Behind Every Strong Woman Quotes

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Most people write me off when they see me. They do not know my story. They say I am just an African. They judge me before they get to know me. What they do not know is The pride I have in the blood that runs through my veins; The pride I have in my rich culture and the history of my people; The pride I have in my strong family ties and the deep connection to my community; The pride I have in the African music, African art, and African dance; The pride I have in my name and the meaning behind it. Just as my name has meaning, I too will live my life with meaning. So you think I am nothing? Don’t worry about what I am now, For what I will be, I am gradually becoming. I will raise my head high wherever I go Because of my African pride, And nobody will take that away from me.
Idowu Koyenikan (Wealth for all Africans: How Every African Can Live the Life of Their Dreams)
But trust me, men are never worth it. Behind every great man is a woman who gave up on greatness and tied herself into an apron. Romance is for saps, Abbie. You’re sharp and you’ve got pluck. Don’t waste it.
William Ritter (Beastly Bones (Jackaby, #2))
Sometimes you dream strange dreams, impossible and unnatural; you wake up and remember them clearly, and are surprised at a strange fact: you remember first of all that reason did not abandon you during the whole course of your dream; you even remember that you acted extremely cleverly and logically for that whole long, long time when you were surrounded by murderers, when they were being clever with you, concealed their intentions, treated you in a friendly way, though they already had their weapons ready and were only waiting for some sort of sign; you remember how cleverly you finally deceived them, hid from them; then you realize that they know your whole deception by heart and merely do not show you that they know where you are hiding; but you are clever and deceive them again—all that you remember clearly. But why at the same time could your reason be reconciled with such obvious absurdities and impossibilities, with which, among other things, your dream was filled? Before your eyes, one of your murderers turned into a woman, and from a woman into a clever, nasty little dwarf—and all that you allowed at once, as an accomplished fact, almost without the least perplexity, and precisely at the moment when, on the other hand, your reason was strained to the utmost, displaying extraordinary force, cleverness, keenness, logic? Why, also, on awakening from your dream and entering fully into reality, do you feel almost every time, and occasionally with an extraordinary force of impressions, that along with the dream you are leaving behind something you have failed to fathom? You smile at the absurdity of your dream and feel at the same time that the tissue of those absurdities contains some thought, but a thought that is real, something that belongs to your true life, something that exists and has always existed in your heart; it is as if your dream has told you something new, prophetic, awaited; your impression is strong, it is joyful or tormenting, but what it is and what has been told you—all that you can neither comprehend nor recall.
Fyodor Dostoevsky (The Idiot)
I believe that behind every strong woman is a man who loves her with his whole heart.
Alyssa Urbano (How To Be A Queen (Myths Finding Love #1))
They say behind every good man is a strong woman. I think the saying goes 'Behind every good man is a woman rolling her eyes.
Jessica Lemmon, the Billionaire Bachelor
Behind every strong man is a strong woman?” he guessed. “Beside,” Ghost corrected. “She’s beside him.
Lauren Gilley (Half My Blood (Dartmoor, #2.5))
You want that girl you left behind. I’m not her! Don’t you get it? She’s gone. I’ve lost her. I made choices that made me an awful person. I’m not worth all this time and energy you’re wasting.” Fuck. I took a step toward her, and she took a step back. “You’re wrong there. I don’t want the sixteen-year-old girl I left behind. I want the woman she’s become. The kind, compassionate, faithful, strong woman I watch from afar every day of my life. I want her. Nothing ever changed for me. Not with you.
Abbi Glines (You Were Mine (Rosemary Beach, #9))
They say that behind every successful man is a strong woman and my wife has been a rock since the day and hour I met her in 1961.
Billy McNeill (Hail Cesar: The Autobiography of Billy McNeill)
You must always believe. Stay strong. Faith moves mountains. Don't be a bystander in life. No. Take it by the reins. Lay it down beneath you like a woman, a real woman with curves like a prayer pillow. Embrace it gentlly, at other times intensely. Seek out the source of life, where it pulsates, where it burns hot and humid, here, there, everywhere. The world is yours for the taking. Learn to feel out the world. Always give the best of yourself. Bite into it and don't hold back. Fear; leave it behind, far away from you. It will pass through you and continue its course. Walk like a God among men. Always consider what your actions say about you. Every steps resonates; yours levitate! Be mindful of the the way you carry yourself, especially when life punches you right in the heart, your body. Spit violently on the ground if you have to. Turn a deaf-ear to the mean-spirited and narrow-minded. They can only drag you into the lair of regrets, jealousy and resentement.
Wilfried N'Sondé (The Heart of the Leopard Children (Global African Voices))
I am a witch.” Agnes shouts it a second time, louder, flinging her voice into the night. “And so are my sisters, and so will be my daughter and my daughter’s daughter.” Her voice roughens at the mention of Eve, as if the collar around her throat has constricted. Behind them comes the sound of footsteps, then the whisper of words and the sizzle of saltwater spat on hot iron. Their chains crackle with unnatural rust. Their collars boil at the touch of witchcraft. Bella bites her cheek until she tastes blood, but Agnes doesn’t seem to feel her collar at all. Her head is tilted back against the stake, her eyes closed, her voice strong. “And so is every woman who says what she shouldn’t or wants what she can’t have, who fights for her fair share.
Alix E. Harrow (The Once and Future Witches)
Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved. Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep. Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women. Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched. Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman.
James Gould Cozzens
She went to move around Jacques, strongly objecting to the this woman label. She did have a name. She was a person. She had a feeling they all thought her the hysterical type. She certainly hadn’t managed to show them her normal calm self. Jacques stepped backward and his arm swept behind him to pin her against the wall. He never took his eyes from the trio before them. He knew he was unstable, still fighting to hold on to reason when his every instinct was to attack. He trusted none of them and would not allow Shea to be put in any danger. Shea retaliated with a hard pinch. She was not going to cower behind her wild man like some seventeenth-century heroine fainting with the vapors. So she was surrounded by a few vampires. Big deal. Carpathians. Jacques sounded amused. If you laugh at me, Jacques, I might find another wooden stake and come after you myself, she warned him silently. “Well, for heaven’s sake.” Shea sounded exasperated as she addressed the group. “We’re all civilized, aren’t we?” She shoved at Jacques’ broad back. “Aren’t we?” “Absolutely.” Raven stepped forward, ignoring Mikhail’s restraining hand. “At least the women are. The men around here haven’t quite graduated from the swinging-through-trees stage yet.
Christine Feehan (Dark Desire (Dark, #2))
Memories whirled in the back of her head. Not frightening this time. The owner of that voice made her smile. He protected her, and he loved her. When she was with him, the world felt right. As long as she was with him, she was safe. He entered the room, crossing at an angle to her so that she saw just his shoulders and a glimpse of flat stomach. Not a stitch of clothing covered him. Not one. She could see the backs of his thighs and his bare behind. Round and strong and firm. Dark hair cut short gave his profile greater sternness. She knew beyond certainty she had every right to be here, with him perfectly naked. Her heart swelled with joy, a feeling so intense she wanted to cry out to the world. He stopped at the window and stood there, one arm resting atop the sash, staring at the hills rising toward Scotland. His arm came forward on the sash, and he shifted so that he faced her. "Well," he said in a soft voice that made her breath catch. His voice was velvet, liquid velvet, and she was drowning in it, filled all the way to her soul. That voice, a woman could love. "Good afternoon." Bluer eyes she'd never seen. Nor more piercing ones. She drowned in eyes of an incredible, piercing blue. The light shimmered as a cloud crossed the sun. But this man, this man with eyes like frost on a window, whose eyes made battle-hardened men quail and who seemed so foreign to tenderness, made her complete...
Carolyn Jewel (The Spare)
there was something else, something more complicated, more secret, and that is that girls in those days, even modern girls, like us, girls who went to school and then to university, were always taught that women are entitled to an education and a place outside the home—but only until the children are born. Your life is your own only for a short time: from when you leave your parents' home to your first pregnancy. From that moment, from the first pregnancy, we had to begin to live our lives only around the children. Just like our mothers. Even to sweep pavements for our children, because your child is the chick and you are—what? When it comes down to it, you are just the yolk of the egg, you are what the chick eats so as to grow big and strong. And when your child grows up—even then you can't go back to being yourself, you simply change from being a mother to being a grandmother, whose task is simply to help her children bring up their children. True, even then there were quite a few women who made careers for themselves and went out into the world. But everybody talked about them behind their backs: look at that selfish woman, she sits in meetings while her poor children grow up in the street and pay the price. Now it's a new world. Now at last women are given more opportunity to live lives of their own. Or is it just an illusion? Maybe in the younger generations too women still cry into their pillows at night, while their husbands are asleep, because they feel they have to make impossible choices? I don't want to be judgmental: it's not my world anymore. To make a comparison I'd have to go from door to door checking how many mothers' tears are wept every night into the pillow when husbands are asleep, and to compare the tears then with the tears now.
Amos Oz (A Tale of Love and Darkness)
My God. How can people be so cruel and thoughtless? They should be thanking you for your service!” “That’s even worse! What the fuck do they think they’re thanking me for? They don’t know what I did over there! They don’t understand that I’ve got seconds to make a judgment call that will either save my guys or end someone’s life—and that someone could be an enemy combatant or it could be a civilian. A farmer. A woman. A child. Or it could be both! That’s the real fucked-up part of it. It could be both a child and the enemy. That kid you’ve been giving candy and comic books to? The one that brought you fresh bread and knows your name and taught you a few words in his language? Is he the one reporting your position? Did he pull the trigger wire on the IED that killed your friend and wounded every single guy in your squad? Has he been the enemy all along? Is it your fault for talking to him?” I was so shocked, I didn’t know what to say. Tears burned my eyes, and my chest ached as I raced along beside him. “Oh, Ryan, no. Of course it isn’t.” “It is. I should have known. I let them down.” “You didn’t,” I said, trying to touch his arm, but he shrugged me off, refusing to be comforted. “And how about the time Taliban fighters lined up women and children as shields behind a compound wall while they fired at you, only you didn’t realize what they’d done until after you’d fired back, killing dozens of innocents?” The tears dripped down my cheeks, but I silently wiped them away in the dark. This wasn’t about me, and I didn’t want him to stop if he needed to get these things out. “Or how about the farmer I killed that didn’t respond to warning shots, the one whose son later told us was deaf and mute? Should I be thanked for that?” I could see how furious and heartsick he was, and I hated that I’d brought this on. “Yes,” I said firmly, although I continued to cry. “Because you’re brave and strong and you did what you were trained to do, what you had to do.
Melanie Harlow (Only Love (One and Only, #3))
I’ve told you before, Alera--Andrius lives on in you. I see him in you every day.” I smiled, tipping my head in acceptance of the compliment. “And in you--” she said, once more turning to Narian, tapping a finger against her lips in thought “--I see Cannan.” She was lightly cajoling him, exactly as a parent would do. I couldn’t imagine what was going on in his mind, but he was no longer eager to leave, his eyes never once flicking toward me or the door. “What do you mean?” he asked. “Cannan is strong and decisive. He seems unemotional, untouchable, but underneath he has more heart than most men taken together. And he could so easily have buried that compassion. In some ways, he would have hurt less throughout the years had he done so, but he would be half the man he is today.” I was remembering things Baelic had told me, vague things about Cannan and their father. I had never considered that my mother would have knowledge on the subject, although I should have surmised it. She had grown up in the nobility with the men of her generation, and Cannan had been one of Crown Prince Andrius’s best friends. Seeing the curiosity on Narian’s face, she went on, “It was no secret that Baron Burvaul--Cannan’s father--was a tyrant. In their family, everyone wore smiles for fear of what Burvaul might do if they did not, and everything stayed behind closed doors--except for bruises and broken bones, the vast majority of which were bestowed on Cannan. At that time, of course, Cannan could not fight his father, and so he fought the world instead. “But when he was eighteen and was sent into the field of war, he changed. He gained perspective. And when Andrius died and Cannan was called back to become Sergeant at Arms, and later Captain of the Guard, he was more powerful than his father, in position and character. He never abused that power, but his victory lay in the fact that Burvaul could not bear the reversal of control. He lived the rest of his life in fear of his own son, who never punished him. “I see that personality in you, Narian. Just like Cannan, you will never become the man who controlled you.” “He didn’t control me,” Narian abruptly said. “He didn’t in the end, did he?” she agreed, taking a sip of her tea. “Of course, the real question is about your mother. What was she like?” “You know my mother,” Narian replied, his expression strange. I’d never seen him this way before--he seemed younger, less defensive. He was hesitant, but not guarded like he had been upon entering the room. It was almost as if he wanted to open up to her. “I mean the woman who raised you. Your Cokyrian mother.” Narian was shaking his head, despite the change I had detected in him. “I didn’t have a mother in Cokyri.” “You’re far too well-mannered not to have had a mother growing up.” Her blue eyes were twinkling, unthreatening. Again, she was teasing him, and although I expected him to simply sidestep her a third time, he did not. “To the extent I had a mother, she was the High Priestess.” I looked incredulously back and forth between the two of them, for in half an hour, my mother had enticed Narian to divulge as much to her as I had gleaned in two years. Though I was now bursting to speak, I refrained, and she pressed him further.
Cayla Kluver (Sacrifice (Legacy, #3))
There are twin challenges that seek to curtail man's advances. Their combination paralyzes meaningful efforts, scuttles dreams and ambitions, and dims the light of hope. FEAR cripples. COMPLACENCY kills advances. FEAR is behind the flagging zeal of many. FEAR suggests a retreat and dampens enthusiasm. What we call lethargy is actually the FEAR of the unknown, and particularly of failure. FEAR lets us imagine the shame of failure long before we make a move and strongly suggests that we play safe. True, a ship is safe in the harbour; but is that what a ship is created for? Isn't a ship meant for a sojourn- troubled and dangerous as it may be? Each time we overcome our FEARS, we break new grounds. Every successful man or woman knows the joy of triumphing over their FEARS. FEAR stands by cowardly as they walk to the success podium. It is the turn of FEAR to fear. But soon after, COMPLACENCY makes its move on the successful man or woman. It softly but tenaciously asserts: What else is there to achieve? You might not be lucky the next time around, you know. Why not dwell safely on this mountain? COMPLACENCY kills ambitions softly. So, if you desire is to be the best God has ordained you to be, you must run against your FEARS prayerfully and tenaciously until you win. And when you have won, don't let COMPLACENCY force you to sit back and watch your trophies; just keep running. Run, baby! Run!
Abiodun Fijabi
Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.
Caroline B. Cooney (The Ransom of Mercy Carter)
He’d be glad you were there, standing in for him.” “I was just telling him about it and I thought, shit, I don’t even know how much of him is in there.” “None,” Jack said. “He’s moved on.” Paul hit his chest with a fist. “I still have him here.” “Of course. Everyone who loved him has him there. I think that’s the point.” “I shouldn’t have been the one tonight. It should’ve been him. She misses him so much.” “Look, we all have different paths, Paul. His led him there, yours led you here.” Paul sniffed and wiped at his face. “The house is about done,” he said. “Vanni will be up and around in no time and I can’t hang around here anymore. I have to get back. To Grants Pass.” “Yeah,” Jack said. “But you’ll be back pretty soon. You have strong ties here.” “I don’t know about that….” “Give her time, Paul. It’s still a little raw, but that’s going to change.” “What are you talking about?” he asked, looking at him in the dark. “Oh, Jesus, I wondered. You don’t remember. You got a little drunk and—No, you got a lot drunk and kind of let it slip about how you saw her first.” “No. I couldn’t have.” “Take it easy. Just to me. You had the discretion to pass out before you told anyone else. So listen to me for once, okay? Because this is important. You already know this, but right now you think you’re the only man who’s ever been in this position. I married a widow. Remember? It wasn’t easy. It wasn’t quick—getting over that long, ugly hump of wondering where I fit in. It was goddamn humbling, if you want the truth. But, Paul, it was worth every sleepless night I invested. It’s just that it takes whatever time it takes.” Paul thought a minute. He fixed his lips tight, as if he were struggling. “I have to get back to Grants Pass.” “But you come back here before long,” Jack said. “Come back regular. I’m telling you, if you don’t, you’ll regret it.” “But I can’t stay much longer, Jack. It’s eating me up. I gotta get out of here. He was my best friend, and he’s dead, and I helped his baby into the world, and—” “And you want his woman. I know this is a rough patch, Paul, but if you’re the kind of guy who cuts and runs, oh man, you’re going to hate yourself.” Paul hung his head. “Come on,” Jack said. “People want to say good-night. They want to pat you on the back one more time.” “Can’t you just leave me out here?” “Nah,” he said, turning Paul away from the grave with a hand behind his neck. “The general wants to tell you—Matt picked a name. They’ve made a few adjustments on account of his death—adjustments that were Vanessa’s idea. Matt wanted to name him Paul. But they’ve settled on Matthew Paul. I think you should drink to it. And think to it.
Robyn Carr (Whispering Rock (Virgin River, #3))
Behind every strong man there’s a woman and behind every strong woman there’s a strong man
Iva Brito
Though undoubtedly deplorable sexism existed in this movement, astute women supporters picked up the truth behind muscular Christianity and challenged women as much as men. Fitness advocate Helen McKinstry asked what man contemplating marriage would choose a “delicate, anaemic, hothouse plant type of girl” over a “strong, full-blooded, physically courageous woman, a companion for her husband on the golf links and a playmate with her children? “2 Of course, even this sounds sexist to contemporary ears (getting in shape because otherwise men won’t want you), but some, such as YWCA secretary Mary Dunn, called women to fitness for the sake of the spiritual challenge that lay before them: Muscular women wanted, young women. What kind? Those to whom the Lord can say, “Do this or that for me,” and who can respond to the hardest command, the carrying out of which will mean endurance, a knowledge of the principles of the conservation of energy and the putting forth of will power through bodily power. It will mean the clear shining of a flowing soul through a transparent medium, instead of the cloudy glass of an … ill-used body.3
Gary Thomas (Every Body Matters: Strengthening Your Body to Strengthen Your Soul)
When I thought of my ancestors, if I thoughts of them at all, as some sort of vague and amorphous collection of dead people with no solid connection to me or the modern world and certainty no real relevance to either. It was interesting enough to read about the Cro Magnons got up to all those years ago but nothing much to do with me. But once I had realised through genetics that one of my ancestors was actually there taking part is was no longer merely interesting it is overwhelming. DNA is the messenger to luminate that connection, handed down generation to generation, carried, literally, in the bodies of my ancestors. Each message traces a journey through time and space, a journey made by the long lines that springs from the ancestral mothers. We will never know all the details of these journeys over thousands of years and thousands of miles, but we can at least imagine them. I am on a stage. Before me, in the dim light are all who have ever lives are lined up - rank upon rank, stretching far into the distance. They make no sound that I can hear but they are talking to each other. I have in my hand the end of a thread which connects me to my ancestral mother, way at the back. I pull on the thread and one woman's face in every generation, feeling the tug, looks up at me. Their faces stand out from the crowd and they are illuminated by a strange light. These are my ancestors. I recognise my grandmother in the front row, but the faces in the generations behind her are unfamiliar to me. I look down the line. The women do not all look the same. Some are tall, some are short, some are beautiful, some are plain, some look wealthy, others poor. I want to ask them each in turn about their lives, their hopes, their disappointments, their joys and their sacrifices. I speak but they cannot hear. I feel a strong connection. These are all my mothers who passed this precious message from one to another through a thousand births, a thousand screams, a thousand embraces, a thousand new born babies. The thread becomes an umbilical cord. A thousand rows back stands Tara herself, the ancestral mother of my clan. She pulls on the cord. In the great throng, a million ancestors feel the tug in lines that radiate out from her source.
Brian Sykes (The Daughters of Eve (Chinese Edition))
Today would have been my son’s fourteenth birthday, and for all these years, this is what I have put my friends through. I have condemned them to a crippling carefulness in order to spare my feelings, and it has taken Hugo’s big mouth to make me realise it. My grief has become an addiction; a bad habit like a tattered comfort blanket that I have hung on to for far too long. It has to stop. I look in the mirror again, and try to see my face as a stranger would see it. It has all the requisite physical components to make it reasonably attractive; green eyes, full but well-shaped lips and a strong, straight nose. But there is no spark or spirit behind those eyes, and there is an expression of ingrained defeat haunting every gaunt contour of that woman’s face. That woman in the mirror is not me. She is the spectre that I have allowed myself to become and I don’t want to be her any more. I want to be the old Masha; the one I pray to God is still hiding inside me somewhere, hanging on by the tips of her fingernails.
Ruth Hogan (The Wisdom of Sally Red Shoes)
We thank you for the offer, healer, but Shea is unused to our ways.” Jacques couldn’t remember most of them himself. He was as uneasy in the presence of the Carpathian as Shea. His black eyes glittered like ice, caught and trapped the reflection of a lightning whip as it sizzled across the dark sky. “The other male is not with you.” “Byron,” Mikhail supplied. “He has been a good friend to you for centuries. He is aware that you completed the ritual and this woman is your true lifemate. Search your mind, Jacques. Remember how difficult this time is on our unattached males.” Shea’s face went crimson under the unearthly paleness. The reference to the ritual had to mean they were aware Jacques had made love to her. The lack of privacy disturbed her immensely. She went to move around Jacques, strongly objecting to the this woman label. She did have a name. She was a person. She had a feeling they all thought her the hysterical type. She certainly hadn’t managed to show them her normal calm self. Jacques stepped backward and his arm swept behind him to pin her against the wall. He never took his eyes from the trio before them. He knew he was unstable, still fighting to hold on to reason when his every instinct was to attack. He trusted none of them and would not allow Shea to be put in any danger. Shea retaliated with a hard pinch. She was not going to cower behind her wild man like some seventeenth-century heroine fainting with the vapors. So she was surrounded by a few vampires. Big deal. Carpathians. Jacques sounded amused. If you laugh at me, Jacques, I might find another wooden stake and come after you myself, she warned him silently. “Well, for heaven’s sake.” Shea sounded exasperated as she addressed the group. “We’re all civilized, aren’t we?” She shoved at Jacques’ broad back. “Aren’t we?” “Absolutely.” Raven stepped forward, ignoring Mikhail’s restraining hand. “At least the women are. The men around here haven’t quite graduated from the swinging-through-trees stage yet.” “I owe you an apology for last night, Miss O’Halloran,” Mikhail said with far too much Old World charm. “When I saw you crouched over my brother, I thought…” Raven snorted. “He didn’t think, he reacted. He really is a great man, but overprotective with the people he loves.” There was a wealth of love in her teasing tone. “Honestly, Jacques, you can’t keep her prisoner, locked up like some nun in a convent.” Shea was mortified. Jacques, move! You’re embarrassing me.
Christine Feehan (Dark Desire (Dark, #2))
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will. She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips. Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence. “We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to know we outnumbered you.” He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness… “It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers. He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men. “I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman. “What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.” Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the Ruby Cross.” How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong. The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate. Bloody hell.
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James (Dead at First Sight (Roy Grace, #15))