Guns And Roses Song Quotes

I know there is poor and hideous suffering, and I've seen the hungry and the guns that go to war. I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives.

November Rain by Guns N Roses. Best. Song. Ever.

Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.

A neurosurgeon once told me about operating on the brain of a young man with epilepsy. As is customary in this kind of operation, the patient was wide awake, under only local anesthesia, while the surgeon delicately explored his exposed cortex, makingsure that the parts tentatively to be removed were not absolutely vital by stimulating them electrically and asking the patient what he experienced. Some stimulations provoked visual flashes or hand-raisings, others a sort of buzzing sensation, but one spot produced a delighted response from the patient: "It's 'Outta Get Me' by Guns N' Roses. my favorite heavy metal band!" I asked the neurosurgeon If he had asked the patient to sing or hum along with the music, since it would be fascinating to learn how "high fidelity" the provoked memory was, would it be in exactly the same key and tempo as the record? Such a song (unliken"Silent Night") has one canonical version. so we could simply have superimposed a recording of the patients humming with the standard record and compared the results. Unfortunately, even though a tape recorder had been running during the operation, thesurgeon hadn't asked the patient to sing along. ''Why not?" I asked, and he replied: "I hate rock music!' Later in the conversation the neurosurgeon happened to remark that he was going to have to operate again on the same young man. and I expressed the hope that he would just check to see if he could restimulate the rock music, and this time ask the fellow to sing along. "I can't do it." replied the neurosurgeon. "since I cut out that part." "It was part of the epileptic focus?" I asked. "No,'' the surgeon replied, ''I already told you — I hate rock music.

Rhage.” “What?” “I'll tell you this. Your destiny's coming for you. And she's coming soon.” Rhage laughed. “Oh, yeah? What's the female like? I prefer them—” “She's a virgin.” A chill shot down Rhage's spine and nailed him in the ass. “You're kidding, right?” “Look in my eye. Do you think I'm jerking you off?” V paused for a moment and then opened the door, releasing the smell of beer and human bodies along with the pulse of an old Guns N' Roses song. As they went inside, Rhage muttered, “You're some freaky shit, my brother. You really are.

Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.

I don't like your little games Don't like your tilted stage The role you made me play Of the fool, no, I don't like you I don't like your perfect crime How you laugh when you lie You said the gun was mine Isn't cool, no, I don't like you (Oh!) But I got smarter, I got harder in the nick of time Honey, I rose up from the dead, I do it all the time I've got a list of names and yours is in red, underlined I check it once, then I check it twice, oh! Ooh, look what you made me do Look what you made me do Look what you just made me do Look what you just made me Ooh, look what you made me do Look what you made me do Look what you just made me do Look what you just made me do I don't like your kingdom keys They once belonged to me You asked me for a place to sleep Locked me out and threw a feast (What?) The world moves on, another day, another drama, drama But not for me, not for me, all I think about is karma And then the world moves on, but one thing's for sure Maybe I got mine, but you'll all get yours But I got smarter, I got harder in the nick of time Honey, I rose up from the dead, I do it all the time I've got a list of names and yours is in red, underlined I check it once, then I check it twice, oh! Ooh, look what you made me do Look what you made me do Look what you just made me do Look what you just made me Ooh, look what you made me do Look what you made me do Look what you just made me do Look what you just made me do I don't trust nobody and nobody trusts me I'll be the actress starring in your bad dreams I don't trust nobody and nobody trusts me I'll be the actress starring in your bad dreams I don't trust nobody and nobody trusts me I'll be the actress starring in your bad dreams

We want justice! We want justice!’ We chanted at the Western Oil Company building; the mirrored glass showed our reflections multiplied as though we were millions. This gave us courage and we shouted louder, even when the men with guns also multiplied. Then we started singing. I copied the women around me as closely as possible. Grandma had taught me many songs but I did not know that one. We sang in unison, like a choir that had been practising all year for that one song. Grandma started it. It was an Ijaw song called Wo Ekilemo. Praise him. Her voice was low and quiet, but one by one we joined in. The sound of us women singing was so powerful that the glass moved on the expensive windows, and people inside the building started shutting the windows, even the high-up ones. The slams made us sing even louder. I imagined the white men on the other side of the windows, watching us as they drank their tea. I wondered if they understood why we were protesting. I wondered if they even cared. The security men waving their guns started swaying, as if their bodies were disobeying their commands. They were Ijaw, too, you see. They removed their hats, and rocked from side to side. I sang loudly until the part that said ‘I have overcome death, poverty and sickness’. I could not sing that part. My mind kept flashing to Ezikiel’s face. But then I joined in again, and our voices rose so high I thought they might reach Allah’s ears. Then we all took off our clothes. ‘There is nothing more powerful than a naked woman,’ Grandma said. ‘Nothing in the world.

Annabeth knit her eyebrows. “We’ll have to talk to Tantalus, get approval for a quest. He’ll say no.” “Not if we tell him tonight at the campfire in front of everybody. The whole camp will hear. They’ll pressure him. He won’t be able to refuse.” “Maybe.” A little bit of hope crept into Annabeth’s voice. “We’d better get these dishes done. Hand me the lava spray gun, will you?” That night at the campfire, Apollo’s cabin led the sing-along. They tried to get everybody’s spirits up, but it wasn’t easy after that afternoon’s bird attack. We all sat around a semicircle of stone steps, singing halfheartedly and watching the bonfire blaze while the Apollo guys strummed their guitars and picked their lyres. We did all the standard camp numbers: “Down by the Aegean,” “I Am My Own Great-Great-Great-Great-Grandpa,” “This Land is Minos’s Land.” The bonfire was enchanted, so the louder you sang, the higher it rose, changing color and heat with the mood of the crowd. On a good night, I’d seen it twenty feet high, bright purple, and so hot the whole front row’s marshmallows burst into the flames. Tonight, the fire was only five feet high, barely warm, and the flames were the color of lint. Dionysus left early. After suffering through a few songs, he muttered something about how even pinochle with Chiron had been more exciting than this. Then he gave Tantalus a distasteful look and headed back toward the Big House. When the last song was over, Tantalus said, “Well, that was lovely!” He came forward with a toasted marshmallow on a stick and tried to pluck it off, real casual-like. But before he could touch it, the marshmallow flew off the stick. Tantalus made a wild grab, but the marshmallow committed suicide, diving into the flames. Tantalus turned back toward us, smiling coldly. “Now then! Some announcements about tomorrow’s schedule.” “Sir,” I said. Tantalus’s