Gypsy Quotes

Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape

The bridge will only take you halfway there, to those mysterious lands you long to see. Through gypsy camps and swirling Arab fair, and moonlit woods where unicorns run free. So come and walk awhile with me and share the twisting trails and wondrous worlds I've known. But this bridge will only take you halfway there. The last few steps you have to take alone.

Things have a life of their own," the gypsy proclaimed with a harsh accent. "It's simply a matter of waking up their souls.

There's a race of men that don't fit in, A race that can't sit still; So they break the hearts of kith and kin, And they roam the world at will. They range the field and rove the flood, And they climb the mountain's crest; Their's is the curse of the gypsy blood, And they don't know how to rest.

Have you ever met someone for the first time, but in your heart you feel as if you’ve met them before?

She's an old soul with young eyes, a vintage heart, and a beautiful mind.

There is something in October sets the gypsy blood astir: We must rise and follow her, When from every hill of flame She calls, and calls each vagabond by name.

In the first few seconds an aching sadness wrenched his heart, but it soon gave way to a feeling of sweet disquiet, the excitement of gypsy wanderlust

Wildflower; pick up your pretty little head, It will get easier, your dreams are not dead.

Come on, Gypsy girl. I'm bleeding to death here, in case you haven't noticed. At least make it worth my while and kiss me before I die.

I regained my soul through literature after those times I'd lost it to wild-eyed gypsy girls on the European streets.

She will blaze through you like a gypsy wildfire. Igniting you soul and dancing in its flames. And when she is gone, the smell of her smoke will be the only thing left to soothe you.

She was born to be free, let her run wild in her own way and you will never lose her.

Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.

She was like the sun, She knew her place in the world - She would shine again regardless of all the storms and changeable weather She wouldn't adjust her purpose for things that pass.

Rain makes me feel less alone. All rain is, is a cloud- falling apart, and pouring its shattered pieces down on top of you. It makes me feel good to know I'm not the only thing that falls apart . It makes me feel better to know other things in nature can shatter.

Wild woman are an unexplainable spark of life. They ooze freedom and seek awareness, they belong to nobody but themselves yet give a piece of who they are to everyone they meet. If you have met one, hold on to her, she'll allow you into her chaos but she'll also show you her magic.

When I speak of home, I speak of the place where in default of a better--those I love are gathered together; and if that place where a gypsy's tent, or a barn, I should call it by the same good name notwithstanding.

We still name our military helicopter gunships after victims of genocide. Nobody bats an eyelash about that: Blackhawk. Apache. And Comanche. If the Luftwaffe named its military helicopters Jew and Gypsy, I suppose people would notice.

I am a wild woman. it would take a warrior to tame my spirit.

There's only one place I want to go and it's to all the places I've never been.

He shakes his head with a slow smile. You'd better be right. If the phone rings, I'm unpluggining it, I swear to God-“ You'd do that to your five-year-old sister?“ I gasp in mock outrage. For one whole night alone? Jesus, Maya, I'd sell her to the gypsies!

With her enchanting songs, her rare beauty, and clever tricks, this wild 'wanderess' ensnared my soul like a gypsy-thief, and led me foolish and blind to where you find me now. The first time I saw her, fires were alight. It was a spicy night in Barcelona. The air was fragrant and free.

And you, my Sassenach? What were you born for? To be lady of a manor, or to sleep in the fields like a gypsy? To be a healer, or a don's wife, or an outlaw's lady?" "I was born for you," I said simply, and held out my arms to him.

Yeah, well this Gypsy girl happens to have a grandma that can curse you so bad that your dick will turn black and fall off, so watch your step, Spartan.

It'll be okay, I promise. No matter what I see or feel. You'll still be Logan and I'll still be your Gypsy girl.

Everything that occurs out of necessity, everything expected, repeated day in and day out is mute. Only chance can speak to us. We read its message much as gypsies read the images made by coffee grounds at the bottom of the cup.

Sea-fever I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking. I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover And quiet sleep and a sweet dream when the long trick's over.

As she walked along she dramatized the night. There was about it a wild, lawless charm that appealed to a certain wild, lawless strain hidden deep in Emily’s nature—the strain of the gypsy and the poet, the genius and the fool.

Will: I say we sell her to the Gypsies on Hampstead Heath. I hear they puchase spare women as well as hoses. Charlotte: Will, stop it. That's ridivulous. Will:You're right. They'd never buy her. Too scrawny.

Jasmine smirke at the weapon in my hand. "That little toothpick won't save you, Gypsy." "Touthpick?" Vic muttered in an indignant voice. “Did she just call me a bleeding toothpick? Kill her! Kill her now!

You can love her with everything you have and she still wont belong to you. She will run wild with you, beside you with everystep but let me tell you something about women who run with wolves, their fierce hearts dont settle between walls and their instinct is stronger than upbringing. Love her wild or leave her there.

On the blue summer evenings, I will go along the paths, And walk over the short grass, as I am pricked by the wheat: Daydreaming I will feel the coolness on my feet. I will let the wind bathe my bare head. I will not speak, I will have no thoughts: But infinite love will mount in my soul; And I will go far, far off, like a gypsy, through the countryside - as happy as if I were with a woman. "Sensation

Don't compare her to sunshine and roses when she's clearly orchids and moonlight.

First of all, they came to take the gypsies and I was happy because they pilfered. Then they came to take the Jews and I said nothing, because they were unpleasant to me. Then they came to take homosexuals, and I was relieved, because they were annoying me. Then they came to take the Communists, and I said nothing because I was not a Communist. One day they came to take me, and there was nobody left to protest. Bertold Brecht, inspired by Emil Gustav Friedrich Martin Niemöller

She was a gypsy, as soon as you unravelled the many layers to her wild spirit she was on her next quest to discover her magic. She was relentless like that, the woman didn't need no body but an open road, a pen and a couple of sunsets.

Ghost?” St. Vincent shot him an incredulous glance. “Christ. You’re not serious, are you?” "I’m a Gypsy,” Cam replied matter-of-factly. “Of course I believe in ghosts.” “Only half Gypsy. Which led me to assume that the rest of you was at least marginally sane and rational.” “The other half is Irish,” Cam said a touch apologetically. “Christ,” St. Vincent said again, shaking his head as he strode away.

Anarchists did not try to carry out genocide against the Armenians in Turkey; they did not deliberately starve millions of Ukrainians; they did not create a system of death camps to kill Jews, gypsies, and Slavs in Europe; they did not fire-bomb scores of large German and Japanese cities and drop nuclear bombs on two of them; they did not carry out a ‘Great Leap Forward’ that killed scores of millions of Chinese; they did not attempt to kill everybody with any appreciable education in Cambodia; they did not launch one aggressive war after another; they did not implement trade sanctions that killed perhaps 500,000 Iraqi children. In debates between anarchists and statists, the burden of proof clearly should rest on those who place their trust in the state. Anarchy’s mayhem is wholly conjectural; the state’s mayhem is undeniably, factually horrendous.

He felt like home.

You won't hurt me. I know you won't." Logan said. "How can you be so sure?" I whispered. "Because you're that Gypsy girl, and I'm the bad-boy Spartan. And I think it's time we were finally together, don't you?

She had acquired some of his gypsy ways, some of his nonchalance, his bohemian indiscipline. She had swung with him into the disorders of strewn clothes, spilled cigarette ashes, slipping into bed all dressed, falling asleep thus, indolence, timelessness...A region of chaos and moonlight. She liked it there.

What is this gypsy passion for separation, this readiness to rush off when we've just met? My head rests in my hands as I realize, looking into the night that no one turning over our letters has yet understood how completely and how deeply faithless we are, which is to say: how true we are to ourselves.

This is your karma. You do not understand now, but you will understand later. The source of pain is within your own larger expression of being.

She is of the strangest beauty and the darkest courage, and when she walks with intent the earth trembles beneath her feet.

Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains. Marcos is all the exploited, marginalised, oppressed minorities resisting and saying `Enough'. He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable -- this is Marcos.

I said, but I have to go, there are so many places calling my name.

Wildflowers can't be controlled, and neither can the girl with a soul boundless as the sky, and a spirit as free and wild as the ocean.

I am an artist, my hair is rarely tamed & sometimes I sleep till noon, My house is messy and I speak to the moon. I care less about the materials that I share with my world and more about the passion inside myself. Im an artist, what more can you expect? i am full of soul, love and all the rest.

Let me make sure I have this straight. The cavalry just now rode into town and it's a Czech Gypsy porn-star zombie killer. Have I got that right?

We were just talking about you," Jessamine said as Tessa found a seat. She pushed a sliver toast rack across the table towards Tessa. "Toast?" Tessa, picking up her fork, looked around the table anxiously. "What about me?" "What to do with you, of course Downworlders can't live in the Institute forever," said Will. "I say we sell her to the Gypsies on Hampstead Heath," He added, turning to Charlotte. "I hear they purchase spare women as well as horses." "Will, stop it." Charlotte glanced up from her breakfast. "That's ridiculous." Will leaned back in his chair. "You're right. They'd never buy her. Too scrawny.

If you married me,it would be scandalous and innapropriate, and doors would be closed to you." "Good God, woman, I let two of my sisters marry Gypsies. Those doors have already been closed, bolted, and nailed shut.

Only a female could be as calculating and have the foresight that destiny requires,' the gypsy explained. 'Now fate is a man,' he went on, 'no planning, just go with the flow and see what tomorrow brings.

The term bohemian has a bad reputation because it's allied to myriad clichés, but Parisians originally adopted the term, associated with nomadic Gypsies, to describe artists and writers who stayed up all night and ignored the pressures of the industrial world.

I love the Autumn, And yet I cannot say All the thoughts and things That make me feel this way. I love walking on the angry shore, To watch the angry sea; Where summer people were before, But now there's only me. I love wood fires at night That have a ruddy glow. I stare at the flames And think of long ago. I love the feeling down inside me That says to run away To come and be a gypsy And laugh the gypsy way. The tangy taste of apples, The snowy mist at morn, The wanderlust inside you When you hear the huntsman's horn. Nostalgia - that's the Autumn, Dreaming through September Just a million lovely things I always will remember.

I have always considered myself a person with a gypsy heart, and I Surrender my dreams to my soul, for it's a free sprit who believes in no boundaries of region and religion.

Confucius said, “Before embarking upon a journey of revenge, dig two graves.” I planned to dig seven.

Oh darling, your only too wild, to those whom are to tame, don't let opinions change you.

In an era where women undress their outfits & give their bodies so carelessly, become the rare wild woman that undresses her mind and soul & knows the worth of what she has to offer.

Well I see you there with the rose in your teeth One more thin gypsy thief Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried. And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear

Healing your wounds will hurt, so cry. Cry your pretty little heart out until you have nothing left to shed, that's how beauty is grown; through the darkest of our days we become the light.

From midnight to 4: 00 AM is the loneliest time in the world. Because for those of us too sad to sleep, the only thing we have to look at is an empty bed, and the only thing we have to think of is every single person who didn't want to fill it tonight.

Chance and chance alone has a message for us. Everything that occurs out of necessity, everything expected, repeated day in and day out, is mute. Only chance can speak to us. We read its message much as gypsies read the images made by coffee grounds at the bottom of a cup.

These people will try to manipulate you, try to bring you down but remember baby girl you are a queen, own your crown.

I'm just an insomniac struggling for a night where I don't dream of you anymore.

The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.

All my life I've always come back to one thing, my need to feel free and the need to feel the breeze, the ride provides a freedom this gypsy needs, where every road is another blessed memory, a new experience to carry inside my journey, a sense of belonging to a familiar tribe, a brotherhood that goes beyond a bloodline.

With your silhouette when the sunlight dims Into your eyes where the moonlight swims, And your match-book songs and your gypsy hymns, Who among them would try to impress you? -Bob Dylan, "Sad-Eyed Lady of the Lowlands” (1966)

Many speak to her but she's looking for the one who knows her souls language.

It’s true what they say—keep your friends close and your enemies closer. Only, they forgot to add: Don’t keep your enemies so close that they can strike without warning.

Let me walk you to your room," Logan offered in a helpful voice. "You, me, and the Gypsy girl could have our own bonfire tonight." Daphne and I stared at each other. I rolled my eyes while Daphne sniffed. "Oh, please," she scoffed. "Like I need a guy to protect me. I'm a Valkyrie, remember? I could pick you up and break your back over my knee, Spartan. Like you were a piñata." "Kinky," Logan said, smiling at her. "I like it." She snorted. "Save the smarmy charm for Gwen. We all know that she's the one you're really trying to impress anyway." We did? Because I hadn't gotten that message at all.

Tea leaves thwart those who court catastrophe, designing futures where nothing will occur: cross the gypsy’s palm and yawning she will still predict no perils left to conquer. Jeopardy is jejune now: naïve knight finds ogres out-of-date and dragons unheard of, while blasé princesses indict tilts at terror as downright absurd.

I am illegitimate," she said distinctly, as if he were a foreigner trying to learn English. "You are a viscount. You can't marry a bastard." "What about the Duke of Clarence? He had ten bastard children by that actress...what was her name..." "Mrs. Jordan." "Yes, that one, Their children were all illegitimate, but some of them married peers." "You're not the Duke of Clarence." "That's right. I'm not a blueblood any more than you are. I inherited the title purely by happenstance" "That doesn't matter. If your married me, it would be scandalous and inappropriate, and doors would be closed to you." "Good God, woman, I let two of my sisters marry Gypsies. Those doors have already been closed, bolted, and nailed shut.

At the end of the street was a large glass box with a female mannequin inside it, dressed as a gypsy fortune teller. “Now,” said Wednesday, “at the start of any quest or enterprise it behooves us to consult the Norns.” He dropped a coin into the slot. With jagged, mechanical motions, the gypsy lifted her arm and lowered it once more. A slip of paper chunked out of the slot. Wednesday took it, read it, grunted, folded it up and put it in his pocket. “Aren’t you going to show it to me? I’ll show you mine,” said Shadow. “A man’s fortune is his own affair,” said Wednesday, stiffly. “I would not ask to see yours.” Shadow put his own coin into the slot. He took his slip of paper. He read it. EVERY ENDING IS A NEW BEGINNING. YOUR LUCKY NUMBER IS NONE. YOUR LUCKY COLOUR IS DEAD. Motto: LIKE FATHER, LIKE SON. Shadow made a face. He folded the fortune up and put it inside his pocket.

And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter-- Bess, the landlord's daughter-- Plaiting a dark red love-knot into her long black hair.

I'm not a girl that will lay in diamonds but I will run through the flowers of the seeds we plant together.

She was always fighting a battle but her smile would never tell you so.

What a rebellious act it is to love yourself naturally in a world of fake appearances.

Purpose and passion - purpose is what will guide you to your best self and the passion will keep you there.

…though I wouldn’t have admitted it, even to myself, I didn’t want God aboard. He was too heavy. I wanted Him approving from a considerable distance. I didn’t want to be thinking of Him. I wanted to be free—like Gypsy. I wanted life itself, the color and fire and loveliness of life. And Christ now and then, like a loved poem I could read when I wanted to. I didn’t want us to be swallowed up in God. I wanted holidays from the school of Christ.

I am a lover of words and tragically beautiful things, poor timing and longing, and all things with soul, and I wonder if that means I am entirely broken, or if those are the things that have been keeping me whole.

The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.

Her skin smells of vintage books and pale moonlight, exotic things, forbidden loves and rainy nights.

I think it's important as a women to know who you are and what you deserve. We, ourselves set the boundaries of what we choose to accept. Instead of complaining about the men who's actions don't fit your own & move on and find one that does.

Stories are made about girls like you. The wild ones, those rare faces that smile in the midst of chaos.

I swear that girl was born with a pen in her hand, the moon in her hair, and stars in her soul.

Her love is rare but she'll keep you wild.

I am running and singing and when it’s raining I’m the only one left on the open street, smiling with my eyes fixed on the sky because it’s cleaning me. I’m the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. I’m the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever I’ve made of myself.

There's something about kindred spirits, you meet them and for a moment this world no matter ugly, makes sense. They bring a sense of freedom and clarity to one conversation; just enough to remind you of who you are.

When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death… And they should! ...For they are 'in' life.

On the whole, lying is a cheerful affair. Embellishments are intended to give pleasure. People long to tell you what they imagine you want to hear. They want to amuse you; they want to amuse themselves; they want to show you a good time. This is beyond hospitality. This is art.

There are growing domestic social and economic problems, in fact, maybe catastrophes. Nobody in power has any intention of doing anything about them. If you look at the domestic programs of the administrations of the past ten years-I include here the Democratic opposition-there's really no serious proposal about what to do about the severe problems of health, education, homelessness, joblessness, crime, soaring criminal populations, jails, deterioration in the inner cities - the whole raft of problems... In such circumstances you've got to divert the bewildered herd, because if they start noticing this they may not like it, since they're the ones suffering from it. Just having them watch the Superbowl and the sitcoms may not be enough. You have to whip them up into fear of enemies. In the 1930s Hitler whipped them into fear of the Jews and gypsies. You had to crush them to defend yourselves. We have our ways, too. Over the last ten years, every year ot two, some major monster is constructed that we have to defend ourselves against.

This is why tyrants of all stripes, infernal servants, have such deep-seated hatred for the nomads - this is why they persecute the Gypsies and the Jews, and why they force all free peoples to settle, assigning the addresses that serve as our sentences. What they want is to create a frozen order, to falsify time's passage. They want for the days to repeat themselves, unchanging, they want to build a big machine where every creature will be forced to take its place and carry out false actions. Institutions and offices, stamps,newsletters, a hierarchy, and ranks, degrees, applications and rejections, passports, numbers, cards, elections results, sales and amassing points, collecting, exchanging some things for others. What they want is to pin down the world with the aid of barcodes, labelling all things, letting it be known that everything is a commodity, that this is how much it will cost you. Let this new foreign language be illegible to humans, let it be read exclusively by automatons, machines. That way by night, in their great underground shops, they can organize reading of their own barcoded poetry. Move. Get going. Blesses is he who leaves.

Give me priests. Give me men with feathers in their hair, or tall domed hats, female oracles in caves, servants of the python, smoking weed and reading palms. A gypsy fortuneteller with a foot-peddle ouija board and a gold fish bowl for a crystal ball knows more about the world than many of the great thinkers of the West. Mumbling priests swinging stink cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it

I am who I say I am, I'm not some fantasy of how you think you think you know or who I ought to be. I am a girl who is growing up in my own sweet time, I am a girl who knows enough to know this life is mine. I am this and I am that and I am everything in-between. I'm a dreamer, I'm a dancer, I'm a part-time drama queen. I'm a worrier, I'm a warrior, I'm a loner and a friend, I'm an outspoken defender of justice to the end. I'm the girl in the mirror who likes the girl she sees, I'm the girl in the gypsy shawl with music in her knees. I'm a singer and a scholar, I'm a girl who has been kissed. I'm a solver of equations wearing bangles on my wrist. I am bigger than i ever knew, I am stronger than before, I am every girl I have ever been, and all that are in store. I am who I say I am. I'm not some fantasy. I am the me I am inside. I am who I chose to be.

I keep trying to forget, but I must remember. And gather the scattered continents of a self, once whole. Before they plant flags and boundary my destiny. Push down the watered mountains that blemish this soiled soul before the valleys of my conscience get the best of me. I'll need a passport just to simply reach the rest of me. A vaccination for a lesser god's bleak history.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

Old Man River! That seems far too austere a name For something made of mirth and rage. O, roiling red-blood river vein, If chief among your traits is age, You're a wily, convoluted sage. Is "old" the thing to call what rings The vernal heart of wester-lore; What brings us brassy-myth made kings (And preponderance of bug-type things) To challenge titans come before? Demiurge to a try at Avalon-once-more! And what august vitality In your wide aorta stream You must have had to oversee Alchemic change of timber beam To iron, brick and engine steam. Your umber whiskey waters lance The prideful sober sovereignty Of faulty-haloed Temperance And wilt her self-sure countenance; Yes, righteousness is vanity, But your sport's for imps, not elderly. If there's a name for migrant mass Of veteran frivolity That snakes through seas of prairie grass And groves of summer sassafras, A name that flows as roguishly As gypsy waters, fast and free, It's your real name, Mississippi.

Guess what? The Nazis didn't lose the war after all. They won it and flourished. They took over the world and wiped out every last Jew, every last Gypsy, black, East Indian, and American Indian. Then, when they were finished with that, they wiped out the Russians and the Poles and the Bohemians and the Moravians and the Bulgarians and the Serbians and the Croatians--all the Slavs. Then they started in on the Polynesians and the Koreans and the Chinese and the Japanese--all the peoples of Asia. This took a long, long time, but when it was all over, everyone in the world was one hundred percent Aryan, and they were all very, very happy. Naturally the textbooks used in the schools no longer mentioned any race but the Aryan or any language but German or any religion but Hitlerism or any political system but National Socialism. There would have been no point. After a few generations of that, no one could have put anything different into the textbooks even if they'd wanted to, because they didn't know anything different. But one day, two young students were conversing at the University of New Heidelberg in Tokyo. Both were handsome in the usual Aryan way, but one of them looked vaguely worried and unhappy. That was Kurt. His friend said, "What's wrong, Kurt? Why are you always moping around like this?" Kurt said, "I'll tell you, Hans. There is something that's troubling me--and troubling me deeply." His friend asked what it was. "It's this," Kurt said. "I cannot shake the crazy feeling that there is some small thing that we're being lied to about." And that's how the paper ended.' Ishmael nodded thoughtfully. 'And what did your teacher think of that?' 'He wanted to know if I had the same crazy feeling as Kurt. When I said I did, he wanted to know what I thought we were being lied to about. I said, 'How could I know? I'm no better off than Kurt.

It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat. Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged. Since that neolithic moment when first a horse was haltered, there were those among men who understood this. They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square. For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.