β
Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in order to live.
β
β
Gustave Flaubert
β
Do not read as children do to enjoy themselves, or, as the ambitious do to educate themselves. No, read to live.
β
β
Gustave Flaubert
β
Be steady and well-ordered in your life so that you can be fierce and original in your work.
β
β
Gustave Flaubert
β
There is not a particle of life which does not bear poetry within it
β
β
Gustave Flaubert
β
Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.
β
β
Gustave Flaubert (Madame Bovary)
β
Be regular and orderly in your life, so that you may be violent and original in your work.
β
β
Gustave Flaubert
β
Travel makes one modest. You see what a tiny place you occupy in the world.
β
β
Gustave Flaubert
β
She wanted to die, but she also wanted to live in Paris.
β
β
Gustave Flaubert (Madame Bovary)
β
One can be the master of what one does, but never of what one feels.
β
β
Gustave Flaubert
β
Never touch your idols: the gilding will stick to your fingers."
(Il ne faut pas toucher aux idoles: la dorure en reste aux mains.)
β
β
Gustave Flaubert (Madame Bovary)
β
Doubt β¦ is an illness that comes from knowledge and leads to madness.
β
β
Gustave Flaubert (Memoirs of a Madman)
β
Are the days of winter sunshine just as sad for you, too? When it is misty, in the evenings, and I am out walking by myself, it seems to me that the rain is falling through my heart and causing it to crumble into ruins.
β
β
Gustave Flaubert (November)
β
Itβs hard to communicate anything exactly and thatβs why perfect relationships between people are difficult to find.
β
β
Gustave Flaubert (Sentimental Education)
β
I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.
β
β
Gustave Flaubert
β
An infinity of passion can be contained in one minute, like a crowd in a small space.
β
β
Gustave Flaubert (Madame Bovary)
β
I was working on the proof of one of my poems all the morning, and took out a comma. In the afternoon I put it back again.
β
β
Oscar Wilde
β
The art of writing is the art of discovering what you believe.
β
β
Gustave Flaubert
β
Love, she thought, must come suddenly, with great outbursts and lightnings,--a hurricane of the skies, which falls upon life, revolutionises it, roots up the will like a leaf, and sweeps the whole heart into the abyss.
β
β
Gustave Flaubert (Madame Bovary)
β
To be stupid, selfish, and have good health are three requirements for happiness, though if stupidity is lacking, all is lost.
β
β
Gustave Flaubert
β
It is always sad to leave a place to which one knows one will never return. Such are the melancolies du voyage: perhaps they are one of the most rewarding things about traveling.
β
β
Gustave Flaubert (Flaubert in Egypt)
β
One's duty is to feel what is great, cherish the beautiful, and to not accept the conventions of society with the ignominy that it imposes upon us.
β
β
Gustave Flaubert (Madame Bovary)
β
What better occupation, really, than to spend the evening at the fireside with a book, with the wind beating on the windows and the lamp burning bright...Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?
β
β
Gustave Flaubert (Madame Bovary)
β
The one way of tolerating existence is to lose oneself in literature as in a perpetual orgy.
β
β
Gustave Flaubert
β
At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon. She did not know what this chance would be, what wind would bring it her, towards what shore it would drive her, if it would be a shallop or a three-decker, laden with anguish or full of bliss to the portholes. But each morning, as she awoke, she hoped it would come that day; she listened to every sound, sprang up with a start, wondered that it did not come; then at sunset, always more saddened, she longed for the morrow.
β
β
Gustave Flaubert (Madame Bovary)
β
There is no truth. There is only perception.
β
β
Gustave Flaubert
β
You donβt make art out of good intentions.
β
β
Gustave Flaubert
β
Everything, even herself, was now unbearable to her. She wished that, taking wing like a bird, she could fly somewhere, far away to regions of purity, and there grow young again.
β
β
Gustave Flaubert (Madame Bovary)
β
You forget everything. The hours slip by. You travel in your chair through centuries you seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes.
β
β
Gustave Flaubert (Madame Bovary)
β
Everyone, either from modesty or egotism, hides away the best and most delicate of his soulβs possessions; to gain the esteem of others, we must only ever show our ugliest sides; this is how we keep ourselves on the common level
β
β
Gustave Flaubert (November)
β
I tried to discover, in the rumor of forests and waves, words that other men could not hear, and I pricked up my ears to listen to the revelation of their harmony.
β
β
Gustave Flaubert (November)
β
There are two infinities that confuse me: the one in my soul devours me; the one around me will crush me
β
β
Gustave Flaubert
β
Stupidity lies in wanting to draw conclusions.
β
β
Gustave Flaubert
β
You must write for yourself, above all. That is your only hope of creating something beautiful.
β
β
Gustave Flaubert
β
I go dreaming into the future, where I see nothing, nothing. I have no plans, no idea, no project, and, what is worse, no ambition. Something β the eternal βwhatβs the use?β β sets its bronze barrier across every avenue that I open up in the realm of hypothesis.
β
β
Gustave Flaubert (Flaubert in Egypt)
β
She would have liked not to be alive, or to be always asleep.
β
β
Gustave Flaubert (Madame Bovary)
β
But, in her life, nothing was going to happen. Such was the will of God! The future was a dark corridor, and at the far end the door was bolted.
β
β
Gustave Flaubert (Madame Bovary)
β
I don't believe that happiness is possible, but I think tranquility is.
β
β
Gustave Flaubert
β
She was the amoureuse of all the novels, the heroine of all the plays, the vague βsheβ of all the poetry books.
β
β
Gustave Flaubert (Madame Bovary)
β
The denigration of those we love always detaches us from them in some degree. Never touch your idols: the gilding will stick to your fingers.
β
β
Gustave Flaubert (Madame Bovary)
β
The public wants work which flatters its illusions.
β
β
Gustave Flaubert
β
Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?
β
β
Gustave Flaubert (Madame Bovary)
β
He had the vanity to believe men did not like him β while men simply did not know him.
β
β
Gustave Flaubert (November)
β
Of all the icy blasts that blow on love, a request for money is the most chilling.
β
β
Gustave Flaubert (Madame Bovary)
β
He had carefully avoided her out of the natural cowardice that characterizes the stronger sex.
β
β
Gustave Flaubert (Madame Bovary)
β
We must laugh and cry, enjoy and suffer, in a word, vibrate to our full capacity β¦ I think thatβs what being really human means.
β
β
Gustave Flaubert
β
Writing is a dogβs life, but the only one worth living.
β
β
Gustave Flaubert
β
Sadness is a vice.
β
β
Gustave Flaubert
β
The idea of bringing someone into the world fills me with horror. I would curse myself if I were a father. A son of mine! Oh no, no, no! May my entire flesh perish and may I transmit to no one the aggravations and the disgrace of existence.
β
β
Gustave Flaubert
β
The more you approach infinity, the deeper you penetrate terror
β
β
Gustave Flaubert
β
As you get older, the heart shed its leaves like a tree. You cannot hold out against certain winds. Each day tears away a few more leaves; and then there are the storms that break off several branches at one go. And while natureβs greenery grows back again in the spring, that of the heart never grows back.
β
β
Gustave Flaubert
β
An author in his book must be like God in the universe, present everywhere and visible nowhere.
β
β
Gustave Flaubert
β
You need a high degree of corruption or a very big heart to love absolutely everything
β
β
Gustave Flaubert (November)
β
And she felt as though she had been there, on that bench, for an eternity. For an infinity of passion can be contained in one minute, like a crowd in a small space.
β
β
Gustave Flaubert (Madame Bovary)
β
La parole humaine est comme un chaudron fΓͺlΓ© oΓΉ nous battons des mΓ©lodies Γ faire danser les ours, quand on voudrait attendrir les Γ©toiles.
β
β
Gustave Flaubert (Madame Bovary)
β
I'm absolutely removed from the world at such times...The hours go by without my knowing it. Sitting there I'm wandering in countries I can see every detail of - I'm playing a role in the story I'm reading. I actually feel I'm the characters - I live and breath with them.
β
β
Gustave Flaubert (Madame Bovary)
β
After the pain of this disappointment her heart once more stood empty, and the succession of identical days began again.
β
β
Gustave Flaubert (Madame Bovary)
β
Talent is a long patience, and originality an effort of will and intense observation.
β
β
Gustave Flaubert
β
What wretched poverty of language! To compare stars to diamonds!
β
β
Gustave Flaubert (Flaubert in Egypt)
β
And he beholds the moon; like a rounded fragment of ice filled with motionless light.
β
β
Gustave Flaubert (The Temptation of St. Antony)
β
Maybe happiness too is a metaphor invented on a day of boredom
β
β
Gustave Flaubert (November)
β
By trying to understand everything, everything makes me dream
β
β
Gustave Flaubert
β
Everything measurable passes, everything that can be counted has an end. Only three things are infinite: the sky in its stars, the sea in its drops of water, and the heart in its tears.
β
β
Gustave Flaubert (The Letters of Gustave Flaubert, 1830-1857)
β
What baffled him was that there should be all this fuss about something so simple as love.
β
β
Gustave Flaubert (Madame Bovary)
β
The whole dream of democracy is to raise the proletariat to the level of stupidity attained by the bourgeoisie.
β
β
Gustave Flaubert
β
Doesn't it seem to you," asked Madame Bovary, "that the mind moves more freely in the presence of that boundless expanse, that the sight of it elevates the soul and gives rise to thoughts of the infinite and the ideal?
β
β
Gustave Flaubert (Madame Bovary)
β
Love art. Of all lies, it is the least untrue.
β
β
Gustave Flaubert
β
Isnβt βnot to be boredβ one of the principal goals of life?
β
β
Gustave Flaubert (Flaubert in Egypt)
β
Anything becomes interesting if you look at it long enough.
β
β
Gustave Flaubert
β
What stops me from taking myself seriously, even though I am essentially a serious person, is that I find myself extremely ridiculous, not in the sense of the small-scale ridiculousness of slap-stick comedy, but rather in the sense of ridiculousness that seems intrinsic to human life and that manifests itself in the simplest actions and the most extraordinary gestures.
β
β
Gustave Flaubert
β
Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone.
β
β
Gustave Flaubert (The Letters, 1830-1880)
β
Deep down, all the while, she was waiting for something to happen. Like a sailor in distress, she kept casting desperate glances over the solitary waster of her life, seeking some white sail in the distant mists of the horizon. She had no idea by what wind it would reach her, toward what shore it would bear her, or what kind of craft it would be β tiny boat or towering vessel, laden with heartbreaks or filled to the gunwhales with rapture. But every morning when she awoke she hoped that today would be the day; she listened for every sound, gave sudden starts, was surprised when nothing happened; and then, sadder with each succeeding sunset, she longed for tomorrow.
β
β
Gustave Flaubert (Madame Bovary)
β
She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless everything that promised no immediate gratification β for her temperament was more sentimental than artistic, and what she was looking for was emotions, not scenery.
β
β
Gustave Flaubert (Madame Bovary)
β
Years passed; and he endured the idleness of his intelligence and the inertia of his heart.
β
β
Gustave Flaubert (Sentimental Education)
β
The most glorious moments in your life are not the so-called days of success, but rather those days when out of dejection and despair you feel rise in you a challenge to life, and the promise of future accomplishments.
β
β
Gustave Flaubert
β
[T]he truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.
β
β
Gustave Flaubert (Madame Bovary)
β
She was not happy--she never had been. Whence came this insufficiency in life--this instantaneous turning to decay of everything on which she leaned? But if there were somewhere a being strong and beautiful, a valiant nature, full at once of exaltation and refinement, a poet's heart in an angel's form, a lyre with sounding chords ringing out elegiac epithalamia to heaven, why, perchance, should she not find him? Ah! How impossible! Besides, nothing was worth the trouble of seeking it; everything was a lie. Every smile hid a yawn of boredom, every joy a curse, all pleasure satiety, and the sweetest kisses left upon your lips only the unattainable desire for a greater delight.
β
β
Gustave Flaubert (Madame Bovary)
β
A work of art is never finished. It is merely abandoned.
β
β
E.M. Forster
β
He was bored now when Emma suddenly began to sob on his breast; and his heart, like the people who can only stand a certain amount of music, became drowsy through indifference to the vibrations of a love whose subtleties he could no longer distinguish.
β
β
Gustave Flaubert (Madame Bovary)
β
She was as sated with him as he was tired of her. Emma had rediscovered in adultery all the banality of marriage.
β
β
Gustave Flaubert (Madame Bovary)
β
To be simple is no small matter.
β
β
Gustave Flaubert (Selected Letters)
β
For him the universe did not extend beyond the circumference of her petticoat.
β
β
Gustave Flaubert (Madame Bovary)
β
for her, life was as cold as an attic with a window looking to the north, and ennui, like a spider, was silently spinning its shadowy web in every cranny of her heart.
β
β
Gustave Flaubert (Madame Bovary)
β
As humanity perfects itself, man becomes degraded. When everything is reduced to the mere counter-balancing of economic interests, what room will there be for virtue? When Nature has been so subjugated that she has lost all her original forms, where will that leave the plastic arts? And so on. In the mean time, things are going to get very murky.
β
β
Gustave Flaubert
β
Sentences must stir in a book like leaves in a forest, each distinct from each despite their resemblance.
β
β
Gustave Flaubert (The Letters of Gustave Flaubert, 1830-1857)
β
Thought is the greatest of pleasures βpleasure itself is only imaginationβhave you ever enjoyed anything more than your dreams?
β
β
Gustave Flaubert
β
Before her marriage she had thought that she had love within her grasp; but since the happiness which she had expected this love to bring her hadnβt come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words βbliss,β βpassion,β and βraptureβ - words that had seemed so beautiful to her in books.
β
β
Gustave Flaubert (Madame Bovary)
β
For every bourgeois, in the heat of youth, if only for a day, for a minute, has believed himself capable of immense passions, of heroic enterprises. The most mediocre libertine has dreamed of oriental princesses; every rotary carries about inside him the debris of a poet.
β
β
Gustave Flaubert (Madame Bovary)
β
I love the autumnβthat melancholy season that suits memories so well. When the trees have lost their leaves, when the sky at sunset still preserves the russet hue that fills with gold the withered grass, it is sweet to watch the final fading of the fires that until recently burnt within you.
β
β
Gustave Flaubert (Memoirs of a Madman and November)
β
He seriously thought that there is less harm in killing a man than producing a child: in the first case you are relieving someone of life, not his whole life but a half or a quarter or a hundredth part of that existence that is going to finish, that would finish without you; but as for the second, he would say, are you not responsible to him for all the tears he will shed, from the cradle to the grave? Without you he would never have been born, and why is he born? For your amusement, not for his, thatβs for sure; to carry your name, the name of a fool, Iβll be bound β you may as well write that name on some wall; why do you need a man to bear the burden of three or four letters?
β
β
Gustave Flaubert (November)
β
Never have things of the spirit counted for so little. Never has hatred for everything great been so manifest β disdain for Beauty, execration of literature. I have always tried to live in an ivory tower, but a tide of shit is beating at its walls, threatening to undermine it.
β
β
Gustave Flaubert
β
From time to time, I open a newspaper. Things seem to be proceeding at a dizzying rate. We are dancing not on the edge of a volcano, but on the wooden seat of a latrine, and it seems to me more than a touch rotten. Soon society will go plummeting down and drown in nineteen centuries of shit. Thereβll be quite a lot of shouting. (1850)
β
β
Gustave Flaubert
β
It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes.
β
β
Gustave Flaubert
β
I've been working hard on [Ulysses] all day," said Joyce.
Does that mean that you have written a great deal?" I said.
Two sentences," said Joyce.
I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said.
No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.
β
β
James Joyce
β
I'm no more modern than ancient, no more French than Chinese, and the idea of a native country, that is to say, the imperative to live on one bit of ground marked red or blue on the map and to hate the other bits in green or black, has always seemed to me narrow-minded, blinkered and profoundly stupid. I am a soul brother to everything that lives, to the giraffe and to the crocodile as much as to man.
β
β
Gustave Flaubert
β
We think of women at every age: while still children, we fondle with a naΓ―ve sensuality the breasts of those grown-up girls kissing us and cuddling us in their arms; at the age of ten, we dream of love; at fifteen, love comes along; at sixty, it is still with us, and if dead men in their tombs have any thought in their heads, it is how to make their way underground to the nearby grave, lift the shroud of the dear departed women, and mingle with her in her sleep
β
β
Gustave Flaubert (November)
β
I am an obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time Iβll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.
β
β
Gustave Flaubert
β
It would have been better to do what everyone else does, neither taking life too seriously nor seeing it as merely grotesque, choosing a profession and practicing it, grabbing one's share of the common cake, eating it and saying, "It's delicious!" rather than following the gloomy path that I have trodden all alone; then I wouldnβt be here writing this, or at least it would have been a different story. The further I proceed with it, the more confused it seems even to me, like hazy prospects seen from too far away, since everything passes, even the memory of our most scalding tears and our heartiest laughter; our eyes soon dry, our mouths resume their habitual shape; the only memory that remains to me is that of a long tedious time that lasted for several winters, spent in yawning and wishing I were dead
β
β
Gustave Flaubert (November)
β
Because lascivious or venal lips had murmured the same words to him, he now had little belief in their sincerity when he heard them from Emma; they should be taken with a grain of salt, he thought, because the most exaggerated speeches usually hid the weakest feelings - as though the fullness of the soul did not sometimes overflow into the emptiest phrases, since no one can ever express the exact measure of his needs, his conceptions, or his sorrows, and human speech is like a cracked pot on which we beat out rhythms for bears to dance to when we are striving to make music that will wring tears from the stars.
β
β
Gustave Flaubert (Madame Bovary)
β
76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
β
β
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
β
I believe in the Supreme Being, in a Creator, whatever he may be. I care little who has placed us here below to fulfil our duties as citizens and fathers of families; but I don't need to go to church to kiss silver plates, and fatten, out of my pocket, a lot of good-for-nothings who live better than we do. For one can know him as well in a wood, in a field, or even contemplating the eternal vault like the ancients. My God! mine is the God of Socrates, of Franklin, of Voltaire, and of Beranger! I am for the profession of faith of the 'Savoyard Vicar,' and the immortal principles of '89! And I can't admit of an old boy of a God who takes walks in his garden with a cane in his hand, who lodges his friends in the belly of whales, dies uttering a cry, and rises again at the end of three days; things absurd in themselves, and completely opposed, moreover, to all physical laws, which proves to us, by the way, that priests have always wallowed in turpid ignorance, in which they would fain engulf the people with them.
β
β
Gustave Flaubert (Madame Bovary)