from her pins. Why on earth— They said it was a mark of badness and hung me up by my bun from a coat hook. I pulled back my hand and put it over my mouth.
Emma Donoghue (The Pull of the Stars)
Is she pretty?” That would be a hell yes. Big soft eyes, full pink lips. Legs and tight skirts. And those damn cowboy boots. And the yoga pants and bra top she wore sailing. Long blond hair—-at least he thought it was long; she always kept it wound up and clipped in a messy bun. He’d dated white girls before, a time or two. But never someone that white, from Texas. Or that young. She was what, fifteen years younger, at least. An itty-bitty thing who could throw a grown man to the ground. “Yeah,” he said. “She’s real pretty.
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
For the first time I got a good look at the woman who, despite avowed intentions, had saved my life. I was surprised first to see that she was old. Her hair was silver, tied back behind her head in a no-nonsense bun. Her face was lined with wrinkles. On her head she wore a hat with a very wide brim, a kind of hat I’d never seen before. She also wore tight-fitting black pants and black leather boots and a brown leather jacket. A patch on her shoulder read PENNSYLVANIA STATE POLICE TROOPER. On the front of her jacket was a nameplate that read CAXTON.
David Wellington (Positive)
She went on softly remonstrating the baby while Vim recovered from the prettiest pair of green eyes he’d ever beheld. Overall, she wasn’t a pretty woman—she had a full though solemn mouth in the usual location, underscored by a definite chin and a nose somewhat lacking in subtlety. Her hair was dark brown and pulled back into a positively boring bun at her nape. But those eyes… And her voice. It was the voice of a pretty lady, soft and luminous with good breeding and gentility, though she was using it to try to gently scold the child into better behavior. “May
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
For a moment, Isabel's eyes met those of someone looking out of the window, a thin-faced woman with her hair done up in a bun. The woman began a smile, but stopped, as if conscious of somehow transgressing the conventions of isolation with which as city-dwellers we immure ourselves. The bus moved on, and zisabel felt a sudden desire to run alongside it, to wave to the woman, to aknowledge the unexpected exchange of fellow feeling between them. But she did mot, necause she never acted on these impulses, and because it might have puzzled or even frightened the other woman.
Alexander McCall Smith (The Lost Art of Gratitude (Isabel Dalhousie, #6))
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger. Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume. “Yes,” Elizabeth had assured her, smiling. “Do you?” “Have you read Christopher Marlowe?” “Yes, but I prefer Shakespeare.” Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard. “My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.” Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
Judith McNaught (Almost Heaven (Sequels, #3))
Attina saw her and came over. Despite their extreme difference in age, she was the one Ariel felt closest to. Even if her big sister didn't fully understand the urge to seek out a human prince, or to explore the Dry World, or to collect odd bits of human relics, she always treated her little sister as gently as she could- despite how gruff she sounded. "What's happening?" she asked, swishing her orange tail back and forth. Her hair wasn't done yet; it was obvious she was devoting her time to helping the younger sisters with theirs. The only slightly frumpy brown bun was locked in place by sea urchin spikes.
Liz Braswell (Part of Your World)
Mrs. Duggan is settled deep into her armchair, overflowing onto the arms. She’s wearing a purple dress and battered fleece slippers; her hair, dyed a shiny black, is pulled back in a tight bun. She has the air of something geological, like the house was built around her because no one was willing to move her.
Tana French (The Hunter)
Kavita looks peaceful when she's sleeping, when the Morphine finally brings her some comfort. Jasu sits in a chair next to the bed and reaches for her frail hand. With his touch, her eyes flutter open and she licks her dried lips. She sees him and smiles. “Jani, you’re back,” she says softly. “I went there, chakli.” He tries to begin slowly, but the words come tumbling out. “I went to Shanti, the orphanage. The man there knows her, he’s met her, Kavi. Her name is Asha now. She grew up in America, her parents are doctors, and she writes stories for newspapers—look, this is hers, she wrote this.” He waves the article in front of her. “America.” Kavita’s voice is barely a whisper. She closes her eyes and a tear drips down the side of her face and into her ear. “So far from home. All this time, she’s been so far from us.” “Such a good thing you did, chakli.” He strokes her hair, pulled back into a loose bun, and wipes her tears away with his rough fingers. “Just imagine if…” He looks down, shakes his head, and clasps her hand between his. He rests his head against their hands and begins to cry. “Such a good thing.”He looks up at her again. “She came looking for us, Kavi. She left this.” Jasu hands her the letter. A small smile breaks through on Kavita’s face. She peers at the page while he recites from memory. “My name is Asha…
Shilpi Somaya Gowda (Secret Daughter)
I admitted it to myself. I had all kinds of dreams. I wanted to go skiing again and get fast and good. I wanted to go to London too someday. I wanted to fall in love.i wanted to own a bookstore or a restraunt and have people come in and say, "Hi, Cedar," and I wanted from ride a bike down the streets in a little town in a country where people spoke a different language. Maybe my bike would a basket and maybe the basket would have flowers in it. I wanted to live in a big city and wear lipstick and my hair in bun and buy groceries and carry them home in a paper bag. My high heels would click when I climbed the stairs to my apartment. I wanted to stand at the edge of a lake and listen.
Ally Condie (Summerlost)
Ms. Udell leaned against her giant desk, reading to her fourth-grade class from a tattered copy of Charlotte’s Web by E. B. White. She wore her shiny black hair in a loose bun, and wooden earrings dangled from her long earlobes. In her seat by the window, George couldn’t listen. She couldn’t think. Charlotte, the wonderful, kind spider, was gone and nothing was good. The whole book was about Charlotte saving the runt pig Wilbur, and then she goes and dies. It wasn’t fair. George pushed her fists into her eyes, rubbing until rows and rows of tiny triangles twirled and twinkled brightly in the darkness. A tear dropped onto George’s book and spread into a spiderweb on the page. She breathed in carefully, trying not to make a sound. Shallow
Alex Gino (George)
You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?” “It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.” He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.” “At bedtime,” she corrected. His eyes narrowed. “Lucky Colby,” he said deliberately. She wasn’t going to give him any rope to hang her with. She just smiled. He glared at her. “He won’t change,” he said flatly. “I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.” “That’s a hell of a way to talk to me.” “That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?” Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.” “You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked. “You know I don’t approve of Colby,” he told her. “Like I care?” she said. He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge. On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him. “Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.” “He’s an alcoholic,” he said quietly, trying to control the anger. “I told you before, he’s in therapy,” she said. “He’s trying, Tate.” “So you expect me not to worry about you? After what my own father put me and my mother through?
Diana Palmer (Paper Rose (Hutton & Co. #2))
woman swept in wearing a black-and-green crinoline dress, except that the hoop was so small it hardly deserved the name, and her stride was such that one might have supposed her to have only a moment since dismounted from a horse. She had no hat. Her hair was held back in a loose bun with a black chenille net over it. She did not wear her gloves but carried them absent-mindedly in one hand. She was of average height, square-shouldered and leaner than is becoming in a woman. But it was her face which startled and held attention. Her nose was a little too large and too long, her mouth was sensitive without being beautiful, her cheekbones were very high and her eyes were wide-set and heavy lidded. When she spoke, her voice was low with a slight catch in it, and her diction was remarkably beautiful.
Anne Perry (Weighed in the Balance (William Monk, #7))
Suddenly, I missed Jenna so much that it was almost a physical ache. I wanted to hold her hand, and hear her say something that would make this whole situation funny instead of incredibly screwed up. Archer would’ve been nice, too. He probably would’ve raised an eyebrow in that annoying/hot way he had, and made a dirty joke about Elodie possessing me. Or Cal. He wouldn’t say anything, but just his presence would make me feel better. And Dad- “Sophie,” Mom said, shaking me out of my reverie. “I don’t…I don’t even know how to start explaining all of this to you.” She looked at me, her eyes red. “I meant to, so many times, but everything was always so…complicated. Do you hate me?” I took a deep breath. “Of course not. I mean, I’m not thrilled. And I totally reserve the right to angst over all this later. But honestly, Mom? Right now, I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.” She chuckled, a choked and watery sound. “I missed you so much, Soph.” We hugged, my face against her collarbone. “I want the whole story, though,” I said, my words muffled. “All of it on the table.” She nodded. “Absolutely. After we talk to Aislinn.” Pulling back, I grimaced. “So how exactly are you related to her? Are you guys like, cousins?” “We’re sisters.” I stared at her. “Wait. So you’re like, a Brannick Brannick? But you don’t even have red hair.” Mom got off the bed, twisting her ponytail into a bun. “It’s called dye, Soph. Now, come on. Aislinn is already in a mood.” “Yeah, picked up on that,” I muttered, shoving the covers off and standing up
Rachel Hawkins (Spell Bound (Hex Hall, #3))
She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her. And that was Rapunzel's most striking beauty: her hair. Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress. Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request. By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.
Liz Braswell (What Once Was Mine)
He shrugged and glanced at her hair. “Rough night?” Her brows drew together. “What makes you say that?” “Your bun is askew.” Audrey’s fingers flew to her hair. Sure enough, it was lopsided and puffy on one side. “Damn it.” Reese set down the spoon and turned to her, reaching for her hair. “Here, I’ll fix it for you.” She frowned but stood still, dropping her hands. “That’s very domestic of you.” “Nah. I mostly wanted to see what this looks like when it’s not in a grandma style.” And he reached forward and snipped the band with a pair of scissors. She yelped, pulling away even as he ran his fingers through her hair, making it puff out into a halo around her head. “You a**hole!” “Look at that! All that loose, untamed hair!” He teased, even as he tried to run his fingers through it again. “It’s like you’re a wild woman. What will people think?
Jessica Clare (The Wrong Billionaire's Bed (Billionaire Boys Club, #3))
What I’m saying is, the women in your file—those women from my past—they’re the ‘befores.’ And you…” He looked right into my eyes. “You’re the ‘after.’” And just like that, I got it. I got what Jack Stapleton meant by “real.” More than that, I believed him. Jack kept going. “When you’re not around, even for a little while, I feel like I have to go find you. I just feel this pull to be near you. I want to know what you’re thinking, and what you’re up to, and how you feel. I want to take you places and show you things. I want to memorize you—to learn you like a song. And that nightgown, and the way you get so cranky when I leave my stuff all over the place, and the way you tie your hair back in that crazy bun. You make me laugh every single day—and nobody makes me laugh. I feel like I’ve been lost all my life until now—and somehow with you I’m just … found.
Katherine Center (The Bodyguard)
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
Physically, Manya was both appealing and aristocratic in her bearing. It wasn't her copious white hair that attracted men, her flawless white skin, her billowing breasts, but the innate womanliness that emanated from her. Even when she wore her cooking clothes- a mammoth Hoover apron that she slipped on over her head and tied around a baggy dress or her cardigan sweater, a dull brown thing appropriate for shopping- she exuded a sympathetic femininity. Many didn't give much thought to her appearance. More often than not she washed her face and body with the brown kosher soap that contained no fat from forbidden animals, and wrapped her hair in a haphazard bun held together with several large imitation-turquoise hairpins. Her cooking shoes were splattered with chicken and goose fat, bits and oddments of duck, salmon roe, even calves' brains. Because she had been raised on the Black Sea, she loved caviar, so every now and then a glistening bead would fall upon her well-fed shoes. The smell of food on her body made her no less alluring.
Eleanor Widmer (Up from Orchard Street)
And new physical problems are arising almost daily. I'm getting problems from a painful trapped nerve in my shoulder, where my rucksack strap has been pinching it, and I can't straighten my arm above shoulder level - soon I will be limping like Richard III. By now my back is covered with eczema, the result of a perpetually sodden shirt and rucksack pressed against it day after day in this heat. In one place my pack has rubbed a painful hole in my skin through the eczema; carrying my rucksack was unpleasant before, but now it is purgatory. This eczema must be partly due to eating bad food for so long - I never had this problem at home. I'm expecting my teeth and hair to start falling out before long, and I've got more or less a permanent acid indigestion from eating so much junk. Week after week I've lived on lukewarm Coca-Cola, stale buns and doughnuts, slurps, green bananas, powdered milk and far too many cigarettes. With all the rubbishy food and sugar soft drinks I've been consuming, I'll see the east coast through a hypoglycaemic haze.
Fran Sandham (Traversa)
Following the seventh, eighth, and ninth grades of middle school, high school would have been a fresh start. When I got to Fairfax High I would insist on being called Suzanne. I would wear my hair feathered or up in a bun. I would have a body that the boys wanted and the girls envied, but I’d be so nice on top of it all that they would feel too guilty to do anything but worship me. I liked to think of myself — having reached a sort of queenly W status — as protecting misfit kids in the cafeteria. When someone taunted Clive Saunders for walking like a girl, I would deliver swift vengeance with my foot to the taunter’s less-protected parts. When the boys teased Phoebe Hart for her sizable breasts, I would give a speech on why boob jokes weren’t funny. I had to forget that I too had made lists in the margins of my notebook when Phoebe walked by: Winnebagos, Hoo-has, Johnny Yellows. At the end of my reveries, I sat in the back of the car as my father drove. I was beyond reproach. I would overtake high school in a matter of days, not years, or, inexplicably, earn an Oscar for Best Actress during my junior year. These were my dreams on Earth.
Alice Sebold (The Lovely Bones)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
Mamá was mixing bread dough by the kitchen window, pressing and pulling in a culinary tug of war. It took all her strength to mix four loaves at once, flour up to her elbows, tendrils of hair escaping from her bun, but it hardly made sense to do less. Her good bread disappeared as fast as she made it. Why, her family could hammer away a whole loaf in one sitting. Mamá smiled, then crossed herself against the sin of pride. Modesta was always saying, “That’s too much work! Why not just buy a loaf at the store?” Those sickly soft things they call bread? Mamá snorted as she slapped her dough. It was a sin to call such cotton bread! Her bread could stand up to thick bacon sandwiches and homemade blackberry jam. Hers melted in your mouth like cake. Indeed, after supper Father often buttered a big slice for dessert. At the thought of her husband, Mamá crossed herself again, this time not for pride, but for love. Everything she did was done for him. She meant to work for God, to make her life a prayer, but since the first time she saw Manuel, long before they were married, his was the face she pictured as she wiped her brow, bent her back to the task at hand. She shrugged. Perhaps her daughters would do better...
Tess Almend
Confiding Julie, the first to get breasts, was cynical by Thanksgiving. Since no one else looked like the class slut, she was given the position, and she soon capitulated. She bleached her hair with Sun In, and started to mess around with boys who played in garage rock bands. Marianne, because she had long legs and a stem neck, rushed from school to her pliés at the barre, her hair in a bun, her head held high, to arch and sweep and bow toward the mirror until night fell. Cara delivered her audition piece flat, but since she had a wheat-colored rope of braid that brushed her waist, she would be Titania in the school play. Emily, bluntnosed and loud, could outact Cara in her sleep; when she saw the cast list she turned silently to her best friend, who handed her a box of milk chocolate creams. Tall, strong, bony Evvy watched Elise try out her maddening dimple. She cornered her outside class to ask her if she thought she was cute. Elise said yes, and Evvy threw a pipette of acid, stolen from the biology lab, in her face. Dodie hated her tight black hair that wouldn’t grow. She crept up behind blond Karen in home ec class and hacked out a fistful with pinking shears. Even Karen understood that it wasn’t personal.
Naomi Wolf (The Beauty Myth)
I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
P.S.” Kimmie continues, nodding toward my sculptor of Adam’s lips, the assignment was to sculpt something exotic, not erotic. Are you sure you weren’t so busy wishing me dead that you just didn’t hear right? Plus, if it was eroticism you were going for, how come there’s no tongue wagging out of his mouth?” “And what’s exotic about your piece?” “Seriously, it doesn’t get more exotic than leopard, particularly if that leopard is in the form of a swanky pair of kitten heels . . . but I thought I’d start out small.” “Right,” I say, looking at her oblong ball of clay with what appears to be four legs, a golf-ball-sized head, and a long, skinny tail attached. “And, from the looks of your sculpture,” she continues, adjusting the lace bandana in her pixie-cut dark hair, “I presume your hankering for a Ben Burger right about now. The question is, will that burger come with a pickle on the side or between the buns?” “You’re so sick,” I say, failing to mention that my sculptor isn’t of Ben’s mouth at all. “Seriously? You’re the one who’s wishing me dead whilst fantasizing about your boyfriend’s mouth. Tell me that doesn’t rank high up on the sik-o-meter.” “I have to go,” I say, throwing a plastic tarp over my work board. “Should I be worried?” “About what?” “Acting manic and chanting about death?” “I didn’t chant.” “Are you kidding? For a second there I thought you were singing the jingle to a commercial for roach killer: You deserve to die! You deserve to die! You deserve to die!
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
The doorbell rings again, and I thank God for small miracles. "Hold again," I say as I hold against my shoulder. I walk over, smiling because I know that Nicole must be going out of her mind. "Did you for--" "Hello, Officer Covey." Eli grins as he leans against the doorframe. "I was hoping you were home. We didn't get a chance to finish our conversation." Not even thinking, I close the door and stand there. Holy shit. What the hell? "Heather?" Nicole's voice is a buzzing in my ear. Or is that my suddenly frantic pulse? "Hmm?" I can't speak. Eli Walsh is at my freaking house. "Is that whole I think it is?" I rise onto my tiptoes and peek out the peephole. Sure enough, he's right there, smiling as if he has not a care in the world. "Yup." "Are you fucking kidding?" Nicole screams. "Holy shit, Nic. What the hell do I do?" My heart continues to race, and I'm completely freaking out. Nicole chuckles and then proceeds to yell again. "Open the goddamn door!" I look in the mirror and groan. I have on shorts and an oversized sweatshirt, which now has a beautiful pizza stain on the front. My hair is in a messy bun, I'm not wearing any makeup, and I have my glasses on instead of my contacts. I can't believe this. Eli knocks again. "Heather, I can hear you on the other side." My hand presses against the wood and I close my eyes, "What do you want, Eli?" "Heather! Open the fucking door right now!" Nicole's voice raises in my ear. "Shut up!" I yell at my jackass best friend. "I didn't say anything," Eli answers.
Corinne Michaels (We Own Tonight (Second Time Around, #1))
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
No one called him Fai except his grandmother. What sort of name is Frank? she would scold. That is not a Chinese name. I’m not Chinese, Frank thought, but he didn’t dare say that. His mother had told him years ago: There is no arguing with Grandmother. It’ll only make you suffer worse. She’d been right. And now Frank had no one except his grandmother. Thud. A fourth arrow hit the fence post and stuck there, quivering. “Fai,” said his grandmother. Frank turned. She was clutching a shoebox-sized mahogany chest that Frank had never seen before. With her high-collared black dress and severe bun of gray hair, she looked like a school teacher from the 1800s. She surveyed the carnage: her porcelain in the wagon, the shards of her favorite tea sets scattered over the lawn, Frank’s arrows sticking out of the ground, the trees, the fence posts, and one in the head of a smiling garden gnome. Frank thought she would yell, or hit him with the box. He’d never done anything this bad before. He’d never felt so angry. Grandmother’s face was full of bitterness and disapproval. She looked nothing like Frank’s mom. He wondered how his mother had turned out to be so nice—always laughing, always gentle. Frank couldn’t imagine his mom growing up with Grandmother any more than he could imagine her on the battlefield—though the two situations probably weren’t that different. He waited for Grandmother to explode. Maybe he’d be grounded and wouldn’t have to go to the funeral. He wanted to hurt her for being so mean all the time, for letting his mother go off to war, for scolding him to get over it. All she cared about was her stupid collection. “Stop this ridiculous behavior,” Grandmother said. She didn’t sound very irritated. “It is beneath you.” To Frank’s astonishment, she kicked aside one of her favorite teacups. “The car will be here soon,” she said. “We must talk.” Frank was dumbfounded. He looked more closely at the mahogany box. For a horrible moment, he wondered if it contained his mother’s ashes, but that was impossible. Grandmother had told him there would be a military burial. Then why did Grandmother hold the box
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
This Theresa maddened with her messages a scientist on our easily maddened planet; his anagram looking name, Sig Lemanski, had been partly derived by Van from that of Aqua's last doctor. When Leymanski's obsession turned into love, and one's sympathy got focused on his enchanting, melancholy, betrayed wife (nee Antilia Glems), our author found himself confronted with the distressful task of now stamping out in Antilia, a born brunette, all traces of Ada, thus reducing yet another character to a dummy with bleached hair. After beaming Sig a dozen communications from her planet, Theresa flies over to him, and he, in his laboratory, has to place her on a slide under a powerful microscope in order to make out the tiny, though otherwise perfect, shape of his minikin sweetheart, a graceful microorganism extending transparent appendages toward his huge humid eye. Alas, the testibulus (test tube - never to be confused with testiculus, orchid), with Theresa swimming inside like a micromermaid, is "accidentally" thrown away by Professor Leyman's (he had trimmed his name by that time) assistant, Flora, initially an ivory-pale, dark-haired funest beauty, whom the author transformed just in time into a third bromidic dummy with a dun bun.
Vladimimir Nabokov
She had not wanted to come, and now that she was there, she was still praying for deliverance. “Aunt Berta!” she said forcefully as the front door of the great, rambling house was swung open. The butler stepped aside, and footmen hurried forward. “Aunt Berta!” she said urgently, and in desperation Elizabeth reached for the maid’s tightly clenched eyelid. She pried it open and looked straight into a frightened brown orb. “Please do not do this to me, Berta. I’m counting on you to act like an aunt, not a timid mouse. They’re almost upon us.” Berta nodded, swallowed, and straightened in her seat, then she smoothed her black bombazine skirts. “How do I look?” Elizabeth whispered urgently. “Dreadful,” said Berta, eyeing the severe, high-necked black linen gown Elizabeth had carefully chosen to wear at this, her first meeting with the prospective husband whom Alexandra had described as a lecherous old roué. To add to her nunlike appearance, Elizabeth’s hair was scraped back off her face, pinned into a bun a la Lucida, and covered with a short veil. Around her neck she wore the only piece of “jewelry” she intended to wear for as long as she was here-a large, ugly iron crucifix she’d borrowed from the family chapel. “Completely dreadful, milady,” Berta added with more strength to her voice. Ever since Robert’s disappearance, Berta had elected to address Elizabeth as her mistress instead of in the more familiar ways she’d used before. “Excellent,” Elizabeth said with an encouraging smile. “So do you.” The footman opened the door and let down the steps, and Elizabeth went first, following by her “aunt.” She let Berta step forward, then she turned and looked up at Aaron, who was atop the coach. Her uncle had permitted her to take six servants from Havenhurst, and Elizabeth had chosen them with care. “Don’t forget,” she warned Aaron needlessly. “Gossip freely about me with any servant who’ll listen to you. You know what to say.” “Aye,” he said with a devilish grin. “We’ll tell them all what a skinny ogress you are-prim ‘n proper enough to scare the devil himself into leading a holy life.” Elizabeth nodded and reluctantly turned toward the house. Fate had dealt her this hand, and she had no choice but to play it out as best she could. With head held high and knees shaking violently she walked forward until she drew even with Berta. The butler stood in the doorway, studying Elizabeth with bold interest, giving her the incredible impression that he was actually trying to locate her breasts beneath the shapeless black gown she wore.
Judith McNaught (Almost Heaven (Sequels, #3))
The thin woman in the green sari stood on the slippery rocks and gazed at the dark waters around her. The warm wind loosened strands of her scanty hair, pulling them out of her bun. Behind her, the sounds of the city were muted, shushed into silence by the steady lapping of the water around her bare feet. Other than the crabs that she heard and felt scuttling around the rocks, she was all alone here—alone with the murmuring sea and the distant moon, stretched thin as a smile in the nighttime sky. Even her hands were empty, now that she had unclenched them and released her helium-filled cargo, watching until the last of the balloons had been swallowed up by the darkness of the Bombay night. Her hands were empty now, as empty as her heart, which itself was a coconut shell with its meat scooped out. Balancing gingerly on the rocks, feeling the rising water tonguing her feet, the woman raised her face to the inky sky for an answer. Behind her was the lost city and a life that at this very moment felt fictitious and unreal. Ahead of her was the barely visible seam where the sea met the sky. She could scramble over these rocks, climb over the cement wall, and reenter the world; partake again of the mad, throbbing, erratic pulse of the city. Or she could walk into the waiting sea, let it seduce her, overwhelm her with its intimate whisperings. She looked to the sky again, searching for an answer. But the only thing she could hear was the habitual beating of her own dutiful heart…
Thrity Umrigar (The Space Between Us)