Gum Wall Quotes

We've searched our database for all the quotes and captions related to Gum Wall. Here they are! All 41 of them:

You can’t turn love on and off like a light switch, no matter how hard you try. All you can do is wall it off, one brick at a time, until you’ve created an impenetrable fortress around your emotions. And once that fortress is built, you camouflage it so well that even you can’t see it anymore.
Katherine Allred (The Sweet Gum Tree)
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
The rolled toile slowly climbed up the bathroom wall. Tearing the chewed gum into pieces, the little green arms and hands secured the toile to the wall. Soon, the two-foot by five-foot, green and yellow, Tuscany toile was displayed for view. Now, the toile just had to wait for the boy to wake and step a little closer.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
I don't understand the human heart. Only pain makes it grow stronger. Only sorrow makes it kind. Contentment makes it wither, and joy seems to build walls around it.
Douglas Coupland (The Gum Thief)
Tyler knelt and rummaged through the empty waste basket.  He frowned. No glasses and no gum. “Wait a minute…” He walked up to the hanging toile and stared at it. What’s going on this looks like Aunt Meg’s wallpaper… Tyler stepped closer. He rubbed his hand over the paper and nothing happened. As he tried to pull the paper from the wall, two smaller greenish hands grabbed Tyler’s leg and pulled.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
They decide as soon as they meet you. Ten seconds in. If you’re poor. If you’re brown. If you’re black. If you’ve got an accent. If your skirt’s too short. If your nose is ugly—sorry, Cherie. If you’re chewing gum. If you’re breathing funny. If nobody from your family is there. If you’re any of that? Or all of that? Have a nice life, because you’re out of there.
Nova Ren Suma (The Walls Around Us)
She's not my nurse but she comes up to Gran and Gramps just the same. "Don't you doubt for a second that she can hear you," she tells them. "She's aware if everything that's going on." She stands there with her hands on her hip. I can almost picture her snapping gum. Gran and Gramps stare at her, lapping up what she's telling them. "You might think the doctors or nurses or all this equipment is running the show," she says, gesturing to the wall of medical equipment. "Nuh-uh. She's running the show. Maybe she's just biding her time. So you talk to her. You tell her to take all the time she needs, but to come on back. You're waiting for her.
Gayle Forman
There were shelves upon shelves of the most succulent-looking sweets imaginable. Creamy chunks of nougat, shimmering pink squares of coconut ice, fat, honey-colored toffees; hundreds of different kinds of chocolate in neat rows; there was a large barrel of Every Flavor Beans, and another of Fizzing Whizbees, the levitating sherbert balls that Ron had mentioned; along yet another wall were "Special Effects" sweets: Droobles Best Blowing Gum (which filled a room with bluebell-colored bubbles that refused to pop for days), the strange, splinter Toothflossing Stringmints, tiny black Pepper Imps ("breathe fire for your friends!"), Ice Mice ("hear your teeth chatter and squeak!"), peppermint creams shaped like toads ("hop realistically in the stomach!"), fragile sugar-spun quills, and exploding bonbons.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
I watch these kids. They don't seem entirely unhappy. A few times I've even circled the Free Clinic on foot, trying to catch a closer glimpse of these kids and their lives as they pop in and out of the clinic's Sputnik-era, gone-to-seed building--Lancaster's future trolls and Popeyes loitering out back having hushed paranoid conversations. And once I even went to have a look where they hang out in a big way, out in the delivery bay behind the now-closed Donut Hut, the delivery bay grotto out back with a floor spongy with pigeon shit, chewing gum, cigarette ashes, and throat oysters--dank and sunless. I went to visit this place once when all the druggies were away, having their druggy lives downtown doing their druggy things: yelling at parked cars and having conversations with amber lights. I visited this place and I was confused: confused and attracted. Who do these people think they are? How can they not care about the future or hot running water or clean sheets or cable TV? These people. And on the walls down at the delivery bay, do you know what they had written? Written in letters several hands high, letters built of IV needles attached to the cement with soiled bandages and wads of chewing gum? They had written the words WE LIKE IT.
Douglas Coupland
When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits. They went down again and soon the smell of the river spread over the woods, cool and secret. Every step they took among the great walls of vines and among the passion-flowers started up a little life, a little flight. 'We’re walking along in the changing-time,' said Doc. 'Any day now the change will come. It’s going to turn from hot to cold, and we can kill the hog that’s ripe and have fresh meat to eat. Come one of these nights and we can wander down here and tree a nice possum. Old Jack Frost will be pinching things up. Old Mr. Winter will be standing in the door. Hickory tree there will be yellow. Sweet-gum red, hickory yellow, dogwood red, sycamore yellow.' He went along rapping the tree trunks with his knuckle. 'Magnolia and live-oak never die. Remember that. Persimmons will all get fit to eat, and the nuts will be dropping like rain all through the woods here. And run, little quail, run, for we’ll be after you too.' They went on and suddenly the woods opened upon light, and they had reached the river. Everyone stopped, but Doc talked on ahead as though nothing had happened. 'Only today,' he said, 'today, in October sun, it’s all gold—sky and tree and water. Everything just before it changes looks to be made of gold.' ("The Wide Net")
Eudora Welty (The Collected Stories)
Judges are blind and dumb," another said. "Mine was a certified idiot." "They decide as soon as they meet you. Ten seconds in. If you're poor. If you're brown. If you're black. If you've got an accent. If your skirts too short. If your nose is ugly - sorry, Cherie. If you're chewing gum. If you're breathing funny. If nobody from your family is there. If you're any of that? Or all of that? Have a nice life, because you're out of there.
Nova Ren Suma (The Walls Around Us)
Lemon drop?” he tried tentatively. The gargoyle did not move. “Okay,” said Harry, staring at it, “Pear Drop. Er — Licorice Wand. Fizzing Whizbee. Drooble’s Best Blowing Gum. Bertie Bott’s Every Flavor Beans . . . oh no, he doesn’t like them, does he? . . . oh just open, can’t you?” he said angrily. “I really need to see him, it’s urgent!” The gargoyle remained immovable. Harry kicked it, achieving nothing but an excruciating pain in his big toe. “Chocolate Frog!” he yelled angrily, standing on one leg. “Sugar Quill! Cockroach Cluster!” The gargoyle sprang to life and jumped aside. Harry blinked. “Cockroach Cluster?” he said, amazed. “I was only joking. . . .” He hurried through the gap in the walls and stepped onto the foot of a spiral stone staircase, which moved slowly upward as the doors closed behind him, taking him up to a polished oak door with a brass door knocker.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
The pity is that many Americans outside the elite bubbles know exactly what’s wrong, but our leaders seem determined to do nothing about it. Any attempt to cut the government chains and anchors off businesses so they can get back to growing, innovating, and creating jobs is demagogued as “tax breaks for the rich” or “favors for the one-percenters.” Never mind that many of those who would benefit are small-business owners who’ve been decimated over the past few years, first by the economic meltdown, then by government policies put in place to “fix” it. The money printed by the Fed to keep the economy pumped up flows to Wall Street, not Main Street, so small businesses aren’t borrowing it to pay for expansion. Even if they wanted to expand, about a third of all U.S. workers are employed by businesses with fifty or fewer employees, and Obamacare insures that if they hire a fifty-first, they’ll face crippling new costs for mandated health care.
Mike Huckabee (God, Guns, Grits, and Gravy: and the Dad-Gummed Gummint That Wants to Take Them Away)
I asked a nurse for dental floss and was told that I am not allowed dental floss. Apparently dental floss can be used for several functions besides the maintenance of healthy gums. These apparently include self-harm. When instructed that I was not permitted dental floss because of “risks it raises associated with suicide” I envisioned a noose made entirely of floss. Realizing such a noose would require a dramatic amount of floss to effectively uphold any human person, I brought it to the attention of a nurse. “I don’t believe that even the most practiced engineers could fashion any functioning noose out of a single container of floss,” I say. “People use it to cut themselves,” she explained. “Oh,” I replied. I had just about come to terms with the no-floss rule until the hospital, in a flagrant display of disrespect for its patients, chose to serve us corn on the cob for lunch. “Are you aware that we are not allowed dental floss?” I yelled at the nurse bringing me the corn. I then threw the corn violently from my plate into the nearest wall.
Emily R. Austin (Oh Honey)
And then he's grabbing my hand, and pulling me into a storage room they use for art supplies. And he puts his finger to his lips, and the walls are filled with pads of paper and boxes of colored pencils and jars of paint, and I'm laughing and he shuts the door behind us and leans up against it to stop anyone coming in and like he's trying to get up his nerve now that he's started something, before we've ever gone to the dumplings and the movies— he leans in and kisses me. His lips are cold. The kiss is soft. He has gum in his mouth, and he stops, and giggles nervously, and takes it out and throws it in the trash can, and looks like he feels embarrassed to have kissed me with the gum, but I don't care, and so now I kiss him, and he's tall enough that he has to bend down to get to me, and I put my hand on his neck, which is smooth and warm, and we kiss for a minute in the storage room,and I want to run my hands up his shirt suddenly— but I don't. He pulls away for a second and touches my cheek. “I thought you'd never ask,” he whispers. “I thought I never would either,” I say, “but I did.” “Good job,” he says, and kisses me again.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.
Nelson A. Denis (War Against All Puerto Ricans: Revolution and Terror in America's Colony)
her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.
David Baldacci (Memory Man (Amos Decker, #1))
I know that I've lost something now because this keeps happening, and I feel as if this is all I ever come to, to this place, this knife, this feeling, almost killing, and I wonder that I'm not drunk because I feel fucked up and cold and hot, and this man, the drunk man, he's backing away from me toward a parked car and he trips over the parking meter and stumbles and takes a few steps and there's a wall he can follow along and he's scuttling back into the doorway of the bar and his off-white shirt gets hazy like cottonwood down floating off the river back home but it's hot in the spring there, back home, when the cottonwoods are dropping, and nothing about this night is even warm at all except my fist around the handle of the knife that's still cold, and there's the smell of the river water, the water in the air, and water everywhere, over my eyes and the city and the night, and I wonder why the water's not frozen because it's cold, cold every night here, so fucking cold, and no amount of weed will warm me up because I'm a long way from home and my bed and my room and my house and my family and anything and everything and everyone that I have ever loved, and I can sleep on a dirty floor with gum and spiders and garbage and wrappers and ants and dust and spit and cum, and I can sleep here and wake up, and I can sleep here and wake up again, but no amount of sleeping and waking will ever make it right.
Peter Brown Hoffmeister (The End of Boys)
BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
Gabe Durham (Fun Camp)
There is still another test that demonstrates Nature's protective mechanisms. Ordinarily, when the pulp of a tooth is exposed by dental caries, the pulp becomes not only infected, but dies opening up a highway of infection direct from the infected mouth to the inside of the fort at the end of the root. One expression of this is a dental abscess, the existence of which is usually unknown to the individual for sometime and the infecting germs pass more or less freely throughout the body by way of the blood stream and lymph channels. This infection may start the degeneration of organs and tissues of other parts of the body. Among some of the primitive races, whose nutritional programs provided a very high factor of safety, even though the teeth were worn down to the gum line and into what was formerly the pulp chamber, the pulp was not exposed. Nature had built a protecting zone, not in the cavity of the tooth in this case, but within the pulp chamber. This entirely blocked off a threatened exposure and kept the walls of the fort sealed against bacteria. This process does not occur in many instances in people of our modern civilization. Pulp chambers that are opened by wear provide exposed pulp which becomes infected with subsequent abscess formation. If a reinforced nutrition as efficient as that of many of the primitive races, is adopted, the pulp tissue will seal up the opening made by decalcification of the dentine, by building in a new layer of normal dentine which is vital and quite unlike the petrified decay exposed to the saliva, thus completely walling off the impending danger.
Anonymous
On July 4, 2015, Brewers center fielder Carlos Gomez left a gift for his counterpart Billy Hamilton. As the bottom of the third inning ended, Gomez left a pile of gum and a note for Hamilton that read, “I see you dropped all your gum so I brought you some more.” TV cameras captured Gomez leaving the gum, Hamilton finding it, and both men laughing as a result.
Bill Schroeder (If These Walls Could Talk: Milwaukee Brewers: Stories from the Milwaukee Brewers Dugout, Locker Room, and Press Box)
Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly.
Nelson A. Denis (War Against All Puerto Ricans: Revolution and Terror in America's Colony)
As I dress he navigates through channels on the television, calling out updates. The Henshaws are here. His parents have arrived. Then, “Do you think we could have sex tonight?” His voice is quiet. “It would be nice.” “It’s the night before our wedding,” I say. “I’m so glad.” He starts his electric toothbrush, shuts it off. “You are so hot.” The toothbrush hums across his molars as he switches to a ball game. The canned multitude of a crowd and an announcer proclaims, “Higher and higher, another victory.” The groom’s gums buzz. “I have to go down to the front desk to borrow a hair dryer,” I say. “Isn’t there one right here?” He yanks it from the wall, shows it to me. “I need,” I say, “another one.” I
Marie-Helene Bertino (Parakeet)
You can’t turn love on and off like a light switch, no matter how hard you try.  All you can do is wall it off, one brick at a time, until you’ve created an impenetrable fortress around your emotions.  And once that fortress is built, you camouflage it so well that even you can’t see it anymore.
Katherine Allred (The Sweet Gum Tree)
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Eugenie was sitting cross-legged in a corner, rubbing grains of sand between her fingers. She was giving him her harshest stare. “Can you tell me what the hell we’re doing here, my dear Franck?” Sharko couldn’t see clearly; he was blinded by tears. His lips opened in a sad smile. Blood began pouring from his nostrils and gums. “You really think I had a choice?” Atef knit his brow. He brandished his clamps again threateningly. “What are you talking about?” Eugenie stood up, eyes blazing. “You always have a choice!” “Not with my hands tied behind my back.” Sharko’s eyes were rolling in their sockets, following the girl’s movements around the room. Atef took a step back and turned around. Then the inspector leaped up and charged forward, headfirst, while still bound to his chair. He butted Atef in midabdomen with all his strength. The blow sent the Arab flying backward. There was a sharp intake of breath as he hit the wall. A steel spike jutted out of his left breast. His limbs went limp, but he wasn’t dead. His face was contorted in pain and his mouth gave no sound. He raised his hands to the metal rod, but had no strength to do anything more. Blood began flowing from his lips. Surely a perforated lung.
Franck Thilliez (Syndrome E)
When children in detention at the San Bernardino County Probation Department in California become violent, they are moved to a cell with the walls painted in bubble gum pink. Paul E. Boccumini, director of clinical services for the department, said, “The children tend to relax, stop yelling and banging and often fall asleep within ten minutes.” The use of brute force was previously used to calm psychotic and manic juveniles. “We used to have to literally sit on them,” said Boccumini. “Now we put them in the pink room. It works.
Cary G. Weldy (The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know)
Now, whenever she smelled the gums, the balsams, and the special aromatics that arrived with merchants from afar, her head reeled with images of temples, shrines, palaces, fortresses, mysterious walls, tapestries, paintings, jewels, liquors, icons, drugs, dyes, meats, sweets, sweetmeats, silks, bolts and bolts of cotton cloth, ores, shiny metals, foodstuffs, spices, musical instruments, ivory daggers and ivory dolls, masks, bells, carvings, statues (ten times as tall as she!), lumber, leopards on leashes, peacocks, monkeys, white elephants with tattooed ears, horses, camels, princes, maharajah, conquerors, travelers (Turks with threatening mustaches and Greeks with skin as pale as the stranger who had befriended her at the funeral grounds), singers, fakirs, magicians, acrobats, prophets, scholars, monks, madmen, sages, saints, mystics, dreamers, prostitutes, dancers, fanatics, avatars, poets, thieves, warriors, snake charmers, pageants, parades, rituals, executions, weddings, seductions, concerts, new religions, strange philosophies, fevers, diseases, splendors and magnificences and things too fearsome to be recounted, all writhing, cascading, jumbling, mixing, splashing, and spinning; vast, complex, inexhaustible, forever.
Tom Robbins (Jitterbug Perfume)
training needs to be part of the overall organization: “Training in a good organization should be work. It should be part of the expectation. [Otherwise] it’s stuck on the wall with chewing gum. Everything else you do and now you have to fit in training.
Lori Reed (Workplace Learning & Leadership: A Handbook for Library and Nonprofit Trainers)
Dallas latched on to the forearm of my hand curled around her throat and plastered her back against the hood of the car as I continued fucking her hard. The door behind us opened, and Jared walked in. “Oh, sorry. I didn’t mean to—” “Get the fuck out,” I roared. My demand shook the walls so hard I was surprised they hadn’t cracked. The door promptly closed. Perhaps because it was, by far, the most pleasurable experience I’d ever had, the orgasm wasn’t instant. It skulked forward, gripping each of my limbs with its claws, taking over me like a drug. I knew I’d regret what was about to happen. Yet, I could not even entertain the idea of stopping. Dallas quaked beneath me. The muscles of her thighs strained. Sliding into her hot tightness a few more times, I finally erupted inside her. It was glorious. And at the same time, felt as if someone had sucked my chest empty. I came, and I came, and I came into Dallas’s cunt. When I finally pulled out, everything between us was sticky. I peered down between her legs. My thick white cum dripped from her swollen red slit to the hood of my car. Pink flakes of blood scattered inside the cloudy, milky liquid. Panting and out of breath, I realized this marked the first time that I’d lost myself to a moment. That I’d forgotten everything. Including the fact that she was present. My gaze rode up her bruised pussy to her torso. Sometime during sex, I’d torn the top of her dress without even noticing. Red marks covered her exposed breasts. Full of scratches and bites. Her neck still bore the imprints of my fingers—how hard had I grabbed her? And though I dreaded seeing the aftermath on her face, I couldn’t stop myself. I looked up and nearly keeled over to vomit. Flushed pink cloaked her face. A single silent tear traveled down her cheek. A glossy sheen coated her hazel eyes, almost golden in their tone and empty as my chest. The corner of her lips had produced a thin line of blood. Her doing. Not mine. She’d bitten them to tamp down her pained cries. Shortbread wanted me to fuck her bareback so badly, she’d suffered through the entire ordeal. Incomparable guilt slammed into me. Bitterness hit the back of my throat. I’d taken her without considering her pleasure. Against my better judgment. And in the process, I’d ruined her first genuine experience of sex. “Sorry.” I jerked away from Dallas, shoved my dripping half-mast cock back into my pants, and zipped up. “Jesus. Fuck. I’m so—” The rest of the sentence vanished in my throat. I shook my head, still in disbelief that I’d fucked her to the point of blood and tears. Without even sparing her a glance. She sat up. That lone tear still shimmered from her cheek, somehow even worse than a loud sob. “Do you have any gum?” The perfect, even composure braided into her voice rattled me. In fact, everything about Dallas rattled me. On autopilot, I produced two pieces of gum from my tin container, forking them over to her. She tucked both into her pretty pink mouth that I would never kiss and fuck again. “Shortbread…” I stopped. An apology wouldn’t even begin to cover it. “No. It’s my time to speak.” She made no move to flee. To slap me. To call the police, her parents, her sister. My cum still dripped fat white drops through her exposed pussy. A single streak of blood smeared across the hood of my car. I stood far enough from her that I wasn’t a threat and listened.(Chapter 44)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
To describe the effect as ‘menacing’, was too melodramatic for her tastes, but there was something undeniably charged about it – secretive, even. It was the ghostly gums, she had decided, their smooth silver limbs like ladies’ naked bodies in the mist. There were eerie sites in England – the haunted cliffs and caves of Tintagel, the ruins of Ludlow Castle, Hadrian’s Wall, and Stonehenge – but their mysteriousness stemmed from their role in the human story, the crumbling vestiges of people from the past. In Australia, the strangeness came from the land itself. Its mystery and meaning existed outside language – or outside her own language, at any rate. It told its story in far more ancient ways and only to those who knew how to hear it.
Kate Morton (Homecoming)
The people of Mosquitia, even though they left behind impressive stone sculptures, did not erect great buildings or monuments in stone, the kind of structures that become dramatic ruins wowing people five centuries in the future. Instead, they constructed their pyramids, temples, and public buildings out of river cobbles, adobe, wattle and daub, and probably tropical hardwoods. They had gorgeous woods at their disposal such as mahogany, purple rosewood, aromatic cedar, and sweet gum. We have reasons to believe their weaving and fiber technology was truly spectacular. Imagine a temple made out of highly polished tropical hardwoods, with adobe walls that had been skillfully plastered, painted, incised, and decorated, the interiors draped in richly woven and colored textiles. Such temples might well have been just as magnificent as those of the Maya. But once abandoned, they dissolved in the rain and rotted away, leaving behind unimpressive mounds of dirt and rubble that were quickly swallowed by vegetation. In the acidic rainforest soils, no organic remains survive—not even the bones of the dead.
Douglas Preston (The Lost City of the Monkey God)
But I’m not going to think about my mother right now, because those thoughts take me down a rabbit hole where sadness sticks to the walls in hardened globs of old gum that break my fingernails when I try to scrape them off.
Melissa Payne (Memories in the Drift)
It felt like running her hands over the stone wall of an ancient ruin and suddenly touching a piece of hardened gum; it was like forgetting one simple word in the flowing lecture that is life.
Lin Yi-Han (房思琪的初戀樂園)
On the map the southern part of the Peloponnese looks like a misshapen tooth fresh torn from its gum with three peninsulas jutting southwards in jagged and carious roots. The central prong is formed by the Tayegtus mountains, which from their northern foothills in the heart of the Morea to their storm-beaten southern point, Cape Matapan, are roughly a hundred miles long. About half their length - seventy five miles on their western and forty five on their eastern flank and measuring fifty miles across - projects tapering into the sea. This is the Mani. As the Taygetus range towers to eight thousand feet at the centre , subsiding to north and south in chasm after chasm, these distances as the crow flies can with equanimity be trebled and quadrupled and sometimes, when reckoning overland, multiplied tenfold. Just as the inland Taygetus divides the Messenian from the Laconian plain, its continuation, the sea-washed Mani, divides the Aegean from the Ionian, and its wild cape, the ancient Taenarus and the entrance to Hades, is the southernmost point of Greece. Nothing but the bleak Mediterranean, sinking below to enormous depths, lies between this spike of rock and the African sands and from this point the huge wall of the Taygetus, whose highest peaks bar the bare and waterless inferno of rock. The Taygetus rolls in peak after peak to its southernmost tip, a huge pale grey bulk with nothing to interrupt its monotony.
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
...When my nephew was three, [his mother] was worrying about getting him into the right preschool. Kid's fifteen now. He's under pressure to make sure he gets good grades so he can get into a good school. He needs to show good extracurricular activities to get into a good school. He needs to be popular with his classmates. Which means be just like them. Dress right, use the proper slang, listen to proper music, go away on the proper vacations. Live in the right neighborhood, be sure his parents drive the right car, hang with the right group, have the right interests. He has homework. He has soccer practice and guitar lessons. The school decides what he has to learn, and when, and from whom. The school tells him which stairwell he can go up. It tells him how fast to move through the corridors, when he can talk, when he can't, when he can chew gum, when he can have lunch, what he is allowed to wear..." Rita paused and took a drink. "Boy", I said. "Ready for corporate life." She nodded. "And the rest of the world is telling him he's carefree," she said. "And all the time he's worried that the boys will think he's a sissy, and the school bully will beat him up, and the girls will think he's a geek." "Hard times," I said. "The hardest," she said. "And while he's going through puberty and struggling like hell to come to terms with the new person he's becoming, running through it all, like salt in a wound, is the self-satisfied adult smirk that keeps trivializing his angst." "They do learn to read and write and do numbers," I said. "They do. And they do that early. And after that, it's mostly bullshit. And nobody ever consults the kid about it." "You spend time with this kid," I said. "I do my Auntie Mame thing every few weeks. He takes the train in from his hideous suburb. We go to a museum, or shop, or walk around and look at the city. We have dinner. We talk. He spends the night, and I usually drive him back in the morning." "What do you tell him?" I said. "I tell him to hang on," Rita said. She was leaning a little forward now, each hand resting palm-down on the table, her drink growing warm with neglect. "I tell him that life in the hideous suburb is not all the life there is. I tell him it will get better in a few years. I tell him that he'll get out of that stultifying little claustrophobic coffin of a life, and the walls will fall away and he'll have room to move and choose, and if he's tough enough, to have a life of his own making." As she spoke, she was slapping the tabletop softly with her right hand. "If he doesn't explode first," she said. "Your jury summations must be riveting," I said. She laughed and sat back. "I love that kid," she said. "I think about it a lot." "He's lucky to have you. Lot of them have no one." Rita nodded. "Sometimes I want to take him and run," she said. The wind shifted outside, and the rain began to rattle against the big picture window next to us. It collected and ran down, distorting reality and blurring the headlights and taillights and traffic lights and colorful umbrellas and bright raincoats into a kind of Parisian shimmer. "I know," I said.
Robert B. Parker (School Days (Spenser, #33))
The glory of Manhattan which Willie had seen from the airplane was nowhere visible at Broadway and Fiftieth Street when he came up out of the subway. It was the same old dirty crowded corner: here a cigar store, there an orange-drink stand, yonder a flickering movie marquee, everywhere people with ugly tired faces hurrying in a bitter wind that whirled flapping newspapers and little spirals of dry snow along the gutters. It was all as familiar to Willie as his hand. The reception room of the Sono-phono Studios, some seven feet square, consisted of plasterboard walls, a plasterboard door in back, a green metal desk, and a very ugly receptionist with a plasterboard complexion, chewing a large wad of pink gum. “Yeah? What can I do for you?
Herman Wouk (The Caine Mutiny)
The twelve burros crane their scrawny necks in his direction when Brady emerges from the merc. He reaches into his greatcoat, pulls out a tin of Star Navy tobacco, and shoves a chaw between lips and gums gone blackish purple in the last year. “What the hell?” he whispers. When he delivered supplies two weeks ago, this little mining town was bustling. Now Abandon looms listless before him in the gloom of late afternoon, streets empty, snow banked high against the unshoveled plank sidewalks, no tracks as far as he can see. The cabins scattered across the lower slopes lie buried to their chimneys, and with not a one of them smoking, the air smells too clean. Brady is a man at home in solitude, often spending days on the trail, alone in wild, quiet places, but this silence is all wrong—a lie. He feels menaced by it, and with each passing moment, more certain that something has happened here. A wall of dark clouds scrapes over the peaks, and snowflakes begin to speck the sleeves of his slicker. Here comes the wind. Chimes clang together over the doorway of the merc. It will be night soon.
Blake Crouch (Abandon)
Kasey-Ray's bedroom was painted baby pink and had a bubble-gum pink carpet, whereas mine had a purple carpet and pale lemon walls.
Lavinia Urban (The Beginning (Erin the Fire Goddess #1))
Everyone loves bands. We could pretend we’re a rock group and lip synch all the music.” “That’s not different enough. Everyone expects us to plan something really special,” Ariel complained. “After all, most of us are old-timers. We know the ropes around camp. Even first-timers like Becky could plan that kind of party.” Even a bunch of first-timers like me, huh? What a slam! I punched my fist into the wad of clothes in my suitcase and Triple Tropical Bubble Gum popped up all over. More than anything, I wanted to show these girls that I was special, too. “Too bad you can’t have live music,” I said slyly. Carefully, I pulled my posters of Eric and Outta Site out of my bag. I took a wad of Triple Tropical out of my mouth, broke it into pieces, and stuck it on the corners of my posters. Then, I hung the posters next to my bed. Triple Tropical is great for hanging things on walls. According to my mom it never lets go. “Where would we get live music?” Suzanne asked with a sneer. “I suppose we could have the kitchen staff play on their pots and pans with spoons.” “And the counselors could blow their whistles!” Ariel giggled. “We could clap our hands and hum,” Meg suggested. Denni chuckled. “Great idea, Becky!
Judy Baer (Camp Pinetree Pals (Treetop Tales))
You know Eric Richards? I mean, like, personally know him?” Her eyes were so large they nearly disappeared under the fringe of her bangs. “I mean, as in really, truly know him?” I was about to say something, but before I could, Meg threw herself backward onto one of the bunk beds and squealed, “He’s so cute!” “He must be the cutest boy in the entire world,” Katie added. “And the best singer,” Suzanne added. What am I doing? I wondered. The closest I’d ever been to Eric Richards was the poster I’d glued to my wall with Triple Tropical Bubble Gum.
Judy Baer (Camp Pinetree Pals (Treetop Tales))