Haggard Face Quotes

Some of these guys will go on walking long after the laws of biochemistry and handicapping have gone by the boards. There was a guy last year that crawled for two miles at four miles an hour after both of his feet cramped up at the same time, you remember reading about that? Look at Olson, he's worn out but he keeps going. That goddam Barkovitch is running on high-octane hate and he just keeps going and he's as fresh as a daisy. I don't think I can do that. I'm not tired -not really tired- yet. But I will be." The scar stood out on the side of his haggard face as he looked ahead into the darkness "And I think... when I get tired enough... I think I'll just sit down

...it is in these acts called trivialities that the seeds of joy are forever wasted until men and women look round with haggard faces at the devastation their own waste has made and say the earth bears no harvest of sweetness—calling their denial knowledge.

LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

I woke up!" he replied, eye twinkling in his haggard face, "and that's reason enough to be happy!

Venice is a Dorian Gray city. Somewhere up there in the world's attic, there's another place with the haggard, poxed and ravaged face of unspeakable evil. And I suspect it's Cardiff.

it is in these acts called trivialities that the seeds of joy are forever wasted, until men and women look round with haggard faces at the devastation their own waste has made, and say, the earth bears no harvest of sweetness--calling their denial knowledge.

Have you forgotten yet?... For the world's events have rumbled on since those gagged days, Like traffic checked while at the crossing of city-ways: And the haunted gap in your mind has filled with thoughts that flow Like clouds in the lit heaven of life; and you're a man reprieved to go, Taking your peaceful share of Time, with joy to spare. But the past is just the same--and War's a bloody game... Have you forgotten yet?... Look down, and swear by the slain of the War that you'll never forget. Do you remember the dark months you held the sector at Mametz The nights you watched and wired and dug and piled sandbags on parapets? Do you remember the rats; and the stench Of corpses rotting in front of the front-line trench-- And dawn coming, dirty-white, and chill with a hopeless rain? Do you ever stop and ask, 'Is it all going to happen again?' Do you remember that hour of din before the attack-- And the anger, the blind compassion that seized and shook you then As you peered at the doomed and haggard faces of your men? Do you remember the stretcher-cases lurching back With dying eyes and lolling heads--those ashen-grey Masks of the lads who once were keen and kind and gay? Have you forgotten yet?... Look up, and swear by the green of the spring that you'll never forget.

Though the face before me was that of a young woman of certainly not more than thirty years, in perfect health and the first flush of ripened beauty, yet it bore stamped upon it a seal of unutterable experience, and of deep acquaintance with grief and passion. Not even the slow smile that crept about the dimples of her mouth could hide the shadow of sin and sorrow. It shone even in the light of those glorious eyes, it was present in the air of majesty, and it seemed to say: 'Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes.

REFUGEES They have no need of our help So do not tell me These haggard faces could belong to you or me Should life have dealt a different hand We need to see them for who they really are Chancers and scroungers Layabouts and loungers With bombs up their sleeves Cut-throats and thieves They are not Welcome here We should make them Go back to where they came from They cannot Share our food Share our homes Share our countries Instead let us Build a wall to keep them out It is not okay to say These are people just like us A place should only belong to those who are born there Do not be so stupid to think that The world can be looked at another way (now read from bottom to top)

Now comes the picture of mass defeat, the most awesome spectacle of the war. It is in the bent bodies of old women who poke among ruins seeking some miserable object that will link their lives with the old days. It is in the shamed darting eyes of the defeated. It is in the faces of the little boys who regard our triumphant columns with fear and fascination. And above all it is in the thousands of beaten, dusty soldiers who stream along the roads towards the stockades. Their feet clump wearily, mechanically, hopelessly on the still endless road of war. They move as haggard, gray masses, in which the individual had neither life nor meaning. It is impossible to see in these men the quality that made them stand up and fight like demons out of hell a few shorts months ago.

The swaying figure's white, haggard face was rough with beard-stubble. His shirt was in tatters which blew back behind him in twisted ribbons, showing the starved stack of his ribs. A filthy rag was wrapped around his right hand. He looked sick, sick and dying, but even so he also looked tough enough to make Andolini feel like a soft-boiled egg.

Nothing of the sort. I knew you came from Afghanistan. From long habit the train of thoughts ran so swiftly through my mind, that I arrived at the conclusion without being conscious of intermediate steps. There were such steps, however. The train of reasoning ran, 'Here is a gentleman of a medical type, but with the air of a military man. Clearly an army doctor, then. He has just come from the tropics, for his face is dark, and that is not the natural tint of his skin, for his wrists are fair. He has undergone hardship and sickness, as his haggard face says clearly. His left arm has been injured. He holds it in a stiff and unnatural manner. Where in the tropics could an English army doctor have seen much hardship and got his arm wounded? Clearly in Afghanistan.' The whole train of thought did not occupy a second. I then remarked that you came from Afghanistan, and you were astonished.

Likewise the boy who was dressed to the nines in a muddy but finely tailored suit and stove-in top hat, his face drawn and haggard from lack of sleep, for he hadn’t allowed himself any in days, so afraid was he of his dreams.

For the one instant the feeling held, Mother Abagail actually fancied that the woman’s face was gone and she was looking into a hole in time and space, a hole from which two eyes, dark and damned, stared out at her—eyes that were lost and haggard and hopeless.

WOULD YOU LOOK AT THAT HIDEOUS WOMAN THE WINKIES TAKE ORDERS FROM,” Robin Hood said. “DO YOU KNOW WHAT WE IN LOXLEY CALL A WOMAN WITH ONE EYE, TERRIBLE CLOTHES, AND A HAGGARD FACE?” “I don’t know, Robin,” Little John said. “What do you call her?” “SINGLE!” the Prince of Thieves declared.

From the street, I looked up into the apartment buildings, into the naked windows of the tiny cubicle-rooms. More haggard faces peering blankly; skinny, maimed bodies of uncaring women in slips; men without shirts. All have the same look: the look of nolonger-questioning, resigned doom. The world on its knees. …

A woman with a voice like that should have the face of an angel, the body of a Greek sculpture, and the skills of a courtesan. Chances were, she was a haggard old crone. The hulking workman began to gather his tools. "I hope ye and yer pa know what ye're doin'. Fop or no, no man takes well to losin' his belongings." "Psht," the woman said airily. "It's not as if we plan on knocking him in the head and peeling his pockets." That was something,at least, Dougal thought grimly.

He tottered in. In a few moments he came out, hair piece in place. But the haggardness of his face made it look more spurious than before.

Mr. Russell, don’t you think I’m too young for you?” His eyes flashed as his face hardened into a mask. --Farewell My Life: Buona Notte Vita Mia

…but to the unicorn’s eyes Molly was becoming a softer country, full of pools and caves, where old flowers came burning out of the ground. Under the dirt and indifference, she appeared only thirty-seven or thirty-eight years old - no older than Schmendrick, surely, despite the magician’s birthdayless face. Her rough hair bloomed, her skin quickened, and her voice was nearly as gentle to all things as it was when she spoke to the unicorn. The eyes would never be joyous, any more than they could ever turn green or blue, but they too had wakened in the earth. She walked eagerly into King Haggard’s realm on bare, blistered feet, and she sang often. And far away on the other side of the unicorn, Schmendrick the Magician stalked in silence. His black cloak was sprouting holes, coming undone, and so was he. The rain that renewed Molly did not fall on him, and he seemed ever more parched and deserted, like the land itself. The unicorn could not heal him. A touch of her horn could have brought him back from death, but over despair she had no power, nor over magic that had come and gone.

Through silent alleys where dark shadows fleeted past them like forest beasts on the prowl; through bustling market-places where bloaters predominated, into crammed gin-palaces where the gas flashed over faces whereon was stamped the indelible impression of a protest against creation; brushing tatters which were in gruesome harmony with the haggard or bloated features. ("The Phantom Model

WOULD YOU LOOK AT THAT HIDEOUS WOMAN THE WINKIES TAKE ORDERS FROM," Robin Hood said. "DO YOU KNOW WHAT WE IN LOXLEY CALL A WOMAN WITH ONE EYE, TERRIBLE CLOTHES, AND A HAGGARD FACE?" "I don't know, Robin," Little John said. "What do you call her?" "SINGLE!" the Prince of Thieves declared. The Merry Men burst into a fit of haughty laughter. The Wicked Witch grunted at the insult, and steam piped out of her ears.

Surely the golden hours are turning gray And dance no more, and vainly strive to run: I see their white locks streaming in the wind— Each face is haggard as it looks at me, Slow turning in the constant clasping round Storm-driven.

There was, to my mind, something eerie and ghost-like in the endless procession of faces which flitted across these narrow bars of light,—sad faces and glad, haggard and merry. Like all human kind, they flitted from the gloom into the light, and so back into the gloom once more.

With his story in one’s mind he can almost see his benignant countenance moving calmly among the haggard faces of Milan in the days when the plague swept the city, brave where all others were cowards, full of compassion where pity had been crushed out of all other breasts by the instinct of self-preservation gone mad with terror, cheering all, praying with all, helping all, with hand and brain and purse, at a time when parents forsook their children, the friend deserted the friend, and the brother turned away from the sister while her pleadings were still wailing in his ears.

Dim, gradual thinning of the shapeless gloom Shudders to drizzling daybreak that reveals Disconsolate men who stamp their sodden boots And turn dulled, sunken faces to the sky Haggard and hopeless. They, who have beaten down The stale despair of night, must now renew Their desolation in the truce of dawn, Murdering the livid hours that grope for peace. Yet these, who cling to life with stubborn hands, Can grin through storms of death and find a gap In the clawed, cruel tangles of his defence. They march from safety, and the bird-sung joy Of grass-green thickets, to the land where all Is ruin, and nothing blossoms but the sky That hastens over them where they endure Sad, smoking, flat horizons, reeking woods, And foundered trench-lines volleying doom for doom. O my brave brown companions, when your souls Flock silently away, and the eyeless dead, Shame the wild beast of battle on the ridge, Death will stand grieving in that field of war Since your unvanquished hardihood is spent. And through some mooned Valhalla there will pass Battalions and battalions, scarred from hell; The unreturning army that was youth; The legions who have suffered and are dust.

Karl met the eyes that were shifting hardness, that were haggard wells of pain and blame; glimpsed briefly the dissolute bending of the lips and the ravaged face of a youth and a beauty buried alive in a thousand motel rooms, in a thousand awakenings from restless sleep with a stifled cry at remembered grace.

I heard nothing, but ever more clearly as the light of the half-moon grew sharper, I thought I could make out a dark shape, and soon, as it came nearer, I saw it. It sat on a horse, a high-boned, haggard white horse. A dark mantle fluttered across the figure's shoulders, and as he flew past, two burning eyes stared at me out of a pale face.

a face which would have been a very fine one but for its haggardness. Whether this haggardness had aught to do with criminality, could not be determined; since, as intense heat and cold, though unlike, produce like sensations, so innocence and guilt, when, through casual association with mental pain, stamping any visible impress, use one seal--a hacked one.

There are so few people to do the picking. So few people to do anything. And those of us who are left walk around as if we’re half asleep. We are all so tired. I took an apple that was crisp and good and sliced it, thin as paper, and carried it into that dim room where he sits, still and silent. His hand is on the Bible, but he never opens it. Not anymore. I asked him if he’d like me to read it to him. He turned his head to look at me, and I started. It was the first time he’d looked at me in days. I’d forgotten what his eyes could do—what they could make us do—when he stared down from the pulpit and held us, one by one, in his gaze. His eyes are the same, but his face has altered so, drawn and haggard, each line etched deep.

Miss Limpsett was older, uglier and more untidy than I had remembered. She had obviously had a hard and tiring day, for her grey hair was awry as if she had been running her fingers through it, and there was ink on her fingers. Her face was haggard, and it occurred to me that it was not only this day which had been hard and tiring, but all days and even life itself.

and the hand that was obscuring her face was trembling. Lowering her arm, she turned and looked up at Karras, revealing a haggard-eyed, tearstained face. “So what’s doin’?” she said. “What’s new?” Karras studied her before answering, “Well, the latest is I’ve looked at the records from Barringer Clinic and—” “Yes?” Chris interjected tensely. “Well, I believe…” “You believe

It was a September evening, and not yet seven o'clock, but the day had been a dreary one, and a dense drizzly fog lay low upon the great city. Mud-colored clouds drooped sadly over the muddy streets. Down the Strand the lamps were but misty splotches of diffused light which threw a feeble circular glimmer upon the slimy pavement. The yellow glare from the shop-windows streamed out into the steamy, vaporous air, and threw a murky, shifting radiance across the crowded thoroughfare. There was, to my mind, something eerie and ghost-like in the endless procession of faces which flitted across these narrow bars of light,—sad faces and glad, haggard and merry. Like all human kind, they flitted from the gloom into the light, and so back into the gloom once more.

Side by side on the narrow shawl knelt the two wanderers, the little prattling child and the reckless, hardened adventurer. Her chubby face, and his haggard, angular visage were both turned up to the cloudless heaven in heartfelt entreaty to that dread being with whom they were face to face, while the two voices — the one thin and clear, the other deep and harsh — united in the entreaty for mercy and forgiveness.

The yellow glare from the shop-windows streamed out into the steamy, vaporous air, and threw a murky, shifting radiance across the crowded thoroughfare. There was, to my mind, something eerie and ghost-like in the endless procession of faces which flitted across these narrow bars of light,—sad faces and glad, haggard and merry. Like all human kind, they flitted from the gloom into the light, and so back into the gloom once more.

But now, in spite of her smiles and greetings, I failed to recognise her in a lady whose features had so gone to pieces that the outline of her face could not be restored. What had happened was that for three years she had been taking cocaine and other drugs. Her eyes deeply and darkly rimmed were haggard, her mouth had a strange twitch. She had, it seems, got up for this reception though she was in the habit of remaining in bed or on a sofa for months.

He shook his head again. “I’m afraid I don’t feel much of anything these days. Especially not hope. I have no time or energy to waste on false wishes and dreams that won’t come true.” “Hope isn’t about ignorant wishing.” She surprised even herself with her defensive backlash. “Hope is about believing—believing there are better things in store for us if we just wait for them. It’s about understanding we’re not left completely on our own here, regardless of the way things appear.” Lamont snorted. “That ain’t much for a body to go on.” “Perhaps not, but I reckon it’s enough. Sometimes it’s gotta be, anyhow. Without hope, what would drive one onward?” He was silent for a long moment before he looked up and met her eyes. His own eyes displayed no emotion when he answered in a weary, grim tone, “Fear.” He took a drink and fell silent again as she quietly scrutinized him, attempting to discern in his haggard face the thoughts behind what he had said.

sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and died happily with a radiant face. Now joy was turned to mourning, and during all the days of embalming Egypt wept for Ahura until, at length, the time came when her body was rowed

The deaths of writers aren’t special deaths; they just happen to be described deaths. I think of Flaubert lying on his sofa, struck down – who can tell at this distance? – by epilepsy, apoplexy or syphilis, or perhaps some malign axis of the three. Yet Zola called it une belle mort – to be crushed like an insect beneath a giant finger. I think of Bouilhet in his final delirium, feverishly composing a new play in his head and declaring that it must be read to Gustave. I think of the slow decline of Jules de Goncourt: first stumbling over his consonants, the c’s turning to t’s in his mouth; then being unable to remember the titles of his own books; then the haggard mask of imbecility (his brother’s phrase) slipping over his face; then the deathbed visions and panics, and all night long the rasping breaths that sounded (his brother’s words again) like a saw cutting through wet wood. I think of Maupassant slowly disintegrating from the same disease, transported in a strait-jacket to the Passy sanatorium of Dr Blanche, who kept the Paris salons entertained with news of his celebrated client; Baudelaire dying just as inexorably, deprived of speech, arguing with Nadar about the existence of God by pointing mutely at the sunset; Rimbaud, his right leg amputated, slowly losing all feeling in the limbs that remained, and repudiating, amputating his own genius –‘Merde pour la poésie’; Daudet ‘vaulting from forty-five to sixty-five’, his joints collapsing, able to become bright and witty for an evening by giving himself five morphine injections in a row, tempted by suicide –But one doesn’t have the right.

What’s going on, Helen?” Polydeuces came up behind us, followed closely by Castor. They’d been working hard down among the oarsmen again, and it was no pleasure to stand too near them on that windless day. “The usual, from the look of things,” Castor said, glancing at Milo’s sagging body at the rail. He gave the boy an encouraging pat on the back. “Try to drink something, even if you can’t keep your food down, lad,” he said. “Shall I bring you a little watered wine?” Milo lifted his sallow, haggard face and tried to thank my brother for his kindness but had to turn away quickly and spew over the side again. Polydeuces sighed. “How can he still do that? I haven’t seen him eat a bite of food since we boarded. You’d think his gut would be empty by now.” “Maybe it’s a sacred mystery and only the gods know the answer,” Castor said, smiling. “Like the horn of the she-goat who suckled the infant Zeus, the horn he broke off and blessed as soon as he was king of the gods so that it poured out a never-ending stream of food and drink.” “I always thought it was a strange way to thank the poor beast, breaking off one of her horns, Polydeuces said. “But it’s not my place to question the gods.” He, too, patted Milo’s shivering back and added, “So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.

What are you doing here? What have you come for?' 'Work,' said Psmith, with simple dignity. 'I am now a member of the staff of this bank. Its interests are my interests. Psmith, the individual, ceases to exist, and there springs into being Psmith, the cog in the wheel of the New Asiatic Bank; Psmith, the link in the bank's chain; Psmith, the Worker. I shall not spare myself,' he proceeded earnestly. 'I shall toil with all the accumulated energy of one who, up till now, has only known what work is like from hearsay. Whose is that form sitting on the steps of the bank in the morning, waiting eagerly for the place to open? It is the form of Psmith, the Worker. Whose is that haggard, drawn face which bends over a ledger long after the other toilers have sped blithely westwards to dine at Lyons' Popular Cafe? It is the face of Psmith, the Worker.

It was a sordid scene. Philip leaned over the rail, staring down, and he ceased to hear the music. They danced furiously. They danced round the room, slowly, talking very little, with all their attention given to the dance. The room was hot, and their faces shone with sweat. It seemed to Philip that they had thrown off the guard which people wear on their expression, the homage to convention, and he saw them now as they really were. In that moment of abandon they were strangely animal: some were foxy and some were wolflike; and others had the long, foolish face of sheep. Their skins were sallow from the unhealthy life the led and the poor food they ate. Their features were blunted by mean interests, and their little eyes were shifty and cunning. There was nothing of nobility in their bearing, and you felt that for all of them life was a long succession of petty concerns and sordid thoughts. The air was heavy with the musty smell of humanity. But they danced furiously as though impelled by some strange power within them, and it seemed to Philip that they were driven forward by a rage for enjoyment. They were seeking desperately to escape from a world of horror. The desire for pleasure which Cronshaw said was the only motive of human action urged them blindly on, and the very vehemence of the desire seemed to rob it of all pleasure. The were hurried on by a great wind, helplessly, they knew not why and they knew not whither. Fate seemed to tower above them, and they danced as though everlasting darkness were beneath their feet. Their silence was vaguely alarming. It was as if life terrified them and robbed them of power of speech so that the shriek which was in their hearts died at their throats. Their eyes were haggard and grim; and notwithstanding the beastly lust that disfigured them, and the meanness of their faces, and the cruelty, notwithstanding the stupidness which was the worst of all, the anguish of those fixed eyes made all that crowd terrible and pathetic. Philip loathed them, and yet his heart ached with the infinite pity which filled him. He took his coat from the cloak-room and went out into the bitter coldness of the night.

O God of heaven! The dream of horror, The frightful dream is over now; The sickened heart, the blasting sorrow, The ghastly night, the ghastlier morrow, The aching sense of utter woe. The burning tears that would keep welling, The groan that mocked at every tear, That burst from out their dreary dwelling, As if each gasp were life expelling, But life was nourished by despair. The tossing and the anguished pining, The grinding teeth and starting eye; The agony of still repining, When not a spark of hope was shining From gloomy fate's relentless sky. The impatient rage, the useless shrinking From thoughts that yet could not be borne; The soul that was for ever thinking, Till nature maddened, tortured, sinking, At last refused to mourn. It's over now—and I am free, And the ocean wind is caressing me, The wild wind from the wavy main I never thought to see again. Bless thee, bright Sea, and glorious dome, And my own world, my spirit's home; Bless thee, bless all—I cannot speak; My voice is choked, but not with grief, And salt drops from my haggard cheek Descend like rain upon the heath. How long they've wet a dungeon floor, Falling on flagstones damp and grey: I used to weep even in my sleep; The night was dreadful like the day. I used to weep when winter's snow Whirled through the grating stormily; But then it was a calmer woe, For everything was drear to me. The bitterest time, the worst of all, Was that in which the summer sheen Cast a green lustre on the wall That told of fields of lovelier green. Often I've sat down on the ground, Gazing up to the flush scarce seen, Till, heedless of the darkness round, My soul has sought a land serene. It sought the arch of heaven divine, The pure blue heaven with clouds of gold; It sought thy father's home and mine As I remembered it of old. Oh, even now too horribly Come back the feelings that would swell, When with my face hid on my knee, I strove the bursting groans to quell. I flung myself upon the stone; I howled, and tore my tangled hair; And then, when the first gust had flown, Lay in unspeakable despair. Sometimes a curse, sometimes a prayer, Would quiver on my parchèd tongue; But both without a murmur there Died in the breast from whence they sprung. And so the day would fade on high, And darkness quench that lonely beam, And slumber mould my misery Into some strange and spectral dream, Whose phantom horrors made me know The worst extent of human woe. But this is past, and why return O'er such a path to brood and mourn? Shake off the fetters, break the chain, And live and love and smile again. The waste of youth, the waste of years, Departed in that dungeon thrall; The gnawing grief, the hopeless tears, Forget them—oh, forget them all!

SPOILER ALERT - DO NOT READ UNLESS YOU'VE FINISHED THE BOOK. THIS IS NOT SO MUCH A QUOTE AS IT IS A MEMORY FOR MY PERSONAL ENJOYMENT LATER. Lee said, "Thank you, Adam. I know how hard it is. I'm going to ask you to do a much harder thing. Here is your son -- Caleb -- your only son. Look at him, Adam!" The pale eyes looked until they found Cal. Cal's mouth moved dryly and made no sound. Lee's voice cut in, "I don't know how long you will live, Adam. Maybe a long time. Maybe an hour. But your son will live. He will marry and his children will be the only remnant left of you," Lee wiped his eyes with his fingers. "He did a thing in anger, Adam, because he thought you had rejected him. The result of his anger is that his brother and your son is dead." Cal said, "Lee -- you can't." "I have to," said Lee. "If it kills him I have to. I have the choice," and he smiled sadly and quoted, "'If there's blame, it's my blame.'" Lee's shoulders straightened. He said sharply, "Your son is marked with guilt out of himself -- out of himself -- almost more than he can bear. Don't crush him with rejection. Don't crush him, Adam." Lee's breath whistled in his throat, "Adam, give him your blessing. Don't leave him alone with his guilt. Adam, can you hear me? Give him your blessing!" A terrible brightness shone in Adam's eyes and he closed them and kept them closed. A wrinkle formed between his brows. Lee said, "Help him, Adam -- help him. Give him the chance. Let him be free. That's all a man has over the beasts. Free him! Bless him!" The whole bed seemed to shake under the concentration. Adam's breath came quick with the effort and then, slowly, his right hand lifted -- lifted an inch and then fell back. Lee's face was haggard. He moved to the head of the bed and wiped the sick man's damp face with the edge of the sheet. He looked down at the closed eyes. Lee whispered, "Thank you, Adam -- thank you, my friend. Can you move your lips? Make your lips form his name." Adam looked up with sick weariness. His lips parted and failed and he tried again. Then his lungs filled. He expelled the air and his lips combed the rushing sigh. His whispered word seemed to hang in the air: "Tishmel!" His eyes closed and he slept.

—I was on night duty… Went to the ward of the badly wounded. There was a captain there… The doctors warned me before I started my shift that he would die during the night. Wouldn’t make it till morning… I ask him: “How are things? Anything I can do for you?” I’ll never forget it… He suddenly smiled, such a bright smile on his haggard face: “Unbutton your coat… Show me your breast… I haven’t seen my wife for so long…” I was totally at a loss, I’d never even been kissed before. I gave him some answer. I ran away and came back an hour later. He lay dead. And still had that smile on his face…

Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and died happily with a radiant face. Now joy was turned to mourning, and during all the days of embalming Egypt

to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day

With her purple hair, leather jacket with a decal of two dragons on the back, and tough-as-nails boots, Mal had trouble written all over her—which was precisely what she was going for. The bilious green spray paint spelled out LONG LIVE EVIL. Mal holstered her paint can, reveled in her work, and stepped into the bustling marketplace, where she was quickly swept up in the throng and blended into the sea of haggard, worn faces.

He is haggard, he is pale. A handsome young man, brown eyes and brown hair, something in his face that will never be at ease.

Oh, for Christ’s sake!” he screamed, smashing his fist down on the table. “Where have you been all these years? What sort of world do you think you’re living in?” His blow had upset his water glass and the water went spreading in dark stains over the lace of the tablecloth. “I’m trying to find out,” she whispered. Her shoulders were sagging and her face looked suddenly worn, an odd, aged look that seemed haggard and lost. “I couldn’t help it!” he burst out in the silence. “I’m not to blame! I have to take things as I find them! It’s not I who’ve made this world!” He was shocked to see that she smiled—a smile of so fiercely bitter a contempt that it seemed incredible on her gently patient face; she was not looking at him, but at some image of her own. “That’s what my father used to say when he got drunk at the corner saloon instead of looking for work.

Came out as Prince Rowan Whitethorn landed on the main deck, face haggard, eyes full of nothing but fear as Aedion burst out the door, Dorian on his heels, sporting an already-nasty bruise around his eye.

his face drawn and haggard from lack of sleep, for he hadn’t allowed himself any in days, so afraid was he of his dreams.

On the haggard face of every man among these prisoners, the same expression sat. I know not what to liken it to. It had something of that strained attention which we see upon the faces of the blind and deaf, mingled with a kind of horror, as though they had all been secretly terrified.

She scanned the captives, looking for Shay and David. The familiar faces in the crowd were haggard, dirty, crumpled by shock and defeat, but Tally realized that she no longer thought of them as ugly. It was the cold expressions of the Specials, beautiful though they were, that seemed horrific to her now. A

After an eternity she tries to rise. When was it that she had slunk and crouched on the tiles like a haggard waif? Black crows fly down to feast on her eyes. Trembling, her body summons its strength to stand against the swirling mass around her. A long strand of hair falls across her face. She does not bother to brush it back. Instead it stays there like a fly stuck in ointment, strands glued to her tear stained face. Steadying herself on the kitchen bench she edges her way toward the sink to fill a glass of water. Breathe Lisa! Her troubled mind instructs.

lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura

On, on we went, till at last the east began to blush like the cheek of a girl. Then there came faint rays of primrose light, that changed presently to golden bars, through which the dawn glided out across the desert. The stars grew pale and paler still, till at last they vanished; the golden moon waxed wan, and her mountain ridges stood out against her sickly face like the bones on the cheek of a dying man. Then came spear upon spear of light flashing far away across the boundless wilderness, piercing and firing the veils of mist, till the desert was draped in a tremulous golden glow, and it was day.

nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and died happily with a radiant face. Now

She wasn’t sure how much time passed—it could have been hours—when something roused her. With a start she opened her eyes. It took her a moment to realize Connell was sitting next to her and that he’d tucked her into the crook of his arm with her head against his chest. The steady thud of his heartbeat echoed against her ear. His face was haggard with weariness, a testimony to the sleeplessness and danger he’d endured all night. She had no doubt it was well into the morning and that the threat of wolves was over for at least the time being; otherwise he wouldn’t have allowed himself the luxury of breaking his vigilance. Her parched tongue stuck to the roof of her mouth, and her body ached with feverish chills. She was sick. The peril of their predicament returned with a fresh wave of fear. One glance across the shack to the door, to the dead wolf, to the blood now crusted brown, and the terror of the night crashed back through her. How could they survive another day? Or another night?

proud and commanding was her mien and so terrible the import of her words, that these rough hinds shrank away from her and the woman hid her face in her hands. But Sir John thundered threats and oaths at them, so that slowly and unwillingly

I wrought me a lyric of fire and fear, And called on the world to heed — Till strong men blenched at my haggard face And shuddered, but would not read. So I stole me the gold of the mines of Joy And fashioned a conscious lie — And they gave me the wreath of the kings of Song And prayed that I might not die! (For the lie that I wrought was as old as the world And dear as the vision of Heaven — Of the crimson lure of a maiden's lips And the myth of a sin forgiven!) But my heart was sick, and my soul grew less, With the light of my failing days, Because I had lied to my Knowledge-God For the pottage of human praise. O I clung to the rim of the cliffs of Hell And called on an empty Name — Till there dropped the tears of a weeping Truth And saved my soul from the flame. So I hid my soul in a maiden's hair, And climbed to a clearer view — And I found I had lied to a lying God, And the myth I had sung - was true!

A haggard man used one of the huts as a home. He lay on a sagging mattress, his head on his pack, surrounded by rubbish - paper, porcelain shards, food remains and unidentifiable debris. His hand was over his eyes. He looked like a failed soldier. Dirt seemed so worked into him that the lines of his face were like writing.

Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the

to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the

fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of

rhetor­i­cal gar­den paths are endemic to coun­try music, often tak­ing the form of decon­structed idiomatic expres­sions. In George Strait’s “You Look So Good in Love,” by Glen Bal­lard, Roury Michael Bourke, and Kerry Chater, the word “in” is a hinge, turn­ing from a phys­i­cal descrip­tor to a state of being. Liz Anderson’s “(My Friends Are Gonna Be) Strangers,” as sung by Merle Hag­gard, includes a line in which both the fig­u­ra­tive and lit­eral con­no­ta­tions of an idiom are simul­ta­ne­ously at play: “The only thing I can count on now is my fingers.” These phrases work by refus­ing to take a metaphor at face value. If a metaphor is a sub­sti­tu­tion of one thing for another, leav­ing the word itself absent in its own descrip­tion, the dou­ble enten­dres of coun­try songs are the return of the repressed.

Michelle was shocked at how many beauty products were marketed at balm for swollen eyes. She imagined thousands of female consumers sobbing hysterically all night and acting like there was no problem by day, smearing cream into their haggard faces at the bathroom mirror. She was part of a demographic.

At dawn, King Lír rose up and saddled his horse. Before he mounted, he said to Schmendrick and Molly, “I would like it if you came to see me one day.” They assured him that they would, but still he lingered with them, twisting the dangling reins about his fingers. “I dreamed about her last night!” he said. Molly cried, “So did I!” and Schmendrick opened his mouth, and then closed it again. King Lír said hoarsely, “By our friendship, I beg you—tell me what she said to you.” His hands gripped one hand of each of theirs, and his clutch was cold and painful. Schmendrick gave him a weak smile. “My lord, I so rarely remember my dreams. It seems to me that we spoke solemnly of silly things, as one does—grave nonsense, empty and evanescent—” The king let go of his hand and turned his half-mad gaze on Molly Grue. “I’ll never tell,” she said, a little frightened, but flushing oddly. “I remember, but I’ll never tell anyone, if I die for it—not even you, my lord.” She was not looking at him as she spoke, but at Schmendrick. King Lír let her hand fall as well, and he swung himself into the saddle so fiercely that his horse reared up across the sunrise, bugling like a stag. But Lír kept his seat and glared down at Molly and Schmendrick with a face so grim and scored and sunken that he might well have been king as long as Haggard before him. “She said nothing to me,” he whispered. “Do you understand? She said nothing to me, nothing at all.” Then his face softened, as even King Haggard’s face had gone a little gentle when he watched the unicorns in the sea. For that moment he was again the young prince who had liked to sit with Molly in the scullery. He said, “She looked at me. In my dream, she looked at me and never spoke.” He rode away without good-bye, and they watched after him until the hills hid him: a straight, sad horseman, going home to be king.

Sometimes, I woke in the middle of the night, unable even to move. It felt like there was a terrible demon weight pressing down on my chest, and I would lie there until dawn, when the demon would lift enough for me to drag myself from bed, stare into the mirror at my haggard, bloodshot eyes, and begin the lengthy ritual of skin care and makeup and outfit selection that I needed in order to face the day.

Death was constantly on her mind. She thought about it every time she looked at Knight's pale and haggard face--his sunken cheeks, his thin lips, his hollow eyes.

I am in a sun-filled tent, and my father's face, wrinkled, drawn, and pinched with worry, grows clear. He kneels beside my head, and as I look at him and ask, disbelievingly, I live? a smile widens, smoothing the creases at his brow and mouth... Tristan sits beside Lavain, his golden eyes so filled with fear, his face haggard and fraught with shadows. Elaine, he breathes, thank God.

A haggard woman ran into the main hall, which had been steadily clearing out as Zorlando gave his rambling report to me.  Her eyes locked onto mine.  In a furious scream, she shrieked, “What did you do to my husband?” “Dum Dum, hide.  It’s a banshee!” warned Shart. AvaSophia charged the podium.  Zorlando stepped back, allowing her to walk right over to my hologram.  She went to hit me, swinging her hand right through my face.  “He’s broken!” she cried out as her hand missed.  “You broke my Fenris!” ​“Oh, never mind.  It’s just her,” Shart sighed.  His typing resumed.

He clutched at my fingers--a spasm, perhaps, for the touch relaxed almost instantly. 'Jane.' 'My lord.' He smiled faintly, a curving of the lips; but the face was so haggard, and beaded with sweat. 'You cry, dear? Waste. Should've married you years ago.

Have you forgotten yet? Look down, and swear by the slain of the War that you’ll never forget. Do you remember the dark months you held the sector at Mametz— The nights you watched and wired and dug and piled sandbags on parapets? Do you remember the rats; and the stench Of corpses rotting in front of the front-line trench— And dawn coming, dirty-white, and chill with a hopeless rain? Do you ever stop and ask, ‘Is it all going to happen again?’ Do you remember that hour of din before the attack— And the anger, the blind compassion that seized and shook you then As you peered at the doomed and haggard faces of your men? Do you remember the stretcher-cases lurching back With dying eyes and lolling heads—those ashen-grey Masks of the lads who once were keen and kind and gay?

A face moved into view. Not the Starved One I usually saw. It was a woman, face pale and haggard. “My son.” I gasped at the words. Never had I heard words before. “If they find out what you really are, they will end you.” A male voice answered, distorted and grief-stricken. “I have no magic without you. Please. Don’t leave me.” “My death will give you enough for five years. But you must find the mist-staff by your thirtieth birthday.” “No! No, mother, you can’t!” The woman’s face faded from view and then eyes shone out of the patchy gloom left behind.

Paint that when we get home. Busybody. I peered over my shoulder to Rhys, who stepped up to our little circle in the grass. His face remained more haggard than usual, lines of strain bracketing his mouth. And I realised... I would not get that last night with him. Last night- that had been the final night. We'd spent it winnowing- Don't think like that. Don't go into this battle thinking you won't walk off again. His gaze was sharp. Unyielding. Breathing became difficult. This break is the last time we'll all be here- talking. For this final leg of the march we were about to embark on... It would take us right to the battlefield. Rhys lifted a brow. Would you like to go into that wagon for a few minutes, then? It's a little cramped between the weapons and supplies, but I can make it work.

Her face was haggard and drawn. Long vanished was the bloom of the pretty Faerie princess who had danced with her Chhayan sailor in the moonlight. She was the most beautiful woman in the world.

Rapidly covering the general as he ran, I let drive with the second barrel. Instantly the poor man threw up his arms, and fell forward on to his face. This time I had made no mistake; and - I say it as a proof of how little we think of others when our own safety, pride, or reputation is in question - I was brute enough to feel delighted at the sight.

The inside of the tavern was well lit and filled with men and women in plain but sturdy clothes, most covered with some kind of fur, as though everyone worked with animals. They didn’t have the look of farmers. An odd stink rode under the scents of roasted meat and bread, but the food made his stomach grumble loudly. It was all he could do to keep from launching himself onto the nearest plate. Conversation died as everyone stopped what they were doing and turned to look at him. “Ah, hello.” He gathered his courage. This was just like reading poetry, but subtract poems and add people casually placing hunting knives and daggers on their tables. One of the women was filing her fingernails into sharp points, like claws. Just like reading poetry. G regathered his courage and strode to the far end of the room, toward the bar. He had to squeeze in between two burly men with tear-shaped scars on their faces. They all smelled vaguely like wet dog. A young man at the end of the bar leaned forward and smirked at him in a decidedly unpleasant manner. The bartender eyed him. “What do you want?” “I—” G had never needed to admit to not having money before. “I don’t suppose you have any work that needs doing around here?” “Work?” This fellow clearly had not so much brain as ear wax. “I could clean the tables or scrub the floor.” The bartender pointed to a haggard-looking serving wench, who scowled at him. “Nell here does that.” “Or I could peel potatoes. Or carrots. Or onions. Or any root vegetable, really.” G had never peeled anything before, but how hard could it be? “We have someone who does that, too,” the man said. “Why don’t you push off. This isn’t the place for you.” G would have suggested yet more menial tasks he’d never attempted, but at that moment, he put together the hints: the wet-dog smell; the fur on everyone’s clothes; the defensive/protective behavior when he, a stranger, entered. That, and they were eating beef. Cow. Possibly that village’s only cow. All at once, he knew. This was the Pack. “Er, yes, perhaps I should be pushing off, as you suggest—” he started to say. “Rat!” Someone near the door lurched from his chair, making it topple over behind him. “There’s a rat!” It couldn’t be Jane, he thought. He’d told her to stay put. “It’s not a rat, you daft idiot,” cried another. “It’s a squirrel!” “It’s some kind of weasel!” Bollocks. It was his wife. “It’s dinner, that’s what it is.” That was the man directly to G’s right. “And he’s a spy. Asking all those questions about vegetables.” “She’s clearly a ferret!” G yelled as he lunged toward the dear little creature dashing about on the floor. 

The concept of beauty changes with a camera. Some ordinary people come alive behind the lens. Something about the way the light hits them, and suddenly they are utterly beautiful. Haggard, craggy lines can be wondrous. Utterly breathtaking faces can fall oddly flat.

Skelton asked bluntly. “Um, um… you’ve changed your suit…” Karen offered as she pointed towards him. “Ten out of ten for observation skills, Karen.” Karen waited for an explanation, and when one wasn’t forthcoming, she continued to fill the silence. She updated him on the meeting with DI Morton over in Kingston, and her new focus of attention. Despite sounding positive and encouraged by her visit, Karen couldn’t help notice how Skelton appeared more jittery than usual. His phone rested on the desk, and his eyes kept drifting to it, as if expecting a message or urgent phone call. Come to think of it, Karen thought he looked far worse than normal. His face looked haggard and tired, the slight bruising only adding to his untidy look and his weary frame. He was present, but

Gregori met Jacques’s eyes over Mikhail’s head. He was not going to allow the couple to die. It was up to them to heal her. “I will do it, Jacques.” It wasn’t a request. The air stirred beside them, and Celeste materialized with Eric. “He chooses to follow her,” she said softly. “He loves her that much.” “It is already known?” Jacques asked. “He is withdrawing,” Eric answered. “All Carpathians can feel it. Is there a chance to save them?” Jacques looked up, his handsome face haggard, his dark eyes, so like Mikhail’s, grief-stricken. “She fights for him. She knows he will choose to follow her.

In the hour of their disspiritedness, the haggard face and form that drooped and fainted were authentic enough They had worked hard and hoped hard, and their disappointment was as great as their expectations had been. But the money movtie demeans the. They were in no race for wealth - that was precisely what disgusted Grandfather with the mining business. They were makers and doers, they wanted to take a piece of wilderness and turn it into a home for a civilization. I suppose they were wrong - their whole civilization was wrong - but they were the antithesis of mean or greedy. Given the choice, any one of them would have chosen poverty, with the success of their project, over wealth and its failure.