Guitar Strap Quotes

What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.

I palmed his face and mushed him away from me before I got too angry and started really wailing on him. “Grab Alex’s guitar then and see if you can even remember how to hold it.”We all watched in horror as Tucker drunkenly tried to strap Alex’s precious guitar on,banging it into the speakers and amps, stumbling and struggling with it as he tried to stand up straight. “You have got you be kidding me,” Ethan growled when Tucker finally got the guitar strapped to him. Backwards. Then his legs seemed to buckle under him and he dropped heavily to his knees on the floor. Alex’s eyes widened and his jaw flew open. “Get my guitar! Get it away from him! Get it! Geeeeet Ittttttttt!” he yelled.

Prison left me with some strange little tics.' She has taken all the door off their hinges in all the apartments she has lived in since. It's not that she has anxiety attacks about small spaces, she says, it's just that she starts to sweat and go cold. 'This apartment is perfect for me,' she says, looking around the open space. 'How about elevators?' I ask, recalling the schlepp up the stairs. 'Exactly,' she replies, 'I don't like them much either.' One day, years later, her husband Charlie was fooling around at home, playing the guitar. Miriam said something provocative and he stood up suddenly, lifting his arm to take off the guitar strap. He was probably just going to say 'That's outrageous', or tickle her or tackle her. But she was gone. She was already down in the courtyard of the building. She does not remember getting down the stairs-it was an automatic flight reaction.

don’t have to glance back to see her expression. With her chin tilted skyward, red hair ablaze, and guitar strapped to her back, I know she’s curving those plump lips into a serene smile as she soaks up the fading warmth of twilight. She loves this land as much as I do. She loves me. And this is our night. I’ve memorized the contours of her body as thoroughly as the terrain of our

Straining to hear, I can make out something acoustic. Coming from...the backyard? I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve. But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan. What an asshole. The mesh screen and two floors between us don't seem like enough to protect him from my anger. "Nice apology," I call down to him. "I've apologised thirteen times," he yells back, "and so far you haven't called me back." I open my mouth to say it doesn't matter, but he's already redirecting the song. "Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here." (...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!" The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..." I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him. (...) "Dad. How did Matt know which window was mine?" "Well..." he peeks over the sports section. "I reckon I told him." "You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!" He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned." "It's not any of those things! I hate him!

Julio sets his guitar in the man's lap, wrapping the strap around the man's shoulder... I fight the urge to pluck it out of his hands. To tell Julio we'll all take turns carrying it. It's hard to watch him walk away from the one thing he refused to part with.

Willow nodded. “Far be it from me to make excuses for him, and I’m not trying to do that now. But you are the prettiest little thing, Nicks. And then you strap on that guitar, and you turn into a ten-foot-tall warrior woman. I imagine you were a shock to Mr. Jensen’s nervous system the first time he saw you. He has no justification for being an idiot, but I’ll tell you, based on what I know about men, that his reaction was understandable to a certain extent. You must’ve come across like a ten on the Richter scale the first time he saw you play.

Daddy sleeked back his hair and the doorbell rang. 'Answer the door, Rose,' said Indigo. 'I will,' said David kindly, and began getting to his feet, and Saffy and Caddy and Indigo and Michael all grabbed him, exclaiming 'No, you won't!' So I answered the door. How can that be? How can it be that this person is here? Is it a trick? Is it Christmas magic? That guitar strap looks exactly like the one I bought. 'TOM!!!' I screamed, and dragged him in through the door. Tom said 'Happy Christmas, Permanent Rose! I can't believe you didn't guess!' I said 'But what time is it in New York?' 'What does it matter what time it is in New York?' asked Tom. 'I'm not in New York. I'm here.

Looks like we found it." John said. "Where are we?" As far as Link could tell, there was nothing to find. John pointed up at the white signs at the intersection that read 61 and 49, and Liv checked her selonometer as if they weren't standing in the middle of nowhere. "Are those numbers supposed to mean something to us?" Floyd asked. "We're at the intersection of Highways 61 and 49 in Clarksdale, Mississippi," John said. Sampson shook his head. " I feel like an idiot. Any guitar player worth his strings knows about this place. It's where Robert Johnson made a deal with the Devil." Floyd's eyes widened. "Seriously? We're at the crossroads?" John nodded. "The one and only." Liv glanced at John. "I'm assuming this is an American thing?" He put his arm around her. "Yeah, sorry. It's an old rock and roll myth- at least as far as mortals are concerned. In the 1930s, a blues musician named Robert Johnson disappeared for a couple of weeks. According to the story, he brought his guitar right here to this crossroads-" Link jumped in. "Then he traded his soul to become the most famous blues guitarist in history." Sampson tugged on his leather pants, which weren't the best choice in the Mississippi heat. "Totally a fair trade, as far as I'm concerned." "Thought the same thing myself," a man's voice called out from behind them. Link wheeled around. A young man wearing a wrinkled white shirt, a black jacket, and a Panama hat stood on the side of the road with a three-legged black Labrador. There was a weariness in the man's eyes of someone much older. A battered guitar hung from a strap slung around his back.

I love this old Gibson.” He plucks a few notes before ducking out from under the leather strap. “It’s what kept me sane during those times in life when the waters were rising faster than I could bail.

Uchenna Devereaux normally left her house with one shoe untied, half her homework still under the bed upstairs, playing air guitar, and singing a song she’d made up that morning in the shower. But not today. She opened her front door and looked down her street in both directions before slipping out into the cool autumn morning. She put her backpack over her shoulders, pulled the straps tight, and began walking, warily, to school. Yesterday had been a weird day. She had made a new friend named Elliot. He wasn’t exactly cool—he got nervous easily, he memorized entire books about things that could kill him, and he was definitely not rock-and-roll. But he was smart and funny, and Uchenna liked him. Also, they’d met a Jersey Devil and been invited by the school’s weirdest teacher to join a secret society. This secret society had very rich and very powerful enemies: the Schmoke brothers, two billionaires who owned businesses all over the world, and half their little town.

6th Avenue Heartache" Sirens ring, the shots ring out A stranger cries, screams out loud I had my world strapped against my back I held my hands, never knew how to act And the same black line that was drawn on you Was drawn on me And now it's drawn me in 6th Avenue heartache Below me was a homeless man I'm singin' songs I knew complete On the steps alone, his guitar in hand It's fifty years, stood where he stands And the same black line that was drawn on you Was drawn on me And now it's drawn me in 6th Avenue heartache Now walkin' home on those streets The river winds move my feet Subway steam, like silhouettes in dreams They stood by me, just like moonbeams And the same black line that was drawn on you Was drawn on me And now it's drawn me in 6th Avenue heartache Look out the window, down upon that street And gone like a midnight was that man But I see his six strings laid against that wall And all his things, they all look so small I got my fingers crossed on a shooting star Just like me-just moved on And the same black line that was drawn on you Was drawn on me And now it's drawn me in 6th Avenue heartache Bringing Down the Horse (1996)

For People Starting Out—Say “Yes” When Derek was 18, he was living in Boston, attending the Berklee College of Music. “I’m in this band where the bass player, one day in rehearsal, says, ‘Hey man, my agent just offered me this gig—it’s like $ 75 to play at a pig show in Vermont.’ He rolls his eyes, and he says, ‘I’m not gonna do it, do you want the gig?’ I’m like, ‘Fuck yeah, a paying gig?! Oh, my God! Yes!’ So, I took the gig to go up to Burlington, Vermont. “And, I think it was a $ 58 round-trip bus ticket. I get to this pig show, I strap my acoustic guitar on, and I walked around a pig show playing music. I did that for about 3 hours, and took the bus home, and the next day, the booking agent called me up, and said, ‘Hey, yeah, so you did a really good job at the pig show. . . .’ “So many opportunities, and 10 years of stage experience, came from that one piddly little pig show. . . . When you’re earlier in your career, I think the best strategy is to just say ‘yes’ to everything. Every little gig. You just never know what are the lottery tickets.