Guitar Hero Quotes

We've searched our database for all the quotes and captions related to Guitar Hero. Here they are! All 31 of them:

I don't know why you're making the poor girl play with you," Peter said. "You're going to completely slaughter her." "Well, I am the greatest Guitar Hero player of all time," Jack said.
Amanda Hocking (My Blood Approves (My Blood Approves, #1))
You know what would be fun? Nobody wants to play Guitar Hero. But you can play the Beatles! You loved the Beatles!
Amanda Hocking (My Blood Approves (My Blood Approves, #1))
You are working up to Mr. Fantastic Fiction levels of Zombie Expert, which is like playing Guitar Hero on some level that actually melts the guitar controller, burning your fingers with searing hot plastic till you scream in pain. Only with words. And zombies.
Libba Bray
The coffee shops were doing a brisk business, and street musicians filled the air with the sounds of guitar, lyre, panpipes, and armpit noises. (Percy didn’t get that last one. Maybe it was an old Roman musical tradition.)
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Unless you're a true prodigy, you're going to have to practice for a while being bad before you get any good. And it will seem like a waste of time. I remember that feeling well. But don't worry about wasting time, because it'll be so worth it. It's my experience that in the end, life lessons and guitar lessons begin to blur in all sorts of interesting ways.
Brad Paisley (Diary of a Player: How My Musical Heroes Made a Guitar Man Out of Me)
I felt every part of that animal music, felt it eat me up and spit me out, and what emerged was a me a thousand times more powerful than Piper Vaughan. I was Piper Vaughan, guitar hero - spiritual descendant of Jimi Hendrix and proponent of pure anarchy. And I ROCKED.
Antony John
She missed his voice, the music he played on his guitar, the sound of his laughter. And sex. yes, she missed that, too. Having the evenings and weekends free to whatever she wanted--something she had once cherished about being single--wasn't nearly as satisfying as doing those things with Javier. But that's what it meant to love a military man.
Pamela Clare
Of course one’s sense of identification with the nation is inflected by all kinds of particulars, including one’s class, race, gender, and sexual identification. … But [regarding] national character …, aside from references to a national aesthetic — literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both — the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the “trashy, profane and obscene” poems of Whitman and Ginsberg, [and] Martha Graham’s expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero.
Barbara Browning
Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.
D. Denise Dianaty (My Life In Poetry)
In explaining the way that trivial, if diverting, pursuits like Guitar Hero provide an easy alternative to meaningful work, Horning draws on the writing of political theorist Jon Elster. In his 1986 book An Introduction to Karl Marx, Elster used a simple example to illustrate the psychic difference between the hard work of developing talent and the easy work of consuming stuff: Compare playing the piano with eating lamb chops. The first time one practices the piano it is difficult, even painfully so. By contrast, most people enjoy lamb chops the first time they eat them. Over time, however, these patterns are reversed. Playing the piano becomes increasingly more rewarding, whereas the taste for lamb chops becomes satiated and jaded with repeated, frequent consumption. Elster then made a broader point: Activities of self-realization are subject to increasing marginal utility: They become more enjoyable the more one has already engaged in them. Exactly the opposite is true of consumption. To derive sustained pleasure from consumption, diversity is essential. Diversity, on the other hand, is an obstacle to successful self-realization, as it prevents one from getting into the later and more rewarding stages. “Consumerism,” comments Horning, “keeps us well supplied with stuff and seems to enrich our identities by allowing us to become familiar with a wide range of phenomena—a process that the internet has accelerated immeasurably. . . . But this comes at the expense with developing any sense of mastery of anything, eroding over time the sense that mastery is possible, or worth pursuing.” Distraction is the permanent end state of the perfected consumer, not least because distraction is a state that is eminently programmable. To buy a guitar is to open possibilities. To buy Guitar Hero is to close them. A
Nicholas Carr (Utopia Is Creepy: And Other Provocations)
Wish You Were Here" So, so you think you can tell Heaven from Hell, blue skies from pain. Can you tell a green field from a cold steel rail? A smile from a veil? Do you think you can tell? Did they get you to trade your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? Did you exchange A walk-on part in the war for a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls swimming in a fish bowl, year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.
David Gilmour (Pink Floyd: Wish You Were Here : Guitar Tab Edition [Songbook])
When boys called Bob and Bono would bring their own wild-rhythm celebration and the world would fall down in worshipful hallelujahs as it again acknowledged Ireland's capacity to create missionaries. So what if they were "the boys in the band"? They sang from a pulpit, an enormous pulpit looking down on a congregation that would knock your eyes out. A city that had produced Joyce and Beckett and Yeats, a country that had produced poet-heroes and more priests and nuns per head of population than almost any on earth was not going to spawn boys who just wanted to stand before a packed hall of gyrating teenagers and strum their guitars and sing. They had to have a message. One of salvation; they were in it to save the world. Like I said, we're teachers, missionaries.
Josephine Hart (The truth about love)
Deming preferred Peter’s old headphones because they were a bigger buffer to the world. The blank streets and large trees became comical when paired with a soundtrack, made him an action hero instead of an abandoned boy, and Planet Ridgeborough blew up. Platinum flowers morphed into oscillating lines and dancing triangles, electric blue snare drums punctuated a chocolate bass line topped with sticky orange guitar, turquoise vocals whipped into a thick, buttery frosting. He played and replayed, played and replayed. As he walked down Oak Street he shut his eyes and pretended he was in the city with his mother.She looked like him, he looked like her, they looked like the other people they saw on streets and trains. In the city, he had been just another kid. He had never known how exhausting it was to be conspicuous.
Lisa Ko (The Leavers)
Both C.K. and Bieber are extremely gifted performers. Both climbed to the top of their industry, and in fact, both ultimately used the Internet to get big. But somehow Bieber “made it” in one-fifteenth of the time. How did he climb so much faster than the guy Rolling Stone calls the funniest man in America—and what does this have to do with Jimmy Fallon? The answer begins with a story from Homer’s Odyssey. When the Greek adventurer Odysseus embarked for war with Troy, he entrusted his son, Telemachus, to the care of a wise old friend named Mentor. Mentor raised and coached Telemachus in his father’s absence. But it was really the goddess Athena disguised as Mentor who counseled the young man through various important situations. Through Athena’s training and wisdom, Telemachus soon became a great hero. “Mentor” helped Telemachus shorten his ladder of success. The simple answer to the Bieber question is that the young singer shot to the top of pop with the help of two music industry mentors. And not just any run-of-the-mill coach, but R& B giant Usher Raymond and rising-star manager Scooter Braun. They reached from the top of the ladder where they were and pulled Bieber up, where his talent could be recognized by a wide audience. They helped him polish his performing skills, and in four years Bieber had sold 15 million records and been named by Forbes as the third most powerful celebrity in the world. Without Raymond’s and Braun’s mentorship, Biebs would probably still be playing acoustic guitar back home in Canada. He’d be hustling on his own just like Louis C.K., begging for attention amid a throng of hopeful entertainers. Mentorship is the secret of many of the highest-profile achievers throughout history. Socrates mentored young Plato, who in turn mentored Aristotle. Aristotle mentored a boy named Alexander, who went on to conquer the known world as Alexander the Great. From The Karate Kid to Star Wars to The Matrix, adventure stories often adhere to a template in which a protagonist forsakes humble beginnings and embarks on a great quest. Before the quest heats up, however, he or she receives training from a master: Obi Wan Kenobi. Mr. Miyagi. Mickey Goldmill. Haymitch. Morpheus. Quickly, the hero is ready to face overwhelming challenges. Much more quickly than if he’d gone to light-saber school. The mentor story is so common because it seems to work—especially when the mentor is not just a teacher, but someone who’s traveled the road herself. “A master can help you accelerate things,” explains Jack Canfield, author of the Chicken Soup for the Soul series and career coach behind the bestseller The Success Principles. He says that, like C.K., we can spend thousands of hours practicing until we master a skill, or we can convince a world-class practitioner to guide our practice and cut the time to mastery significantly.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
FACT 4 – There is more to the creation of the Manson Family and their direction than has yet been exposed. There is more to the making of the movie Gimme Shelter than has been explained. This saga has interlocking links to all the beautiful people Robert Hall knew. The Manson Family and the Hell’s Angels were instruments to turn on enemy forces. They attacked and discredited politically active American youth who had dropped out of the establishment. The violence came down from neo-Nazis, adorned with Swastikas both in L.A. and in the Bay Area at Altamont. The blame was placed on persons not even associated with the violence. When it was all over, the Beatles and the Rolling Stones were the icing on this cake, famed musicians associated with a racist, neo-Nazi murder. By rearranging the facts, cutting here and there, distorting evidence, neighbors and family feared their own youth. Charles Manson made the cover of Life with those wide eyes, like Rasputin. Charles Watson didn’t make the cover. Why not? He participated in all the killings. Manson wasn’t inside the house. Manson played a guitar and made records. Watson didn’t. He was too busy taking care of matters at the lawyer’s office prior to the killings, or with officials of Young Republicans. Who were Watson’s sponsors in Texas, where he remained until his trial, separate from the Manson Family’s to psychologically distance him from the linking of Watson to the murders he actually committed. “Pigs” was scrawled in Sharon Tate’s house in blood. Was this to make blacks the suspects? Credit cards of the La Bianca family were dropped intentionally in the ghetto after the massacre. The purpose was to stir racial fears and hatred. Who wrote the article, “Did Hate Kill Tate?”—blaming Black Panthers for the murders? Lee Harvey Oswald was passed off as a Marxist. Another deception. A pair of glasses was left on the floor of Sharon Tate’s home the day of the murder. They were never identified. Who moved the bodies after the killers left, before the police arrived? The Spahn ranch wasn’t a hippie commune. It bordered the Krupp ranch, and has been incorporated into a German Bavarian beer garden. Howard Hughes knew George Spahn. He visited this ranch daily while filming The Outlaw. Howard Hughes bought the 516 acres of Krupp property in Nevada after he moved into that territory. What about Altamont? What distortions and untruths are displayed in that movie? Why did Mick Jagger insist, “the concert must go on?” There was a demand that filmmakers be allowed to catch this concert. It couldn’t have happened the same in any other state. The Hell’s Angels had a long working relationship with law enforcement, particularly in the Oakland area. They were considered heroes by the San Francisco Chronicle and other newspapers when they physically assaulted the dirty anti-war hippies protesting the shipment of arms to Vietnam. The laboratory for choice LSD, the kind sent to England for the Stones, came from the Bay Area and would be consumed readily by this crowd. Attendees of the concert said there was “a compulsiveness to the event.” It had to take place. Melvin Belli, Jack Ruby’s lawyer, made the legal arrangements. Ruby had complained that Belli prohibited him from telling the full story of Lee Harvey Oswald’s murder (another media event). There were many layers of cover-up, and many names have reappeared in subsequent scripts. Sen. Philip Hart, a member of the committee investigating illegal intelligence operations inside the US, confessed that his own children told him these things were happening. He had refused to believe them. On November 18, 1975, Sen. Hart realized matters were not only out of hand, but crimes of the past had to be exposed to prevent future outrages. How shall we ensure that it will never happen again? It will happen repeatedly unless we can bring ourselves to understand and accept that it did go on.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
Distraction is the permanent end state of the perfected consumer, not least because distraction is a state that is eminently programmable. To buy a guitar is to open possibilities. To buy Guitar Hero is to close them.
Nicholas Carr (Utopia Is Creepy: And Other Provocations)
But I have to tell you something. It's important." He froze, teetered on the tiles, his eyes glistening in the morning light. "What?" "I hacked Guitar Hero. There was no possible way I could have lost." A smile tugged at the corners of his lips. "I know." Puzzled, she frowned. "Then why did you keep playing?" "It made you happy," he said simply. "Same reason I brought you math puzzles, played video games with you when Sanjay wasn't around, tried to guess the after-school snack instead of looking at your meal plan, and offered to take you to the prom when you didn't have a date. I wanted you to be happy, Daisy. I still do.
Sara Desai (The Dating Plan (Marriage Game, #2))
Jimi Hendrix is the Greatest, Jeff Beck is the Best, but I prefer to listen to Jimmy Page
Kevin Kolenda
since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly. “Yeah, sure,” I nodded, as she walked away giggling with Danielle. “Merry Christmas to me!” I whispered to TJ and Simon. “Yeah, there’s just one problem, Dufus,” TJ said. “Oh yeah, what’s that, TJ? That she didn’t give you her number?” I asked. “No, Dork. How are you going to text her if you don’t have a cell phone?” He smiled. “Oh, right,” I said, slumping down in my seat. “That could be a problem.” “You could just call her on your home phone,” Simon suggested, wiping his nose with a napkin. “Yeah, sure,” TJ chuckled. “Hi Emily, this is Alex Baker calling from the year 1984.” He held his pencil to his ear like a phone.  “Would you like to come over to play Atari? Then maybe we can solve my Rubik’s Cube while we break dance ….and listen to New Kids on the Block.” He was cracking himself up and turning bright red. “Maybe I’ll type you a love letter on my typewriter. It’s so much cooler than texting.” “Shut up, TJ,” I said, smiling. “I’m starting to remember why I didn’t like you much at the beginning of the year.” “Lighten up, Baker. I’m just bustin’ your chops. Christmas is coming. Maybe Santa will feel sorry for your dorky butt and bring you a cell phone.” Chapter 2 ePhone Denied When I got home from school that day, it was the perfect time to launch my cell phone campaign. Mom was in full Christmas mode. The house smelled like gingerbread. She had put up the tree and there were boxes of ornaments and decorations on the floor. I stepped over a wreath and walked into the kitchen. She was baking sugar cookies and dancing around the kitchen to Jingle Bell Rock with my little brother Dylan. My mom twirled Dylan around and smiled. She was wearing the Grinch apron that we had given her last Christmas. Dylan was wearing a Santa hat, a fake beard, and of course- his Batman cape. Batman Claus. “Hey Honey. How was school?” she asked, giving Dylan one more spin. “It was pretty good. We won second place in the talent show.” I held up the candy cane shaped award that Ms. Riley had given us. “Great job! You and TJ deserved it. You practiced hard and it payed off.” “Yeah, I guess so,” I said, grabbing a snicker-doodle off the counter. “And now it’s Christmas break! I bet your excited.” She took a tray of cookies out of the oven and placed
Maureen Straka (The New Kid 2: In the Dog House)
The Colombian from Caramanta sees Jorge Negrete with his guitar, his big sombrero, his pistols, and reacts to the hero in the same way as the little Indian from Tlaxcala, the cholo from Cuzco, the Juan Bimba from Merida. He too longs to have a girlfriend with bottomless eyes and black braids, a spirited horse, a noble guitar full of songs, and a wonderful manly voice to sing them. Jorge Negrete was, in the movies as in life, what millions of American men, poor and sad, alone, without a woman, a horse or songs wished to be.
Robert McKee Irwin
I think the fact that I did not have the masters, that I don’t have any musical heroes…my music is pretty original. Nearly anyone you talk to in my generation had a hero that they studied and analyzed and strove to be like. They did air guitar in front of the mirror. So it was less “muse” than “ick.” Music comes from the muse, not from other musicians.
Joni Mitchell (Joni Mitchell: In Her Own Words)
Jimi Hendrix is the Greatest, Jeff Beck is the Best, Eric Clapton has no equal, but I prefer to listen to Jimmy Page
Kevin Kolenda
Not just together. They’re practically engaged except for the pesky matter of your dad’s approval.” Layla grinned. “But you know what the two of them are like. They can’t get out of their own heads. It took a broken menstrual pad dispenser, a chance encounter, an inheritance, a failing company, a distillery, a rishta auntie, a hapless suitor, a spreadsheet, seven dates, a sword, extra-hot pork vindaloo, an Irish brawl, a sick dog, endless games of Guitar Hero, a hockey game, Shark Stew, a broken bed, a walk of shame, a quiz night, back-office shenanigans, a jealous ex, a motorcycle crash, a crisis of conscience, a break up, six pints of ice cream, four pounds of gummy bears, a partnership offer, a heart-to-heart, a family interrogation, a grovel, and a death-defying midnight climb to get them together. And now, apparently, it’s all up to you.
Sara Desai (The Dating Plan (Marriage Games, #2))
It took a broken menstrual pad dispenser, a chance encounter, an inheritance, a failing company, a distillery, a rishta auntie, a hapless suitor, a spreadsheet, seven dates, a sword, extra-hot pork vindaloo, an Irish brawl, a sick dog, endless games of Guitar Hero, a hockey game, Shark Stew, a broken bed, a walk of shame, a quiz night, back-office shenanigans, a jealous ex, a motorcycle crash, a crisis of conscience, a break up, six pints of ice cream, four pounds of gummy bears, a partnership offer, a heart-to-heart, a family interrogation, a grovel, and a death-defying midnight climb to get them together.
Sara Desai (The Dating Plan (Marriage Game, #2))
You have gifts that people can only dream of having. They make you special and utterly unique in a way that is as far from weird as you can get. You blew my mind when you were a girl. I loved coming here to see what you could do, whether it was solving difficult math puzzles, destroying your dad at chess, memorizing the entire Human section of The Guinness Book of World Records, or trying to beat me at video games." She jolted up, her mouth curving in a grin. "Trying? Seriously? Was there a video game I didn't win?" Cheer-up mission accomplished, but his ego was taking a beating. "Guitar Hero was never your strong suit." "Don't even think about challenging me," Daisy warned. "I was a free-shredding machine." He gave a dismissive shrug, baiting his trap. "You were young, so Sanjay and I let you win..." She gave him a calculating stare and jumped to her feet. "The guitar is mine." "The guitar is lame. Drums are where it's at." He picked up the mugs and plates. "Two songs and I'll call an Uber." "What if we tie? It will have to be the best of three songs and I'll call an Uber." "Are you sure you're up for it?" He watched the gentle sway of her hips as she climbed the stairs. "I don't want you to feel bad when I destroy you." Daisy looked back over her shoulder and gave him a grin. "You are so going down in flames.
Sara Desai (The Dating Plan (Marriage Game, #2))
So that girl you told us about at the will reading... She's real?" "Very real. Her name's Daisy. She's the sister of an old friend. She knows what it's all about and she's okay with it because the arrangements benefits her, too." "I thought she hated you." Joe leaned against the faded white picket fence that surrounded the visitor center. "I think we may have worked that out." He wasn't sure how Daisy felt about him, but after the other night, he was pretty sure hate wasn't at the top of her list. "Well, good for you. I won't say anything. As far as I'm concerned, you've known her forever." "I have known her forever, but we've gone on dates to make it seem more real." He pulled out his phone to show Joe the pictures of him and Daisy at the clothing store, the restaurant, the hockey game, and the one he'd taken when he'd declared her the winner of their Guitar Hero marathon. Joe gave him a quizzical look. "You sure it's fake? Looks like you two are having fun." Liam stared at the picture they'd taken at the hockey game. She'd kissed him, not the other way around. And it hadn't been for show. He'd seen something in her face---something soft and raw and real. And then, just when he'd thought it was all over, when his past had come back to haunt him, she'd shown him just how strong she really was, and made him want her even more.
Sara Desai (The Dating Plan (Marriage Game, #2))
since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly.
Maureen Straka (The New Kid 2: In the Dog House)
That is their work, they imply, and they also imply that you, and your actual work, are fine but also neglectful and sad. They don’t say that, though. They say, Don’t worry if you can’t be there, at the mid-fall solstice sing-along, the late-winter sledding-song craft fair and potluck. Not a big deal with the mid-spring parent-student doubles badminton under-the-lights evening funmaker. No problem with the mother-daughter pajama party on every third Wednesday movie day Sound of Music bring your own guitar or lyre. No need to bring treats on your child’s birthday. No need to come in for career day. No need to swing by the opening of the new art studio which features real clay-throwing technology. Don’t care about art? Not an issue. No need, no need, no need, it’s fine, no problem, though you really are selfish and your children doomed. When they are first to try crack—they will try it and love it and sell it to our culture-loving children—we will know why.
Dave Eggers (Heroes of the Frontier)
Bowie’s five best albums came all in a five-year rush: Station to Station (1976), Low (1977), “Heroes” (1977), Lodger (1979), Scary Monsters (1980). What do these albums have in common? The rhythm section: Dennis Davis on drums, George Murray on bass, and Carlos Alomar on guitar.
Rob Sheffield (On Bowie)
Yet Bowie was just hitting his golden years, rushing out his five best albums from 1976 to 1980, the best five-album run of anyone in the seventies (or since): Station to Station, Low, “Heroes,” Lodger, and Scary Monsters. In this time span, he also made the two albums that brought back Iggy Pop from the dead—The Idiot, prized by Bowie freaks as a rare showcase for his eccentric lead guitar, and Lust for Life—and his finest live album, Stage, from the 1978 tour, absurdly turning the ambient instrumentals from Low and “Heroes” into arena rock. As he put it at the time, “I’m using myself as a canvas and trying to paint the truth of our time on it. The white face, the baggy pants—they’re Pierrot, the eternal clown putting across the great sadness of 1976.
Rob Sheffield (On Bowie)
Chris didn’t look down on any musical genre as unworthy of further inquiry,
Kimberly J Bright (Chris Spedding: Reluctant Guitar Hero)